#also this is My Canon and i choose the timeline

[antianakin]

Someone mentioned in the notes that Obi-Wan would have already done this with Anakin by taking Anakin on after Qui-Gon's death. The idea that he might have to attempt it TWICE is very depressing.

I do think that this would be an interesting dynamic in a lot of ways because Ahsoka I think would be FAR less receptive to Obi-Wan taking on thaat role than Anakin was, and than Obi-Wan would've been to Qui-Gon. Anakin barely spent all that much time with Qui-Gon before his death, so the switch from Qui-Gon to Obi-Wan isn't quite as difficult, and Obi-Wan would've likely spent quite a lot of time with BOTH Feemor and Qui-Gon before Feemor died and was still on good terms with Qui-Gon when Qui-Gon took over his training.

Ahsoka, by contrast, hasn't even fully decided she wants to become a Jedi by the time Order 66 happens and is on somewhat rocky ground in her relationship with Obi-Wan at the time (she's relatively friendly in their last conversation, but she's still distant and she was pretty quick to jump down his throat when he didn't immediately tell her what she wanted to hear earlier). There's also the issue of Obi-Wan knowing that he's taking over for Anakin because Anakin BETRAYED THEM ALL. Depending on when in the timeline Ahsoka actually met up with Obi-Wan, Obi-Wan may not know that Anakin survived (and also depending on which canon you ascribe to about when he discovers that information), but if it's after he DOES know that, then he's taking over for a master that ISN'T ACTUALLY DEAD.

And we all know how attached Ahsoka is to Anakin and how unwilling she is to accept the truth about what he did, her guilt surrounding what she believes to be her part in Anakin's ultimate fate and how that hinders her. I don't get the feeling that Ahsoka would take this information well, and I could EASILY see her turning on Obi-Wan and blaming him for not trying to give Anakin more of a chance and for either killing Anakin or leaving him to die.

The history that Ahsoka and Obi-Wan have together and their shared connection to Anakin COULD be helpful in allowing Ahsoka to face those feelings head-on and heal from them and return down the path of becoming a Jedi, but it could also go the exact opposite way. That history and their shared connection to Anakin could become a wall between them, something that just causes more pain and misunderstandings.

It would be the MESSIEST transition of them all since it involves having to heal individually from the pain that Order 66 encompassed on its own, as well as having to get over all of Ahsoka's issues stemming from the Wrong Jedi arc, and likely having to UNDO some of the bad training Ahsoka got from Anakin in the first place before Ahsoka is even willing to admit she wants to return to being a Jedi and even once she reaches that point, she and Obi-Wan might both feel like this isn't a particularly great match anymore and that Ahsoka would be better with literally anyone else. They MIGHT choose to stick it out together, but I think they'd have to be pretty careful around each other and couldn't necessarily fall into the more typical Master/Padawan dynamic. They can't just go back to who they were, they're both irrevocably changed by what's been done to them.

There's potentially some healing that could happen between them, but my instinct is to believe that even if they DID help each other heal from Anakin's betrayal, they still can't slot into a Master/Padawan relationship and would need to start fresh with other people in order to let go of that desire to cling to the past that just continues to cause them pain. (I also think Ahsoka would probably chafe at being stuck on Tatooine the way Obi-Wan has committed himself to and needs someone more willing to go out and be more active in the rebellion.)

One of the reasons that the headcanon that Qui-Gon "repudiated" Feemor post-Xanatos really bothers me is that the characterization we get of Qui-Gon really lends itself more to the idea that he might've CLUNG to Feemor rather than pushed him away. There's zero indication that Qui-Gon has cut off all contact with the people he had relationships with prior to Xanatos (Yoda, Mace, Tahl) and one of the reasons he's so disinclined to take a new apprentice is the fear that he'll make the same mistakes he did with Xanatos and cause their fall. But if he has a whole other apprentice that he WAS successful with, wouldn't he instead cling to that proof that he's not actually a failure? Even just as a comfort?

I propose an AU where Qui-Gon actually ends up partnering with Feemor post-Xanatos in order to always have that comfort nearby. Feemor wants Qui-Gon to get back into the saddle of teaching but knows Qui-Gon well enough to understand that throwing him into that saddle won't go well for anybody, so he decides on a trickier plan and takes a Padawan of his own (his first Padawan since he became a Knight) and ask for Qui-Gon's assistance. Since Qui-Gon is partnering with him, it's inevitable that they'd end up basically sharing the responsibility of teaching any Padawan that Feemor takes, but Feemor intentionally makes sure Qui-Gon knows that he's nervous about it and will want his Master's guidance.

So instead of becoming Qui-Gon's Padawan, Obi-Wan ends up becoming FEEMOR'S Padawan. Qui-Gon sees right through all of this of course, but he can't really do anything about it and he doesn't really mind helping Feemor with a Padawan the way he would if he had sole responsibility. He bonds with Obi-Wan relatively easily and the three of them become an incredible team.

And then you can get real angsty with it and say that Feemor died before the events of TPM, so Qui-Gon obviously took over Obi-Wan's apprenticeship on his own afterwards.

[emilywaters]

So I just finished watching arcane season 2 act 3 and I have Thoughts.

Act 3 spoilers below

(I apologise for any spelling/grammar mistakes and if it all sounds wack. It's like late and I needed to empty my brain)

So I'll start with what I absolutely loved.

Seeing that Vi is actually the 'jinx' bcs in the timeline she dies, everyone else lives. And along this line is her saying, "I always choose wrong."

Lesbian Sex.

Canon Lesbian Sex.

The JaVik space marriage.

The casual representation of a very huge amount of demographics (queer, disabled, POC, etc)

The art style, animation, soundtrack, voice acting, character designs, set designs, fight scenes, the casual representation, all of those were absolutely beautiful. It was clearly a labour of love, and I have so much respect and appreciation for every single person involved.

Next, I do have some neutral points, where there are questions I'm not sure were answered, but it could also be me missing something.

These include,

The actual motive of the black roses,

What Ambessa did to piss them off,

Why Maddie was with Ambessa,

The consequences of going beyond the 4 second limit,

And potentially more. If there are answers to these questions that I have simply missed, please do tell me and disregard any points I make surrounding them.

Okay, so if nearly everything was perfect, where do I find fault? Tragically, the plot.

I watched season 1 quite a while back, so I'm drawing on my murky memories of it when I reference it.

