#also writing my original story or at least trying to

[vyragosa]

i don't have anything smart to say recently, my brain is really preoccupied by the ship dismantling and farming simulators, but there will always be a place for samhiggs and tentacles that is

[icewindandboringhorror]

finally finished all of one character's entire quests/optional dialogue/questions/etc.... 100,000 words... .... aughhh

[inscrutable-shadow]

@painful-pooch requested: "Thanatos for snoozeville" from this ask game! (incredibly late i am so sorry lol)

contains: toothaching fluff and m/m romance

Snoozeville - Thanatos falls asleep somewhere that isn't his bed.

The first thing Than saw when he awoke was white. His first groggy thought was that he'd died and gone to heaven, but that was rapidly debunked by two facts: one, he had never been Christian (if he were to go anywhere, it would almost certainly be Hades) and two, that vampires didn't go to heaven (that being the point of the curse, immortality and all). He also didn't feel particularly dead. At least, not more than usual.

He looked up a little further and saw red. Literally, not metaphorically. The red silk of the Archfey's robes peeled from his face as he turned his head and rubbed his eyes. "What... happened?" he asked, as was all too frequent between them.

The Archfey smiled down at him affectionately. "You fell asleep."

"Obviously. I mean how did I get here?" He was having trouble remembering anything at all. Had he been drinking? Ae laughed and carded aer fingers through his hair, making him shudder and cuddle closer to aer. "I brought winter to the domain, remember? So that we could play in the snow? I had such a good time." Oh, yes. He'd probably overdone it on the mulled wine. "We were making those... what did you call them? Snow angels? And I was talking to you, of course, and then you stopped talking back. I was quite worried, but when I brought you inside and put you in my lap to warm you up, well... you began purring, so I knew you must be all right." "No..." Surely he hadn't... Vampires were borderline cold-blooded and therefore tended to become sleepy in the cold. Before the Archfey, like many others he would spend the winter months holed up somewhere sleeping in a dark box and barely coming out to eat. It probably contributed a good deal to particular vampire legends. The combination of the cold weather and being tipsy might have resulted in... embarrassing lapses. "Yes," the Archfey giggled, and kissed his forehead. "You do look quite sweet when you sleep like that. I had no desire to wake you."

Heat crept into his cheeks, which still tingled with cold. "How humiliating."

"Humiliating how? There is no one here but me, my love, and you need not hide yourself. I am not fooled by your suave vampire mask, Thanatos. I know you. You are kind and you write poetry when you are drunk and you like to watch the stars." If anyone else had said those things, he would have died on the spot, but as it was Thanatos was too embarrassed to respond, so he merely yawned and pressed himself more firmly into aer side. "Sleepy still? Good. Shut your eyes, dearest. I will wait for you. I always do."

The Archfey ran aer fingers through his hair again eliciting a low moan that tapered off into a purr, and for once, he let it. The rumble of safe contentment increased in volume with his exhales and spoke to a level of vulnerability he would almost never show, but here with his Archfey was the safest place in the world to him, both physically and emotionally. When he'd warmed up and woken up, they could both have another glass of wine, and perhaps he would read aer the latest detective story in the Strand, but until then, Thanatos would let the snow fall outside and be happy right where he was.

taglist: @athenswrites, @albatris, @crash-bump-bring-the-whump

[aceofstars16]

My brain, late at night, when I need to go to bed but instead it’s coming up with story ideas:

[thebirdandhersong]

at this rate, the first long-form work of fiction I'll have finished since 2018 will be a Lockwood and Co fanfic. I'm actually quite tempted to print myself a copy to celebrate this feat after I'm done writing this fic (and done editing, and all that).......

[quibbs126]

You know I think I’ve become more partial to Ovenbreak recently

Yeah, it doesn’t have the world building and a lot of serialized plot like Kingdom, which is what I tend to prefer in my stories, but it was never under any obligation to do that, and I don’t know, it’s nice to have silly fun little stories sometimes

That isn’t to say I dislike Kingdom, I still like how it’s trying to build a whole world for the Cookies while Ovenbreak doesn’t really care as much, and story wise it’s probably where the highs of the franchise are, but for me I feel like it’s come under a bit more scrutiny for me recently whereas there isn’t as much to criticize in Ovenbreak, at least where I’m concerned

I feel like Kingdom can kind of struggle with what it’s trying to do, especially in recent months, where it feels like the cracks in the story are either forming and/or becoming more apparent. It tries to make a world, but it also feels like instead of fleshing out the world they made, they instead just try to add more. Yes those additions can flesh out pre-existing parts of the world out more, like Stormbringer, but it also feels like if your fave isn’t plot relevant or a character like Black Pearl or Parfait, you’re most likely not going to get more content of them, at least not for a good while. I may be forgetting, but as far as I can recall, Snow Sugar is the only non plot relevant launch character that had gotten much attention recently with the Icicle Yeti story. And also with the additions, they can make the story not really add up in some areas, like Stormbringer or the Beasts never being mentioned before now

Ovenbreak meanwhile doesn’t really have this issue, since it was never trying to be a plot driven game. In fact, from what I understand, the game didn’t have any real story for the first few years, save for character descriptions and such. Yeah it might have a couple ongoing storylines, like the dragons, but the stories are mostly self contained and don’t really affect anything, the game can just do what it wants. It’s free from the shackles of a continually running lore/plot driven game

And also the gameplay is just objectively more engaging, and I actually bother to learn it

[oldtvandcomics]

The struggle is real. I'm currently trying to make the jump to original fiction after years and years of fanfic, and there are so many moments where I'm just like... Something's WRONG. Something's MISSING. Oh yes! The wordlbuilding! Describing stuff!

I had to rewrite parts of my story multiple times, and I still don't think that I put the setting well enough. But at least I got to the point where I myself have some sort of idea what the place looks like, instead of just Vibes™. So definitely an improvement.

this comment on that vulture article about the "fanfic-to-romance novel pipeline" is very interesting and not something i've seen articulated...much to think about...

[allisonreader]

Laundry is done for now. We'll see if any writing actually gets done.

