#also this is not not at all a hint to the ending of tell me your lies

[caxycreations]

I feel like you guys are missing the point.

He's a 900+ year old Time Lord. He's living as much as he possibly can, and he feels like it's nowhere near enough, and far too much, all at the same time.

This SAME MAN, same face and all, is the person who said "Sometimes I think a Time Lord lives too long"

He's the man who, literally in his NEXT regeneration, spends a third of his series depressed because he can't find an ounce of joy in the universe himself and NEEDS humans to show around so he can catch a hint of it through them.

The Doctor even states that humans "look like giants" to him, specifically BECAUSE of the fact that they live so much in such a short time.

This isn't a show about an awesome, nigh-immortal time-traveling alien.

It's a show about the pains and soul-crushing responsibilities that come with time travel and immortality.

And, of course, you're all forgetting the glaring fact of this episode, entirely separate from the quotes you're so eagerly judging:

THE MAN THE DOCTOR IS TALKING TO HAS TO EAT PEOPLE TO STAY YOUNG.

He literally KILLS PEOPLE to survive. The Doctor, talking him out of eternal life, is not just doing so because "long life bad", he's doing so because "eating people to live forever is an awful way to be" as well.

You're also disregarding his point entirely in favor of giving bad-faith analysis of the show.

His point is that whether you have 10 years or 20, how you spend that time is what matters, not the amount of time you have to spend.

He has eternity, and it's not worth it. He knows it isn't, and he's trying to stop anyone else from making that mistake. He's living for so long, and has lived so much, but it just isn't worth it anymore.

Lucy Lacemaker, from Satellite City (or, more officially, The August Few: Amygdala, though she never says this in there) puts it very well:

"Billions of years we've been about. And life's not worth much once the rest is gone. You get bored of the wind and the birds and the sound of laughter and the smell of pine. Life is like a piece of paper. And the writing is our lives. Our stories. When you only have 90 years, the ink turns to gold. So valuable are the words, the days you live. Cause soon, the story will end. But what if you have a never-ending page? A bottomless inkwell? The more you write, the less it all means. That's our curse. We live so long that it's not even life anymore. We're not living forever, we're dying forever."

@another-normal-anomaly said that if they kicked ass for 80 years, got saved, and kicked ass another 80, that's twice as much as they would have done. But that's still only 160 years, and it reinforces the Doctor's point; it's not the time that matters, it's the person, because others may spend that 160 years doing nothing, and some may spend that 160 years doing everything.

But they would still only have 160 years. Not forever. What the Doctor is warning against is eternity. Eternity is pointless.

@dagny-hashtaggart said the show is hypocritical in it's transhumanist stance for featuring an "awesome, nigh-immortal, time-traveling alien", but that just tells me they've either never watched the show or they have and 100% missed the point of the character of the Doctor.

Because the Doctor is not happy with his long life. He's not content or pleased about it. He's miserable. The only worth he finds in it is giving other, shorter-lived life forms the pleasure of seeing things they never could otherwise, and protecting the lives of those more fragile than him because he, at his core, has two values above all others:

If it kills me, I can put an end to this opera of my life, and I can finally rest

If it doesn't kill me, it means I've stopped it and other, more meaningful lives will be spared.

The Doctor is not some happy, positive character. He's a victim of a tragedy, and that tragedy is, quite painfully obviously, the fact he lives so long. His lifespan, his regeneration, is a curse to him, not a blessing. The fact you can call the show hypocritical for that tells me you've never seen it, or you've never understood it.

@argumate made a crude joke about a man with a big dick, named after having a big dick, saying that life wasn't about having a big dick.

Well, fun fact. If your dick were, say, 14 inches, as a human (which is a real condition that has happened), you would have heart problems every time you got erect, be entirely unable to enjoy penetrative sex (aside from the heart problems, you'd be unable to get more than a small fraction of your length in without hurting them), and if you ever tried to get a little more out of it, you'd seriously injure your partner.

Not only that, but you'd have social problems as well. Try hiding the outline when your flaccid length still reaches down past your knee. You'd be a laughing stock early on, and if you had frequent erections (say during puberty, post-growth spurt, pre-calming of the hormones), you'd be unable to hide it no matter how hard you tried.

It would cause more issues than that, too, believe me. And yet you're saying if a man who suffered from all of these problems told you "it's not all fun and games, having a big dick", you'd mock him for not loving the "gift" he's been "blessed" with?

All of you missed the point of the show, the character, and even the point of the scene you're remarking on.

I expected better comprehension on this site.

[forzarma]

Between the lines

Lando Norris x Law student!reader

A/N: ok amma just act like i didn’t ghost this app for months and came out if nowhere but here we are ig. Also the Brazilian gp??? What the heck like wild race istg😭

It all started one night in Monaco, on a break from law school. You were on vacation with a friend, celebrating the rare freedom that came with a brief pause in your intense study schedule. A night at the casino was not usually your scene, but your friend had insisted.

After about an hour, she’d struck up a flirtatious conversation with some guy who’d been lingering by the bar. You waved her off, telling her you’d be fine, and took a seat on your own near a roulette table.

That’s when he walked up. Unassuming at first, with that messy hair and a slightly cocky smile that had “trouble” written all over it.

“Mind if I join you?” he asked, a hint of an accent in his voice.

You shrugged, amused. “Go for it. But I’m not particularly good at this.”

He chuckled. “Neither am I.”

You exchanged a few more jokes, but it didn’t take long for him to introduce himself, giving you his number in a smooth, unhurried way.

“Lando,” he said, his eyes glinting with mischief.

You stashed the number away without much thought. It was only the next day, when you mentioned the encounter to your little sister over FaceTime, that you realized who he actually was.

“Some guy named Lando gave me his number at the casino,” you’d said offhandedly. Her jaw dropped.

“Wait, Lando who??.”

You blinked, stunned, and then laughed. “I don’t know, apparently he’s famous”

“so it’s lando fucking norris what” she said wide eyed

She rolled her eyes, muttering, “Only my sister would be this oblivious to F1 drivers. I’ve been a die-hard fan since I was, like, ten, and you meet one without even knowing?”

From there, you let yourself get to know him, intrigued by how normal he seemed compared to the hype you’d suddenly realized surrounded him. When he asked you out, you thought, why not? You were used to focusing on your studies and keeping your personal life private, so it didn’t seem like much would change. But with Lando, everything was different.

-

Months later, you’d fallen into an unexpected but steady rhythm with Lando. Despite his career, he managed to keep things low-key. Neither of you posted much about each other. Hell, you barely posted anything at all. You were still a law student with a private life, and the last thing you wanted was for the whole world to know who you were dating.

One evening, you were lying on his couch, scrolling through your phone, when Lando turned to you with a sly grin.

“Babe, you know… you’re eventually gonna get caught, right? Someone’s going to snap a picture of us, and then the cat’s out of the bag,” he teased, nudging your leg with his.

You groaned, rolling your eyes. “Oh, sure, because every random person with a camera is just dying to know who you’re dating.”

He snickered, leaning in closer. “Maybe. But you know, it could be kinda nice… to go out sometimes. Like, properly. We don’t have to make a big deal of it.”

You hesitated, biting your lip. As much as you loved being with him, the idea of being recognized—or worse, photographed—made you cringe. Your accounts were private, your life simple, and you weren’t sure how you’d feel about people seeing you with him.

But, at the same time, you knew it wasn’t fair to keep him hidden away forever. So, you took a deep breath and gave him a small smile. “What if we make a deal?”

His eyebrows shot up in interest. “I’m listening.”

“You can have me at the paddock,” you said, already dreading the idea. “But my accounts stay private, no tags, no ‘girlfriend reveals’ on Instagram. I’ll show up, I’ll be there for you but I’m not trying to become some celebrity.”

He grinned, leaning in to kiss you softly. “Deal. Although I can’t promise you won’t end up in a couple of team photos. You know how they love to catch every damn moment.”

You chuckled, trying not to think too hard about what you were signing up for.

-

A couple of weeks later, you were lying in bed with Lando, scrolling mindlessly through Instagram, when you felt a pang of guilt.

“I never actually told you about my sister,” you said suddenly.

“Oh?” He looked over at you with interest.

“Yeah, she’s been obsessed with F1 since she was like, ten,” you explained, laughing softly. “She’s begged me to take her to a race for years, but I was always too busy with school. Now she’s a full-on Ferrari fan… and she’s probably never going to forgive me for dating you.”

He grinned, intrigued. “A Ferrari fan, huh? That’s rough. Maybe I can convince her to switch sides.”

You snorted. “Good luck. She’s already sworn allegiance to Sebastian Vettel. In her words, McLaren’s colors are ‘an offense to her soul.’”

Lando laughed, shaking his head. “Well, in that case, we’ll have to win her over somehow. Why don’t we bring her to a race? I’ll make sure she gets the best seats, full experience,

You raised an eyebrow, surprised. “She’d lose her mind. Seriously. Are you sure? Because I can tell you right now, she’d never root for McLaren.

“Absolutely,” he said, squeezing your hand. “If she’s as big a fan as you say, she deserves a proper race weekend. Plus, I think it’s time we officially break her ‘Ferrari-only’ heart.”

-

On race day, you and Lando arrived at the paddock, and immediately, heads turned. You’d chosen a classic, chic outfit and despite your initial nerves, you managed to keep your cool.

You spotted your sister down the row, and her jaw dropped as soon as she saw you. She approached, barely able to contain her excitement, though she shot a mock glare at Lando.

“Such a shame I don’t like McLaren,” she said, her tone dripping with sarcasm.

“Yeah, yeah,” he replied with a grin. “You just wait. One lap, and you’ll be a fan.”

She rolled her eyes, but you could tell she was thrilled, practically bouncing on her heels as she looked around at the spectacle. She turned to you, eyes wide with disbelief. “You’re really here… at a race. I don’t know whether to thank you or disown you.”

You laughed, nudging her playfully. “I’m still not a fan, if that helps.”

She huffed, pretending to be offended. “I guess I’ll forgive you. But only if you bring me every single time from now on.”

The rest of the day passed in a blur of cameras, fans, and the hum of engines. You couldn’t deny the rush of excitement that came with being part of the chaos, even if it meant being in the public eye. And when you saw your sister’s face, completely lit up as she took in every second, it felt worth it.

-

The relationship slowly became public, just as you and Lando had agreed. You kept your accounts locked down, but fans began to recognize you, and a few photos of you two at the paddock circulated on social media.

Your sister stayed true to her Ferrari fandom, texting you regularly to tease you about your “betrayal.” But every now and then, you’d catch her slipping in a comment about McLaren usually something along the lines of, “Okay, that car looks pretty badass.”

One evening, Lando turned to you with a satisfied grin. “I think we’re doing alright, don’t you think?”

You looked around the Monaco apartment you’d somehow started calling “home” without even realizing it, at the life you’d built together. You leaned over, giving him a soft kiss. “Yeah, I think so, too.”

