#also my page is ed related so ya know

[consumed-by-fandom]

MY ARGUMENT FOR WHY LOOK WHAT YOU MADE ME DO BY TAYLOR SWIFT FITS OSWALD COBBLEPOT A LITTLE TOO WELL

So people seemed quite interested in my thoughts on this sooo here ya go! :p

Spoilers for Gotham (2014) obvs

For context the song fits with Oswald’s Season 3 Arc, where he becomes mayor of Gotham and is taken down and killed by Edward after Oswald kills Ed’s ���weird ass totally-a-clone-of-his-dead-ex’ girlfriend, Isabella. Oswald survives because of course he does, and plots his revenge against Ed for the rest of the season. AND HE FUCKING GETS IT BECAUSE HES OSWALD FUCKING COBBLEPOT

Anyway lets get into the lyrics shall we?

First off, Riddler is known for his games and puzzles, and in particular his whole revenge plan might have been seen as a game to both of them, with Ed seeing it as a strategic game to destroy Oswald, and Oswald seeing it as a childish game played unfairly to Ed’s own agenda. The tilted stage also ties to Riddler’s showmanship and love of being in the spotlight, as well as how, to Oswald’s perspective, he’s putting himself up on a pedestal while criticising Oswald despite everything Oswald has done for him (I think Oswald definitely saw Isabella’s murder as an act of kindness or love, the latter might be canon too?) Oswald being forced to play the fool is pretty self-explanatory, he was thrown through the rings of Ed’s deception and tests none the wiser to Ed being the culprit.

I think even Oswald would have to admit that Ed outplayed him, using everything he knew about Oswald, all his weaknesses and vulnerabilities, to completely ruin his life and prove a point (even if that point got disproven because he accidentally proved Oswald WAS capable of real love lmao) And how Oswald, as paranoid and wary as he is, still did not believe for a second that Ed would betray him. (This is unrelated but Oswald’s trust issues is so sad to see because as the show goes on he gets increasingly more distrustful of others and by season 5 it doesn’t take much for him to go “YOUVE BETRAYED ME I FUCKING KNEW IT” poor lad). Anyway Ed is a pro at shit eating grins, and has no qualms lying to others, something I think hurts Oswald even more because he always believed that they’d be honest with one another (even though he went behind Ed’s back… hes a bit of a hypocrite guys) But Ed is also one to gloat and mock, perhaps even more than Oswald, and he definitely rubs it in Oswald’s face when he reveals that it was his plan all along, that he was behind everything. Stretching a bit with the gun here but I like to think that Oswald believed they were always on the same page, that Oswald would always call the shots so to speak, that he was the one in control. Ironically it was the shot that Oswald took that pushed Ed to take a shot of his own (i am NOT sorry for the wordplay >:] )

Speaking of wordplay. “Isn’t cool” Ahahah. Get it. Cuz. Cuz ed gets… anyway.

What does Oswald Cobblepot do best when wronged? Plan an elaborate revenge scheme of course! He learns from his mistakes, learns more about who Edward is as a person, and also learns not to let love weaken him :,). His revenge against him does what Ed initially did to him - use his flaws and characteristics to his advantage. And Oswald PLAYS HIM LIKE A FIDDLE by practically leading him to his doom, right until the reveal by the pier. Him escaping death is also surprisingly common for him, surviving from the pier not once, but TWICE by this point in the show. Not to mention all the other murder attempts on his life. The list of names would relate to Oswald’s growing enemies, his revenge hitlist so to speak, with Ed being at the very top for obvious reasons.

I think Oswald would definitely blame other people for his behaviour. Like “you made me this way, you provoked me, you forced my hand.” No dude you just love murder and vengeance get over urself. I MEAN he probably knows he’s ‘just like that’ but he’d still blame people anyway lmao.

When Ed got shipped to Arkham for girlfriend strangling and cop killing Oswald eventually got him out so he could be by his side as he campaigned for mayor of gotham, and he was pretty dedicated to being there for Ed as Ed was for him, even including him in paintings and promoting him to chief of staff. He loved him so much, and would do anything for him (even if it meant doing what he thought was for his benefit. Like killing girlfriends.) So naturally Ed ruining his life and then going off and making a name for himself as the Riddler would absolutely piss Oswald off, because to Oswald he had been so generous and a good friend/potential life partner, and this was the thanks he gets? I could also see Riddler’s rise to prominence as something Oswald would be jealous of, because thats his crime spotlight he’s stealing dammit!

Also. Also Ed stole the keys to his heart ahahahAGUGHUGHUHGAHGHH

Gotham is full of drama all day everyday 24/7, I have to imagine even Oswald gets sick of it after a while lol. Anyway he’s very good at losing himself to his own plans and thoughts driven by his emotions, pushing the rest of the world aside so he can solely focus on his revenge. He never forgets a grudge, he always gets what’s “deserved” to him (and he’s actually really good at getting revenge too, using Ed’s eventual sentence as an example). Ironically that also fits with how Oswald got his punishment for Isabella’s death, but now he’s paid the price, its Ed’s turn (and anyone else who Oswald had a vendetta against at the time. Which was probably a lot of people idk Oswald makes a lot of enemies in the show)

Again, Oswald has MAJOR trust issues and this paranoid only grows as the show goes on and more people betray or leave him. He’s also pretty sly himself, and if his plans include completely screwing you over for whatever reason, you better bet he’s going to do it.

As for the latter lyric…

Do i even need to explain this one?

There isn’t much I can link for this it just seems like something Oswald would say lmao

Aaaaaand thats all! I didn’t go over repeating choruses for obvious reasons, but that’s my own brainrot explanation for why this song fits him soooo well. Now if you’ll excuse me i’m going to daydream about the animation that would go to this that I’ll probably never do.

[alans-snz]

Okay so I'm pretty new to Tumblr and have only been on the sf forum previously (yeah, I know, I'm slow like that). I've noticed that all Ge/nshin names are written with a "/" sign in-between the letters. Again, I'm new here, so bear with me. Why do we do this? Is it to avoid the wrath of Tumblr or Hoyo? Or to avoid vanilla people finding out? Like, I'm so confused... Also, how do you search for specific characters on Tumblr if their names are spelled with a "/"?