[crystal-verse]

very funny to me how k'pheli and g'raha's romance started as "hey wouldn't it be fun if i played with some divinity tropes and romance" and then turned into "oh wow this actually ties in very well to canon both thematically and with worldbuilding. oops?"

[frenchphobic]

embarrassing as hell to admit i find writing fanfiction kind of fun even though i hate ap3 and fanfiction culture

[boxingcleverrr]

Popular Hades & Persephone "retellings" are, rightly, getting dunked on all over the socials right now and, as a Pagan who has an altar to the Queen, I could not be happier. But also, I feel like a lot of people miss WHY they're bad - aside from just plain bad writing and lazy tropes. Which are, yeah, also REALLY bad.

Pretty much all retellings try to wave away, or excuse, or twist the whole kidnapping bit. And I actually do have sympathy and understanding for why, when speaking from a modern perspective.

But honestly...you gotta get over it. There are other stories to play fix-it with, not this one.

The Abduction is The Thing.

Were I a little more sober I could bring up chapter and verse of the Hymn to Demeter but frankly, if you know even the middle school mythology curriculum version of the story, you SHOULD know the themes. The story of Persephone was one mothers and daughters in the ancient world held dear, because it was a reality: you will, one day, be swept away from your home to go cleave to a man you most likely know nothing about. You will miss your mother, but chances are very good that he will be a good husband, once you get to know him, certainly better than Zeus or Ares, and he will make you a queen of his home.

Leaving home to marry was often scary, and violent (look up the history of the tradition of Bridesmaids, if you don't already know it - they were originally decoys on the marriage road). Centuries later we'd have tales like Beauty & The Beast serving the same function: comfort, hope, you are leaving your safe loving home to figure life out with a (often older, powerful) stranger. Your trauma over this sudden ending of your childhood made manifest in a Beast, or a God of The Underworld.

It's wonderful that we don't NEED stories like this anymore to comfort us (here, at least, in this culture). But if you try to force them into modern vernacular it just will not work, not really, because you're gutting out the whole point just to have a more tidy romantic male hero.

I have read MANY very good ...novelizations? fanfic(? however you would frame them, but they're certainly not "retellings"), etc. that simply take advantage of the blank spaces in the myth, and there are many!

It's not explicit that sexual assault happens - "The Rape of Persephone" as a title was coined in much earlier eras, when the word was just as often used to simply refer to abduction.

"She was starving!" the gods didn't need to eat. So it's easy to read her eating the Pom seeds as a deliberate choice on her part. Like, shit, people, scholars have written whole papers on the symbolism of this moment, between marriage rites and even yeah, Seph choosing both worlds with her husband's knowing consent.

And that, I think, is the real heart of the thing. People want an utterly mundane, spelled-out story here, as opposed to what it really is, has always been, just like any other myth or religious parable: IT'S A METAPHOOOOOOR.

They don't need to be destined, or meet at a goddamned BALL and then CONSPIRE to fake her kidnapping, or shit, I once saw one where Hades got MIND CONTROLLED by Zeus?! Jesus.

Persephone was yoinked into the Underworld against her will.

That's how it went.

I don't mean this in a "stay out of my belief system!" way, shit I'm a white American chick with delusions of witchery. I mean this in a "stop stressing yourself out trying to make things palatable" way:

This is a very real, very precious myth to many people, BECAUSE for at least that one event, Persephone had no autonomy, BECAUSE for thousands of years most women had no autonomy. Erasing that, sanitizing the fact that a girl is ripped out of the spring, from her mother's arms, is erasing the thing that gave comfort to women for centuries. And people can and should still find power and healing in it now!

Fill in the blanks the story leaves in whatever manner seems fit to you, there's plenty of room, but. Come the fuck on.

[piratecaptainscaptainpirates]

Been thinking about why the argument that OFMD is inherently a bad show because it's based on historical slaveowners so often feels disingenuous to me as a person of color.

HUGE disclaimer up front: if you don't wanna fuck with the show because of that premise right out the gate, that's 100% valid and I completely get that. I'm not talking about that. What I'm specifically talking about is White fandom people in particular who argue that OFMD must be "problematic" because of this, especially when they say this as some kind of virtue-signalling trying to win points in fandom wars, stuff like that.

My big thing is that the resemblance the characters in OFMD have to their real-world namesakes begins and ends with having the same name. The show feels more to me like it's playing with the vague myths around these names, not the people themselves. Can you make an argument that they should have come up with original characters instead? Sure, but let's be honest, even people who study the irl counterparts have very little knowledge of their actual lives, and the average person has all but none. To add to that, this show has absolutely zero interest in historical accuracy; the moment they cast a Jewish-Polynesian man as Blackbeard that became obvious. No one is saying the real-life Blackbeard and Stede Bonnet were good people, least of all the show itself; the point is that OFMD's versions are basically original characters already.

It always feels like an incredibly disingenuous claim to parallel the show to Hamilton, because Hamilton both did care about historical accuracy and also brought up the slave trade. Hamilton is uncomfortable for so many poc because it writes poc into the story of otherwise very faithfully portrayed racists, colonizers, and slaveowners and just handwaves the racism. In OFMD, racism exists, but the stance is always explicitly anti-racist and anti-colonialist in a way that is just so fun to see (whom among us has not wished to skin a racist with a snail fork?).

The other thing that sticks for me is...there's an appropriate amount of slavery I want to see in my romcoms, and that amount is none. I am so sick of historical fiction where Black characters are only there for trauma porn about the horrors of the slave trade. You can make a legitimate argument that OFMD is handwavey about the slave trade, but I'd argue that including discussion of the slave trade is something that should be done with such incredible care that it would leave us with a show that can't really be a comedy at all anymore. OFMD's characters of color are allowed to be nuanced, complex characters with their own emotions, and it's incredibly refreshing to see, and I'd much rather have that than yet another historical fiction show where the only characters of color are only there to make White audiences feel virtuous about how sad they feel for them.