In the end, you realized you didn’t need to post, announce, or shout your relationship from the rooftops. Being there for each other was enough, even if it meant sharing some of the spotlight.

After all, Lando may have been the one the world wanted to see, but you were his, and that was more than enough.

[harrywavycurly]

It would be fun to see a moment in time when the Lonely couple were bffs but just a little too comfy with each other or maybe one of the times they kissed while besties?

Hiii lovey!! Ohh okay so I just combined these and gave you a little look at a moment between them when they were so comfortable they ended up smooching😂 I hope you enjoy!💖

-find all things Lonely here✨

TW: None

A/N: Harry comes over for coffee and cuddles during some time off during the One Direction days, enjoy some fluff and bickering between besties✨

“Are you saying you didn’t like them?” You question with a hint of annoyance in your voice as you look at your bestfriend who is currently standing in your kitchen licking the last bits of icing from a cinnamon roll off his thumb. “Because if that’s so then next time you make breakfast Mr. Baker.” You tease making him shoot you a glare as you get comfortable on the couch.

“Now that’s not what I said and you know it.” He tries to explain while he looks over at you as he puts his plate into the sink, you just let out a huff while tossing your throw blanket over yourself. “I just said that next time maybe you can try adding-”

“Telling me to add more icing next time is just your way of telling me you thought they were too dry.” Harry has to stop himself from rolling his eyes at you because he doesn’t even know how you got that from his simple suggestion but he also knows there’s a big possibility you’re just messing with him. He takes a moment to watch you wiggle yourself deeper into the pillowy cushion behind your back, your legs stretched out allowing your feet to rest on the ottoman you pulled over to your side of the couch and he feels a smile creep its way onto his face because you just look so cozy even when you’re fussing at him.

Harry had texted you late last night that he was going to be home for a few days instantly earning him an invitation to coffee and some cuddles to which he told you he would be there bright and early to take you up on your invitation. And while the other members of One Direction opted to spend their time off doing god knows what, Harry always made a point to make sure you were one of his first stops if not the first since you live decently close to where he stays in L.A. But one thing he knows about you is that when he’s gone for too long you seem to always be a bit more snarky and sassy with him the first few hours he’s back, so you making an argument out of this doesn’t shock him at all and he knows just the way to get you to stop talking about it.

“And now that I think about it I don’t even remember inviting you over for breakfast?” You point out as you look over at Harry who just rolls his eyes as he walks around your kitchen island and heads straight towards where you’re sitting on the couch. “I remember telling you to come over for coffee and cuddles but-” your words are caught in your throat as Harry leans over and places a hand on the side of your face before his lips are on yours in a quick kiss that leaves you with a light pout on your face when he pulls away.

"So what you're really saying is we need to get to the cuddling part yeah?" He asks with a teasing smile as his bright green eyes stare into yours. "Oh enough with this." You feel his thumb gently brush over your bottom lip. "Now are you done with all the dramatics or do you need me to-" this time Harry is the one who's sentence is cut short by the feeling of your lips on his in a quick kiss that makes his hand fall from your face when you pull away leaving him with red cheeks and slightly wide eyes.

"I'm not being dramatic Harry you're the one who called my cinnamon rolls dry." You ignore his scoff and what you take as almost a look of defeat when you bring up the cinnamon rolls again and that’s how you become aware that his kiss was a silly little attempt to get you to stop talking about it.

Harry kissing you isn’t something that’s new for the two of you, now you wouldn’t say it happens all the time but it has happened before and you’re sure it’ll happen again because when it comes to you, Harry isn’t afraid to be extremely handsy considering when you first met the two of you were fully ready to go to bed together but your poor choices in alcohol had other ideas in mind for that night. But normally you’re not the one initiating the kisses or the physical touches outside of hand holding and hugs, that’s all Harry and it’s usually because he can just sense when you need to be grabbed and pulled into his chest or when you need a firm squeeze of his hand that’s wrapped around yours. So you know the main reason for his slightly shocked and a bit annoyed expression is when he realizes his plan to kiss the idea of him calling your baked goods dry not only didn’t work but somehow got turned around on him so you had to be the one to kiss him to get him to stop talking.

"You can't just shut me up with a kiss that's a bit rude."

"Excuse me? That's exactly what you just did to me so sit down and cuddle me before I kick you out."

"That's because you keep saying I called your cinnamon rolls dry and I didn't. All I said was next time I'd use more icing," Harry sits down next to you and immediately the two of you get into your normal position, his arm is wraps around your shoulders and he's sat close enough to you that your thighs are touching allowing you to share your throw blanket with him as his feet rest on the ottoman. "I'm not sure how you think adding more icing to them would make them less dry? That doesn't even make sense." He mumbles as you rest your head on his shoulder while scrolling on Netflix for something to watch.

"Less dry? So you're saying the ones you ate today were dry?" You try to hide your playful teasing tone but you know Harry catches it by the way you feel a pinch to your side making you let out a squeal.

"I know you're only acting like this because you missed me." Harry acts like he doesn’t notice the small sigh that leaves you or how you lean even further into him as his words hit your ears, the two of you have been friends long enough to know it’s the truth so you don’t have to even try to argue with him about it. “I missed you too love.” He admits with a smile as he reaches over and grabs your hand so he can give it a squeeze.

“You love me don’t you?” You ask as you mindlessly begin to play with Harry’s fingers, he just chuckles at your question because of course he does you’ve been his bestfriend for years now and sometimes he truly doesn’t know how he survives away from you for so long but the texts and FaceTime calls make due when he can’t convince you to let him fly you out to a show or he can’t sneak off for a few days to visit.

“This feels like a set up for a favor of some sort.” You laugh as you lift your head so you can look up at him and when he looks down at you with a grin that shows off his dimples you have to fight the urge to kiss him again. “What do you want?” He asks with a smirk and you think for a moment he’s going to lean down and put his lips to yours but he just places them to your forehead for a brief moment before pulling away so he can look you in the eyes while he waits for you to ask for whatever it is you want.

“I left my coffee in the kitchen.” Harry lets out a dramatic groan as he unwraps himself from you and flings the throw blanket off his legs. “This is why you’re my favorite and I love you the most.” You shout as you watch him make his way into your kitchen to grab your coffee cup.

“Yeah yeah I love you too.”

[3rdgymbros]

━ 𝐓𝐡𝐢𝐬 𝐀𝐝𝐝𝐢𝐜𝐭𝐢𝐯𝐞 𝐏𝐨𝐢𝐬𝐨𝐧.

— pairing; vil schoenheit x ramshackle! reader

— summary; vil's signature spell is hot, and you end up telling him that

— notes; this is. very self indulgent. I CANNOT HELP IT IF I FIND HIS SIGNATURE SPELL HOT, DO NOT JUDGE ME. also please donate to my kofi if you like my work. and know that i am mentally smooching everyone who reblogs my stuff.

❋ The first time Vil tells you about his signature spell, it’s in an almost offhand manner, like he’s listing his numerous accomplishments or talking about the weather. He’s used to people responding with awe — or fear — because of how powerful and dangerous the spell is, and surely your reaction will be something similar.

❋ “That’s hot.”

❋ Did you just say that out loud?

❋ Yup.

❋ You should technically know better, it’s just . . . The idea of him wielding that much control and imposing his will with just a touch is . . . Well, insanely attractive.

❋ There goes your first brain cell.

❋ Vil blinks, momentarily caught off guard by your reaction. He’s used to seeing admiration, yes, but he certainly didn’t expect this. The way you bite your lip, how your eyes sparkle with fascination, seemingly unfazed. A hint of pink dusts his cheeks as he processes your reaction — after all, it isn’t every day that someone looks at him with such pure, unabashed admiration. And because of the dark side of his magic, no less.

❋ “Would you like a demonstration, darling?” He asks in that velvety tone of his, leaning closer, his eyes locking onto yours. His fingers reach out to brush against your cheek, and he murmurs, “Just one touch and I would have you begging for mercy.”

❋ And there goes your last braincell.

❋ The look on your face at this very moment must be a good one; Vil’s shifting closer, and his hands are lingering on your face — not cursing you, just cupping the curve of your cheek, and drinking in your ardent attention.

❋ He’s looking at you as though he wants to kiss you, and well, you aren’t about to stop him anytime soon if he does.

❋ Normally, Vil isn’t one for indulging in impulsive decisions, but it’s the way you’re looking up at him — much too unguarded, much too trusting, almost as though you want to be stained with his darkness — breaks through the veneer of his carefully crafted restraint.

❋ Your breath catches in your throat, and all your focus is solely on Vil: the intense heat in his gaze, the warmth of his hands, and the intoxicating sense of danger that somehow makes him even more irresistible.

❋ His lips mould against yours with the kind of effortless elegance only Vil can manage. There’s a subtle possessiveness in the kiss, like he wants to mark you. Not with a curse, but something darker, sweeter, a taste that lingers on your lips like a delicate poison.

[tamilhobbit]

Speaking as an Izzy hater - I found his character racist, homophobic and despicable in S1, did not see any appeal at all, and then copped a lot of shit from racist Izzy stans on Twitter (I used to enjoy fic that gave him a good arc, but those fandom experiences led me to start avoiding basically anything to do with him). Maybe the demographics are different on Tumblr, but Twitter was overwhelmingly pro-Izzy in a way that didn't acknowledge any of the bad he'd done and was hostile to anyone who disliked him.

I also thought his 'character growth' in S2 was too rushed. Him showing up in drag and singing felt more like Fandom Izzy. Canon Izzy had made a very very big leap there that, to me, didn't feel earned or justified. But I'll freely admit that my poor fandom experiences have soured me against him.

Otherwise, I agree with most of these points. I'm very much a Gentlebeard shipper and I still did not like the portrayal of their relationship this season. I have many of the same criticisms you expressed.

And it's gross that the 'talk it through as a crew' show refused to deal with everyone's PTSD, and even gave Lucius SA-related PTSD and played it off as a joke. Pete was horrifically cruel to him about it. That is one of my biggest issues with S2.

I think the writers suffered from being too involved with the fandom, to be honest. And it affected their own vision of their characters.

I've already said that to me, someone who is not an Izzy stan, the Izzy we got in S2 was much more like the Izzy I saw in fanfics and fandom than the Izzy we met in S1. Yes, Izzy could plausibly have become that person, but it takes a lot of work and growth that I feel they skipped over.

There was also just way too much going on. They crammed too much in and didn't have the time to treat any of it with the detail and respect it deserved. Given the show had to be cut down to 8 seasons, the writers desperately needed to be ruthless in cutting and editing. They needed to take out anything that didn't serve the plot or character growth, so they could focus on the important things.

They didn't.

