#also they're really truly stupid

[astrolotte]

listen guys I love Peri a lot too, I think there's a lot about his character worth studying and that he's a good guy but you all have GOT to stop blaming Dev here when Peri is arguably more at fault!

Sure, Dev was mean to him, but Peri was mean back! And Peri is an adult while Dev is a ten year old child, Peri should have the capacity to not complain about him directly to his face, especially considering Dev has been emotionally abused all his life.

Ultimately, I don't consider it to be either of their faults. Sure, Peri was bad at this, but he straight up didn't have any experience except for Timmy, where he took up the role of a brother instead of a parent, a VERY different dynamic. Peri should've gotten like at least 3 different godkids before someone like Dev, to give him a feel for how different kids can be, and how you need to deal with different situations in their own ways. And that's just the lowest I'd advise going, he should've definitely had more.

So I blame the system for throwing him to the wolves fresh out of schooling, especially considering, iirc, Fairy Academy is canonically pretty terrible, as it's more like a military academy than an actual school. He had no proper experience, no way of knowing how to help a kid that doesn't seem to want to be helped...

But if you're going to blame anyone, blame Peri. Not the child that he was supposed to help, the child that he failed.

Mind you, 10 year olds literally don't even have fully developed minds yet, of course his sense of morality is a bit twisted. His brain isn't fully grown!

[beanghostprincess]

i know i did not just lose a mutual over lawlu bc they said it was problematic. as if luffy, a 19 y/o, didn't have enough critical thinking to do whatever the fuck he wants.

[poisonousquinzel]

Harley is so cute in the Gotham Girls comic but jfc the writing around her is so questionable the large part of the time 😭😭

sorry (no I'm not) but actually that feels so damned victim blamey and I resent the nasty ass way comics talk about her mental health problems it's so offensive. Paul D. Storrie im in your closet

like now why the fuck would Ivy or Barbara react this way? Ivy knows her and Barbara is literally a superhero,,, she also knows damn well who Harleen was???? it's kinda like a part of the superhero thing is learning about the enemies you're facing???? "Sure Harley I know" yeah she does know because Harley's fucking right you don't just get hired at ARKHAM what is wrong with the writer of this comic???

AND SHE WASN'T A PHYCOLOGIST !!!!! SHE'S NEVER BEEN A DAMNED PSYCHOLOGIST !!! ITS A COMPLETELY DIFFERENT THING FROM BEING A PSYCHIATRIST FFS !!!!!!!!

[textfromthelookout]

Did you hear of the news?

I have. :(

Everyone else has their tributes so, here, a summary of my experience with Dragon Ball.

I was in fourth grade art class. A kid had the February 2005 issue of Shonen Jump, back when Shonen Jump was still physically printed here. I recognized Atem on the front cover because the Blockbuster around the corner from our house had DVDs (I think they were DVDs and not VHSs then since I distinctly remember it having a menu and special features) of some of the later episodes of Duelist Kingdom and my brother and I watched them on repeat. So I was like oh, hey, what's this? They make books of that stuff? I don't remember the conversation but the kid ended up giving me that issue, and I took it home with me.

There were a LOT of significant, groundwork things happening in that issue, now that I think about it. We were just beginning to see Sanji truly in action against Pearl. The Dark Tournament was in it's early stages still with Roto fucking around and finding out against Kurama. Sakura shears off her hair in a move that rearranged sexualities the world over. The reason Atem was on the cover was because Yu-Gi-Oh Millennium World was just debuting its first and second chapter. Bleach wasn't even serialized yet. And Dragon Ball, of course, was also there, about a hundred and fifty chapters ahead of everybody else.

Keep in mind that this was my first experience with manga, period. So my very first experience with Dragon Ball opened on this:

and ended on this:

Yeah. Truth be told, at the time Yu Yu Hakusho piqued my interest more than Dragon Ball (a guy fighting with plants? how creative!) but I never did forget these chapters. I thought the art style was so different from the others.

At some point after this, probably between several months and a year and a half, the TV happened to be on one evening when Toonami was airing Dragon Ball Z. Oh hey, I said, I recognize that art, I know those characters. So I hung around and watched some of episode 281. Two things about watching that episode stick with absolute crystal clarity in my mind to this day. Firstly: Buu choking Vegeta out with his arm freaked me the FUCK out as a child. I could not tell you why I had a fear reaction to it but hey, there you go. The second is this:

Specifically I remember 'You died once. If anything happens to you now, you won't exist anymore. There'll be nothing I can do to bring you back.' Not precisely word for word over the years, but Schemmel's tone of voice on this particular lineread. If I had to guess I'd say it was because at that point in my life, uh, death was kinda permanent? So wait, what do you mean died ONCE. Doesn't that apply to everyone?

