#also when i see that lady all i can think of is her in wandavision
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joenateuser · 8 months ago
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Mace Coronel | That '90s Show - Part 2 Official Teaser
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rootspiral · 1 month ago
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Agatha All Along deep dive: episode 4 part 2
(Wandavision entries: [1][2][3])
(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4][5] ep6 [1][2][3] ep7 [1][2][3][4][5][6] ep8 [1][2][3][4][5][6][7])
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THE LITTLE FLOWER POPPIN. THE M'LADY
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seems like agatha is having An Emotion
but look! look! rio is once again being super special extra on purpose!! because if she just strolled in agatha would be overwhelmed and run away again. so what does rio do??? she corners her with a grand zombie entrance!!! the more over the top she acts, the more agatha is in her element and comfortable interacting. and in this case, angry is a better start than sad. all part of rio's Brilliant 66-Steps-Plan To Win Her Wife Back™ (or was it 666?)
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her face omg
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oooh are you mad??? are you big mad at little ol' me???????
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agatha is like nope, nope, nope, nope, nope, nope
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imagine being aubrey plaza and being born so effortlessly cool. she's cool even when she's awkward dear lord
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jen and alice: kinda stunned by both her hotness and her weirdness
lilia: VADE RETRO SATAN (lilia's spider senses are already tingling)
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will I ever be over the fact that Death is just one particularly powerful green witch?? that she's a gentle if odd girl who grows plants and flowers and mushrooms and is called the River of Life??? that she is the embodiment of life in all her forms? that decay and regrowth are all part of the same natural cycle? that the hardest and most inexplicable thing a living being can go through is also the most reassuringly organic and normal???
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have I already said "i love you patti lupone" today?
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we're off to see the wizarrrrd. her cute peter pan outfit!
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what do we think, billy? does she want to talk about it, or does she have the emotional maturity of a baby ostrich?
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same girls, same
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whoa there ladies, calm down. I'm already taken
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lilia is also having an Emotion. it must be pretty weird to realize that your mortal foe is this hot
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alice going NOPE when she sees her mom's house. the leaves are red alice, honey. it's your turn.
(does the back of rio's jacket look like a ribcage?)
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it's going to be fine baby. your friends are all here. you can do this. deep breaths.
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fire moon! fire moon! fire moon! oh this is my favorite trial
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*grabs the mike* WOULD
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from right to left: would, would, would, would, would, oh hi joe
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rio: BITCH I AM?!?!?!?!?!?!? (everyone say thank you costume department)
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the Road isn't subtle, BILLY.
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sure, there wasn't enough sexual tension already, let's add side boobs, shall we? and rio being like hey agatha, hey agatha, hey. guess what. I'm here again agatha. you're not gonna get rid of me this time agatha.
I keep thinking that every reflection agatha comes across is a "te veo". and even when rio isn't there she is watching from mirrors and from puddles.
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OH MY GAWD AGATHA how can you expect me to cope when you look around to make sure nobody is watching and then you lean in so so so sclose and then you say no with such a deep soulful voice and so much intimacy and such quiet anger and not one lil hint of clownery. I AM ABOUT TO GO FERAL
agatha around rio is like, mind screaming in anguish and body screaming in horny. lethal combination
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lilia who's been trying and failing for centuries and centuries to come to terms with the violence human beings inflict on whoever is different
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if there is one thing a broadway pro is trained to do is making people cry while wearing increasingly stupid wigs
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JEN SEEING MASKS BECAUSE SHE DOESN'T KNOW WHO HIDES BEHIND THE MONSTER THAT BOUND HER
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fletwood mac?!?!!?!?!?!?!? in this economy?!?!?!?!?!?!?!? I cannot handle much more of this, my emotions are raw and fragile and tender as it is already!!!!!!!!
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oh, alice.
well this episode is making me feel like agatha: sad and horny. weird vibe but okay.
go to episode 4 part 3
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agentem · 1 month ago
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Another thing about Agatha All Along I have a question about is the colors of magic.
Each of the witches in the Coven have a different color of magic. This is a good idea so visually you know who is doing things when characters fight.
But it's also implied by the trials and the ballad that different types of magic are associated with different colors. Like green witches have green magic. But I would like to know if the color is because of the type of witch they are or just, like, the color of their soul--who that character is.
Like Wanda has red magic. Alice is also associated with the color red, but it is slightly orange-r, if that is a word. Hers is more like a flame, than a straight bolt of red. The show is purposeful about that. The leaves on the way to the fire trial are orange and red too, whereas the leaves on the rest of the road are varying shades of blue, purple, yellow, and green. But they are all one color, you know?
Most of the covens that are shown all have the same color: the Salemites from WandaVision have blue magic, the first Coven Agatha kills (with the woman who barged up to her at Nicky's grave, fuck that lady) have yellow magic, the murdered Victorian coven has orangey magic, the murdered 30s/40s Coven has blue magic, [i can't see the color of the magic of the 80s Coven)
But "our" Coven is many different colors. They are a rainbow. Are they unique? Or are most covens of all the same type of magic user?
There is something about how Agatha's magic is purple and the Salemites have blue, that makes me think that is how they know she is the "wrong" type of witch. Or Agatha did something to make her magic purple? Or did they just want to kill her because she was (naturally) different?
And, if Billy has blue magic, does that mean his magic is similar to Agatha's mother? (Billy's is a darker shade so we might be in the Wanda's magic vs. Alice's magic situation. Maximoffs are just so special they get their own magic?)
But then if Agatha learned blue magic--or whatever it is called--growing up, is she a good person to teach him? Or is his a darker shade of blue so it's not the same kind of magic? Or is this just a visual language that says nothing about the type of person or magic the person wields?
Can we assume the yellow coven, with the bitch who interrupted Agatha's funeral for her son, was a coven of divination witches? Maybe she was bopping around time and didn"t realize how rude it was to interrupt a funeral? Wow now I am the bitch.
Jac Schaeffer called Agatha a "spirit witch." Are there other spirit witches with purple magic? Or is it just Agatha? Can Agatha tell by looking at them what kind of magic they have or would have? Can she tell HOW MUCH power someone has? She doesn't seem to recognize a lot of power in Billy until the Door actually does open? But she also seems to show deference to Lilia by telling her about how to not get killed? Or is that deference just because Lilia is older?
I want to read into this but I am not sure I should.
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midnightmayhem13 · 7 months ago
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Hii! Could I request the marvel ladies reaction to reader referring to them as her girlfriend for the first time <33
now i see daylight
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this is so adorable! and ofc coming rightt up(ultra delayed post)
warning!- some suggestive bits(nothing specifically said)
Carol Danvers
once awhile, u and the girls go to a fancy jazz club. usually it's an excuse for you guys to dress up and get wine drunk and wake up feeling refreshed, albeit a lil hungover. this time, you and your lovely gf Carol go as a together. you wore a stunning navy blue dress and she wore a casual navy suit. Carol was drooling over you and she couldn't stop staring at you but you were also obsessing over ur sexy buff ass gf. you walk in hand in hand and go around the party talking to ur friends. you and carol separate for js a moment. when ur friends head home u sit there sipping ur drink alone and a man comes to sit next to you and start bugging you. "hey beautiful, you here alone?" "no im actually with someone" you answer sternly. thanks to Carols quick reflexes, you don't have to suffer long. she puts a firm hand on ur back and kisses the top of ur head. but thanks to the drinks he doesnt take the hint. "why don't u take me home dove; i'll show you want i can do." you and carol giggle. as she's about to say smt, you interupt. "actually" leaning into Carol, putting ur hand on her stomach as her hand goes over ur shoulder. "i'm gonna be taking my beautiful girlfriend home so you can go now." Gosh you've never looked sexier to carol. she honestly js starts fawning over you and lets out a THATS MY GIRL and hugs you super tight bc her heart js melted. you're so proud about being with her and she cannot contain the blush that's on her cheek. you two walk out (ur lipstick all over Carols face and neck) she's so giddy about the events that happened and cannot stop kissing u all over. it's like ur first date all over again and honestly, she can't wait to call u her wife!!
Darcy Lewis
Darcy is the smartest girl you know. and naturally as an Avenger you introduce her to Tony and safe to say he's very impressed with her and pats you on the back for finding such a brilliant girl. everyone likes Darcy too!! she makes you happy, she's hot, she's loyal, and mf is a Dr and an astrophysicist!! you always flaunt that. well when a big company asks the avengers to come work with them bc some sort of anomaly (think wandavision but no one's dead bc i said so) has accured and they need some brains and brawns. while tony and bruce alone were smarter than all of the companies scientists; they bit off more than they could chew. after a few weeks of all the scientists working at it, they only advance a bit. you go home and darcy comes over and you rant to her about it bc ur fed up. and suggest the idea of bringing her to help and she considers it. she spends the night so she might as well tag along and see what she can do. at first the companies big boss disregards her and even tries to push her away from the monitors. you grab his wrist "don't you touch her. and just so yk my girlfriend is smarter than all ur stupid scientists so i suggest you let her take a look so she can fix wtv ur men can't" Darcy is actually frozen to her spot bc that was so hot. the heat from her cheeks spread all the way down and she's at a loss for words. her face turns bright red and she nudges you too stop cutting the guys circulation off (she's well aware you'll break this guys arm for her). she thanks you and kisses ur cheek as she sits down. give her a few hours and BOOM. she's gotten to the bottom of the problem and has two possible ways to fix it, they both end up working. Darcy bugs about how much you brag about her. you give her a whole speech on why she's the greatest women ever as you hold her. she loves you with her whole heart and has never felt safer in her big bad avengers gfs arms.
Maria Hill
Even though Maria is always incredibly busy with Shield, and you with the avengers, you always find time to be together. but being women of high power has never been easy. that being said, both of you get looked down on even after showing ur skill time and time again. so you arrive at headquarters looking for your bad ass gf, carrying with you a few treats so she doesn't forget to eat. as you make ur way towards everyone they seem to be doing their usual thing. you could spot her from a mile away away. she's the most beautiful women you've ever laid eyes on. you approach her. her eyes land on you and her face immediately lights up. she greats you with a tight hug, a kiss on the head and then the lips. she's gotten more comfortable with being affectionate at work, you notice. "thank you baby" she says sweetly, completely contrasting to the harsh tone she uses with her troops. "i'll be back in a second" she goes to tell her most trusted troop to take charge as she steps out for a second. almost as if she cannot live in peace, a scrawny, insecure guy comes out of nowhere and starts complaining about Maria being off duty (who even is he) he starts causes a scene and honestly makes you laugh a bit. you two go to walk off to ignore him and suddenly the hoe grabs you!! yeahh maria is not gonna let this go. but when she goes to interfere but yank your arm away "my girlfriend has all of this under control so why don't you turn around and get back to work, the nerve of you!" Maria jaw is DROPPED. i mean she knew you could get serious but seeing her adorable gf give commands does something to her body. almost as if she's shy being in ur presence. she's sure she's never smiled bigger. you turn around and grab her had and guide her to the break room. she feels like she has a silly little school girl crush as she giddily follows you around.
sharon carter
(this is power broker sharon bc she's hot but no one's dead BC I SAID SO) To say sharon was kinda nervous about telling you about her job was an understatement. i mean you were an avenger but also the love of her life. it was a long talk but you got it to work. anyways you hung around a lot at her place bc hello?? it's huge and you love seeing ur hot gf do illegal ass things bccc she wasn't an avenger level threat (yet) so by ur logic, we're chilling. and she was on okay terms with steve, bucky and sam. when she hosts her auctions you're always welcome to come to them too! you want to be there just in case the worse happens, even tho she's more than capable of controlling it. but that doesn't mean you're safe from any guys or gals that want to hit on you. if they know who you are, you're okay but if they don't know who you are or have a death note they'll hit on you. usually you hang low or by the bar bc sharon's busy at these events. as you sip your favorite margarita you feel a tap on your shoulder. a security guard? "uhm hi can i help you?" you ask politely. unbeknownst to you sharon's watching (she always is) and heading her way over to you. the guards are specifically told not to speak to you unless u speak to them. she's possessive what can you say. "i'm not sure you're on the list your gonna have to step out" he says roughly grabbing ur arm and tugging you off your stool. sharon is basically bolting at this point. "my girlfriends the owner of this place and is the reason you buy ur meals so get off of me" you say and push him back. he's about to tackle you bc yk ego. until he sees an arm snake around your waist. oh sh*t. "get the hell out my house" sharon says and he gets escorted out. you'll probably never hear from him again. sharon grabs your waist and pulls you impossibly close to her as she places her lips on yours. "that was so sexy baby" she says on ur lips. her stern demeanor almost broke when she heard you calling her your girlfriend so proudly. it made her knees want to buckle and she felt like kicking her feet. she finally got the girl of her dreams and u guys were a match made it heaven. she can't stop thinking of this moment for months to come and definitely shows how proud she is of you later that night.