In conclusion, I guess: every yt person who makes this argument to win points in a fandom war owes me and every other fan of color a million dollars

[mirohlayo]

Hi, can I request a Reader x F1 grid story where reader breaks her arm/leg and she can't race because of it, but she still attends the races to watch with her team? And then the drivers start to draw on her cast as a feel better soon gesture.

Maybe she also posts it on her social media throughout the day to show fans the progress of the drawings.

Thank you so much xxx

P.S. Love you writing

Hi !! So as you requested I used the F1 grid, but only the drivers who I write for originally (+ Albon). I also wrote reader as a F1 Academy driver to make it more easy to write and more realistic. It's the first time I write something like this, so hope you'll enjoy it girll !! ᥫ᭡

DRAWINGS ON MY BROKEN ARM

( because maybe you just need some love from your handsome friends. )

warning : none just a broken arm, a cast and fluff

note : I really struggled a lot to find some good cast pictures, these ones are a bit awful lmaoo sorry

word count : 1.3k

It was not planned. This was absolutely not what was planned.

As you get out of the car with difficulty, greeting pleasantly the driver who kindly accompanied you to the Suzuka circuit, you try as best you can not to move your arm too much. If you make unnecessary efforts you will tire yourself out for nothing.

You absolutely did not choose to break your arm. It was due to a mistake, a very big mistake indeed. While you were testing your car during free practice, during a session where the falling rain flooded the track with water, your tires did not grip effectively and you found yourself thrown against the wall, in a fairly serious crash. surprising.

The teams immediately helped you, and while everyone was asking you if you were okay after this crash, that's when you realized a big problem: yes, you were okay, but not your arm. . And after a short stay in the hospital, you now find yourself - or rather your arm - stuck in an amazing cast.

You obviously cannot participate in the next F1 Academy races. But you can, however, do something else that is much more energetic and beneficial for you in the state you are in: attend the F1 race which is currently taking place in Japan.

After all, being locked up for almost a week in your apartment was totally boring and you really need a little fresh air, and above all the passion for this sport to stimulate. Being a very close friend of certain drivers, you did not hesitate for a single second to accept your team's proposal when they offered to accompany you to the Suzuka GP.

Now there you are in the paddock, trying to slip through the others to get to the Mercedes garage. There where you find Georges, who smiles with all his teeth at the sight of you.

“Hello you” He walks over to you and starts to wrap his arms around you in order to give you a hug, but a reflex immediately makes him step back. “Oh sorry, I forgot you have a... little problem” He struggles to finish his sentence, grimacing at the sight of your wrapped arm in a cast.

You giggle before patting his shoulder. "Are you better since your crash? I saw that a few days ago and I was really scared for you." His eyes scan you, he is worried about you. You smile softly at him to reassure him. "Don't worry. I may have a broken arm but that won't stop me from supporting you in this race."

“Oh, Y/n!” Lewis' voice calls out to you, and you turn to face him, Charles next to him. They both smile at you, taking care not to touch your arm so as not to hurt you further. "I'm so sorry about your crash. You must definitely be disappointed." Lewis affectionately caresses your shoulder, a show of affection and support.

"At least you're alive, that's the main thing. It's good to see you here, the other guys miss you you know." Charles explains the situation, telling you how worried and scared the pilots were following your accident. You also received several messages from them on instagram, in which they supported you and showered you with kind words.

“Y/NNN!!” Daniel screams your name from afar, a big smile on his face as he almost throws himself at you. “Hey watch out for his arm.” Lewis alerts Daniel so he doesn't hurt you, but he doesn't seem to hear anything and comes to take you in his arms. “Daniel, I’ll go back to the hospital if you continue.” He finally pulls away, carefully observing your cast.

“Maybe I should call the others, they’ll be happy to see you.” Charles volunteers to bring the other drivers back, while you chat with your friends. They are all very respectful and very attentive, they are sincerely empathetic towards you.

In the distance, you finally see the rest of the boys arriving.

“Here’s my girl.” Lando comes to wrap his arm around your shoulders, a smirk present on his lips. You push him away, grimacing to tease him, and he holds his heart as if you had just broken it into a thousand pieces. "I know I shouldn't have sent you that 'get well soon' with a red heart on Instagram, hypocrite." He pretends to roll his eyes but his smile betrays him.

"Indeed, you shouldn't have. Your teammate was the first to message me and that's why he's my favorite boy today." Oscar tssk while crossing his arms, however amused by the situation. Max, Carlos and Alex are discreetly added to the group that has just formed around you.

“Even with a broken arm, you can do a lot of things you know.” Max told you in a confident manner. “Like Lance last year.” Carlos chuckled at Lando, both nodding at the same time because they thought the same thing. You can't help but feel alive again.

It's true that the last few days were difficult. Alone, injured and locked in your apartment, you no longer had much of a taste for life. You kept asking yourself questions about your future, about the rest of the races of the year. You were also worried. But you knew that coming here, being surrounded by your closest friends again, laughing and talking with them, was all you needed. You can only be grateful to them.

“I have an idea guys!” Alex then exclaims, drawing attention to himself. “Since Y/n is injured, and her cast is… white and bland, we should draw to give her courage.” He said while pointing at your cast. The other drivers nod, agreeing with the Williams driver's idea.

“I will have the honor of drawing first!” Then begins George, who is already ready to fight to have his drawing on your cast. "She wants a drawing of her favorite driver which is me. Too bad for you, George." Lando, and his sassy attitude, is ahead of the Mercedes driver. “I bet I draw better than all of you so let me do it.” Carlos steps forward to assert himself.

They seem to be on the verge of fighting over who will have the honor of drawing best, or who will draw first. You laugh while calming the situation. "Look, you're all going to be able to draw. We just need some markers." You remark, as you wave to your team in the distance to help you.

It doesn't take long before they arrive with a small pencil case filled with different colored markers. You then sit on a chair in a corner of the garage, the nine drivers around you. Oscar is the first to draw on your cast, while the others are still fighting over who will go second.

In the end, after a good session of laughter and slightly failed drawings, the result is there. Your plaster is decorated with designs, each one as extravagant as the last, but that doesn't matter, because their intention comes from the heart. This sincere gesture will certainly give you courage for the rest of your adventure, you are sure of it.