Hey there!! No worries, this is a really good question!! It's the latter: to avoid vanilla people who are going through tags from finding our kink-related content. That's why we also use the term "snz" and a lot of our blogs are private to only Tumblr users too. We want to keep our content to the snzblr community to avoid any possible harrassment from outsiders (cause a lot of people on the internet are cruel to things they find "weird").

Regarding searching, it's definitely a lot more difficult since a lot of us mark the slashes down differently. There's even variety in how many slashes are used per name and/or just in general. Sometimes people use double slashes while others use single slashes like I do. And we tend to break apart the names differently too. I tend to break them apart as much as I can and try to avoid small words when I break them apart for extra good measure to avoid vanillas finding my content, but that's just how I do it. Some people break them up less and/or in different places.

However, I would say the best way to search is to look through your favorite snzblr pages with a character or characters you like on them. Most pages have their tags consistent so if they have and/or share multiple pieces of content for a character, you can click the tags on their pages to go to their other posts with them.

For example, you can do that with Kae/ya, Di/luc, Al/hai/th/am, Ka/veh, Tar/tag/li/a, and more here!! The best way to narrow stuff down would be looking at other specific tags first like my gen/shin or gen/shin im/pact tags and then you can go searching for character-specific tags there. Most other pages will have this as well to make it easier for people to find content of their favorite characters. They will also often have fandom tags in a pinned post for even easier searching. In my case, I have my gen/shin tag in my pinned post, but not c/el/ls a/t w/or/k since it's a newer contribution to my page, and so far, I have only covered one character there when it comes to snz. To anyone interested, I do plan to do some sort of content on Kil/l/er T from the original and maybe even some R/ed Bl/o/od C/el/l A/A2/15/3 from Co/de Bl/a/ck at some point, so stay tuned!

Hope this helps, welcome to snzblr, and thanks for the ask!!! 💕

[vivislastdays]

𝒱𝒾𝓋𝒾'𝓈 𝓁𝒶𝓈𝓉 𝒹𝒶𝓎𝓈 𝒷𝓁ℴ𝑔 𝐼

✩♬ ₊˚.🎧⋆☾⋆⁺₊✧

Hello, I'm Vivi and this is my first blog post. I haven't wrote a blog ever before so I'm really excited about this.

I have decited to divide this post into two part's since it's my first blog post. First I will tell you about me and this page and then I will tell you about my life recently.

𝑨𝒄𝒕 𝟏

The name "Vivi" comes from my second name. My actual name is Erika. I'm a teenage girl and english is not my first language. I love Arctic Monkeys, Deftones, Cigarettes after sex and Lana del rey. I also like many more artists and bands but those are my most listened to at the moment. I like to free dive and go snorkeling but I can do it only on summer since it gets really cold where I live. I have had depression and I'm currently fighting with ed (not Sheeran lol) I decited to create this blog where I can let out my feelings more. Iykyk. Kinda like a diary. I don't care that much if people actually read my blog posts because I'm doing this mostly for myself. But if I can also entertain you its a win win. The name "Vivi's last days" is not that deep and I just want to make sure that nobody thinks that I would end my life soon. These are not my last days atleast I hope so ♡

I will write this blog every saturday. Sometimes I might skip for personal reasons but I will try my best. In this blog I want to talk about my life maybe tell some storytimes and also just talk about the world situations. I'm not sure yet maybe I will also share some of my thoughts about deeper things. I will also upload pictures to this page also on saturday. The pics can really be anything from a pic of my cat to makeup tips. That's pretty much it ig. If you have questions feel free to ask them.

𝑨𝒄𝒕 𝟐

20.01.2024. Life has been okay for the last couple of weeks. I have been busy with my life since school started again after christmas break. Chirstmas was nice and tbh I really needed a break from school. You can probably relate. My eating has gone down hill tho. I eat about 200-500 cals per day. Aaaand I know that it is unhealthy but if I quit then I'm a quiter, right? I have lost about 3 kg in a week and I'm happy about it. I have a plan to lose 8 kg more and then start eating normally again. I know that it will be hard but I also know that I can do it. I got this. Maybe next week I will talk about something more positive.. But thats it for this week. Take care of yourselfes. Love ya byeeee ➜

[notthinenough69]

What do you mean this isn't good for you from Deer Evan Handsoap?

[bummie]

18+ | people under the age of 18, do not interact!

not only will there be not suitable for work content on my page, but i am also an adult, and i do not feel comfortable interacting with anyone but adults on my page, or in general. ageless accounts will be blocked if caught interacting. i will automatically assume you are a minor.

i am not responsible for people lying about their age, so if you tell me your age and we interact publicly and/or privately, i will take your word for it. however, i may ask for ID if you are suspicious.

if you interact with me anonymously, please be sure to include your age.

again, if you are under the age of 18, do NOT interact with me, or my account. there are plenty of minor-friendly accounts to interact with. i am not one of them. thank you.

bullying / harassment is not permitted.

i’m sure by now, as an adult, you know not to send hate to people when it is not justified. if i catch you being discriminatory toward me, or anyone at all, you will be reported and blocked immediately.

discrimination, bigotry, and ignorance.

do not interact if; you are racist, homophobic, transphobic, xenophobic, ableist, a bigot of any sort, pro-life (pro-birth) for anyone but yourself, a tr*mp supporter, cannot distinguish between fiction and reality, a p*dophile, do not believe the victim first, argue just to argue, a troll, or if you’re generally just an asshole.

i will only write dominant reader.

i am not sub-friendly. if you come onto my blog with a bitchy-sub attitude, i will tear you apart.

(unless you’re an anon/role-player, of course. i just mean hate/criticism asks, or submissive reader requests.)

i will also not write any switch content. i write dominant reader only.

things that piss me off (off-limits):

claiming characters i like as your own.

when on my account, do not come on here and refer to them as yours. i will block you. i know that they are fictional characters, but when on my account, please refrain from doing so. i do not care when outside of it.

you can request stuff for them n talk about doing stuff with thrm, just don’t say annoying shit like “so-n-so is my husband”, or “my so-n-so is so perfect!”. shit like that. if you don’t like this rule, block me. don’t care to hear complaints.

no-no’s:

character x character.

this is a pretty universal rule among tumblr writers, but i will not write about your ships, especially because i’m not a big ‘shipper’ myself. this blog is strictly character x reader only.

teacher/student relations.

while i do not judge people who do, i, myself, will not be writing about this. i do not feel comfortable writing about something that almost seems like fetishizing students and teachers. it feels wrong.