In season 1 our main conflict was the undercity, with Jink, Silco, Sevika, versus the rich and affluent Piltover. Rich girl realizes the people of Zaun are suffering and two scientists try to solve problems in their own way.

This theme carries over into the first act of season 2, and somewhat into the 2nd act as well. However, this storyline, which has been a very important one, seems to almost be completely discarded for the Hextech-arcane plot line.

The undercity Vs the rich feels like it was solved too easily. How does a city that has suffered immensely at the hands of the rich and successful turn around so quickly to help them. And how does a city sending polluted air into an already crumbling city, ignoring their poverty and calling them filthy animals, simply turn around and accept them. It feels like that theme was shoved into a drawer, with having Sevika and others joining the council added as a consolation prize. There was no justice for their dead. And those in power suffer no consequences.

As I so crassly put it in my fervent texts to my friend, "Season 2 looked like it was going to be rich bitches Vs poor on steroids with police brutality." That's how the first act started out. We were going to see how the effects of grief, manipulation, hatred and privilege so quickly blur out all the innocent collateral of your rampage.

Then these seemed to minimize within the second act and vanish almost entirely in the third act. Additionally, the other minor plots feel underdeveloped, with a lot of potential, but too many spread too thin.

I saw some people talking about how Arcane was rushing the plot too much at the start of season two, and I do see what they mean now.

The inherent theme of the story, which was about liberation, equality, the guilt of the rich, felt like it shifted in act 3 into, again, as crassly put by me, "true peace is hive mind oh wait no imperfections are good thing."

Of course, I could be completely wrong and missing the mark entirely, so if I am please do enlighten me, preferably without insult, as I've been known to be careless.

The Undercity's rage requires more justice and I feel like it was discarded for a flashier prize.

I feel like the first arc and some of the second could've been a season by itself. They could've tied up the undercity Vs rich plot, with some form of stalemate or some other conclusion, and shift the focus to the Hextech-arcane plot line, with Jayce's whole speech about unity.

Then the latter half of act 2 and the third act would be a season 3, giving more time and weight to that battle and the factors surrounding it, while also showing the results of the previous parts.

I do wonder if there was an ultimatum where we get one season with lesbians or no lesbians and more seasons, where the former was chosen, but that's just conspiracy and speculation.

All in all, it's a beautiful show that had a lot of potential, but rushed and botched something they could've milked for one more season, for the money's sake, if not for good plot. If my points are dissuaded by any things I missed, please do let me know.

I did enjoy the show immensely and it was a good time overall. I'm in love with the characters and their dynamics and the setting and the art and animation, the soundtrack, it may have not made sense, but by god was it beautiful.

[bumblingbabooshka]

Odd and Recent Planets

[danothan]

I like to think of halbarry as two gay men who haven't come to terms with their sexuality and complete denial bc of their trauma and bullying

like what you said in flashpoint paradox where in that timeline he got the support system and no trauma I think

I think it makes sense to me them being gay than bi/pan. etc

oh this could not have come at a worse time, i’m drawing the most bisexual halbarryisms in the world rn 💔

[koushirouizumi]

( Taichi's place-holder profile for my re-done Advs shrine is up! )

[vinelark]

Your WoH fic is one of my all time favorite fics (which I coincidentally reread yesterday) and I recently got back into Timkon hell for the first time since like 2017 so discovering your Timkon fic today made me super happy! Your works in every fandom have been consistently amazing! Whenever I see a work is by Sundiscus, I know it's going to be a good one. I hope you have a great day!

thank you so much!!! this is so so nice of you to say. i also love that you got dragged back to timkon after so long and get to read new content for them now. one of my best friends @90kon was into timkon ages ago and even tried to pitch them to me in like 2020 and it went right over my head, but now i get to witness their timkon renaissance too and that’s been incredibly fun. the gift (ship) that keeps on giving 💪

[crystalkitty1220]

Welcome back to tumblr! Hope you enjoyed your break

It was very stressful. Ended up failing the marking period for English, but not by as much as I was failing before. Could still pull up the overall grade by the end of the semester.

[robingivesmemagic]

lmao just realized both jason and terra in my au have a little "cutting their hair short after Going Through It" moment. they would be besties if the plot will ever allow it i think

[hollow-prey]

I'm not jealous of my f/o and their canon ex I'm not jealous of my f/o and their canon ex I'm not jealous of my f/o and their canon ex I'm not jealous of my f/o and their canon ex I'm n-

[satanfemme]

ended up censoring it quite a bit but lol. he got hit by a "fucked up dog guy" beam and it looks like the effects are permanent.

1975: normal human "girl" with anxiety issues 1977: pet puppyboy and surgical guinea pig 1979: slasher villain who's going to stab u to death forever and ever YAY

at some point around/just after the 1977 mark was when he fully experienced mind break and became Mutt. he doesn't have an official age at any point of this timeline cause that's not really a detail that matters to me, all I know is in 1979 he's in his 20s. he's also a good boy and hasn't done anything wrong ever (as long as u ignore the atrocities)

been working more on figuring out Mutt's backstory and I ended up drawing a "transition timeline" (slash updated ref sheet) for him. and I'm in love with him a lot

[freyadragonlord]

One of my favourite things about the end of The S-Classes That I Raised novel (major spoilers ahead),

is the realisation that the reason why Yoojin and Hyunjae's relationship looks so much like a love story at times is because it actually, honestly is.

Like, we know that sctir is a novel about love since the beginning, that's not surprising. Yoojin's capability for loving monsters (both literal monsters and the human kind) and the power of that love is at the centre of the plot.

But by the time you get to the end, you realise - and the author confirms this themselves in their final Note - that Yoojin's relationship and love for 2 specific people was the true core of the story, and what allows him to save the world in the end:

One is, of course, Yoohyun.

And that love is absolute; you cannot say that it's inevitable, cause we know Yoojin had to make a choice when he was a child between Yoohyun and his parents, and he almost chose his parents, but from the moment he decided to love Yoohyun onward, then it was unconditional and eternal. It's the love of a brother, but also the love of a parent and a caretaker.

And the other person is Sung Hyunjae.

And that love is not unconditional nor inevitable or absolute at all. It's not something that can be taken for granted. We actually see, because of how it ended between them before the regression, and thanks to the White Bird's power of seeing possible futures, that there were so many timelines where Yoojin and Hyunjae would have never come to care about each other fully (tho they are always at least somewhat interested in each other, because their personalities are actually really compatible).

