#also the stage show and film are different so even somebody who has seen the stage show might want a spoiler warning

[hoardingpuffin]

In the time it rakes to complain that "mimimimi its a 20+ year old musical mimimimimi" you literally can just type out the two words "Wicked Spoilers". Just saying.

[korasonata]

I think this is just what my blog is now. Model streams have taken over. Sorry, not sorry. Favourite moments of Joe and Cleo paper model streams part 5! (Featuring a heavily sleep deprived Joe)

—

Cleo (talking to her cat): Ok. You have had attention. Are you— are you going to go? *pausing* This is the sort of thing I ask Joe. Umm… *laughing*

Joe: Constantly!

Cleo: *laughing* You’ve had your attention, can you go now?

Joe: Can you just not be here. *both laughing*

—

Cleo: Yeah, I have to start gluing things to other things. Badly. And, uh, realizing where I’ve messed up. Which is EVERYWHERE!

Joe: Uh oh.

Cleo (totally not fine): Its fine. It’s fine. I’m fin— how are you Joe?

—

Joe: It makes about as much sense as anything else I do? So…

Cleo: I mean yeah. I mean, I wasn’t gonna say it cause I’m not rude. But, you know.

*both laughing*

Joe: Now you’re just lying to me!

Cleo: *laughing* WOW!! Joe!! My heart is just hurting! Now.

Joe: Mhm.

Cleo: You can tell can’t you, I’m deeply— intensely wounded by that statement that you just made.

—

Joe: I was gonna say, we’re gonna have to call whatever the British version of an ambulance is.

Cleo: Um, I think— and I could be wrong here, the British equivalent of an ambulance is…an ambulance.

Joe: oh, ok that’s really good to know. Cause like, not that I’m planning on getting injured while I’m over there, but like—

Cleo: I mean, if you carry on talking that way you might.

Joe: I mean if I meet you, then there’s a chance that somethings gonna get shoved in my eye or something.

Cleo: Somethings gonna get taken off.

—

Joe: I mean, they say it’s the shotty carpenter that blames his poor tools, but I mean look at this.

—

Cleo (about her bisexual tags on twitch): Hold on, hold on, I need to explain what “visibility” means to bisexuals. Bisexuals are often— um, hidden in the community. They are often, um, not treated as either part of the gay community and the straight community doesn’t really appreciate them either. So, having visibility for bisexuals is very important. As it is for any other place. Also having those tags on your stream show that you are a safe place for those people to go. So, you know, actually labeling those things is important because it shows people that they are not alone. And not being alone? Really important. (To Joe) Sorry, am getting frustrated.

Joe: As somebody who’s been alone for the last year and a half with this stupid isolation, uh, yeah.

Cleo: Yeah! Being alone and not feeling alone is really important.

Joe: If you need to be explained at this point in the pandemic why feeling alone is not good, like I don’t know what to say.

—

Cleo (reading chat): What’s my favourite minecraft mob? Do people have favourite minecraft mobs?

Joe (very tired): Just say whichever mod’s here. Who’s got a sword *scrolling through Cleo’s chat* umm… yeah it’s AnnaBomBanana. Is everyone’s favourite minecraft mod.

Cleo: …moB.

Joe: …MOB! OH!

Cleo: *continuous laughing*

—

Joe: This is gonna go off of the rails further and further. There’s no— there’s no rails anymore! It’s just, somebody has scrawled “here there be dragons” on the ground.

Cleo: I mean, isn’t that pretty much how you live your life anyway?

Joe (high pitched squealing): It kind of is. *laughing continues*

Cleo: You know. Here there be dragons— Sometimes it’s not dragons. Sometimes you might be lucky.

—

Joe: So, like, one thing you can do is after this project you can build tiny dollhouses. And create like a bedroom for each of your tools. And so the knife can just be in the knife room. In the dollhouse. And it can have a knife day.

SILENCE

Cleo: Umm…I’m gonna pretend like what you said made sense.

—

Cleo: I could have said something really nasty then, but I’m not going to. See? I’m growing as a person Joe.

—

Joe: You know what? Hold on, we’re gonna— we’re gonna— at the point where NJ is concerned about my caffeine intake, I’m gonna go get a red bull and I’m gonna take my headphones off before anybody can tell me otherwise, byeeeeeeeeeeee!!!! Be right back!!!! *leaves*

Cleo (calling after him): Well done Joe! I believe in you! *narrating* She did not in fact believe in Joe, and was very concerned.

—

Cleo: I know when there’s a bad idea. It’s when Joe has made it. Joe has suggested it, that’s— that’s when you know it’s bad.

—

Joe: I know that there are ways to have computers automatically send invites, but that’s a good way, like, I know there’s a saying like, to error is human, but to screw up like a hundred thousand things all at once—

Cleo: That’s the Joe Hills Difference.

—

Cleo: Ugh, I feel like poop today.

Joe (genuine): I’m sorry.

Cleo (tiredly): No, that’s ok…(groggy) I’ll torment you…later…it’ll make me feel better…

Joe (equally as tired): Yay!

—

Joe (about Cleo and Xisuma): But Cleo, you’re the responsible adult in this scenario, so yeah you probably should have some answers.

Cleo: X is almost as old as I am.

SILENCE

Joe: …it’s a maturity gap?

Cleo: *laughing* Is that why I’m here with you?

Joe: …no.

Cleo: *laughing*

Joe: I say very confidently.

—

Joe (teacher voice): Quantum mechanics is a fundamental theory in physics that provides a description of the physical properties of nature at the scale of atoms and subatomic particles—

Cleo: *flipping him off*

Joe (blissfully unaware): Now classical physics! The collection of theories that existed before the advent of quantum mechanics—

Cleo: *trying to ignore him*

Joe (carrying on): Quantum mechanics differs from classical physics in that energy, momentum, angular momentum, and other quantities of a bound system are restricted to discreet values—

Cleo: *fingers drumming impatiently*

Joe (still going): Now! Quantum mechanics arose gradually from theories to explain observations which could not be reconciled with classical physics—

Cleo: *physically going through all 5 stages of grief*

Joe: (insert continuously long string of rambling science here)

Cleo: *mutes Joe*

—

Cleo (responding to her partner in chat): You have the movie poster for Dora the Explorer? Cam, I’m suddenly questioning our relationship now.

Joe: Uh oh.

Cleo: *laughing*

Joe: Yeah, I knew I was gonna get blamed for that eventually.

—

Cleo (frustrated): I’m gonna kill someone. And since the person who made and designed this castle isn’t here��(trailing off) Hi Joe.

Joe (accepted his fate): Hello.

—

Joe: Have you ever officiated a wedding?

Cleo: No I haven’t. Why, do you want me to?

—

Joe: Oh! Oh! I found my cross stitch the other day!

Cleo: Oh cool!

Joe: *rummaging in the background* Yeah, so, I don’t know if you’ve seen this before—

Cleo (excitedly): ShowMeShowMeShowMeShowMe!!!

—

Joe (reading chat): Am I excited for Minecraft Live? Umm…

SILENCE

Joe: You know, so much of life is minecraft, but you know, maybe this is just a step too far. You know? Um, I think Mojang asked if they could and never stopped to ask if they should. Um, you know, I think their decision in particular to clone dinosaurs at the event as part of their Jurrassic Park, uh, map thing that they put out— which, also, it’s not even like the Jurrassic Park movies are really for kids, but here’s— here’s Minecraft with Jurrassic Park in it, and also we’re gonna clone a bunch of dinosaurs for this livestream, it’s like *groaning*. I dunno. I’m dubious. I think it’s gonna backfire. Ya know, there’s like 4 cautionary films about why you don’t clone dinosaurs. And they’re just jumping in feet first. So…but, you know, I’d like to be wrong about this. Maybe it’ll go great.

Cleo: …are you having a moment Joe?

—

Cleo (reading chat): “when the arts and crafts streams become Cleo with a scream mask” I am not X. I am not X, I promise you I’m not X. I just don’t have a face.

Joe: Heh

Cleo: And if I was— hang on I’ll be back in a second.

Joe: …wait, did you just realize that you do have a scream mask?

Cleo: No, I have a better mask. *leaves*

SILENCE

Joe: *watching Cleo’s stream intensely*

—

Cleo: Are we seriously doing guillotine jokes right now? I’m not saying I disapprove, but

Joe: yeah, we say “Giatine”

Cleo: That’s ok, you can be wrong.

Joe: …It’s a french word.

Cleo: And? You’re allowed to be wrong.

Joe: …*deep sigh*

—

Joe: It’s funny too. Because people will tell me that I don’t seem like a very— like, mostly my coworkers. Like, would tell me that I didn’t seem like a particularly emotional person.

Cleo: *bursts out laughing*

—

Joe: Yeah, I feel like I didn’t make a lot of…visible progress today…but…it’s fine…

Cleo: I made progress for both of us Joe.

Joe (tiredly): Thank you Cleo… (resting head against the ring light)

SILENCE

Cleo (tenderly): …You’re welcome.

[multimetaverse]

HSMTMTS 2x12 Review

Second Chances was a lacklustre finale for an uneven season. Let’s dig in!

Earlier this week I re-watched S1 in preparation for the S2 finale and the contrast between the two seasons is jarring. In almost every way S2 has been worse and after seeing this finale I’m less optimistic that Tim will be able to fix the long list of things that have gone wrong. Tim has said in some of his interviews today that pretty much all of S2 was written before the pandemic and that they didn’t have to do as much re-writing as people might think due to the stringent safety measures Disney put in place. Of course, that removes an excuse for the bad writing we’ve seen so much of this season as according to Tim what we saw of S2 is largely what he envisioned minus big crowds and background dancers.

 Across his many interviews today, the one consistent point is that Tim does not have any real plans for future seasons; things like Ricky’s endgame he hasn’t decided on and he can’t even guarantee the summer season the finale sets up due to the weather in Salt Lake. I do think a S3 is an almost certainty given the show’s popularity but I’ll take Tim at his word that he truly doesn’t know if they’ll be renewed since it seems to be a new Disney tradition to wait until seasons are done airing before making a renewal decision (the same thing happened for the popular and well received Mighty Ducks: Game Changers which got a silent renewal only after all of S1 aired). That being said as poor of a season finale as Second Chances is it is also a terrible potential series finale. In large part it goes back to his lack of planning, he wants to keep all options open but in doing so Tim is crippling the show’s ability to deliver any pay offs or tie up loose ends.  

The one mostly well done plot line this season was Portwell which got a happy ending tonight as they canoned. The only good thing about the big brother angst was that it was so insane that it had to be addressed and sure enough it was and Gina got her first kiss with a guy she really liked. If Tim is to be believed the reason we didn’t get an on screen Portwell kiss was not because of their age difference or covid concerns but because he felt that everyone’s first kiss was different so he wanted it off screen so viewers could fill in the blanks themselves. Tim’s line of reasoning is profoundly stupid. Imagine if they had Jamie show up and he and Gina talked off screen and Tim tried to claim that because everyone has a different relationship with their own siblings that he wanted the audience to fill in the blanks as to how their conversation went!

Still we saw great character development on Gina and EJ’s part as both really grew from the people they were in S1. As Tim noted, EJ bringing Gina back in 1x10 was kind of the set up for this story line. The only thing missing was a brief Portwell scene sometime in eps 2x01-2x04 to set them up. The consistent development they got from 2x05-2x12 is unlike any other ship on the show; only Rini exceeds their development. 

Unfortunately I don’t think that will last in S3 because Tim will always favour Ricky over EJ and if he wants to do Rina he’ll dispose of Portwell before doing so. I was surprised that they never bothered to have Ricky and Gina have a conversation about Gina’s S1 confession. It was a huge mistake to have Gina pine over Ricky for half the season and it was no surprise that Gina’s story line got instantly better once she stopped interacting with Ricky. Tim has made clear in interviews that he’s still interested in the possibility of Rina which makes his poor writing of them even more bizarre. What conclusions are the audience supposed to draw from the Rina story line this season? That Ricky never cared that much about Gina? That it’s totally fine for the show if they don’t interact for 6 eps in a row? That Gina has moved on? I’ve said before that a wiser man than Tim would recognize that doing both Portwell and Rina will do tremendous damage to the show and he should pick one and not do the other. Of course he’s not that smart but it is wild how he’s accidentally written their story line to make for a perfect end to Rina. 

Second Chances was great and is the only part of the finale that would have been well suited to being part of a potential series finale. 

The Rini closure was a sad inverse of their S1 opening night confession. They’ve fallen so far from being the it couple of the series and I fear Tim doesn’t actually know what to do with them now. He really needs to decide if he’s tearing down that treehouse for real. 

The less said about the Valentine’s chocolates the better but at least Gina and Nini are cool again and Nini can explore her budding music career with Jamie’s help. Tim repeatedly said in interviews that the scripts about Nini’s music career were all written before Driver’s License came out and I think he understands that the audience is just going to see the show as copying from Olivia’s life. 

The wildcats just deciding to drop out of the Menkies was a lame cop out. Tim has said he always meant for that to happen though they were originally going to compete at the Menkies then drop out (presumably that’s where we would have heard Lily singing Home). Somebody should have mentioned the $50 000 prize money which the East High theatre department could surely use after Miss Jenn and Mr. Mazzara burned it down (remember that story line that had no consequences?). And that NYU scholarship could have been life changing for one of them and yet no one even brought  it up once this season. 

I did like the twist that it was EJ and his dad who got Mazzara into Caltech. He’d be a fool not to take it but I’m glad he confessed to Miss Jenn. She’s had a really rough season and I hope she redeems herself in S3.

Howie was acting so weird tonight and last ep that I have a hard time believing he was really so awed by Kourtney’s talent rather than feeling guilty for helping to steal the harness. The harness is another useless plot device; there are no consequences for Lily stealing it, she’s not caught, East High pulls off another version of the transformation off screen, and then East High withdraws from the Menkies anyways. Doubtless the harness will eventually come up to serve Rily angst. 

At least Lily was straightforward, I’ll give her that. She has such an odd way of speaking, almost child like. As awful as it is there is potential for a forbidden/secret romance story line with Rily. It really does not speak well to Ricky’s character that he’s so easily fallen for Lily’s act when he has no reason to trust her and she never apologized for making fun of Big Red during the auditions or making Ashlyn feel insecure during the dance off. 

The one way in which S2 was drastically better to S1 was in regards to the Seblos story line. Clearly Joe being bumped up to regular made a big difference. We got the first same-sex kiss between two boys and the first love song sung by one boy to another in Disney history and that is a legacy to be proud of. Of course, there was still some Disney censorship such as Carlos and Seblos being unable to use the word gay in the same ep that focused on Carlos singing In a Heartbeat to Seb. 

S1 of HSMTMTS had a clear direction, the wildcats would have to try and come together to stage High School Musical and Ricky and Nini would have to decide if they still had a future together while Gina and EJ had to work on being better versions of themselves. It was simple sure but it worked very well. There was a lot of heart but also a lot of humor and the show never took itself too seriously. What has S2 had? Beauty and the Beast was hardly the main focus of the cast or the writers and the central couple that S1 was built around is now broken up either for a long time or for good. There was a lot less of the meta moments that jokes that made S1 such a hit, for far too many eps this season the show took itself way too seriously. Hell even the lighting this season was darker than in S1. 

Olivia Rodrigo’s team had complained in a recent article that Olivia wouldn’t be able to potentially tour until fall 2022 due to her contractual commitments which is a sign that they think a S3 is very likely though I wonder how late S3 filming would have to start to keep her occupied until late 2022. There’s no confirmation of this but I thought it might be worth keeping an eye on; a post on r/hsmtmts by someone who claims to have a source working on production says that the plan is for S3 to be a summer theatre camp possibly with Camp Rock renditions and the plan for S4 is to jump 6 months ahead to the final semester of senior year and end with Ricky, Nini, Big Red, and Kourtney graduating from East High. They also say that part of the delay in the S3 announcement is a conflict between Tim and Disney executives. Tim wants to move production to LA and film on sets as it’s easier and cheaper while the Disney execs still want some on location shooting in Salt Lake. Again this is all unconfirmed but if it pans out it will represent a major shift in the series. 

Regardless if Tim wants the show to remain successful he needs start planning out what he wants to happen. He should not assume he’s getting more than 4 seasons. If the series gets a S3 but then is suddenly cancelled then how would he want all the main story lines to wrap up? And if they make it to S4 where does he see it ending? The graduation of the current juniors is a logical series ending point but if Tim wants to do something different he needs to start thinking of that now. I can’t say I’m excited anymore for S3 but I do really hope that Tim and his writers can turn things around and that will only happen if they recognize what they did wrong and learn from their mistakes. 

Until next season Wildcats

[teamfreewill2pointo]

Transcript of End of the Road Special

Transcript of End of the Road Special. 

Please let me know if I made any errors in transcription. Twitter version Family Don’t End with Blood Transcription Winchester Mythology Transcription

Dabb: Ultimately, we came up with something that we're all very proud of Singer: You never know what the audience is going to like so we really tried to say "what would make us happy? Would we be satisfied with where we've taken them?"

The Carry On song was a guideline.

Singer: The myth of what these brothers were throughout 15 years... We didn't shy away from fatalism, but we wanted to be able to have it be kinda uplifting as well.

Dabb: If you're going to do something that feels like a complete arc, you have to kinda go back to the beginning of it (clips of them hunting vamps from s1 & 15.20) When it comes to Sam & Dean- it's all about getting back to, in some ways, these two guys on the road in this car.

Dabb: They've been doing this job for 15 years now. They've fought everyone from demons to vampires to God himself, but at the end of the day, they're still working guys, out there on the road & taking cases. We've tried to never lose sight of that.

Dabb: There are times when we've been wrapped up in our own mythology a little bit. We've always tried to get back to the basics, which are: these two guys, saving people, hunting things. 

Eugenie: I think we sort of knew generally what the ending would involve.

Eugenie: We might not have known the mechanics, but we sort of knew there would be a victorious, glorious sacrificial ending bc I think sacrifice is a big theme in the series.

For every great thing you do, a cost must be paid.

Singer: Andrew & I talked about it. We were in agreement pretty quickly... talked to the rest of the writing staff & let them know what we wanted to do and we were open to suggestions. And then we pretty much pitched it to Jared and Jensen.

Jensen talks about flying to LA. Jensen: So before we ever even started 15, we knew how the last portion of the story was going to go. We didn't know how we were going to get there, but we kinda knew the final- the finish line- we knew what... what that was going to look like.

Jared: I don't think there's ever been a season of SPN in 15 years where the way the writers thought the show would play out for that season- ended up being the way it played out And so we were aware of that. They told us here's what we're thinking, here's what happens to Castiel

Jared: In the finale, Dean dies & Sam lives on. And then we think they're going to meet up in heaven. 

I remember Jensen... just because I know him so well- he seemed to bristle a little bit.