Anne and Mary, for example. They don't actually add anything concrete to the storyline beyond being a backdrop for Stede and Ed! They serve as symbolism and foreshadowing, sure, but... of what? If we take them as foreshadowing of Stede and Ed, all it tells us is that this idyllic retirement that they end the show on won't actually be a happy ending for them. That they won't be happy with it. Which is a weird choice. Or do they serve as narrative foils of Stede and Ed, as a dark mirror? The narrative isn't very clear about that, to be honest.

The feeling I got was that that they were fanservice. Fans were clamouring for Anne Bonny and Mary Reed, so they gave us pirate lesbians, regardless of whether it was useful. The writers should have cut them and focused more on the plot, or made them relevant to the plot. They didn't.

Fans wanted Zheng Yi Sao, so we got her. Even though the plot ended up making her look a little foolish and incompetent by the end, in contrast to the first half.

Fans wanted Izzy to embrace his queerness, so we got that, even though it seemed like a rather abrupt shift.

Fans wanted more women and POC, so we got Archie. Who just shows up and isn't very well fleshed-out tbh, and ends up breaking up Jim and Olu. (Are they poly? It's only ever hinted at. And then Olu leaves for Zheng Yi Sao anyway. If they then become a polycule, it is entirely up to the fans.)

Fans wanted Stede to become competent and famous as a pirate, so we got that. Fans wanted Gentlebeard sex, so we got that. Fans discussed a soft shore retirement for Gentlebeard with Oluwande captaining the crew, so we got that.

This was some Monkey's Paw bullshit. We got a everything that we'd mused about on Twitter and Tumblr. It just wasn't executed well.

And yeah, even though I dislike Izzy, I do think his death was stupid. And in my opinion, a cop-out. It was like Shadow Weaver in She-Ra - you don't need character growth or redemption if you sacrifice yourself instead! With the double whammy that both Ed and Izzy have been toxic and awful to each other, and this narrative choice basically wriggles out of having to deal with that in any meaningful way.

Question: I enjoyed s1 OF OFMD, but for various reasons I never actually got around to watching s2 (pick up most of the plot from tumblr tho). What exactly went wrong in s2 that got so many people upset?

Oh, boy. Very long rant incoming.

So, for context, S2 had a significantly smaller budget, which necessitated moving the filming location to union-unfriendly New Zealand, reducing the number of actors/number of appearances of established actors, and cutting down the number of episodes from 10 to 8. In a show where each episode is only about half an hour long, that last one alone was enough to seriously hamper any character development or plot. I am very comfortable putting the vast majority of the blame on HBO because of these financial decisions.

The short version is that Jenkins et. al. needed to address and build on the problems left hanging in S1 while also getting the characters to the end of their character trajectories in case there was no S3 while also leaving room for additional episodes in case there was a S3, in a grand total of four hours, and failed.

The long version is that there were a bunch of what I'd consider small problems in isolation that came together and exploded in the S2 finale.

The reduced cast necessitated breaking up the crew (ex: having Swede marry Jackie and stay on land with her, so they don't need to pay Nat Faxon for all eight episodes) and not spending as much time on their relationships as S1 did.

The reduced time meant that the entire season was rushed (in contrast to S1, which takes place over at least several weeks if not months, most of S2 takes place in roughly five days), leading both to a lot of telling rather than showing (because they don't have time to show you), including vital character and relationship development.

This includes:

Having the Kraken half of the crew beat Ed to death after months of being abused by him – abuse that is clearly shown to have given them PTSD and a well-justified fear and hatred of him – only for them to be okay with him two in-universe days later;

On that note, having Stede dismiss the crew's concerns about Ed because he loves him and also we only have three more episodes left to fit in everything so we need to get over it really fast, even though Stede is supposed to be well-meaning and caring (even if he's not good at it all the time);

Resolving the issue of Stede abandoning Ed in one day, then having them "go slowly" in their relationship for two days and then have some spur-of-the-moment sex, and then the next afternoon have them break up over their diverging career aspirations, and then the day after that resolve that problem and retire on land while the rest of the crew sails off into the sunset;

Stede becoming a fantastic pirate captain over the course of one day, becoming wildly popular in the piracy world two days later, and then deciding the day after that to never be a captain again because he is retiring with Ed;

Having Ed and Stede decide to retire together as what is implied to be the end point of their relationship arc, when none of Stede's issues from S1, like his poor self-esteem, have been so much as mentioned by anyone, implying that he's either magically gotten over them or they don't matter all that much, actually, even though they were the catalyst for basically everything he did in S1;

Ed having two separate character crises – "I am an unlovable person" and "I want to do something with my life other than piracy" – not spending a lot of time on either one, having moments that clearly indicate he is still working on both problems and they have not been resolved, and then apparently having them both be resolved in the final episode despite nothing occurring to actually make that happen, and in regards to the latter, despite the story actively undermining it by repeatedly showing he can't do anything other than piracy;

Related to the above, Ed ending the series as allegedly being loved by the crew as a family (thus solving Crisis #1) despite this never actually being shown, demonstrated, or even fucking alluded to onscreen. If anything, it shows the exact opposite.

This last point is especially galling to me because of what is probably the most divisive issue in the fandom right now: killing off Izzy Hands after giving him seven episodes of character development.

The show begins with the Kraken crew clearly trying to use the skills they learned as part of Stede's crew to cope with their incredibly shitty situation and care for each other, which includes Izzy. Izzy, on his end, tries to protect the crew and speak up for them, which results in him being repeatedly hurt (both implicitly, as Ed at one point says "that's another toe" in response to Izzy advocating for the crew and we later see he's missing more than one toe already, and explicitly, as Ed shoots him in the fucking leg in front of the crew when he stands up for them).

This camaraderie is shown again and again and again. Frenchie, Jim, and Archie take care of Izzy while his leg is infected, at risk to their own lives. Izzy's misery over losing his leg is what unites the PTSD-ridden Kraken crew and the well-meaning-but-ignorant-of-PTSD marooned crew, who are initially at odds, to make him a new prosthetic leg. Izzy gives Lucius advice about forgiving Ed. Izzy is introduced to drag and opens up enough to sing at a crew party, and the whole crew is having fun together while Ed and Stede are in their cabin having sex for the first time. Izzy gives Stede pirate captain lessons and bonds with him when Ed leaves him. Izzy provokes the season's villain into focusing on him and then gives a big speech about how piracy is about belonging to something, giving the rest of the crew time to try to escape.

Recall that Season 1 had some pretty well-established universe rules, one of which was that it runs on Muppet physics/magical realism. People can jump off yardarms, hit the side on the way down, and be perfectly fine. People can get stabbed in the liver and it's totally okay because it's probably not that important, and even can stay pinned to a mast all night that way with only mild discomfort. Buttons can talk to birds and see long distances without a spyglass and put hexes on people. Good people can be hurt (Stede is stabbed repeatedly), bad people can die (the Badmintons, Geraldo), but no one we care about is ever killed.

This is repeated in Season 2: Ed is beaten into a coma with a cannonball and wakes up like Sleeping Beauty after a spirit journey, with no injuries to his face or body. Buttons turns into a seagull after spending an episode doing a magic ritual and is never seen again (because they couldn't keep paying Ewen Bremner due to the budget cuts). Jackie microdoses her husbands with poison to build up their immunity, so that she can later pull a Dread Pirate Westley and poison the British with shared drinks.

So: in the finale, the villain of the season is taken hostage by the pirates (for reasons? unclear how that fits in the plan), happens to have a gun on him (no one checked??), shoots Izzy on the right side and then leaves with no repercussions. The entire crew stands around silently doing nothing while Ed cries over Izzy and tells him that he's his only family.

And Izzy fucking Hands, the guy who just spent eight episodes bonding with and protecting everyone, uses his last words to reassure Ed that him becoming Blackbeard/the Kraken was Izzy's fault and that the crew is Ed's family and they all love him. No one else says anything to Izzy or tries to comfort him or help him in any way.

I repeat: in a show predicated on the idea that bullies and bigots die stupid deaths while queer people and POC are basically magic, a show that was praised for being kind to queer people by not making them worry about their faves suffering or dying, a show founded on the strength of the relationships between the characters, the guy who went through a season-long arc of learning to embrace his pirate found family and his own queerness is shot for stupid reasons on the side we're told isn't important and dies while everyone just stands there. His last words are about the whole crew loving Ed when the only person that the whole crew has loved all season is him.

Anyway, never mind all that, let's cut to Lucius and Pete getting married and Stede and Ed retiring!

Complicating all this is that people who liked Izzy (or even said anything insufficiently mean about Izzy) were harassed for months in between seasons with insults, slurs, and actual fucking death threats. Izzy's growth was kind of a vindication for liking him: it meant that, despite all the harassment, we were right to like him and care about him as a character. Even people who didn't like him initially started to like him during Season 2.

And then he dies, and now there's a bunch of people saying that Izzy fans are big whiny babies who can't handle fictional death, and actually his death was so meaningful and beautiful and the only logical end to his arc, and it can't be bad writing because people die in real life all the time, and also he admitted he fed Ed's darkness so actually he was a terrible person all along anyway and they were right to hate him (and his fans)!

So, yeah, there are a lot of reasons why it's so hated, and I'm probably only addressing the problems of the pro-Izzy people (from what I can tell, BlackBonnet shippers who don't like Izzy think Ed and Stede's relationship is fine and dandy, but I'm sure that there are other criticisms they have that I have not addressed). I'm not even addressing the issues with Jim and Oluwande's relationship this season (and whooo boy are there issues).

It wasn't a universally bad season. There were episodes I really loved and still do. But the finale was a train wreck, and because it was a train wreck, a lot of people are looking back at what happened before the wreck and realizing that, oh, the train lost its brakes and steering because of the budget cuts and the engineers kept throwing fuel in the engine to make it go faster, and huh, now that I think of it, that part earlier in the trip was really wobbly but I didn't pay much attention to it at the time because I was sure the engineers had everything covered.

[ltash]

The Bodyguard pt-1

Part 2 & 3 link in the end.

SimonGhostRileyxfemalereader

The boardroom was sleek, modern, and imposing, with dark wood panelling and a sprawling glass table. Sunlight filtered through the floor-to-ceiling windows, casting sharp shadows across the faces of the people who had slowly filed in, each flashing rehearsed smiles in your direction. You leaned back in your chair, absentmindedly chewing on the end of a sleek silver pen, your eyes sharp, taking in every movement, every fake expression.

Five guards stood silently behind you, their presence a subtle but unmistakable reminder of your authority. You were untouchable here, or at least, that's what you needed them to believe. As the CEO and heiress of Aventis Pharmaceuticals, a company built on generational influence, you knew there were black sheep lurking within your empire. You could feel it in the way certain board members avoided your gaze, shifting uncomfortably under your silent scrutiny.

"Let's get started," you said, your voice calm but unyielding as you set the pen down, giving each person a measured look. "I need the details on the latest antinarcotic project we're working on."