This still wasn't enough to get me super invested in it though, it just didn't seem like something that would appeal to me that much. So a couple years go by, I don't think about it all that much, and then of course, TFS hits the scene and drops DBZ Abridged. So you know. As a shithead middle schooler with a shithead sense of humor I thought it was the best damn thing since sliced bread. (My biggest character flaw is that I still think a lot of Season 1 is genuinely funny)

And that was really the extent of my interaction with the franchise for the next several years. Say what you will about DBZA but they did manage to put it all together such that someone who had a nonexistent concept of what the original context was could grok it with not a lot of effort. Some time in high school, I think I was around 15, I decided to bite the bullet and read all the manga, as much to increase the funny factor of DBZA as sheerly for the sake of being able to say I had. Stick it to the other weebs, y'know. Now they can't say I didn't know anything about good anime. This was unfortunately at a time when all that was available online were dirty poor-quality scans and questionable translations, but read it I did. I went 'yep, that sure is about what I expected', and proceeded to get on with my life. GT came and went, I looked up and saw Battle of Gods coming out and went 'oh hey that's still a thing huh', kinda was peripherally aware of all the divisiveness of Super as it was happening, didn't really pay it much attention, just stuck to DBZA and quite a lot of wiki-ing.

And then, this time of year about three years ago now, in the middle of conversation with @prophecydungeon, Dragon Ball somehow came up. Something to do with 'Even though I'm not hugely into DBZ's story or whatever Toriyama does have some great character designs' (yes I was referring to Vegeta and Future Trunks at the time, no i will not stop being predictable, yes i am a parody of myself). They eventually brought up the DBS Broly movie and said, and i quote: 'that was a solid 1.5h of unbelievably fun and wacky animation'. Having seen the Gogeta vs Broly part of it on twitter and been like 'damn that animation's kinda off the hook actually, good for them good for them', my response was to be like. Oh word? I've got a spare hour and a half to kill, sure, fuck it, why not, time to watch DBS Broly.

I think that movie was precision crafted to hit me in the hyperfixation, if we're being honest. Opening on a solid 20 minutes of Lore and Worldbuilding and then having most of the rest of the runtime being mindless slobberknocker fun by way of some of the hardest animation flexes ever? I was done for.

In summation. I have been aware of Dragon Ball for a lot of my life, in that its presence was pervasive and enduring as I grew up. I may have been late to the game of actually wholeheartedly enjoying it, but enjoy it I do. Dragon Ball is the roots of a vast tree of anime, and in reading it I began to understand why that is. I respect it for that, and I love it for that. My current fixation may have shifted, but as far as time devoted to one individual thing goes... it took me a year and a half to watch my way through all of the anime and read all of the manga. ALL of it. So there's something good in there, I'd say.

[expatesque]

Well ladies (gn), it might have been unexpected but funemployment isn't starting off too bad.

[dreamboyf]

"using AI to cheat your way through school is bad"

"OH SO YOURE A PROTESTANT??? YOU WANT PEOPLE TO SUFFER???"

[bikananjarrus]

just had the most bizarre conversation with our hr manager. like bizarre doesn't feel like a strong enough word because what the actual fuck but yeah. call me baffled. call me flabbergasted.

[cerealbishh]

"You get to see her understanding of how things really are. And so that becomes much more present on the surface. (...) In this season, we get to see her fall deeper in love with him but also navigate those challenges. And also becoming an anchor for Rhett but also struggling with his decision, 'Is this what I want for my future as well, as much as I love this man?'." - Isa in an interview with The Knockturnal(x)

[spamtoon]

(Out of nowhere, you are approached by a familiar lightbulb-headed Cog.)

Ah, it's you, cat. Thinking you're oh-so-slick. Muttering and whispering under those raggedy whiskers of yours... Thinking I am unable to hear it all...

Well, you've simply underestimated my fantastic hearing. You probably want to know the reason why I'm here, taking a 'break' from my incredibly important scientific breakthroughs? It's quite simple, really!

(She gets close, and squints her eyes.)

I know what you are.

Farewell, now!

(She then leaves the way she came from.)

(Spam giggles immensely, covering her face... it always seems like she's giggling, isn't she? This lasts... at least thirty seconds. Longer than usual.)

And I know what I am too, Sparky! You broke through something, that's for sure. Really, broke through...

(She looks down, continuing to laugh nervously.)

You know, I find it odd you Havent tried to bulb blast me into the stratosphere by now. I mean knowing how you acted with Frostbite. Is there something peculiar about me that you perhaps can't quite track? Something about me that you... don't know what I am?