specific appearances for reader.

please do not request the reader to be a specific gender, especially when it is unnecessary (such as suitable for work content). i will decide that on my own based on the request.

i will only write about g.neutral reader, or fem reader.

triggering topics.

i will not write about triggering topics such as; sexual assault, p*dophilia, s*mnophilia, inc*st, self-h*rm, s*icide, ED’s, kidnapping, etc.

waste kinks.

the only fluids i will write about are sexual fluids. nothing within the range of feces, urine, or vomit.

there may be some instances where blood will be written about, but i will include the proper warnings if so.

other kinks.

i will not write about kinks such as; large age-gaps, foot fetishes (not including stepping), d*ddy kinks, fisting, furry play, omegaverse, etc.

mis-characterization.

my headcanons are canon. point-blank-period. /hj lmao.

no, but fr. please don’t come on here and tell me that a certain person would or wouldn’t do a certain thing, because more than likely, you can’t change my mind. (unless you have proof. then challenge me if ya want.)

i will absolutely not write for fanon characters. my headcanons are based on what i perceive as probable while watching or reading about a character.

no, i am not being biased when i’m writing for a character. if i don’t think they’d do or enjoy a certain thing, i simply won’t write it. i also will not write for characters i perceive as dominant.

rushing.

i have horrible adhd, so i tend to procrastinate a lot. my brain just cannot regulate the ability to focus, and it’s incredibly frustrating. please don’t rush me for an update. i’ll probably cry /j. please be patient with me.

+ i really enjoy answering questions and requests! whether they’re about myself, characters, character relationships, etc., i love them! so, by all means, ask away!

anyway, i think that’s about it. so, enjoy your time !

updated: 5/31/22

[crushzone]

Hi Nin! I know this might be weird of me to ask because you are an artist yourself, but I am rather new here and was wondering if you have any other artists you'd recommend? If not that is ok!

Hi there, not weird at all! I LOVE supporting fellow artists, I find their wonderful talent and dedication incredibly inspiring, seeing their beautiful works on my feed constantly reminds me to take a step back from my exhaustion and to simply remember why I love to draw to begin with: because it’s fun.

I’m usually really picky about artists I follow and their style, but when I find the ones that I enjoy, I go ALL OUT with my support. So without further ado, the following artists listed are those I am not only in love with, but those who I genuinely look up to. 

So make sure you stop by their page to show them some love and appreciation for their hard work (because hard work extends beyond the individual pieces they’ve made, it’s also for the countless hours they’ve spent on practicing and perfecting their craft, constantly challenging themselves to learn new techniques). 💛

👇🏼👇🏼 Nin’s Artist Recommendation👇🏼👇🏼

---------------------

@aku-jumbi - HQ!!, Various, You all had seen me share a BUNCH of their works on my blog, but it’s just because their art is so SOOOOOOOOO good. Your style leans toward photorealism, while still maintaining its painting-like quality, so if you had ever wondered how your favorite characters may look like irl, they’ve got you!!! Watching your speed painting is so fascinating, idk how you do it, but you’re always killing it every time (Like our process is so different, so it was really interesting to see how you approach your works you know?). This piece of Kei Tsukishima and Oikawa Tooru are two of my favorite works you’ve done!

@achieve-the-sun - HQ!!, Various, Let me start off by saying that I love Morghy’s art so much, that they are the first and only person I had ever commissioned from so far. They drew Keishin and I sooo adorably, it brings me so much joy to look at it on the daily. Your style reminds me of freshly baked cookies, or the warmth of bakeries, I can’t help but feel a sense of coziness whenever I look at your adorable artworks. This piece you did of Kageyama and Hinata was what had drawn me to you. Everything from your color choices, fluid gestures, and expressions are such a delight to look at!

@chaotickatts - HQ!! I am so in love with Katts, you all. I had never seen anyone draw like this, her style is really unique. I can go on forever about why I love your art, but one of the biggest things that drew me to your style is the way you draw bodies. I like the variation and realistic details you include, for instance, I absolutely adore the way you gave Sakusa more moles on his body, and the way you drew dad bod Osamu. Idk, I think there’s so many different types of body shapes and details out there, and it brings me joy to see you being so inclusive of them in your art.

@namusw - Hunter x Hunter. Was drawn to their Hunter x Hunter works and I don’t even watch/read that manga. Honestly, just check them out, I love everything about their works, they are also a killer at both traditional and digital styles. This piece of Hisoka, Illumi, and Chrollo was the one that made me fall in love.

@cranbearly - HQ!! I really adore the way they draw expressions and their coloring style (inspired me to attempt some flat coloring). This piece of Oikawa and Iwa made me follow them instantly. Expressions are so difficult to nail, and you’ve done such an amazing job conveying every emotion the characters are feeling, I’ve learned so much just from looking at your works, so thank you for blessing us with your craft.

@a-zebra-was-here - HQ!! Their art has a very carefree type of vibe and their coloring style brings me so much joy. I’ve really enjoyed your drawings of the Miyas’, this piece of the twin was what got me, and this other piece, the first image of young Miyas’ was so SO well done, I am in love with the way you colored that. 😻 

@erionmakuo - Various, dude....I want to cry, I don’t even know what to say, EVERY SINGLE PIECE of your artworks just BLOWS ME AWAY. The way you color your art is just so ethereal, the color schemes you had chosen, the way you mix the color of your lighting, textures, and everything in general, I can go on about this all day but just hop on to their blog and you will know exactly what I mean. I don’t have a particular piece that drew me in because I was blessed by all your works at once.

@uranarino - HQ!!, Your artworks bring me so much joy. If I have to describe your style like an experience in life, I would say it reminds me of how it’s like to fall in love with someone for the first time, if that makes sense. That sudden overwhelming feeling you get when you’re doing the most mundane things with someone you care about, only for time to stop as you realize how in love you are with them? Yea, your art captures that really well. These two pieces of Kuroo returning home with his groceries and of him taking a day nap with his cats was what had drawn me to you.

@queenoftheantz - HQ!!, Various, Their style is really unique, it kind of reminds me of an adventurous graphic novel or something you would see on Cartoon Network (idk, I thought of Chowder, but please, I really mean it as a compliment, I just really love the fun cartoon style you have.) They also do some animations! I really love this piece of Kyotani you did, the landscape and colors look SOO GOOD!!