There was a pause before the head of R&D, Dr. Marcus Lewin cleared his throat. He looked pale, though you couldn't tell if it was the lighting or nerves. "Ah... of course, Miss Aventis," he began, shuffling some papers before him. "We're in the third phase of clinical trials now. The formula has shown promising results, minimal side effects, with a faster recovery rate compared to the last version."

You raised an eyebrow, watching him squirm slightly. "Minimal side effects?" you repeated. "We're aiming for a groundbreaking product, Dr. Lewin. I expect 'minimal' to be an understatement."

"Yes, of course," he stammered, nodding vigorously. "I, uh, apologize. We're working on further improvements. There's also some data regarding efficacy rates in the latest testing group. I can forward the specifics to you."

You leaned forward slightly, your gaze hardening. "Forward them to me? Dr. Lewin, I'd prefer a comprehensive update now from you. Or are there... issues you'd rather not discuss here?"

A few other board members shifted uncomfortably, casting sidelong glances at one another. But Dr. Lewin managed a stiff smile. "No issues, Miss Aventis. We've been gathering the results carefully. We're confident we can meet the expected deadline and provide a full report for you to review."

You nodded slowly, letting the silence stretch. "Good. I expect nothing less. And, just to be clear," you said, glancing around the table at the assembled members, "I don't tolerate surprises. If there are any... discrepancies, now is the time to disclose them. Otherwise, I expect total transparency."

A hush fell over the room.

Your gaze shifted to Martin Hayes, the company's CFO, a man known for his sharp financial acumen and, at times, slippery ethics. He sat across the table, his fingers tapping nervously against his folder. He offered a tight, polite smile as he looked up to meet your eyes.

"And about our deal with that company?" you asked, your voice cool, with just a hint of impatience.

Martin cleared his throat, adjusting his tie. "Yes, of course, Miss Aventis. The partnership with Arcadia Biotech is progressing as planned. We've secured favourable terms for both manufacturing and distribution, ensuring a significant reduction in costs while increasing production capabilities."

You tilted your head, studying him. "And Arcadia is still unaware of our... competitive projects?"

He hesitated, just for a fraction of a second, but you didn't miss it. "They're completely in the dark," he assured quickly. "We've kept all sensitive projects under strict confidentiality clauses. As far as Arcadia is concerned, they're our exclusive partners in the development and distribution of the existing narcotic treatments."

You tapped your fingers against the table. "Good. I'd like a written assurance from you that our proprietary research won't leak. If Arcadia or any other competitor even hints at knowing about our new product, I'll know who to turn to, won't I, Martin?"

The colour drained slightly from his face. "Absolutely, Miss Aventis. You have my word; I'll have our legal team draft an ironclad document."

"See that you do." You leaned back, giving him a faint smile as if to relieve the tension just slightly. "And remember, gentlemen and ladies," you added, letting your gaze roam around the table, "we're here to lead the industry-not to compete in petty games. I expect only the highest standards of loyalty and discretion."

A murmur of agreement filled the room, the board members nodding.

You leaned forward, placing both hands on the table, and fixed each board member with a piercing stare. The boardroom fell silent, the tension thick in the air.

"Also, remember this," you said, your voice low but unwavering. "I am more than capable of running my father's company. Each of you is here because you're shareholders, yes, but let's not mistake that for immunity."

A flicker of uncertainty crossed a few faces, and you didn't miss a beat.

"If I find out that anyone here has tampered with our formulas, compromised our products, or made any attempt to sabotage the reputation of Aventis Pharma..." You let the threat hang in the air for a moment, letting them feel the weight of your words. "Then you'll all be sinking with me. I won't hesitate to bring down every last one of you along with this company if it comes to that."

Martin Hayes shifted uncomfortably, his collar suddenly seeming a little too tight. Dr. Lewin was looking down at his notes, his jaw clenched, while a few others exchanged uneasy glances.

"Now," you continued, sitting back but keeping your gaze sharp, "let's ensure that it never comes to that. We are all on the same side, or we should be. Our success is your success. I expect complete loyalty to the vision my father built and entrusted me to lead."

You let the silence settle, watching them absorb your message. Finally, you smiled, but it was a smile of steel. "Any questions?"

No one spoke up, and you nodded in satisfaction. The boardroom felt smaller, suddenly less crowded with ambition and more attuned to your authority.

The boardroom cleared, and with a curt nod, you dismissed the meeting. Rising from your seat, you walked out with purposeful strides, your five bodyguards falling in line behind you, each scanning the area, their presence, an unspoken wall of security. You exited the building and moved toward the parking lot, where the air was still and quiet, almost eerily so.

Your eyes drifted to a Hummer parked discreetly in the far corner. It felt out of place, like a shadow that didn't belong. You slipped into your sleek sports car, the engine purring to life, but an uneasy feeling gnawed at you. Suddenly, figures emerged from the darkness, men with sharp eyes and cold expressions, each one wielding M14 rifles. Diego Garcia's assassins. The Hummer door stayed shut, but you caught a glimpse of Garcia himself watching from within, his gaze locked on you.

Before you could react, a hail of bullets erupted. Your heart thundered as your bodyguards sprang into action, returning fire, but the assassins moved with ruthless precision. In moments, one by one, your guards went down, each man fighting until his last breath but hopelessly outnumbered. You watched in horror, paralyzed as they fell, each life extinguished in seconds. You barely registered your own scream, choked by terror and fury, as the sounds of gunfire faded, leaving only silence and blood.

Your hands fumbled, trying to unlock the doors, but they were stuck, trapping you in the vehicle like a helpless bystander in a nightmare. You felt your pulse race as the shadows closed in, and then Diego was there, standing right outside your window, his face illuminated in the dim parking lot light. He smiled, a dark, twisted smile that sent chills through you.

"Mine," he whispered through the glass, his voice laced with malice and satisfaction.

A wave of dizziness overtook you, and everything spun. His words echoed in your mind as your vision blurred. Helpless and horrified, you slipped into unconsciousness, the last image seared into your memory: Diego's face, and that sinister smile that promised nothing but darkness.

A week had passed since the attack, but the memory of it still haunted you, flickering at the edge of your thoughts as you sat on the plush velvet sofa in your expansive drawing room. Sunlight poured through the towering windows, casting a warm glow over the gleaming marble floors and the breathtaking view of the Los Angeles skyline stretched beyond, grounding you in the opulence of your mansion. The faint hum of a helicopter faded as it settled on the rooftop, carrying with it your new bodyguard: Lieutenant Simon "Ghost" Riley, a man whose reputation preceded him.

The sound of heavy boots echoed through the hallways, each step precise and deliberate, growing closer until the double doors swung open. You rose from the sofa, instinctively straightening your posture as the figure of Ghost entered the room, his presence consuming it instantly. He was massive, towering over you at 6'4", his muscular frame stretching the fabric of his black t-shirt, every inch of him exuding strength and danger. His broad chest and shoulders were carved with the kind of power that comes only from a life on the battlefield, and his thick, muscular thighs tested the seams of his black cargo pants. A holstered firearm rested against his leg, a stark reminder of the deadly world you were stepping into.

But it was his eyes that struck you the hardest. Deep brown and unwavering, they locked onto yours with an intensity that felt almost physical, as if they could see straight through every secret you held. A skull-patterned bandana covered most of his face, concealing his expression, but his gaze was enough, it was fierce, calculating, and unyielding. His buzz-cut hair, a dirty blonde, caught a hint of sunlight, and a jagged scar traced down his left temple, the brutal souvenir of battles fought and survived.

The contrast between the two of you felt almost surreal, his raw, masculine power against your delicate, fragile beauty. At just five feet tall, your frame seemed almost dainty by comparison, a striking contrast of elegance and strength. The soft material of your dress hugged your figure, emphasizing the curve of your waist and your petite, curvy form, while your brown, doe-like eyes met his with a mixture of curiosity and caution.

"This is Ghost, ma'am," he nodded, his voice low, gravelly, resonant. The sound of it sent a shiver down your spine, filling the room as thoroughly as his presence did.

You hesitated, caught off guard by his intensity, before extending your hand. "Lieutenant Riley," you greeted, your voice steady even as you took in every detail of the man before you. "I've heard a lot about you."

He accepted your hand, his grip firm and respectful, but his eyes stayed sharp and assessing, as if already calculating every risk, every angle of protection.

"Welcome to my mansion. How was your journey?" you asked, settling yourself elegantly on the velvet couch, your posture flawless.

"The journey was fine, ma'am," he replied, his deep voice rumbling through the room. He took a step closer, crossing his arms, his gaze intense and assessing. "The view from the landing pad is quite something, too."

You felt his eyes linger, moving over you, taking in the details of your petite frame and the way your bodycon dress clung to your curves. He tried to keep his focus professional, but it was hard not to notice the finer details.

"Tea, coffee, or whiskey?" you offered.

A faint smirk tugged at the corner of his mouth. "Whiskey," he replied without hesitation, his gaze still fixed on you.

With a small nod, you rose from the sofa and moved to the bar across the room, reaching for the bottle of Kentucky bourbon. His eyes tracked your every movement, lingering on the bare skin between the thin straps of your dress. The dress hugged your form perfectly, and though he kept his face stoic, his attention remained unwavering as you poured the amber liquid into a glass.

You turned, holding the glass in your hand, and extended it to him. He stepped forward, his calloused fingers wrapping around the glass, brushing lightly against yours. The brief contact sent a jolt up your arm, but his face revealed nothing, not a hint of reaction. He lifted the glass to his lips, taking a slow, measured sip, all the while keeping his gaze steady on you.

You leaned back onto the plush sofa, crossing your legs elegantly, watching as he brought the glass of bourbon to his lips, taking a slow sip without breaking eye contact. The slight tension in the room was palpable, each of you sizing up the other, feeling out the boundaries of this unfamiliar relationship.

"So," you murmured, a faint hint of curiosity in your tone, "you wear the skull mask, Ghost..."

His eyes narrowed slightly above the edge of his mask, a flicker of irritation passing through them. He lowered the glass, studying you in silence for a moment before he replied, his tone even. "It's part of the job," he said. "Helps me keep things... impersonal. No one gets to see my face."

You tilted your head, not breaking his gaze. "Not even me?" you asked softly, a subtle challenge in your voice. "Not even the person you're here to protect?"

There was a beat of silence, his eyes dark and unreadable behind the mask. For a moment, you thought he might look away or ignore the question altogether. But then he spoke, his tone a shade more guarded. "Protection is about distance, ma'am. Masks help with that. It's not personal, just how I keep a clear line between my duty and... everything else."

You took a slow breath, absorbing his words. "Clear lines, huh?" You leaned forward, resting your chin on your hand as you studied him, his formidable frame, his stoic face, the shadows that clung to him. "Is that what works best for you, Lieutenant? No attachments, no faces, just the mission?"

