#also there were three songs from 1989 taylor's version in my on repeat this month HELP

[a-moth-to-the-light]

Most-Listened of February 2024

[last month]

Out of all the releases I've been interested in these past two months, I feel like I've listened to barely any of them :( But I've really, really loved the ones I've gotten around to checking out, so I've been having a great couple months of music anyway! My music taste is in its seasonal transition--plenty of bleak winter stuff this month, but I've been craving big heartstopping pop anthems, too (G-IDLE's "Revenge" isn't on here, but I've been loving it lately).

1. Ahora y Aquí -- Ramon Mirabet, Bely Basarte

So I keep saying I'm tired of the 80s-inspired synthpop trend that's taken over our post-"Blinding Lights" world, but here I am with this at the top of my list. No but this one's DIFFERENT, SHE'S NOT LIKE OTHER SYNTHPOP. As with most tracks blessed by Bely Basarte, the vocals are what elevates this for me--they're unexpectedly gritty for a sleek pop track like this, and when both singers let it all out in that last chorus, I understand what it means to go feral. It has all the uncontrolled chaos of a real dance party, and I love it!!

2. Lejos -- Andrea Santiago

This is a pretty by-the-numbers Andrea Santiago song, but even the most average of her music is a world of its own to escape into. I'm not sure how to feel about this new album--something feels really off about the production--but "Lejos" is absolutely hypnotizing! Definitely going to be bringing this one out at karaoke sometime, because it's exactly my type of angst (and the chorus jumps are SOOO fun to sing???).

3. Turning Tables -- Adele

I sulked to this song all month, and I don't regret a minute of it.

4. Goodbye, My Danish Sweetheart -- Mitski

Do I win sapphic points for having Mitski in the top 5?

5. Is It Over Now? (Taylor's Version) -- Taylor Swift

LETS FAST FOWARD TWO THREE HUNDRED TAKEOUT COFFEES LATER !!!!!! Yeah I'm completely obsessed with that line. Taylor Swift always releases songs that are just SO fun to sing along to, so I'm running around my apartment like YOU SEARCH IN EVERY MODEL'S BED FOR SOMETHING GREATER, BABY !!!! This song is such an off-balance mix of humor and agony, so like I don't really understand it but I can't take my eyes off it. And that intro is GORGEOUS.

6. Easy -- Le Sserafim

I didn't get the hype for "Perfect Night", so I didn't particularly care either way about this comeback--until I heard it. And oh my god "Easy" got me on first listen. ("Smart" has been working its way up my On Repeat playlist, too.) Le Sserafim stole all my new-release energy this month, but my appreciation for "Easy" still hasn't died out. A silky-smooth song like this is perfect for my mood right now--their delivery is so casually confident, contagious enough that I can't help but feel stronger when I listen to it; but it's not so energetic that my poor gloomy winter-brain is overwhelmed. The production is really crisp, too, complimenting the vocals well and making for some really iconic moments. And yes i'm aware this is gg "Sticker". I still can't listen to "Sticker" (it gives me a headache), but this version isn't too annoying for me, I guess?

7. Unstoppable -- Sia

I actually don't have a real explanation for this one? I remembered this song existed mid-month (after having forgotten about it since 2016), had a crisis with it as a soundtrack, and now it's in the playlists.

8. Roaring 20s -- Panic! At The Disco

Burnout anthem?? Burnout anthem.

9. Outta My Head -- Jeon Somi

My commentary on every Somi song ever is just "Somi sing so pretty SQUEEEEEEEE". So, that's my review for "Outta My Head". I don't know if people still like this one, but my love for it hasn't died since "Birthday" era!

10. Budget (feat. Latto) -- Megan Thee Stallion, Latto

@shyreol got me with her Megan Thee Stallion agenda! I don't think I'd ever cared for a Megan Thee Stallion song before this year, but "Ungrateful" and "Budget" have me HOOKED.

11. Now That We Don't Talk (Taylor's Version) -- Taylor Swift

I don't know, I just really like it when the title drop goes BOOM !!

NOW THAT. WE DON'T. TALK.

12. Tinnitus (Wanna be a rock) -- TXT

WHOOOOO AFROBEATS !!!