Jensen: It was hard to hear then & it was hard to read now. Not because I didn't like it, not because I wished it had gone differently... I'm not adverse to it. I think it's a great ending. I'm proud to film it.

Singer: And we just aimed for that, you know, throughout the season. We knew where we were going.

Jensen: Reading it & knowing that... there's just a weight that is so much larger reading these scripts than I've ever experienced before. 

There's an emotional weight that these scripts are going to carry & these episodes are going to have that I don't think we've ever seen before.

Brad: [J2] were so young when all of this started. They brought to it such conviction & such commitment to the effort. 

That's one of the things that kept the show going for so many years... a show that was designed for very young guys, footloose & fancy free, & on the road…

Brad: To see these guys grow up b4 your eyes into- men, not boys any longer- was amazing. 

BABY Jared: Though the story does involve Sam & Dean chasing supernatural things, it really is a story about two brothers that love each other & ultimately will do anything for each other.

Jensen: There's really one person that gets it on the level that I get it, and that's Jared. Jared: I've never spent as much time with another human being as I have with Jensen Ackles. He will be my friend and brother forever. And I know that.

BABY Jensen: There's a lot of dynamics between the two brothers, there's a lot of history between them, there's a lot of banter between them... it's good stuff S15 Jensen: We had a partner in crime & we leaned on each other for, you know, for times when it was tough.

Jensen: But we also won together. We got to share the experience of success & the experience of getting picked up for another season. Watching these two characters go through what they're going through, when we're working 14 hours & it's 2-3 o’clock on a Sat morning and we're just now finishing filming out in the rain and mud and we gotta race to the airport to get on a plane because we've got a photoshoot in LA & we've gotta do on camera interviews and we gotta promote the show that we love so much that we were just in the mud & the rain filming hours before we're exhausted and it's like there's only one person that gets that right now. That gets how I feel and that's this guy standing next to me. That's pretty cool. That's pretty cool to have somebody like that.

Brad: We knew it was going to be impossible to tie up every aspect of all of the cans of worms that we opened up. 

We did want to bring a proper ending to the guys, the guy's relationship.

Brad: Then of course we had this huge corner we painted ourselves into with the most powerful thing in the universe being the big bad of the season. We try and find a proper send off for Jack & for Cas. What to do w/ the boys & is that a together farewell or an individual?

It was just... lots of moving parts. 

Dabb: I give a lot of credit to Bobo who really was the one who started banging the drum early & often to ending the mythology in 19 and end the characters in 20.

Brad: You're battling God & battling God & you have this epic situation going on through the first 3/4 of the show & then what? You send off Dean in act 4? That just felt wrong. Eugenie: We had this obligation, it was really mandatory, that we tie up the mythic narrative and leave the final episode for the emotional resolution. I [was] more on the side of not wanting to best God. To have God change to be more like his creations. So there were philosophical arguments, but we always knew God's resolution was going to be a big ticket item.

Jensen: We'd started day 1 of the 2nd to last episode, 19. We were 1 day down on that episode & we were just about to start our 2nd day & we got the call that morning that we were not going to be coming in that day.

Jensen: So we figured ok, we'll figure out protocol, figure out what we need to do, & we'll just regroup, come back on Monday. As that day progressed, it was like- this looks like more of an apocalypse that is ascending upon us than just a bad cold.

They pulled the plug & they said everybody go home. 

Singer: Fortunately, we got assurance from both the studio & the network that one way or another we were gonna finish the series. That was comforting to us, but we didn't know when we were going to go back.

Eugenie: We didn't know what we were going back to... if this was the last time we would ever see the set. There was no plan. It was just get out of dodge. Dabb: When it first happened, we thought it would be a couple of weeks, maybe a month.

I had conversations w/WB where they expected everyone to be back shooting in June & then things got worse & pushed & pushed.

Eugenie: Slowly as we settled into that 4 or 5 month period, discussions were going on w/the studio, & the networks, & the actors. We knew there would be restrictions on what we were allowed to shoot, but finally, the mechanics were figured out. 

Singer: So they were ready to go pretty quickly, shooting in Van, where covid wasn't quite as virulent as it was [in LA].

Dabb: We were one of the first shows, one of the first WB shows to start back up. So in a way, we were kinda a guinea pig. But, in being that, I think everyone took it really seriously. We had 0 positive tests. Crew members weren't going out on the weekends.

They were like look, if I get sick, it hurts the whole show. That speaks to the family culture up there, where we've had so much of our crew for so long. Where J2 & Singer provide such great leadership.

Singer: When I was in prep for 20, I was basically in the office but couldn't go to the set. It was very odd for me not to be able to go to the set while I was in prep. 

Everybody just hung in there & did what they were supposed to do.

Brad: Then we were faced with the dilemma of having to rewrite a lot of the stuff bc of the pandemic bc of the limitations that we knew were going to come on the production.

Jensen: We were gearing up for, not only the end of that season, but the end of the series. There was a lot of big, big things written-packed- into those last two scripts.

Jared: At first, it was supposed to be a lot of our old cast from prior seasons in a Roadhouse with Kansas.

Everybody had already agreed. Kansas was going to be in Van. We were going to have dad there & mom there. Just probably 20 or 30 different actors & actresses who had been a part of the SPN's canon over the last 15 & a half years.

Jensen: It was scheduled to be the last day that we were going to film, so it was almost like rolling right into a nice wrap party on camera. 

Brad: The idea of flying a boatload of ppl up there to quarantine for 2 weeks so they could shoot for a day was making less & less sense.

Eugenie: How do we make this work? And while you're doing that, you also don't want to sacrifice the heart and soul of the project. 

So we came up with a reduced, much more intimate ending. It has been replaced by something equally magical & rewarding.

Singer: I felt an enormous responsibility in directing the finale of a show that's been on for 15 years. Andrew, when he saw the cut, he said some really nice things to me as to, you know, the way I handled the material.

Jensen: The scenes that were filmed on our last day on the sound stages were filled with the most emotion of the final episode. 

Singer: One of the really hard things was we're on another stage that wasn't the MoL stage & they started wrecking the MoL sets

They'd been working on this set and been apart of this- this family for just as long if not longer than the set's been around. I was like "it's really sad seeing this get taken down" and the other guy said, "I'm trying to hold back tears while I'm swinging this hammer."

Jared: As we start saying goodbye to characters, to locations, like it just seems like every day you would wake up and there would be some reason to cry. 

Misha: This is a show ultimately about love, & empathy, & caring, & I think that Castiel embodies that.

Misha: Half the crew was crying. It was really such a sweet, supporting environment to be in for the demise of a character that, of course, for me is really important. 

But it was so lovely to see that, you know, the folks that I'm- I'm working with were also there for Cas at that moment. 

Alex: To get to work with these caliber people & see your friends every day is really special & is not something that often happens in this business for this long. It's been definitely a topsy turvy last couple weeks here with us and the crew. 

Jared: Friday of the final full week was the big scene in the barn with the vampires where Dean suffers his fate. They did the first two days with the entire stunt team & the young boy actors. 

And then they cut it for Thursday night and they're like, okay, Friday, tomorrow, we’re starting the dialogue. Dean, you're on the post. Sam, you just cut off the last vampire's head.

That was the scene- that was where Supernatural was really encapsulated. 

Jensen: And then the next week we kind of had this- on the road encore get together filmmaking scenario that felt more like we made it & it was more pats on the back as opposed to tearful goodbyes. 

Dabb: In a weird way you can look at the 15 seasons is like Sam & Dean's emotional evolution. You know instead of therapy, they kill vampires, but other than that it's kind of the same & brings them both to a very good place. And a place where they can, as the song says, you know, lay their weary head to rest. 

This felt like the most honest & emotionally fulfilling episode for these characters to us. Jared: I got thinking about how Supernatural started & how the majority of times how I thought it should end. It started with Sam & Dean Winchester. I think it's proper that it ended with Sam & Dean Winchester together again. 

Jensen: When the cameras stop rolling & Bob yelled, “Cut!” and Bob yelled, “That’s a series wrap on Supernatural.” There was- a there was a loud cheer that echoed through that canyon we were filming in. I will- I will happily say that there were hugs that happened and that needed to happen. Those are people that I spent not just years with, but so much time with- it's like brothers in arms and so to put it to bed the way that we did felt really good and then felt good to hug some people, I'll tell you that much. Singer: I thanked everyone, but I wanted to really thank people who had been with us from the beginning and as I looked around, there were so many people who had been there from the beginning.

We really were a family. I always say about this show is one of the reasons that it was a success and is that it was not only about the Winchester family, but it was about the Supernatural family. 

Jared: So now that's all said and done, I guess I can look back at it and just be proud that I helped this show carry on and I'm really proud of the blood, sweat, and tears that I put in, and I feel like- I feel like that sacrifice was also maybe one of the things I learned from Sam, you know? Sam had to sacrifice a lot. So, I'm honored and flattered and grateful that I got to be a part of that journey.

Dabb: You're never going to have another show like this. You're never gonna have another experience like this. For a lot of different reasons, from how long it ran, from the family that the show became, from the amazing fans that we have. [Footage of us] From the emotional investment people can put in over 15 years of their lives. 

Some started watching this when they were in high school, when they were 15, they're 30 now, they might have kids. That's their- that's like half their life. They've been with this show. You're not gonna have that again. Shows just aren’t gonna run this long, especially genre shows, but I don't know that I'm ever gonna do anything else in my career that I'm gonna be more proud of than having been involved in this show. 

Jared: The things that stick out are just how important it is to keep putting one foot in front of the other. And keep on working and wake up every day and treat it like it could be your last and- and if you make it out the other side, you'll be happy and proud of what you did. 

Jensen: The crew had packed up, they had cleared the bridge, and they were all starting to, you know, load their trucks and get moving. And Jared and I just kind of hung back, and we just took a moment. I looked at him and I said, “I’m proud of us, man. I'm proud of what we've done.”

We know that that's the collective we, that is everyone that is involved, that is- you know from the top down. You know, for our portion, for what we contributed to this monster of the show, he and I reflected on that, and still able to see and smell the roses.

[natromanxoff]

Queen live at Elland Road in Leeds, UK - May 29, 1982 (Part-2)

Fan Stories

“We got a coach from my home town (about 2 hours from memory) and drank an ocean of lager on the way, by the time we got there we needed the toilet so badly we could have exploded! We got into the stadium and waited for the first band of the day. Soon enough a not very well known (to me) American band came on called Heart. They weren't bad but did nothing for me. Then came The Teardrop Explodes who tried and who I reckoned did quite well despite the flying bottles of liquid being hurled at them from the crowd. After them was Joan Jett complete with Blackhearts who got the crowd going with "I Love Rock'n'Roll" mainly because Brian appeared at the side of the stage with his daughter to have a look. Eventually after a long wait the stage lights dimmed and a strange cranking sound started up and then you were suddenly aware of the drum beat to Flash thumping out and spotlights chasing around the stadium. This went on for a minute or so and the excitement was unbearable. All of a sudden in an explosion of smoke, lights, guitars, drums... Brian, John and Roger are there blasting out the opening part of The Hero. Seconds later in a gleaming white leather jacket out runs Freddie and it begins... A moment I will never forget along with many others from Queen shows since and before it. I can't say which show was my favourite as I loved them all but that moment WAS Queen, the sheer power, the anticipation, the fantastic musical ability and above all else the way they gave people what they crave more than anything... wonderful memories.” - whiteman

“29th May 1982 - a really nice warm day. We only lived a few miles away so walked down to Elland Road - I can't believe it - Queen live in my home town at the home of the greatest football team in the country (well maybe not now!). Got to the ground early and were allowed in by security, such a relaxed atmosphere. Saw band's soundcheck - great! So hot sun, never went behind stadium roofs. Got best suntan I have ever had! Heard Teardrop Explodes - not bad. Then you are aware of the beat of flash thumping out around the stadium, the smoke rises and bang - they are on! The greatest gig I have ever seen from the greatest live band in history. God bless you, Brian, Roger and John. Rest in peace, Freddie - we will never forget.” - Michael Quine

“This was my second ever gig, the first being Rory Gallagher the year before (I am sure I once read that Rory was one of Brian May's favourite guitarists). Anyway, being only 14 and not yet in the habit of getting off my face at gigs,I can remember that day very clearly. I am convinced I saw someone throw a hamburger at Julian Cope (Teardrop Explodes were going down like a lead balloon), and just as Julian was opening his gob to sing, he CAUGHT IT IN HIS MOUTH. A huge cheer went up, then they stomped off. Somebody, possibly Queen's manager, came on and told everbody to behave. I also remember a fan getting on stage and Freddie expertly rolling him off the stage. I didnt like the Hot Space album much but was chuffed they were still a hard rock band. I bought the next edition of Kerrang mag and the write up of the gig said STUNNING. Great memory.” - Edwin

“I was 15 years old in 1982 when I attended my first ever concert. Fortunately for me, it was QUEEN's show at Leeds AFC ground in the North of England. I remember when my ticket arrived in the post, possibly 2-3 months before the concert, as was often the case in those days. I stuck my ticket on a cork notice board in my bedroom and could barely contain my excitement over the coming weeks. Every morning, I would wake up and look at the yellow ticket, wishing the days away. I imagined everything that could go wrong would. Queen would cancel the gig, I would break my leg, the family pet would die on the morning of the concert and it would be too insensitive of me to go, the transport wouldn't turn up or would break down, there would be a pile up on the motorway, I'd lose my ticket en route, etc, etc. As it turned out, May 29th 1982 was a hot and sunny day, perfect weather for an outdoor gig. I was CRAZY about Queen and had been since the age of 9 but I really didn't know what to expect on that day. Myself and three friends took a coach organised by my Dad's company from Lancashire across the M62 motorway to Leeds. Our excitement began to really take a hold when we arrived at the football ground and we followed the droves of people towards the turnstiles. To me, this was something on a really big scale and I could already hear the hum of the crowd inside. Not really believing that we were actually about to witness a Queen concert, we found our seats on the West Stand, offering a great view of the stage. I remember marvelling at Queen's new lighting rig and the equipment that adorned the stage, shining in the afternoon sunshine. The ground was almost full at this point and the pitch was heaving with people. The atmosphere was relaxed as people bathed in the sunshine. I remember two guys climbing the fence from the stand and attempting to get a better spot by running into the crowd and losing themselves on the pitch. Their efforts were in vain however as they were quickly located and ejected back into the stand by two security guards. We bought some black Hot Space tour shirts (I wore mine with pride until it literally fell apart) and a programme from a vendor inside the ground and waited for the first band to take the stage. A guy near us shouted and punched his way through Heart's set and then left just as they vacated the stage. Obviously not a Queen fan! The Teardrop Explodes suffered at the hands of the Queen congregation and found themselves battling against a shower of bottles and assorted missiles. Other than that, I don't really remember much about the support bands. I think that Bow Wow Wow were billed to play (an odd choice) but I can't recall if they actually turned up. No matter, we were about to witness what is still one of the best gigs I have ever attended.

As the dusk descended upon us, the giant floodlights were extinguished one by one and the memory of the roar that followed still sends shivers down my spine. Dry ice drifted across the heads of the crowd on the pitch as the intro tape of Flash thumped out of the PA and the strange 'grating' noises added to the recording created a foreboding atmosphere. Two of our party were on the pitch and to this day remember their chests thumping in unison to the powerful rhythm. A sea of hands clapped in perfect time to the beat. To me, this was already an amazing experience. And then the big moment. Freddie, resplendent in dazzling white made his entrance to The Hero and the blaze of the lights. An apt number to start with. Before he had even sung a note, the audience were locked tightly in the palm of his hand. Such an entrance, such a showman. "You're a F***in amazing crowd", he exclaimed after the first rush. The beginning of the gig is, in truth, my strongest memory of the show itself. In particular, the "Flash!!!" vocals cutting through the night air with so much volume. I recall being shocked at the sheer power of Queen's performance and the clarity of the huge sound they harnessed. Morgan Fisher's keyboards during 'Action This Day' sounded bright and hypnotic. Freddie's intro to Fat Bottomed Girls caused quite a response too; "the bigger the t*t the better it is!". I also remember the follow spots darting wildly over the crowd during 'Tie Your Mother Down' and everybody going crazy. Oddly enough (and this is something I still swear by to this day), I was in a Maths lesson at school the following Monday and I swear I had a flashback of this and could actually 'hear' the music being re-played in my head. It was a weird moment and life was never quite the same again. We talked endlessly about our experience for months to come and one of my biggest regrets is not jumping on a train to attend the filmed Milton Keynes show a week later. Having been to so many gigs since, I can honestly say that there is nobody who has been able to top Queen live; I was lucky enough to see the band five times between 1982 and 1986, including Wembley Stadium and their last show at Knebworth. I think that my personal favourite was their performance at the NEC in Birmingham on 'The Works' tour in 1984. People were literally stood there with open mouths, unable to believe how good they were. Leeds is definitely up there too. I recall Brian May stating that he thought it was one of their best performances ever. I can't argue with that Mr May. I've often wondered if an audience shot cine film or even just photographs exist from the Leeds gig. It would be a dream come true to see my memories come to life again.” - Keith Lambert

“I can't believe it was 30 years ago that I attended my first ever gig at Elland Rd Leeds in 1982. I was 17 years old at the time, I was into Queen when I first heard seven seas of rhye, which was so different to all the other stuff around at the time. I'd heard them live on tv, and had Live Killers. Also I used to buy bootleg cassettes of all of their tours from 74 onwards. But nothing could prepare me for that day. They should have played this gig at Old Trafford Manchester, my home town, so I was gutted when the residents opposed it. Tickets were very easy to come by, believe it or not, cos Queen were not seen as a relevant band at that time. Also touring the Hot Space album didn't seem to excite anybody. So, Billy no mates had to go on his own, haha. My memory is a bit hazy, but I will try my best. I got to the ground about 1pm, and was lucky enough to have a pitch ticket. I got right to the front, well about 10 yards from the stage, slightly off centre and to the right. If I told you I never moved from that spot all day and never spoke to anyone, would you believe me? One of the reasons for this is the rivalry between Manchester and Leeds, also I was only a kid, haha. Not sure who was first on, probably Teardrop Explodes, Julian Cope, I remember while they were throwing bottles at him, picked one up and started hitting himself with it and stretching his arms out saying he was an Argentinian bomber or something. It was during the Falklands war, remember. Then Heart came on, not really my cup of tea, and I had a lie down on the tarpaulin and tried to go to sleep. Then Joan Jett, who was better than the rest, but not really exciting. During the band changes, I remember the roadies polishing Roger's drum kit and climbing up ropes and those threepronged lights, which before I saw them move I thought they were cameras. Queen took ages to come on. From my recollection and I might be wrong, they didn't come on until 10pm and went off around Midnight. I heard later that they got fined so much per minute for being late on stage but they wanted to wait until it was dark for the lighting rig to take effect. If you watch the Bowl DVD you will notice it was light when they came on stage there. But that was being filmed by Channel 4. But it was absolutely pitch black when they came on stage at Leeds. Then the floodlights went off, smoke started to appear and strange noises started, which I can't describe, sorry. Then Flash's Theme started, it was loud, very, very loud. I knew they were supposed to be loud and this was the part that scared me. The ground was thumping, the bass just pumping away. The these 'cameras' flicked into life, with men on them. The intro seemed to last for a very long time. Then BANG Brian appears with the first chord of The Hero and a flash of the biggest white light I've ever seen and will never forget and the absolute loudest noise I have ever heard just hit me. The intro was quite in comparrision to this. When I play Live at the Bowl, I tend to repeat the intro and The Hero, virtually every time, because it was definitely a life changing experience for me at that moment, just incredible. Then Freddie appeared in brilliant white again, I was that close, I swear His hair seemed blue because of the mass of white lights. His voice, so loud, so clear, honestly, I can't describe that moment properly. I heard Freddie swear, saw Roger spitting, quite a lot, over his drum kit and onto the stage, I was bewildered.