He held your gaze, unflinching. "It's what's kept me alive." His answer was calm, unwavering, as though he'd thought it through many times before.

You nodded, acknowledging the harsh reality he lived by. "Well, I suppose I can respect that," you replied, your voice soft but thoughtful. "But you should know, Ghost, this won't be a typical mission. There are things at play here that... don't fit within clear lines."

He didn't respond, but his intense gaze on you seemed to deepen, like he was silently bracing himself for the unknown. Finally, he gave a slight nod, the barest hint of understanding in his eyes.

"Understood," he said, his tone low and resolute. And in that moment, you realized that, for all the distance he wanted to maintain, his presence, steady and unyielding, was exactly what you needed.

"Diego Garcia," you said, your voice quiet but resolute. "The Santiago Cartel."

Ghost's expression darkened. The name carried weight, a reputation steeped in violence. "Diego Garcia," he repeated, his tone grim. "Powerful, ruthless, no ordinary drug lord."

"He's bigger than Valeria Garza. More dangerous than El Sin Nombre."

Ghost's gaze was sharp, intense. "I know. Santiago Cartel is one of the deadliest in Mexico, and Garcia's the head of the snake."

"He's after me," you admitted, feeling the weight of the words as they left your lips.

Ghost's eyes narrowed. "Why?"

"My company produces anti-narcotics," you explained. "We sell the cure. He sells the poison."

Recognition flickered in his eyes. "You're cutting into his profits," he said, understanding dawning. "You make him look weak."

"We're about to launch a new antidote," you continued. "One that blocks the effects of drugs like cocaine, fentanyl. It's still in testing, but it'll be on the market soon."

He nodded slowly, processing it. "The cartel won't let that happen. They'll do whatever it takes to stop you."

You felt a shiver at his words but pushed on. "He's already killed for it. My bodyguards... I watched them die, right in front of me."

A muscle tightened in Ghost's jaw. "He killed them in front of you," he said, his voice low, edged with anger. "Bastard doesn't play by any rules."

"He sent his men. They were armed with M14 rifles. My men didn't stand a chance."

His expression grew grim. "M14s. No wonder your guards didn't make it."

"Laswell suggested you," you continued, watching him closely. "She said if anyone could handle Garcia, it'd be you."

He met your gaze, a flicker of confidence in his eyes. "She's not wrong. I've dealt with men like him before." His voice was calm, unshaken. "And I'll take him down.

"Let me show you around," you said, motioning for him to follow.

Ghost nodded. "Lead the way."

The mansion was sleek and modern, blending luxury with privacy. As you walked through the marble driveway, you passed the tall, solid wooden door into the living room, its polished granite floors gleaming in the light. To the left, a door opened to the swimming pool area, surrounded by greenery. Above, a glass skywalk connected the house, offering a view of the water below.

A spiral staircase led to the second floor where your master bedroom and its luxurious bathroom were located, complete with a Jacuzzi and a high-tech shower. The back lawn opened up to the underground parking area.

As you walked, Ghost took in everything with a sharp, calculating gaze. The mansion wasn't just a home, it was a fortress. Every detail, from the barbed wire to the strategic location, was a reminder of the protection it offered.

"Like what you see?" you asked, watching his reaction.

Ghost's expression was unreadable, but his voice was steady. "It's secure," he said, eyes flicking over the property. "More than most would need."

"It's still smaller than other mansions here," you countered.

"Smaller, yes. But more secure," he said. "Most billionaires settle for an alarm system. You went further."

"The reason I don't go bigger is security," you replied. "I know Diego could breach it, but it's L.A. He'd think twice."

Ghost nodded. "Smart. L.A.'s dangerous, but Garcia would hesitate."

"Good. Let him be intimidated. Makes my job easier."

He shifted his attention back to you. "What about inside? Armed guards?"

"Outside," you said. "The perimeter's covered."

He raised an eyebrow. "Inside?"

"You..." you trailed off, letting him fill in the rest.

Part 2

Part 3

Pic credit: VhenanVirabelasan

https://www.instagram.com/vhenan_virabelasan?igsh=MWpmdnVzaXN5czYyZg==

[writingescapades]

Another aspect of Rafayel that I like is how his character depicts trust. Trust is weird. As humans we do easily trust people. For example, you trust that your coworkers will do their work. You trust that stranger you pass by to not harm you. Similarly, Rafayel trusted the MC. Not just because she saved him but because she was there. When he was stranded, he said he thought he would die until she came along. There is always, always, the high possibility that your trust will be broken, but we always trust first.

But, when that trust is broken and when we are taught to be wary of people, we end up using trust as both a weapon and shield. We still do have to go around trusting people, but we cautiously trust. We never fully give our complete trust. We watch others for the slightest hint of their true intentions in order to run away before we get hurt.

I love how Rafayel depicts this complex relationship with trust because he really does want to trust MC / player but he can't. It's not just because of their past. Rafayel's hesitation speaks to another fact, we're not really taught how to trust people. And since every person is different, gaining someone's trust and feeling trust is difficult to define.

I also enjoy his back and forth behaviours around trust because it's not easily gained. There isn't one action or one saying that makes a person completely trust another person. At least not for everyone. MC / player can't just say "I love you" for Rafayel to think "Oh, I wholly trust you now". He questions and challenges these cello-tape solutions, and in that process, he develops, or is attempting to develop, an understanding of what trust means to him.

I lot of the dialogue he speaks in his tender moments, I often wonder if there is an echo, like Rafayel is advising himself. For example, when he tells the MC / player to rely on him more and not be perfect around him, I feel he's also telling himself to do that to the MC / player.

I'm rambling, but I just enjoy how the devs decided to play with trust in Rafayel. It's not just your standard, all humans are evil and incapable of goodness except that one person who is only capable of goodness trope. It's, how do I trust someone even if they carry the potential to hurt me? And this is something all humans struggle with, which makes Rafayel's journey all the more realistic.

[dunmeshistash]

Re: How Dungeons Work

While scolding Laios and Marcille, Flamela mentions that the Canaries would need to prepare a replacement Lord if Marcille wanted to step down. The Lion also mentions falling into the Canaries' hands, and after it is defeated the Queen seems to lament that the Magic/Spell That Grants Any Wish has been lost.

Maybe the Elves were using Dungeons to do something after all?

I find it interesting that the Queen's remark can be read as referring to the Demon itself as a kind of spell, almost like a construct or AI. Thoughts on that?

Lastly, the Ancients built the Dungeons as a counter to the demon's consumption of desires. Do you think they succeeded? Is there a way to use them safely? After all, the Ancients were destroyed by a wish/their own will, not by the demon's agency. Maybe they and maybe even modern Elves know how to act as Lord without getting eaten at all? It seems technically feasible from what we see, Thistle just sealed it away too late.

Hello!

Going by each question

I think they would need a replacement specifically in Marcille's case since she wants to step down, they cant move her to the surface because the dungeon is already spilling out. I imagine the subistitute lord is a temporary solution to remove Marcille from the Dungeon (someone with less destructive wishes)

I don't think the elves are doing anything with the dungeon from their track record, since they collapse dungeons, what Kabru dislikes is how they go about it (with no regard for other's), Utaya is an example of just how destructive Dungeons can be. (The canary plans are always to collapse dungeons and there's no hint about it being anything else is there?)

The queen is a weirdo, but to me the way she talks about it sounds more like a relief "'The spell that grants any wish' has been lost. there is time" as in that is no longer an impending danger for their world? EHScans even translates it as "we have the luxury of time"

In the world there's also no difference between the demon and magic itself, as we learn in chapter 87 the demon is magic given personality so she's not wrong to call him that.

I think the ancients succeeded in the sense that they managed to seal the demon inside dungeons, but they had the plot lost from the start, having all you wish for granted goes against being a living being, craving and wishing is part of living so it was doomed to fail as it did. The demon also doesn't understand ofc

As I said it goes against being human so I don't think it's possible at all to use the demon, you would end up just like the ancients wishing for everyone to die, the best example of why this would never work Kui gives us is the tale Laios tells in the nightmare monster tidbits

"One tires of happiness quickly, but tragedy is bottomless. Seeking further stimulation, it must be that the human heart compels the nightmares to create bad dreams"

The future the Demon wanted granting everyone's wishes would have probably also ended up in a living hell for them.

Also I don't think Thistle 'sealed him away too late', he kept deteriorating even after locking up the demon it seems. Marcille suffers from it too even after sealing him.

hope these answers helped!

[therealcocoshady]

Kinktober 2024 - Day 22 - Dirty Talk

Kinktober 2024 Masterlist

A/N : Here is the Kinktober episode for the « Dirty Talk » prompt. Thank you so much to the anon who suggested it to me in the Asks ✨. I hope you enjoy it !

CW : Dirty Talk - Flirting

In the studio's dimmed lights, Marshall paced the floor, his fingers tapping an impatient rhythm against his thigh. He’d been trying to work with you for months, bending schedules, pulling favors, convincing his team, convincing you. It was almost unheard of for an artist of his stature to try this hard to work with an emerging artist such as you. As it was for such a new talent to be so wary and hesitant to work with such a big name in the industry. When you first got an email telling you that Eminem wanted to collaborate with you, you thought it was a prank and did not even bother replying. But then, you got a call from Paul Rosenberg, assuring you it was real. Anyone would have jumped at the opportunity but you had your reservations : sure, being on a track with Eminem would be huge, there was no denying that. But still, the promise of exposure was not enough to convince you. You didn’t want to be just another pretty voice he’d use on a track. You wanted control, artistic freedom. And as someone who was trying to build a brand based on being audacious and unapologetic, you weren’t sure that he was the right fit. After all, it wasn’t 1999 anymore and, if Eminem was a household name, you really would have wanted to collaborate with Slim Shady.

When you kindly replied that you had your reservations about the collaboration request, you expected things to end there. But they didn’t. Marshall Mathers himself got on the phone with you to try and convince you. And, seconds after you said you would think about it, you received a few files, beats he produced in your Inbox. He offered for you to choose the one you wanted to work on, assuring you that he had made them with you on his mind. You actually loved every one of them and there was only so much artistic courting that you could resist, so you ended up agreeing. And as soon as his team received word that you were on board, they booked your flight and hotel reservation. And judging by the private plane sent your way, as well as the penthouse suite in the fanciest hotel in Detroit, you could tell they were putting efforts into making the whole thing happen.

In truth, Marshall had been obsessed with your music for a while. He had randomly discovered one of your tracks and he had ended up binge-listening to everything you had ever put out. Why you weren’t a superstar yet, he was not sure. What he did know, however, is that he needed to be on a track with you. Soon enough, a big, household name would collaborate with you and he would have lost his chance. Every time he heard your voice, gritty and lush with this edge he couldn’t quite define, he felt himself get pulled deeper into an obsession he couldn’t shake. You were fresh, unlike anything he’d heard—raw, provocative, and willing to cut to the bone. And now, finally, you were coming to his studio to work with him.