But the White Bird also sees that the only possible future where the world is saved is the one where they love and hold on to each other. And that is how the story goes!

So, just like a romance novel, the necessary end is the one where they both love each other and accept that love. And it's not easy to get there! It's a slow burn.

From meeting to getting to know each other, appreciating each other's skills and intelligence, finding out they have fun together but still not trusting each other, to working on building that trust.

They go from a strong but superficial mutual interest to actually caring about each other as people.

Yoojin has to go through the self-doubt of feeling inferior and fearing that Hyunjae will lose interest in him. Hyunjae has to learn to stop pushing Yoojin away because he doesn't know how to handle having someone he cares about so much, and also someone that cares about him, because nobody in the world (except in part Song Taewon) likes Sung Hyunjae as a person, he is only ever admired from afar.

And in the end, after going through ups and downs and a few "break-up arcs", they make it. They accept their own feelings and each other's feelings.

And that's when Yoojin makes the choice to use the power that the transcendents gave him at the very beginning of the novel, to save Hyunjae. Not the world. Not even Yoohyun! Just Sung Hyunjae!

Yeah, the whole "gather 50 S-Class people", the very thing that gives the novel its title. That is not a power that is used to save the world!! It was meant to, but Yoojin is "selfish", and he will always choose to save the people close to him first.

And being able to love someone so selfishly gives Yoojin the power to save the whole world, too. As a bonus! A reward. Just a side effect.

So yeah. Is it romantic love? No. Canonically, there's almost no romantic love in the whole novel.

But is it a love story?? Yeah. Absolutely it is.

[calqlate]

THE LOVE & DEEPSPACE MLS AND THEIR KDRAMA ML COUNTERPARTS

INCLUDES: rafayel + sylus + xavier + zayne

WARNING(S): might be ooc bc i don't really keep up with the lore so there might be some inconsistencies (oops) (pls be gentle) (it's 10pm here and my brain is running on adrenaline) + contains some canon lore drops ig

MASTERLIST

NOTE(S): i will never stop inserting my fandoms into kdramas bc i love seeing worlds collide. anw pls partake in this brainrot with me 🤩

— RAFAYEL

ryu sunjae from lovely runner - they are both absolute losers for their respective lovers. i can picture rafayel in that one scene where sunjae was blowing kisses towards sol's house. no matter how hard his beloved tries to cut him out from their life to save him, he will always find his way back into their life.

jeong guwon from my demon - similar to sunjae, guwon is also another loser for his wife. (tbh i can imagine rafayel as a down bad simp for his lover; cue thomas sighing and shaking his head.) i can picture rafayel in the scene whereby guwon and dohee were doing that tango while fighting off their enemies too?!?!

lee yeon from tale of the nine-tailed - continuing the loser boy train, we have yeon as the final dude to add in this group. (specifically yeon from s2, bc the way he wanted to go back to his timeline so badly to see jiah matches rafayel's "the only person i'll ever love is my lover" energy.) their backstories also match in the sense that yeon never stopped searching for jiah and rafayel never stopped waiting for his bride.

— SYLUS

myulmang from doom at your service - not me choosing myulmang bc they both made contracts to their beloveds [clown emoji]. but nonetheless they're similar in the sense that they won't think twice about eliminating someone who hurts their lover.

shin wooyeo from my roommate is a gumiho - again, another contract situation. wooyeo is a "classier" version of sylus imo, and one who uses less pet names. if sylus were the ml in this kdrama, he would defo keep an even more watchful eye on his beloved so that she doesn't go about losing his fox bead. (aur naur iw to write a gumiho au for sylus now...)

lee youngjoon from what's wrong with secretary kim? - similar to youngjoon, sylus will never let his lover leave. they want to leave his mansion? he will try 101 (legal) ways to make them stay. they will find snacks they like in their room more often. they will find new (and expensive) clothes in their wardrobe. heck, even an all-expenses-paid vacation! he wants to keep them close to him; he's afraid of them upping him to leave.

— XAVIER

goo yeonjun from a time called you - like yeonjun, xavier has literally went back in time to save his beloved. he wants to see then safe and sound, and as long as they're happy, he's happy. as long as they're alive and breathing, he's fine with not being by their side. just watching them live their life is enough for him.

haru from extraordinary you - totally not projecting my all-time fav kdrama on him (or am i?) but xavier and haru have similar mannerisms and personality traits. yk how in the first few episodes danoh was dragging haru around and this guy just remained silent and followed along until one day he just started speaking? yeah that's the same with this guy. the person he likes could yap all day and he would willingly sit and listen.

moon seoha from see you in my 19th life - similar to seoha, xavier loves once in his life and he will only ever love his little star. he would never get over their death and if he's the one responsible for their death, he would be all the more upset with himself. he would throw himself into work all day and refuse to love again, thinking he shouldn't be able to fall in love ever again since he took his beloved's one chance of staying alive and happy away.

— ZAYNE

moon suho from black knight - they're both so overprotective of the one they love. the way suho essentially told sharon that haera is the only woman he would ever love is something i can picture zayne doing. if someone is out there trying to harm his beloved, you'd best believe zayne would do his best to prevent that from happening, even if it means giving up his own life.

lee suhyeok from bora! deborah - when zayne loves, he loves hard. like suhyeok, he's clumsy at expressing his affections, choosing to keep everything to himself and wait until he's 100% certain it's the right time to say whatever he wants to say. and sometimes, that can lead to disastrous endings (see also: suhyeok getting dumped on the same day he went to buy an engagement ring for his girlfriend). both men are careful to a fault, all the more so with their beloved because they're scared of losing someone precious to them again.

yoo jihyuk from marry my husband - zayne, like jihyuk, would willingly stand aside and watch the one he loves fall in love with someone else. he would be supportive and wouldn't try to fight for their affection. his motto is "if they're happy, i'm happy" and he can live being an unmarried old man as long as he sees them happy.

© CALQLATE. all rights reserved. please do not copy, modify, repost, or translate my works on any platform.