Nebula
nebula thought she was gonna be a lot of things in life. but never did she think she was gonna be the girlfriend of the most beautiful and kind girl in the galaxy. she seriously never expected to ever be blessed by your presence much rather be loved so deeply by you. although she's been weary of love her whole life, you've completely changed her perspective. you love her so deeply it's almost unfathomable. that being said, anything you guys are in a new planet and go explore you always make sure to stick to her side. who's gonna mess with ur big ass blue gf?? not to mention she's possessive with you and aggressive with anyone but you. she's also so gentle with her sweet girl. so you'd expect any on looker to stay away from you bc nebula likes to walk around with her hand on ur butt while holding you close. but when some weird looking dude approaches nebula immediately become alert but all he does is aggressively bump into her "hey watch where the hell your going u got ur dirty paws on my girlfriend!" you yell as you grab wtv the hell is on top of his (maybe hair??) and he has no other choice but to apologize to nebula. when he leaves nebula is left speechless. why are you so proud that ur dating her?she can't control herself tho and pulls you into an ally to passionately make out with you. that was so hot. she lifts you by ur butt and presses you against a wall. you giggle and pull away as she chases ur lips "what's with this nebby?" "i love you." she says hoarsely. she didn't know how to respond to the whole situation. she couldn't care less about what the guy said or didn't say. but you loved her so much and we're so open about it. she was gonna love you forever.
kate bishop
Kates sure you could do something so simple as breathing and she would get giddy. she's no kidding. she absolutely adores you and you adore her. that's why you two just work. and while not all things come to you guys that simple most things do. you to do have your fights but they can usually be resolved with a good talk followed by a movie marathon with pizza and Lucky cuddles. so that's what you guys are doing right now. don't get me wrong, this happens on a weekly bases not just when you guys are having an argument. it's just a chill saturday afternoon, both you and kate resting from having a hard week in training and working with adults who never seemed to be pleased with any improvement in any skill. but anyways. you kate and lucky are all cuddled up on her couch as you decide what movie to pick out. as if it's a 6th sense kate suddenly gasps "we didn't order pizza!" and even lucky pops his head up, distraught by this horrible news. you have a good laugh but kate is seriously concerned about this. you stroke her hair and kiss it and tell her you'll order it rn. kate js smiles snuggly at lucky (who she high fives) as she leans her head on ur tit and receives head rubs. you call her favorite pizza place and order ur usual order while she finds a few movies to binge. thanks to nyc, ur pizza arrives in no time. and when you hear the bell ring you and lucky go answer the door. kates too busy complaining cuz her pillows gone. as you answer the door luckys right there as ur security. "haha your dogs really cute!" says the delivery guy "thank you my girlfriend found him!" you say simply as you tip him and close the door. kate literally gets up and runs around as she squeals. you thought she was just really hungry but after she picks you up when you put the pizza down she tells you other wise. she spins you around and cannot take the big goofy smile off her face. she's left speechless but her smile speaks for her. when you ask her about it your heart melts at how pure she is. the rest of the night she's has that smile on her face as she's resting on ur favorite pillow, you!!
a/n- so sorry this took so long and it's kinda crappy! i was kinda stuck so they all sound similar but hopefully you guys enjoyed! send requests!!🤍🤍
stay safe hoes🤍
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child-of-the-danube · 2 months ago
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Going absolutely bonkers with theories vol.2 Electric Boogaloo
Post no.1 was focused towards the episode being Lilia's vision. This one is more on the Teen subconsciously controlling them/it being his trial AND/OR the Salem Seven messing with them.
Regarding Teen:
- Already mentioned that the whole cabin in the woods, 80s look, Ouija boards stuff is very teen horror tropes and Teen is the one leading it all. Before, they'd shut him off mostly or only occasionally listen but this time they all listened to him explaining the rules and let him lead them into the trial. He wants to see himself as equal and useful and has brought up wanting to truly be part of the coven in every episode (e.g "The curse attacked me. Does that mean I'm part of the coven now?")
- He lost his spell book right at the beginning, the one thing that gave him power in the coven was his collected knowledge on witchcraft. Losing it points to him having to use an alternative route without relying on an aid like magic or basically a cheat paper.
- As for everyone being out of character except Rio, somebody pointed out in their post really well how all of them seem almost like exaggerations/caricatures of themselves in this episode, but more so, in the way that Teen probably sees them. He is closest to Alice, so of course he'd put her as the "saviour", the one who'd try and do the right thing. When it comes to Jen, the only interactions he's had with her was her showing clear distaste for Agatha most of the time and her antagonistic attitude is turned to 100 in this episode. I don't think he can control Rio as she is not human/just a witch and is probably out of earthly bounds so she is in the clear. Lilia he doesn't really interact with beside seeing her as the old strange lady that doesn't believe in herself and always talks about how hurtful the stereotypes about witches are so beside that being even more on the nose this episode, he leaves her alone. Agatha he's deeply conflicted about. She's shown him kindness and encouragement but clearly everyone around her thinks she's irredeemably evil beside Rio so he is at the space between wanting to see her as good and thinking she deserves punishment. Lilia looks at HIM and not Evanora when she repeats the phrase "punish Agatha".
- He is always pointing out how they're putting themselves in danger by fighting and not working together and the entirety of the episode is exactly that, so I'm again inclined to think it's Teen's view of them and him trying to calm them down and work together is what he has to do to pass the trial (which he fails at)
- Somebody also pointed out how "Don't use the board alone" was one of the rules and when Nick talks through the board and the watches beep signifying the time having run out, it was only him at the board - a violation of rules which he doesn't pay for.
- He still ends up getting power even if the trial was a failure and they're worse off than they were before which is strange. Was Agatha accidentally killing Alice the confirmation he needed to snap and break his sigil or was this his purpose on the road the entire time - to play a demiurge of sort/devil on the shoulder between them? Was he sent by someone to slither his way into Agatha's life with or without knowing what exactly the purpose of it is?
Now to the Salem Seven :
- In the trailer for Lilia's episode, the Salem Seven are present at the trial but this episode they couldn't breach a simple wooden door? Something smells off there.
- Before the coven enters the house, they pass through the swarm of bees/wasps(?) of one of them. We have no idea what their actual powers are beside being able to turn into animals, so maybe messing with reality is one of them even tho I'd put that more into the Teen category given who his mother is and what WandaVision was about.
- Then the trial begins and there's no Moon phase on the door and no magic is used, nobody's skill is tested in an obvious way as they were before, no elemental danger like we had with water and fire etc. The only "danger" this episode comes in the form of possessed Agatha and the inner turmoil of the coven. In a way, the trial has no clear point or goal. In the previous ones, after the hardships, they ended up with new gained confidence, resolution of problems, getting their power back, closer than they were before, but not this time. This one was purely focused on fucking with Agatha.
- Excluding already present Rio, there's only two people fitting to send as torture devices for Agatha. First one is her mother, the only one she might still care about from the Salem lot she "killed" back then and the other person would be Nick. Rio said she hated ghosts a.k.a souls who linger due to unfinished business but Nick didn't even appear as a ghost in this so-called Agatha's trial despite being her biggest weak spot and trauma. Maybe he is comfortable in Rio's realm as he's familiar with her and she can probably protect him in a way from his soul/ghost being used by others like the Salem Seven.
- Evanora exploits Agatha's trauma with words and then possesses her, which could be taken as a strategy to make someone who can attack her do it and confirm that Agatha IS in fact the monster everyone thinks she is and that they should abandon her cause the Salem Seven know Agatha has no control of her absorption powers. She looks genuinely distraught when she snaps out of it and sees Alice dead and even goes in to help.
- The whole Teen turning on them thing is very much another torture method intended for Agatha. What better way to fuck her psyche up some more after mommy dearest than to make a child she deeply cares for turn on her?
- And where were the Salem Seven once they got out of the house? Wouldn't they wait and stage an ambush if this was a truly trial they couldn't interfere with and not just one of their versions of punishing Agatha? Since we don't know their powers, maybe they can't actually actively hurt her and have to find a way around to do it like through possession via Evanora cause what would the point of possession be other than to have someone do the dirty work of attacking Agatha for them. I'm sure Evanora would have tried to kill her on the spot if she could. She tells the coven at some point to leave Agatha with her and go but we've seen before that they physically CAN NOT leave the houses before the time runs out, so how would they be able to leave half way through if this was an actual trial?
- Again, pointed out by other people, but the screen ration in previous episodes changed to full screen when the trails began. This episode, it remained the same the whole time with so was that truly a trial?
Anyways, everything about this episode is weird, suspicious as hell and can be read a 100 different and/or overlapping ways. I need someone to invent a time machine and bring me to next week's episode immediately or I'll combust
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poetzproblem · 1 month ago
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I am so with you on the Agatha All Along brainrot. What are some of your favorite headcanons about the show and/or Agatha and Rio's relationship?
This got very long, so apologies. I'm hiding it all under that cut and also recommending that you go read creator, you destroy me by velvetprayer if you haven't already. It more or less matches my own personal headcanon about the Agatha/Rio past, though her version of Lady Death might be a little gentler overall than I imagine her to be - although fully as angst ridden.
My winded rambling as follows:
So, I’ll preface this all by saying that I’m not really deep into Marvel lore. I only know any of it through the cinematic universe, but I can’t say I’ve ever watched the entire filmography, I did watch Loki and Wandavision, and I obviously fell in love with Agatha from that. I did a rewatch after the first episode of Agatha All Along dropped to refresh my memory, and it helped me form a headcanon for her, though there are some pretty big missing pieces that I haven’t quite worked out, mostly due to the incomplete backstory in AAA and Marvel’s general monkeying up of timelines between their television projects. (The Darkhold was an entire plotline on Agents of Shield, but WV and AAA both imply Agatha has had that book for a significantly long time.) 
So before I go too deep into character headcanon, I will say that I mostly loved AAA. I think it was well written overall with so much foreshadowing and so many easter eggs that really make rewatching the episodes a joy. I appreciated the practical effects, and the song was a banger in every version. I will admit to being a little disappointed that the Road wasn’t real all along but a pocket dimension created by Billy, though I did just enough research about him to know it was one of his powers and saw the speculation about that twist being talked about, so I was expecting it by the last two episodes. 
I also was disappointed with the Salem Seven being a big non event. Rio describes them in the first episode as "the worst of them," and they’ve supposedly been hunting Agatha for something like 320 years, so I expected them to be a real threat. But from what little we saw of them, beyond being creepy, they had no real bite. It felt very much like a fully powered up Agatha, especially one in possession of the Darkhold, could have easily squashed them all a century or two ago? (Again, when did she actually acquire that damned book?)
So Agatha. She’s unapologetically wicked, but I think of her as more selfishly power-hungry than outright evil. Knowledge of the craft is important to her, that was clear in her whole initial confrontation with Wanda, so she’s clearly well studied in addition to powerful. I imagine she really does think she’s more deserving of every other witch's power than they are, so why not take it? 
Her one tiny line in the sand (or salt circle) seems to be not hurting children, although she really didn’t seem all that concerned with Billy or Tommy disappearing with Wanda’s powers during WV. I can only assume that was because Wanda magicked them up in the tiny span of a day or two out of nothing but her chaos magic with fake sitcom labor, so Agatha didn’t see them as real. And now that I know she had a son who she carried for (presumably) the full nine months and put in the real work for, I can kind of understand that. 
WV showed her coven trying to kill her in 1693, and AAA put Nicky’s birth in 1750. That’s 57 years of wrecking havoc with her lover, Lady Death, and my own take on that is that they didn’t actually meet until after Agatha offed her coven. I’m sure Death was there for that event, and I even play with the idea that Death had been hovering around her long before that, but I don’t think she showed herself to Agatha at that point and Agatha wouldn’t have noticed her physical presence yet.  
I don’t actually believe Agatha could control her siphoning powers before she killed her coven - in fact, she seemed genuinely surprised that she wasn’t dying when they blasted her and that her own power was pulling theirs into her. And her coven and Evanora sure as hell couldn’t have known she could do that, or they would have chosen another way to kill her. 
And now that we know Agatha could absorb magic with her touch (kiss?), since that’s what she did with Rio in the end, I think that’s probably how her power worked before the attempted execution. In fact, I headcanon that she started siphoning Evanora’s powers during childbirth, and that’s why her mother thought she was evil and wanted to kill her at birth. I think the trauma of being born triggered baby Agatha’s magic and Evanora started growing weaker and weaker as it dragged on, and she felt her magic being leeched by the child she was birthing, but because Agatha was only a baby and not really all the powerful yet, she couldn’t draw enough to kill her mother outright, only severely weaken her. 