When they did Play The Game and also Somebody To Love, when Freddie was doing the intros for them and it will sound strange to those that weren't there, but I didn't know what the songs were. I thought they was new unreleased songs. The reason was they was so loud, It kind of deafened you and then kind of sunk in what they were about to play. Then the rest of the gig flew by and I was singing my head off. Everyone was, but you could only hear Queen. Again my memory may be wrong, but I read afterwards that Queen had paid for residents to move out of their homes for the day. These houses were monitored and they said that the sound was like Concorde flying 10 feet over your head... Yep I will buy that. For all that and for all the bad things said about it, The Works tour, which I went to all the 4 origional England gigs they had planned, was the best tour they ever did. The set list was fantastic and the lighting rig was incredible. Not as loud, I also add. I also saw them in Manchester, 86. They had to be off stage by 10pm and noise levels had to be adhered to. I was too far awy to see them and the screens didn't come on because it was too light. Also I couldn't here them properly. I've watched the mMagic Tour gigs on DVD etc, but for me, that was the poorest tour they ever did. So that's it, hopefully some of you can confirm my bad memory, or say I'm wrong. Hopefully not bored you all. But it was the greatest musical experience I ever witnessed and I am proud I was there.” - Paul Wakefield

Part-1

(x)

[old-childhood-drama]

Taylor Swift and Joe Jonas Masterpost (Toe/Jaylor)

Before dating (May 2008)

We start with the Taylor lookalike

In May 2008 the Jonas Brothers are filming their music video for Burnin’ Up [x]. Joe’s love interest in it is played by a blonde girl who looks quite a bit (and she’s also styled) like Taylor Swift, for reference, this is the music video that has Selena Gomez as Nick Jonas’ love interest.

As far as we know they hadn’t even met so we don’t know exactly what this was supposed to mean, maybe Joe had a crush on Taylor or maybe it’s a coincidence.

We do know that Nick and Selena were dating when this was filmed and that by the time the MV was released (July 4th, 2008) Joe and Taylor were officially dating.

Toe is alive! (July 2008 – September 2008)

On Tour

Fans claim to have seen Taylor around the tour in early July, which matches with Taylor’s lyrics in "Last Kiss".

Last Kiss. Taylor Swift.

I do recall now the smell of the rain

Fresh on the pavement, I ran off the plane

That July 9th, the beat of your heart

It jumps through your shirt

On July 14th, Taylor and The Jonas Brothers perform “Should’ve Said No”[x] from her debut album, and this performance now forever exists in their 3D movie (a classic), a cute fact is that some fans have said that Taylor tripped when she first came out, so they had to repeat it for the movie.

On July 20th Joe flies to Wyoming to watch Taylor opening up for Rascal Flatts, and they flew back and she was spotted at the Omaha show.

She’s seen in a couple shows more and she joins the stage again for their Madison Square Garden shows in August [x]. They sing “Even now just looking at you feels wrong”.

They’re together but they’re not together.

For more context, we must remember that Taylor was a very new artist from a small label and The Jonas were pretty much at their peak and Disney’s biggest act, and they were managed like crazy and could never even think about being seen with someone in a romantic way. Any rumors were denied so fast, and Disney did the absolute most to keep it secret. So according to everyone they were just good friends, at the time both Taylor and Selena were annoyed by all the secrecy.

Now back to the timeline:

Taylor is backstage of the tour A LOT for the next couple of weeks right next to the other not-girlfriends Selena and Danielle.

She films a cameo for the “Love Is on Its Way” [x] video for the concert in New York. She was said to be only interested in hanging out with Joe and they were seen hugging *gasp* I know it doesn’t seem like much now but back then this was the hottest gossip and again the Jonas were not supposed to breathe near any human of the opposite gender.

Taylor and the Jonas were staying at the same hotel a bunch of rumors ensued, but I will not talk about the whole Olympics and Toe locking themselves in a room at midnight thing. If it’s real, we really needed to touch some grass and stop staying outside of people's rooms all night.

On August 17th Joe goes to Ryan Seacrest's show and denied that Taylor is his girlfriend in the best way a corporation like Disney can train you to deny something that’s true. Saying Taylor is “a great girl and I think anybody would be lucky to date her. I think anybody would love to go on a date with her.”

And Taylor tells People Magazine “He’s an amazing guy and anybody would be lucky to be dating him” Cinematic parallels.

Taylor is spotted in the back (in a mirror) of one of the Jonas youtube videos [x]. Basically, we all knew they were together.

The Central Park date (August 28th)

Now if you were a fan of either the Jonas Brothers, Selena, or Taylor you know this next part and it the iconic triple date of Central Park.

Again, this is kind of famous at this point and Selena has been quoted saying how awful it was because the boys were not allowed to be seen with them so they all went to Central Park (Selena’s first time in Central Park) and Taylor and Selena walked about 20 feet of distance from the guys so nobody would think they were together but we all already knew because it wasn’t like they were that good at hiding it and there are pictures of them together that night (the clownery of it all).

These backstage tour adventures are the reason Taylor and Selena are friends today and in Selena’s own words the best thing to come out of those relationships.

VMAs (September 2008)

With how many pictures of them together that night [x] [x] [x] exist you would think they had gone together as a couple but no just two besties! The 2008 VMAs are so the show where Russell Brand mocks the Jonas Brothers and their purity rings and Taylor publicly defends them.

Toe seems happy for the rest of September but as we know now the end is near.

The Break-Up (October 2008)

Social Media was different back then and Taylor did what every teen girl with a broken heart did in 2008 and she went to myspace with an edited post to make a statement about the Toe current situation.

Post-Breakup

The 27 seconds Joe Jonas will regret for the rest of his life.

Taylor went on Ellen and I don’t even think I need to say much this interview is THAT iconic she sat on that couch and told the world exactly how Joe had broken her heart in the following two quotes:

“There’s one that’s about that guy, but…that guy’s not in my life anymore unfortunately. That guy…that’s an ouch.”

“I’m not even gonna be able to remember the boy who broke up with me over the phone in 25 seconds when I was 18…it was like 27 seconds, that’s got to be a record.” [x]

She also went on Ryan Seacrest’s and when asked about the perfect guy she saw an opportunity and took it, saying “I used to always say sense of humor, but I think that it’s important to have the same kind of sense of humor. I have a really dry, sarcastic sense of humor and if somebody doesn’t think that my sense of humor is funny, then that’s not something that is good. Um, so sometimes you know, that can be a wrong match. If they’re not allowed to go in public with me, that’s sort of an issue too.” [x]

Bonus the amazing youtube video Taylor posted with Joe’s Camp Rock doll and how he comes with his own phone to break up with other dolls [x]. Taylor eventually went full out and cited Camilla Belle (then girlfriend of Joe) as the reason for the breakup. And you know someone at Disney’s PR office wanted to die when this was going down.

So finally, Joe was forced to acknowledge the whole situation with a Myspace post:

"I never cheated on a girlfriend. It might make someone feel better to assume or imply I have been unfaithful, but it is simply not true. Maybe there were reasons for a breakup. Maybe the heart moved on. Perhaps feelings changed. I am truly saddened that anything would potentially cause you to think less of me. For those who have expressed concern over the "27 second” phone call. I called to discuss feelings with the other person. Those feelings were obviously not well received. I did not end the conversation. Someone else did. Phone calls can only last as long as the person on the other end of the line is willing to talk. “

Forever & Always

Now this song is known as THE Toe song and it was born out of the end of the relationship when she felt Joe was getting distant, but she couldn’t do anything to help it, it was made really late into the production of Fearless so she had to rush to finish it in time (so no other breakup songs are about Joe in the original album).

Forever & Always Was I out of line? Did I say something way too honest, made you run and hide Like a scared little boy I looked into your eyes Thought I knew you for a minute, now I’m not so sure

In the 2009 Grammy's Taylor and Miley (insert The Ex-Girlfriends Club Theory here) performed Fifteen (obviously not about Joe) and the Jonas were in the audience. I believe this is probably around the time Taylor writes Mr. Perfectly Fine and You All Over Me, which we know get to have thanks to Fearless (Taylor’s Version) 13 years later.

You All Over Me

The best and worst day of June

Was the one that I met you

With your hands in your pockets

And your 'don't you wish you had me' grin

But I did, so I smiled, and I melted like a child

Now every breath of air I breathe reminds me of then

Mr. Perfectly Fine

'Cause I hear he's got his arm 'round a brand-new girl

I've been pickin' up my heart, he's been pickin' up her

And I never got past what you put me through

But it's wonderful to see that it never phased you

In November of 2009, she also goes to SNL and mocks Joe in her monologue. "You might think I'd bring up Joe That guy who broke up with me on the phone But I'm not gonna mention him *rolls eyes* In my monologue [Spoken:]Hey Joe, I'm doing real well, tonight I'm hosting SNL [Sings:]But I'm not gonna brag about that In my monologue [x]"

To make things even more dramatic and very awkward The Jonas Brothers, Demi Lovato, and Taylor Swift spent NYE together watching the ball drop on TV and this was probably not how they wanted to start their years. [x] [x] [x] and a video [x]

Now let’s discussed some of the songs that came out at the time. The Jonas response to Forever & Always was Much Better. Nick described it as a song that was very personal to Joe and Joe went on to say that it was based on his very interesting year. They also at some point wanted to pretend the song was about their love for their fans but come on. Joe also changed the lyrics from ‘superstar’ to ‘country star’ and later changed it to ‘movie stars’ when he broke up with Camilla who is the ‘Much Better’ girl from the song.

Much Better - Jonas Brothers

I get a rep for breakin’ hearts

Now I’m done with superstars

And all the tears on her guitar

I’m not bitter

But now I see

Everything I’d ever need

Is the girl in front of me

She’s much better

Taylor’s iconic response in Better Than Revenge seems to be more of an attack on Camilla. She’s spoken about her regret for this song since then and hasn’t played it in years and Camilla seems to be ok we never forgiving her for it [x] [x]. Regardless this song remains a staple of the genre ‘Feminism OFF, Bops ON’.

“I was 18 when I wrote [“Better Than Revenge.”] That’s the age you are when you think someone can actually take your boyfriend. Then you grow up and realize no one can take someone from you if they don’t want to leave”. - Taylor 2014.

Better Than Revenge - Taylor Swift

Let's hear the applause (Come on, come on)

Come on, show me how much better you are

(So much better, yeah?)

See you deserve some applause

'Cause you're so much better

She also released "Last Kiss" about the nicer part of their relationship, and some believe other songs such as If This Was a Movie, Haunted (Speak Now) and Jump Then Fall (Fearless) are about Joe. From the Jonas, the other song believed to be about Taylor is Paranoid (Lines, Vines and Trying Times).

Jump Then Fall

Well, I like the way your hair falls in your face

You got the keys to me

I love each freckle on your face, oh

I've never been so wrapped up, honey

Probably a song was written about and in the early days of their romance and the long hair freckles [x] thing definitely fits 2008 Joe.

If This Was a Movie

Baby, what about the ending?

Oh, I thought you'd be here by now

Thought you'd be here by now

According to some this song is a sister song to "Last Kiss" in the same album and that is confirmed to be about Joe.

Haunted

Come on, come on, don't leave me like this

I thought I had you figured out

Something's gone terribly wrong

Won't finish what you started

This song would be a sister to Forever & Always since Taylor described both to be about a relationship that was fading in the end and that she was confused as to how they got there in the first place.

"‘Haunted’ is about the moment that you realize the person you’re in love with is drifting and fading fast. And you don’t know what to do, but in that period of time, in that phase of love, where it’s fading out, time moves so slowly. Everything hinges on what that last text message said, and you’re realizing that he’s kind of falling out of love. That’s a really heartbreaking and tragic thing to go through because the whole time you’re trying to tell yourself it’s not happening. I went through this, and I ended up waking up in the middle of the night writing this song about it.” Taylor

Friendlier days are coming (2010- )

I guess time can heal a lot of wounds and Toe is seen hugging and on friendly terms at the Clive Davis party on January 31st of 2010 [x].

The world was so shocked when we realized that Joe went to see her perform in a couple of her shows in September 2011 [x] [x], and in here Holy Ground is born about her new evaluation of their former relationship rather than the bitterness of the breakup. The lyrics' secret message is “when you came to the show in SD” and the potential parallel to "Last Kiss".

Holy Ground - Taylor Swift

We blocked the noise with the sound of ‘I need you’

And for the first time I had something to lose

And I guess we fell apart in the usual way

And the story’s got dust on every page

But sometimes I wonder how you think about it now

And I see your face in every crowd…

… Tonight, I'm gonna dance

For all that we've been through

But I don't wanna dance

If I'm not dancing with you

Last Kiss - Taylor Swift

I do remember the swing of your step

The life of the party, you’re showing off again

And I roll my eyes and then

You pull me in

I’m not much for dancing

But for you I did

They're seen talking in the MTV's EMA's 2012 [x].

From here they seem to be friendly and in May of 2015 after the Billboards. They even go on a double date later that year with Gigi Hadid, Calvin Harris, and Karlie Kloss (this picture feels so cursed). Nick and Joe get invited to Taylor’s 4th of July party and they seem somewhat distant after his split from Gigi.

Present (2020- )

In 2020, we got the amazing surprise of folklore with the song ‘Invisible String’ that makes a reference to Taylor’s past songs about exes being harsh and how she sent Joe and his wife Sophie Turner a present for their baby girl’s birth. In 2021, she has now released the re-recordings of Fearless and we are all reliving the drama and enjoying the chaos of Taylor’s and Sophie’s friendship not letting Joe know peace for those 27 seconds over a decade ago.

Invisible String

Cold was the steel of my axe to grind

For the boys who broke my heart

Now I send their babies presents

[2am-theswifthour]

The 8 Theory-Folklore’s Commentary on Youth

Yesterday, I took note of @taylorswift​ and her careful attention to the number 8.

“Not a lot going on at the moment” had 8 words. The 8th track is “august,” which is also the 8th month in the year. She has 8 deluxe editions of her album. Many attributed this to Folklore being Taylor’s 8th album. I thought it meant either a.) we needed to pay very close attention to track #8 or b.) that 8 references infinity, a.k.a “forever and ever.”

To my surprise, I was actually selling Taylor Swift short.

When listening to the album, there’s a lot of back and forth in emotion and circumstance. I was confused about the order, especially when the strikingly sobering “hoax” followed the self-aware almost-tranquility of “peace.” Then it hit me. There are two schools of thought going on.

There are 16 tracks on Folklore (excluding the bonus track none of us have heard). 16/2=8. This means there are 2 equal emotional song threads on the album. In other words, you can get two drastically different lessons listening to each group of 8.

When you separate the even numbered tracks from the odd numbered tracks you get the following:

Odd

the 1

the last great american dynasty

my tears ricochet

seven

this is me trying

invisible string

epiphany

peace

Even

cardigan

exile

mirrorball

august

illicit affairs

mad woman

betty

hoax

Odd Interpretation:

Starting with “the 1” and “the last great american dynasty,” the lyrics are very upfront in showing that the protagonists are making fully intentioned mistakes. “the 1” says, “in my defense, I have none for never leaving well enough alone” (I see you “ME!” reference). In “the last great American dynasty” it says, “she had a marvelous time ruining everything.” These characters’ folly is their youth-induced selfishness. They’re casual in the harm they cause because they distance themselves from it. They’re fine with what they don’t look at closely. When you’re young, you make a mess of things in service of YOUR need. Your need for companionship. Your need for the thrill of danger. Your need to make your mark, to be somebody, to leave something behind. The marvel of the excitement and the chase and the very vitality of teens to 20-somethings’ shenanigans blinds us to the scale of our destruction…

…until you have no choice but to face the consequences of your recklessness.

The next track, “my tears ricochet” is not your average track 5. It functions as a pivoting point. Now our narrator is the hurt party, the one baring the brunt of callous treatment. Fickle mistreatment is no longer so casual. Now it’s a torment, and the tormentor learns the scale of their damage. So much so, that they get burned too. They learned their lesson at a terrible price, but what’s most important is that they learned.

“seven” is a long-overlooked memory revisited. In this picture of naïve innocence, the narrator tells of their childish belief in the impossible. Through magic and play pretend and fantasy they are invincible. They have all the control in the world to control the world they live in. Obviously, this is a flawed perspective that everyone eventually grows out of. Fairy tales don’t solve real problems. The point is that their sense of self-importance is in service of a stronger moral compass than the first two songs. If we accept our responsibility to others, to do what we can to ensure their welfare, are we not better and more satisfied people for it?

“this is me trying” hears that lesson and attempts to walk the walk. Part of being responsible to your fellow human is taking accountability when you fumble. The narrator doesn’t know what to say or how to make it right. What they do know is that they’re here, they’ve put the bottle down, and that they’re willing to try what’s necessary to heal what they’ve hurt.

“invisible string” gives us the reward we’ve been waiting for. The narrator says, “cold was the steel of my axe to grind for the boys who broke my heart, now I send their babies presents.” This is someone who has gone from lashing out in anger at a partner from a burned relationship to genuinely wishing them well in their next stage in life. It’s a powerful testament when you can recognize that youth drives us all to make hurtful decisions and that no one is immune to change if they truly want to change. When you let the anger and lies go, the strings that tied you to them fade away. All that’s left is the string you want to hold onto. The string tied to the one who matters, because you’ve made the conscious decision to deduce that their worth as a person should equal yours. It’s a painful path to traverse through, but when you do it’s all worthwhile. That’s why the narrator can say with confidence “hell was the journey but it brought me to heaven.”