And as they all give you one last smile, one last hug, they leave to prepare for the approaching race. You end up joining your team further in the VIP stands, ready for the start of the race. “What a beautiful cast” Your engineer nods at the magnificent designs on your arm, and you smile. “Beautiful may not be the word, but it’s very precious to me for sure.”

And as you share a laugh, the red lights go out, as the din of cars echoes throughout the circuit. For a moment, everything seems wonderful. It's crazy how a simple little attention like drawings can brighten up your day a little more. And can also brighten up the day of others, like those of your fans for example...

yourusername just posted !

liked by oscarpiastri, charles_leclerc, maxverstappen1 and others...

yourusername: maybe no more arm but at least I have my handsome boyys ❤️

view comments

danielricciardo: if anyone wonders who drew the beautiful star, it’s me ✌️😁

⤷ landonorris: you wrote on her arm instead of her cast you dickhead

⤷ danielricciardo: I was feeling different 😜

user: Alex just writing his name makes absolutely sense

user: no cuz they're literally the SWEETEST ahww

⤷ yourusername: only oscar cuz he's the one who drew the best

⤷ danielricciardo: but you said it was me earlier

⤷ yourusername: i lied plus you literally drew on my SKIN instead of my cast 😠

landonorris: my girl not giving any credits to my amazing beautiful drawing 💔

⤷ yourusername: yeah cuz you have no talent, keep it up it's awful mate 🔥🔥

⤷ landonorris: hypocrite I hate you

charles_leclerc: take care of yourself y/n ❤️

georgerussell63: I slayed, my drawing is lit

⤷ yourusername: no 🙄🥱

user: i need friends as precious as them, love their friendship !!

[rootedinrevisions]

Kinktober 2024: Day 20

THIS IS PART OF THE FRIENDS (WITH BENEFITS) DON'T SERIES! T

PROMPT: “I love it when you say my name like that, baby.”

KINK: Morning Sex

WARNINGS: 18+ MINORS DNI. SMUT (P in V. Lots of kissing and touching.)

WORD COUNT: 3.5k

TAG LIST: See Comments

AUTHOR'S NOTE: I'm going to be honest I was really struggling with my original idea for Kinktober Day 20. It was a different Kink with a different character but it wasn't coming together like I wanted. I had started and scrapped it five or six times. But I also had this that I wrote a few weeks ago. I wasn't going to post it because I didn't think it fit with the story I originally was writing it for (a Jake series that I've since abandoned cause I wasn't loving how it was coming together) but I feel like it could fit the Kinktober theme so here it is! Hope you like it! xx

The morning sunlight filters through the blinds, casting a soft glow over the room. You slowly stir awake, feeling the warmth of Jake’s body pressed against yours, his arm draped comfortably over your waist. His chest rises and falls with the rhythm of his deep, even breaths, and for a moment, you let yourself relax into him, enjoying the unexpected comfort of waking up in his arms. This isn’t how things usually go.

Your relationship with Jake has been easy, with no strings attached. At least, it was supposed to be. But now, with the way he’s holding you so protectively, it feels different. You remember last night—how you’d planned for another casual hook-up, but instead, after, you’d ended up tangled together under the covers, watching a romcom of all things. And then, instead of leaving like he always does, Jake stayed.

Your heart pounds softly in your chest, the weight of the situation settling in. Is this still just a fling? Or is something else happening between you two? The lines are starting to blur.

You shift slightly, careful not to wake him just yet, and glance over your shoulder. His usually cocky, confident expression is softened in sleep, his features relaxed, and suddenly, you’re hit with a wave of vulnerability you weren’t expecting.

You know you should probably move, maybe get up, but something about this moment feels too good to let go. You bite your lip, torn between the easygoing fun of what you had before and the undeniable change that seems to be happening.

Just as you're lost in thought, Jake stirs, his arm tightening slightly around your waist before his voice rumbles low in your ear. “Mornin’, darlin’.”

His voice, deep and gravelly from sleep, sends a shiver down your spine, and you fight the urge to smile. You manage to reply softly, “Morning.”

Jake shifts behind you, pulling you closer for a second before he stretches and rolls onto his back, his hand trailing down your arm as he moves. The bed feels colder without him wrapped around you, and you can't help but miss the warmth. He runs a hand through his messy hair and glances over at you, his usual cocky grin making an appearance. “Sleep well?”

You nod, still feeling a bit off-balance by the situation, and try to keep things casual. “Yeah, I did…you?”

“Better than usual,” he says, surprising you with the sincerity in his tone.

You sit up slowly, pulling the covers around you, suddenly feeling a bit exposed—not physically, but emotionally. This isn’t what you signed up for. Friends with benefits doesn’t include waking up in each other’s arms, watching movies together, and it certainly doesn’t include the softness in Jake’s eyes when he looks at you right now.

You’re about to say something, maybe ask him about breakfast or make some quip to lighten the mood, but before you can get the words out, you feel Jake’s lips press against your bare shoulder. It’s not just a kiss—it’s gentle, lingering, almost like he’s savoring the moment. And it catches you completely off guard. Jake’s mouth has been everywhere on you before, but this? This feels different. It’s tender. Intimate. Too intimate.

Your breath hitches slightly as you glance back at him, and you’re met with a gaze that’s softer than his usual playful smirk. His green eyes seem to be studying you, watching your reaction carefully. For a second, your heart pounds a little harder, and all you can think is what are we doing?

“Jake…” you start, your voice barely above a whisper, unsure of what you want to say. You feel like you should address this shift, but before you can even form a coherent thought, he’s already leaning in again, his lips brushing against your collarbone this time, trailing upward to your neck.

The air between you thickens, and any words you might’ve had dissolve in the heat of the moment. Jake’s hand slides along your waist, pulling you back down onto the bed, your body instinctively responding to him. You should stop and talk about this, about what this all means, but when he moves closer, you can’t seem to find it in you to pull away.