And yes, I also imagine Lady Death was hovering in that room, waiting to see if she’d be taking Evanora Harkness or the baby, and maybe Agatha and her potential intrigued her from those first moments, so maybe she kept an interested eye on her - since Death is technically everywhere all at once. 
There are so many circumstances when a young Agatha could have had her siphoning ability triggered. Like, imagine her trying to steal a treat or something and Evanora grabbing her hand away only for Agatha to start sucking up her magic through the touch. It would have made Evanora slap her away and refuse to even touch her again, and she certainly wouldn’t have ever wanted to allow Agatha to have the knowledge of how to use her power with intent. So of course young Agatha has to go looking for knowledge on her own. I don’t believe she had the Darkhold at this time, but there are certainly other tomes of dark magic she could have gotten her hands on and started reading, trying to understand what she is and why her magic works differently than the others in her coven.
Side note - siphoning through touch would only work in small doses, since once the other witch noticed it, she’d be able to push Agatha away. I mean, Agatha didn't exactly seem skilled at hand to hand combat there, so I imagine her childhood was a series of accidents or ‘accidents’ until Agatha figured out a much better way to employ her magic stealing touch. Let’s just say, I don’t think using her lips to steal Death’s power was the first time she used that trick, and I imagine the other witch might be too pleasantly distracted to realize what was happening for quite some time. 
Maybe this is even the way she betrayed her coven and got put on trial. Both defiling the natural order by cavorting with other women and killing a fellow witch with her touch.  
Anyway, she doesn’t figure out the much easier and, more importantly, faster way to steal power until her coven tries to kill her, but once she does, she gets very good at getting witches to blast her. (I also think this is why she told Lilia the supposed trick to her siphoning - because if she couldn't immediately provoke her, she could have tried going old school with it by latching onto her until she used her magic on her to shake her off, and then she’d get what she wanted the fast way. I mean, Lilia seemed old and frail. Agatha probably though she could take her no problem.)
So, back to past Agatha, now sans coven. She undoubtedly ends up killing more witches sooner rather than later, supposedly in self defense, after she pisses them all off enough to provoke an attack, and that finally brings Lady Death fully into her orbit. There are a number of fic writers who have already imagined the ‘meet deadly’ moment, so I won’t spend much time on that because this answer is already too long with no end in sight.  Suffice to say, they spent 57 years being gay and doing crime. Agatha got more powerful and Lady Death - Rio now in her corporeal, Agatha-loving form - got her bodies and a taste of life that she'd never had before. 
I headcanon that they did (still do) love one another in their own very disturbed, ultimately unhealthy way. And I definitely think Agatha was learning so many things from Rio in relation to magic during their years together. Rio is, after all, The Green Witch, so presumably no one knows more about green craft than her. And as Lady Death, she probably knows about every magic, and Agatha would just soak in all that knowledge over their time together. She probably learned to control her siphoning abilities from Rio so there wouldn’t be any accidental draws on the ancient power that would kill her. 
I also imagine Rio’s presence might have kept the Salem Seven at bay for those earlier years.  (Were they a factor during the Nicky years? Did Rio keep them at bay then too to protect her family from a distance? Why didn't they make a move in the any of the 200 years after?)
Anyway, jump skip to Agatha’s pregnancy which was doomed from conception. If we go with the thought that Nicholas was somehow created by both of them, then he carried the essence of Death inside of him and couldn’t have existed in a mortal body, doomed by his very nature. If we go with Agatha making him herself from scratch, it might have been her own inherent magic that doomed him. Maybe it was even a combination of both. 
In either case, I imagine Rio warned Agatha what Fate would demand from the beginning if she carried the pregnancy to term - what she’d force Rio to do. (If Nicky is hers too, then his very existence is an abomination against the sacred balance.) But Agatha, with her severe mommy issues, was determined to go ahead with it and prove her mother wrong, because the rules of magic have always bent to her power. Death herself has bowed before Agatha - certainly she’d do the same again. Certainly, Agatha is powerful enough to bring her child into the world unharmed. 
Spoiler: she is not. 
But Rio does, in fact, bend the rules for her again, and grants the only thing she can - time. This is why it cuts Rio so deeply when Agatha throws all of that special treatment back in her face on the Road (that isn’t real) - why that argument de-escalates at the mention of Nicky and what really happened. Because what is more awful than the truth that Agatha had loved and been loved by Death herself and even that - even all her own power and the power she stole from other witches - couldn’t save her (their) child?
Would it ultimately have been kinder for Rio to have just taken Nicholas before he’d drawn his first breath?  Maybe. Maybe not. I don’t think there was an answer that could have saved their love at this point, but Rio did (does) love Agatha, and she went against her very nature and defied the laws she was bound by to grant her love time with her (their) son. 
And we know how that part of the story plays out, though I do share the popular headcanon that Rio was lurking around for those six years that Nicholas lived, perhaps visiting him in his sleep, because he went to her without fear or hesitation in the end. She obviously has the ability to infiltrate the mind-space - she did it with the spell Agatha was trapped in. 
That it happened when he was asleep - more importantly, when Agatha was asleep - is the thing that I think has fueled her anger and resentment of Rio all this time. Yeah, she was always going to hate Rio for taking him and be angry for a very long time, but Rio never gave her the chance to say that final goodbye, and that's what made it truly unforgivable. Rio probably thought it was better that way - a more peaceful death for Nicky - but Agatha could never be capable of understanding that. 
So Agatha immediately embarks on centuries long rage and grief spree to gain even more power using the ballad she’d written with her son, and you’d better believe she’s gleefully using those bodies to taunt her ex along the way. That’s what we see, anyway, and there were no black fingers, so she wasn’t actively using the Darkhold for that Witch's Road con she was running. (Again, when did she find that book?)
Rio clearly implies in the first episode that it’s been a long time since they’ve seen each other and that Agatha has been using the Darkhold to hide behind - essentially hiding from Death. Did she have it for fifty years? One hundred? Two hundred?  You’d think she would have gone looking for it soon after Nicky’s death, maybe hoping it would have some spell or ritual to resurrect him. But she didn’t. Or maybe she couldn’t? Maybe Nicky, being the son of Lady Death, didn’t end up in the same place as other, purely mortal souls, so whatever spell the Darkhold contained couldn’t work to draw his soul back?   
(And if anyone is interested after this long ass post, I also have a separate headcanon about Nicholas and the Afterlife that I won;t get into here.) ��
I haven’t fully settled on how I think the timeline of those missing years lines up. I’m leaning toward Agatha having had the Darkhold for at least a century - long enough to make it really hurt for Rio to not be able to see or sense her, left with only bodies she knows Agatha left in her wake. 
Now, Rio. Lady Death. 
When we first meet her, she’s inserted herself into Agatha’s crime drama spell. I don’t think she was physically there at the time but projected herself into Agatha’s consciousness, and at this point it’s been either decades or centuries since she’s been able to sense her ex. First the Darkhold hid her and then Wanda’s spell - “You live here now. No one will bother you” - and as soon as both of those are gone from the multiverse, the spell begins to break. No, I do not think Billy broke it. It was already breaking before he tried his analog magic spell. At best, he sped up Agatha’s awakening. 
So Rio has been unable to confront Agatha for a very, very long time, but I believe there were confrontations before Agatha got the Darkhold and after Nicky died. I think it’s fair to assume those were violent and angry on Agatha’s side and probably sad and regretful on Rio’s. They probably hate fucked a time or two. But any mention of Nicky would have set Agatha off and sent her running, safe in her anger and hatred of Rio, so other than the blame game, I don't think they actually have a real conversation about him.
I think Rio probably tries at least once to see her and apologize and assure her that Nicky is at peace and being watched over, but that really wouldn't have be met with anything but venom.  
Agatha is the only mortal Death has ever loved and who has ever loved Death, and she doesn’t know how to let go of that. And then Agatha ghosts her metaphorically before ghosting her literally. 
But still, Rio is surprisingly patient with Agatha as Agnes, even though she very definitely made a beeline to Westview the moment Agatha’s aura came back on the map. When Agatha is finally free of the spell and confronts Herb, he says she’s been acting extra weird on her true crime kick for a few days. That implies she was just rolling along in the Nosy Neghbor Agnes persona prior to that, while Wanda was alive and the spell was still in full effect. 
I think her change in behavior should have coincided exactly with Wanda’s death, even though it doesn’t exactly jive with ‘Ralph’ knowing Wanda was dead when Billy seeks him out. That’s one of the rare plot holes in the writing of this show. Unless he just assumed Wanda was dead since she disappeared after Westview and went into hiding. 
Anyway, Rio shows up and assesses the situation her ex is in, deciding she needs to help Agatha wake up before she tears into her over the decades / centuries of ghosting her. Because what satisfaction can she get if Agatha doesn’t even remember why she hates Rio? 
Billy stumbles into the situation after Rio, so his presence can only speed up what was already started. 
And then Agatha is awake, and what we see in that first confrontation is an angry and hurt Lady Death wanting to strike back at the love of her (un)life for almost certainly stealing the Darkhold and using it to hide from her (and the Salem Seven and probably the Sorcerer Supreme and every other witch/witchhunter out for revenge) while likely also trying to the resurrect their dead son against the laws of the universe and upset the sacred balance. 
She’s saying she wants Agatha dead - which for her would also mean Agatha would be hers forever, no way to run again - but she also clearly still just wants her back in a more willing way. This first fight is very likely flirting for them, and she does want Agatha to get her purple back. She wants them back to the way they were before Nicky. It’s impossible, of course, but after 270-ish years, she’s hoping maybe Agatha has finally processed her grief enough to forgive her. 
I don’t think Billy is on Rio’s radar at this point. Maybe this is because of the sigil. Maybe it’s that William Kaplan wasn’t dead long enough to pull her to his body when Billy jumped in. Maybe it’s a combination of both. 
I do think he’s on her radar the moment the Road becomes real - or at least, the chaos magic that created it is. And since Wanda is gone, that really only leaves one possibility. 
Rio is definitely already in the neighborhood for poor Sharon. She clearly doesn't need the door they opened for her with the summoning spell to come and go from the Road, as she demonstrates when she tears through reality to leave it in episode 8. She does tell Agatha that it wasn't her choice since magic took the path of least resistance, but I interpret that to mean that their spell gave her an excuse to show herself to all of them and investigate what was going on.
When she’s acting as Death, she’s stoic and calm. With Agatha, she’s sad and angry and creepily playful - the humanity Agatha brings out of her on full display. With the others when she arrives on the Road - well, she’s exactly what Agatha accuses her of being - a tourist. She knows the Road wasn’t real before exactly as Agatha does, so her reaction to being there is exactly what you’d expect. She’s admiring the scenery, the vibe, and the magic that created it. She even says, “this is cool,” when she first starts walking it. 
I believe she knows Teen is Billy Maximoff before the sigil breaks. She asks about him as soon as she and Agatha are alone in Alice’s trial, and Agatha immediately tries to distract her with the promise of bodies. And when he ends up hurt, Rio once again makes an exception for Agatha when she begs, “Don’t.” She could have taken him then and maybe had a chance of grabbing his soul before he reincarnated because he hadn’t fully come into his powers yet in this life. But she waits because her guilt over taking Nicky is still a tangible thing, and Billy is saved, and Rio is going to lose her chance to re-balance the scales. 
She’s still hoping for Agatha’s forgiveness, and she makes her confession of Agatha being her scar, and then they share that moment in the woods. But Rio isn’t truly forgiven for Nicky, and she knows it, and she stops Agatha because she doesn’t want her misplaced gratitude for sparing Billy Maximoff.  After multiple viewings, I’m now reading - “That boy isn’t yours” - as less Rio reminding Agatha that Billy isn’t Nicholas and more warning her that Billy isn’t hers to save. He isn’t her second chance at motherhood with a powerful, magicked up son. He’s Wanda’s boy. He’s an abomination. He ultimately shouldn't exist, and his soul (and possibly William Kaplan's suppressed one) belong to Rio. 
If she was going to ignore the sacred balance for anyone, it would have been Nicholas. 
I’ve already posted about Rio’s reaction in Agatha’s trial. How the camera cuts to her after Evanora says she ought to have killed Agatha at birth. First we see Agatha, obviously, because it''s the confirmation that her mother has always thought her evil from birth, and the pain of that statement is twofold for her because she literally begged Death to spare her own child and then spent six years, presumably, trying to amass enough power to somehow save him. I think she believed that if she killed enough witches, if she collected enough of the kind of magic that she didn’t have - healing, protection, divination - she might one day figure out how either outrun Death or conjure more time for her son. 
But right after Agatha, we see Rio with that look of pain, closing her eyes and looking away, because she nearly did with Agatha’s son - with her own son - what Evanora wanted to do. She nearly took him at birth because he wasn’t meant to exist in the living world, and then she was still forced to take him eventually. Just as Agatha hasn’t forgiven her for it, Rio has never forgiven herself for what she had to do.  