13. There Will Be Tears -- Faux Paz

Faux Paz is back for round two on my 2024 monthly lists! They're my favorite holdover from my acappella days--their arrangements always hit hard, and there's something about the really gloomy, and also cathartic, acceptance in the phrase "there will be tears" when its repeated by this giant wall of voices? It really gets me. This isn't my favorite Faux Paz cover, but it's a song I can't look away from.

14. Escape Room -- fromis_9

I'm a gg stan, so this was going to show up on here eventually. Next up, Chung Ha's "Roller Coaster" ?

15. Hold The Girl -- Rina Sawayama

Stole this rec from @nayeonline a while ago (thank you for sharing!!), and it really hit this month :) This song goes all out with the angst, and Rina Sawayama has more than enough vocal power to do it justice!

Five-Star Songs (& Albums) This Month:

Ahora y Aquí -- Ramon Mirabet, Bely Basarte (bely basarte is two-for-two in 2024's five-star songs lists, and wow is it deserved)

DNA -- Yena (i have no idea what about this song makes it so perfect for me, but i love it 100x more than "good morning" for some reason?? it just hits SO hard)

Pirate Radio* -- Jean Dawson (okay i'm actually not a huge fan of dawson's voice, but this instrumental is too wonderful to leave off the list. i watched & enjoyed school spirits on netflix this month, and this is by far my favorite from the soundtrack! string instruments make my heart go BZZZZZZZZZZZZZZZZZZ and this song is just a delightful confection of them !!)

Vision -- G-IDLE (a sixth star added for that layering where someone's murmuring underneath the whispery vocals in the chorus??????? like it should NOT sound as good as it does but here we are ?????)

Prenderle Fuego a Todo -- Andrea Santiago (i want to start including albums on here, mostly to get myself to listen to more albums all the way through! i've been obsessed with a few songs from this album for years now, but i finally listened to the whole thing this month--and it's even more wonderful as a complete set. the CLOSING SONG ?? I CAN'T BELIEVE I'VE SPENT YEARS OF MY LIFE IGNORING IT. when i'm listening to andrea santiago's music, i see the world with completely new eyes, and this album captures that wanderlust, an emotion i've actually never felt without help from music, even in its slow moments.)

[papermoonloveslucy]

TOAST OF THE TOWN aka THE ED SULLIVAN SHOW

“A Tribute to Lucy and Desi” (S3;E8) ~ October 3, 1954 

Directed & Choreographed by John Wray  

Ed Sullivan (Himself / Host) was a preeminent television variety show host who is best remembered for hosting his own show, at first titled “Toast of the Town” but later simply known as “The Ed Sullivan Show,” which became a staple of Sunday night viewing for millions of Americans from 1948 to 1971.  As such, his name was often mentioned on “I Love Lucy” and Lucille Ball's subsequent sitcoms. He introduced America to such entertainers as Elvis Presley, The Beatles, and The Supremes. Sullivan entered icon status when he and his television show were worked into the plot of the Broadway musical Bye Bye Birdie in 1960. The musical includes the song "Hymn for a Sunday Evening" which has a chorus that repeats Sullivan's name in a choir-like harmony. Hope made an appearance in the 1964 film version. The theatre on Broadway in New York City where Sullivan did his weekly show was named after him in 1967. He died in 1974.

Lucille Ball (Herself / Lucy Ricardo) was born on August 6, 1911 in Jamestown, New York. She began her screen career in 1933 and was known in Hollywood as ‘Queen of the B’s’ due to her many appearances in ‘B’ movies. With Richard Denning, she starred in a radio program titled “My Favorite Husband” which eventually led to the creation of “I Love Lucy,” a television situation comedy in which she co-starred with her real-life husband, Latin bandleader Desi Arnaz. The program was phenomenally successful, allowing the couple to purchase what was once RKO Studios, re-naming it Desilu. When the show ended in 1960 (in an hour-long format known as “The Lucy-Desi Comedy Hour”) so did Lucy and Desi’s marriage. In 1962, hoping to keep Desilu financially solvent, Lucy returned to the sitcom format with “The Lucy Show,” which lasted six seasons. She followed that with a similar sitcom “Here’s Lucy” co-starring with her real-life children, Lucie and Desi Jr., as well as Gale Gordon, who had joined the cast of “The Lucy Show” during season two. Before her death in 1989, Lucy made one more attempt at a sitcom with “Life With Lucy,” also with Gordon, which was not a success and was canceled after just 13 episodes. 