Jake’s lips linger for a moment, his breath brushing against your skin. It sends a shiver down your spine, not from cold, but from something much deeper. Something you hadn’t expected to feel this morning, or maybe ever in this situation. Sure, Jake has touched you plenty of times before, in ways that have sent your pulse racing and your skin burning. But this—this feels different.

Your heart begins to beat faster as his hand, which had been resting on your waist, tightens ever so slightly, pulling you closer. You can feel the heat radiating from his skin, the way his muscles flex just beneath the surface as he shifts beside you. He presses another kiss, this time closer to the nape of your neck, slow and deliberate, as if savoring the contact. It sends your thoughts into a spiral, the question lingering in your mind—What is happening?

Before you can fully process it, Jake’s hand begins to move, sliding from your waist up along your ribs, his touch light and teasing. His fingers graze the band of your bra, tracing the edge in a way that makes your breath hitch. You shift slightly under the covers, your body responding to him even as your mind races to catch up. Every touch feels deliberate like he’s taking his time, savoring every second. It’s not the hurried, frenzied touches you’re used to—it’s slow, almost reverent, and it makes your heart pound in your chest.

His hand moves back down, slipping under the hem of your shirt, and in one smooth motion, he pulls it up over your head, tossing it aside. You don’t even think to stop him—you don’t want to. The cool air hits your skin, but it’s quickly replaced by the warmth of Jake’s hands as he cups your sides, his thumbs brushing against the fabric of your bra. His lips find your neck again, this time pressing a series of kisses, each one sending sparks through your body.

You open your mouth to say something—to ask him what this is, what it means—but before you can, his hand slides around your back, expertly unhooking your bra with practiced ease. He pulls it off, tossing it somewhere in the room, and you suddenly feel exposed in a way that’s both thrilling and nerve-wracking.

Jake doesn’t give you time to think about it. His hands are on you again, skimming over your bare skin as his mouth moves lower, pressing a kiss just below your collarbone. His touch is slow and patient as if he’s in no rush to get anywhere, and it drives you wild. You can’t help the way your back arches slightly, your body reacting to him before your mind can catch up.

As his lips trail down your chest, you feel his fingers hook around the waistband of your underwear, tugging them down with the same deliberate slowness. The way he’s taking his time—like he wants to memorize every inch of you—sends a flush of warmth through your body.

You reach up, your fingers threading through his hair, pulling him back to you. His lips crash against yours, the kiss deep and consuming, filled with a hunger that makes your head spin. There’s an urgency now, but it’s not the same frantic rush as before. It’s something deeper—something that makes your heart race as much as your body responds.

Jake’s hands roam your body with a familiar ease, but this time, there’s a softness to his touch, a kind of reverence that makes your skin tingle. His mouth moves back to your neck, trailing down to your chest, and you can feel the heat between the two of you intensifying. Every kiss, every touch, feels deliberate, like he’s savoring the moment in a way that leaves you breathless.

Before you know it, you’re completely lost in him. His mouth is everywhere—on your skin, your lips, your neck—and all you can do is let yourself fall deeper into the moment, feeling the weight of him, the warmth of him, as he moves against you. You’re no longer just two friends sharing a casual hookup. This is something more. And it terrifies you as much as it thrills you.

Jake pushes your legs a little further apart as he reaches down and wraps his hand around himself. He spreads the precum that formed at his tip around the head with his thumb before pumping himself a couple of times.

He then presses the tip through your folds as he gently pushes into you. His eyes find yours as his hips slowly move until they are pressed flatly against yours. Jake leaned in and pressed a kiss to your lips before he started slowly moving in and out of you.

Your breath started to hitch as he moved in and out of you, each thrust feeling like it was a little deeper than the last. Slowly his pace started to quicken.

“J-Jake,” you moaned as you started to move your hips up to meet his.

You feel his lips curve into a smirk against your neck before he whispers, “God, I love it when you say my name like that, baby.”

Baby. That was new. He’d never used pet names before.

But you didn’t have time to overthink it because his hand slid down your stomach until one of his fingers started rubbing circles on your clit. You felt your back arch up off the sheets as the knot in your stomach tightened even further.

“F-fuck,” you cried out, feeling your orgasm right there.

“Not yet. Wait for me, baby. I’m…I’m almost there,” Jake breathily said as he picked up his face even further. Your hands grabbed at the sheets as you tried to hold it off, but it was getting nearly impossibly.

“Okay, come with me baby.” He breathed after a few more thrusts. Your toes curled and you cried out as you felt your orgasm wash over you. It was the most intense one he had ever given you. It left you feeling slightly dizzy as you laid there trying to get the air back into your lungs.

Once the intensity subsides, your breaths gradually even out, but the room still feels heavy with the lingering heat of what just happened. Jake shifts beside you, his body slightly resting on yours as if he’s reluctant to let go. His skin is warm, slick with a light sheen of sweat, and his chest rises and falls against your back. Slowly, his arm drapes lazily over your waist again, pulling you even closer until there’s barely an inch of space between you.

He presses a soft kiss to your temple, a gesture that feels impossibly tender compared to what had just transpired. It sends a strange flutter through your chest, and you can’t help but close your eyes, sinking into the feeling. His lips linger there for a moment, as though he’s savoring the closeness, his breathing still a little uneven as it fans across your skin.

You lay there in silence, the warmth of his body cocooning you, and for a fleeting second, it almost feels like more than just a fling. Jake holds you like you’re something precious, his grip on you gentle but firm, like he’s afraid you might slip away if he loosens it. His fingertips lazily trace small circles on your hip, an absent-minded gesture that sends ripples of electricity through your skin.

But even as your heart skips in response, your mind is racing. The intimacy of it all—of him kissing your shoulder earlier, of the way he’s holding you now—feels too close. Too much. Like it’s crossing a line you weren’t prepared to cross. You stare up at the ceiling, the fan spinning lazily above you, trying to quiet the thoughts spinning in your head.

What are we doing? It’s the question that’s been eating at you for weeks now, but after moments like this, it feels impossible to ignore. You’ve been telling yourself for months that it’s just physical—that this friends-with-benefits thing is working. But lying here, wrapped in Jake’s arms, the weight of his body still pressed against yours, you can’t help but wonder if it’s something more. And if it is—what does that mean for the two of you?