And when we next see her after this episode, we see stoic Lady Death again, collecting Alice with bored indifference. Because that’s her job. Her vacation is over. The trials on this fake Road aren’t any fun anymore, and she’s done humoring Agatha with whatever con she’s trying to run this time. Because she knows Agatha could have ended all of this before it started if she’d admitted the Road was never real and Billy created it. 
Billy has come into his powers at this point, and Rio’s likely pissed at herself for letting her chance to collect him slip away thanks to her eternal soft spot for Agatha. Once again, she’s given special treatment and risked upsetting the balance for this woman.  And on top of that, Lilia easily took out the Salem Seven - bad ass of Lilla but so anticlimactic for whatever threat the Salem Seven were intended to be - so Rio's chance of finally getting Agatha over to the other side just took a nosedive. She’s not allowed to do it herself, and I’m not sure she’s yet at the point where she really wants to torture Agatha into begging her for release. If Agatha manages to finish the Road and actually gets her purple back, Rio will be chasing after her again for another century or two. 
She’s close to the end of her patience with her ex at this point. Poor Nicky is never going to see her (other) mother again. 
And then Agatha offers to deliver Billy to her, which I think Rio realizes is bullshit. I don’t think she really believes that Agatha intends to follow through without a trick, and even if she did, she doesn't believe Agatha will actually be able to convince Billy to give himself over to Death. But Rio plays along, wondering what Agatha wants from her this time. Maybe she even thinks Agatha will want to trade him for Nicky - one abomination for another. Maybe Rio actually hopes it would be this because it would give her a loophole to finally say yes. Maybe the prophesied demiurge would be more than an equal trade for the son of Death alive in the world again.
And incidentally, I do find it hilarious that Agatha’s condition is for Rio to stop following her - like, you’ve spent 300 years killing witches. It’s impossible for Death to do anything else but follow you.  But it’s the part about not wanting to see her face when Agatha eventually does die that finally breaks Rio. I mean, that was basically the whole point of wanting Agatha dead now - a way for them to be together with their son. 
It guts Rio, and you can see it in her expression. 
And I believe Agatha fully expected her to refuse - to tell her that it wasn’t possible. All roads lead to (Lady) Death, after all. She’s the inevtiable end of all things, and she hates ghosts. There’s no way for Agatha to avoid her. The best she could do is greet her in her true form and let Rio Vidal die. 
But for Rio, this isn’t just a rejection of her. It’s also a rejection of everything about their shared past. A rejection of Nicholas. If Rio can’t take her soul to the Afterlife, then she can’t take her to Nicholas either. Is Agatha really that much of a coward? (The answer, of course, is yes.) So she reluctantly agrees, heartbroken, but she also expects that Agatha won’t be able to keep her end of that deal, so she won’t need to keep hers. 
It’s kind of a stalemate where they both think - shit, what the fuck did I just agree to?
It’s ironic really. To some degree, I think Agatha finally comes to some acceptance of Nicky’s death in that final trial. "Sometimes, boys die." "From death, life."  
At the same time, this is when Rio fully snaps. She’s stewing over this whole Witches Road deal and Agatha's final rejection, and frankly, fully aware that Agatha just helped Billy create another abomination, messing even more with the rightful balance of things. 
Yeah, Rio has been angry with Agatha, but also guilty and hurt and lovesick, so it’s tempered her somewhat. She’s been the antagonistic kind of angry where Agatha could easily assuage her, but now, with Agatha’s last rejection of everything about their shared past and helping that kid disrupt her domain even more, she embraces her rage in a way she hasn’t allowed herself up to this point. The human emotions that Agatha sparked in Rio take over all her reason and balance and duty, and she lashes out.  The rejected lover, finally allowed to indulge the anger and grief that Agatha spent two centuries indulging with her own rampage. 
I know we didn’t get to see the magical battle due to budget restraints, and honestly, I’m only a little disappointed by that. The Wanda/Agatha one wasn’t exactly spectacular with the boring energy blasts. But we get enough of it to see that Rio never hits Agatha with her full power. She isn’t trying to kill her here; she only wants to hurt her - vent her own rage and heartbreak. They’re even back to their weird kind of flirting halfway through it, but then Billy gets involved again, and oh yeah, the kid is still here. Something has to be done about him, because Rio can’t ignore her duty forever, and Agatha knows she can’t defeat Death. 
So finally, we get that moment, when Agatha looks like she’s getting what she wanted and Billy is willingly surrendering himself, and she could walk away with a nice charge from his power and the promise to never have to see Rio again. 
It’s my understanding that Billy’s mental plea wasn’t originally in the script, and I actually wish they’d left it out. I don’t actually think that his mention of Nicky in that moment would have changed her mind anyway. I think it would have probably had the opposite effect since she’s always reacted badly to the mention of him except when Rio brought him up in that last conversation on the Road.
But, in the context we got, that isn’t how Nicky died. He’d been stolen away in the night after Rio had granted him six more years than he should have ever had. Agatha would have never traded his life for hers. She would have traded hers for him in a heartbeat.  So yeah, I get why that was added, but I don’t fully think it was necessary. Agatha was always going to realize that leaving Billy with Rio was the wrong thing, and she was crossing the one meager moral line she had - hurting children. And this one, specifically, reminds her too much of her lost son. 
She puts a hand to her chest before she turns, right where we know her broach always sat. I’ve watched that scene a few times, and I noticed that we can’t see her broach on her costume for maybe the only time since she broke out of Wanda’s spell. But it’s obviously there somewhere because it’s the one thing left behind when Rio speed runs her decomposition - yet another bit of special treatment in allowing it to remain as a means of tying her spirit to the mortal realm. 
And yeah, like Agatha said, it was a calculated risk. I don’t think Rio has ever outright lied to her or broken a deal, and Agatha technically upheld her end of their bargain but also very much didn’t, but Rio does slightly change the terms of the bargain before that last battle, such as it is. She gives them both the choice - “One of you is coming with me.”  
And yet, she hesitates to take Billy as soon as he offers himself. Because taking him means losing Agatha forever, and despite her anger, she isn’t fully ready to do that. In the end, her hesitation gives Agatha the time to change the terms. She gives Rio what she’s claimed to want from the beginning - Agatha’s death. 
Agatha gives herself to Rio in a way that speaks of both acceptance and forgiveness. And maybe, it’s also forcing the bargain that Rio never gave her the chance to make for Nicky. Her life for his. 
And Rio keeps their bargain about seeing her face again anyway, because I think she knows that she’s finally been forgiven, but Agatha still isn’t ready to face Nicky. She doesn’t collect Agatha’s soul and even allows that broach to stay behind for Billy to take. I think Rio knows full well she just allowed Agatha to remain as a ghost, but she lets her go. She finally lets Agatha go and lets herself grieve their lost love. 
She lets Rio Vidal die with Agatha and reclaims her eternal role as Lady Death. 
And now her sacred balance is shot to hell, because she’s got not one, but two, abominations roaming around in bodies that don’t belong to them, and one stubborn, ornery ghost who she knows damn well is going to meddle in all of that chaos magic.  
And, I think, she also hopes that maybe one day, Agatha will be ready to cross over and see Nicholas again - maybe even see her again - but, it’s all in Agatha’s power now. 
Like Rio said in the very first episode - “If you want to be in control, you can be.”  And it speaks volumes that Rio has honored that at every turn.
Now she just has to explain to Nicholas how she let his mama slip through her fingers again and stick around to mentor that Maximoff boy.
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oswildin · 3 months ago
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I think my thing with Marvel lately, Loki included, is that so many things have happened that make other moments harsher in hindsight. With Loki, it's hard to go back and watch the show knowing it's all leading to him being alone AGAIN. Like Lady Sif telling him he's gonna be all alone is something I can't even stomach now (I can't even watch the ending either except maybe Mobius and Sylvie's scene because I love that duo because it just makes me feel uneasy. I wish I could appreciate the beauty of it more.) And the Mobius telling Loki he can be anything even hurts too. (It's probs my favorite scene in the series.) I feel similarly about Spider-Man No Way Home's ending and some other stuff like WandaVision. Lotta Iron Man stuff too.
On a more positive note, I love the "I've been where you are..." scene just like you, and it's one of the things that first really endeared me to the Loki and Sylvie dynamic. Do you have any insights/headcanons about Sylvie's thought process during the show at all? Or any Mbius headcanons in general?
Yeah I totally get what you mean. I kind of like those moments though that lead up to the ‘tragedy’ so to speak, I love me a bit of foreshadowing. But I completely understand and agree that on rewatch it feels harsher because you know what’s coming.
I hated the Time Cell scene with Sif, I also hate how it was played off for laughs when she repeatedly kept slapping him and kneeing him in his glorious purpose (sorry I had to😭). Like, will I reblog or use the moment of him on his knees? Well, yes, but that doesn’t mean I don’t think context of which he is on his knees for is horrible. It also goes to show more about Mobius’ character too, and I completely felt Loki’s frustration because I know how it feels to not be listened to, but I also can’t blame Mobius for his knee-jerk reaction of ‘he betrayed me’.
Sylvie’s thought process to me is a mirror to Loki’s during Thor 1/Avengers, obviously they have different reasons/goals, but S1 she is in that same headspace of being blind-sighted by her own ambition and need for vengeance. She is fighting for her freedom and nothing will stop her from achieving that. There’s some great parallels there between her and Loki, how Loki has stated multiple times his opinion of freedom and how it’s a lie, whereas Sylvie doesn’t seem to see it that way, and I think her perspective helps shift Loki’s (especially with the added context of the TVA/HWR).
Sylvie is like a wounded animal. She lashes out and is quick to react. She doesn’t think about the consequences. In S2 however, she is shown the consequences. And you can see how it begins to sober her up, makes her realise that whilst what she did was maybe the ‘right’ thing, it wasn’t as simple as right or wrong. Her and Loki are both selfish in different ways, but ultimately what it comes down to is their loneliness. She does the Loki thing and shrugs everything off as a mere inconvenience, thinking she knows best. Except, she truly has conviction. She really believes in what she says, what she stands for, which is something I feel Loki has struggled with. He didn’t know what he stood for, until he had to made the hard choice of sacrifice to ensure his friends and the many lives on the branches were safe. Then he found his conviction.
Sylvie does care, she just opts to act aloof because that’s all she knows, it’s how she protects herself. She had to build these defences after spending her whole life in apocalypses, on the run and raising herself. She’s going to have bad habits, morally grey thinking/beliefs, drastic behaviour and solutions because she’s only had herself to learn from. It’s like when you learn to drive from a parent and you pick up their bad habits, right? Except, she is the driver as well as the parent, and it’s a matter of nature vs nurture with her. The worlds she grew up in shaped her, they made her who she is.
I don’t really have any Mobius headcannons, but I think he would definitely be a great friend. Not a perfect friend by any means, but he would fight your corner when you needed him, challenge you to think differently and also let himself learn from you in return.
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492blogkw · 2 months ago
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Movies & TV Shows to Watch this Weekend
October 31, 2024
Movies & TV Shows to Watch this Weekend
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This past week I watched two movies, the original Planet of the Apes from 1968, and Wolfs starring George Clooney and Brad Pitt. Both were pretty great, Planet of the Apes I originally watched in the early 80s so didn’t really remember much of it. It’s actually had a great storyline and although the special effects are really dated, it didn’t bother me much. Wolfs was also a lot of fun, it has a 6.5 rating on IMDB but that doesn’t reflect the film accurately. It was very entertaining and had some funny moments, and thats really all I ask from a film sometimes.
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I also started watching the series Agatha All Along which is meant to be the sequel to WandaVision. First episode was confusing but I’m 6 to 7 episodes in now and it’s pretty ok. I also watched the first episode of High Potential starring Kaitlin Olson from It’s Always Sunny in Philadelphia. Wife is loving the show, hopefully by the end of the season she’ll want to see more of Kaitlin and then I can suggest we binge watch It’s Always Sunny which she really hates.
This week I also decided to upgrade my TV life. I’m replacing my 55″ LG B1 OLED TV with a 65″ LG C3 OLED TV. I should have honestly gotten a 65″ back when I got the B1 but I didn’t for some reason, maybe cuz I didn’t want to pay more than I did. The C3 should be brighter and also supports 120hz refresh rate so curious to see how it turns out. I’m also upgrading my AV receiver from the Onkyo TX-NR686 to the Marantz Cinema 60. I was trying to decide between it and the Yamaha RX-A2A but then the Xcite lady offered me a 10% discount on the Marantz and I decided to go for it. Both should be delivered today so pretty excited about it.