In any other album, a song like “invisible string” would be the quintessential emotional payoff for this story arc. However, because this album is a masterpiece, we have a different payoff point in “epiphany.” “epiphany” takes us out of the world of a romantic relationship. We hear descriptions of war and nurses dealing with the despair of this international pandemic. This point in this emotional thread is that it powerfully declares it’s not enough to do no harm nor is it enough to just empathize with your romantic partner. You MUST show your responsibility to your fellow man. Stand beside them. Empathize with them. See them as whole human beings. Do good by them. In other words, it is our duty to do right by everyone, for everyone bleeds, loves, and dies.

The 8-song selection ends with “peace.” The song begins by saying that their, “coming-of-age” has come and gone.” I believe this (along with “invisible string”) to be the most overtly “Taylor Swift” track in perspective. This is her speaking as herself. She lets us know that she’s grown through taking her mistakes, and the mistakes she learned through folklore, into account. She is overly aware of her flaws and feels she pales in comparison to her partner. Rather than allow those insecurities to manifest in unchecked rage or resentment, she takes it as a challenge for herself to do better. She knows she can never give him complete peace (due to inside and outside factors), but she can make the choice to give him unselfish promises and embrace the entirety of her partner’s life. This is a person who has learned the value of selflessness in love and life, which makes this whole thread worth everything.

Even Interpretation:

“cardigan” foreshadows the eventual failure of the even path. The odd interpretation I just described culminated in the narrator finding their place with “the one” because they’ve left everything petty and casually cruel behind. In “cardigan” it says “chase two girls, lose the one.” On top of this directly referencing the first track, it also implies the partner’s self-destruction. By toying with two girls, James is losing “the one.” I don’t think losing “the one” means that you keep one of the two of them. I think it means that engaging in that kind of behavior makes you into a person that isn’t ready, or worthy, of “the one” that they are meant to be with forever. Meeting and keeping “the one” has to require each partner to love themselves and their partner wholly, truly, and selflessly. They can’t be a cardigan you pick up and only wear on the weekends. They must be a wholehearted commitment.

“exile” shows the blowout from “cardigan.” The two couldn’t stay together, and Bon Iver’s (character’s) toxicity comes out full force. He thinks her new man is lesser than him. He’s prepared to throw punches despite being at fault over a hundred times. He’s seen the film before, and he didn’t like the ending because it didn’t work out for him. He wants her under his thumb, not having learned from his prior relationships that that just can’t work. They leave out the side doors, neither fully ready to confront the problems head on.

“mirrorball” is daring in its shift of focus. While all of the tracks I’ve mentioned thus far have dealt, in some way, with the problems that result from a young person’s selfishness, this song doesn’t do that. This song illustrates an extreme that young people participate in at the opposite end of the spectrum; radical selflessness. To be selfless means that you should never allow something that harms someone else to happen just because it benefits you. Young people, girls in particular, are often groomed to interpret selflessness differently. Their definition is synonymous with accommodation. Change your looks, change your personality, don’t object, and embody what your partner wants so that they’re happy. That’s why the symbol is the mirrorball in the song. It reflects everything in the room but itself. By explicitly not factoring in their own sense of self-respect in a relationship, they are unknowingly and tragically enabling their partner’s mistreatment. To be clear, that doesn’t mean abuse is their fault if they have low self-esteem. It’s not, even remotely. But not having the capacity to defend your self-worth is what keeps so many drawn into toxic relationships there for so long. This radical selflessness manifests itself in the other woman too. In “august” it explicitly says that she was living on the, “hope of it all” and that she would cancel plans in the name of a potential hookup with someone who was never hers. The idea of radical selflessness culminates in “illicit affairs” when one of the women deals with their addictive compulsion toward someone who treats them like a cheap lay. Their relationship is a secret that leaves her feeling used in parking lots and as though any trace of her is gone. These three songs have taken the desperate hopelessness of “Abigail gave everything she had to a boy who changed his mind” to the extreme.

Many have speculated that “mad woman” is a commentary on the Taylor/Scooter conflict and I’m inclined to agree. However, if I were to assign an interpretation that goes with my theory, I would say that “mad woman” details the unforeseen consequences of a tormentor’s abuse. When a toxic partner performs bad behavior, their expectation is that they will always be found in the right. After all, Taylor noted on her previous album that for men, “everyone believes [them].” So in the face of lies about her character that everyone believes, she gets rightfully angry. Her anger is their affirmation. For many, a woman being angry on her own behalf is “crazy” and “irrational.” What kind of a society have we set up? A society that promotes women to lack self-worth and, should they find it, they’ll meet a whole other exile.

“betty” is our complete look into James’ perspective. On its own, it sounds like a big romantic gesture to get behind. However, this path is very clear to put “cardigan” first. “cardigan” says, “I knew you’d miss me once the thrill expired and you’d be standin’ in my front porch light.” Lo and behold, in “betty” he shows up to her party when she doesn’t want to see him and asks if she would, “kiss [him] on the porch in front of all [her] stupid friends.” It’s an absolute punch in the gut. Betty knows in “cardigan” that he would come back after he had his fun with another girl, but that she would take him back when he saw momentary value in her again. James in “betty” claims he didn’t know anything, but that’s just an excuse. He knew what he was doing, he knew that he would be able to pick up her broken pieces with ease, he knew he could isolate her from her friends, and he knew that he could capture the imperfect “comfort” of that cardigan again.

This path ends in the final even-numbered song, “hoax.” In the odd numbers, “peace” shows a lesson learned. This even path shows what happens when we don’t learn. The seeds of youth-driven mistakes have led us here. The narrator wants nothing outside the pain of this faithless love. Without learning what it means to be selfless, the traumas of these young relationships create a never-ending cycle. The narrator knows that the “love” is a “hoax” but doesn’t care because that’s all they have. There’s no point to wanting anything else. Without the perspective of age, of truly going beyond that, they’re stuck in a truly dark place.

Final Thoughts:

Taylor Swift is an exceptional artist for a lot of reasons. No one makes albums this good this far into their career. Most artists teeter off after two or three because they retread. Their audience inevitably gets bored of them e same thing time and again. Repeating themselves is something that a lot of artists do because they want to go with the formula of what works. With Folklore, Taylor has done what few artists have dared to do. She’s allowed her discography as a place to uncompromisingly expand her worldview and challenge her listeners. She’s not reiterating previous lessons to make another quick sale. Instead, every album prior has been a steppingstone. As she said at the Time 100 Gala, she has truly turned her lessons into her legacy. From a variety of narrators, she has brought what I decree to be her best album to date. This wouldn’t happen for anyone else 8 albums into their career, but she’s done it by devoutly embracing age’s wisdom.

Learn from the highs and lows presented in these paths. As all good folklore does, it teaches us how to live better. It is our duty to live selflessly and with self-assured dignity. These writings, I have no doubt, will become integral to the legend that is Taylor Alison Swift.

[actuallyintro]

Could you write something about Ed and Lorraine dealing with insults and taunts from the media? Like, in the middle of a talk show they’re trying to stay calm and stop each other from losing their composure (or punching the host’s teeth out, in Ed’s case).

Hi anon! I'm back with a fic for you. This one ended up taking a little longer than I had originally planned but I did research for it. I wanted to base some of it off of the University scene from the "Conjuring 1" and the interview scene from the "Conjuring 2" so I tried to find the actual scripts for those scenes. I hope you enjoy it and always feel free to send in another anon prompt!

Summary: While taking part in a media interview, one of the other guests manages to insult both Ed and Lorraine, causing Ed to come to his wife's defence. Luckily, she knows how to tell when he's upset and how to calm him down. (And yes, she does.)

Wordcount: 2051 - I do apologize for how long this ended up lmao. Once I started, I realized I had quite a few scenes I wanted to add.

Untouchable

“Heros or a Hoax?” Lorraine read quickly, looking at the article in front of her as she took a sip of her morning tea. What had started out as an attempt to peacefully read the morning paper, quickly turned into her reading an article all about both her and her husband.

With their profession, she’d quickly learned that no matter where they went, who they talked to, controversy or opinions followed never far behind.

They’d been relatively successful with the different college classes they’d been invited into, often finding the younger generation more susceptible, more willing to believe in what they did day to day. They asked questions and had a pure curiosity, something they didn’t often find in people their own age.

She’d found that being in front of people, the two of them presenting together made it a lot easier for people to accept what they were talking about, compared to the few times they did public interviews. The interviews always came in with the bias of being sceptics, and while she understood why, it made it a lot harder for either of them to explain what they both did.

As she thought back on it, one interview always stood out to her. It was always the interview they had participated in right before they’d been called into the Hodgson case. Lorraine wasn’t one for such public interviews, never wanting to put her gift on show for the world, but they’d been persistent and eventually, they both gave in, agreeing to be a part of it.

They’d gotten dressed that morning, matching his tie to her skirt like usual. She knew Ed would never admit it, (too much pride) but they both enjoyed matching, it made them feel connected. Their strong bond evident, even if just in their clothes.

Ed drove them to their interview, noticing right away just how nervous his wife looked. While driving, he reached over and lightly grabbed her hand, hoping she’d talk to him. Not wanting her to put all the pressure on just herself.

“Lorraine.. we don’t have to do this if you don’t want to. We can just tell them we changed our minds.” He told her seriously, looking over to her as much as he could before refocusing on the road. He’d always been more willing to try and embrace the media than Lorraine, something both of them understood.

Ed knew he didn’t have a gift to protect, at least not in the same way Lorraine did. While the cases and the stories affected him from time to time, he knew it was nowhere near how it affected Lorraine. Where he always ended up thinking back to the time she locked herself away for eight days.

Letting out a small sigh, Lorraine shook her head. “It’s alright Ed. I saw the newspaper this week, the way they’re talking about us. It’s important to set things straight.” She told him, still holding his hand.

Ed nodded, not wanting to push the issue this close to the scheduled interview. He trusted her judgement and trusted her to know her limits, what she could and couldn’t handle.

As they arrived at the interview, Ed opened the passenger door for Lorraine, letting her take the lead in this process. He figured that if nothing else, giving her the chance to be in control, might help how nervous she was.

Once they were inside, they were both quickly rushed off to the last minute microphone and makeup cheeks. Lorraine didn’t enjoy the feeling of the makeup they often tried to use on her, preferring the feeling of her own brands, the brands she knew she liked.

“You look beautiful,” Ed told her lightly once they were reunited. Not much had changed but he still noticed the makeup she was wearing, something she hadn’t been when they’d left earlier that day. Lorraine smiled over at him, happily accepting the compliment as they made their way to the interview stage.

They took a seat next to each other on the interview stage, waiting for the rest of them to arrive.

One other “expert” joined the stage, sitting opposite of Ed before the interviewer took a seat at his own desk. Lorraine let out a small breath as she waited, hoping this could be over as soon as possible.

“And we’re rolling in 5-4-3-2-1.” Lorraine heard the cameramen announced as they started filming.

“Today, we are pleased to announce our guests, both Ed and Lorraine Warren and Dr Steven Kaplan and we’d like to thank all of you for being here.” The interviewer told all three of them, as the camera panned to show each one on screen.

The first half of their interview went as well as Lorraine could have expected. She noticed Kaplan didn’t say too much, mostly observing both of them. But she also couldn’t quite get over a bad feeling she had about him, that he was waiting to say something.

After the first half was done, the cameras were paused, giving them all a few minutes for a break. Lorraine grabbed Ed’s hand as she led them off-stage, into a part of backstage where nobody else was around. She didn’t need to talk, words weren’t necessary but rather she wanted to know he was there. He took the hint right away, pulling her into a tight hug as they stood in the quiet, Lorraine listening to his slow heartbeat as he did.

A few minutes later, they both knew they couldn’t avoid going back out there any longer. He wanted nothing more than to keep holding her, hoping she’d let him do just that once they got back home, but hearing the noise from the stage, Ed knew it was time to go back.

“Ready?” He asked quietly, looking down at her as he did.

Lorraine nodded, grabbing his hand as they headed back to their seats, only separating once they sat back side by side.

“And we’re back with paranormal investigators Ed and Lorraine Warren, talking about their experiences at the Amityville house and the name they’ve made themselves in their profession.” The interviewer started once the cameras were rolling again.

‘Now, we’re going to talk to our next guest, Dr Steven Kaplan. He says the investigations the Warren’s conducted into the Amityville haunting happens to be a load of hogwash.” He finished, as the camera panned over to Kaplan, sitting up and looking smug in his seat.

Ed looked between the two of them, before interrupting, “And why is that?” He kept his voice as calm as possible, not wanting to say something rash.

“Well, it’s well established that Amityville was a blatant hoax. There’s no evidence to prove anything happened here.” Kaplan told him, his voice matter of face. He was confident in his research and the knowledge that nothing bad ever happened at Amityville.

“That’s never been proven-” Ed started before being cut off, Kaplan trying to finish with his reasoning.

“But yes it has. The Lutz family made everything up so they profit off of all the publicity. The book-deals, the movie contracts and the public interviews.” Kaplan finished, never wavering from his stance.

Lorraine could tell her husband was getting agitated, knowing all the ways he tried to hide it. She could tell as his posture tensed up and how his once relaxed hand, now sat clenched together at his side.

“That's just not true.” He started, looking directly over at Kaplan. “Understand, we see this all the time. It’s very easy to sit on the outside and pick apart their story. But it’s something very different to have been there and experienced it for yourself.”

Rather than wanting him to get more upset, Lorraine took a chance and reached over to grab his hand. She sighed silently in relief when he unclenched his fists, feeling them relax against her own.

“Listen.” Kaplan reclaimed, focusing all his attention back on the interview.

“Ed Warren’s never seen a house that he didn’t think was haunted. And by the time his wife is done blowing smoke and ringing bells, they’ve got everybody else believing in ghosts, too.” And for Ed, that was the moment he stopped playing nice. It was one thing to question him, to question the things he did, but it was another thing entirely to question his wife.

“What exactly are you a doctor anyway?” Ed asked, his voice sarcastic as if he dared Kaplan to keep speaking.

“Come on, Warren. Try and show a little class, will you?” Hearing those words, Lorraine flinched slightly, knowing nothing good would come from that. She held his hand tighter, hoping it would be enough to calm him down. Just long enough so they could get out of there.

“I’m not going to show class to somebody sitting here telling lies about my wife and I.,” Ed said, refusing to take him seriously anymore. He understood why people could be sceptical, what they did… what they experienced wasn’t something most people would ever come into contact with. But that didn’t mean, he’d let him sit there and insult who there were as people.

“Be careful who you call a liar,” Kaplan told him, leaning back into his chair as he looked over at Ed.

Before either Lorraine or Ed could respond, the interviewer stepped in at the direction of the director.

“And that’s all the time we have tonight. We’d like to thank all three of you for being here again.” The interviewer told them as the cameras stopped filming and the interviewer let out a breath he’d been holding.,

Once “cut” was called, Lorraine practically pulled Ed out of his chair, not wanting him left alone with Kaplan.

She pulled him backstage, handing him his coat as they got ready to go, knowing neither of them would want to be there longer than they needed. “Lorraine... I’m sorry.” He told her as he put his coat on, figuring she’d already be upset with him.

Lorraine put her own coat on, ready to head out, just as they were stopped by one of the members of the production.

“Mr and Mrs Warren, we know things were slightly tense out there, but we wanted to thank you both again for agreeing to this interview.” The crew member told them, reaching out to shake both of their hands.

Smiling as much as she could, Lorraine shook their hand back, telling them, “Thank you for having us. We appreciated the opportunity.” Once they were done, she let out a small breath as they made it back outside, finally feeling like she could breathe again.

However, rather than getting right into the vehicle as Ed had expected, Lorraine pulled him over to the side of their car, giving him a tight hug. Slightly surprised, it took a second for him to react before quickly hugging her back, relieved it seemed she wasn’t overly mad at him.

“I didn’t mean to react the way I did. I know.. people don’t usually get it, but I just hate hearing the way people talk about you.” Ed explained as if it wasn’t something she already knew. She knew he was protective, especially about her and their daughter.

“Ed, I know. I know he was trying to get under your skin and I know you were just trying to defend me. Obviously, I don’t love when you’re short like that, but I get it.” She emphasised, wanting him to know that no, she wasn’t mad at him.

Looking down at her, he ran a hand through the top of her hair before eventually moving back just enough from their hug as he placed a hand just under her chin so he could lean down to finally kiss her. “I love you.” He told her sincerely.

“I love you, too,” Lorraine told him, still holding his hand before looking up at him with a mischievous smile.

“Is now the appropriate time to say I told you so about interviews?” She teased lightly, letting him open the passenger door for her, ready to finally get home. Judy was staying at a friend's house for the night, meaning she’d get her husband all to herself for the night. And no matter how much she could admire him defending her, she enjoyed cuddling up with just so much more.

[simp4reggie]

Can I request a imagine where Charlie Gillespie in Canada filming Julie and The Phantoms netflix show but with his girlfriend aka reader but He and Jeremy and Owen are dress as clowns for Madison Reys’s halloween party but the boys want to scare the reader and she was in the bedroom getting dress as Stitch from Lilo and Stitch disney movie.

Halloween

Charlie Gillespie x Reader

Word Count: 2,097

A/N: I know I haven’t written in a while but this might be my favorite one I’ve written so far. I changed it a bit since misread “bedroom” but I hope you like either way

—————————————————————————

Halloween. The spookiest time of the year. However, for you this was the most wonderful time of the year. Your boyfriend was currently filming the first season of his new show, Julie and the Phantoms.

Halloween is your favorite day of the year and it sucks that you’re supposed to spend it far away from him. You decided to book a flight last minute to surprise him. The only person you told was his roommate and best friend, Owen.

“He’s going to be so excited to see you. He won’t shut about you and hopefully this will stop him for a little while,” Owen says over the phone.

“Haha iI can’t wait to see him and I especially can’t wait to finally meet you in person.” You and Owen have been talking a lot ever since he answered Charlie’s phone when FaceTiming and after Charlie found his phone, you and him exchanged numbers.

“I know FaceTime’s fun and all but now we can bully Charlie together in person” He replies.

“Hey remember he’s still my boyfriend. I can’t be mean to him all the time. I call you when my plane lands, okay?”

“Alright I’ll see you then. But (Y/N)!”

“Bye Owen!”

After what feels like ages you board the plane and a then after 8 hours and 1 stop you finally make it to Vancouver. You take a few moments to collect yourself and then call Owen to let him know you’re here. You grab your stuff from the baggage claim and grab a coffee from Tim Norton’s for a pick me up. Sitting on a plane for a full work shift can really drain the energy out of a person.

It doesn’t take long for you to hear someone call out your name.

“Y/N)!!! Over here!” You turn around and see Owen standing there and you run over and give him a hug.

“Owen! Oh my god!” After a minute you let go and he can’t help but grin at the big smile on your face, the face that Charlie won’t stop talking about. He never misses a moment to tell his co stars about how gorgeous you are and how much he loves your smile.