@noodlemanjpg - HQ!!, Various, love LOVE your style and the way you draw expressions. I also really love how you color, your works “appear” effortless, but I know a lot of knowledge and precision is put into crafting it. This piece of Kuroo x Yaku being all cozy at the couch was what had drawn me to your blog, it makes me smile every time I look at it. Kuroo’s smitten expression is just...ahsdl;adjs I can’t help but smile with him.

@diabolism666 - HQ!!, c’mon, you can’t be in the HQ!! fandom without at least seeing one of their artworks. In fact, I had seen your art even before I’ve gotten into this show, and it was love at first sight, lemme tell ya. EVERY. SINGLE. THING. you had drawn are so good, it doesn’t even matter if it’s a more simplistic drawing or elaborate one, I am just always staring at it in awe. Thank you for being so incredibly active about it too, idk how, but you’ve produced so many amazing drawings and we’re just incredibly grateful for it. You draw some of best Tendou, Reon and Toshi out there. Your works have so much range, I really feel like you can draw ANYTHING hahaha.

@viria​ - Various, Viria *sobs* your works are so good. The way you draw faces and affection just gives me butterflies. I don’t even watch Fullmetal Alchemist, but this piece you did of Edward and Winry made me fall so deeply in love with your works. Your style has a certain softness to it, even when it is of an angry character, and I love it.

@nipuni​ - Various, another artist that I am incredibly nervous to tag because your works are just out of the world. You also seem so so nice and is always incredibly helpful whenever anyone sends you an ask. Just...I have the biggest crush on you and your works. EVERYTHING you had drawn is so stunning, and I mean it. The details, pose, composition, and coloring, it is just so perfect, I could pull up particular artworks, but I was really blessed by it all at once. If you are into fantasy-esque realistic looking portraits, check her out, she exudes so much knowledge and talent.

@hinamihere - HQ!!, Your artworks are soo stinkin adorable. Your color choices, expressions and the way you draw hair is just so cute, your art always bring the biggest smile to my face. This piece you did of Akaashi and Bokuto was what drew me to you, when I saw it, I “awhhh”ed so loudly, my hubby had to ask me what’s up, and when I showed it to him, he had the same reaction, even if he’d never seen Haikyuu!!

@oxxuri - BNHA, so SO good, the way you color, light, and draw is so beautiful. Every single detail, down to every lashes and strands of hair is so beautiful. You draw some of the most attractive faces I had ever seen, these drawings of Aizawa and Midoriya brings me so SOOOO much joy, and I don’t even know anything about BNHA.

@amezure - HQ!!, their comic strips always make my day, I was giving their blog a peep so I can pull up specific examples and my statement is instantly confirmed when I stumbled across their newest comic art of Kuroo and Bokuto and started laughing HAHA. 😂 Your self study sheets are incredibly informative and I find myself referencing them often, it’s so nice to see my favorite artists continue to polish their craft through endless amounts of studying, practice, and analysis. It serves as a constant reminder for myself to do the same. I love the way you draw people (check out this piece of Bokuto x Akaashi), but I ESPECIALLY love the way you draw animals. (Specifically anything that has to do with lil owl Bo and Akaashi 🥺)

@obobro - Avatar the Last Airbender, HQ!!, I am absolutely in love with the way you color and draw portraits. Your drawing and detailing has so much range; you have a series of hand drawings, and that alone already displays so SO much range. I was really drawn in by this drawing of Tsukki, Zuka + Azula, and of Sokka + Katara, you can really tell they were related and I love it so much. Your art has so much life to it, it’s truly fascinating. 

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I have a couple more artists to recommend, so if you’d like a part 2 to this, please lmk.

But yes, I genuinely stand by my recommendations, these guys are so SO good at what they do and I am currently sweating because the thought of tagging all my artist crushes in one post is actually kinda scary lol.

Hope this helps! ✌️ 

[anhed-nia]

BLOGTOBER PRE-GAME 9/30/2020: 30 MILES FROM NOWHERE/CONFESSIONAL (2019)

Spoiler alert. Or whatever. It’s not going to matter, you don’t care.

So, I've been away for a minute. Just about any reason to be away from Tumblr is probably a good reason, but I have an especially good one. I'm finally working on a "real" writing project, which demands, and deserves, all of my attention. My social media abstinence isn't just a matter of time management, though. Once I had a long term obligation on my plate, I became very aware of how the short term satisfaction I get from posting mindless rants was eating away at the fuel I have available for sustained efforts. When I wind myself up with a 500-1000 word blog post, it generates a lot of electricity, but I blow it all as soon as I experience the catharsis of posting it, and I'm further pacified by ego-stroking likes and reblogs. Not to sound like a sanctimonious luddite--I mean, I'm still here, after all!--but it turns out that the staying focused on the long haul has been surprisingly revivifying. In fact, I haven't been talking about my big fancy project for the same reason; I don't want to lose any of the juice I've been storing up by wasting it on the shallow pleasure of describing it. Also such things should probably be somewhat confidential until they're approaching the publishing stage, but I digress! There is an actual reason I'm saying all this, that has more to do with this blog.

(Don’t get all excited, I’m not doing EVIL ED right now, I just need a relatable image.)

As I got deeper into my experience of "real" film writing, I started to reflect on the meaning of my personal writing. Like, the point of it. I tend to write in a sweaty, compulsive, sadomasochistic haze, in which I'm sometimes hyperbolically generous, and sometimes--perhaps more often, unfortunately--as nasty as humanly possible. Sometimes the movies deserve it, when they're lazy, pretentious, or otherwise demonstrate an open contempt for the audience aka ME. Often, though, I'm just creating an opportunity to vent my generalized rage and frustration. That can be very entertaining for myself and (hopefully) my teensy-but-devoted readership, but lately I've asked myself whether there isn't some negative tradeoff for all this amusement. In this phase of my life, it's reasonable to assume I'll make more and more friends and acquaintances who create things I don't always care for, but I don't necessarily think they deserve to be abused for it. As much as I have a right to say whatever I want, technically, I'd be embarrassed if I were caught just jacking myself off by making fun of their work in public. And more to the point, I don't necessarily want to contribute to the growing atmosphere in which people feel more afraid to try and fail, because the public so commonly misidentifies sarcasm and mean-spiritedness as intelligence and superiority, and that form of petty darkness spreads across the internet a lot faster than a movie can reach a wider audience. After all, I'm in the process of potentially turning myself into one of those well-meaning failures right now. I could stand to be a little more deliberate about how I speak, and about what, in general.