Now I’m contemplating picking up an SVS subwoofer but need to pass by Xcite and see what they have in stock because the website isn’t showing much. I have the SB1000 Pro connected to my KEF LSX speakers and it’s incredible, so thinking of getting the PB1000 Pro for my TV room. Sometimes the Xcite website says something is out of stock but on their in store system it shows units, like my Marantz unit is out of stock on the website but there was 1 new piece in Avenues location according to system. With the subwoofer I’m hoping they only have display models left since they give you an automatic 15% discount on display items which is a nice little discount.
Let me know in the comments what you recently watched or planning to watch.
Movies at the Cinemas The movies below are now showing at the local cinemas:
New This Week: Aftermath (6.1) Cellar Door (N/A) Elli and her Monster Team (4.9) Panda Plan (6.1) Take Cover (5.0) Terrifier 3 (6.7) The Silent Hour (6.0)
Other Movies Showing: Cash Out (4.7) Joker: Folie à Deux (5.7) Little Emma (6.5) Robot Dreams (7.6) Smile 2 (7.1) The Wild Robot (8.2) Transformers One (7.8) Venom: The Last Dance (6.3)
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dreamerwriternstargazer · 8 months ago
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Okay I think it needs to be acknowledged I have the weirdest and most fascinating dreams for no reason whatsoever because continuing on from last time and the Enchanted Dragon Princess In New York we now have “I almost got blackmagicked by some explorers” YEAH LET’S TALK ABOUT THIS
(Didn’t have time to type this out earlier when I woke up but it was so weird I remember it this clearly)
So community event, no biggie, I’m in charge, still a new role but I’m having fun organising stalls telling people what to do, ah it turns out we have a guest baker stall with some people in charge who aren’t in my community, it’s this nice explorer lady and her husband. Her husband is the dad from Jumanji dressed in the Explorer get up (just with dark hair not the… grey Victorian look) and the lady is…. Agatha from Wandavision? Or someone who looks similar to her
I don’t really notice how they look I’m fixated on SWEETS and CHEESECAKE as per my usual routine at events I buy one of every pastry/cake/cookie on the table (3 slices of cheesecake) because I know I’m not gonna be able to stop by later or eat later so buy a big box and save to have the day after with the fam right? Anyway I’m chatting to them about the event, I think I organised it to raise money and I’m learning about their lives; they’re bakers but they travel a lot and get inspired by their travels to bake interesting and unique desserts (for example, the basque cheesecake I bought was made with vanilla hand picked by them in their rainforest travels and their cookies were dyed green from match and had fruits mixed in, rather innovative). They’re very interesting and I love the story behind their bakes, they also have decorated their stall table with artefacts and they talk a little bit about their experience with Islam, seeing the religion across the world. That’s rather interesting to me, how they’ve seen it interact with different cultures, and they’re so friendly they give me this ancient coin they found and a dua book similar to mine but found in an ancient temple.
An… ancient temple. I’m confused by that but I flick it open anyway because it looks familiar enough, and my eyes land on a familiar looking supplication (I couldn’t tell you which one it was now but it looked familiar in the dream), something about worshipping Allah alone and finding sufficiency in only Him…. Except this one is weird. This one is off. My eyes focus for a second and I just realise I’ve actually read something that says more along the lines of worshipping the devil and wealth and forsaking God and a cold shiver runs up my spine. My hands immediately start shaking and I feel a horrible feeling, the feeling I get right before a dream turns into a nightmare.
(Also as an insert here; I’m aware I’m writing this on the hedonistic hell-site where religion isn’t necessarily a big deal to other people but in case you haven’t been going here, hi I’m Star I’m fairly religious and this absolutely shook me up from head to toe due to my attachment to my faith)
So I’m frightened, the frightened I would always feel when seeing all the crucifixes in the dark at my grandparents’ house and the rather depressing paintings of Jesus suffering, you know. Maybe not everyone can relate to this but it was terrifying to me, like someone attempting to hijack my faith, tricking me into reading something that was harmful and detrimental to my faith.
I slowly look up at this couple, they seemed fairly innocuous and I don’t want to insult them or hurt their feelings, they really are still learning about Islam and our culture after all and it WAS written in Arabic, they’re white, I don’t want to be a bad representative of my faith. But I’m feeling a sense of unease creep up my back, like something or someone meant to do that, purposefully. They’re smiling but the smiles look threatening… more like teeth being bared, and I suddenly realise… if I organised this event, wouldn’t I have booked them? Wouldn’t I know about them?
I wave politely at them and explain I really must be going (taking the box of treats, listen don’t come at me even if they are some sort of satanist cult couple they have no reason to poison us and I’d tried samples already I was fine)
I’m scared and I need to check in with my staff and ask who booked them in because things aren’t fitting and they shouldn’t be here, as I’m walking away from the table I realise they have more of those… supplication books. Ancient relic my foot, they’re distributing them to everyone who comes by
I take a deep breath and explain to my mum that these people are not good, in fact I’m not even certain who got them here or how they got in but they can’t be trusted and they need to be escorted out now. The hall is packed at this point and it’s a tricky job to get people to hand over the booklets as well, they hadn’t looked too closely at it after all and explaining subtly was tricky.
I couldn’t be too loud after all. One slip up and this whole dream could topple into nightmare territory I’ve realised, if they think they’re found out then I have a bigger battle on my hands. Also it’s just rude (yes I still found myself thinking “I don’t want to offend them!” The Britishness runs deep 💀)
At this point in the dream I think I do figure out some way of getting them out, something that involves my family (I’d deal with the satanic cult any day but 💀 if it works it works) however the dream takes a twist into comedy because I realised in my rush to get rid of the booklets and get people out the day before (it’s the next day now) I left my box of treats under a stall and it’s no longer there 🥲 I’m absolutely frantic I EARNED those treats and I dropped like £47 on the whole box (no idea why that number was so specific)
I’m going around asking people and feeling hopeless and then I find out, Alhamdulilah, my sister took it and put it all into an airtight container bless her hidden under a few boxes
(Cheesecake looked nibbled on 🙃 but eh she saved most of it)
And the rest of the event ran without a hitch. I think.
So there ya go! :D what more could you want in an adventure story? Explorers, cults, baked goods and (probably) family drama used to defeat the forces of evil
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chuuyrr · 3 years ago
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Glad your open again! Hope your doing well!
Can I request baby!fushiguro scenario where Toji gets resurrected and now baby is spending more time with him and Gojo gets jealous and feels lonely? Basically, Toji and Gojo compete on who’s the best dad.
dad! toji and dad! gojo competes for scarlet witch! baby fushiguro! reader
jujutsu kaisen x reader
masterlist of the series
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warning(s): anime/manga spoilers for jjk, mentions of death and resurrection (cause toji comes back ya'll), possible spoilers for wandavision or wanda maximoff in general
im combining this request with another in my inbox that says "can i request a baby fushiguro where she tries to ressurect toji? older or younger is fine" i hope you anons don't mind! the two were very similar!! thank you for request and happy reading <3
i also didnt proofread this so idk abt the grammar ya'll.. i mean, like, i barely recheck or reread my work so like 👁👄👁
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gojo was absolutely shaken when you began to ask about toji, your real father. though he dislikes talking about him, gojo knew he shouldn't hide anything from you. so, he told you about toji. from why he had to leave you to how he died.
when you found out about toji, a part of you strongly wanted him back. you wanted to remember all the memories you had forgotten about him. your longing for your real father successfully tempted you to bring him back.
using your magic, you searched for answers on how you could resurrect the dead. even though gojo strictly forbade you from trying anything irresponsible, you still continued to do so. you had gotten a hold of a book that was given to you by an old lady at the library you sneaked in.
she told you how the answers you were looking for were in the said book. you thanked her and went back home to study the book unbeknownst to gojo.
eventually, you somehow didn't get your mind corrupted when you studied the dark book.
you learned that necromancy was a big no-no because it has grave consequences for you and the person you plan on resurrecting, but it was still possible to bring someone back. however, the conditions were: they shouldn't have moved onto the next life yet and they needed a body to host.
when gojo tucked you in bed later that evening, you used your wiggly-woos to sneak yourself out of the house and searched for toji. using your intuitions and magic, you found out that his spirit hasn't fully moved on yet. meaning, he was still here.
it didn't take you long enough to find toji's ghost. before he could even say a thing, you used your wiggly-woos and casted the spells you learned from the book that the old lady at the library gave you and the next thing gojo knew, your freaking father was back in town and not six feet under the ground.
gojo nearly screamed when he opened the door in the morning to see the smirking young man carrying an exhausted you in his arms.
after some talking and explanation from you and toji once you had woken up, gojo had no choice but to accept the fact that toji is now alive and that the deed was already done. gojo can't just make you put him back six feet under. it did bother him however.
ever since you brought toji back with your wiggly-woos, you began to distant yourself from gojo unintentionally and it made him feel lonely.
gojo thinks he shouldn't be jealous because toji is your real father, but he was the one who raised you and looked after you for goodness sake. it was unfair.
as for toji, he was pretty nonchalant over the fact that you called gojo your dad now. he did ask the guy to raise you, but also because he was set on winning you back. he wanted to mend your relationship with him and make up for the time he lost when he died and left you.
toji and gojo may have had settled their differences your sake, but it didn't stop them from being playing passive-agressive towards each others. a competition rose between the two of who was the best dad.
gojo despised the fact that you hang out with toji more often now, so he what does he do? lure you back to him.
he knows what you liked, what you loved to do and what your favorite food and things were. toji doesn't because he barely raised you.
"kikufuku! guess what?! i got you [favorite food] and the pikachu stuffed toy you've always wanted!"
"REALLY?"
you were so gullible and naive that you could barely see the immense stare-down that toji and gojo were doing in the background.
toji instantly picked up what gojo was doing and fought back fire with fire.
"hey, angel. do you want me to read you [favorite fairytale] just like old times?"
"i'd like that too!"
"but kikufuku, your pokemon show is going to start any minute now!"
"oh! you're right!"
it was like a silent game of tug of war for your love. both parties was set on having you all for themselves.
you were oblivious about it at first, but then you started notice things. you started to notice the glares they sent each other and the way they would hold your hand while the three of your walked down the streets. (ngl was honestly pretty funny for the bystanders to see two grown buff men, headbutting and going at each other's face while you held their hands)
when you noticed this, you decided point it out for them in an attempt to make them stop. it was beginning to annoy you.
you weren't able to enjoy the things you loved doing. you couldn't wait cartoons in peace, draw or walk without your two dads fighting for your love.
"stop fighting! no more fighting!"
and for good measure, you used your wiggly-woos and constricted both of your dads with your magic to get them to listen to you.
"but kikufuku.." "but angel.."
"no buts! you two need to stop. i don't prefer the other over the other."
toji and gojo looked at you in astonishment before glancing at each other. they didn't think their jealousy and silent competition would be obvious (even though it really was)
"i love you both equally, so please stop.."
to make sure your words reach their hearts and work, you forced yourself to cry in front of them. toji and gojo immediately leapt into action as you soon as released them from your wiggly-woos to comfort and sooth down your 'crying'.
gojo picked you up, cradling your in his arms as toji rubbed shapes on your back while you 'sobbed'.
seeing you cry and break down made your biological and non-biological dad stop fighting. they never meant to make you sad after all. ever since then, they.. they tried to be nicer to each other >:(
they actually tried to make this little family work for your sake.
toji got gojo to somewhat understand that he was trying to make up for the time he lost with you and gojo got toji to somewhat understand that he didn't want toji taking you all for himself. you were still gojo's precious kikufuku after all.
but the jealousy and silent competitions of being the best dad still continued, they just toned it down for you. at least they tried to make things work even if it was so difficult at times. gojo and toji loved you too much.
every time things got a bit too far, you'd use your magic on them just like the last time to get them to stop and listen to you.
in short, you were having none of it.
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danniburgh · 4 years ago
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I WATCHED WANDAVISION EP 1 AND 2 AND I HAVE THOUGHTS
needless to say: SPOILERS
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.