Beside you, Jake’s breathing has slowed, becoming more even, and you can feel his muscles relax against you. He looks so at ease, so content, like this is the most natural thing in the world. It’s disarming, seeing him like this, without the cocky smirk or swagger. Just Jake, quietly holding you in the early morning light.

He doesn’t say anything—maybe he’s thinking the same things, maybe he’s not thinking at all—but the silence between you feels charged, like there’s a conversation you should be having but neither of you is ready to start. You know you’ll have to face the reality of what’s happening between you eventually, of what it’s becoming. But not right now. Not yet.

For now, you’re content to stay here, tangled up with him in this moment. His arm still draped over you like he’s anchoring you to him, his breath warm against your neck, and the lingering heat from the sheets creating a bubble you don’t want to burst just yet. It’s safe here, in the quiet aftermath, even if it’s complicated. Especially because it’s complicated.

Eventually, Jake shifts beside you, the movement pulling you out of your thoughts. His arm loosens around your waist, and you can feel him adjust himself behind you. There’s a slight pause before he moves, as if he’s hesitant to break the moment, but then he finally leans back. You hear him run a hand through his tousled hair, the sound of it brushing against the pillow beside you.

With a small sigh, you push yourself up slightly on your elbows, feeling the cool air hit your skin as the blanket falls away. You turn your head just in time to see Jake glancing at himself in the small mirror on the wall, running his fingers through his hair again, making sure it still looks good. It’s such a Jake thing to do—caring about how his hair looks even after everything that just happened—and you can’t help the small smile that tugs at your lips.

He catches your eye in the reflection, the corner of his mouth quirking up into a lazy grin. “Pull yourself together,” he teases lightly, the heat from earlier still lingering in his tone. “You look a little... well, you know.” His eyes flicker over you in a way that makes you feel warm all over again.

You roll your eyes, but there’s no bite behind it. Instead, you push the covers off and slide out of bed, your legs still a little shaky as you stand. You make your way over to the bathroom, splashing cold water on your face and doing your best to hide any signs of what had just happened in the bedroom. The cool water is refreshing, helping you regain some sense of normalcy after the heated intensity of the morning.

When you finally feel composed enough, you step out of the bathroom and make your way through your apartment, finding Jake by the door. He’s already pulling on his shirt, his movements casual and unhurried, as if the last hour hadn’t completely turned your world upside down. He glances at you as you approach, a knowing smile tugging at his lips, but he doesn’t say anything.

The two of you walk out together, the easy silence between you feeling both comfortable and charged, the weight of what just happened lingering in the air between you. The sun is just beginning to rise, casting a soft golden light over the parking lot, and for a moment, everything feels almost normal—like this could be any other day.

You head toward your car, the cool morning breeze brushing against your skin, but before you can reach the handle, you feel Jake’s arm snake around your waist. He pulls you close, his body warm against yours as he leans down to press a quick kiss to your temple. The gesture is light and easy, like it’s something he’s done a hundred times before. And maybe he has—but it still feels different now.

Your heart stutters in your chest as the warmth of his lips lingers on your skin. You wait for something more—for him to say something, to acknowledge the shift between you—but instead, Jake gives you a small smile, his signature smirk just barely there, and turns to walk toward his truck.

You blink, watching as he pulls open the door and climbs inside, the engine roaring to life. His truck pulls out of the lot, disappearing around the corner like it’s just another day. Like nothing extraordinary just happened. Like he hasn’t turned your world upside down in the span of a single morning.

And you’re left standing there by your car, fingers still hovering near the door handle, your mind spinning with a thousand thoughts. What just happened? He kissed you goodbye—and went on about his day like it was nothing. Like it was routine.

But it didn’t feel routine, not to you.

Your stomach twists, a confusing swirl of emotions rising inside you. You’re no stranger to Jake’s touch, to the way he holds you close in private, the way he knows exactly how to make you feel good. That was the arrangement—the simple, no-strings-attached setup that the two of you had fallen into. It had worked perfectly at first. Fun, light, uncomplicated. But this morning, something shifted. And it scares you.

You press your lips together, your fingers tightening around your car keys as you replay the morning’s events in your head. The softness in Jake’s kiss. The way he held you like it was more than just a fleeting moment. The way he kissed your shoulder earlier, something so intimate it almost felt like a confession in itself. But none of it made sense. You weren’t supposed to feel like this. He wasn’t supposed to feel like this.

Right?

You lean against your car for a moment, trying to sort through the haze of emotions clouding your mind. There’s an ache deep in your chest—something that wasn’t there before. It’s that feeling you’ve been trying to ignore for weeks now, the feeling that this wasn’t just about hooking up anymore. Not for you. And maybe not for him either.

But then why did he just leave? Why did he act like this was nothing more than your usual routine?

You bite your lip, trying to shake off the growing uncertainty. Maybe you’re reading too much into it. Maybe this is just what happens when you start spending too much time together outside of the original arrangement. Lines blur, things get messy, and suddenly it’s not just about sex anymore.

But the worst part is, you don’t even know what you want. You don’t know if you’re ready to confront whatever this is becoming. If you’re ready to have that conversation with Jake, to open up the possibility of things going wrong. Because things were good—before they got complicated. Before last night. Before this morning.

You sigh, the cool breeze brushing your hair as you glance toward the empty spot where Jake’s truck had been parked moments ago. Your mind is a jumble of emotions—confusion, longing, fear, and something else you’re not quite ready to name.

What if Jake feels it too? What if he’s just as confused as you are?

But then again... what if he doesn’t?

You unlock your car door and slide into the driver’s seat, the weight of uncertainty heavy on your chest. You don’t know where this is going, or what happens next, but one thing is clear: things have changed between you and Jake. And you can’t go back to the way things were, no matter how much you might want to.

As you sit there, staring out at the quiet street ahead, you wonder if Jake is thinking about you now, if he’s replaying the morning in his mind like you are. Or if, for him, this is still just part of the arrangement—a fun, easy fling that hasn’t crossed any lines.