Desi Arnaz (Himself / Ricky Ricardo) was born in Cuba in 1917 and immigrated to America as a youngster.  He was a musician who married Lucille Ball in 1940 after meeting her on the set of 1939’s Too Many Girls, which he had done on stage in New York.  In order to keep him ‘off the road’ Ball convinced producers to cast him as her husband in a new television project based on her radio show “My Favorite Husband.” The network was convinced. In 1951, Arnaz and Ball began playing Lucy and Ricky Ricardo, roles they would be identified with for the rest of their lives. The couple had two children together, Lucie and Desi Jr.  In 1960, Ball and Arnaz divorced. Desi became a producer, responsible for such hits as “The Mothers-in-Law” (1967-69). He re-married in 1963. Desi Aranz died in 1986, just a few years before Ball.  

William Frawley (Himself / Fred Mertz) was already a Hollywood veteran when he was hired by Desi Arnaz to play Fred Mertz on “I Love Lucy.” After the series concluded he joined the cast of “My Three Sons” playing Bub Casey. He did an episode of “The Lucy Show” in October 1965 which was his final TV appearance before his death in March 1966.

Vivian Vance (Herself / Ethel Mertz) was born Vivian Roberta Jones in Cherryvale, Kansas in 1909, although her family quickly moved to Albuquerque, New Mexico where she was raised. She had extensive theatre experience, co-starring on Broadway with Ethel Merman in “Anything Goes.” She was acting in a play in Southern California when she was spotted by Desi Arnaz and hired to play Ethel Mertz, Lucy Ricardo’s neighbor and best friend. The pairing is credited with much of the success of “I Love Lucy.”  Vance was convinced to join the cast of “The Lucy Show” in 1962, but stayed with the series only through season three, making occasional guest appearances afterwards. She made a total of six appearance on “Here’s Lucy.” She also joined Lucy for a TV special “Lucy Calls the President” in 1977. Vance died two years later. 

Harry Chesney (Himself) was the vice-president of Philip Morris, the tobacco company that first sponsored “I Love Lucy” in 1951.

Howard Dietz (Himself) was a lyricist who wrote over 500 songs in his lifetime. In 1954 he was a vice-president at MGM where he is credited with developing the Leo the lion logo as well as their slogan “Ars Gratia Artis” (art for art's sake). The Long, Long Trailer was an MGM picture.

Don Dixon (Himself) was a correspondent for INS, the International News Service. He was held captive in Communist China for 18 months.

John Hodiak (Himself) was a busy actor at MGM who had co-starred with Lucille Ball in their 1946 film Two Smart People. He was also seen in the 1944 film Lifeboat with Tallulah Bankhead.

Tex O'Rourke (Himself) was a toastmaster famous for moderating his “Circus Saints and Sinners” tributes. 

Dusty Rhodes (Himself) was a member of 1954 World Series Champion team the New York Giants. He would return to “The Ed Sullivan Show” in April 1955.

Robert Taylor (Archival Footage from Bataan) acted alongside Desi Arnaz in the 1943 film Bataan. He never appeared on “I Love Lucy,” but during the Ricardo's stay in Hollywood, Lucy Ricardo mentioned meeting him at a farmers market and getting his autograph on an orange.

Keenan Wynn (Archival Footage from The Long, Long Trailer)

Marjorie Main (Archival Footage from The Long, Long Trailer)

Johnny Roventini (Philip Morris Bellhop, uncredited)

Julia Meade (Voice of Mercury Commercial)

This show was aired on CBS on October 3, 1954. Sunday nights were known as “Ed Sullivan Show” nights in the same way that Lucy and Desi “owned” Monday nights throughout the 1950s. This show was done live in front of a studio audience at (what is now known as) the Ed Sullivan Theatre in New York City. 

The next day “I Love Lucy” began its fourth season on the air with “The Business Manager” (ILL S4;E1) co-starring Charles Lane (above) as Mr. Hickox. Two weeks later the series celebrated its 100th show.

The same night this show aired, “Father Knows Best” made its TV debut on CBS at 10pm. Prior to that the series had been aired on radio since 1949. On TV, it ran for one season and was canceled. The series was picked up by NBC, where it remained for three seasons. After a second cancellation in 1958, the series was picked up yet again, by CBS, where it aired until May 1960.   

