#also this is long i'm sorry lol

[bandzboy]

Hey, I just want to say thanks for posting these updates on the Hybe boycotts. Especially since I don't always actively keep up with the kpop branch of news (since I don't have Twitter or use Instagram that much).

It's good to know that there are at least some groups of fans working together to stop Scooter and his buddies and show their support to Palestine. I do worry if it'll be enough, but I also hope that they'll manage to kick Scooter out soon. From what I understand, it could be by the end of this month at the earliest?

It also leaves a weird taste in my mouth to think about how these artists are doing collabs of this sort (like the one with that UV Killer guy). How much of this was them actively willing to participate in the collab? If a lot, what does that say about their stance on Palestine? Will we ever know the answers? (Probably not, unfortunately.) It just feels. Weird.

With that being said, I hope that you have a good day and take care. And again: thank you.

hello! and honestly no problem! i understand that a lot of people on tumblr don't use twt and it's honestly hard for them to find out about these things and i would like to keep them informed since people that follow me are kpop stans and most of them stan a hybe group and so i just feel like keeping people updated because unfortunately, this situation might be direr than we thought and i'm hoping that making people aware about this and also people in the music industry that are zionists make people think about the music they listen to and how they can take action on how to call these people and get them out of positions of power! honestly, i know there are a lot of people that still question the validity of this boycott and why does it matter when hybe doesn't finance isnotreal directly but like idk if people are aware that scooter braun met nethanyahu personally and made artists under him visit isnotreal against their will and it's all part of the propaganda pact he has going on with these people and he continues to spread propaganda even after all this time but yeah idk this should alarm people! i wanna make this clear this boycott is being led by armys4palestine, armys that are palestinian, and also the bootthescoot team! this boycott is literally led by palestinian people and all i'm saying is if they are asking us to boycott and be outspoken about this it's maybe because it matters you know what i mean? so i'm sick and tired of people saying it doesn't do anything when a lot palestinian movements have also taken note of this one and thought it was great so yeah atp i don't wanna hear what these annoying people have to say and whether is not valid or not

also i have the same questions as you about whether the artists know they are collabing with zionists or not but most of the time these songs are done by hybe producers or producers that they bring in and groups just sing over it and call it a day but truly idk if they are aware of it and if they do what their stance is... we might never know but i have definitely questioned myself that today

also yeah supposedly on march 29th, hybe will be discussing about scooter braun and what his position at hybe will be and tbh i will be keeping my expectations for this really low because idk if anything or good or bad will be coming out of this or if they will care about the protests, the hashtags and the trucks people have been sending but, now that we know txt have a literal zionist that produced one of their songs, it's clear that even if scooter and his team are kicked out we have more to do and it's frustrating

i understand that as a fan it's hard to boycott but, trust me, i didn't want this to happen but at the end of the day, we have to think about how this is bigger than hybe, us and our faves! it's about making the music industry free of zionism and unfortunately, it might take a while but we have to put his movement above our comfort and while fighting for palestinian people! i just hope people realize this and don't forget why this is being done in the first place

[forgettable-au]

FORGETTABLE-AU (Page 48-52)

FOUND.

[BEGINNING] [PREVIOUS] [CONTINUE]

[thatnununguy]

PLEASREE PLEASE SHOW MORE EQUIGAM ART PLEASE!!!!!!

When in doubt — post yaoi art. Or however the saying goes. Perchance.

[snarkspawn]

I really enjoy playing through tnp again like hi it's been a while

[lunacias]

these are the silt verses, and I name our disciples thus

[tenaint]

Rose 1.01 / Empire of Death 14.08

[teaboot]

if ur a murderbot nerd now do u have any fun opinions abt it yet?

Oh my goddd you have no idea

I really, really, really like Murderbot because it comes at life with this perspective we don't often see that is very real among people who have already been through traumatic experiences, who developed skills and abilities to suvive that were once useful but no longer have context- that search that traumatized people go through to recalibrate and reorient ourselves in a world where we no longer really need those things to survive.

A bit personal here, but my own issues personally involved a lot of psychological abuse that made it difficult to trust my own perceptions of reality, and as a result I found I was very easy to lie to and manipulate.

To handle this, I became obsessive over writing things down, cataloging details and making notes of things as they happened- I'd carry recording devices and make audio recordings and stay up late at night to transcribe what they'd picked up, read those over and over again to reassure myself of things I wasn't certain about.