[thefudge]

haven’t watched s4 of the umbrella academy but i know five and lila kissing there omg if only every tv show and book have listened to our weird ships…

okay so i spent the last few hours speed-running through this season and OH MY GOD not only did they pay attention to our weird ship, but it's like INCREDIBLE levels of fanfic!!! like, the YEARNING alone??? like, okay, the writers did the "stuck in a time bubble together" bonding/romance storyline, but what i loved about it is they planted the seeds early in the season with lila not only feeling stuck in her marriage but sneaking out and running into five and having fun with him sleuthing just like in past seasons!!! like, it's not just "we're only now seeing each other's potential because we're stuck in the subway" it's more like "we've always been kindred spirits and now we have some down time to really let that sink in". it feels like the culmination of their evolution from enemies to frenemies to friends to lovers??? like all that friction from past seasons finally coming to fruition. hell, at one point five even straight up tells her diego can't give her what she needs??? like, they're admitting they're happier together and fit better together, in and outside of the time loop!!! and i love love LOVE the writers for not doing the super tired switcheroo where, once lila returns to diego and her family she suddenly realizes the whole thing with five was a fever dream. NO!!! no no no, all the feelings are still there like AAAAH it's such good angst, because she keeps exchanging loaded and uncomfortable glances with five while diego is trying to hold her/kiss her??? and five looks SO upset??? it's ao3 levels of delicious drama!!!! diego even asks her if she loves five and she CANNOT deny it, and her whole family and kids are right there but!!!! they still have these feelings and i love how shameless the show is about it!!! one of the big subplots of the final episode is lila having to give up her family to sacrifice herself, but it's also framed as her choosing five and just sort of collapsing in his arms telling him she hates him for this??? and he says "i know"??? HELLO??? also just the yearning and pining even mid-apocalypse!!!! five can't focus on anything else except her, literally they're all about to die but their lil drama is still going on!!!! (complete with diego and five punching each other and rolling on the floor fighting over lila!!!!) it's SO good. also props to the five actor for truly LOCKING IN and just leaning so much into the yearning. every second he looks at lila it's like she hung the moon and he is dying to be with her. i JUSTTTTTTT and the fact that lila hates bracelets and she didn't wear the one diego got her for valentine's, but she wears five's???? and loves it??? and he made it out of all the scrap metal for her???? soooo many little moments like that!!! when he says "i aim to please" kneeling in front of her????? when he says "you know why" when she asks him why he kept the notebook with the escape plan from her!!!!! he just wanted to be with her forever in the greenhouse timeline GAAAAAH. like, this is now gonna be my standard for "non-canonical ships that didn't seem like they could ever have a chance but became canon anyway"!!! cuz usually we clock the chemistry and the banter and the connection but we have to make do with our lil AUs because we know the writers wouldn't dare. but they did!!! they did it this time!!! GOD BLESS i feel so validated in this chili's tonight!!!

[brucewaynehater101]

I feel like this is how the conversation between a Time Travel’ed Jason and Tim would go:

Baby Jason: I can’t believe my future self shot at me!

Tim: Happens to the best of us.

This leads to Tim telling Baby Jason all about Gun Batman. By the end of the talk, Baby Jason idolizes Gun Batman (in a way that’s like: “I don’t approve of the actions, but the fact that he did them is rly cool) and resents his future self for not being as cool. Cue:

Baby Jason: Why couldn’t you be as cool as Gun Batman?? Whyd you choose to succeed Joker of all people?

Big Jason: wtf

Baby Jason: You can’t even pull being a villain off well! It’s been a year and you’re still a small fry of Gotham!

Red Hood!Jason getting bullied by Robin!Jason is the crack we all need in our lives.

Also, it would be hella funny if Robin!Jason at like 13 developed hero worship for 20 something Red Robin. Tim regals all the shit YJ did (which is news to RH), talks about his fights as RR, shows off cool moves with his bo staff, and teaches R how to manipulate Batman. The kid finds this to be so cool, much to RH's chagrin.

RH has moved to begrudgingly tolerating and occasionally caring for Tim at this point. Yet, he can't help but feel like this is a form of revenge for the TT attack. Seeing his younger self look at Tim as if he hung the stars in the sky? Embarrassing as hell.

The only past version of himself that would be worse would be his 17 (or 19 canon sucks at timelines) year old self in that Party City Robin costume as he monologs.

[beingsuneone]

Memories & Delusions

PART ONE | PART TWO | PART THREE

SYNOPSIS: Jason Todd is dead, you have to remember that; even if the newest villain in town is both incredibly sexy and reminds you of the boy you used to love.

FANDOM: DC

PAIRING(S): Jason Todd x Fem!Reader

RATING: PG

CHARACTERS MENTIONED: Bruce, Alfred, Dick, Tim

GENRE/AU: fluff, different timeline AU (not mentioned in detail but the timeline is different than canon), canon divergence, reader is kind of like Stephanie so NOT Bruce’s kids but she does live in the manor.

WORD COUNT: 3.9k

WARNINGS: Swearing, mentions of blood and injuries.

A/N: I could fs do a part two to this ;)

DEDICATIONS: Myself for having this idea for more than two years and finally getting it out in writing in some way

CREDITS: N/A

“Jesus Christ! Who the fuck is this guy, Batman?” You exclaim, panting hard through your mask; whoever this Red Hood guy is… he really knows your team's weaknesses. It’s disconcerting.

Weirdly enough, he’s left you mostly alone.

Bruce shrugs from across the room. “That’s what we’re trying to figure out.”

It’s a blur of movement as Red Hood tries to attack mostly Bruce, only attacking Dick or you if you get in the way.

He’s said almost nothing since this fight started.

After a few minutes, Bruce sends a signal and jumps out of the half destroyed building; Dick follows and jumps out shortly after.

Leaving just you and Gothams latest criminal.

You’re about to turn to jump again, when suddenly your wrist is caught in Red Hood’s hand.

The familiarity of it makes you gasp and freeze.

He stares down at you, intimidating and silent through his red helmet.

Returning his stare, with as much fiery energy as you can muster, you try to pull your wrist away; His grip is like iron and you can’t.

“Don’t get in my way, Y/n.” He says, making your heart drop with the use of your civilian name. “I won’t choose between you and my goal.”

Your back is rigid and you’re breathing has stopped… if he knows your name, that means he probably knows everyone else’s too.

Fuck.

He finally lets go, brushing past your stiff body.

You’re too shocked to follow him.

….

“He knew my name, Bruce!” You say, feeling panicked. “Do you know what that means?”

Bruce nods curtly. “It means you aren’t suiting up until we’ve taken him down.” You try to protest but Bruce holds a hand up to cut you off. “It’s not up for discussion.”