This was the second of Lucille Ball's dozen appearances on “The Ed Sullivan Show.” Ball and Arnaz had been on earlier in the year, after Ed Sullivan presented “I Love Lucy” with an Emmy Award in April 1954. Desi made eight appearances, the last being in 1960. This is the only time the full hour of Sullivan's show is devoted solely to Lucy and Desi.

“Toast of the Town” was not filmed in Hollywood, like “I Love Lucy.” It was broadcast live from New York and then kinescoped to the West Coast. Consequently, prints of this show are generally of poor quality.  

During the run of “I Love Lucy,” Ed Sullivan and his show were mentioned several times:

Lucy: (about Fred the dog) “He learned obedience, but he’s not ready for ‘The Ed Sullivan Show’.” 

~ “The Ricardos Dedicate a Statue” (ILL S6;E27) 

Johnny Clark: (to Ricky) “I think I've got you planted on ‘The Ed Sullivan Show’ for next month.” 

[Celebrities would often be asked to stand-up and wave if they were spotted on “The Ed Sullivan Show.”] ~ “Face to Face” aka “The Ricardos Are Interviewed” (ILL S5;E7)

Lucy: (to a stoic Buckingham Palace Guard) “Wow, you make Ed Sullivan look like laughing boy.” 

[Sullivan was known not to smile or laugh, something Lucy chides him for in the tribute.] ~ “Lucy Meets the Queen” (ILL S5;E15)

To kick off the hour, Lucy and Desi perform a sketch about their meeting with Ed Sullivan. Although the sketch feels like an episode of “I Love Lucy,” Lucy and Desi use their own names. It opens with Lucy knitting and Desi at home (in Beverly Hills), relaxing and reading the Sunday papers, which are spread out all over the room. Desi is looking for the “spor' session” [“sports section”]. 

The newspaper Desi holds is the Sunday, October 3, 1954, edition of the New York Daily news, with the back page headline “GIANTS CHAMPS”! The previous day, the New York Giants triumphed over the Cleveland Indians in the 1954 World Series. Interestingly, this was not good news to Lucy's good friend Bob Hope, who was part-owner of the Indians. 

Two years later, October 8, 1956, Lucy and Desi guest-starred on “The Bob Hope Chevy Show” which for the evening was broadcast in Ed Sullivan's time slot, a fact Hope acknowledged in his monologue. Like this Ed Sullivan show, it was the day after a world series victory and the MVP was invited to appear on the show. For this “Toast of the Town” that player was Dusty Rhodes of the New York Giants. In 1956 it would be Don Larsen of the New York Yankees.  

When Lucy shows off what she's been knitting, Desi immediately jumps to conclusions: “Lucy! Again?  We've already done that bit!” Desi is referring to Lucy Ricardo having a baby on “I Love Lucy.” Prior to that, in 1951's “Drafted” (ILL S1;E11, above), Ricky and Fred mistake the girls knitting them sweaters for a clue that they are expecting.

Lucy tells him to relax, that she's knitting it for Eve Arden's new baby. Arden, a friend of Ball's from her B-movie days, was currently starring in TV's “Our Miss Brooks” filmed at Desilu. On September 17, 1954, she gave birth to what would be her only biological child, Douglas Brooks West.  

After arguing who should answer the telephone, Desi answers it, but can't quite figure out who it is on the other end.

Desi (to Lucy, covering the phone receiver): “I think it's somebody from a bakery.  A guy called Solomon.  Ed Solomon. He says he's selling toast in this part of the town.”

Lucy grabs the phone and  it turns out to be Ed Sullivan who is coming right over, despite the fact that their house is a mess and they aren't properly dressed. Desi says they should let Ed see them as they really are, with no pretense.

Lucy: “The show is called 'Toast of the Town', not 'Crumbs of the Town'.”

She then implores Desi to put on his shoes, to which he replies, “What for? He knows I got feet.”  

This is very similar to an exchange in ��Men Are Messy” (ILL S1;E8) from 1951.  

Lucy Ricardo: “Put your shoes on and pick up those papers. Company is coming.” Ricky Ricardo: “It isn't company, it's Fred and Ethel.” Lucy Ricardo: “Well, put your shoes on.” Ricky Ricardo: “They know I have feet.”