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I ADORE the aesthetic of the first episodes, i love that they even did the accents the tv stars had at the time
THEY ACKNOWLEDGE THAT SHES FROM SOKOVIA THATS JUST STRAIGHT AWESOME
the references in the comercial breaks had me screaming, I'll elaborate:
the toaster: MADE BY STARK INDUSTRIES!!!!!!! is it a direct reference to what wanda may see as the cause of her parents death? is it a reference to her "toaster boyfriend"? is it both?
the watch: STRIKER????? HYDRA????? ALSO WORDPLAY "HYDRA IS WATCHING" like damn lady, also i loved the slight mysoginy of that add
i need to say that almost all the analysis I'm making is based on my experience with desired realities, daydreaming and a bit on my obsession with memory
in ep 1 when ms hart keeps saying "stop it" and she's looking at wanda rather than her husband can be interpreted as Wanda's conscience telling her to fix it, so she gets vision to do it instead because in her mind he's the only one that can
also: when the harts ask them where are they from and when did they meet and how long theyve been married wanda was just so confused and scared and i think it was because when she was creating that reality she didn't think of those small details, there's a lot in the dialog that you can get if you keep in mind that most probably everything it's fake
oh God I just love vision being all over the place trynna beat the Google authentication box
VISION DRUNK ON GUM I REPEAT VISION DRUNK ON GUM
don't you just love paul bettany?
from the first moment they said "for the children" i was like "welp, she's preggo", it was almost as if by just doing the repetition of that phrase she self inserted the idea of babies in her mind and that's why the bump appeared so suddenly
the whole sequence of the talent show can be also read/seen as how wanda is basically running the show, she's pulling the strings and fixing the details of her makeshift reality to fit in it and make it as close to her idea as she can.
on that same note: I'm 76% sure that the reason of her making this family sitcom/cheesy crafted/white picket fences reality it's because when she and vision wanted to be together and settle in they only had 3 star hotels and open 24 hour diner dates, she never had the chance to actually live a normal life with him as she would've wanted so she's creating it now
dude also the title of the fucking show lmao im just going all out with this train of thought: wandavision it's their names yes but also may be because all of this it's just a vision that wanda has of what might've been if he was still there with her??????
I'm still thinking about that freaking red helicopter WHATS GOING ON IS THAT JUST A LITTLE GLIMPSE OF REALITY? IS ANOTHER REALITY LEAKING INTO THE ONE WE ARE WATCHING?
can we talk about agnes for a sec?? shes so cute and sassy i love her, I'm pretty sure she has meaning
wanda really said ✨no✨ on the sewer man, he was in color as well as the red helicopter, which makes me think that, as in the end of episode one with the tv on the desk and the voice on the radio, they're keeping eyes on her, they're trying to get inside to see what is she doing and what, I'm still wondering why the man was dressed as a bee keeper... is it maybe a costume? a cover?
can we also talk about the slight change in music and overall camera work when glimpses of out-of-wandas-reality come about?????? it just changes the mood, the vibe, i can see they might have even used a different camera, different lighting and different techniques because its very unsettling, it's the visual way to tell us that something it's just wrong and make us as upset as wanda feels
THE COLOR TRANSITION WAS SO GOOD AND THEY LOOKED SO CUTE ALL DRESSED UP IN THEIR COLORS
holy shit elizabeth olsen you gorgeous angel
i loved every second of it I can't wait to watch more 🥺🥺🥺
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okay ive decided that ive seen all the good posts (and some really bad takes lmao), so here's my 2 cents.
no spoilers:
the first 30ish minutes of this movie are disappointing. the only good thing that happens is meeting America
everything after that gets better and scarier and more violent
please don't take your kids to see this movie and if you do, be prepared for the nightmares
im serious, they pull very little punches this time and shit gets dark fast
this is also one of the best marvel movies imo and probably my second favourite thing they've ever produced after WandaVision (im biased bc i love Wanda but still)
this movie has some really innovative and fun scenes on top of a lot very well executed horror elements. the cinematography is gorgeous in the later acts. sadly the dialogue is often meh at best and some lines are downright cringe worthy, but the script makes up for it with a handful of pretty funny jokes at the right moments
spoilers under the cut
had a similar issue with nwh where they straight up stole the train scene from into the spiderverse, this time they just copied the demon they fight first from the Suicide Squad Film? huge one-eyed, multi-armed monster? poke its eye out with a spear? literally, it's the fucking same
America more than made up for it though, idk bout you guys but i thought she was a delight and was in love from the first second we saw her. i would die for her + her lil pride pin!! also her jacket said love is love
not much to say for the next 30 minutes tbh, they were mediocre at best and just terrible at worst. like, Wanda goes up against the full force of the sorcerers and all they do is block her and try shoot her with a cannon? marvel disease at its finest, how can make this fight that's wholly reliant on magic work like shooting guns and missiles???
i really liked this movie i swear im getting to the praise in a minute
the scene where Strange traps Wanda in that lil mirror dimension prison and the glass shatters and gets all spikey and you hear her breathing get ragged until she forced herself to calm down and reaches out to touch that one surface? yeah man that was the moment.
wanda crawling out of that gong really set the tone for the rest of this movie in hindsight
Wong was having the shittiest time out of everyone and i think he deserves a vacation and a massage
ill be honest i though the way Strange and America bonded while tripping dimensions was cute and all but not the strongest scenes? it was fine though
who was that lady who destroyed the darkhold? i was deadass more invested in her and Wong than Strange and Christine.
when Wong was telling Wanda about the original spells carved into walls i was hyping myself up to be let down but then he actually said "Mt. Wundagore" and i nearly screamed bc!! it made it into the mcu!!
now for the thing that blew this shit out the water and into my top 2 out of all the marvel stuff: meeting the 813 Illuminati
the Christine reveal ?? chef's kiss
WANDA. FUCKING. MAXIMOFF
i loved how she took control of her 838 self
never in my wildest dreams would i have imagined they actually pull through on this. Wanda not just being an actual villain but being terrifying and ruthless and deadly. "what mouth?" was the most chilling line in the entire movie and unlike many others it hit. hard.
that whole sequence is living rent free in my head. give me a "Wanda kills the Marvel Universe" movie, I'd watch the fuck out of that
they really said "men ain't shit" in that scene too, huh
Peggy's death was kinda hard to watch but also so, so awesome
Wanda limping into the room bloody and barefoot added 15 years to my life, i have never been so attracted to her ever and i have loved her since age of ultron
many thoughts on Charles Xavier that would get me anon hate but let's suffice it to say i loved that scene where she snaps his neck
the entire scene of the trio running from Wanda was peak horror film and i loved every second
okay this getting really long so here just my favourite parts from the rest of the movie:
that shot where Stephen walks up the stairs to meet the other Stephen. cinematography on point, legit the most beautiful shot i can remember from marvel ever
the Strange on Strange fight. most creative and innovative thing Marvel's done in a while, maybe ever. really liked seeing that
America going "I can't beat you. So I'll give you what you want." and Stephen then telling her "not yet" when she wants to pull Wanda out of that reality again. i can't really explain why but i really liked that ending
the third eye popping up scene was v alien-esque, nicely done
yeah so far so good. let me know what you thought, what you liked about this movie preferably, if my criticisms are invalid or just whatever you feel like as long as it's nice. have a good night
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rootspiral · 1 month ago
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Agatha All Along deep dive: episode 3 part 3
(Wandavision entries: [1][2][3])
(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4][5] ep6 [1][2][3] ep7 [1][2][3][4][5][6] ep8 [1][2][3][4][5][6][7])
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lilia: falling through time, desperately trying to help alice
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agatha: bitch I'm trying to save myself!!!!! oh she's so awkward when she thinks lilia's going mad. she's a moment away from grabbing a broom and going there, there like in that 30 rock scene
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I know they had a relatively low budget for this show and it was such a blessing in disguise. they invested in great sets and instead of cgi they relied on classic cinema tricks that I find so satisfying?? Idk if it's just nostalgia talking. here they simply move the camera away for a moment, lower the lights and move the actor in position, and it makes for an amazing jumpscare.
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baby lilia asking 'vuoi vedere?' do you want to see? because it is a choice for lilia. for a long time she chose not to use her gift- she was simply too powerful, she saw too much, and the knowledge of the future scarred her and made her an outcast among others
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alice's smile at seeing a vision of her mom T-T
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why inconvenient? what was jen doing? she was an obstetrician and midwife. she was helping women out with herbs and pagan knowledge passed down from mother to daughter. Back in the day midwives were struggling to get their skills recognized in an increasingly male dominated field, they were advocating alternative treatments for women constantly humiliated by condescending modern doctors - from forced bed rest to insane asylums to lobotomy in worst case scenarios. think Charlotte Perkins Gilman's short story, The Yellow Wallpaper. think about everything that happened to Virginia Woolf.
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we know that alice was a teenager when lorna died in a fire. she wasn't well, alice says, and we see now that she had a drinking problem. it's equally possible that the demon got to her or that she set herself on fire out of desperation. and if lorna could feel her own mother dying, alice could too.
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daang great zombie makeup on the teacher lady
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lilia when her incredible abilities made her able to see Death: burdened by knowledge way beyond the scope of humanity she goes into exile
agatha when her incredible abilities made her able to see Death: you know what I'm gonna tap that
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I saw people saying that because the Road wasn't real nothing that happened in the show mattered, that they all died for nothing. I disagree completely, and not only because Billy's chaos magic is so astonishingly powerful that he can create a functional Road out of thin air. like, it wasn't a trick, he made it real. But more importantly, what happened to these women, their experiences, their growth on the Road is real. Even if Billy didn't do it on purpose, even if it's fucked up that a teenager can essentially go, you know what would be cool? if they all experienced their deepest trauma! but that's the point, that's the point, that's the whole damn point of the show. life is chaos and nonsense and heartbreak, it's up to you to find a meaning where there isn't any. look at lilia! the lesson is not that you're going to die, but what you choose to do with the cards that you're dealt, with the time that you're given.
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while Patti clearly has an american accent, she is speaking correct sicilian, tutti morti su' - they could have had her talk in italian and hardly anyone would have noticed, but they went above and beyond with the details. the latin in the show is also rather impressive, like they actually hired experts rather than relying on google translate
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agatha has gotten too used to run leaving a pile of bodies behind. not so easy to consider them just food when you have to live alongside them and witness their feelings, is it?? first wanda and now this!
@perpetualanon pointed out yesterday that agatha also had selfish reasons for wanting to save billy, i.e. she didn't want to risk him being poisoned because who knows what horrors a hallucinating billy could create. Yes! exactly that! it's always worth saying that when agatha has these fleeting moments of compassion and altruism it's in the context of a whole lotta selfishness. i think of her as that drawing of Stitch's badness level, her whole body is almost filled to the brim with awfulness and there's only a thin layer of goodness that she's constantly trying to smother. her actions on the Road are almost entirely selfish, but for the first time in centuries she's surrounded by people, like Lilia here and Jen and Alice and especially Billy, who are accidentally nurturing her almost atrophied good side. and lemme tell you she's pissed about it!
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of course these two don't know what a sous vide is, one is dirt poor and the other eats people.
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I'm gonna take a stand for zoomers here, he might have never learned what counterclockwise means, but millennials like me would also have hesitated and tried to picture it in our minds. because a lot of us lack spacial intelligence and are generally rather dumb
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the shock and terror on her face when she hears nicky crying
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another great special effect achieved only with lights and the cast shuffling out of frame
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they show the darkhold because they need to mislead viewers and can't give nicky's story away just yet, but doesn't it make sense that agatha would see it? all these centuries blaming rio, and deep down agatha is haunted not by Death, but by her own actions and choices. the way she kept Nicky isolated and unsafe. the way she insulted his memory by going on killing sprees instead of letting herself mourn. the way she used the darkhold to corrupt her soul more and more, because she was never brave enough to confront her guilt.
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kathryn hahn really said, do you want Emotional Devastation???? do you wanna see a woman SUFFER? do you want your heart put through a blender??? I can do that in TWO seconds
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agatha wants to NOT DIE so badly that she has to drop the clown act and give jen a proper pep talk. because she knows what makes people tick and she can uplift just as well as she can destroy, she can help jen because she knows her so well. there's always that potential there, all of agatha's talent and her intelligence and experience could shape her into a great mother and sister in a coven. a potential that evanora refused to see and that will likely never be fulfilled.
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and the irony, the irony of never wanting to hurt jen, to deliberately avoid going after her - because she's a midwife. because nicky was stillborn, because she had to give birth alone in the woods. agatha believes with all her heart that jen's work is fundamentally good and important. and yet she was the one who bound and tortured and violated her. she was so fucking focused on herself that she didn't even realize she was tramping and destroying everything in her path like a mad steamroller. she allied with the enemy, she went against her community's best interests. there's a lot to think about there, I really want to explore it more
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patti during that hot ones episode
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NOW YOU GUYS REMEMBER HER. and of course it's alice who does
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your internalized stereotypes are really testing lilia's patience, billy (and while they consider the oven sharon is writhing and dying on the table)
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how it started: jen pushing lilia out of the way
how it ended: "you are my sister in the craft" 🥲
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I love you patti lupone
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alice is strong! alice is noble! alice is pure of heart!
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gee i wonder why
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they had to add a goonies poster in billy's room because of this scene, but i guess disney didn't want to buy the copyright so the poster says "the goofballs"
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agatha shoving everyone and then kicking jen twice for good measure
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my guilty pleasure is watching reactors on youtube (don't judge) and everyone, everyone had my same reaction to sharon's death: she is not really dead. it was too unceremonious, too sudden. you cannot have debra jo rupp unconscious for half an episode and then get rid of her like that, she's too talented, too funny, how can they keep the humor up without her? if sharon is gone they don't want to watch anymore! no, they're gonna bring her back for sure, they're witches, they're going to find a way.