While doing this, there were others close to me that I felt responsible for, who I had to protect from others and protect myself from at the same time. Life was about two things: Evidence, and defusing threats

Over time, I learned to trust myself as my memories matched what had been recorded where their narrative didn't, but I never really kicked the habit. Like Murderbot, I had added something to my own programming that reassured me I was safe, that I was in control of myself, that I couldn't be mistaken or crazy or broken or used.

I'm only on book two, but already I see myself in Murderbot again. No spoilers here, but when I left home- left that dangerous context- I didn't need to repeat these patterns to survive anymore, but I still did, because I didn't know anything else anymore. It felt safe, comfortable, knowing knowing that the past couldn't repeat itself, because I'd written that flaw- blind trust in myself-  out of my programming and replaced it with something else.

Still, though, I'd become something specially suited to thrive in a very specific environment. Nothing else felt right like followinghigh-risk situations, like witnessing and watching and recording and knowing I had proof of the truth where others might not.

People took notice. I wound up in security by accident, but's an environment that I thrive in due to the same patterns and behaviours I originally developed when I had no other choice. I climbed the ladder pretty quickly, once supervisors caught on that my reports were the most accurate, most objective, most factual, detail-oriented and timely. I keep others and myself safe and prioritize public safety above all else, and I perform well under pressure

Now I'm in a position where I often wonder, do I enjoy this job, or is it just what I'm good at? I have a set of skills now, but do I have the option of choosing not to use them? What would I be, if not this? Could I be anything else? Can Murderbot be anything else?

It has a set of skills that set it apart, make it different, special. It does what it knows best. But is it free? Does it want to be? What does it want? Does it have to do what it was built to do? What if it didn't?

I know what I'm good for. The idea of deliberately leaving what I'm good for for something uncertain, that I might hate, that I might be useless at- the choice to give up what was so important to me for so long and become deliberately obsolete?

Let go of my entire purpose? The only thing I know, that I fit so well into but don't actually know if I enjoy? Now that I can choose? Now that enjoyment is a luxury I can afford to consider?

Yeah, that resonates.

I like the Murderbot series so far because it feels the way I feel: Like the most significant and formative part of my story, the part where I became what I am, has already happened

And now I have to just. Keep going

Into... what?

It feels absurd. Like a microwave giving up on reheating food and deciding to start a life around abstract dance.

So, uh. Yeah. It's really very wild to see this same philosophical-ish dilemma I've been digging over in the back of my mind and in therapy for the last forever laid out so plainly in a genuinely exciting and enjoyable story like this. I feel much less alone, and I... kind of really need to see how it resolves, I think.

So, uh. Yeah. Read Murderbot, I guess

[demaparbat-hp]

Almost

[limeshade]

What’s the matter with them? Why are they acting that way? Why, don’t you know? They’re “twitterpated.” Twitterpated? Yes. Nearly everybody gets twitterpated in the springtime. For example—

BAMBI (1942) Directed by David D. Hand et al. Written by Perce Pearce, Larry Morey et al.

[lightnersdream]

i've been thinking about exactly why people portraying one of the other crew members successfully killing Jimmy as a "for what you did to Anya" kind of thing rubs me the wrong way a bit and it's because like..... this is just another form of taking agency away from Anya, in a way. it's kind of framing her as some meek, shivery woman-thing who's entirely at the mercy of the men around her, either to hurt her or save her.

(i understand these are mostly for wish fulfillment on the audience's behalf because everyone would like to see Jimmy pay for his crimes. whether or not this is the intention of the person writing it isn't really relevant, characterization happens with or without intent. i feel like it misses the point by portraying it as an 'ideal ending'.)

because... Anya is a capable person. she takes things into her own hands when she can. it was partially(?) her idea to get into the cargo,

(before he interrupts her.. remember when she interrupted Curly in the dead pixel segment?)

it was her idea to get the code scanner from the cockpit,

it was her idea to get the medication from behind the foam.