In the next scene, they are dressed to the nines, and Lucille makes her entrance to the strains of “A Pretty Girl Is Like A Melody” by Irving Berlin. In 1955's , “Lucy Gets Into Pictures” (ILL S4;E18) Lucy Ricardo gets a role as a showgirl, strutting down a staircase wearing a giant head-dress, while this song is playing.

Before Sullivan arrives, Lucy and Desi silently practice being acknowledged from the audience, just in case that is what Sullivan has in mind. This is visually similar to when Lucy and Ricky rehearse being surprised with a “Housewarming” (ILL S6;E23) party when they first move to Connecticut in 1957.  

The phone rings again and Lucy talks to their agent Don Sharpe about the purpose of Sullivan's visit, while Desi hovers anxiously behind her: 

Lucille (into the phone): “He is!  He isn't?  He isn't?  He is!  He isn't!” (she hangs up) Desi: “Well, is he or isn't he?”

This is another gag taken directly from “I Love Lucy.” It is possible that the “I Love Lucy” writers participated in the scripting of this sketch.

When Sullivan finally arrives at the Arnaz home, they rush him off his feet and pretend not to have already heard the news. Sullivan finally spills the beans.  

Lucy: “'Toast of the Town' and the whole slice about us!”

When Sullivan asks Lucille for a cigarette, the Philip Morris bellhop Johnny Roventini literally pops out of the coffee table and gives him one!  Although Philip Morris was not a sponsor of “Toast of the Town,” the gag acknowledges the company's initial support of “I Love Lucy.”

Vivian Vance just happens to drop by – and then almost immediately Bill Frawley. The just happen to be ready to regale Sullivan with a song, “Hullaballoo,” which Frawley says is an old vaudeville tune from 1913. He also claims that they previously performed it “on one of the old Lucy shows” but no such song was ever sung by Fred and Ethel on “I Love Lucy.”  

A curtain then closes for their bows. Sullivan reminds Vivian that they last met when he presented the Emmy Award to “I Love Lucy” in Hollywood. He recalls first meeting Frawley in Leone's Restaurant. Jimmy Walker introduced him to Sullivan. Walker was mayor of New York City from 1926 to 1932, when Sullivan was a news correspondent.

Sullivan discusses the film Bataan featuring Desi Arnaz and Robert Taylor.  Baatan (1943) was an MGM film about the World War II Battle of Bataan, a region of the Philippines.

After a Mercury commercial narrated by Julia Meade, Ed Sullivan introduces the trailer from The Long, Long Trailer, a 1954 color film based on a novel of the same name by Clinton Twiss. It is about a couple who buy a new trailer home and spend a year traveling across the United States.The film stars Lucille Ball as Tacy Collini and Desi Arnaz as Nicky Collini. The characters' names were changed from the book to sound more like ‘Lucy and Ricky’ (Tacy and Nicky, say it fast).  

Desi Arnaz performs his signature song “Babalu.” He performed the song on “I Love Lucy” in "The Audition" (ILL S1;E6) and in "The Ricardos Visit Cuba" (ILL S6;E9), where Desi was joined by Richard Keith (Little Ricky). Other times it was partially heard or sung for comedic purposes, such as in "Lucy Hires an English Tutor" (ILL S2;E13), “Ricky's Life Story" (ILL S3;E1), "The Publicity Agent" (ILL S1;E31) and “The Young Fans" (ILL S1;E20). Desi Arnaz first recorded the song in 1947, although he had performed it as part of his nightclub act prior to that.

After Desi finishes singing, Sullivan tells his audience that Desi has had a fever of 101 all day, but insisted on singing “Babalu” anyway.

Finally, the "Circus Saints and Sinners Luncheon" begins, a formal tribute (the actual “Toast” of the town) with speeches from and about the Arnazes.  

A clip from “Lucy Goes to the Hospital” (ILL S2;E16), which first aired on January 19, 1953. This was Desi Arnaz’s favorite episode.This is the episode that made “I Love Lucy” a national phenomenon. It is estimated that 72% of the American public who owned a television tuned in to see the birth of Little Ricky. His birth was timed to coincide with Desi Jr.'s birth, that same day. This episode aired the day before the inauguration of President Eisenhower and five months before the coronation of Queen Elizabeth II. More people watched this “I Love Lucy” episode than either one of those televised historic events. 