I know, I know, I'm talking to nobody again. But you were there when I had a moment today with the one the only Frostbite The Bravecog. You may be remaining. Lurking in the shadows. Knowing about these thoughts that I'm thinking.

(The giggling resumes, lasting far shorter this time.)

Your brother's a piece of fucking barp, by the way

(She braces for impact for a few seconds, wincing while smiling, before comically looking around to realize nobody's there. She sighs.)

Wow, okay maybe toony superhero show logic doesn't apply in this situation. Cool.

WAIT I JUST FUCKING REALIZED WHAT SHE MEANT but like. Dude if she meant that then what's the point I mean the whole ahh sellbot department barping knows unless you're Really low on the ladder. Heheh... maybe she did mean what I thought she meant.

Oh i'm so fucking screwed. What kind of bitch gets filament fever

[aeide-thea]

[fic crit, amatonormativity (blogger's own) cw]

revisited a story that i remembered really enjoying, but have had difficulty digging up for a reread because, as it turns out, it's a good 200 pages deep in the relevant pairing tag, and—

turns out that i do still really dig it, and also that the other thing i remembered about it is equally still true, which is that it totally fails to really resolve the emotional side of things! like, it's a fic full of Plot and briefly- but vividly-drawn OCs, and people from the main characters' pasts who show up in ways that work for the story but are also random enough to lend verisimilitude, and we get to see the elements of the foil's day-to-day life—what keeps them busy and burnished when they're not off Adventuring with our protagonist—in generous, engaging detail, and all of that remains really satisfying and compelling to me; but it's billed as a fic ft. a pairing, and yet all we see of that is an established, undiscussed level of ambiguous intimacy that's lovely and warm but queerplatonic at absolute most, and doesn't get tied into any sort of bow by the end, even a friendly one.

and the thing is—there's absolutely nothing wrong with that! if it weren't for the pairing tag i probably wouldn't even find it unsatisfying: it'd just be lovely warm plotty genfic, and i'd enjoy the hell out of it! but i am, for better or for worse, amatonormative enough that when i see a story with a pairing tag, i do personally expect some combination of Romance Feelings and/or sex to appear on the page, unless the author's notes inform me the relationship is queerplatonic or similarly asterisked, and having that expectation go unmet feels like a disappointment even when the fic is on all other fronts the opposite of disappointing. which i'm fully ready to accept is my own failing, rather than the story's! but. idk. pondering and processing. :)

[ask-artsy-oncie]

did my best to clean up my twitter a bit because I'm realizing that a Japanese marker company probably won't like my outspoken opinions on piracy and may ban me from their competition upon looking through the social media I've submitted with my application.

[vivalasthedas]

i have such a such a hate for reserve prices on ebay. I can't explain why. They made sense before cause didn't all bidding start at 0 and you couldn't change that. But now that's not the case. If you're unwilling to sell the item for less than, say, 40, you can start the bidding at 40.

I do get it to some extent cause you'll see all the time an item listed for 60 that will languish unsold and get reslisted over and over without them lowering the price or doing anything, certain they can sell it for that much because they'll see people list the same thing starting at 20 and the final bids will be well over 80. And they're comparably conditioned and all that. It's the whole start the prices low and you're more likely to get people bidding competitively thing.

But I think if you're going to use that tactic, you have to be ready for people to just... not... That should be the flipside. You don't want to list it for what you want to sell it for, then be ready to lose if you don't get that competition brained over spending. Or just list it for what you want to sell it for.

[songofwizardry]

i like organising things but what i do not like is the experience of trying to run something that requires input from like three different lots of people on four different groups all of whom i communicate with via text when the other lot of people has asked me for something, always after 8pm at night, and always (no matter how serious the matter actually is) all these conversations take on some varying tone of urgency in my brain bc if they do not answer or we don't have a decision before i go to bed nothing will get done until i am back from work the next day at 5pm. truly most annoying experience.

