#also this whole arc (still petals to the metal) has been kick ass holy SHIT

[kaizokuou-ni-naru]

The Voyage So Far: Wano (Part One)

east blue (1 | 2) || alabasta (1 | 2) || skypiea || water 7 || enies lobby || thriller bark || paramount war (1 | 2) || fishman island || punk hazard || dressrosa (1 | 2) || whole cake island || wano (1 | 2)

shirahoshi seeing the sun for the first time is really a relatively minor and understated thing, among all the chaos and revelations of reverie, but it strikes me as one of the most meaningful little moments in the arc. 

i LOVE the luffy fanclub. i love that a meeting of the world leaders winds up being a who’s-who with assorted friends of one of the world’s most notorious criminals, and it brings me SO much joy to see them meeting each other and being able to connect. i feel the same way about coby and rebecca meeting.

in general, and i think i said this at marineford too, i love that the one piece world is developed and interconnected and alive enough to allow for these sorts of interactions. 

fucked up that this was almost a hundred chapters ago and we still have no clue what the fuck was up with this, isn’t it? 

i do find the introduction of im fascinating. up until this point we’ve had two presumed final villains- blackbeard and akainu- who were first established pretty far back at jaya and enies lobby (in robin’s flashback) respectively. meanwhile, im isn’t even seen until chapter nine hundred and something. it feels very late-game, but at the same time, their existence doesn’t contradict anything previously established, and in fact jives pretty well with a lot of information more recently revealed in dressrosa. 

in any case, when in doubt i do trust oda knows what he’s doing when handling his story, and i’m very excited to see what he does with this.

wano is SO PRETTY. i mentioned this before in fishman island, but i think wano is definitely the prettiest setting in the series to date. i think it’s obvious oda was both very excited to draw it and put a lot of work and research into his depiction of it, and wow does it pay off. wano is so bursting with life and detail, and frequently looks like an ukiyo-e painting come to life, and just- wow wow wow.

i love zoro and luffy’s reunion so much... i love how happy they are to see each other. it’s only been, what, a couple weeks in-universe? but luffy is pulling the full tackle-hug like he did for sabo at dressrosa. i love them.

i really like the outfits in wano, too!! zoro’s ronin look in particular i think suits him very well, and i also love luffy’s patchy yukata and robin’s geisha getup and they’re just very cool. this also applies to the non-strawhat wano characters, for the record, and kind of ties back to what i was just saying about wano being so full of detail. it has a very specific look, and everything from the outfits to the way things like the fire and the waves are drawn folds very neatly into that aesthetic. 

as i’m writing this i just finished on the paramount war posts, so with that fresh on my mind, i have to say i really like the way ace (or rather, his memory) is incorporated into wano. he’s not really a major presence- that is, the fact that he was there before luffy has no real bearing on the plot. but there are people who knew and cared about him and remember him fondly, tama and yamato, and it just really helps add to this feeling that ace was a person and his life and death had real and lasting affects. 

and it adds, too, to the fact that even if it took ace way too long to realize it, he was so thoroughly loved everywhere he went. 

i have a lot of thoughts on the intersection of food and heroism in one piece (i keep trying to compile a coherent meta post on the subject and mostly failing). but i’ll settle for saying that in wano luffy is a hero by his own definition, as someone who shares food with others, and i doubt he realizes that, but i think it’s really interesting. 

i know luffy’s fight with kaidou is kind of controversial in fandom but i love it, personally. it feels like a logical outcome for luffy to get his ass kicked the first time he tries to go up against a yonkou singlehandedly! he got wrecked when he tried to throw down with a shichibukai the first time, too, and this is just the next logical step from that. 

luffy’s always been an underdog starting from nowhere and working his way up and up and up, and i love that for him. of course he’s going to get messed up the first time he tries punching an entire order of magnitude above his weight class. and then he’s going to get up and try again, and again, and again until he wins. 

the act structure of wano is really neat, i think. it helps such a long and complicated arc feel a lot more structured and less interminable than it might otherwise, and it also gives specific breaks where we can cut away to the story happening on the outside world. 

honestly i really like the whole udon prison segment. it’s fun! i like it for similar reasons i like the colosseum mini-arc in dressrosa, honestly, which is that there’s no real stress because we know luffy is the scariest person there by a country mile so we can just watch him go ham, and that’s fun. it consistently cracks me up that absolutely nobody is worried luffy’s in jail. they’re all just like “yeah, he’ll be fine.” and they’re right! he’s having the time of his life!

wano’s cast is fascinating, because almost nobody is who they first appear to be. almost everyone is wearing masks, whether literal or not- fitting, for an arc structured after a kabuki play. everyone is playing roles, from hiyori to denjirou to kanjurou to yasuie, and everyone lies. 

this entire sequence at orochi’s party is one of my favorites in the whole arc- in fact, it was my favorite, until we reached a certain part i’ll get to in the next post. everything from komurasaki standing up for toko and slapping orochi to denjirou “killing” her to robin getting caught by the oniwabanshu and dissolving into petals to nami calling down a massive lightning bolt to cover their escape- it’s really good. 

i’ve written extensively before about the smile fruits and the themes of smile and laughter in one piece and how important the freedom to feel and express emotion is. suffice it to say that for all the atrocities orochi commits against the people of wano, it’s feeding the smile fruits to the people of ebisu town that is his greatest crime, and the revelation of just what happened to those poor people ratchets up the tragedy of wano tenfold.

i do think it’s interesting to think about how if denjirou had been just a little less committed to his role, zoro would’ve killed orochi right here. it really drives home that orochi is nothing- he’s weak, he’s cowardly, he’s just lucky and clever and cruel enough to be able to get much more powerful people to do his work for him. 

it’s infuriating that someone like him has been able to hold such power over the lives of the people of wano and ruin them so thoroughly, and that’s exactly the point. 

wano is the arc where oda says you Will care about the supernovas and i’m like yeah

hey, another of my all-time favorite luffy panels!! i honestly just think this one sums him up as a character in a line more than almost any other- “i’m always free.” 

just look at the detail on kidd’s metal hand holy shit holy shit. on occasion certain panels jump out at me that remind me that oda really is just, a genius at drawing on a technical level, even setting aside his writing and storytelling chops, and this is one of them. 

oda is really, really good at creating the sense of a darkest hour- a time when all hope seems lost. the other best example in the series is in water seven, when the crew seems to be falling to pieces, merry is marked for death, robin’s gone, and the aqua laguna is coming. here, too- nobody comes to meet the akazaya nine, and the one chance they’ve waited twenty years and staked their lives on seems in danger of slipping through their fingers-

but the point of making it so all seems lost is so that when hope does appear, it shines all the brighter, and feels all the more triumphant. it’s always darkest before the dawn, and we all know how wano has been waiting for the dawn. 

[elftwink]

im past it like im almost done this arc but taako really almost fucking died like that cricket dude straight up went for murder not like "did a bit too much damage" like legit was like "remove your safety harness and jump off" hey uh buddy what the fuck... solid storytelling tbh it was real intense for a second there