You fidget with the small red pendant hanging around your neck, something you do whenever you’re feeling too many emotions.

It reminds you of Jason, the first boy you’ve ever been in love with and also the last; Jason was also Bruce’s second adopted son.

Jason Todd died five years ago.

But when he was alive… There was something special about him. He was always so eager to help Bruce by being robin.

That was back before you had your own suit; really, you’d only gotten a superhero identity so you could hunt down the joker and get revenge for Jason, but Bruce had managed to convince you not to do that in the last five years.

Probably for the best, even if seventeen is too young for someone to die; even if having a strong bond ripped away from you before it could become anything still hurt so badly.

You follow Bruce down into the batcave. “What do we know about Red Hood? Do we have any idea how he originated? It seems like he just popped out of nowhere.”

Bruce contemplates his answer as he unlocks the bat computer. “All we know is that he would have had to fly under our radar for months in order to take over the whole underground drug ring.”

You over hover his shoulder, trying to see what’s on the screen below him. “I don’t understand how we wouldn’t hear anything about him? With that many people who work for him, you’d think one of them would mention something.”

He hums in response. “They must be terrified of him.”

Alfred inserts himself into the conversation and ushers you back into the main part of the manor. “Alright, Miss. Y/n, You’re officially off duty indefinitely.” He pauses. “Like Master Bruce said, it is safer if you disconnect yourself from your hero identity.”

You frown. “If he knows my real name, he probably knows where I live.”

“He also told you, quote ‘don’t get in my way’ end quote.” Alfred tuts. “He clearly has no intention of hurting you as a civilian.”

You huff and head up to your bedroom, feeling like you really need to be out there but not really knowing why.

You suppose you don’t know what to do with your time anymore, now that you’ve been superhero-ing for so long.

When was the last time you read a book? Or watched a movie, just because you wanted to? It’s been too long…

Your bookshelves mostly carry decorative encyclopedias and other books that would bore you to sleep, so you leave your room and head just down the hallway.

The door creaks as you push open and clicks when you push it shut; then, you’re left in the silence of Jason Todd’s bedroom. Unchanged and untouched from the last moment he was in here.

It’s a little messy but nothing out of the ordinary for a teenage boy; the bed was never made, and his clothes were ever put in his drawers despite them being washed.

There’s books pulled out and just scattered in places, schoolbooks, comic books, novels… finally you spot what you wanted to find.

It’s a very old and very worn copy of Jane Austen’s Pride and Prejudice, something the two of you used to read together when you’d sneak onto the roof of the manor at nighttime.

You’d watch the stars and one of you would read the book out loud, until eventually you both would pass out and give Bruce a heart attack the next morning.

Maybe it was time to revisit that tradition, even if you were only reading to yourself.

Bruce and Alfred are in the Cave so you find your way into the roof and lay back. The shingles are definitely more uncomfortable without Jason to lay on, but it’s still a nice feeling nonetheless.

Just the act of laying under the stars with that book in your hands, makes you feel a kind of warmth that you haven’t felt in years.

You close your eyes and take a long, deep breath of night air; It’s fresh and ever so slightly damp, but in a way that makes you feel nice. The cold nips at your body in all the right ways.

Unfortunately, all bliss is momentary, and someone clearing their throat makes you jump a couple centimeters upwards.

You’re met with the bright red helmet of Red Hood.

“Pride and Prejudice, huh?” He says casually, though you're pretty sure he has a voice changer on, which makes his voice sound more irritated than it probably is.

You back up a few inches. “Bru-” Red Hood slaps a hand over your mouth before you can finish yelling for help.

You squirm in his grip, but he just maneuvers you so that your back is to his chest and you can barely move which makes your body lock up again— you can’t help the feeling of familiarity that settles in your stomach, or the way your body reacts to his.

Worst of all, he smells just like… no, it must just be where you are.

Jason Todd is dead.

And yet.

“Relax, Y/n, I’m not here to hurt you.” Something about him makes you listen and you relax your body. He kind of half-scoffs in response. “Are you done?”

You nod as best you can. He releases you.

“Who— why are you here?” You say, trying to ignore the fact that everything about this masked man reminds you of Jason.

Your chest rises and falls irregularly as he stares at you.

His head snaps away randomly. “Why should I tell you that?”

“Don’t answer my question with a question.”

“Don’t ask questions you don’t want the answer to.”

There’s a look of defiance shared between the two of you, or, at least, on your end. You can’t actually see his face so you’re really just assuming.

You spin away and blow out a labored breath. “God, I must be going insane…” Even the way he talks with you sounds like Jason.

“You’re so short, you look like a bunny who lost its carrot.” He says with a laugh.

“I do not!” You exclaim angrily, your mouth dropping open. “Okay, that’s it, I’m calling Bruce.” Your hand slips into your pocket to pull out your phone, and just as it's out of your pocket, Red Hood grabs your wrist; he traps it in one spot and yanks the phone from your hand.

He gently sets it on the ground. “Tell that fucker whatever you want, but wait until I’m gone.” The tone in his voice sends a chill down your spine. He seems so angry…

With that, he leaves, taken the same way that you took off the roof.

You stand there until you hear the roar of his motorbike, and then you finally retreat from the roof with the book clutched tightly to your chest.

…..

“I’m going with you, Bruce. You can’t stop me.” You say, already moving to try to grab your suit.

“No, you’re not.” He says sternly, blocking your path. “You need to stay out of this fight.”

You raise your eyebrows in challenge. “I’m going whether you let me wear that suit or not.” Bruce apparently doesn’t like this because he frowns even harder than before. You continue, “You can’t go alone. Dick is out of town and Tim is at school. Let me come.”

“You forget I did this by myself for quite a while before I adopted Dick.” He says firmly, leaving no room for argument.

Bruce doesn’t need your help, you know that; helping him isn’t your real goal.

Ever since the rooftop incident with Red Hood you’d gone into some sort of obsessive spiral over his similarities to Jason.

You feel like you need to talk to him again, touch him again… just to see why he’s so familiar; you feel insane.

The deepest parts of your brain scream at you that it’s not just similarities, that he really is Jason but… he can’t be; you watched them bury Jason’s body.

“There’s something else going on with you.” Bruce says, basically sizing you up.

You stiffen, which unfortunately gives away your next lie. “There’s nothing going on with me.” No excuse comes to mind so you don’t say anything more.