Your fingers tap against the steering wheel, the echo of Jake’s kiss still lingering on your skin.

You thought you had it all figured out. But now, standing on the edge of something new and uncertain, you realize that maybe—just maybe—you’ve fallen in deeper than you ever intended to.

And the scariest part? You’re not sure if Jake’s ready to follow you there.

[litlunacy]

Thinking about the implications of playing a Dalish Rook and dealing with actual elvhen gods and having said gods look at your face and see your vallaslin and like...just assuming they own you since they were originally slave markings. And extending that to Davrin and Bellara as well. Which led me down a hole of trying to figure out which vallaslin they both have (1. Because I am a sucker for anything Dalish related and 2. Possible story ramifications? Who knows).

Davrin seems to have a fairly straightforward Ghilan'nain vallaslin, though slightly altered from before, which isn't surprising. The blood writing has already undergone changes between Origins/2 and Inquistion (Regional variations I suppose? Would definitely make sense for Merrill's Ferelden clan and Quiz's Free Marcher clan to change them slightly. Anyway.) But he has the delicate curved branches on the forehead and the small chin design so I'm fairly confidant about that one.

But Bellara has absolutely stumped me. I kinda figured that since we got confirmation that it was Ghilan'nain and Elgar'nan at the end of the gameplay trailer, that since Davrin's is Ghilan'ain it would make sense for Bellara to have Elgar'nan's. But hers looks absolutely nothing like the previous versions.

So that's out. But it does bear a very very slight resemblance to the June vallaslin.

Or at the very least has a lot of similar elements, such as the cross-hatching, the double series of dots, and a focal point in the central forehead.

My only other guess is Andruil or Dirthamen, because the DAI versions of both of them also feature series of dots, and none of the other Vallaslin do from either Origins or Inquisition.

Maybe somebody will ask the devs for confirmation on twitter or in another Q&A or something. Because I am vibrating with curiosity.

(Honestly, since we're gonna be dealing heavily in this game with a lot of ancient elf stuff, I really hope we at least get a little bit more from Dalish characters about their specific vallaslin. Like, I wanna know why my party members chose the vallaslin of that particular god. You don't sit for hours in total silence as your Keeper pokes your face with a needle without putting some kinda thought into what's going to be on your face for the rest of your life.)

[gods-perfect-idiots]

Okay bear with me folks, I have some ~thoughts~ about the Vanessa/Wade relationship (or frankly lack thereof) in Deadpool & Wolverine. I should start by saying that I am analyzing this with the (likely erroneous) assumption that everything on screen is 100% intentional and mindfully written to deepen the characters and inform their arcs. For the record, I don't necessarily believe that's true - there is certainly room for mistakes, lazy writing, confusing plot elements, or in this case, sidelining a potentially strong and important character for nebulous reasons (I'm guessing scheduling conflicts + run time concerns + actor's strike complications but idk for sure). (Also thanks to @gossippool and @kendyroy for encouraging me to post my thoughts instead of just rambling in the tags in the first place, y'all are the realest)

Long rambly post below the cut fyi

Now, granted, it has been a while since I watched the original Deadpool so I am not as well-versed in their early relationship as I am in the handful of scenes Morena Baccarin has in dp3, but I do think it is pretty canon that Wade generally struggles to express his deeper worries and feelings (without filtering it heavily through crude humor, sex, and pop culture references of course), especially after the events of dp1 and the physical and mental damage he sustains, and Vanessa is frankly no exception despite how much he cares for her. The entire first movie hinges on the fact that he doesn't really believe she could love him in his post-Francis mangled state, which is pretty contrived imo given that the film has established already how bonded they are, and she doesn't strike me as being written to be so shallow as to reject him based on a physical deformity. I mean iirc she wanted to stick around through chemo despite him being literally riddled with inoperable cancer, so she clearly is in it for the long haul (at least in dp1), messiness and all.

Now, in dp2, obviously she is shot and killed early in the film, and Wade spends much of the rest of the film wallowing in his very profound grief, trauma, and guilt over losing her due directly to his violent lifestyle. He goes to prison, he basically gives up on life and seems very resigned to dying once he has the power suppressant collar on, even excited to do so so he can be reunited with her. She is mostly sidelined as a Fuzzy Dead Wife trope basically, but the important thing here is that he spends weeks if not months in the throes of despair over losing the love of his life just as they were trying to start a family, and trying to reach across the boundaries of death to be with her.

Now, my first couple times watching dp3 I was frustrated by the trite narrative presented in the interview scene towards the beginning - specifically Wade's whole "my girl is getting tired of my shtick and I need to show her I matter". It felt contrived and disingenuous, and I just brushed it off as iffy writing, a means to an end, but the more I reflect upon it the more I think it is based in an emotional reality that is just handled with a very light touch by the film in favor of fanservice and Poolverine content (NOT that I'm complaining in the slightest - I think this movie is a masterpiece in many ways, albeit a flawed one but that's beside the point here), which for the record I am not against because I think it lends it an air of realism. This is Wade's story after all, Vanessa is a part of it but it is ultimately about him and his journey.

Basically, I think the combination of what happened to him in dp1 (the brain damage, the trauma, the awareness of the fourth wall, etc) followed by the events of dp2 (Vanessa's death, his grief and the associated guilt and trauma of being the direct cause of her death) led to an unbridgeable emotional gap between the two of them that ultimately leads to their breakup.

It's important to note that I don't think Vanessa has any recollection of her own death, given that Wade goes back and saves her before she can take the bullet, and so of course she can never fully fathom what Wade went through grieving her and their life together and their potential family, for however long he spent between her death and bringing her back with Cable's device. She can try (and she clearly does in the one scene I'll talk about next) but I fear she accepts, maybe even in that scene, that she can never succeed. He is beyond her reach by this point, and vice versa, his experiences having fundamentally changed him.