(the chance to do these things herself is not given to her.)

she'd been keeping Curly alive for months in a critical state somehow, her psych evaluations at the start are only so useless because Jimmy refuses to take it/her seriously and Curly is obviously biased when he puts it into his own hands. he's known him a long time, like he said. "I'll just put good for that one."

there's not a lot of material to work with because of how the game is framed, but it's there. we are working with two very biased perspectives and neither one lends Anya what she deserves

there's significant changes in how she speaks post- and pre- crash, and depending on who she happens to be talking to. i recommend re-reading her dialogue, because the difference is drastic

she acts the way she does around Jimmy because he has tangibly done horrible things to her, is actively hostile, and physically could not escape him by any means. she can't take away Curly's agency herself, in my eyes. you have to remember that Especially in the post-crash segments of the game, it's entirely from Jimmy's POV, and he obviously does not (and has never) thought very highly of her or treated her with a shred of respect

i've seen a general idea that she can't bear to hurt other people for any reason, but that doesn't really track to me. this is the real point of the post by the way

it seems based on the parts where she says she struggles to give Curly medication. "It just hurts him so much, I can't stand the noise." "It makes me nauseous."

it's not really the same thing as, say, hurting someone in self defense

this sounds like she did want the gun itself. this never felt worded like someone who would refuse to, at very least, threaten Jimmy with a gun, with violence. if she had been given the agency to make that decision on her own. she wasn't though

she still tries to reclaim some of it even as she's denied it

by the end she's still trying to keep that gun out of his hands

i think some people overly soften her, for similar reasons the game itself is trying to comment on. she's not a tender victim who couldn't cause pain to another out of the softness of her soul, she's a person who's had every last bit of agency ripped from her repeatedly until she couldn't take it anymore. that's the point. that's why framing her that way, "needing" someone to save her, is odd to me

she didn't need Curly to save her, she needed him to take responsibility

she didn't want to escalate things, but she's not an idiot. self defense was absolutely on her mind

but who knows im just saying shit *smiles serenely*

[ship-it-sideways]

Hi hi I love your art and everything aaaaa Grumbo is so cute!! I'm mainly a scarian shipper but gosh I saw your Grumbo and it's just *chef's kiss* please draw more!!!! (mayhaps you can draw some scarian in the future 👉👈 /nf)

Thank you so much !!!!!! <3 I loveeee drawing desert duo generally but I wanted to draw something shippy-er so I spent a while doing this >:3c

[aihaloos]

Tempted to write a replaced au twst fic where Yuu (or alternatively, I'll use my Yuu, Riyuu, who is basically who I'm writing this for) used to be the cutest girl around, the cheery one who's always around everyone, the one you can't seem to dislike even if your crush falls for her because she earnestly says sorry (even though it's not her fault) and will always help you out if you need her back in her old school. But one day, a new girl comes around and her whole reputation got destroyed. She helps the new girl adjust, tells her all the rumours and introduces her to all the popular kids. But the girl ends up backstabbing her, telling the popular girls rumours about how she intentionally plays up the act to steal their crushes to her, and lies to the boys, telling them she's just playing with their hearts and that she's a horrible person.

Yuu ends up alone and excluded, being seen as "annoying" and only having a few close friends who doesn't really interact with her in public in fear of their reputation being ruined. She ends up miserable at school, and wishes to not go anymore. But one day comes a saving grace, she gets whisked by a mysterious black carriage into Twisted Wonderland, or more specifically, Night Raven College. She doesn't mind working if it meant she doesn't have to deal with her old school, there was still 1 and a half years left of school and she doesn't want to deal with all ghe group projects to be assigned that will inevitably end with everyone not wanting to team up with her. Plus, as annoying Grim is, he's like the animal friend all of the anime and storybook protagonists she knows has, and she doesn't mind him too much.

Some things did change after she and Grim got officially enrolled, but she had no problem adapting to the social expectations of the world, part time jobs with Sam -- and occasionally the canteen -- paid enough to get her tools for cooking basic but delicious food, and new friends without the weight of her past helped her get settled comfortably.

The existence of Overblots stunned her for a bit, but a peek into Riddle and Leona's memories helped her understand the concept, even if just a little. However, things began to change eerily simlarly to her old school when a new girl comes, also in a similar position to her, getting transported to a new, unfamilliar world, and seemingly hailing from a similar world to the Earth she knows. She warmly welcomes her, eager to finally befriend another girl, but it seems that the girl does not share the same enthusiasm.