The door swung open, and in walked the woman who’d been running laps in his mind for the better part of the year : you. She was as striking as her voice, with a smirk that hinted at trouble, and eyes that seemed to take in everything all at once. One that said you knew exactly what you were worth, and that you were not impressed by his notoriety. One look at you and he could tell you weren’t one of those new artists who got all shy once they were face to face with him, often trying too hard to mold themselves to his expectations. And, of course, he liked it. That was exactly what he was looking for. Being one of the greatest was, in many ways, a blessing, but it was also a curse, especially when one was looking to constantly renew themselves, push the pen and their artistic boundaries.

There was an instant click, a mutual electricity hanging in the air. Marshall didn’t miss the way your gaze lingered on him, a mix of curiosity and challenge. “Didn’t think you’d actually pull it off,” you said, eyebrows raised as you looked around the high-end studio. Your voice, lower than he’d expected, hit him like a sucker punch, all slow confidence and swagger. “Didn’t give myself a choice,” he shot back, holding your gaze. “When I want something, well, in that case, someone, I get it.” You raised an eyebrow, your lips curving into that signature smirk. “I guess that makes two of us. Let’s get to work, yeah?”

You settled in, talking about the track, about the way he wanted to play with tension, throw caution to the wind, using some of your work as inspiration and reference. You were on the same wavelength from the start—both looking to take risks, create something that would linger in people’s minds, make the audience feel something intense.

The track he had in mind was something dark and seductive, a pulsing bass line underlying a beat that was slow but biting. He laid down his first verse, his voice smooth and confident, every word dripping with an intentional intensity. He could feel you watching him from the booth, the way your eyes followed every line he delivered. He didn’t hold back, letting his lyrics flirt with the edge of decency, taking up space in a way that dared you to match it. Of course, you were intent on proving that you were up to the challenge. When it was your turn, you took a deep breath, closed your eyes, and let it all pour out, your voice a rich, smoky counterpoint to his. Your verse didn’t just match his energy—it went toe to toe, pushing him in ways he hadn’t anticipated. You turned his words back on him, responding with lines that danced between taunt and temptation. Your lyrics seemed to pull at him, inviting and provocative, every line like a hand wrapped around his collar, drawing him in. As you recorded, Marshall’s mind raced. This wasn’t just a track. It was something else—something that was as personal as it was artistic. The tension wasn’t just in the music. It was in the room, filling the space between you, every glance and every word laced with double meanings.

When you wrapped up, they both took a breath, looking at each other across the soundboard. The track was like nothing he’d done before—raw, sensual, a collision of their styles in a way that felt both inevitable and dangerous. “Damn,” you murmured, still catching her breath. “Didn’t think you had that in you.” He smirked, leaning back in his chair. “I guess you bring it out of me.”

The two of you sat in silence, the unspoken hanging there, both of you fully aware that you had created something unforgettable—not just in the music, but in the connection you had formed, a synergy that was addictive, electrifying, and undeniable. The hypothesis was verified as soon as his team heard it and you saw their eyes open wide with a mix of shock and excitement. They exchanged glances, murmuring among themselves as they processed what they’d just heard. One of his longtime producers. “Man…that was…” He trailed off, shaking his head, unable to find the right words. “It’s insane. I’ve never heard anything like it from you before.” Paul, his manager, practically vibrating with excitement, chimed in. “That track—it’s got this… it’s hot, but it’s intense, like… it’s like you two were…” He hesitated, not daring to finish the sentence. You let out a low laugh and raised an eyebrow when you caught the unspoken word.

Marshall smirked, feeling that same rush he’d felt in the booth, that electricity that seemed to carry through every single line you’d spit back and forth. “It’s a vibe,” he said, his voice casual, but the gleam in his eyes told everyone that he knew exactly what you had both created. “We went all out on this one.” Paul turned to him, a sudden fire in his eyes. “You can’t let this just be an audio track, man. People have to see this. They need to see that tension. It needs a music video—one that’s as raw as the track itself.” His personal assistant, Tracy, nodded, practically bouncing in her seat. “Exactly. I mean, the lyrics alone…there’s a story there. It’s like a back-and-forth, the chemistry, the intensity. You’re going to leave people craving more if they don’t get the full visual experience.”

You glanced over at him, eyes sparkling. “They’re right, you know. The track isn’t just something you hear—it’s something you feel.” For a moment, he let himself imagine it. A dimly lit set, shadows casting just the right angles, both of your voices echoing through a dark, intimate setting. Your verses bouncing off each other, your eyes locked, the tension between you building in every frame. He could see it perfectly—a music video that wasn’t just a performance but an experience, where every look, every gesture, was a continuation of the fire that had been poured into the track. “All right,” he finally said, feeling a grin stretch across his face. “Let’s make it happen.”

His team erupted in cheers, already throwing around ideas for directors, cinematographers, and set designs. But through it all, you and Marshall stayed locked in, that same spark between you burning as bright as ever. You leaned in, your voice low, almost teasing. “Guess you’re stuck with me for a little longer, then.” He gave a slow, satisfied nod, knowing exactly what you’d just set in motion. “I wouldn’t have it any other way.”

Weeks later, the music video finally dropped, it was like striking a match in a gasoline-soaked room—the internet exploded. Within hours, the video was trending worldwide, fans and critics alike flooding social media with reactions that ranged from awe to outright disbelief. It was intense, raw, and more than a little suggestive. The chemistry that had been palpable on the track was cranked up to maximum on screen, leaving viewers questioning just how much was acting and how much was real.

The video opened in a dimly lit, shadowed room, smoky and moody, with neon lighting casting dramatic hues across the scene. You and Marshall faced each other in the middle of the room, your silhouettes close but never quite touching. The way you exchanged verses was more than just a performance—it felt like a conversation laced with danger, anticipation, and something unmistakably intimate. Each line you spit felt like a challenge, each look lingering just a little too long. One of the most talked-about scenes showed you standing nose-to-nose, voices dropping to a murmur as you exchanged lyrics that sounded more like secret fantasies than lines in a song. His hand brushed down you arm, your gaze locked on his with an intensity that made it impossible for viewers to look away. Every second of the video was like a slow burn, inching closer to the edge without ever quite going over it. But the tension between the two of you was undeniable, and that fine line between performance and reality left people buzzing.

Immediately after the video ended, social media exploded with speculation. Fans were dissecting every moment, rewatching certain frames on repeat, turning them into gifs in the process, trying to find evidence that what they’d witnessed wasn’t just acting. A tweet from a prominent rap reactor read: “That video was more than a collab. Did they actually…?” Another comment racked up thousands of likes: “I swear they DID it on camera. You can’t fake chemistry like that.” Even celebrities chimed in. One famous pop artist tweeted, “Is it just me or did they actually record their dirty talk in te studio? 🔥🔥🔥,” while others posted cryptic reactions that only fueled the frenzy. Fans shared memes about “needing a cigarette after that video” or “wanting what they have.” A rumor began circulating that someone from the crew had leaked hints of “off-camera moments” that were even more intense, stoking the intrigue and mystery surrounding the pair.

When asked about it in interviews, Marshall gave his trademark smirk and brushed it off. “We wanted to make it unforgettable. I’d say we did our job,” he said with a gleam in his eye, adding nothing to deny or confirm the rumors. And yourself, just as sly and playful, simply said, “I guess you’ll never know. But you can certainly dream about it.” The ambiguity only fueled the fire. The video racked up millions of views within days, and the speculation became part of its mystique. Fans debated, celebrities whispered, and music critics declared it “one of the sexiest collaborations of the decade,” a “masterclass in tension and allure.”

The two of you certainly had fun watching people’s reaction to the track. Both of you had enjoyed the collaboration, the artistic chemistry being absolutely undeniable, and when Marshall offered to produce some tracks for your upcoming album, you happily accepted. The two of you spent a lot of time in the studio, getting to know each other and joking around whole you got work done. You were kind of amazed that the hype around your collaboration didn’t seem to die down. You were in a cozy corner of the studio, scrolling through your phones and watching the internet collectively lose its mind. Every tweet, every meme, every fiery reaction sent you both into fits of laughter and smirking exchanges. It felt like you were sharing in on some private joke, one that only you knew the punchline to. “Did you see this one?” you laughed, nudging him and holding your phone out so he could see. It was a meme of the two of you side-by-side with captions that read: ’When you make a whole music video just to flirt,’ and ’They can’t act that well… right?’

He chuckled, shaking his head as he read it. “I mean, they’re not totally wrong,” he murmured, his voice low, a teasing glint in his eyes as he looked up at you. You arched an eyebrow, biting your lip to keep from smiling too much. “Oh, really?” You let the words hang in the air, daring him to take the bait. He leaned back, pretending to think about it. “Maybe,” he said slowly, smirking. “Maybe they’re onto something. All those people guessing we weren’t just acting… I mean, what do you think?”. You gave him a playful shove, laughing. “I think you’re enjoying this way too much.”

“Nah,” he replied, scooting a little closer. “You’re the one who keeps egging them on.” He raised his eyebrow, giving her that signature cocky grin. “You love it. Admit it.” You rolled her eyes, but the smile tugging at your lips betrayed you. “I’m not saying I don’t like watching them squirm a little,” you said, smirking as you glanced down at another comment that read: ’The only thing hotter than the track is the way they look at each other.’ “I mean, they do have a point, though. The chemistry is… undeniable.”

“Oh, we’re undeniable now?” he teased, leaning in close enough that you could feel his breath against your cheek. “Undeniable chemistry, huh?” You shrugged, pretending to be unaffected, though you were pretty sure that he could see the flush creeping up your neck. “I mean… I just call it like I see it,” you murmured, your voice a little lower, a little softer.

There was a charged silence as you both looked at each other, the playful edge lingering but shifting slightly, deepening. His fingers brushed yours, just barely, but enough that you both felt the spark. “You know,” he said quietly, his eyes flicking between her gaze and her lips, “we could give them a little more to talk about.” Your grin was wicked as you leaned in, your voice barely a whisper. “Now that would really set the internet on fire.”

[justchillandshipit]

Allow me to take a moment here. Tim just acknowledged couch theory?

Moving on to Buck and Tommy’s breakup, talk about your approach to it. Why was Tommy sure that Buck would break his heart?

Tommy’s older and Buck is very new to this, and whether Tommy was correct or not, I think what he felt like was exactly what he said: I’m not your last, I’m your first, which is a special thing to be, but as Tommy says, it doesn’t usually end up being the same thing. And I think based on what we know of Buck, he’s maybe not wrong. Buck’s a little impulsive when he’s feeling a certain kind of way. He’s like, move on in, bring your couch. So I just think because Tommy’s a little older and wiser or maybe at some level he feels like he doesn’t deserve Buck, I don’t know. But I think he accurately diagnosed Buck. Buck’s still figuring himself out, and boy, that would be quite risky to move in with that guy as much as you would love to.