The one scene we really see from their relationship between dp2 and dp3 is the one where Cassandra mind-gropes Wade in the Void and we see Vanessa struggling to reach Wade across this aforementioned gap - she wants him to open up, she wants him to share what he's going through, she wants him to be the person she initially fell in love with (not even selfishly - to her nothing has changed really, because to her no time has passed). But not only does he not understand what she's really asking for but he responds in such a way that makes me think he has unprocessed issues that are only tangentially related to what she's saying - ie the stuff about mattering, about asking her if she even wants to be with him, etc. And he's not the Wade Wilson she met back in dp1 anymore. He watched her die and grieved her and brought her back, believing it would make everything go back to normal and they could resume their life together as if nothing had changed, but he has been fundamentally changed in a way that she can't grasp, even if he WAS good at externally processing his trauma openly without the artifice of wry jokes. She didn't "come back wrong" - instead, she came back exactly the same as before, but HE'S different now. Not wrong, per se. But changed.

It's an interesting scene because it's obviously a memory, and a crucial one at that, but you can see how Wade is misunderstanding what she's saying, viewing it through the prism of his own lack of self-worth and his own hopelessness - he takes away that she thinks he doesn't matter (even though like he says she didn't actually say that, but I don't think Cassandra invented that wholecloth - I think she pulled it out of his psyche because that's what he believes deep down, hence why his fixation on mattering even though she never said those words exactly), he takes away that she doesn't want to be with him, that she thinks he's nothing. Which would be frustrating as an audience member to witness as a pretty simple misunderstanding which could potentially be solved with one conversation, but it feels believable to me that these two people who have shared a great love would be fundamentally separated by unimaginable, cosmic trauma, and the on conversation they would need to have to rectify the misunderstanding is one that is impossible for Wade to verbalize and equally impossible for Vanessa to conceive of. It was one thing when they had shared trauma like violence and SA in dp1, but what Wade has gone through in dp1 and dp2, humor aside, is unfathomably traumatic, brain-breakingly so even, and that's not even factoring in the possible mental illnesses he now struggles with (I've seen folks suggest schizophrenia, DID, depression, etc. but I won't get into armchair diagnosing a fictional character here - suffice it to say he is canonically unwell as a result of what has happened to him, and yes it manifests as quirky fourth wall breaks and cheeky one-liners, but within the universe of the movies he is undeniably profoundly mentally ill, and that includes this humorous alter ego he created to cope with his trauma).

I think off-screen Vanessa probably really tried to reach him, maybe for years (the six year gap implies to me that they didn't break up immediately, that they tried for a while to stay together), trying to get her Wade back, but that Wade is gone. He struggled to express that to her until eventually he started to feel rejected because he couldn't express his trauma or how much he has changed, because even he can't fully conceive of the gulf that has formed between them. The truth is, he WANTS to be that Wade again, for her and for himself, but that Wade died when she died. Or maybe he had already started dying when Francis got a hold of him in dp1.

Anyway, all this is to say, I think Morena Baccarin WAS criminally underutilized in dp2 and dp3, but I think there is a strong argument to be made for the believability of their breakup regardless. I think even relationships built on enormous love can crumble due to trauma, and what Wade suffers over these movies is mind-bogglingly enormous trauma. It's especially heartbreaking that he blames himself for their relationship ending, talks like she just got tired of him, thought he didn't matter, whatever. But it is a credit to him that he never seems to feel anger towards her about it. He doesn't seem to feel entitled to her, though he longs for her and what they had and what she represented (hope, love, a future, a family), but ultimately she becomes more of a symbol of what he lost when he gained his powers, because let's be super fr right now - even if they had succeeded in having a baby, not only would they have lived in fear of her or the kid getting killed, but ultimately Wade would likely outlive both of them even if they managed to die natural deaths. The moment he gained his powers he was already destined to lose her, which is heartbreaking because she was the only reason he opted for the treatment in the first place - so he could stay with her.

I think a big part of Deadpool & Wolverine is watching Wade continue to process his own motivations (vis-a-vis Vanessa but also his other friends) and how he does eventually let go of the idea of "mattering" in favor of just saving the people he cares about (*cough* and being saved right back *cough* by Wolvie, as the final line and shot implies). And in the process he finds someone new who cares about him, who thinks he matters, who tries to sacrifice himself for him and his friends after mere days of knowing him, who comes home with him at the end of the story, who breaks his own centuries-old patterns, who has also experienced unimaginable grief and trauma, who has struggled with wanting to die and being unable to, who not only matches his crazy but matches his FREAK and also not only won't die on him but CAN'T die on him - and more importantly cannot be randomly killed by a stray bullet.

Idk if any of this makes much sense but I do think if you read between the lines and consider the potency of trauma and grief, guilt and emotional damage at play here, Vanessa and Wade's off-screen breakup is actually pretty realistic, and really heart-breaking to boot.

You can tell she still cares about him in so many ways - she shows up for his birthday party, she shows up to his welcome home party at the end, she finds excuses for physical contact multiple times, her eyes get soft when she looks at him, but there is a distance there that Morena Baccarin does an incredible job of portraying. She cares about him deeply, she has mourned the loss of their potential life together, she has let him go and accepted that the Wade she fell in love with is gone, but she wants him in her life even though she's moving on because she realizes he's gone somewhere she can't follow (literally and figuratively). And she wants him to be happy which is why I fully believe she would immediately clock the Poolverine of it all and not-so-subtly encourage them to make it official.

Anyway. Poolverine forever. Nothing against Vanessa at all - I think she delivers a nuanced and beautiful performance, I think their relationship is sweet and heart-wrenching in large part due to her acting chops, especially given how little she is given to work with - but I think their relationship was sadly doomed from almost the very start, because Wade becomes this traumatized superhuman and Vanessa would always be at risk in his orbit, but also would always on the outside of his multiverse superhero experiences. I think it's weirdly beautiful, even if I am filling in a lot of gaps and giving the writers maybe undue credit.

Anyway... thoughts? Please DM me or write in the tags, I am feral about this movie and just want to talk about it with anyone haha. If you have further insight into these characters too I'd love to hear it - I am by no means an expert in these movies or characters!