The girl only barely responds to Yuu's attempts at forming a friendship, and always seems to talk her in a condescending way, and often dismisses her, and especially so whenever there are any boys around.

Yuu will not deny any statements claiming she's an attention seeker or that she plays up her sweet innocent girl act, but she knows to never, ever sacrifice a bystander for it. But if someone insists on war with her... well that's another, different story. She's learnt her lesson of being overly optimistic, and she will not make the same mistake twice. She will not let her make her life a living hell more than it already is with Crowley's irresponsibleness.

Aaand thus begins the story. Or well, however you wanna continue it. I'm honestly in favour of most Housewardens (Kalim, Vil, and Idia in particular. I'll put my reasoning in a few paragraphs down) Adeuce, Tweels, and Ortho for team Yuu. Why?

Well, first of all, Adeuce. This is mostly because the duo is like. with Yuu since Day 1, as much of a bitch as Ace is, I think those two are the most likely to trust and know Yuu well enough to not believe the lies R (< Replacer) tells. Especially Deuce, he doesn't want to betray a friend he knew for quite a while, that would not be very honor student-like of him!! And she helped him out in a lot of situations too! He doesn't want to hurt you after all the trouble you go through to help him, and also knowing how horrible your living conditions are. Ace would most likely give in to peer pressure if the student body is overwhelmingly in favour of R, but as of now, he maybe enjoys your company just a bit more than R. Just a bit, promise.

Tweels I feel like is self-explanatory. Those two are perceptive as fuck istg it scares me. Jade especially. I feel like the two would just toy with R for a bit despite her facade and lies before dropping her after she bothers them for attention and favours one too many times.

(Ortho ties in with Idia so I'll explain him in Idia's paragraph)

Kalim is actually very emotionally intelligent. He can come off annoying and stupid, but from all the scenes I see of him, he's actually really good at dealing with people. Have you seen how he deals with the Scarabia residents after Jamil's OB??? The way he phrases his sentences?? He didn't force or even plead with them to forgive Jamil, he simply asks them to wait before making permanent judgements, and I think he's gonna be uncomfy with how condescendingly R talks to Yuu, and even if he's used to people going after him for money, I feel like R mostly eyeing him for money and how she "secretly" sighs in annoyance everytime she goes out of the party for a "bathroom break" will only solidify his dislike/discomfort, even if he doesn't show it.

Vil is also kind of self-explanatory if you read into his character and not just the shell the official English localization makes for him. (I could rant for hours about how the official tl portrays his character istg. He's hardworking and he actually didn't attempt to poison Neige out of pure jealousy, he did it because he felt like all his efforts to be beautiful will never be able to surpass Neige, who, in his eyes, always seemed to be innocent and naturally beautiful. He feels like the villain in Neige's story. He feels like he is reduced to what he often plays as, a snobbish, overconfident villain obsessed with overthrowing the hero. And because of it, it became a twisted self-fulfilling prophecy, pushing him to, in a fit of despair, be that same villain everyone sees him as.) I really don't think he will take well to R's condescension to Yuu, who genuinely wants to befriend R. (I actually have a whole thing in my head where Yuu and Vil occasionally have sleepovers where they do skincare together after the whole VDC thing happened. I feel like this is also a "vent sesh" of sorts for the both of them, just to air out their grievances without much seriousness, and I think Yuu would admit to wanting a fellow girl in the school that she could befriend, since no matter what, being the only girl can be exhausting.) Ik Vil's not a girl but he is such a girls' girl istg.

Idia... this mostly ties into Ortho and The STYX Incident, but like,, I think we can all agree on this one,, Idia is smart and capital V Very pessimistic. Would you rather trust the girl you've known for a while, who saw your memories, who helped you in awkward social situations when she can and is besties with your brother or some random new girl who trash talks said girl behind her back? The former, right? Plus, even if Yuu did only hang out with him and his brother because she likes to secretly laugh at him behind his back, there's mo guarantee R wouldn't do the same, given his experience. And he would rather have someone who actively helps him and his brother out than someone who wouldn't.

I didn't put Malleus in because of how canon him actually treats Yuu. I feel like the fandom kind of put on rose-tinted glasses on with his character, and kind of ignored some things like, idk... him just leaving them to fend for themselves homeless during Octavinelle... maybe he thought Crowley would offer them a place to stay but like... I'm still bothered by how didn't atleast offer a spare room in Diasomnia. He's a housewarden goddamnit. He's not as distant or scary as the rumours say but like. still rubbed me the wrong way.