“Okay so I’m thinking we stop by the apartment and drop your stuff off and then head to set. We’re in the middle of filming but I may have asked Kenny if I could take a break to get something to eat.” You chuckle at that before answering.

“Actually I was wondering if we could just go right to set. I can’t spend another minute without Charlie.”

“Good. I can. So please take him from me.”

You laugh at that and spend the entire car ride counting the moments till you see your boyfriend again.

Owen parks the car and you don’t spare a moment jumping out of the car and running towards the closest door before realizing you have no idea where you're going. You stop and turn waiting for Owen.

“C'mon let’s head to the main stage. That's where they were when I left.” You follow Owen to a group of people.

“Hey guys have you seen Charlie anywhere?”

“No why?”

“This is his girlfriend, (Y/N)! She’s surprising him.”

“Oh my gosh! You’re (Y/N)? He’s going to be so excited. He never shuts up about you!” A girl with long blonde hair says.

“Yeah he might explode,” A guy wearing a leather jacket replies.

“Yeah I’m sorry about that. Hopefully it’s all good things.”

“Definitely. That boy is 100% in love with you. I’m Savannah.”

“And I’m Jeremy”

“The third phantom and Carrie right? He talks about you guys all the time too”

“Well this is fun but we need to go find Charlie before he sees you first.” Owen drags me in a different direction. You wave to Savannah and Jeremy hoping to talk to them more.

You see that you end up at Charlie’s trailer and Owen knocks on the door.

“Coming!” You hear on the other side and your heart leaps. It’s him. Owen pushes you behind him.

“Owen! Where’d you go running off to? That was a king lunch, dude.”

“Oh you know just out.”

“Well it must’ve been good enough for Kenny to stop production until you got back. All that was left was your stuff with BooBoo. Mads is getting here soon.” You start to feel bad for causing them to stop filming.

“Oh believe me it was. I have a surprise for you.”

“Please! No more dead birds!”

“No it’s good I swear! Close your eyes”

“I don’t wanna-!”

“CLOSE YOUR EYES!”

“Fine!” Charlie closes his eyes and Owen pushes you right in front him.

“Okay...Open!”

Charlie opens his eyes expecting something gross but is completely in awe of the view in front of him.

“Wait…(Y/N)? How are you even here right now? What? How? I don’t even know what to say!”

“Just kiss me you dork.” He doesn’t say anything just wraps you in his arms and gives you the biggest kiss possible. You kiss him back and just soak in the moment of you two. It feels like there’s no one else around and forget about where you are.

“Okay...I’m going to go leave and find Kenny.”

Charlie lets go and just stares at you in shock. “That son of a bitch went to the airport didn’t he?” You just nod chuckling to yourself. “I’m sorry but oh my god. I can’t believe your standing here right now.”

“Neither can I. Last week I was missing you so much and Owen convinced me to get a ticket.”

“Well you came just in time. We’re having a Halloween party tomorrow night and now you can come! Everyone’s going to be so excited. You’re all I can talk about.”

“So I’ve heard. I better live up to the expectations huh?”

“You already are just by being you...God I love you.” He kisses you again.

You spend the rest of the day watching him film scenes and meeting the rest of the cast. They were all so nice and welcoming. You kinda regret leaving your stuff in Owens truck but you had to Charlie to help you unpack so it didn’t take too long. After that the three of you went out for dinner and then cuddled with Charlie the rest of the night Because of the party everyone had a later call time. This meant more time with Charlie.

The next morning you woke up to an empty bed but a noisy apartment. You walk out of the room to see Charlie and Owen arguing over a pan of burnt eggs.”

“Good morning, old married couple. What’s going on? It’s too early for this shit.”

“I’m sorry, (Y/N), but SOMEBODY decided to let the breakfast I was making you burn.”

“How is this my fault?”

“I asked you to watch over it while I went to the bathroom and I came back out to you going live and not even paying attention.”

“Well sorry I got distracted but you were in there a long time.”

“It wasn’t that king oh my god!”

“Boys!! Stop arguing,” You walk up behind Charlie to give him a hug, “It’s okay. Thank you for the breakfast, baby.”

“I’m sorry for him over there. It would’ve been amazing.”

“Amazing or Charlie amazing. I saw the peanut butter out?” Owen says staring at Charlie.

“Oh...maybe it was a good thing they got ruined. You eat some weird food babe.”

“Hey! Who’s side are you on?” Charlie says low key offended but he can’t stay mad too long. “Whatever, we'll just get Starbucks or something. Are you coming to set babe?”

“I was actually thinking about going to the store to find a last minute costume. What are you going as?”

“It’s gonna be a surprise. We’re not telling anyone.”

“We?”

“Yeah. Jer, Charlie, and I are gonna match.” Owen replies.

“Oh god. I hope it wasn’t Charlie’s idea.”

“What is this? Pick on Charlie day?”

“No it’s Halloween! Best day of the year. Tomorrow is Pick on Charlie Day.” You laugh at Owen.

“Which reminds me I have to go to get a good costume.” You go back to Charlie’s room to get dressed before saying goodbye to the two idiots.

“I’ll see you later! Bye I love you!”

“I love you too!” Owen yells back.

“She was talking to me. Love you!”

“I don’t think so. She loves me more.” You hear them start to argue again and you leave quickly.

At the store you find a cute Lilo costume that there was one left of. You also buy a Scrump backpack and a little Stitch plush to carry with you (plus that fits in the bag so your hands don’t get tired. Spirit Halloween really has it all.

Charlie said to get to set around 6 and gives you the address of the school around 6 since that’s when they were supposed to done filming. You go through the door you and Owen walked through the day before. You start following the decorations until you get to the Cafeteria. You start to recognize people from yesterday. You see Sav is Kim Possible. Madison as the devil and Jadah as an angel. Sacha was also a devil. You look around but don’t see the three boys. You haven’t known Jeremy long but if he is willing to along with Charlie and Owens' plan he must be just as big as a doofus as them. After about 20 minutes you go to find a bathroom.

You look in the mirror fixing your dress and we’re fixing your eyeliner until the light turns off. You look around confused, feeling your way around. You got close to the light and feel a person.

“Hello?” You whisper.

You just hear footsteps walking slowly toward you.

“This is it. This is when I die.” You think to yourself. You walk backwards before feeling another body behind you.

You close your eyes to accept fate before seeing some light against your eyelids.

You open your eyes and see three scary ass looking clowns in front of you. You scream and run out the door. You take a moment against the hallway wall before realizing there were three people missing in the party. You wait hoping they would walk out soon. You see the door open and see one of the boys step out. Not caring which one it was you walk up against the door so they couldn’t see you. When you see his face you yell, “BOO!”

The clown screams and runs out pulling the rest of them behind him.

“Not so fun is it?” You let yourself be seen.

“I’m sorry (Y/N). I didn’t think that Owen was going to turn out the lights.” Charlie said walking slowly up to her.

“You wanted to scare her. It’s a small room and there's not many options.”

“Still I’m so sorry.”

“I actually thought I was going to die. I’ve never been more terrified in my life. Why would you do that?”

“I thought it would be funny.”

“Funny to watch your girlfriend terrified is it?”

“(Y/N)...I don’t know how to be anymore sorry.”

“Yeah we're really sorry.” Jer says hoping to calm the situation down.

“Yeah really sorry.” He was going to say something sarcastic but saw how traumatized you actually looked.

“It’s okay. I mean it is Halloween. I should have expected something like this from the three of you.”

Charlie walks the rest of the way to you and gives you a hug and kisses you on the head. He feels you calm down and says “You look really cute.”

“Thanks you don’t at all but it’s okay.”

“Hey you said Pick on Charlie day was tomorrow.” You smile before pulling away from Charlie and yell “Hey Owen!”

“Yeah?”

“Charlie just agreed to tomorrow being Pick on Charlie Day!”

“He did? Cmon lets tell everyone!” You run after him back to the cafeteria.

“Wait no I didn’t!!! (Y/N)! OWEN!!” Charlie just shakes his head knowing it wouldn’t do anything.

Later that night everyone got a text saying this:

This is your healthy reminder that 11/1 is now officially Pick on Charlie day! To celebrate, please spend the whole day picking on Charlie Gillespie. I hope you have a wonderful holiday.

Let’s just say when the next year came around, the fans had a field day and Charlie was not a happy camper.

————————————————————————-

A/N: oh look another 2 am post! Anyway I hope you liked it!

- Maddie xx

[masqueradeball]

How about number 3? Like, tell us all about it if you want :)

Oh my gosh 🥺 thank you so much for giving me my first ask! 💖 I'm eternally grateful I get to spill all my pheels out.

3. What is my favorite Phantom tv/film adaptation?

My absolute favorite Phantom is the 1925 Lon Chaney silent film. He just embodies everything that I like about Gaston Leroux's Erik for me and he is both horrifying and pitiable. I dislike the ending but I can live with it given it's what test audiences wanted at the time. I truly love his Red Death costume. You can find it on Youtube and the Tubi app for free.

My first runner up would be Claude Raines in the 1943 because his Erique so soft and tragic in that film I cannot help but love him. This was one was my grandma's favorite 'classic monster' movies that she loved, so I have a special place in my heart for this one. I love his hair and appreciate that he was one fine silver fox before the revenge and jealousy issues set in. The opera parts are a little boring, but the costumes and the sassy diva rival to Christine are worth the watch. We get 2 handsome Raouls who end up going to dinner together at the end of the movie and a Christine who gets to bask in the limelight of her career while not choosing any suitor, which is the best possible outcome for her. Double play for the win in my book! You can watch it for free on the Peacock app.

My next runner up is a 3 way tie between Robert Englund, Gerard Butler, and Charles Dance.

I honestly enjoy all their performances because they each bring something unique to the role.

I cannot stress enough how violent the Robert Englund version is if you want to give it a go, but Erik Destler is insane, twisted, and fabulously murdertastic in this. I love the creepy, evil vibes the man gives off. Think of this film as a time travel AU of the original novel. I feel like he nailed Leroux Erik's darker, snarky personality that some people tend to forget he had and the gothic horror parts of the original novel are there. Bonus: they keep the Faust parallels like in the novel!

I'm gonna say it: I love the Charles Dance miniseries. I know it's not the best, but damn, he is so dry and sarcastic I cannot help but enjoy his performance. I want to pinch his cheeks and smother Cherik with the love his father never gave him everytime I see him. Again, this one focuses on the operas a lot, and for me it's a bit boring. But the backgrounds, settings, and props in this thing are fantastic and the costumes are wonderful too.

That leaves Gerard Butler in the 2004 movie. No he is not the world's greatest singing Phantom, but I don't care. I absolutely love his facial expressions and body language. The Phantom is an emotional, expressive dude and the Red Death costume scene is pretty good. I love how kind and sincere Emmy feels in this film and I appreciate she's not overracting and doesn't feel fake compared to some other Christines *coughSierracough* Being the film version of the ALW musical, this Phantom story focuses on the romance and Gerard excels at that. When he and Christine are singing Past the Point of no Return, I FEEL THEIR PASSION! And that's what counts more so than hitting the same notes we've all heard a million times before.

Now for the versions in the 'I will eternally like this' category 😊 :

The Phantom of the Paradise from 1974. This is also a very violent and dark film so fair warning if you haven't seen it. It's a bizarre rock musical, but if you're weird like me and enjoy Rock & Rule or the Rocky Horror Picture Show, this might be a film you'd like too. I don't want to spoil it too much but the Faust/devil parallels are here too, as is various pop culture references. His teeth and mask are terrifyingly cool, and so is the electronic voice box he uses. It makes sense Daft Punk was inspired by this film. Maybe G1 Soundwave was inspired by this film too, but that's a debate for another day 😉

Next is the animated 1988 film. This one features animation on par with other 80s tv cartoons of the time. I love that they kept the Persian and the torture chamber from the novel. The Phantom's death scene is pretty damn epic. Christine is kind of a flake, but animated Leroux Erik is hilariously insane and terribly charming, especially when he calls himself a Don Juan. It's worth watching just for his antics and his dialouge.

You might not expect a Goosebumps episode to do a Phantom story any justice, but here we are: 1995, The Phantom of the Auditorium is a spooky fun take on the story and honestly, I'd like to see the full play the kids at that school are putting on cause it looks better than some of the live Phantom stage scenes I've seen. Both young boys playing the Phantom are fantastic actors and the plot twist at the end is great.

I absolutely have to give a shout out to Wishbone's Pantin at the Opera. He is the best, cutest, most adorable Raoul de Chagney ever and I will fight you if you dare talk smack about this version. I'm not even a Raoul stan by any means but like, this dog is precious and I enjoy this episode so much.

Also in the animated category and cute dog category is Scooby Doo Stage Fright made back in 2013. This movie is one of my fave Scooby Doo films (yes I own almost all of them on dvd) and there are multiple Phantoms, a reality tv show contest, and Fred and Daphne finally kiss each other! Lots and lots of hidden Phantom references in the background and lots of voice acting talent for those of us who appreciate that.

Now for the versions I intensely dislike 😏

The 1962 Herbert Lom version. UGH where to start. The sets are so small and everything looks dirty and of the wrong time period. The color in the film looks washed out. The clothes look too modern somehow (maybe it's their hairstyles?) and it bothers me. It feels low budget in a bad way and it shows. This phantom is not likeable or pitiable even though his backstory is similar to the Claude Raines version. He has no romantic interest in Christine, so it feels off. This guy is such an old a$$ piece of sh*t, he literally slaps Christine as she's singing for him for no damn reason. His paper mache mask looks like a Kindergartener's botched art class project. His personality is like somebody locked up cranky grandpa in the basement and he's PMS-ing because y'all forgot to give him his daily prune juice. This squatter's lair lacks creepiness, and his bizarre sidekick is annoying and yet somehow more interesting than the Phantom. The pervert manager trying to bang Christine aggravated me and simultaneously made me want to vomit. Raoul is the only likeable character in the whole damn movie. The Joan of Arc opera scene makes up for some of the film, but it's still terrible.

Next on my meh list is the 1983 made for tv movie starring Micheal York and Jane Seymour. Now, this one has some likeable and applaudable scenes: the various murders and general creepiness of the Phantom, and the lair scene when she wakes up in his bed and the Phantom gets all up in her face is so intense and so Leroux I absolutely love it. The rest of the film is a jumbled hot mess at best, but Jane Seymour is 🔥 and she gets some damn good sex, so hell yeah to that!

And lastly, I do not like the Royal Albert Hall 25th anniversary recording. I should preface this by saying it is Sierra I don't like. I like Ramin, I love Hadley, everyone else is wonderful but I cannot stand Sierra. She tries too hard to make Christine a Disney Princess- and that doesn't fly with me. It comes off as insincere or mocking the source material at best, and at worst it makes Christine look like an airheaded ditz. Apparently Sierra played Ariel at one point which is hilarious because of all the Disney princesses, I dislike her the most. But that's a different rant for another day.

And finally, the one I hate most of all:

The 1998 Argento film. This is the worst Phantom adaptation I've ever seen. It is a whole lotta nope for me. Between the rats, the unecessary and pointless telepathy, the r*pe scene, and the unfunny weird vibe from the murder going on in this film it's a disaster from start to finish. Honestly, it's the rats and his hair that bother me from a visual standpoint alone and it's beyond disgusting the way this a$$🤡 treats Christine. I don't like any of the characters in here and for good reason. It's not worth watching and if you do, be ready to bleach your brain afterwards.

💖 Sorry if this was a long read! Thanks again for giving me an ask and I will cherish it forver!!!! 💖

[jelenamasterpost]

2010

January 1st:

Selena and Justin share a Twitter exchange after sharing the stage together during Justin's performance of One Less Lonely Girl at Dick Clark's New Year's Rockin' Eve in Las Vegas

selena's tweet (x) justin's tweet (x)

January 5th:

Justin is interviewed by Popstar! Magazine and is asked whether he’s dating either Demi or Selena

Interviewer: "So there's been links that you've been seeing Demi or Selena, you guys have been Twittering back and forth. Is there any truth to that? Or are you guys just friends, is there something more there?"

Justin: "No, I just - I met Demi a few times. Me and Selena are good friends."

Interviewer: "Yeah, I think you're performing with Selena at Pop-Con this year, in February - you are, surprise! Do you know if you'll be hanging out with her at all while you're there?

Justin: "Probably, we're good friends."

full video (x)

January 31st:

Justin tweets "good times" to Selena, suggesting they recently hung out.

justin's tweet (x)

February 1st:

Selena and Nick Jonas arrive to “We Are The World” remake together in the same vehicle, held at Jim Henson Studios in Los Angeles. There's been speculation of a reconciliation as Selena was seen at Nick's concert in Dallas January 2nd and photographed crying during the song "Stay" (x)(x)

February 7th:

Nick attends San Antonio Rodeo to watch Selena perform. Selena allegedly introduces her song “I Won’t Apologize" (song about Nick) by sharing with the crowd: “I wrote this, but it’s in the past now”

February 14th:

Selena recently chatted with the California Chronicle and said this about her rumored rekindled romance with Nick Jonas (x)

"He's a really nice guy and he's always been a really good friend in my life. So I'm just happy to have him back as a good friend."

February 16th:

Selena talks about Justin during her radio interview with DJ Kid Kraddick and explains how their NYE performance was conceived:

“You know what, he’s the cutest, sweetest kid on the face of this planet. I feel like a cougar because I totally have a crush on him. He’s cute, he is so cute - he has swagger!"

"We were doing the Dick Clarks Rockin' New Years Eve and I performed first and I was leaving to do press backstage and Justin runs back and goes: 'Selena! Can you come on stage with me for One Less Lonely Girl?' and I was like, 'Ahh Justin' and he's like 'Please please please!' and I go 'Fine, okay what do I do?' and he's like 'Oh I'll do all the work' [...]"

"So then he runs off stage and then he runs back and he goes 'Wait, can you take your heels off I don't want you to be taller than me' I was like, 'No I'm not going to take my heels off' - and no we're actually the same height without heels."

February 16th:

During an interview with 106.1 KISS FM, a fan tells Selena that people in their school are saying she's dating Justin Bieber

Fan: “People in my school are saying that you and Justin Bieber are dating”

Selena: “I love that! I kind of wish we were [...] No, he’s 15, so I’d be a cougar, so that wouldn’t be right - but he’s very sweet, and I do love him very much. He’s a very good guy.”

The interviewer explains Justin was also recently on the show and that he does have a little crush on her -

Selena: “That’s okay! He can call me in like 3 years.”