And then Alice dies, and it's unfair, it's too sad, she just had her big victory! that doesn't sit right with you, that the writers would do her so dirty. And then Lilia dies.
Wanda said it from the very beginning: we cannot reverse death, no matter how sad it makes us. Some things are forever. Sharon's death was horrible and uncomfortable and senseless on purpose, because these shows are about the exploration of grief. How can you make peace with the impossible? How can you reconcile yourself with a nice fun lady dying after losing her last shred of agency, scared and alone and forgotten? Didn't she deserve so much more than being just a casualty of witchfolk drama? And how can you reconcile yourself with someone as good and as wonderful as Alice dying in such a cruel way? What about the death of a parent? of a spouse? of a child? What about your own death, as inevitable and inescapable as your birth?
I'm posting this one early cos I didn't sleep last night and I wanna take a nap now 🥲 when I'm tired i ramble, I knew that already. sorry-y!
we get to episode four tomorrow, and y'all know what, or rather WHO, that means!
go to episode 4 part 1
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heavenbarnes · 4 years ago
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PLEASE STAND BY: She’s not heavy, she’s my lover
Wanda Maximoff x female reader
Warning/Contains: spoilers for “WandaVision”, aspects of mind-control meaning reader isn’t truly consenting, parts of this don’t make sense and are designed to make you feel strange, cheating, pregnancy, fingering, riding,
Word Count: 2.2k
it’s the 70s now and we’re a lot more liberal w our love, we’re also starting to form some kind of idea as to what might be going on hmm...enjoy x
MASTERLIST
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Things just were positively brighter these days, and you couldn’t put your finger on why. Each morning the sun shone a little stronger through the curtains, the birds chirped just that bit louder, your morning coffee just a bit sweeter.
Picking the fluff off your husband’s blazer, you moved to adjust his tie slightly, admiring the way the red stood out on his chest. “You really are so handsome.”
James’ cheeks pulled up in a smile, dipping in to press a kiss to your cheek as you beamed for him. “I’ve got to be, to keep up with my gorgeous wife!”
You giggled, a cherry sweet girlish lilt that made your eyes twinkle. Enjoying those last few moments before he left for work, you lent further into his woolen sweater as you felt the firm hold of his prosthetic hand.
“Do you really have to leave-”
“Oop, sorry, Wanda calling!” 
Both your heads turned up, looking to the front door to find your lovely little neighbor and her bright eyes. That sadness of seeing James’ off seemed to fade as you saw your friend, she seemed to replace the warmth that would’ve followed him out the door.
“Great timing, you can keep the missus company whilst I’m earning us money!” He gave you another kiss, before heading off to wherever he spent his time during the days.
Welcoming Wanda into your home, you couldn’t help but notice the thick woolen coat she had wrapped over her front. She looked like a cutie, you couldn’t doubt that, she actually looked like Paddington Bear. But the sun was beaming out there.
Narrowing your eyes you stepped around the couch towards her. “Whattya’ stashing, toots?”
“I’m only telling you cause I love you, and I know you love me, and you-”
“Spill the beans, chick.”
Rather than come out with it, she instead...well...came out with it. She flipped the sides of the coat back off her front and you were met with the round bump of her belly. Your eyes flew wide and mouth dropped a tad.
“Baby!” You cried, hands flying up around your head. “You’re having a baby!”
-
“Run me through what we have so far.”
“Approximately a week ago, Agent 19 entered the energy field surrounding the town of Westview, accompanied by Bucky Barnes. Since then, they have been cast as characters in a TV show created and seemingly controlled by Wanda Maximoff.”
“They went in with a mission, to find Maximoff and stop her, have they even made any progress?”
“From the looks of things, they’ve abandoned mission, whether they realize it or not.”
“So what are they doing in there?”
“Bucky spends most of his time ‘working’, Agent 19 isn’t normally seen without Wanda at her side. They spend a lot of time talking, sometimes dancing, not a whole lot else.”
“So she’s got her right there, but isn’t even doing the one thing we sent her in there for?”
“Sir, I don’t think she has a choice.”
-
Wanda’s hips rolled against yours as she sat perched in your lap, soft lips moving gently against your own as her hands found their way under your shirt. “You sure I don’t look too round?”
Giggling into her mouth, your hands came to grasp her breasts, resting their weight in your hands as she sighed for you. “I think you look positively radiant, like a stone cold fox.”
Pulling back gently, she caught you as you winked for her, still kneading the sensitive flesh in your fingers. Bracing her hands on your knees, she arched her back and pushed her chest further into your touch.
“I didn’t know you and Vision were trying for a baby, and I feel like I only saw you yester-”
‘I know, I know, it all happened so quickly.” She hurried you, shutting you up completely by lifting her shirt over her head and flinging it onto your bedroom floor.
It worked a treat, your mouth falling agape at the sight of her pert chest bared to you in all her glory. You immediately closed your lips around one of her nipples, the hard bud fitting nicely against your tongue as you sucked it further into your mouth.
Those sounds, those beautiful sounds that only she could make, they nearly drove you doggone wild. She felt apart to wonderfully in your hands, she fit so nicely against you making you truly believe that your souls were always meant to cross paths.
Your mind told you, looking at her glowing and luscious and so incredibly perfect, that there was never any other woman but her. It was in the way that it didn’t feel like you existed, until she was thinking about you. Like your day started when she needed you and ended once she’d fallen asleep.
The needy roll of her bare hips drew your eyes down to where she was leaving a wet patch on your flares, you drew your fingers down over the ridge of her belly and underneath where she was softest.
“Please, let me ride your fingers, I need it.”
A wild grin sparked in your eyes as you smiled up at her, more than willing to make her wish your command. Running two of your fingers along where she was parted, you collected the candy-sweet wetness that was pooling in her.
Bringing it up to her clit, you circled around it as her head tipped back with a wanton moan escaping her chest and parting the thick air that’d gathered around you. Slow and easy, you sunk those two fingers into her as she continued to roll her hips for you.
“You always feel better than I ever imagined,” Wanda cried out, fingers gripping your shoulders as she bounced against you. “All I could’ve hoped for.”
You let the kindness and passion of her words wash over you as you kept working your fingers inside her, stretching them out slightly and pulling forward with every motion of her hips. 
Moving your thumb around, you pressed it to her clit and slowly rolled it around as she continued to buck in your fingers. She looked monumental above you, the bedroom light glowing around her like an aura she exuded. Her long hair brushed down her back as she swayed into you.
She looked like your entire world, and at that moment, she was.
You felt her gripping your digits, hugging tight and sweet as she got herself off against you. Never before had you been so pleased to be a vessel for someone’s pleasure, you’d lay there flat on the bed and let her grind against you for hours if it made her happy and wet.
“Yes, I’m so close,” The whine that whistled through her teeth shocked you to the core. “You’re gonna’ make me lose it.”
And as if that was your plan, you sped up the roll of your thumb and the movement of your fingers until her nails were digging into the flesh of your shoulders and pulling your flush between her breasts.
Lips pursing and teeth nipping gently at the taught skin, you left kisses in your wake as she rode through the highs of pleasure centered between her thighs. Hand wrapped around your wrist, she drew your own hand from below and placed the two soaked fingers between your lips.
You smiled, humming in content as you tasted the most unforgettable sweetness, like something from dream state. “You’re everything, pretty girl.”
-
Spying it draped across the back of the couch as you greeted your husband, James’ eyes followed it as he hung his blazer on the coat rack. “Wanda leave that here?”
“Hmm, yes,” You picked it up and draped it over your arm. “I better go return it.”
“I’ll come with you, been meaning to ask Vision if I can borrow his hedge trimmer.”
Hand in hand you bridged the short gap down to their home, knocking a couple times on the door before you heard a soft “come in” from just inside. Slowly pushing open the door, your eyes immediately fixed on the two beautiful bundles in the living room.
“Twins!” You beamed, keeping your voice hushed as James’ followed you inside.
“Aren’t they sweet.” Wanda cast the most enamored gaze upon them, like life had never been better.
“Just the bees knees!”
Whilst your husband had gone to find the man of the house, you turned to the young lady who had also obviously come to offer best wishes to the new parents. “Hi there, I’m one of Wanda’s friends.”
Rather than return your smile, the girl went stark faced, eyes wide and brow just slightly furrowed. A tinge of confusion crossed your features, shrugging your shoulders in an attempt to get her to speak.
Shaking her head, a smile started to work up on her face. “I’m Geraldine, also one of Wanda’s friends.”
“Nice to meet you!”
“It- It sure is.”
She was odd, maybe she was shy? Nevertheless, you turned back to Wanda and placed a hand on her arm. “Let me find my husband and get out of your hair, leave you to enjoy your gorgeous babies.”
Geraldine followed you across the lounge room as you called out for James. She caught one of your wrists in her hand, making you twist your head back towards her. Expecting her to say something, you stood in wait with a signature kind smile across your lips.
Strange girl didn’t say a word, she just looked at you again with those worrisome eyes that you couldn’t quite place. “Sorry Geraldine, is there something I can-”
“She’s just new here, looking to make more friends, aren’t you?” Wanda filled you in from her place by her twins.
Nodding in understanding, you felt James’ presence as he came up behind you, hand on your arm to turn you away from the new guest. Reluctantly, she released your grip as you moved by, causing you to shoot your man a slightly perplexed glance.
He just shrugged his shoulders, closing the front door behind you both as you walked back up to your home. Herb was outside, using his own hedge trimmer as you both waved to him. He waved back, shouting a quick “hello” as the blade of his hedge trimmer started to slowly descend through the concrete wall.
Looping your arm through James’ prosthetic elbow you motioned towards the sight. “Pretty powerful motor, better be careful with that one of Vision’s.”
As you served your better-half his plate of meatloaf, he greatly accepted it, cutlery poised in his hands as he waited for you to sit with your own. Making a cheers with your wine glasses, you both took your bites of dinner before crossing knives and forks across your plates.
“That lass at the Vision’s place today was an oddball.” James’ remarked, leaning back in his chair.
“Hmm, I just think she was shy, though I wish she’d told me whatever she was thinking.”
James’ scrunched his nose slightly but nodded in agreement, nonetheless. You thought back to the young lady, how she’d seemingly looked frightened, they way she’d grabbed you. Letting it tick over in your mind, you saw the same kind of look on your husband’s face that you felt you were making.
“My love,” He started, pushing some broccoli around his plate. “Why do we never eat more than one bite of our dinner.”
Your eyes dropped from his to the plate in front of you, pushed slightly up the table and signaled as finished. Gently lifting your head, you let your eyes flicker around your dining room. To the window sills that never got dusty, the clock that never struck 12, the lightbulbs you’d never replaced.
“Where do you go in a day, when you go to work, what do you do?”
James’ smile faltered, eyes seeming to nearly well as it became harder for you to cheek the apples of your cheeks up. “I leave our front door and I- I feel like I wake up as I come back through it.”
Nodding in understanding, you felt the tear before you even knew it’d slipped onto your cheek. Bucky lent across the table and wiped it with his right thumb, the feel of his skin against yours grounding you for a moment.
“We haven’t got long, this means she’s thinking of us, she’ll know that we’re-”
“Hey, hey, I know,” He cooed, getting out of his seat and rounding the table to crouch beside you. “We’ll find our moment, but you just have to be strong, we cant show our fear-”
As you served your better-half his plate of meatloaf, he greatly accepted it, cutlery poised in his hands as he waited for you to sit with your own. Making a cheers with your wine glasses, you both took your bites of dinner before crossing knives and forks across your plates.
“Darling!” James sighed as he pushed his plate up the table. “Your meatloaf is my favorite!”
-
“God! They always get so close, I know they must be trying so hard.”
The television broadcast wavered slightly, seemingly weakening for a moment but still producing the bright technicolor.
“They’re two of the strongest and smartest we have, Wanda must be doing a number on them to reduce them to this.”
The electrical whirring of the old-fashioned set still sounded in the background as they got the same message.
“PLEASE STAND BY.”
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wolvesandpetals · 3 years ago
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Loki x Sylvie fanfiction: Playing house (Rated T, Humor) Part 1
In which the ones at the end of time place them in a reality where they are a married couple in a suburban town, à la WandaVision.
Master list of my Loki x Sylvie fanfiction can be found here.
---
They didn't know what to expect at the end of time. But they certainly didn't expect to open the door to the citadel and walk into a town.
"This must be an illusion", Loki says in horror as he takes in his new surroundings- two storied houses in every shade of pastel, gardens of roses, lillies and lilacs, wide open roads, pavements lined with freshly cut bushes. "This isn't real."