Anyways I don't think my attention span will let me write it to completion so if anyone likes this and wants to write it feel free. Pls tag me if you do tho. I would love to read it :3

[synthaphone]

Allowing myself to go on a tangent about the nearly 26 year old virtual pet website that i am way too invested in.

So today they released the Candy Pteri. While I appreciate what they were trying to do here with it effectively having two designs that you get to choose between (The "Melted Candy Pteri" on the left is a Paint Brush wearable that can be removed to reveal the customizable base pet on the right), I think in this case, they have created two extremely boring designs when they could have easily created one strong design, or hell, even two strong designs if they wanted to do extra work.

Because with this release, we get a base Candy Pteri with no real lineart changes (like the rounded hair tufts and spines on the Candy Zafara), and an alternate design that's just... a drawing of a Marshmallow Peep™???

I would have WAY preferred a base Pteri where they did something like give it a little marshmallow dollop shape on its head and in place of the tail tuft, like my friend @darieyrie suggested. Or they could give it the Peep dot eyes and more rounded features! There's all kinds of ways you could do this concept.

I'd be less frustrated if the Peep wearable had any Pteri traits whatsoever, but its JUST a Peep that's been slightly microwaved. Which is a little funny, but even more than the Toy Poogle is just an iDog, the Candy Pteri does not have any deviation from its base inspiration at all. It's not actually an execution of the concept of "Candy Pteri thats based on a Peep" if there's no Pteri left at all!

(also are they just banking on the Just Born corporation (who make Peeps) never taking any action on this? it kind of goes beyond 'cheeky reference', its EXACTLY their product. I mean, it seems unlikely that they'll notice or bother doing anything if they do, but i don't really know why you'd risk that.) The saving graces of this design, imo, are that the pink and cream color scheme of the base pet IS pleasant (though the lineart and shading treatment aren't really my bag), and some people will enjoy the novelty of having a pet Marshmallow Peep™.

But really this is just the latest of a number of recent outfit and color releases that feel like they don't think people want Neopets. Like. This cardinal outfit that they also released today.

I love the idea of a cardinal Pteri! But this outfit literally takes away every distinguishing trait of the Pteri to make a high effort, nicely rendered, but stylistically incongruous generic cartoon cardinal????? Its not even a Neopet anymore!!! Even if I set aside my personal dislike of the overly rendered style they're using for more and more of the site assets, this wouldn't work with most of the rendering removed either, because it would still be a Pteri in pose and proportions only.

Not every new design and outfit that's come out in the past couple years has these issues and there have been a number I've really liked, and I DO think its great that the quality of the art has improved since the JumpStart era. But I would really appreciate it if the new pet colors in particular were designed a little more thoughtfully, so that they at bare minimum still resemble the species they're supposed to be outside of the rough pose and proportions. It sometimes feels like there isn't a rough draft or workshopping progress for new colors, and the members of the art team just kind of do their own thing and then the very first draft of an idea is what gets polished and released.

The current art direction for the customization aspects of the site just has me feeling like they've decided to throw out years of relatively cohesive art and world design for a strange jumble of ideas that don't really capture the appeal or feeling of Neopets to me.

[tragicvampireromanceisland]

thinking so long and hard about joyness once more…like yesss they are very cute and sweet and all but i think them getting together even after their History is sooo interesting. like, does joy first start hanging out around sadness and talking with her more often out of guilt? is it performative? when does it stop being performative?? and at what point does joy realize it’s stopped being performative? how does joy feel when every single interaction she has with sadness after the events of the first movie are just like…constant reminders of how she screwed up with her prior? liking someone who makes her feel that bad when she normally never lingers on what she's done wrong just seems so counterintuitive (fun fact: joy has literally never genuinely apologized for anything she's done, across both movies. she's acknowledged and fixed her mistakes before, sure, but she has never expressed guilt so straightforwardly like that. is she simply incapable of it? or has she just...never given importance to feeling guilty before so long as she can just Fix her mistake? just something very interesting i've noticed...)!!