My father is an art critic, and once in an extra petulant moment, teenage-me asked him in an accusative tone what he thought the point of his profession was. He replied calmly that he wouldn't publish any comment that he didn't think the artist could make use of somehow. I don't know if he always stuck to that policy, but the thought sure stuck with me.

So anyway, over the last few months I've been giving myself a bit of an attitude adjustment, through a combination of personal reflection, and hard work on something meaningful/not for the internet. I've been feeling all proud of myself and shit, but today reminded me that any path to enlightenment is always marked by setbacks, doubt, and temptation. For today, in complete innocence (or at least a melange of innocence and ignorance, as I very much invite this type of problem), I managed to watch TWO (2) movies about an academic film-cum-psychology project, focused on a gang of college buddies who inevitably reveal what bad people they are under the unique conditions of the project, and then the project turns out to be run NOT by its presumed-dead originator, but by the originator's even-crazier lover. It's amazing how particular something can be, and still be utterly obvious and cliche. In my defense, I really tried to turn the second movie off, because it was...just instantly terrible, but the seed of suspicion had taken root--is this randomly selected movie ACTUALLY EXACTLY THE SAME AS THE PREVIOUS MOVIE?--and I just had to find out if this could be true. I suffered, deliberately, for another hour and a half, to confirm my awful hunch. I don't know how I would have felt if I had turned out to be wrong (better? worse?), but I don't have to worry about that now. Now I just have to worry about my overpowering impulse to be as ugly as possible about what I have personally subjected myself to.

(The completely deceptive poster for our not at all witchy or eerie opening feature.) 

In need of a passable time-waster this afternoon, I put on 30 MILES FROM NOWHERE. Released in March of 2019, Caitlin Koller's claustrophobic black comedy feels oddly like a product of 2020. A group of estranged, middle-aged college pals of the BIG CHILL ilk--which one of the characters calls out, out loud, just so ya know--come together for a fallen comrade's funeral, only to find themselves trapped in his widow's increasingly creepy cabin in the woods. Said comrade was driven to suicide by the failure of a psychological experiment he conducted that plunged its subject into madness, and if you don't realize right away that the obnoxious and unstable cast are the new subjects of their not-quite-dead friend's renewed project, then you're firing a lot slower than 24 frames per second. The dialog is often decent, aiding a handful of funny, natural performances...but it's hard to forget that you're just waiting for the conspicuously crazy widow to reveal that the "unexplained events" in and around the cabin are part of a controlled attempt to get the guests to devolve into their worst selves, which isn't such a difficult task considering the undesirable state they all arrive in.

It just made me ask myself, what was the point of this? Why do people make movies that are entirely predicated on the shock of the twist, knowing that if the twist isn't so shocking--or is baldly obvious from the start--then the whole experience just falls apart? Why not hedge your bets with a little more depth, or purpose, or style, or really anything more reliable than a smug attempt to prove that your script is smarter than your audience? Even if you do manage to pull off this dubious accomplishment, it reduces your movie to something like the experience of having somebody jump out of a closet and scream in your ear to "get" you. I've always felt concerned that if somebody ever tries to "get" me like that, I might just automatically punch them in the face. But anyway, whatever shred of good will this movie could have accrued with its plucky performances is blown away by the final insult, when the cops arrive to clean up the inevitable bloody mess. The responding officers are hilariously unimpressed and unsurprised by the byzantine scheme that has resulted in a shocking act of violence, because the cabin's "guest book", which our heroes all filled out, was actually the signatory page of a complicated waiver form granting full permission to the hosts to, like, do whatever the hell they want to everybody. Presumably this shit just goes on all the time, leading the local law to shrug off anything that happens to or because of the dumbassed lab rats who frequent the cabin? I dunno. I mean, what can I say? ACAB, I guess!

At the time, I managed to resist the urge to take to the internet and decry the crimes of this lame-o party joke. I really don't like the sensation that a movie is just trying to trick me into thinking something that isn't true. But, this isn't, like, an affront to cinema. People make annoying, below average movies all the time, and maybe you kinda have to, if you eventually want to make better movies. I imagine myself in the shoes of the people who actually put some elbow grease into this production, having to wade through the rantings of internet ghouls like myself while they're trying to see how their efforts are paying off. Making a movie is probably a lot harder than I think it is.

But that's part of the point I'm heading toward. I'm always amazed by people's willingness to pour huge amounts of energy and capital into something to which there is ultimately very little point. I mean, I have bad, unoriginal, boring ideas every single day of my life. But I almost never DO any of them. I have a hard enough time convincing myself to just get out of bed in the morning, let alone devote blood, sweat, and money to deliver unto the world material evidence of my personal mediocrity. I can't imagine thinking it would be worth it, for myself or the unfortunate people who are subjected to my project, to actually execute on my bad ideas. I'm being judgmental, but honestly, I don't even know if my attitude makes me better or worse than someone who accomplishes the task of completing and selling a movie that's mainly a waste of time. Movies are so complicated, and realizing them requires the consensus of so many people, that it's sort of incredible that there are people capable of making one that doesn't have a powerfully compelling motivation behind it. People who are able to do such a thing obviously have something that I don't, and it isn't just "consideration for the audience."

So, I could probably stand to be more forgiving--or just, less eager to absolutely flay someone alive on my dumb little blog because they so opened themselves up to my arsenal of elaborate insults. But like...not all the time. Sometimes, a movie really fucking asks for it, and in revealing itself to me, it has effectively signed a waiver giving me patent freedom to do whatever I want to it. CONFESSIONAL is the latest movie to give me such a gift. After the final credit rolled in 30 MILES FROM NOWHERE, I looked for a little palate cleanser. As little as I like movies that put their single egg in the motheaten basket of a "shocking twist", I also have a problem with what I identify as canned theater. Not that I think all movies have to be lavish productions, but I think they should try to do something that is natively cinematic. It's very rare that I'm impressed by anything that is literally all talk. So, I went in search of some more familiar form of trash to help me recallibrate, and trash is definitely what I got.

(Me crying over my own bad decisions.)