Bruce pauses for a beat.

“This has nothing to do with Red Hood.”

“Okay? Why would that matter?” You say dismissively, but also way too fast. “I don’t think keeping me locked up at home helps anyone.”

He sighs and finally caves. “Fine, you can come.”

…..

You aren’t sure how this situation devolved so quickly, but your communications got cut off a while ago and you haven’t been able to find Bruce or navigate very well through the rubble.

You’re bleeding heavily from a few different cuts and you’re pretty sure you sprained your ankle.

The faint cackle of the Joker makes you dive under a fallen piece of concrete, because if he comes this way he’ll surely kill you.

But the laugh recedes so you crawl out and sit against it instead.

You’re just about to start sobbing from the pain when you hear footsteps again; you go silent and try to move but you don't allow that.

You see a flash of red, and then Red Hood turns a corner into your line of sight.

“Christ’s sake, Y/n.” He mumbles. “What happened?” He approaches and drops down so he’s sitting on his feet, he stares for a moment, and you assume he’s assessing your injuries.

“You can’t call me that— here.” You hiss when he presses a finger against your ankle.

He stands up and takes both your hands, completely ignoring what you said. “Up. But don’t stand on your bad ankle.”

You grip his hands and stand up, holding your bad ankle in the air; Red Hood scoops you up bridal style not a moment later.

You squeal. “What are you doing?”

He stops walking and turns the face of his helmet directly toward you. “I’m taking you back to my base so I can help you get fixed up.” He interrupts you before you can speak, answering the question you were going to ask. “Batman isn’t here anymore, he went to follow after the Joker.”

It’s a rough walk to his bike, and it lasts for about ten minutes; ten awkward minutes of you being carried by Red Hood.

Red Hood who’s supposed to be a criminal and your enemy. Red Hood who brings you more comfort than he should just because of who he reminds you of.

He settles you onto the bike, pulling out an extra helmet before he speeds off.

…..

“Jesus, you sprained your ankle really badly.” He curses, performing whatever medical procedures as you hiss and whine at the pain.

He’s already stitched and/or dressed any of the open wounds you had and he saved the worst for last.

“Okay,” he says absent-mindedly. “I can’t do this properly with this thing.”

He reaches for his helmet but you stop him. “You’re taking your helmet off?”

He hesitates, then nods slowly. “I have to. If you don’t want to see, then shut your eyes until I’m done.”

You nod and squeeze your eyes shut.

He sighs softly and gets back to working on your ankle.

…..

“I swear to god, Bruce, it’s him. Red Hood is Jason.” You say, purposfully making your voice flat and void of emotion. “He has to be.”

Bruce just stares.

And stares.

Sympathetically, softly. But he stares.

“Jason has been dead for a long time, Y/n, and you know that.”

“No— I know, but he can’t be— that has to be him.” You back up into one of the chairs in the batcave, trying to calm your racing heart; you still try to keep a calm outward facade.

“What makes you think he’s Jason?” Bruce asks.

You weakly gesture at nothing with your hand. “Just look at him. He’s— everything about him is the same.”

Tim snorts from the computer. “The running drug rings and murders?”

“Not appropriate, Tim.” Dick says flatly and Tim’s face falls quickly.

You don’t blame him, you probably would have made a joke like that too.

Shaking your head, you stare at the floor past Bruce. “They sound the same, they talk the same way, they look similar— hell, they even smell the same.”

Bruce’s brows furrow. “How do you know what he smells like?”

“Uh…” you stall. “You know, close combat.”

Apparently, he drops it even though he clearly doesn’t believe you, because he asks another question. “We’ve never seen Red Hood unmasked, how do you know they look similar?”

You shrug. “They just do. There’s just something about him. I haven’t been able to shake the feeling for a while.”

It’s silent again for several long moments.

Then Bruce shakes his head absentmindedly.

“Jason is dead, Y/n. No matter how much we miss him, he can’t come back.”

But he’s wrong, he has to be.

Because no one is that similar to someone. You’re sure of it.

……

Your cheeks are wet and your eyes are starting to become raw from you rubbing at them.

Sobbing pathetically on the rooftop of the manor because you had to be reminded about a death that happened a long time ago is not the highlight of your day.

It’s stupid, going from sure of yourself, to telling yourself you’re so stupid for ever thinking it could be true in the first place.

There’s footsteps beside you, but you don’t look up. You don’t care enough to see who it is.

You fidget with the necklace around your neck as you sniffle into your knees.

Something clicks and then hisses as if air pressure is being released before you hear a tiny thud, and then someone pulls you into them.

You know who it is now.

“What’s wrong?” He asks quietly. You know you could look up and confirm your suspicions at any moment but you just can’t bring yourself to do it.

It’s not true, after all, because it can’t be. It’s not possible.

You shrug against him. “I’m reopening old wounds for no reason.” You pause. “Why do you trust me?”

He’s silent, contemplative for a while. “You’re you.”

You laugh dryly. “That doesn’t explain anything.”

“You haven’t even bothered to look have you?” His hand strokes lines in your hair. “You could. I don’t think I’d mind.”

“I don’t want to know.” You say, wrapping your arms around his waist. “I’m not ready for that.”

He nods, you can feel the movement through his body, even though it’s subtle.

You sit, wrapped up in his arms for a long while before he clears his throat softly and asks, “what old wounds have you been reopening?”

Your eyes well again, but you choke back the tears. “An old… friend, I guess. He died.” You start to pull back but you don’t look at his face.

Instead, you bury your face in your hands again. He lets you pull back. “I’m sorry for your loss.”

You shrug. “It was a long time ago, he just meant a lot to me— and it’s really hard because you remind me so much of him.”

He makes a sort of strangled sound and then clears his throat again but more rough this time. “Why do you say that?”

His voice sounds even more similar without the helmet and voice changer. This man is going to be the death of you. Maybe literally. “I don’t… I don’t know. It’s just everything.” You shake your head and laugh sardonically. “It’s driving me insane.”

“How did he die?” His voice is darker than before, and there’s a sort of undertone you can’t place.

“Brutally.” You stop, take a deep breath, and offer only a bit more context. “The Joker.”

He hums. “The Joker‘s alive and ruling this dumb city.” He pauses. “How do you think your friend would feel about that?”