To kick things off, Ed Sullivan reads a letter from Bernard Baruch (1870-1965). Baruch was a financier and powerful political consultant who had served with Sullivan on a Government-appointed Entertainment Committee to bolster post-war morale in America.  

Toastmaster Tex O’Rourke discusses Ball and Arnaz’s childhoods and their early work in show-business.

Baseball player Dusty Rhodes some brief comments of his own.

Lucille Ball is first to make her remarks, thanking the networks and production staff of “I Love Lucy,” and ultimately Desi:

Lucy: “This guy, who seems to be in all places at once, making like an actor, a banker, a politician – in short, a producer – gets my vote as the greatest producer of all time. And I have two little Arnazes at home to prove it.”

Desi Arnaz expresses his appreciation to Lucy and the United States of America for giving him the opportunities he has enjoyed.

Desi: “We came to this country and we didn't have a cent in our pockets.  From cleaning canary cages to this night in New York is a long ways. And I don’t think there’s any other country in the world that could give you that opportunity.” 

Both Lucy and Desi become visibly emotional while making their speeches. "Desi was very sincere about that," said Madelyn Davis, who along with her partner, Bob Carroll Jr., wrote every episode of the first four seasons of “I Love Lucy” with Jess Oppenheimer. "Lucy got teary and even Ed Sullivan. Desi wasn't kidding. They had nothing."

The show includes Lincoln Mercury commercials starring Ed Sullivan. Lucy and Desi had participated in such commercials in their first appearance on “Toast of the Town” in April 1954. During the sketch that starts the show, Lucy says the words “High dramatic” and Ed reminds her that on his show, it is “Merc-O-Matic,” which was Lincoln Mercury's own automatic transmission, introduced in 1951.

This Date in Lucy History – October 3rd

"Lucy Visits Grauman's" (ILL S5;E1) – October 3, 1955

"Lucy and Paul Winchell" (TLS S5;E4) – October 3, 1966

[melissarapp77-blog-blog]

A Love Letter to Taylor <3

Dear Taylor, 

I've been waiting for months for your new album to release and as we're 1 hour away from the debut, I felt compelled to write you a love letter in honor of your new album Lover. You see, I am 36 years old and your music has basically become the soundtrack of my life. I'm sure you've heard this many times over, but I thought I would give you the history of my life, according to the connection I’ve had to your words and lyrics.

I met you when I was 23, struggling to figure out who I was, longing for purpose in my life. I immediately gravitated toward your lyrics, toward the sounds in your songs. While I loved Tim McGraw, Picture to Burn, Should've Said No, and sang those at the top of my lungs in my car with my sister, I was drawn to the sweeter, softer songs, like Stay Beautiful, Mary's Song and Tied Together With a Smile, and those were the songs I would sing to myself and play quietly in my room when I was dreaming up ideas for my future. It's funny how music brings you back to a state of mind, a place you might have forgot about..."You're beautiful, every little piece love, don't you know; you're really gonna be someone, ask anyone." Your songs lifted me up at a time in my life when I felt most vulnerable.

Next comes Love Story. I remember the moment I heard this song, and it was on a CMT special on television with an artist named "Taylor Swift", who was debuting her new song "Love Story". I already knew who you were and loved every bit of your first record, but Love Story was the song that solidified my love for miss Taylor Swift. I, again, would play this song over and over in my car, in my room, play it for my friends, for my family; I'm sure they thought I was weird and crazy, but I didn't care, because I hung onto every lyric in that song, and come to know, that was the year I would reconnect with my now husband, Ryan. We dated on and off in college, but that was the year that we made a decision to try again at our relationship, and love story gave me the inspiration to give this another shot. Also, I'd like to note, that this was the year you opened for Rascal Flatts, and my sister and I purposely bought tickets to see you at that show, sat in the nosebleeds, and loved every second of the few songs you performed.

Also when Fearless was released, I watched every late night talk show and interview that you were in, and loved seeing you perform. I still to this day make sure to watch every performance or interview, Snapchat, Instagram story, Facebook post, etc...usually because your words inspire me and I always find some sort of revelation in what you say. One of my favorite performances you did was the Grammys where you performed with Stevie Knicks. Miss Swift, I feel like we have the same taste in music. :)

Speaking of concerts, I have attended every tour you've put on, including one tour twice when you were in Michigan (both Detroit and Grand Rapids). You see, I have a crew that I go to your show with and I have the best memories from these girls nights. You always play the BEST music before the show to get us pumped up; there are always dance parties and light up signs (that are so much fun to make!). And of course we sing so loud that we have NO voices the next day! Please see attached pictures and you'll see my love for attending your shows. I wish I had pictures from every concert but we were too busy having fun! I can't wait for the next tour because my friends and I have already decided that we are going to take a girls trip somewhere to see you (place tbd!).