---

We have a couch reference.

---

Somewhat unrelated but relevant:

I also think that I have finally caught up on all the articles. In every article, someone says Eddie is straight. I want to say about four articles have a reference or a mention of straight Eddie, and there is one in-canon statement from Eddie. So what do we think about that? I instinctively want to say that to have that many denials is sus, but I also have to acknowledge that the question was asked before the response was offered. I honestly don't know what to believe when it comes to the show's direction. I'm still here though and sticking with my original plan to give them until the end of Seasn 8 to move Eddie out of the closet. I will not accept the demise of this ship a moment sooner. It doesn't help that actors are excellent liars. Oliver always makes me second guess myself. lol For now, I'm still here and still clowning.

Other things to consider in favor of Buddie:

There was one article from TVInsider where the interviewer reminded the reader that Eddie said he wanted a beard. Most of us know the gay coding of that word, and that was promptly followed by the Priest pointing out that Eddie was wearing a mask/disguise. This is all within the same conversation where Eddie assumed the Priest was hitting on him, and he called himself straight.

I'm also low-key wondering about the possible conflict between Eddie and Buck coming up. I need more info on that. What?? These two haven't had beef since Buck sued Bobby in Season 3 and Buck and Eddie argued in the grocery store. We all know how Eddie served c#nt like a professional in that fight. Eddie ended up forgiving Buck soon afterward, but Buck was still apologizing four episodes later. lol

I saw in another post where someone compared the image of Eddie in the confessional with the image of Eddie seeing Buck through the peephole of his door. (Hint, both looked like confessional images.) That has to be deliberate.

Tim's comment above referenced Tommy and a couch in a similar context to Eddie and Buck's conversation when Buck said his last few couches came with girlfriends, and Eddie corrected him to say his girlfriends came with couches.

@stagefoureddiediaz 's color theory is still proving accurate as well.

Updates

Buck looking less than thrilled at seeing Laker tickets. Tommy tells him he can use the gift with Eddie and Buck perking up at the idea, only for Tommy to say nope. Joking. (On a second watch, I think I read too much in to this one, but I'm keeping it on the list as very loose interpretation.)

Oliver admits that Buck looked Eddie up and down when he opened the door and knew something was going on with him, but then the whole sit in silence thing. (I know the breakup was on Buck's mind, but I swear he looked like he was trying not to think about Eddie being half naked beside him.)

Also, Eddie was half naked just sitting beside him. I can't help but think of them sitting there like that. Buck and Eddie are going to the same place, but they are taking totally different paths to get there. At some point, they are going to meet each other face to face and be like, you're here.

(I saw a theory. You always have to take these with a grain of salt, but I can't deny the theory sounds good. there have been a lot of parallels that are relevant for Buck and Eddie with the exception of Eddie's shooting.) I did read one interview, it may have been TVInsider, where the interviewer said they hoped Buck wouldn't be in danger. Oliver hinted that Buck was always putting himself in those situations. I think it might be a hint for what is to come. Also, if Buck is putting himself in dangerous situations again, this might be something that has Eddie angry with Buck. I think there is a lot of room for this theory. We'll have to wait and see on that one.

In a previous interview, Oliver told us there was an upcoming scene where Buck and Eddie sat in silence and that it was a testament to their friendship. In the latest interview in Variety, he talks about the scene again but this time he says "that it speaks volumes about their relationship that they could be going through things and handling it so differently but still be there for each other with little need for words. (This is the same interview where Oliver admits that Buck looked Eddie up and down.) At the end of this question, he reiterates that it speaks volumes that they were in different places and could still be there for each other. He says, "I think it really speaks volumes to the strength of their bond."

[doodler16]

This might be a long one so heads up.

So one of things about the last episode of HB that I wish they would do better with is Milly and blitz relationship is showing the down fall or toxicity of that relationship.  mainly, how does relationship affects Millie split and shit before husband? 

Remember, the Pilot when Millie said “moxie That’s are boss” oh, some of the head cannons that maybe Millie knows how sad and lonely blitz is and feel sorry for him, so she kind of allowed him to be part of their lives. Without thinking twice how much this is also, affecting Moxie. I would love it if Moxie and Millie’s First fight would be about Blitz and how he continue to stalk and harass them well millie just laugh it off and just said “oh it just Blitz being Blitz.” Moxie have enough and tells Millie to stop enabling Blitz.

Now I want Both the M&M to be in the right but also in the wrong.

Millie; She wants everyone to get along with each other because she view IMP as a family much like her own family. She want them to stay together and get along, so she always play peacemaker, but doing that allow people to walk all over her husband, well, she does nothing, and just stand in the background supporting him, but not standing up for him.

Moxie; he does need to stop being overly sensitive all the time . Let’s his boss do what he wants sometimes but that doesn’t mean he have every right to sent boundaries and stand up to himself whenever he needs to.

 I want Moxie and Millie discussion about Blitz behavior or at least give us some hints about then talk about blitz behavior, watch season one leading to the event of Ozzie and the aftermath. Where Moxie right fully so finally snaps and yells at Blitz. Now as we all know Blitz is dealing with own problems after the event of Ozzie. So now not the best time for Moxie to get mad at Blitz.

This is how the argument, Will go

Mox; “I can’t believe you stocks use Again. During me and Millie Anniversary sir.”

B; oh, please you should be thanking me for saving your puny sorry ass that I even came. It wasn’t me coming. You would have been getting tomatoes and dildos all over you by now but you’re awful singing. 

Mil; he does have a good point Mox he did help us.

Mox; Stop, Standing up for him why do you always choose his side?

Mil; i’m not on his side and I’m on both of you guys side and I think you are being a bit too harsh on him moxie He’s is are bo-

Mox; do not end it with he’s are boss. He also your best friend And ask your friend you should send boundaries towards him.

Mil; Well he doesn’t have a lot of family or friends, Moxie also kind of funny how he always pop out of nowhere if you think about it. Like the time went when you were in the shower and he pop out of nowhere we with the camera saying wow it’s must be your birthday moxie. Haha.

B; Yeah, Moxie in a my fault that you have a different sense of humor over your wife great Taste And and that you your taste is as small dumb and puny ass, you dick and brain.

Moxie finally have enough storms out of the room had to The door where Luna is on the front of the desk doing nothing be eating a whole bag of chips and watching something on her phone , Give Moxie , another fat joke about how fat he is. Moxie then heads straight to Luna grab the chips and rip it in front of her telling her she needs to lay of the chip and watch her hips for now on. He then went to back to the door and yelled “F@ck you all the quit.”

This will lead to an all night fight with the M&M the company now having a bit of a crisis since Moxee was the only one who knows how to do paperwork and taxes. Leading to Luna to most of the work and because Luna is a spoiled brat, she will get mad at blitz to making her to do paperwork and causing Moxxie to quit even though she was no better to.  this will also leave to Blitz superior complex to go even higher, thinking he did nothing wrong, and Moxie is just being a baby about it. as for Millie, it will lead to her now doing double the work of being a assassin. Which will take a turn for her And blitz Relationship. 

 This will be an actual way to show Blitz that his actions does have affect on others Instead Of the show just telling us. Oh, Blitz your heart everyone to love you. anyway that all I needed to say thank you and good bye.

I wish Vivziepop and the writers went in more depth with Blitz and Millie’s dynamic like they do with Blitz and Moxxie. All we know is that Millie is used too and sometimes enables Blitz’s shenanigans. The only conclusion I think of why she doesn’t mind Blitz being a weirdo probably because it reminds of her family and how it’s a big household, so there’s no opportunity for anyone to get alone time or space.

Classice, I am glad you mentioned Moxxie, Millie, Blitz’s argument because I imagined something similar to that. Moxxie would call out Blitz, Millie, and Loona’s behaviors and treatment over previous episodes and the double standards then officially quit but it’s not like a joking “I quit” then comes back immediately.

It’s more somewhat permanent but there would be consequences on both sides. Moxxie realize that he can’t do everything himself, tries to run his own business is way harder, and gets stressed because he doesn’t have the charisma that Blitz has. Blitz, Millie, and Loona (mainly Loona and Blitz) slowly realize that they need Moxxie because he unironically makes things interesting and they all suck with paper work and end up being behind or just avoiding it. Meanwhile, Millie tries to appeases to both sides but fails and Loona, Moxxie, and Blitz gets upset at her.

Despite the team being separated, they both get the same client and are forced to fight each other to get to the main target. This would demonstrate that Moxxie has improved his fighting skills and can be cold-hearted to his teammates, fighting dirty and not taking any chances to go soft. Millie doesn’t want to hurt Moxxie and purposely go into the way of Moxxie, Blitz, and Loona’s fighting.

Loona and Blitz still fighting Moxxie but noticed Moxxie’s improvement, etc. They all sooner or later make up and apologize to Moxxie because of Millie (apparently she’s the heart of the team, Vivziepop’s words not mine 😂). All these characters promise to be better and stick to it. Because of this instance they grow stronger and more open.

Regardless, I hope they do this and it has so much potential but at the same time it’s too kind of too late. Should’ve been at least a 3 part season 1 finale or early season 2 conflict. It gives the show stakes and forces the audience to care of what happens to the future of IMP along with addressing every character’s flaws especially Blitz’s. Anyway, I loved reading this and the dialogue you created: it fits the characters perfectly and truly shows how much potential the IMP squad has but was wasted it on telling us instead of showing.

[miraquinsworld]

I FINALLY watched 8x06 and here is my thoughts about BT break up:

1) Tommy said all those things about broken heart and “I’m your first, not last” like he knew it for sure. Like he knew all of this from his personal experience. And we shouldn’t forget that we still not know much about his life and past. I assume that maybe he had an ex that did this to him. Who wanted to move in together and then cheated. Who broke Tommy’s heart and Tommy didn’t know how to deal with it. And now he’s afraid that this might happen again. Or maybe Tommy was this kind of person in the first place. He broke up with Abby and found a guy who he thought were his “together forever” but it didn’t work out so Tommy is now sceptical about positive first experiences.

2) I see a parallel between this broke up and failed date in season 7. Not only because “see you around, Evan” but because of situation. I don’t think Tommy ended the date in season 7 only because he thought that Buck wasn’t ready. Maybe he also wasn’t ready himself. Not ready to hide, not ready to lie, maybe even not ready to start relationship at all. But Buck called him and made it clear that he ready to explore things and I think it encouraged Tommy to try it too.

It gives me hope that Buck won’t leave it like that. Tommy left his place so quickly that he didn’t give Buck even an opportunity to object his break up speech. It will be incredibly illogical for Buck not to contact with Tommy and clear things up. Firstly, we saw it in season 7. Secondly, I think he has things to say. Knowing Buck, he couldn’t manage to keep it to himself.