“Probably about the same as I do. Sick.” You run a hand through your hair, purposefully trying to avoid seeing his face. “That’s why I became a hero, you know. I wanted to kill the joker because he killed Ja- um, my friend.”

“Why didn’t you?”

“People stopped me before I did something I couldn’t come back from.” You say, wrapping your arms around your legs. “I hope the joker suffers a terrible death, but I don’t think it should be by my hands. He wins if I spend the rest of my existence regretting it.”

Red Hood picks up his helmet and clicks it back on. “Right.” He stands and stares down at you. “I have to leave now.”

You shudder at his sudden coldness, and stand abruptly. “Okay, I— um, goodbye…?” You want to smack yourself at how unsure you sound. “Did I say something wrong?”

He shakes his head. “I just don’t know why you would ever regret ridding the world of someone like The Joker, that’s all.”

Stiffly, you nod and wipe your hands on your pants.

“Sorry about your friend.” He finishes, before leaving you alone on the roof again. “Too bad I didn’t know him.”

Basically, crushing any hopes you might’ve had that he was Jason.

……

This is an atrociously stupid idea, you know; driving directly into the den of Gotham's biggest drug lord is the smartest thing to do.

But Gotham's biggest drug lord is Red Hood, and you’re fairly sure he won’t hurt you. Mostly.

His lackeys though, don’t seem so forgiving.

“Who the hell are you?” The man who barks the question at you, is raggedy looking and has the worst, most distasteful tattoos you’ve seen in your life.

“I’m here to see Red Hood.” You amend quickly, “I’m a friend of his.”

“Yeah, right.” The other guard says, a bulky looking woman who is also insanely beautiful… unsettlingly so. “A fragile little thing like you, friends with our boss… please.”

You scoff. “Trust me, I’m not fragile.” Stopping, you contemplate whether it’s a good idea to start something, considering your ankle is still healing. “Just call him.”

She rolls her eyes. “Fine, whatever.”

An old phone hangs on the wall and she picks up the receiver and quickly dials a number. “Hey, I have a woman here who says she’s the bosses friend— her name? I have no clue— Oi, what’s your name?” The woman barks at you.

“Y/n.”

“Her name’s Y/n.” She’s silent for a minute while we all wait, then she hangs up the phone aggressively and yanks your arm into her grip. “Lucky. Let’s go.”

The corridors are a bit confusing to navigate, but you’re mostly just following the woman, who seems very familiar with them.

After ten minutes you reach a door, it matches almost every other door, but it has ‘boss’ written crudely on it in spray paint.

“You’re on your own from here.” She says gruffly before stomping away.

You take a moment to collect yourself before you knock, and the door swings open before you can even finish knocking.

“Why are you here?” Red Hood sounds breathless behind his mask, as if something winded him. “How did you remember how to get here?”

“I’m… actually not sure.” You chuckle quietly to yourself as Red Hood pulls you inside.

He sits down at a desk after pulling a chair out for you to sit in. “Again, why are you here?”

Your heart seizes for a moment as if the reason why you’re here hit you all over again. “I want you to show me who you are.”

“Are you sure?” Red Hood questions slowly, his body locking up. “You’re not going to like it.”

You nod curtly. “Yes, I need to know.”

He takes a deep breath and stands up, coming right up close to you. Far enough that you could see his face clearly but close enough to have your knees buckling.

He reaches up and presses a button you can’t see. The helmet hisses and opens, he pulls it off.

And your jaw drops.

Standing there, in grown up glory, black hair, green eyes that used to kill you, is Jason Fucking Todd.

“You’re— You’re not— dead.” You stammer, almost reaching out to touch him before you yank your hand back.

You’re so irrationally angry and also relieved and devastated all at the same time.

Jason sets the helmet down. You can’t decide whether to hug him and never let go or slap him for waiting so long to tell you. “That’s a… complicated story.” He pauses. “I promise I’ll tell you that story but I just— can’t get into that right now.”

You nod slowly. “Okay… that means I can get fucking pissed now.”

You’ve clearly confused him when you wrap your hands around his waist and squeeze tightly while also cursing him out. “I can’t believe you waited this long to show me.”

You can see the smart-ass comment on the tip of his tongue but he bites it back. “I knew you’d find out eventually.” His eyes caress your body and there’s a look of longing lingering in his eyes; he seems to be contemplating something. “Fuck it, I’ve been waiting too long to do this.”

You barely have time to react as Jason lowers his face down to yours and kisses you; As soon as you realize what he’s doing, you kiss back.

His hands go to rest on your hips, as you slowly get pushed back into his desk behind you. When you hit the ledge of if, Jason lifts you onto its surface, and pulls back.

“I’ve wanted to do that since we were kids.” He says quietly.

You gently touch your lips, almost in disbelief. “I’ve been wanting you to do that since we were kids.”

All content belongs to @beingsuneone , do not repost, copy or post on other platforms without my permission.

[tossawary]

There are some fanfiction AUs where Sidious is revealed as a Sith earlier in the timeline and Anakin refuses to believe the evidence until Palpatine is dead on the floor, sometimes to the point of physically attacking the accusers to defend Palpatine's innocence. Which depending on the exact circumstances, in my opinion, sometimes stands as an interpretation in direct contradiction to Anakin canonically turning against Palpatine in "Revenge of the Sith", before ultimately changing his mind.

Anakin is reckless and arrogant and ultimately selfish, I won't deny any of that, he's a flawed character, but... he's not attached to Palpatine as his friend above everything else. When he finds out the Palpatine is a Sith, he goes straight to Mace Windu, someone he dislikes, and gives Palpatine up to the Jedi immediately. If Anakin hadn't come back during the Windu-Sidious fight, if he'd held out for another five minutes, then Windu probably would have won. Sidious came very, VERY close to getting his ass killed at the last minute and losing everything, because Anakin was still on the fence. It seems unlikely that getting cooked by Sith Lightning was part of Palpatine's plan.

Tragedy is a matter of timing, as much as it is about specific people and places. The "when" of it matters. Anakin's fall to the Dark Side is initially all about FEAR, though it soon gets twisted into anger and hatred. He's been dreaming about losing Padmé (and their child) like he lost his mother, and he's convinced that Sidious can save her. If there's no lethal threat to Padmé, then Anakin has less reason to turn on the Jedi and jump ship.