like, joy’s canonically admitted that she’s literally tried to kick sadness out of headquarters before. that’s truly how little joy thought of her before she got to know her better…she totally would have been fine with just. never seeing her again. imagine disliking your coworker THAT much since the very first day you met her and now you have feelings for her…?! not a possibility joy ever would have considered, and i think joy would struggle a Lot with coming to terms with that initially. she is the Queen of cognitive dissonance. of being Delusional. it’s HARD to shake off old habits just like that!! joy is someone who very much doesn’t fully acknowledge how she feels until it gets so intense it bubbles up to the surface and breaks through her usual demeanor (we’ve seen that both with how she’s gotten sad and angry before…who’s to say romance would not be the same. i think she’d just keep denying it until she just. has an Ah Shit moment with sadness one day. probably over something completely mundane).

and it certainly doesn’t help that sadness is, well. Sadness! she clearly admires joy from the very beginning even when joy treated her so poorly (knowing her she probably thought she deserved it…sigh). she’d literally just assume absolutely nothing would come out of her feelings. and you know she probably might even romanticize and Enjoy it in a weird way…i mean think about it. she canonically likes sad romance novels…this is her own "tragic romance" (apparently. SUPPOSEDLY) so i think she’d kind of insistently cling to that. define their entire relationship as unrequited and reallyyy lean into it and warp anything that happens otherwise to fit her little Doomed Yuri vision. she's observant as hell for pretty much everything, normally, but she just has goddamn Horse Blinders on for just this one thing specifically.

she’s just completely unaware of how fundamentally she’s changed joy and shattered her entire worldview (meanwhile joy is just busy having a whole crisis about exactly that). and NOW she has to deal with actually being treated like she matters, both by joy and the other emotions?? helloooo? she’s definitely got a lot to process by this point because Her entire way of living has changed too now in an entirely different direction.

AND then you add to that how it's pretty clear that sadness knows joy pretty well, but joy still has a Lot to learn about sadness because she never gave her a chance before...very much a recipe for guilt and confusion and miscommunication and other such weird occurrences to arise.

BASICALLY tldr theyre both kind of idiots and i think their dynamic is a little more complicated than people give it credit for. joyness is a veryyy. She fell first (sadness) she fell harder (joy) type of dynamic. To Me.

[wyvernity]

wip posting just to get something out there, and it's def a mixed bag!! the only thing more inconsistent than my posting schedule is my art style RIP

[toxintouch]

hii!! I just read cold spots and it was AMAZING!!! Im not sure if you wanted to continue the fic, but if you don’t mind could you continue with Veres part? I don’t know what you would write about but I just feel like that fic has so much potential to be a little 3 part series or something 🙏

<- Cold Spots TYSM ANON!! I put the Vere End at the beginning for ease of reading. For the sake of folks who would like to read this as a stand-alone... I think u can? With the knowledge that the premise of Cold Spots is that Mhin and MC/Sparrow went ghost hunting. Vere is said to have been responsible for a handful of local ghost stories, so…of course he makes some mischief.🦊 Also MC needs some Winter wear, stat.  A very light Possessive Vere warning in this btw, though perhaps in a roundabout way.  Plausible deniability is so important to him.

You putter around in your room at the Wet Wick as you go about your nightly routine. The occasional cheer or thud from below only accentuates your nervous energy, punctuating your reluctance to settle down and get into bed. You smooth the covers with your bandaged hands and fluff the pillow before extinguishing the lamplight. You tug the bedding up above your shoulders, fighting to get comfortable. As your eyelids finally start to droop, the flicker of a shadow catches your attention.   It dances and sways and bends and grows until suddenly it is right in front of you.  On top of you. Silken, blood red drips down onto your face, a knife gleam smile too close for comfort.  You breathe in a gasp, wondering if you should scream. “Vere, what–” “Shhh,” he coos, pressing a finger lightly to your lips.  His breath is hot against your skin. “I only came to keep you warm, pet.”

Heat Signature

“Poor thing.” Vere purrs.  “Your lips are so cold.”  He leans ever closer, his mouth hot over yours–hovering.  His other hand reaches for your face as well, nails trailing against your cheek in a teasing caress.

You feel even the thought of being cold leave your body, replaced instead by the unusual thrill he commands, that strange enthralling sway.

That heat you’ve come to associate with Vere; sweet tendrils of want that nestle in your bloodstream.

You squirm a little, though you can’t move much with him looming over you.