February 19th:

Selena talks to MTV News before both her and Justin are set to perform at Pop-Con in NYC. When asked if they’d perform together she says:

"I'm excited. We would love to. We're trying to work it out, We don't know yet. We're still trying to figure out if we're going to do something together on stage. [It] might be a surprise, but as far as co-headlining — I don't know. I'm sure he's much bigger. [It's] probably his show — I'm just there." // she confesses that at this point they are such good friends, he almost feels like family: "I love Justin. When he first started to come over from Canada his manager contacted me and he just said that he would like to meet me and he was just such a good kid," she explained. "And I feel like a big sister now, 'cause I want to protect him. So I'm always very cautious with him, but he is so talented and he's so sweet, so that just started us wanting to work together. Now he's just become one of my good friends."

full article (x)

February 20th:

Justin and Selena pose for a photo together while attending Pop-Con, held at Nassau Coliseum in New York - they each are set to perform. After the event, Justin tweets to Selena calling her a sweetheart.

justin's tweet (x)

February 23rd:

Selena is again asked about Justin during her livestream webcast:

“I think Justin Bieber is amazing. Do you think he’s amazing? He’s like, 15, and he has like, every girl in America”

February 24th:

Selena interviews with Frankie of Neighborhood 93.3 and there's lots of Justin discussion. Frankie tells Selena that Justin was also recently interviewed and he called her a cutie-pie and said that she’s amazing. A fan also asks what she would name her baby (?) if she were to have one:

Selena: “Awww! He’s so cute! Oh my gosh, he’s about to turn 16, I’m just saying...just saying!”

Selena: “Lets see, I’ve had these names picked out for a while - I like Emory? Just E-M-O-R-Y. Emory, insert my husband’s last name…yeah, Emory Bieber"

March 1st:

Selena attends Justin's "Sweet 16" celebration and publicly tweets him a happy birthday at the end of the night. She's later seen in photos from the event kissing Justin on the cheek

selena's tweet (x) photos of selena at the event (x)

March 6th:

This is the last time that Selena and Nick Jonas are seen together this year.

March 12th:

During a radio interview with Billy Bush, Justin is asked “who the cutest Disney Channel girl is”

Justin: "Cutest Disney Channel girl? I think probably Selena Gomez."

full video here (x)

March 27th:

Selena and Justin both attend The Kids Choice Awards and pose together for a photo while on the red carpet.

Justin attends the event with (his rumored girlfriend) Jasmine Villegas, his "Baby" music video costar.

justin and jasmine (x)

March 30th:

Justin and Selena hangout together with Selena's family and have a jam session - they each share a tweet about it that evening

justin's tweet (x) selena's tweet (x)

April 10th:

Selena and Nick Jonas have officially broken up People confirms, and says they actually broke up in early March.

Though the couple never publicly confirmed they rekindled their relationship, the source says, “They were an item, but they are no longer together.” According to the source, the Disney Channel stars, both 17, broke up in early March, largely because work was going to keep them apart: Gomez is scheduled to film a movie in Europe this summer, while Jonas is expected to tour with his siblings at the same time.

full article here (x)

April 12th:

Selena does a radio interview on Key 103 while in Manchester and says that Justin is a great friend, and that he’s very protective of her:

Interviewer: When did you last see your mate Justin Bieber? Is he okay?

Selena: Yes he is, he's so funny, I actually don't have my phone out here and he freaked out cause he didn't understand, he's like "oh my god, I can't talk to you, I don't know what you're doing!" I'm like "I'm fine, I'm fine!" He's very protective, is what I've found - it's very funny, he's younger than me but he's been a better friend to me than most of the people my age.

Interview: Cause you guys have gone through similar things I suppose, despite the age difference?

Selena: Yeah but, people who've gone through the same things as me haven't been as supportive as he has been to me - it's been great.

full interview here (x)

May 23rd:

Selena tweets that she's listening to Justin's song Somebody to Love while in the studio

selena's tweet (x)

[sevenkittensinatrenchcoat]

1998 Film Tugger Rewatch Part 3

This is the only part of this rewatch where Tugger will be present for most of it.

We’ll begin with the Pekes and the Pollicles. From the fact that Tugger appearing with the bagpipes gets Maximum Eyeroll from Munkustrap, it wasn’t supposed to happen. Since Tugger doesn’t have any other role in the play, it’s likely that Munkustrap hadn’t intended to include him at all. Munkustrap seemed to have a role for everyone, even other troublemakers like Mungojerrie and Rumpleteazer, so this is kind of a big deal. 

I could imagine Tugger acting like he was too cool for the show and refusing to come to any rehearsals, so Munkustrap just didn’t bother giving him anything to do. Perhaps Tugger had this all planned out...

And considering that Pouncival is following right along from the second Tugger appears, he might’ve been in on it. Also, the shoebox doesn’t appear to be covering his eyes. He can see where he’s going and knows what’s going on, when he didn’t before. When deciding to prank Munkustrap by crashing the party with bagpipes, he made sure that somebody was in on it. He also timed the bagpipes to go with the Scottish Pollicle section, where it actually fits, which is why everyone just starts dancing along as if this were supposed to happen. It wasn’t in the rehearsals, but it makes sense.

But, yeah, Tugger’s bagpipe solo was part of a conspiracy. Why he chose Pouncival to conspire with, I have no idea. I mean, he used him as a chair that one time, so maybe Pouncival would just do anything for him, but I’m pretty sure almost every single younger cat or kitten would too.

But, after virtually everything else goes to shit, Tugger sneaks back in from his favorite perch (on the upper right). This second bagpipe solo was most likely spontaneous, since nobody acts like they expected it.

But, it doesn’t fit here as well as it does during the Scottish Dance, so instead of a random dance party, Tugger is met with awkward silence.

“Eh? Eh”

“Well, fuck you too, I guess.”

This entry will actually run long so:

So, there’s a Macavity scare and everyone runs and hides. They start coming out of hiding almost one by one. Tugger is one of the cats who waits a while before coming out. I’m guessing that wasn’t really hiding at that point, but he just enjoyed having space to himself on his Perch.

But, he does eventually peak out, still on his Perch. Munkustrap and Mistoffelees demonstrate their Terpsichorean Powers and he decides to join the fun.

In fact, he gets down from his Perch and crosses half the stage very quickly to sneak up on Misto. Maybe Misto’s Terpsichorean Powers are what brought him out of hiding in the first place. He just likes to watch Misto dance sometimes. Sometimes Misto will find a quiet place behind the house to practice for the ball and Tugger will watch him from the roof.

He doesn’t get to dance WITH Misto, however. He’s not worthy. Yet.

Well, now that Tugger’s back, it doesn’t take long for his fangirls to notice. Etcetera, Victoria, and Rumpleteazer, who wanted to join in his number but Skimbledad wouldn’t let her, all flock to him and instead of hypnotizing them with his ass, he just hits them with it. Rumpleteazer in particular gets hit right in the face.

Teazer is hit so hard that she does a backward roll and appears to be slightly stunned afterwards. Etcetera manages to land on her face. Victoria is completely unscathed, somehow.

When the fangirls keep fawning over Tugger, Teazer keeps her distance. Meanwhile, Victoria does this thing that I have dubbed The Scratching Post of Ecstasy. Etcetera creates a Leg Tent. Leg Tents are normally innocent hiding places for kittens, but Etcetera has a different motive for creating one.

Anyway, the ball actually starts and Tugger retreats to his Perch again, at least for a little while.

But, when the ladies are dancing sexy, Tugger gets a group of boys together to join them. He puts his arm around George while advising his little bro on how to get laid. Tugger’s not trying to get much for himself, because he already has plans for that that he’s saving for later, but he’s gonna help out some of the other guys.

He goes for Bombalurina. They look like an ideal couple, since they’re equally horny on main. Alonzo could’ve gone with Cassandra, who already likes him, but he’s with Etcetera, for some reason. Etcetera and George can be seen together at the Apparently Not a Mating Dance, so I’m guessing they traded. Meanwhile, Coricopat isn’t having much luck. He’s dancing with his sister.

When Old Deuteronomy returns from Whatever the Hell He Was Doing, Tugger is in the back with His Boys. George still wants his advice on picking up girls and Alonzo, despite being on of the cats who didn’t join Tugger’s number at all, has decided that Tugger is cool now. So much of what Tugger does during the ball is leading the other guys. He’s the center of attention, but not in the way you’d think.

He doesn’t seem to have any plans for Nap Time. Rumpleteazer seems to want to join him, but he declines. She’s back with Mungojerrie, who I’m pretty sure is her brother, as per usual.

Tugger would rather just watch Plato, one of His Boys, succeed in getting a girl. He’s probably proud of him.

Ready for Nap Time, Tugger just lays down on the floor, limbs spread in every direction. Then Jenny, of all cats, climbs on top of him and he just sort of...lets him. It’s similar to what happens with Mistoffelees and Electra. The guy is probably just trying to take a nap and the girl is like “I’m your feline blanket now.” and he’s like “k.”

But still, why Jenny? If anyone has any idea why this is happening, feel free to let me know.

Nap Time ends far too quickly for any napping to have actually occurred and then it’s time to Charge:

Also, Cassandra is here. Alonzo would’ve been more fitting, but now that they’re a couple, they trade off sometimes. The Brothers are cool with it.

Tugger stops by the throne to see if Dad’s enjoying the dance party so far. He’s about to get some of The Boys together and do a bit of dancing for the sake of dancing. They’re not trying to get laid this time.

It’s the same boys that Tugger led before, but with Mungojerrie replacing Coricopat.

Here’s another picture where you can actually see George. He hides sometimes.

This is what one of those butt shake moves looks like from the front. Tugger wonders why he’s bothering to shake his ass if the camera can’t even see it and everyone else is too busy dancing to be hypnotized.

Then Grizabella shows up again and Tugger does what he did last time: He fluffs his mane like a jacket. But, he does it directly to Grizabella this time. Last time, she just stole his spotlight. Now, she’s stolen everyone’s spotlight. Tugger’s gonna need a bit of time to sulk over that.

[m0e-ru]

eight months in somebody actually asked me abt visualive instead of me immediately annoying ppl about it without former notice. I might actually write properly for once 😳😳😳

OK OK!!!!! In this essay I will.... I will.... Visualive Adachi.... Visu/BURSTS INTO TEARS/

OKAY OKAY for real I just care Visualive so much (as someone who can’t fully understand Japanese AHAHA)

First I’ll add some foundation about what Visualive really is, then I talk abt Adachi in the latter parts of it because this is technically the first time I’m properly talking about this hehe 🐿

T....table of contents???

Visualive

Visualive the Evolution

Masami Itou

Visualive Adachi

Visualive the Evolution Adachi

Terms and Legend

VL - Visualive

VLE - Visualive the Evolution

stage - shortened for “stageplay”

面白い - omoshiroi (it’s just that specific)

Yuuya - VL Hero name

Hayato - VLE Hero name

Baba - Hero

Masami - Adachi

Taniguchi - Dojima

Saotome - Daisuke

Mamiya - Izanami

I add honorifics but sometimes I forget the hyphen intentionally or unintentionally I’m sorry if it makes it hard to read lol

all links have automatic timestamps for easy viewing. i mean. i hope the timestamps work

VISUALIVE “Persona 4.” A stage adaptation of SMT: Persona 4 by Atlus. It adapts the first part of the story, from the hero’s arrival to after recovering Mitsuo Kubo from the TV world. It also ends on a cliff hanger, showing a teaser of Shadow Naoto being projected on the screen.

It takes up a speedy recapitulation of the hero’s spring life, before slowing down and showing in depth his school life in summer. A day before Morooka-sensei’s death, there is a little skit with Kou, Daisuke and Adachi. The hero walks into the conversation before the two other boys leaving, and Morooka-sensei walking in on the student and detective. The next day follow’s the teacher’s death and the Investigation Team (IT) begin investigating their new lead.

From the words “visual” and “alive,” the niche of this stage was meant to be the fusion of live acting and visual digital projections. All seen from the stageplay with the colorful cast of actors and CG animations being projected on the screen. This offers an opportunity for characters to summon their personas, perform cool visual effects, change the backdrop, or even confront their own Shadows.

Performed in Sunshine Theater from the 15th to the 20th of March 2012. The screenplay was written and directed by Shintaro Asanuma from the theatrical group “bpm.” The video production produced by Shutaro Oku, a film director and visual planner. He later takes over as director for VISUALIVE THE EVOLUTION, the sequel stage. The stage music was produced by Shunsuke Wada, with a special show exclusive vocal track sung by Shihoko Hirata.

On this note, I haven’t seen any sort of original soundtrack released for any of the stages and I’m SO SAD. The last song in Mitsuo’s boss fight was such a BANGER and literally EVERYTHING ELSE Marvelous, Wadasan please take my MONEY

Regarding the cast, there were some special accommodations for Teddie, Rise, and Nanako, all of which did not have live actors at the time. During the casting, actors for the three characters could not be found or simply left the directors unsatisfied they couldn’t cast anybody. An exception for Rise, who was able to have a live actor in the sequel stage. It has been stated that there weren’t any “pretty boy” actors that fit the “Teddie Criteria.” While there weren’t any child actors that were believed to portray Nanako well.

Teddie was only ever seen in his bear costume while Rise was busy talking through a call, all voiced by their video game cast. Nanako has never appeared on stage, only being scarcely mentioned in the script. Again, this is different in the sequel stage where her role was extremely important and was shown as a screen projection.

VISUALIVE “Persona 4” THE EVOLUTION. A sequel stage. Beginning abruptly in the middle of Shadow Naoto’s boss fight, the story continues from there until the “true end” of the game’s original story. *Certain characters are introduced while others have been reintroduced. And on a personal note, when it’s all comedic in the beginning, it’s all for what’s coming right after.

I don’t know if I’m salty or just find it really funny AHAHA I might go talk abt it some other day with more context ehehe

Performed in The Galaxy Theater from the 3rd to the 9th of October 2012, only a few months after the PSVITA Persona 4 Golden release, which is July 2012. The screenplay was now written by Jun Kumagi while directed by Shutaro Oku. And music production finally taken over by Shoji Meguro himself.

---

HAHAHA this is starting to look like a wiki page. moving on. I might start rambling rn

(warning LONG !!!! aaa,,)

My thoughts on the stage adaptations. For the first Visualive (VL) I believe it’s pretty close to canon! I enjoy the characterization and how much love and care was present when handling the entire production.

Actors were busy playing the game itself, wherein a PS2 was present in the practice room. Along with magazines and game guides explaining the game’s story and the characters itself. Actors performing together and even improv acting together to get a grasp of their characters. All of them knowing well of Persona 4 as a well loved game, delicately handling their characters and hopefully performing them right while making the audience happy.

The staff taking care of each other while the director and video producer, Asanuma-san and Oku-san, working together well to make their vision into a reality.

The same thing happened with VL the Evolution (VLE) and literally every other good stage. Except... I feel the script kinda got out of hand with too much liberty where it feels a bit more disconnected from canon. But! It makes up for it in its content, whether comedic or (INCREDIBLY) dramatic! It’s great as its own story at that point. So in this case, I like to take the first VL and get to connect it canon, while I don’t know what the hell happened in VLE to the point I’ll just enjoy it as its own content.

These opinions deserve its own essay, post whatever bc I have SO much to say abt this. ANYWAY. VL ADACHI

---

Tohru Adachi is portrayed by Masami Itou (伊藤マサミ), a screenplay writer, director and an stage actor himself. He does have a single character voice role along with a fellow troupe member in the same franchise, but mostly works as the former three. He is part of Asanuma-san’s entertainment group “bpm.” On a similar note, Masashi Taniguchi, Dojima’s actor, was also part of their group from 2011 to 2016, which may explain their good synergy as the boss and the bumbling fool dynamic. I mean, somebody’s gotta get hit in the head every few skits.

With Masami-san being an important part of the cast, he doesn’t appear as often as Taniguchi-san in backstage content like the VL bonus disk or the official blog. Mentioned in his own personal blog, he had been busy with his roles as assistant director (I am assuming also for VL).

Also fun to note, because his role is mainly comic relief, he has been using his liberty to change up the material almost everyday making each performance exciting. This also leaves some other actors jealous of his freedom in his role, such as Saotome-san, Daisuke’s actor.

---

VL Adachi really has a... how do I say this? an adorable speech pattern (THE SAME SPEECH PATTERN THAT DROVE ME MAD TRYING TO DECIPHER I THOUGHT YOU WERE A CITY BOY OSSU OSSU MY ASS /shakes you violently/). Overall, he really fits the loose lipped bumbling fool, and his accent really makes him seem more casual and invested. What I’m saying is... VL Adachi either actually has genuine empathy or he actually has more energy to fake it (compared to some other edgelord. i mean you saw my p4ga analysis. I’m sick of him lol ahaha).

One of my favorite ways to explain this (OTHER THAN CHAIR CAR ADVENTURE MY BELOVED WE’LL GET TO THAT LATER) is the rice field scene with him and Dojima. It’s overanalyzation time 🎉

(43:04)

While investigating, Adachi whines about being tired while Dojima smacks him in the head. In this case, it’s established that Adachi doesn’t want to be there, yes? It’s the country, it’s hot and it smells like green.

"Ah... Dojima-san..! Why don't we take a break? (...) There really is nothing out here... Is the criminal still even here at all? (...) I wonder if I've passed being a rookie yet. Haha, but this city doesn't even have convenient transportation. I can't go to leisure lands (recreation, amusement parks, arcades, ect.) and head home at all."

Adachi then tries to tell Dojima a story. “when I got to this city after being newly assigned, I met an interesting guy (...) Yeah, I remember that the cherry blossoms haven't bloomed yet. So, I was driving my car and got near the station and--” Dojima gets a phone call.

Adachi politely puts his hands down waiting for his boss to finish so he can finish the story. Again and again, Adachi attempts to talk to Dojima about a story he’s so persistent trying to tell someone about. It was so 面白い that he would find someone to talk to about it. Even being polite and patient enough to wait for a chance to speak. He even gets fed up with it and blows up in front of his boss, clearly irritated he’s not given a chance to talk.

Sure, it could be Adachi feeling fed up like a normal person where someone agreed he to listen to him, before being constantly ignored. Or Adachi trying to be a more annoying whiny brat, depending on where you look at it.

If the story wasn’t too “interesting” to Adachi, he would’ve just brushed it off and stopped talking to Dojima entirely, or start up new small talk, or even complain some more. But no, he had a story he wanted to voice out so bad that he got irritated that the one person in the vicinity couldn’t listen to him.

Only after Dojima told him to continue their investigation elsewhere did Adachi finally stop and focus on something else. Maybe that story was for another day, or maybe it was never meant to be told.

What if it was just original (game) Adachi? He’d find a way to squirrel out of the investigation as usual, or push Dojima to “investigate” elsewhere. “Hey boss, don’t you think it’s hot? Why don’t we go elsewhere? We’ve seen this place too many times to count and I doubt anything new’ll turn up. How about we take a break at Junes, y’know? Where it’s cool? C’mon boss,” something like that.

og Adachi is just really annoying and silly to me. Some grown man thinking he can freeload because he never gets anything out of putting in more energy and effort? I don’t care how tall he is, I will smack him in the head.