3) Am I the only one who noticed that writers make a story for b*ddie shippers to speculate? Like on purpose. I first noticed it in 7x04 where all of the episode we couldn’t tell for sure whom actually Buck was jealous for. And I know, we all see SOME of b*ddie shippers as some hateful bullies which they are. But for creators of the show they are views and comments. And creators don’t want them to give up on this show. So they don’t do b*ddie but they give them hints and scenes like the end of 8x06 (after breaking up with Tommy Buck came to half-naked Eddie to drink beer and comfort. I can’t even imagine how many fics with this title will be on ao3 after this episode) to keep them watching the show. My point is that maybe all this break up was for b*ddie shippers to make some noise in the internet to raise views. But it won’t last long and they deal with it in the next episode.

Anyway I just hope that Buck and Tommy will be together eventually.

P. S. English isn’t my first language so the text may have some mistakes.

[lilac-den]

Ok. So... You know that the fandom exist an au call Actor AU right? If the TSR ROs are all actors, how would they be?

A...Actor AU...? 😶 I'm not gonna lie, I am so clueless on this part. But from what I looked up, it tells of characters actually being actors who play in a movie, series, etc...?

So if u mean how the ROs are like if they were actors of TSR... 🤔 I'll answer, but I can imagine the casts all becoming pretty good friends cuz of how well the chemistry is.

Maverick: Still pretty stone-faced/hard to read but by then, his fellow cast members (mainly Rydigan, Ittania, Enid and MC) would have catch hints of how to read him. His parents r still horrible, but in the Actor AU, they're probably separated and he has already cut ties from them.

In his romance tho, he would probably stare at MC a lot, side-eying and taking glances. The crew would probs comment how Maverick is a lot more intense and focused when its scenes between just him and MC...

Rydigan: Even off screen, he's the life of the party and the one who remembers each and every crew members' names. If it isn't his charming smile people fawn for, it's his cheery personality. Wouldn't surprise me if he got the acting gig cuz he was scouted randomly on the street. He's also the one who would probs suggest hanging out together, cementing the bond between the little group.

In his romance, he would try to chat with MC and the crew would note how Rydigan just instinctively knew which direction MC comes from or when MC would arrive on set.

Ittania: She's the one most excited about the role - it's her first big role, but she has done a lot of voice acting and cameo/background roles. Lots of people sees her as a cool, big sister type while others can't help but notice her due to the energy she radiates. Some of the crew and her agency are a little protective tho, given her naive and oblivious nature.

In her romance, she'd be the first one putting an arm around MC's shoulder and greeting her really casually and closely. She'd want to hang out with MC and even ask them if they're down to practice their lines together to better prepare the scenes they have together. Might ask MC if they want to do some voice acting with her too, like a collab.

Enid: She's a very high-demand actress. The crew are surprised the directors and producers even managed to get her to accept the role offer. She's very diligent and doesn't like to make mistakes. She's a bit tough to befriend, but Maverick, Rydigan and Ittania got through her icy exterior. With MC, she'd thought MC might just be a newbie who got lucky until she had a scene with them or she saw how they acted out the scene of the Prologue (the one with the apartment). She's impressed by how much anguish MC managed to act and thus, her opinion of them improved (she refuses to admit that this was the moment she started being their fan).

In her romance, she'd be pretty tough on MC but not out of malice. She has seen how rough the acting world can be and while the gang provides helpful advice, she brings out the harsher criticism. Like how MC's body language isn't portraying right or how they're too casual instead of awkward for a scene about discomfort, little stuff like that. But on rough days, like if MC mess up big time, she'd stay near them and just be that comforting presence before passing a coffee can to MC, a silent way of cheering them up.

Bonus

Sylphina: MC's manager who got roped into the role because the director saw how she behaves with MC and just went "You'll do!" She didn't want to at first, but ended up relenting at MC's request.

Ben: One of the most well-known actors in the industry, a very A-list actor. Is probably the one who dragged recruited MC into the acting business, especially having them join the same agency as zim.

Thank you for the ask, anon!

[drivebyanon]

Me, coming into Tumblr, all excited to spoil myself a little in the Bucktommy tag before watching the episode:

Wow. What terrible timing to have a breakup like this (at least for our side of the fandom) when we all just want (desperately need) love and hope.

Saying that, I have a different perspective than most but please mind you, I haven’t read the interviews and I’m an overly optimistic person. I’m hoping this is NOT the end.

This is 911, they love to torture their characters and their fans and I’m not convinced it’s over. Some things I am considering:

Oliver has hinted recently about how will they/won’t they make the best stories so I kinda knew something might be coming

A major Abby bomb was dropped and that was just going to be it? They really decided to go there after all our joking about it. And that is it? 🫤 There is more story to be told. Especially how Tommy Freaked the Fuck out! We need, dare I say deserve, a deeper conversation.

People have ignored the Glee conversation with Josh. How silly it may seem, it is important because yes, there was two different realities for lgbtq+ people before and after acceptance became more mainstream because of shows like Glee & Drag Race. Tommy as an older gay man who lived closeted, especially under the misogynistic tyrant of Gerrard, is a wounded bird. And so he reacts like one, by protecting himself from more pain. He can’t seem to accept that Buck would want him forever. He’s afraid. He’s just waiting for Buck to leave him. It would be such a loss if the writers didn’t address these story plots they just dropped in this episode. To really tell this story of what it was like to exist before Glee.

Buck went to old patterns. He is afraid of losing someone so he jumps right in to moving things forward fast, 0 - 60 in 5 seconds. “Will you move in with me.” Right after dropping the Abby bomb? Like come on man! That’s enough to make anyone’s head spin.

@dianaflynn22 pointed out that the parallel storyline was Maddie and Chim. Need we remind people that the 1st season Maddie arrived she became friends with Chim, decided to date him, got kidnapped by her crazy ex and then took a break dating Chim before the season even ended. The road to love on this show is NEVER smooth. I mean come on, even Hen and Karen broke up for awhile after she cheated!

We also haven’t talked about THE dinner date. That was filmed awhile back and we all know was supposed to be reflective of how they began. And once again they were interrupted, and once again Tommy’s insecurities reared their ugly head. Because even if he denied it, he was jealous, he was worried, he remembered what happened with Eddie before (PTSD much).

Apparently Oliver hints at Buck going back to his old ways? I hope I’m not wrong about this, but I think he will fail spectacularly. He’ll try and realize he has moved forward. Am I being too optimistic? Most likely yes. I would like this to push him forward to to confront Tommy and be like “What the hell! You’re a self-sabotaging moron!” And have the real conversation/argument that’s needed. And Tommy needs his own “Come to Jesus” moment. Maybe for once he needs to fight for his own happiness and fight for Buck.

And now that I read this all back and think about it, this was an episode not about Buck but about Tommy’s demons, his failings at his engagement, his emotional shutdown, his insecurities, his self-sabotage. For a show that’s going to move on from this character, they sure set up A LOT to build upon with Tommy.

So I am hopeful that this is not the end. That this is the story they always meant to tell and they are dragging it out. 😬🤞🏽Sometimes I wish Pandora kept that damn box closed because hope can be a cruel creature thing.

[theside-b]

We really are living the Era of hustling gays on the BL-sphere. But who would’ve thought that Hwang Da Seul would be the one bringing duplicitous characters to KBLs?

The first half of the show plays all the expected beats from the director-writer: somber mood, grounded and realistic approach, intimate shots and this cold and harsh atmosphere, but I must say that when it comes to the craft this might be her best yet. Da Seul has technically never been better, the framing, angles, close-up shots, lighting, volume, you can tell she is doing the absolute most with very little she is given. The contrast between this and Where Your Eyes Lingers is striking, it’s amazing seeing how much she evolved since then.

Story wise, this is also a different one. Because while the first part could easily be taken as To My Star 2 depressed cousin the second half devolves into something entirely new and unique.

The moment Dohoe and Juyeong meet again something feels off, and not just because Dohoe vanished for twelve years. Yes, there is baggage between them, one dragging the past around and the other wanting nothing to do with it, but there is something more lurking around. Hints of what could be happening are slowly dropped along the way, other turns come without warning, the story being told here is still a novelty for KBLs.

Korean dramas as whole tend to depict perfect characters whose biggest flaws can be overcome or erased with the power of love. It’s not the case here. If anything, it’s the power of love that detonates the boys’ relationship and shows a different side of Dohoe that most didn’t see it coming when the series started. Juyeong was predictable for most of the run — the revelation that he knew everything about the scam was a nice curveball — and while we all expected Dohoe to change, seeing him take a dark turn was a (delicious) surprise.

He doesn’t make excuses, he has an evil side: Scamming his way to place where nobody bothers to look into his past, the series shows the many moments where he could’ve easily taken a different path, the openings to come clean with Juyeong, dragging Hyeon Ho with him and not letting go while knowing that he is just stringing him along. He could’ve cleared the mess he created, but as we know, he is committed to what he sets his mind to, it all boils down to him running from the past. None of that would’ve worked on the hands of a lesser actor; Nu Rim (in his first protagonist) and Seon (in his acting debut) are together another Da Seul staple: Couple oozing chemistry.

Whenever they meet in the first half the mood lifts, when they see each other in the second part the pressure rises and when Hyeon Ho is with them the tension skyrockets. Again, Da Seul has never been better behind the camera, she gets everything from them, every single emotion. But the show is not without it’s faults. My biggest gripe is with the time-jump, the twelve years gap felt like made mostly for shock value, could’ve been easily trimmed down, because such long spam of time required quite the suspension of disbelief in order for me to buy certain aspects and plot points. The show also tries to handle one particular storyline that doesn’t quite land for me.

Juyeong and Dahoe’s father relationship is very interesting. Abuser and victim find common ground and something changes, but we don’t see how that happens or how it come to happen, not fully. We get an idea, but that’s about it. Many saw it as some sort of redemption for the father. Personally, I didn’t read like that, there was no redemption for him, he was like that, violent, uncompassionate, desensitized and egoistical to the bitter end, the one element that left me curious was if he was really okay with having Juyeong as his son-in-law, they allude to this, the old bastard implies as much, but it’s left implicit, and then he dies. Oh well.

There is also the plot with the kid and the abusive parents. It was interesting having Dohoe dealing with that, but there is just so much happening that this particular storyline felt like an afterthought, so much so that it took me a bit by surprise when it resurfaced in the final moments.

That said, this one goes down the books as another solid entry in Da Seul’s filmography. That woman is always ready to put viewers through the wringer, and they will be happy to let her do so.

[youngpettyqueen]

I know the decision to have Julian's parents have him augmented was made on the fly but imo its pretty obvious from early on that Julian has Family Issues because he avoids talking about his family like the plague and I think they should've incorporated this into the Julian and Sisko dynamic right from early on because I think it would've made for some really compelling stories and moments and could've set up a REALLY interesting Julian and Jake dynamic which they kinda started to do but never fully went for