Speaking of friends, I'm not the only one who loves you. My closest friends also adore you. I've turned all of my sisters (I have three younger ones) into Swifties, and my closest friends and I love to analyze every new song, every new lyric, every style change. I know I have a true connection with someone if they love you as much I do.

Back to the music...after Fearless, I was on a search for more of your music. And that is exactly what I found... through a random search on the internet, I stumbled upon an unplugged version of Sparks Fly, and little did I know this song would be on your next album. Gosh, the entire Speak Now album was so good. Sparks Fly was just the start. I loved Mine. I loved Back to December. I loved Dear John. Basically I loved every song. I clung to the lyrics. "I'm shining like fireworks over your sad little town." "I was enchanted to meet you." Long live all the magic we made." So much brilliance in every single word. Your ability to create magic with your words is the work of a genius.

Let me also mention that every time you release a new album, I say, “this is my favorite album.” But honestly, I don't have a favorite, and thats because I love every bit of art you've created. I have one huge playlist that is all Taylor Swift, and I know every lyric to every song.

Next up, Red. Gosh, I just have pure love for this album. You were so creative with your words. Ryan and I had just been married, and this album was on repeat as a newlywed. It also was my escape and my comfort, as we took in our one-week-old nephew for 9 months of that year because he needed a safe home. This was a period of heartache and pain, and I remember driving in my car or going for a walk, and listening to your music to escape my thoughts. Your songs were such a point of comfort and light in a time of extreme stress and unease. They would take me to a place that was full of love, and a reminder of happiness. "Darling it was good...where we stood was holy ground." "Your eyes look like coming home."

Red was also PURE FUN. I loved seeing you interact with your friends in the 22 music video. And singing with pure joy We are Never getting back together and I Knew You Were Trouble. My sister and I had many dance parties together in my living room to this album.

I feel like I'm getting a little long winded in this letter..but there are just a few things I need to mention. 1989 was a perfect Pop album. I listened to every song on repeat, per usual. But I purchased the Target edition which had some special songs that were my favorite. I loved New Romantics.  It reminded me so much of the friendships I have with my closest friends. We support each other. We love each other. "We were too busy dancing." Your acoustic version for the Grammy's of Wildest Dreams still gets played in my car when I need a good acoustic pick up me.

I don't want to skip Reputation but I feel like I'll follow suit here and say that "There will be no further explanation, just reputation. ;)

As you can see, I have a long history with your music, and thought I would tell you how much your songs have carried me through life. From that 23 year old to now 36 year old, and all those years in between, the music has defined me.

Lastly and most important, State of Grace has been life changing for me. I didn't realize what this song would mean to me until a few years ago, when I had my first daughter, named Grace. (she's named after the song Amazing Grace as a tie to someone very close to me in my life.) I loved the song before she was born, but now it has a totally different meaning now that she's here. She's a three year old ball of energy, who challenges me to my core, but the love I feel for her is something I can't quite explain. "And I never saw you coming. And I'll never be the same. This is a state of grace." This song has been the theme to raising my daughter and also has the ability to bring me to tears when I hear it, although I'm positive for you it had a much different meaning. And now your song Lover has given me a sense of wholeness, and a sense of comfort I have never felt before. You put into words a way to describe the emotion I feel for my family- my husband Ryan, sweet Grace and also now a son, Thomas.

That's what I love about your music. You write for you and your fans are able to interpret it in a way that applies to their own lives. I suppose that's the point of this whole love letter. I felt as if I needed you to know how much you've meant to me through the years and how much you've inspired me and helped me grow.

Thank you for your art. Thank you for your ability to connect with us and care for your fans in a way that no other artist has been able to. And a heartfelt Congratulations on the new album. I can't wait to see what you do next.

xoxo

Melissa 

PS. I will absolutely listen to your entire album on Spotify at midnight, but I will be the first person to buy the album at Target when it opens at 8 am. There is nothing like buying an album in person on release day. :)