To be fair, I kind of should have known that I was in for a challenging experience. The 2019 found footage thriller CONFESSIONAL is more or less based on the "confessional" part of sleazy reality TV shows, isolating each cast member in a soundproof stall so they can spill the rotten contents of their guts. Unfortunately, I spotted a review suggesting that the movie succeeded, against all odds, at remaining visually dynamic despite the unchanging scenery, and I was intrigued. The reviewer was correct, impressively; the monotony of the coffin-like environment with its dark foam walls was the least of my concerns. Other problems superseded that threat, immediately. The plot concerns a group of college pals who come together to remember a recently deceased friend--a filmmaker who expired mysteriously while completing a psychology-tinged project in which she recorded all of her friends' most shameful personal secrets. Now, somebody else has taken over the project...someone who "has never been identified", according to an early title card in this movie-within-a-movie (EVEN THOUGH THIS PERSON WILL BE EXPLICITLY IDENTIFIED AT THE END OF THE MOVIE SO LIKE WHY), but who seems likely to be the decedent's ex-lover...who continues to expose their subjects' most shameful secrets on film. I mean, what the fuck? Did I somehow manage to pick a second movie with almost the exact same plot??? I couldn't believe it. I didn't know if I could take it. My prospects only got worse when the cast showed up and started talking. I tried to turn the movie off. I backed out and walked away from it, twice. But I couldn't leave it alone. I had to know if it was really the same movie.

CONFESSIONAL concerns characters who are contemporaneously in college, which actually goes a long way to making everything worse. Each of these walking cliches is connected in some way to Amelia, a film student whose mysterious death has created a campus scandal, leaving shattered hearts and lives in its wake. The living have each received a blackmail-flavored invitation to speak about the deceased in a tiny "confessional booth" somewhere on campus, where, predictably, they find themselves locked in until they confess whatever they know about Amelia, and their classmates. I don't know why practically every single movie about young people has to be so miserable, but this is one of those. I assume that it has something to do with the fact that youth is simultaneously so desired and so ignored. People in their teens and early 20s are so sexually coveted, yet so easily dismissed as individuals, that we wind up with all this media that panders to them relentlessly (or at least, panders to the legions of ticket-buying perverts who enjoy watching them prance around), without almost any consideration of how they actually think and act, and look. Movies like FAT GIRL and  WELCOME TO THE DOLL HOUSE may be accused of their own form of pandering, a venal form of voyeuristic schadenfreude, but at least they reflect something of the awkwardness, isolation, and incompleteness of adolescence; something more than the dissociated, pornographic fantasies of adults who have long since forgotten what it was like to be powerless and ignored, or desired by people who don't even like you.

Not that CONFESSIONAL is supposed to be a work of grim realism, but it is most definitely rooted in a fantasy about college life that makes its contrived, message-y plot a lot harder to take. With almost the sole exception of "the nerdy one", every single character looks like a Bratz doll, oozing an exaggerated indecency that belies the movie's pretentious insistence on addressing the sex & gender Issues of the Day. What you get is a really good example of what happens when millennial characters are modeled, not on any actual millennials, but on other forms of marketing that are aimed at millennials, which are themselves just based on other preexisting youth-targeted commercials, et al ad nauseam. Even setting aside the deliriously slutty wardrobe choices, makeup appears to have been laid on with a trowel, coating each actor in a thick creamy layer of spackle that only makes any scars, pits, or other evidence of individuality look utterly bizarre. Accordingly, everybody preens, pouts, and generally behaves as if they're about to take off their clothes, which might be a huge relief given the profusion of chafing, cheapo mesh and straps they're laboring under.

So, ok, not every movie can have a great costume department, but the dialog here is a perfect match for the disastrous aesthetic decisions. Actually, this is the real reason I almost walked out on CONFESSIONAL. If I may ramble briefly, without substantiating any of my broad-ranging claims: Sometime in the late 90s/early 00s, horror cinema seemed to suffer a degenerative slide away from genuine thrills and chills, and into a version of the genre that is best characterized as the Slutty Halloween Costume approach. Any sense of existential dread, revulsion, or bodily vulnerability was widely replaced by a cutesy, Hot Topic-y preference for fast fashion and sex appeal, in which bloodshed more facilitated an informal wet teeshirt contest than any real fear induction. Horror's new mall goth look came with an equally shallow, boring verbal affectation: a sullen, sleazy, tooth-sucking sarcasm, that ushered in a new era in which, instead of making fun of the scummy coked-out dialog in porno movies, we now expect everybody to just talk like that, because it's hot. There's probably a line to be drawn between this unfortunate development, and the boneheaded real-world trend of identifying "sarcasm" as an important personal selling point on dating sites, but I won't try to prove that here. For now, I will just say that as soon as I heard the CONFESSIONAL characters start to speak, with their sneering, insinuating tones, with the vocal fry, with the head wagging, the jutting jaws, the smoldering gazes, the juvenile dragging-out of horny grownup words like de-bauch-er-y...I almost lost my nerve. Listening to these little creeps hissing and spitting for 84 minutes is a lot like being hit on by some barfly who continues to bludgeon you with his hot breath and corny lines without ever noticing that you've thrown up into your pint.

Uh, anyway. So what actually happens in the movie. Why would anyone ever allow someone to record video of them revealing the ugliest, most embarrassing parts of themselves? Especially a kid, for whom popularity and reputation are often a matter of life or death--literally and specifically, in the case of this story. The flimsy reason is that the late filmmaker, Amelia, was the most awesomest girl ever. Everybody loved her, because she was so sweet, and so smart, and so cool, and so nice, and so deep, and so original, and so talented, and so sexy, and just like, the bestest most perfectest girl in the whole wide world. N.B. "The greatest of all time" is, perhaps counter-intuitively, a really bad quality that makes for really shitty, boring characters. For better or worse, Amelia is rarely on screen (and when she is, she's no Laura Palmer, frankly), so it's up to the viewer to just sort of imagine a type of person who could make you act against your best interests on account of you just like them so much. After all, so many of the characters were obsessed with her in some way, that it's like they're here to help you clap your hands and believe in this seductive, compelling part of the movie, that just isn't actually there on the screen. The anonymous antihero behind the confessional booth scheme slowly extracts from each character the selfish, destructive behavior that in some way contributed to the tragic loss of the most amazing person of all time--and part of the result is, if not a very interesting excuse for Amelia's death, then a story so wacky that I really wish they had centered the movie on it, instead of on the tawdry soap opera we're locked into. Even if that imaginary movie had been really bad, and it probably would have been, at it would at least have been entertaining.