Yeah VL Adachi whines, too, but at least it doesn’t look like he’s going to escape and waste his time somewhere else. He just sucks it up stops trying to leave the situation.

Or maybe I’m getting this all wrong and VL is exactly the same and my rage just gets dampened because of Masamisan’s execution of character hmm...

SO. What was his story about anyway? The one he really wanted to share to Dojima?

I mean... it’s obvious enough

First day in town? Spring? Actually mentioned driving a car when literally out of every single persona 4 media at the time was there not a SINGLE mention of Adachi having a car OTHER THAN the same stageplay it’s being mentioned in?

A story, from somewhere around uhh four? five months ago? was something that he remembered so dearly and was willing to share despite it obviously embarrassing him even if he puts the blame on a certain somebody in the same story?

Or maybe it’s because he really had nothing to talk about ever since he realized all his stories from the city weren’t actually that funny or interesting in the first place.

BUT then that would mean out of all the things he could talk about—more whining, complaining, complimenting, small talk—he insisted about talking about this story in particular.

Okay, look. I’m just. Just. As someone who talks too much, of course I have things I actually want people to hear out of all the bullshit that comes out of my mouth. And if the thing I actually want people to listen to doesn’t even get heard, I’d go mad.

Sure, Adachi’d be fine when his complaints or intentionally unfunny jokes get brushed off. But a story of a guy that he thought was so funny, interesting, 面白い gets ignored, he really blew up, even just for a split second, maybe.

And ALL the things that happened in that story—on his first day in Inaba! His car got dented, he had to deal with a weirdo dumbass employee that knew zero personal space, yelled in his ear, who didn’t know how to do their job, got his station reputation messed up on the first day, got his ass grabbed, got (unintentionally?) mocked for his lame stories, and got his car dented for the SECOND time. Probably MORE

And he STILL wanted to talk about it /punches through concrete wall/

yes I’m overthinking about this of course i am

This little tidbit of VL Adachi kinda makes me go insane sometimes—his entire characterization in VL in particular. It was really refreshing to see and how they included both of his characters in it, his facade and how irritated he is of a lot of things underneath. And how flexible his character is immediately working with other characters when there’s sudden improv to balance the situation. Like him and Dojima, Morooka, the attendant, or even Yuuya (hero) himself.

I’ll take Taniguchi-san’s messing around in the VL bonus backstage disc in place of Masami-san being so busy he couldn’t appear in it as often as other characters.

For stagetime that lasted for fifteen minutes or less, my appreciation for VL Adachi, even if he was just comic relief, really rocketed. I say VL, bc Adachi the edgelord he’s supposed to be in literally every other media is something I analyze separately.

I haven’t even gotten to VLE oh my GODDDDD

Like I said, I don’t really regard VLE close to canon but as something to be appreciated for what it is by itself. But the way Adachi was characterized there, in or out of character, still struck me.

---

Yes, there was his strange fan-agreed-canon which is,,, now canon obsession with cabbages (not that that’s a bad thing lmao). There was also him being a lot more jumpy and intimate in a clowny way, patting people on the shoulder or even downright hugging them just to mess around. Even FORGETTING who the same goddam loser who grabbed his ass almost a year ago is. But like, can’t blame him they literally changed their actor (and screenplay writer) AHAHAHA

ha... no more comedy, only dorky sword fights now

(speaking of sword fights I think it’s a fun thought how Mamiya-san [Izanami, also one of the youngest in the cast] admitted it was his first time doing sword fight choreography and even thanked Masami-san and other staff members for guiding him)

One thing unintentionally in character was Adachi accidentally nabbing the sushi overdosed in wasabi. Masami-san didn’t actually account for a joke sushi and didn’t immediately eat it—until Taniguchi-san (who also made Dojima go off his shits compared to VL) jokingly yelled at him and even riled up the audience for him to eat it. He even went off stage to get water just for him to eat the goddam sushi.

And Masami-san did! (kinda choked, but he’s fine).

Continuing from the same scene, while being overly giddy about sushi dinner (and I mean overly--he was singing about it while hopping to the Dojima residence), he tried to remind the two, Dojima and Hayato (hero), that Nanako was sleeping. Probably where she was sick if the scene was translated from the game.

(30:07)

And... the dramatic parts of VLE

Adachi was the one who reported to the IT that Dojima was chasing Namatame in the rain. While Naoto was discussing Namatame’s journal entries, Adachi, as giddy as he is, took it from Naoto’s hands and reveled in the discovery of evidence so childishly(?). He even ran to Dojima when he began regaining consciousness and immediately called the nurses to help him wheel Dojima to the ER.

Then, The Hospital Scene™️, right after Nanako flatlines.

(1:02:02)

Adachi, who recently walked into the scene, immediately worries about Dojima and IT who were ALL crying. He looks down, devastated—before yelling how Dojima’s heading to Namatame’s room.

He yells in terror and the same grief at his injured boss, all while running past and even jumping over children, who fell to the ground sobbing, to get to him. He continues yelling in a pained fashion while immediately reprimanding Dojima to stop. He gets carried by the collar before being tossed to the ground at Hayato’s feet, all while being pat by the same boy.

Dojima makes his speech about how unfair it is for the ‘killer’ to be alive when his daughter isn’t. When he finally falls to his knees, Adachi rises from the ground, humbly saying he’ll do his best to take care of Dojima (or something like that I’m in tears I literally can’t do VLE’s hospital scene i h8 this). He finally starts crying along with everyone else, being pushed away again but still tries again, trying to usher his boss away from the door.

With the help of the guard in front of the door, they all disappear off stage

please... I know this scene doesn’t need that much translation because of how important this scene is in the entire story. and I know my narratives aren’t enough so just,,,, just watch it please it’s so much more than this. everyone’s acting was just spectacular

(1:08:47)

So, after the IT (YOSUKE. JUST YOSUKE. good job Mae-chan) stop themselves from k wording Namatame, it was ADACHI who reported Nanako’s miracle recovery. He ran to the same corridor where they all cried in, even panting and falling to the ground in relief trying to report the good news. Then he pats Hayato on the shoulder and says he’s going to Dojima.

With this... /slaps roof of half of VLE/ ALL of this....adachi.... adachisan.... he Cares™️..... holy shit.....

now. comparing to the game. do you even remember what og Adachi did? did he.. even do anything?????

(56:39)

NO!!! he just stood there!!!! being a bumbling fool but.... inappropriately!!! man. he didn’t act concerned enough.

adachi: /walks into a bunch of kids crying outside a hospital room/ “lmao why tf are y’all crying? did uhhh what’s her face uhhh nanako. did she d word or something? rip, I guess lol” LIKE????? CAN YOU IMPLY FASTER

and then he’s like “wgat hmm Where’s Dojima-san Heading Because That’s Not The Way To His Room 🤔” and only when he’s asked he actually mentions he’s heading to Namatame’s room and still needs to get choked by a first year for the room number like..... zero consideration

and his boss??? where his daughter he loves so much just??? di*s???? and he’s so devastated he’s doing what he can that very moment while he’s so numbed of thinking of the consequences???? And adachi goes “uhh boss that’s illegal” LIKE. BITCH. /punches through a concrete wall but harder/

---

And??? His confrontation scene??? Like, I know they mashed it up w his tv confession scene to save stagetime for other scenes BUT IT WAS SO MMBMBMBMMGN /gestures in a good way/

(1:15:56)

UM?? guy behind everything??? in a vulnerable area where he could easily get physically assaulted bc hes not in the tv world w his persona?? Trash talks women like he absolute misogynist he is??? getting yelled at by a bunch of kids and YELLING BACK IN THE SAME AGITATED MANNER even TAUNTING THEM then and there to GET HIS ASS?????

og Adachi was such a pussy he got caught and just scurried off into the TV world where he ended up having powers like...ok....scared of getting beat down by a bunch of highschoolers unless you have powers...ok....

he only taunted them to get him when he was in the tv world too.....he rlly couldn’t say shit in the real world huh... lol

(yeah yeah this shows how VLE Adachi knew abt his TV world powers which would make you think if he ever went into the tv world and came back out alive. Or he’s really just a badass who doesnt give a shit abt anyone’s opinions and CAN beat anyone’s ass. i have a separate thing abt this but bc i like to laught at vle rather than overthink its own lore i might. not. idk lol)

and ??? VLE Adachi can??? He can swordfight??? he doesn’t even NEED a gun—he even reflects bullets w his blade (but apparently he can still get slapped by a flying fan more often than any other attack). His fight choreo was just...so poggers. He’s like short villains done good—like??? he’s short compared to everyone else!!! but he makes up for it for stuffing all the energy inside him while is bursts out making him him the over energetic gremlin he is!!! go VL adachi!!!!

(am I low key making fun of Madono-san in the TUUSH stageplay I’ve seen four minutes of? maybe)

OK!!! Yes I was gushing abt Masami-san again back to Adachi.

It’s portrayed that while not being afraid to admit his crimes, he also goes out of his way to be a bastard and have the gall to get a bunch of kids to fight him, one on eight. He can use a katana, probably a narrative dark reflection of the hero, Hayato which I thought was nice—and he can fight!!! It also shows his persona, yes, but...it doesn’t make it clear if he’s overwhelmed by his Shadow like in the game, where his eyes were yellow and he was emitting a dark aura.

But it gets interesting how he sees he’s getting overwhelmed and starting to lose his edge towards a bunch of kids. He falls to the ground even banging the floor like a whiny brat while literally the IT tries to tell him to turn himself in. Again, like a brat he tells everyone to shut up—before getting incapacitated. While some of the IT rejoice, he bolts up unaccepting of his defeat—before getting hit in the stomach.

(1:23:54)

And his words from when he drops his katana, “Why..?” He grabs the foldable chair against his stomach, and with a remorseful look in his eyes, he says “I’m sorry..!”

THEN HE BACKFLIPS—then Hayato slashes him.

In a tone of disbelief, he goes “no way...” and collapses to the ground, being possessed by Ame-no-Sagiri.

Blah blah blah then Teddie rockets himself into the eyeball spy cam and then they both explode aaaaa

Teddie survives but I really don’t know where Adachi went. Not even a mention by Dojima if he turned himself in or was ever found—or I need to review VLE for the 48274827482nd time hehe

WHOO then the whole cast appears for the dance number at the end of show YAHOO

[totallypathet]

UK Episode Five

UK Hun?

I know I haven't at all talked about Drag Race UK this season, but I have ~opinions~ and my flatmate is getting bored of me so here we are.

First episode back after lockdown! I feel so bad for these queens, started filming, get sent home for seven months, have no idea if/when they're going to start filming again, lose income for 7 months, it must have been so awful. But I'm glad they're all back! Except poor Veronica who got covid - I hope they do a Eureka and invite her back for season 3, I feel like she had so much more to show!

Of course they brought someone back to replace her, typical drag race gag, but nice that someone else got another chance! Having said that, it should have been Astina. She didn't deserve to go home in the first place, imo. I do think it was kind of harsh to throw that at everyone first thing though! Like the eliminated three didn't get to do anything to even fight for it, and for all the remaining queens, like its been seven months! Who remembers things that long?? Not me, that's for damn sure. I think that was kind of harsh, and I think a lot of people did go for Joe maybe as a safe choice, like there's always an argument for the queen who went home first, they didn't really get to show much. You know what I wish, I wish those three had been a group for the Eurovision (I refuse to say Rurovision) challenge, and then everyone got a chance to vote someone back. That would have felt fairer somehow.

Anyway. I was initially really glad we got Joe back, because I really felt like she did have more to show. I was soon to be disappointed, however 😂

I do love the music challenges, and I adore MNEK, I hope he is like the permanent music judge. One of my favourite moments was him, I think it was after Bimini's first take, going "well...its good that we have that..." very like Chrissy Teigen 😬 that was so funny to me, I loved it.

1. A'Whora

Before the covid break I really didn't like A'Whora, but I feel like she's come back a bit more relaxed, a bit more open, and I liked her so much more this episode. I feel like maybe when she came back she was a bit more relaxed because she knew (kind of) what she was walking into, so she felt a but more at home, maybe. Anyway, I think she did really well this week! She's not a singer, but she leaned into this moany sexy thing that some people do do at Eurovision, and hey, sex sells! I think it was a smart choice for her.

Her look as well... amazing. You guys it was a bag of chips! She had wooden forks as her earrings! The font of the newspaper was to scale! She was carrying a salt shaker! It was so sick, I loved it. I loved seeing her be fashion and polished and beautiful, but also whimsy and funny at the same time! Great week for A'Whora.

2. Bimini Bon Boulash

We LOOOOOOOVE Bimini Bon Boulash! For me, she was the absolute stand out this week, I just adored her! Her verse was amazing, her lyrics were great, her very East London attitude was everything, I just loved it. And her outfit! That mad pink cowboy barbie? Incredible! Also, so Eurovision. And the jump off the stool! That lives in my head rent free. "Somebody do a death drop or summing!" Perfect. The whole performance was amazing.

Also her runway looooooook! It was so beautiful, so fashion, I was getting Gautier from that lace and the umbrella... everything about it to me was so perfect. I know it was a team win, but to me Bimini absolutely killed it, and she was my winner 🥰🥰

3. Ellie Diamond

I love Ellie, but honestly I think she's too young for this competition. She's so great, but if you give her just a couple more years, she's going to be absolutely unstoppable. I think she did pretty well this week, her lyrics were fun, she is a dancer, she performed great! I do agree with Michelle, she did look a little bit like she was in her head for a lot of the performance, but that just comes with confidence, and when you've not performed for 7 months and then suddenly you're on the main stage, that's got to be super nerve wracking!

I also think Ellie was a victim of a bad group this week. I think the group as a whole didn't have a lot of direction or focus, the choreography wasn't that great, they didn't really feel like a group. It was unfortunate. I feel like she did the best she could.

I kind of loved her runway, I think the seagull thing was hilarious! She was a human size seagull! That's hysterical. The only thing I kind of wish is that she'd had ridiculous padding on. Like, what's funnier than a giant seagull with huge tits in a bikini. I think that's so funny.

4. Joe Black

Oh Joe. I was excited for Joe to come back, but as soon as she walked out to the Eurovision challenge in that dress with that wig and a belt, I knew it was over.

I'll get into the dress H&M/Primark drama in a second, but first let's talk about the actual challenge. Joe's lyrics were pretty good, but the way she performed them was just so at odds with the track. It's cheesy Euro pop, you know? I just feel like she could have done things differently. And then with the choreo...look I don't expect anyone to walk in being a great dancer and doing flips and splits and all that, but I just felt like she didn't even really try with the moves Ellie and Tia wanted to do. Maybe that was the edit, I don't know. I also feel like, as team leader, she could have found some solutions, like they could've had Tia & Ellie doing these amazing moves, and Sister & Joe could have done something more simple, or they could have found some comedy Joe could lean into while the others were dancing, but it just seemed like they didn't even try and find a way around it? It was just a bit weird to me.

And then she came out for the runway, and it was like chalk and cheese. Joe Black had by far and away the best runway look of the night. That's one of my favourite things that's ever been worn on UK Drag Race, it was amazing. But it was also like girl if you can do that, why were you wearing H&M during the main challenge? And like, I'd get it, if that dress was beautiful, or bold, or she'd used it as a base and done something to it, but it wasn't. It was so basic, and she even said she knew it was basic, and it didn't even fit her right. It was just so disappointing.

Honestly, I understand what Ru was saying about not wanting to see off the rack. I can't believe I'm about to be defending Transphobia Paul, but I actually kind of agree. And it's not about money, I don't think anyone has to spend loads of money to be a good drag queen, I think its just about it being a Look. A Moment. Like this is internationally available TV. And you're going to come out to perform in a dress off the sale rack that you just threw on and belted? I just find that disappointing. And I get what people are saying about Astina in week 1 winning with an off the rack outfit, but at least she did something with it. I mean, first of all it at least was a cool jacket. But then she built this outfit, and sold a character, she gave us an East London Moment, and it didn't matter that the jacket was from ASOS.

Joe didn't give us anything with that dress. She did nothing with it, and she didn't give us a character or a presentation, it was just an ugly dress. But then she came out in that incredible runway look, why such a disconnect? And I know that it was covid, and everyone had a loss of income, but girl the filming started before that. Like Joe should have already had the wardrobe for the season all ready before the lockdown. And if she didn't, she had 7 months to do literally anything with that dress. Stone it, glitter it, paint it, dye it, wreck it with bleach, make it a top, make it a jacket, do SOMETHING! You know? Also, that runway look? Idk if she made it or commissioned it, but baby that was not cheap. That took time, and energy, and effort, and money, so I'm calling bullshit on "maybe she could only afford a sale rack H&M dress 😔". Bullshit, Vivienne.

I was just so disappointed in Joe. I'm glad she went home.

5. Lawrence Chaney

I was worried for Lawrence this week! She's not known for being a singer or a dancer, and she was the only plus size girl in her group. As a big bitch myself I know it can be intimidating to be surrounded by thin people, especially when you're doing things you're not confident in.

But bitch she fucking turned it out this week! She wrote good lyrics, she kept up with the choreography, but most importantly, she performed the song. Like she leaned into not being a good dancer, she didn't look unsure or awkward, she just did it. I love that about Lawrence, she always just gives it her best, and I respect the hell out of it.

Her day at the seaside look was cute. It was a little bit obvious, a little bit literal, but it was well made, it fit her beautifully, and she looked fantastic. She did the assignment, and tbh I'm happy with that. She did a good job, and I'm proud of her!

6. Sister Sister

Honesly, the fact that Tia Kofi was in the bottom two when Sister Sister was right there is a fucking hate crime.

I genuinely forgot Sister Sister even existed. Like the only memorable thing she has done all season is her Morning Talk Show goth, and that was painful to watch. And she spends all her confessionals just bitching and moaning about other people! She spent the whole Talk Show episode complaining about Veronica and saying she didn't wanna work with her, but bitch what did you do?? If you think someone else is boring, you should have no trouble out shining them! And then she didn't!

I'm over it with her. Her performance wasn't that good, her lyrics weren't that good, and then her runway look was like the Wish version of A'Whora's.

I'm not totally certain that I buy that Sister stole it as a concept from A'Whora, but... maybe? Like, if Sister had really seen A'Whora's when they were filming the first time, and Sister had something totally different back then... I can see that maybe she thought "oh, thats a way better idea". All I know is, if you're gonna do the same look as someone else, you better leave them in the dust; and she didn't. She should have been lipsyncing this week.

7. Tayce

Tayce really pulled it out this week! Her rap was one of the best performances in the whole show, she killed it! Her lyrics were great, she really delivered them like a rapper, and them she performed the hell out of the song! Loved it. The only things I had to say about Tayce was that she seemed like the odd one out in the group in terms of outfits? Like everyone else went very Eurovision, cheesy pop pink, and she went with a very cool, edgy, darker look. Like, she looked stunning, and I looooved her hair, but it just didn't quite fit with the rest of the group. But that's a real nitpick, in terms of the actual performance, she was amazing!