(You should probably do more to protest his intrusion into your room, you think to yourself, though, the majority of you is–curious, daresay even far too eager to–)

“Whatever trouble did you get up to that left you in such a state?”

At this you scoff, tilting your head back into the pillow and effectively knocking Vere’s finger from your lips.  

“As if you don’t know,” you accuse.

Vere looks entirely unperturbed by you shaking him off, his lithe fingers traveling freely along the newly displayed skin of your throat, making your pulse jump.

Vere chuckles at that, dark and silky.

“Being tight lipped about your adventures, hm?”  He angles your face just so, ensuring you meet his sharp eyes, his nose brushing up against yours.  “Not that it matters.  It so happens I do know what you’ve been up to.  Trespassing in places that don’t belong to you.”

“...It was an abandoned building.  I don’t think it really belonged to anyone.”

“And that’s where you’d be wrong,” Vere says, “everything in this city belongs to someone, darling.  You just don’t know what belongs to who yet.”  He peers down at you with laughter in his expression, though there's a distinct edge to it that you can't quite place.

“So, you're here because that building belongs to you...?”

“Hmm, amongst other things.  However shall I make you apologize to me for this most egregious offense?”  He asks airily, shifting until he’s beside you rather than perched over you, resting his cheek in his hand and letting his eyes slip closed. He's the absolute picture of unbothered leisure.  

(You’re not fooled–he’s simply waiting for you to let your guard down before he pounces.)

You open your mouth to deny any debts on your part (though, if your ghost hunting spot was indeed Vere’s hideout, you really do feel guilty) but Vere cuts you off before you can speak.

“Alas, I suppose it’s not mine anymore.  Within a week it will reek of wet dogs and cheap booze. It's a lost cause now that those drooling reprobates know it's inhabitable.  A pity.  By Eridia's standards it really was divine in its heyday.  Good wine, music, dancing.  There was this portrait artist who would paint the performances…”

His tone remains light as he reminisces.  But the look he pins you with is dangerous: his eyes gleaming bright, his canines bared in an irreverent grin.

“I had such hopes and dreams of reviving the place myself.  Some of the dances were very scandalous.  You never did share with me your stance on dancing, did you?”

You stumble out an approximate answer.  It’s…harmless information to give, isn’t it?

Though, judging by how pleased Vere looks, you wonder if you should have refused to say.  He looks positively wicked as he ponders your answer aloud.  “Oh, I’m sure you’ve got plenty of talents to share.  In another life, perhaps I'd have put you on stage.  Though, I admit.  I find myself partial to a private show.”

And–as expected–the moment you let your guard down, he's in your space again, crowding you.  Heat and proximity and the softest brush of his lips against yours, light enough to send a thrill down your spine, curiosity and a want so deep it surprises you.

“Well?”  He purrs.  “Care to audition?”

You can't hide behind the excuse of supernatural sway or charm or the thrall of hypnotic sunglo eyes.  It's not Vere's power that controls you. It's your own gnawing desire; starvation and longing that draws you to him despite all sense.

Kissing Vere is heady.  Dizzying.  

Kissing Vere is like being in conversation with Vere–a constant of giving and taking, being chased after and running to keep up.  It’s enticing and alluring and decadent and never quite enough, over too soon even as you feel yourself losing air, the rush of blood and sensation threatening to overwhelm you.

He gives a parting nip to your bottom lip as he pulls away.

Then another one, playful, to your jaw.

When he presses his face into the side of your neck, you expect him to bite again.

What you don’t expect is for him to nuzzle into you, inhaling deeply before heaving a great sigh, his tail flopping lazily to land across you with a thump.

He’s officious as he rearranges the covers, ensuring your arms are tucked carefully away from him before he’s willing to fully settle into the bedding, pulling the blankets up around the both of you like a den.  He hums something low in his chest as he tucks himself up alongside you, long tail curled around your waist. 

It’s rhythmic–

purring.

And it’s…soothing, actually.

The weight of him, the warmth.  The incessant lamplight of the Amaryllis District, shining ever present through your window, is dim–tolerable, even, courtesy of Vere's magnificent shadow manipulations and the blankets sheltering you. 

The constant noise seems to fade away as well, obscured by the sound of purring. “Falling asleep when you have me in your bed, pet?  You really do try your luck…”