Part of what leads up to the death of Amelia is the existence of a secret school fight club, led by a stereotypically sleazy gender studies major, named Major, who is out to prove men's inherent superiority. The club is called CFB, or Cock Fights Back, which is somehow a garbled pun relating to cock fights, and Trump's famous line of "locker room talk": "grab'em by the pussy" > "pussy grabs back" > "cock fights back". CFB is different from your ordinary fight club in that the fights are always between girls and boys, and the boys are always blindfolded, in order to prove that a fully-abled female is no match for even a handicapped male. To complicate things, a new designer amphetamine is gaining popularity on campus, called "odds-on", meaning that it makes you the odds-on favorite in your CFB fight. As awkward as that is, it also seems that men are never the guaranteed winners of these fights, which makes you wonder why Major insists on continuing to host them. As much as I would have preferred to watch a stupid movie about this stupid idea, I'm stuck instead with a movie in which Major is such an aggressive MRA because he's secretly gay, and he thinks that hating women is a great way to hide that...as if that isn't what we all openly suspect about aggro MRAs. Secret gayness is a big part of this movie, involving multiple characters, although it amounts to very little other than the perpetuation of some stale, harmful cliches about how unfulfilled homosexual urges lead to suicide, sexual abuse, and murder. CONFESSIONAL is just as reliant on this grim vision of gay life, as it is on its weirdly obtuse discussion of drug addiction, for the suffocating sense of self-importance that it uses to try to elevate itself above its porn-y trappings. None of the movie's hot button issues are given any real thought, but are only dragged through the mud to create the illusion that there's a point to all this, thus relieving the film of any sense of innocence that could have made its condescending sleaziness forgivable.

Admittedly, I can't really remember all the details of the film's tortured intrigue anymore, even though I basically just saw it. A lot of its meandering revelations just left me thinking, "Why did I need to know that? Why should I care?" I do know that about half way through this ordeal, I became really anxious about whether it would turn out that CONFESSIONAL did NOT have exactly the same plot as 30 MILES FROM NOWHERE after all, and I put myself through all this for nothing. But no, I was right to begin with. The wonderful Amelia's ethically dubious film project has been picked up by the unhinged lesbian character who loved her so much she wanted to become her, and killing Amelia and usurping her confessional project was apparently the best way of doing that. I guess exposing all the dark, violent secrets of all these tangentially involved characters was just an added bonus, or whatever. Ultimately, this ugly, ignorant PSA about something-or-other only deals itself further damage by relying so heavily on the potential of its clumsy twist to blow your mind, which it does not at all.

So that was it, that's how I burned a whole afternoon allowing my mind to implode-not-explode under the ponderous force of TWO (2) movies about exactly the same exhausted cliche that is still being peddled by certain pretentious assholes as fresh and exciting, and beyond the capacity of the audience to anticipate. There's probably a whole slew of other movies that employ this overly familiar "surprise", but I don't have it in me to dig them out of my long-suffering brain. Feel free to contribute in the comments. For now, I must prepare myself for the ordeal of Blogtober, during which I will *hopefully* choose my screening selections and words more thoughtfully than I have in previous years, when this blog was motivated by just as much abject misanthropy as these movies, which do nothing but willfully insult the audience's intelligence. Maybe today's detour into degradation will help me go forth toward more additive experiences, having purged several lungfuls of meaningless venom from my system, and this season will bring with it more interesting, provocative posts than the last. Or maybe not! In any case, I promise to keep trying my hardest to make it funny.

PS I actually love both FAT GIRL and WELCOME TO THE DOLLHOUSE. I’m “just saying”. 

[alextriestowritestuff]

House of Hades Read With Me

Hey everyone, I’m back with an update. If you haven’t been following this thread, I’ve been reading the Heroes of Olympus series by Rick Riordan. I read the first three books in this series back in 2012 and never finished. If you want to know my background with the PJO series and my thoughts on the Son of Neptune (I started my re-read with that book because Lost Hero is trash imo), you can find that here. My thoughts on Mark of Athena is here. So let’s get into the House of Hades 50% update that will include spoilers so you’ve been warned. 

Okay so I’m going to use two images to convey my thoughts on this book so far:

Okay so let’s address the first image... um. I’m fucking terrified. I’m scared of Percy and I’m scared for him and Annabeth (She told him that she loves him ahhhhhh, I need him to say it back tho). My past read with me’s have been pretty harsh on the HoO series so far but I really like this book so far. Dear gods, please let the other half of the book be good! Rick you’re doing amazing sweetie (kind of-we’ll get into it). So far, I’ve cried at Percy and Annabeth thinking about each other and how tired and hungry they are. And when Percy and Annabeth were surrounded by Kelli and the other empousai and I really thought it was done for them (I know they don’t die but the fear I felt was real) then Bob came in and saved them. And when Percy was surrounded by the Arai and Annabeth was temporarily blinded by a curse. Like he literally says, if I’m going to die, I’m not going to let them hurt Annabeth and he went out fighting (out meaning unconscious in this case) ughh my heart. It was torn out of my chest!! 

Brief pause because the Arai said that Calypso cursed Annabeth because Percy left her and I just can’t really emotionally deal with that fact because Battle of Labyrinth is my favorite PJO book BECAUSE of Calypso’s appearance. I’ve held a torch for that girl to find happiness for years and to think she cursed Annabeth (Obvi she didn’t know it’d actually affect Annabeth years later), that shit kills me. But I remember thinking in the Last Olympian why Percy didn’t ask for some sort of amnesty for Calypso when he was telling the gods to claim their kids, etc. So I’m glad he realizes he f-ed up there but ugh why Calypso?? It’s okay, I know that her and Leo get together so she’ll be happy eventually. I just have to wait. 

But let’s also talk about the fact that I’m starting to feel bad for monsters? Annabeth and Percy have been reflecting on what it’s like to be sent to Tartarus by a demigod and slowly reforming. And all the curses the Arai gave Percy were manifestations of how he killed those monsters so he felt their deaths which seeing him in pain, put me in pain. Like Rick don’t do this to me. I don’t want to feel bad for monsters but I do. I’m curious to see how this experience will change Percy and Annabeth’s willingness to kill monsters in the future. I really like this presentation of the monster’s perspective, I think it’s very interesting. In relation, I’ve noticed HoO is a lot darker in theme (even before this book) just by the way they phrase things. Like the demigods will say ‘kill monsters’ or ‘kill’ very easily compared to PJO where I felt that death was sugar coated because it was a middle grade genre. Most deaths were off screen (off page?) like Beckendorf’s. Or not very grim. And this series is much more in your face about it, especially in House of Hades. It was hard to get used to at first but I think it shows maturity, it’s well within the realm of YA to kill off characters and explicitly say so it’s just strange going from PJO to this imo. 