They're about to end the war, which has made Anakin a very important and powerful figure, and Anakin is even more at odds with the Council than before. Everything feels unbalanced and the future is uncertain. He's been forced onto the Council by Palpatine and the Council is essentially asking him to ruin his friendship with Palpatine, whom he likes in spite of and because he's a dictator, and who is also likely about to lose a lot of emergency powers. Anakin may feel like the "jealous" Jedi Council intend to take their dislike out on him as soon as the war is over and he's no longer so useful to them. They will almost certainly boot him off the Council ASAP, because he is absolutely not ready to be a Master or a Councillor, despite what respect he personally feels owed due to his powers.

By a quick line of dialogue in this movie, it's also revealed that Anakin at some point TOLD Palpatine about the Tusken massacre. Anakin is presumably afraid that the Jedi would react with rightful horror to what he did and punish him; he may resent them because he knows they "wouldn't understand" his anger. If Palpatine wasn't a Sith Lord and just got arrested, Anakin could still lose everything if Palpatine decided to retaliate by talking about Anakin's secrets.

When Anakin interferes with Windu killing Sidious and Windu dies, it's because Anakin is desperate to at least spare Palpatine's life to save Padmé, but now he's FUCKED. He already wanted to be both a Jedi Knight and married to Padmé at the same time, and he thought that the Jedi Council would try to take one or both of those things away from him if they knew. But now he's helped to murder the Master of the Order, which I don't think he necessarily wanted to do, and there's no coming back from that. The "they'll take everything from me" fear has skyrocketed. He probably thinks they'll try to take revenge (justice) at all costs. He chooses himself (and Padmé, initially, before he ends up killing her too) over the entire Jedi Order and the entire Republic to escape the consequences.

After this point, Anakin's fall is less a slippery slope and more like a straight shot downwards, because it goes right into the Jedi Temple massacre. Personally, I think this jump is a little far, as it's executed in the films. I might have preferred a scene where Anakin takes the troopers and asks that the Jedi Order surrender to the Supreme Chancellor first, maybe? Before it descends into chaos? So that Anakin can angrily argue that they left him no choice? I don't know. Anakin lets all of his past resentments go wild, just throws himself into his anger, and is having some full-on mental breakdown here, which combined with some bonus Dark Side nonsense from Sidious is not necessarily unrealistic, but does feel a little rushed and uniform for my tastes in the trilogy by itself.

With Anakin and the Jedi Order's fall happening pretty much overnight like that, it gives Anakin even less time to be pulled off this path by Padmé or Obi-Wan. If Obi-Wan had been there to de-escalate the situation before Windu's death, if he had found out about Padmé's pregnancy as Anakin breaks down, he might have been able to promise that he would care for Anakin regardless and point out that Palpatine might be the true threat to her life. And Anakin might have listened to that much-needed reassurance and management of his extreme emotions. He loves (is attached to) Padmé and Obi-Wan, supposedly, and he's listened to them about various important things before. But Obi-Wan wasn't there this time.

In an AU scenario, it's not unrealistic that Anakin might not want to believe that Palpatine is the Sith Lord. If the accusation comes from someone Anakin dislikes, I do think Anakin would be even less inclined to believe it. He's stubborn. He does consider Palpatine a friend. Palpatine compliments him and strokes his ego, where Obi-Wan can be critical and distant. Anakin might be the first one to suggest that someone could be framing the Chancellor.

But for all that Anakin is reckless and self-centered and has a spectacularly violent emotional breakdown in "Revenge of the Sith", he DOES turn Palpatine in first. He knows that the Jedi Council will try to investigate, then perhaps arrest the Chancellor, rather than go to murder as their first option. When Mace Windu tells Anakin to stay behind in the Jedi Temple, Anakin listens at first. He ALMOST left Palpatine to be handled by the Jedi Council without him. Anakin's last minute choice, initially made for Padmé's sake before going into a wild spiral of bad shit, is what tips the final balance towards Palpatine's victory.

In the original trilogy, Darth Vader is game to overthrow the Emperor for Luke, so they can rule the galaxy as father and son. He DOES choose Luke in the end. Admittedly, this is after 20+ years of pain and misery and violence that has brought him no happiness, which has probably contributed to Anakin's hatred of Palpatine. But it suggests to me that hot-headed Anakin could be easily persuaded to view Palpatine's reveal as a Sith Lord as a personal betrayal, especially if it happens earlier. Palpatine is behind the whole war? Then Palpatine is responsible for Padmé and Obi-Wan nearly dying too many times to count. Anakin might be angrier and more eager than anyone else to get rid of Palpatine, for lying to him this whole time, once he gets over the surprise.

Anakin is a somewhat unstable character, but he has reasons behind his behavior. He's unstable BECAUSE he's strongly guided by his fears and his anger and his attachments to his loved ones. I think it's reasonable not to like him, but sometimes I'm reading certain interpretations of him, and it's like, "That's not why he sucks, though."

Like, Anakin is motivated by fear of loss, yes, and losing Padmé is his number one trigger point. But he is ALSO motivated at times by fear of losing his position in the Jedi Order, because he likes some of the other Jedi, and he likes being a hero and helping people to some degree (also he may have some deep-seated childhood fear about having nowhere else to go but back to Tatooine). That's why he married Padmé secretly. And I personally think he values his position as a Jedi and his home there more than he does Palpatine's friendship, especially when he's younger.

If Anakin is not losing his mind on a cocktail of Padmé death nightmares, Jedi Council politics, the end of the war, war trauma, Palpatine's potential blackmail, and so on, then taking Palpatine's side too strongly stands to lose him his position as a Jedi, all that stability and compassion, all that privilege and recognition. Yeah, Anakin can be reckless and impulsive and relies too much on being bailed out by other people, but he's not entirely without a sense of self-preservation. It's definitely not impossible that Anakin would attack and even kill someone to defend Palpatine, that he would choose Palpatine over the Jedi, you can use Ep3 as very hard proof of that, but there are plenty of circumstances where I think it's more likely that Anakin would feel betrayed and turn on Palpatine for being Sith.

Because in both "Revenge of the Sith" and "Return of the Jedi", Anakin DOES turn on Palpatine. Sidious relying too much on his manipulation of Anakin gets him cooked by Sith Lightning in Ep3 and it finally gets him killed in Ep6. Seriously, Palpatine nearly dies in "Revenge of the Sith". It's so close. Anakin can and WILL murderously turn on this guy pretty quickly if the circumstances and consequences don't line up just right.