[hollow-prey]

I'm not jealous of my f/o and their canon ex I'm not jealous of my f/o and their canon ex I'm not jealous of my f/o and their canon ex I'm not jealous of my f/o and their canon ex I'm n-

[pandorashearts]

another super insulting part of the watcher situation i haven't rly seen ppl addressing much

ryan deadass saying smth like "nobody else on youtube has made tv quality content"

like... i really feel like it's important to highlight that bc not only do they obviously have no respect for their audience, but that statement shows they have no respect for their peers in the industry, either.

not to mention it is a shining example of bleeding arrogance to such a high degree, you will straight up fucking lie bc you're truly convinced you're that special when you're anything but.

there's been NUMEROUS online creators who were recognized by entertainment industry workers BECAUSE they made tv quality content & even full stop blockbuster quality content.

bo burnham started on youtube & is now one of the most wellknown & loved standup comedians of our generation, with numerous netflix specials & even a movie he wrote & directed under his belt.

the try guys, fellow ex-buzzfeed employees, had their own tv specials on food network (based off their youtube shows, btw) & a documentary made about them as well

rosanna pansino has also been on numerous food network shows both as a host & a judge

quinta brunsun, another fellow ex-buzzfeed employee, went on to create her own whole ass sitcom that has been highly praised

matpat cameo'd in the fnaf movie because of his theories & multiple other fnaf creators had small cameos through the employee of the month board easter egg

markiplier made multiple high-quality shows on youtube & is now working on a highly anticipated movie (he was also planned to cameo in the fnaf movie but couldn't due to conflicting schedules with his own movie)

hot ones got their own tv gameshow due to their popularity & they are still one of the most wellknown, beloved & respected internet shows

many short films made on youtube went on to premiere at film festivals & even in theaters

the hit horror film "talk to me" was created by youtubers rackaracka

webseries of actual fucking tv shows have also existed for literal decades

the list goes on.

to seriously think that overproduced bullshit is all you need to make "tv quality content" is not only tone-deaf, but shows they do not even know what they're talking about. many tv shows & huge blockbuster movies are made with absolutely microscopic budgets & small teams, & they still get praised & awarded for the passion, dedication, & creativity that shined brightly under those restrictions.

the blair witch project is probably the most wellknown & highly praised example of this, but it is far from the Only example

it is a whole other slap in the face, again ESPECIALLY when puppet history is one of their most popular shows, to spit in the face of internet history. to see the success of their predecessors, even ppl they fucking worked with at buzzfeed, & deny them of all their success & efforts to get where they ended up.

no, y'all are not the first people to make "tv quality content" on the internet. FAR from it. because your crap isn't even genuine "tv quality".

but you are the first ones to ever disrespect not only your audience, but your own fucking industry & your peers on this level.

& you are the first & i sorely hope the only fuckwads dumb enough to pull a stunt this fucking stupid, out of touch & utterly tone deaf.

[angclnumber]

"OH, THAT IT WAS YOU ." slater replies without hesitation, nodding to punctuate the words, because if there was one thing slater was not going to do it was back down, for better or for worse . the words are accompanied with the ghost of a smile though, one that is still present until slater shrugs at ivorie's point . " was mostly curious if you were just following in your parent's footsteps like a sheep ." an arch of their brow before they admit, " cause that would piss me off ." slater's expression scrunches at ivorie's accusation, their lips twitching as they say, " god, you're obsessed with me, huh ? i barely glanced your way . what, do you like to imagine me looking at you ? is that what this is ?" slater's brow arches with the teasing, their eyes reflecting their amusement until ivorie's next words are wiping the state clean with a blink . " ... hold the fuck up ." slater starts with a shake of their head, leaning their forearms on the table and therefore leaning closer to ivorie once again . " you're telling me you do music ?" their brows are still furrowed with the shock of it even as their eyes begin to colour with their interest, as they look over ivorie with new light . " yeah, right ." slater scoffs at ivorie's retort, arching a brow with the huff of laughter as they say, " i could wipe the floor with you in literally anything, right here, right now and i think we both know it ." slater's brow arches at ivorie's last comment, almost surprised before they're shrugging to add, " most people are too afraid to just fuck with me like that ." their eyes narrow playfully then, teasing as they ask, " what, are you worried about me, ivorie ?"

"most definitely -- if you weren't implying that then what were you implying?" ivorie arches an eyebrow glancing over towards them watching that smile upon their lips twitch upwards. "sure blame it on the alcohol and not the mere fact that you're actually curious as to why i hate you." female refers back to the initial question that strikes up the entire conversation, jumpstarting it into what it was now. "plus, you were looking at me before hand! felt your presences on me like a stalker." listening to their techniques in songwriting and how their songs come about, she tilts her head to the side -- but in a way she understood exactly what they meant. "i'd say that i'm more of the lyrical type first then transition it into music." lifting her shoulders up into a shrug, music was another passion, it first began with journaling her emotions and one thing lead to another and she actually wrote songs.. not that she'd ever share that life with anyone, her career was on the ice. ivorie's lips forms into a smirk, arms cross over her chest as she chuckles, "looks like you'll always die trying when it comes to me," her eyes meets theirs. "with that mindset people would take advantage of that."