Tayce's runway look. It was okay. It was a little bit literal for me, she went for shells and netting. It was cool, she looked beautiful, but it wasn't like a knockout for me.

8. Tia Kofi

Tia got a raw fucking deal this week. She was the best performer in her group by a country fucking mile, she had the best lyrics, she was the best rapper, and I think she looked the best out of the four in that group (during during challenge). I could not believe they put her in the bottom two.

Okay, her runway look was not great. It was a long way from great. But at least she had a unique concept (*cough* Sister), and she gave us some form of presentation. It could have been a lot better, but there was potential! I really wish that she'd had a much more defined look, I wish the skirt had been a high waisted pencil skirt, with some kind of cone-like texture somehow, really fitted and beautiful. And then I wish the top had been really big and over the top ruffles, maybe tulle, just something BIG. And that wouldn't have had to be expensive, you can buy cheap pencil skirts, she could have dyed one brown herself, and then she could have bought that cheap mesh that looks like tulle and made a really big rounded ice cream top out of it - I'm just proving my point about Joe Black and the off the rack thing now btw. But I wish it had just been a bit more considered than it was. And I also wish she'd had a flake head piece instead of a cherry, because when you buy those ice creams at the beach it's always a 99.

One thing I will give Tia's runway this week is that her face was stunning. I think that's the best her face has looked all season, the makeup was beautiful.

There was kind of a lot of drama this week with the whole off the rack thing, and then the A'Whora vs Sister Sister conspiracy, and I kind of loved it! I also really enjoyed this challenge, I feel like they've had much better and more interesting challenges on the UK series than the American one. Also UK Hun is going to be in my head for weeks.

I'm picking my top 2 of the season as Lawrence Chaney and Bimini Bon Boulash. Veronica Green would have been up there for me as well, it's a real shame that she got sick and couldn't finish this season! I really really hope they bring her back for season 3!

[natromanxoff]

Queen live at National Bowl in Milton Keynes, UK - June 5, 1982 (Part-1)

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It was originally intended for the band to play this concert at Arsenal Stadium in Highbury, but it was moved to Milton Keynes for the same reason the Leeds show wasn't played at the famed Old Trafford. It's also worth noting that the band wanted to play at London's famous Royal Albert Hall as well, but the plan was never orchestrated as there was much fear that the weight of Queen's lighting rig would make the ceiling cave in. An early tour itinerary listed two London shows (June 4 and 5) on the agenda. The Teardrop Explodes were among the bands (the same line-up as last week in Leeds) who opened for Queen at this show. Their guitarist, Julian Cope, stood before about 40 thousand Queen fans and introduced the next song as being probably the best song they had ever heard, prompting someone near the stage to throw a toilet seat at him, which missed (people are known to bring cameras and certain substances to concerts, but toilet seats?). Lemonade bottles were then thrown at the guitarist which he tossed back into the audience. The complete Queen concert was filmed. A shortened video was shown on UK TV on a show called "The Tube" in January 1983 (omitting Action This Day, the bit of Las Palabras de Amor, Back Chat, Get Down Make Love, part of the guitar solo, Crazy Little Thing Called Love, Another One Bites The Dust, and Sheer Heart Attack), and on MTV in the US in August 1983 (the latter was a simulcast, with the audio being broadcast on FM radio in stereo, on the west coast, at least). The video was edited by Gavin Taylor, who was later invited by the band to direct the now famous video at Wembley Stadium in 1986. An even shorter version (about 50 minutes long) of the Milton Keynes video was shown on UK TV in 2001 (and many times since). Both the Milton Keynes and Wembley shows would eventually be released on DVD uncut. The 2004 official release of this show (both on CD and DVD) is called "Queen On Fire: Live At The Bowl". The DVD is a beautiful document of Queen's show at the time, packed full of classic Queen moments. There are also extras from 1982 shows in Vienna and Tokyo. After a great version of Play The Game, Freddie essentially apologizes to the audience for much of the latest album's content: "Now most of you know that we've got some new songs out in the last week. For what it's worth we're gonna do a few songs in the funk/black category, whatever you call it. That doesn't mean we've lost our rock and roll feel, okay? I mean it's only a bloody record. People get so excited about these things! We just wanna try out a few songs. This is Staying Power." For some reason part of the speech was removed for the CD release of "Live At The Bowl." Without a doubt this is his definitive live delivery of the song, pulling off all of the stops. Mercury is at his peak tonight. Somebody To Love has been a vocal adventure of Freddie's for the past couple years. His intro is different every night, as is his solo spot towards the end. The version captured here on film is surely one of his best. Before launching into the familiar piano theme, he asks the audience in a moment for the ages, "Are you ready?" And in excitement, "Huh? Are you ready brothers and sisters?" Part way through his vocal exchange with the audience in Now I'm Here, Freddie says, "C'mon, we're gonna make you sing like Aretha Franklin." At the end of the successful duel, he jokingly says, "Right, you can join the band!" The r&b influence is never more evident than it is here, and it makes for a classic version of the song. Brian breaks a string just before his guitar solo in Dragon Attack. While he switches to a Red Special copy, John Deacon gets to play the bass solo as it's heard on the record - the one and only time he has the chance to do it. It's on the fly, and he nails it note for note. "Las Palabras de Amor" was released as a single a few days ago, and Brian plays a small bit of it on his 12-string acoustic before Love Of My Life. He then mentions how the band won't be playing their "song of peace" tonight, as he calls it. This remains the only show where the Hot Space ballad would be referenced. Brian's guitar briefly cuts out during his solo spot, a moment that was edited out of the 1983 TV broadcasts (and slightly edited on the CD release) but seen uncut on the DVD. Brian's guitar tech is seen rushing on and off stage within seconds, having quickly resolved the issue (it was likely a sticky pickup switch). About half way through Sheer Heart Attack, Brian sneaks in the riff from I Go Crazy an octave up, and much faster, to match the tempo of the energetic News Of The World rocker. The song would be dropped from the set after this show, only to emerge again late in the pending North American tour. This would be Morgan Fisher's last show with the band as the touring keyboardist. A number of theories abound about his departure, including butting heads with Mercury's personal manager Paul Prenter or his apparent fear of flying, but it was simply a case of him moving on to other gigs (Fisher confirmed in a 2009 interview that he has never been afraid of airplanes). The CD and DVD releases would be patched up a bit, most notably in the third verse of Fat Bottomed Girls where Freddie's voice cracked badly on "locality," as well as for "now I'm here, now I'm there." Roger's timing with the guitar delays at the end of May's solo spot was bit off at the show, but this is fixed up as well. The sound quality as a whole is much better than the broadcasts, but there are a couple differences in the mix - some of Brian's backing vocals (particularly at the end of Somebody To Love) can be clearly heard in the broadcast mix but were brought down for the official releases, and compression has been added to Roger's snare drum, giving it a much fatter sound compared to Queen Rock Montreal. Brian May and Roger Taylor are interviewed before the show, as shown on the Bowl DVD and the original TV broadcasts. Brian reveals that he really enjoys playing Play The Game. He explains, "You've done your leaping about, and you've made your statement on your entry. And then you can settle down and start really playing something." Roger says his current favourite is Under Pressure. On the day before this show Freddie's boyfriend at the time had bitten him between his thumb and forefinger during a fight, causing it to bleed profusely and require stitches. On the DVD, Freddie is seen tossing the bandage around just before coming on stage. The sixth picture was submitted by Fabio Minero, and the eighth is from Alessio Rizzitelli. The second set was taken by Brenski.

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Fan Stories

“At the time, I was living on the Mull Of Kintyre on the West coast of Scotland. I remember being elated at getting tickets for the last gig of the UK tour. I always tried to get 'last night' tickets, because the band were famous for always going a little more 'over the top' on each of their tour's final nights. So, we drove down from Scotland, which took an eternity with fuel and meal stops, and stayed at the in-law's on the south coast of England. The next day we set for the 'new-town' of Milton Keynes, about 100 miles or so, away. We got there quite early before the gates opened and the weather was unsettled, lightly raining for about five minutes nearly every other hour. The support bands for the day were 'Teardrop Explodes', who had a fairly big hit with a song called 'Reward'. I quite liked Julian Cope and his band, but this WAS a rock gig, and the audience weren't generally as receptive to this brass backed 'new romantic' style of music. The customary sea of lemonade bottles headed towards the stage ensued. Now it was over twenty years ago, and the memory starts to fade a bit after a while, so I'm not sure whether 'Heart' were next on, or 'Joan Jett and the Blackhearts'. Either way, both bands played well, and were most enjoyable. Joan Jett had recently had a very big hit with 'I Love Rock'n'Roll' (very recently covered by Britney Spears), and the crowd loved that one. This was prior to 'Heart' having a major hit in the UK, but they were at that time an established and well known band. Looking at the stage, there were these items that looked like little vehicles hanging from the gantry, we later found out that these were individual self contained lighting platforms with a guy sat in each directing three spotlights wherever they were required to do so. The Queen set itself started with an extended backing tape from the intro of Flash Gordon. Most of you will have seen the video of this gig, so I won't labour on about what they played too much. Only that the crowd, as a whole, weren't into the 'Hot Space' numbers that much. Personally, I was watching my favourite band, so I didn't really care what they played, as long as it was theirs. The bits cut out of the video, included an intro to 'Las Palabras De Amor' from Brian, (just before 'Love Of My Life'), though they never actually played the whole song, Brian announced that they were not doing their song of peace tonight. Brian's two-day guitar solo was edited out, as was 'Fat Bottomed Girls', the intro harmonies on this did come across as pretty iffy, and of all songs, they also edited out 'Crazy Little Thing Called Love', much to my disappointment, as I'd heckled Freddie about his ability as a guitarist, and 'stone me', he only went and answered me. Knebworth '86 was a much better show, but I know I'm lucky enough to have had the honour to be able to compare them.”  - Steve_C/Kes

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[Spoiler's] departure marks only the fifth time (and first since Patrick Dempsey) that the ABC medical drama has said farewell to a series regular via character death.

[This story contains spoilers from the March 11, "Helplessly Hoping," episode of Grey's Anatomy.]

Grey's Anatomy said parted ways with a beloved member of its cast during Thursday's midseason premiere and it did so in a relatively rare fashion for the ABC medical drama: with a character death.

Giacomo Gianniotti's Dr. Andrew DeLuca was killed off following a heroic battle to stop a sex trafficker in a storyline that stretched back to last season and ultimately capped the actor's seven-season run on the Shondaland favorite. DeLuca, who was stabbed and ultimately died in surgery, became only the fifth series regular in Grey's Anatomy history to have their storyline end in a fatality and the first since Patrick Dempsey's shocking exit nearly six years ago.

In a fitting end to his storyline, DeLuca winds up on Meredith's (Ellen Pompeo) magical beach and is able to have a farewell with his former love interest before walking into the sunset. DeLuca joins George (T.R. Knight), Derek (Dempsey), Mark (Eric Dane) and Lexie (Chyler Leigh) as series regulars (per Wikipedia) to leave the show in death. Of the 33 total series regulars in 17 seasons of Grey's, 13 characters have left alive. And it's of course worth noting that several other characters have been killed off of Grey's, though those actors have either been guest stars or recurring players.

Below, showrunner Krista Vernoff and star Gianniotti talk with The Hollywood Reporter about how DeLuca's death factors into a season that has put COVID-19 at the top of the show's call sheet and what's next.

Meredith is on a vent and that was the last beat until the show's return tonight. Why was it important for that to be the image viewers had of this iconic character for three months? She's still on the vent in the midseason return.

Vernoff: That happened to be the midseason finale. Sometimes stories tell themselves and things happen in very powerful ways. As an image, that works on people's psyche and helps them understand that this pandemic is ongoing and profound and impacting communities in really painful ways. It's a powerful image to help people remember why staying they're home. If this thing can hit Meredith Grey, it can hit anybody.

This season has put COVID-19 at the top of the call sheet, with realistic portrayals of everything from infected doctors, others struggling with the emotional gravity and, in the midseason finale, hospitals reached capacity. When it aired, that episode was sadly prescient. How does the rest of the season play out in terms of how close it has been to what's happening in the world now?

Vernoff: What's so interesting about it being prescient is that we were telling the truth in that episode of what was happening in May 2020 in Washington state and it was happening again in Los Angeles in December, when the episode aired. We weren't prescient; we were telling a story that happened in the early stage of the pandemic. It's been amazing how when we thought when we were breaking the show, we thought we were going home for two weeks and now it's a year later and we're looking at this in this way. It's still staggering to me. We are not jumping forward to some imaginary future where covid is a thing of the past. We are still set in the past in the back half of the season. That was one of the decisions when we decided that Meredith has covid and that that would span a fair amount of the season. We didn't want Meredith in a bed with covid for 11 months. We are still in like May/June of 2020 creatively. We're not jumping forward so we don't have to try and keep up with what's happening now; we're looking at what was happening then.

In a season exploring covid, why was the first major character death of the season unrelated? Was this supposed to be the season finale last year?

Vernoff: There was no plan to kill him at the end of last season. I very much did not want to kill DeLuca last season because he'd been through a mental health crisis and he'd come through it. I wanted to show that a person can go through a mental health crisis and come out the other side and be a functional, contributing member of the hospital staff. This story of DeLuca seeing that sex trafficker again and following her out of the hospital and refusing to let up and it becoming a part of Station 19 and following it and right when you think he's got her, somebody punches him. You think he's been punched but you come back and realize he's been stabbed and then he's on the beach with Meredith. My reaction to [the story idea] was, What?! Fuck! No! Really!? This is what I'm doing?! No! Many times after I pitched it to the writers and we designed the season around this story, I started to chicken out and second-guess myself. Can we save him?! Can he live?! He can't. We've done a lot of near-deaths and saved them since I took over the show. So now people are expecting that. This was the story. It was as shocking to me as it was to you.

Giacomo, what was your reaction when you got the call that Andrew was being killed off?

Gianniotti: Krista and Debbie Allen, our exec producer, called me into an office said they've tried it different ways and keep coming back to the trafficking storyline from last season. The storyline was so highly received, and because of that, they knew they had to continue to explore it. They saw an opportunity to tell a beautiful story that highlighted human trafficking and for DeLuca to go down as a hero and make this really noble act to stop this perpetrator but would unfortunately cost him his life. I've been on the show for seven seasons thought it was a great way to exit. Krista running Station 19 as well had the idea to make it a crossover so we could tell it over two episodes and spend time with DeLuca. I'm a storyteller and the best story always wins and I thought this was the best story.

What was the larger point you wanted to make with DeLuca's storyline? He dies a hero, which is a bit of the ultimate for a Grey's death.

Vernoff: I was processing [grief] myself when this story came. As we were going through this shared trauma of covid together and quarantine and being away from the people we loved, I wanted all the other tragedies in the world to just stop. It didn't seem fair. The Alexandria House, a charity I support in L.A. that shelters battered women and their children — so people who have already been traumatized — the first week of the shutdown, the Alexandria House caught on fire. It was like, What?! Isn't covid enough? But everything else didn't stop because of covid and we were all having to process other things, too, and horrible tragedies that come with life. That's part of where this story was born. All these people are going to die of covid but also sometimes other people just die. And it's f—ing awful. Part of DeLuca dying in this way … watching this episode, watching his mom greet him on the beach and feeling that grief, I cried harder watching this episode than I cried since George O'Malley died. I thank Giacomo for playing this character so beautifully and powerfully that through the death of DeLuca I believe there is an opportunity for us all to release our collective grief.

Will DeLuca re-appear on that beach again this season?

Vernoff: No. I thought him walking away with his mom was the most powerful closure for that character. But you will see him again, just not on the beach.

Gianniotti: Even though his life has come to an end, there's many ways to show our characters who have passed. I look forward to tell some other stories in those ways. Maybe there's flashbacks or other scenarios where we can see DeLuca. That's about all I can say. But it's not a drill; he's definitely died.

What was filming on that beach like given how much those scenes have meant to viewers?

Gianniotti: Ellen and I kept pinching ourselves. To be able to shoot on a beach was amazing. It was nice to be a part of that and have DeLuca have his moment and say his piece with Meredith. There was a lot of unfinished business between them. Maybe if Meredith hadn't gotten covid, the first part of this season could have been them picking up the pieces of where they left off in their romances. But circumstances didn't allow for that. It was nice that DeLuca got to at least thank her for everything she'd given him.

How do you think Meredith will respond to DeLuca's death?

Gianniotti: It's tough to say because you think of the dream and what happened at the end of the episode and wonder if Meredith would correlate that with the metaphor: if he's joining his mother that must mean he's leaving me and passing on. Maybe that would translate to her waking up? Who knows? Or it will be a massive surprise when she wakes up. There is a very obvious, glaring comparison with reality in that so many health care professionals have lost their own due to covid. It's a direct representation and reflection of that. It's helping people in the industry feel seen as well. It hits different and it's going to send a shockwave through all the characters at the hospital — and maybe Meredith the most.

Knowing Meredith is battling covid, it feels like there's one of two outcomes there. How does the covid story that you're telling impact the different finales that you're crafting considering the show's uncertain future?

Vernoff: More will be revealed as you watch the show. (Laughs)

Without spoiling anything, how would you describe who else will visit Meredith on that magical beach?

Vernoff: There are some really fun surprises coming up. It's one of the things that I have enjoyed as rays of light in the darkness of the storytelling necessitated by covid. That beach is a ray of light and the surprises of who you see there are rays of light. And I don't want to take that away.

Can you confirm there will be others who appear on that beach who viewers haven't seen there yet this season?

Vernoff: Yes.

Giacomo, you got to make your directorial debut on Grey's this season. After seven seasons, was there anything you wanted to do on the show but never had the chance?

Gianniotti: This felt like a gift. They rolled everything I wanted to do into two episodes, they wrote my dream exit storyline. I got to have an action movie told on Station 19 chasing a perpetrator and not wearing scrubs. That was fun and not something I'd gotten to do on Grey's for obvious reasons. All the scenes where we got to take our time and be together with Ellen and Meredith on the beach was a good way to tie up the loose ends. As far as the mental health storyline, it was an honor and privilege to tell that story. Ultimately, it's about representation and for people to see someone who is bipolar can be an attending and command a whole department at a hospital is huge.

Did you keep anything from set?

Gianniotti: I didn't! Maybe I'll go steal my stethoscope next time I'm there!

What's next for you? Any plans on returning to Grey's as a director?

Gianniotti: Definitely investing a ton of time in directing and hoping to continue to do that here and abroad. I'm seeking a lot of opportunities in Italy and Canada as a director and actor and have a few things coming on the horizon that I'm excited to share