It looks real enough though. It feels real too.
This is the quintessential suburban town. And they are in a quintessential suburban house.
"They have trapped us in a nightmare", Loki concludes, scanning the new neighborhood again, this time spotting the children playing tennis in the front lawn of the house next door.
Sylvie touches the door frame with the words "Mr. and Mrs. Low-key" etched in the wood in gold. Her fingers trace the letters. It feels so surreal and impossible, yet it feels just as real as she is. "Apparently, we're married in this reality."
"It's not all bad then", he concludes cheekily.
She gives him a death stare. "I don't have time to play house with you right now."
He shrugs. "Until we find a way out, we have to." He checks out the neighborhood one last time for any identifiable imminent threats, before walking back into the house- their house. Holding the door open, he gestures to Sylvie. "Coming?"
She smooths the wrinkles in the sundress she has ended up with, vowing to definitely kill the bastards that did this.
-
The interior of the house does not suit two gods of mischief at all. It's all very... quaint. The sofa is soft and snuggly, the telly hanging from the velvet painted walls is huge, her wardrobe has way too many dresses and skirts, and the knives in the kitchen look like they'd be hard to kill a man with.
"Can you conjure me up something less-" she vaguely gestures at her figure, her lips arched in an angle that spells distaste.
He understands exactly what she means, but does exactly what he wants. With a snap of his fingers, he conjures up an entire rack of clothes for her.
She checks them out one by one, noticing how every jeans, every top is designed a specific way. "These look very tight."
His grin tells her it's intentional.
"You know I can still wipe that smug look off your face in this reality, right?" Her voice expresses how serious she is.
He waves his hands again, and this time, a second rack of clothes materialises, ones which are more functional.
She picks a jeans and oversized top and disappears into the bedroom.
He plops down on the sofa, staring at the Van Gogh hanging from the wall, wondering what their next move should be.
---
The ring of the doorbell breaks them out of their contemplation.
Sylvie grabs every single knife she can find in the kitchen drawers, Loki grabs the mop. Gesturing to each other, they open the door at the count of three, to find a woman standing there with a casserole in her hands.
"Hiya neighbor", she says cheerily. "I heard that you two just moved in. Oh my, that's a lot of knives."
Sylvie holds one up to her throat. "Who sent you?"
The woman grimaces, keeping her eyes fixed at the spot where the knife touches her skin. "My husband. He thought we should welcome our neighbors."
"Liar", Sylvie barks, and increases the pressure on the knife. "Tell me who sent you here before I cut your tongue out and feed it to the cats."
It's at this moment that Loki decides he has to intervene before the situation escalates to unnecessary murder.
"Sylvie, Sylvie, honey", he coos, slowly guiding her away with a gentle touch to her shoulders. "This lovely woman is not the friend I was expecting." He pushes her inside the house, at a safe distance from the lady, before throwing a charming smile in her direction. "I am so sorry. My friend was supposed to visit, I asked my wife to help me play a prank on her. She thought it was you. It's all a giant misunderstanding. Allow me to apologize profusely on behalf of my wife."
Sylvie switches between glaring at the lady and at her "husband".
The lady laughs nervously. "It's quite alright."
Loki extends his hand. "Hi, I'm Loki." He wraps his other arm around Sylvie's waist to pull her close. She tenses, and for a moment he thinks the knife will end up aimed at his throat, but she relaxes a little and gives the neighbor a tiny smile. "And this is my wonderful wife, Sylvie."
The lady shakes his hand. "I'm Agnes. So nice to meet you. Where are you from? Low-key, that sounds Nordic. Are you from Norway?"
"No."
"Yes."
They answer at the same time, then glare at each other, as if their answer was the only acceptable one.
Loki rushes to fix it before Agnes gets suspicious. "What my wife means is, we are from Norway originally, but we moved here from Alabama."
Agnes smiles. "That's a long way from home. Welcome to the neighborhood."
---
Sylvie erupts the moment the neighbor leaves and their doors are closed. "Why the bloody hell are we playing along with this ruse?"
Loki looks at her seriously. "What is the alternative? Murder our way out of here? Slaughter an entire innocent town?"
"No, no, no no." She paces till she is standing directly in front of him, holding her chin up in a posture of challenge. "Why slaughter a town when you can rule it, right?"
He lets out a sigh. Leaning his head back and closing his eyes, he takes in a deep breath. He needs all the strength in the world to reason with her. He opens his eyes again and begins. "We don't know how we got here. We don't know what dangers are here. We can't plan an escape like that. We need to gather information and learn everything we can about this place."
"This place is clearly hell", she roars, letting out a scream that shoots a wave of energy out of her hands and shatters the coffee table.
"Perfect", he mutters under his breath, as he picks up the mop.
---
"I'm hungry." She announces after an hour of sitting on the sofa, sulking, while going through the hundred different channels and trying to pick even a single thing worth watching.
"Oh yes, me too." He agrees quickly. "Starving, actually."
She motions at the cell phones on the table that the house came with. "I suppose we should order something like humans do."
"Yes, of course." He nods in agreement. He picks up the phone closest to him, swipes up the screen, and sees the wallpaper of him and Sylvie, on a beach, hand in hand, in matching Hawaiin shirts, with matching grins on their faces. He knows this isn't real, this has never actually happened to them, but it makes him smile anyway. Swiping to the side, he notices the phone comes with too many games. There are also apps that he knows from advertisements. Opening one that promised good food in no time, he stares blankly at the incoherent list that pops up.
She gets impatient after a few minutes. "Well?"
He purses his lips. It's difficult to admit defeat. "I don't actually know how to order."
She blinks in disbelief. "What?"
"I don't know how to order food." He repeats.
"How can you not know how to order food?"
"Well, I've never had to do it myself." He says, irritated, before his tone turns boastful. "I've always had someone do it for me." Food was never even a concern in Asgard. On earth, he has always had some human gladly do it for him. No God would ever bother with the trivial details of food ordering.
"Lucky you." She says dryly, before snatching the phone out of his hands. She pauses to look at the wallpaper as well, at the waves and the sand and the two happy people that represent a life that they can have if they choose to. Before the thought can take its root in her mind, she quickly focuses on ordering.
He stares at her in awe. "Where did you learn how to do that?"
"I didn't exactly grow up in an Asgardian palace." She rolls her eyes. "I had jobs, Loki. I know how to look after myself."
"I am so glad I'm stuck here with you." He says with a grin. "It makes everything easier."
"It's not that easy. We still need to pay for the food." She points out. Then a horrifying thought occurs to her. "Do we even have money?"
He wants to point out he can just conjure some, but before the words can form in his mouth, she rushes to the kitchen, rummaging through the drawers. He follows, and opens the refrigerator, staring at the inside of the freezer.
"People don't keep cash in the freezer, Loki."
"I knew that." He lies.
She switches to the bedroom, and he follows her there as well. She looks through the dresser drawer, the wardrobe, and searches under the pillow. He looks under the bed.
"Look at us. Searching for money to buy food with. What a shame." He muses out loud. "Mortals used to offer food to Gods."
"Food and virgins." She spits the words out angrily. "I hate these archaic ways."
"Oh, me too, me too." He pretends to agree. He likes being worshipped. He likes the food and the offerings. The virgins? Well, he took virgins in a very different, very alive way, and they were all very willing.
"I don't think we have money in this house." She announces, sitting down on the bed with a huff. "Is this his masterplan? Make us starve to death?"
"Allow me." He snaps his fingers, and wads of cash appears in her hands. This is what he was going to do before Sylvie started searching and he decided it's best to first find out what useful items they have in this house.
"That's handy", she notes. "I suppose it'll be easy for you to do chores around the house."
"I don't do chores." He declares.
She glares at him.
"I don't know how to do chores." He clarifies.
Her glare never loses its edge. "Well you better figure it out soon then, before I cut your fingers off."
---
They eat in complete silence, adjusting to this new reality they have found themselves in. Loki tries to make conversation, tries to tell her a story of banquets in Asgard, but she stares absent-mindedly into the distance, and he takes the hint.
Night arrives quickly.
"I'm exhausted. We should sleep." Sylvie admits. She gets up, ready to change into something more comfortable for the night.
He gets up too, and heads in the direction of the other bedroom. Of course, all he wants to do is snuggle up close to her. He can think of a hundred excuses to talk her into it too. But he holds back. "Well, I wish you a very merry slumber."
She doesn't want to focus on why she does it, but she calls out to him. "We should stick together. Just in case the enemy decides to attack while we're asleep."
He stops in his tracks, smiling like a fool. "I agree. Clever plan."
Ten minutes later, they are both awkwardly lying side by side in bed.
Sylvie stares at the ceiling, at the glow-in-the-dark stickers that are shining. "Is that what people's ceilings look like?"
"Mostly children's."
"The constellations..." She notices. "They're slightly different."
"Yes." He smiles. "This is the view from Midgard, not Asgard."
"Oh."
It's quiet for a while. Loki wonders if she fell asleep. Then he hears her whisper. "I hate this."
"Why are you suddenly acting like this?" He finally asks. "You have been patient your whole life, planning everything for years. You always have a plan, and a good one. Now you're suddenly in a rush to get out of here. Why?"
She doesn't answer. She doesn't even open her eyes. With her focus on the darkness behind her eyelids, it is easy to forget that this is the most peaceful evening she has ever had, that this is the life she always wanted, the life she has been fighting for.
He studies her features, memorizing the way she looks when she tries to fall asleep. Tentatively, he touches her hand. Her fingertips twitch involuntarily, before she responds by taking his hand. He gives it a reassuring squeeze. "We'll get out of here, I promise you."
---
(To be continued)
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poetzproblem · 1 month ago
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I really loved your analysis of Agatha All Along. I mean, I learned a lot (and kind of felt a bit stupid, lol), because I had been watching it with a very simple mind. Cool, a bunch of witches on quest, fun! 🌟 I didn’t know ANYTHING about her or the story before I saw the series. What you said made sense, but also made me a bit confused. Like, how did the kiss kill her now? And did she chose to become a ghost? And if the road didn’t exist, how could people die there? And how can you date Death? I’m not sure you can answer me ramblings, but you always explain things so I can understand. Thank you 🌟
There’s absolutely nothing wrong with watching a thing for fun. It’s the curse of my mind that I notice little plot holes and like to fill in gaps. 
My theories are just my theories, and I’m sure everyone has different interpretations of Agatha and her motivations. 
My understanding of the kiss (of Death) is that Agatha actively chose to take Death’s power, knowing it would kill her, in order to balance the scales and save Billy. A calculated risk, as she put it. 
She’s something like 350 years old at this point. She’s learned how to control her ability after all this time. I think her siphoning magic is mostly a defense mechanism that she has to make an effort to turn off, but she can choose to turn it on too. She also clearly gets pleasure from draining someone’s power - like an addict getting a hit - so the effort to stop probably wasn’t worth it to her most of the time. She’s not a nice witch. She likes power. 
Until that kiss, I had assumed that her siphoning only worked when she got blasted with magic, as had been shown in Wandavision, but I believe Jac Shaeffer stated in an interview that Agatha took Rio’s power during the kiss - it wasn’t that Rio's kiss was inherently deadly. So my thought now is that Agatha can do that with a touch if she chooses. She doesn't need to be attacked with magic.
Becoming a ghost was also part of the calculated risk. She was banking on Rio keeping her promise that Agatha wouldn’t have to see her face when she died - so not to be there to collect her soul, allowing Agatha to remain on the mortal plane.
And again, I very much noticed that her broach was left behind when she died.  Rio decomposed everything else under that bed of flowers. My own personal theory is that Rio allowed the broach to remain - with a piece of Nicholas inside it - as an anchor for Agatha because she very clearly wasn’t ready to see her (their) son on the other side. 
I wouldn’t say she dated Death so much as had a 300 year love/hate relationship with her. Rio Vidal, or Lady Death, is the physical personification of Death. A cosmic entity. Hey, it’s Marvel, half of that stuff doesn’t make sense. If Thanos can snap half of life away with six magical gemstones and Tony Stark can snap them all back, then Agatha Harkness can be in a (complicated) relationship with Death.
The Road didn’t exist until Billy made it real. I’m not a Marvel fan, but my understanding of his magic is that he can create pocket dimensions. Kind of like Wanda with the hex, only more powerful because the things he creates become real and exist on their own. The Road was born from his limited knowledge of it and his own imagination - hence all the Easter Eggs in his bedroom that bled into its creation - but once it formed, it was The Witches’ Road, with its own magical trials and real consequences. That’s why he went back to seal up the door. 
I personally like to believe that the Road is actually still there - just the door in Agatha’s house is closed - and some other coven will be able to access it for real if they sing the sacred ballad.
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