Moving onto the next image, the slowly being seduced one. AHAHA Um can someone tell me why I was briefly seduced by Frank and Percy?? So Percy, I’m always seduced by, that’s not new. But him being scary makes him 100x more attractive. Like imagine if Percy had been on the titan’s side? The gods wouldn’t have had a chance. Here’s some quotes:

(This is after Percy kills Arachne, on pg 6) Percy kicked the dust on the rocks, his expression grim and dissatisfied. “She died too easily, considering how much torture she put you through. She deserved worse.” Annabeth couldn’t argue with that, but the hard edge in Percy’s voice made her unsettled. She’d never seen someone get so angry or vengeful on her behalf. It almost made her glad Arachne had died quickly. “How did you move so fast?”

Then when Percy convinces Bob to kill the reforming Hyperion, Annabeth thinks this: 

How was he keeping his cool? The way he talked to Bob left Annabeth awestruck…and maybe a little uneasy, too. If Percy had been serious about leaving the choice to Bob, then she didn’t like how much he trusted the Titan. If he’d been manipulating Bob into making that choice…well, then, Annabeth was stunned that Percy could be so calculating.

He met her eyes, but she couldn’t read his expression. That bothered her too (22). 

Like what?!?! Please come pick me up, Uncle Rick. I’m scared. What’s happening to Percy?? I need them to get out of there STAT! I have no theories as to why he’s acting like this (maybe it’s the energy of Tartarus) but I’m excited to see where it goes. But Scary Percy is also right up my alley so ugh, I’m conflicted. 

So next, Frank. Rick did something hella problematic here but before I get into that, here’s the line where I was slowly being seduced by him:  

Frank was faster. He lunged at Trip and slammed him into the wall, his fingers locked around the god’s throat.

“Think about your next words,” Frank warned, deadly calm. “Or instead of beating my sword into a plowshare, I will beat it into your head” (19). 

Like ngl, that choke thoo?? I’ve never been attracted to Frank but my god, the dangerous tone, the threat. I had to put my hair up and get a cold glass of water when I read that. Frank was the last person I thought would do something like this but I am not mad at all. Very Ares of him.

What I am mad about, however, is the fact that after this scene, Frank (or it’s Hazel that notices) notices that he’s becoming taller and better built. Because Mars/Ares gave him a little ‘grow spurt’. Now let me say this: I’m not one of those people who think that everything problematic was meant to be intentionally offensive/stereotyping/harmful. I know that Rick has had his fair share of controversies ever since he’s been incorporating diverse characters. That comes with the territory of writing marginalized character-I’m black and I still have watch myself in how I portray black characters. He has do the research and I don’t he did it. Sorry. 

And I’m sure I haven’t even caught half of the problematic things brought up in HoO (there’s times where Hazel’s hair or skin is described as cinnamon, like food when other non black characters don’t get that kind of description. Also the fact that her name is Hazel like Hazelnut has always bothered me but I digress). Back to Frank’s growth spurt. Prior to that, other characters have described him as a bit on the chubbier side, baby faced, ‘big guy’ (that bothers me tho but that might be an internalized societal mentality that any word like fat or big = bad. And that’s not always true but I personally don’t feel comfortable calling someone that), etc. And he’s of Asian (spec. Chinese) descent. For what it’s worth, I’m not Asian so this may be out of lane to talk about but from my personal life experiences, Asians tend to be on the smaller end of the scale when it comes to size. I am 5″7 ish, size 6 and I would be considered overweight in mainstream Asian stores but in Western stores, I’ve never had an issue fitting in something or finding my size. I also tend to have a lot of options fashion wise. I have an Asian friend (Lmao I feel like one of those yt people who are like I have a black friend so I can say this and that. sorry I’m trying to get a point across) and she is plus sized. She doesn’t fit into the straight sizes in America so by Asian standards, she’s considered anywhere from moderately to morbidly obese. And she faces a lot of judgement from her Asian relatives because of it in addition to the fatphobia that has infiltrated American society as well. 

My friend doesn’t see a lot of representation for Asians her size. If she does she sees Asians that isn’t as thin and small, it’s people with my size who are considered thin by Western standards but ‘big’ by Asian sizing. My problem with having Frank be given a growth ‘spurt’ is that it’s erasing that plus sized Asian representation. This wouldn’t have been a good thing to do to ANY character that was plus sized but do you see where it’s even more problematic to do because of his Asian ancestry? It would’ve been fine if at the end of the series, he got hella fit and happens to be more in shape because of all the fighting he’s done but to be given that growth spurt implies that there was something wrong with his size in the first place. And so far, the other demigods have been taking him more seriously (Frank notes that Leo has stopped teasing him as much) which is kind of thin privilege esque to me. Frank may not be my favorite character but he deserved respect, no matter his size. I think this growth spurt aspect was hella problematic and Rick shouldn’t have done it. It was also unnecessary as hell. He looked fine before and could do everything the other (thinner) demigods could do just as well.

This is getting long so let me get to my last couple of points: Nico and the many, unnecessary POVs.

As y’all know by now, I think Nico deserves rights. He deserves friends and place to call home where he belongs. Both Frank and Jason didn’t want to be alone with Nico because they thought he was creepy and I can see where this is a set up to eventually have him fit in but damn, he’s just a kid. Be nice to my son. I feel like one of those mom’s who just wants their kid to make a friend at school. Will Solace as his love interest please come sooner. Again, I’ve been spoiled to this. I’m interested to see how this pans out and if this relationship will be a kind of aside mention like the fact that Grover and Juniper are dating or will it be given the same focus as opposite sex couples like Percabeth and Jasper. And I already knew Nico liked Percy but I didn’t expect it to come out in the way it had. It makes his relationship with Percy make a lot more sense. And I see how Nico could view him in that sense after Percy saved him and Bianca in Titan’s Curse and how he was like the real life version of his Mythomagic games (also I totally forgot he played that, he’s not that excited little boy anymore ugh, his innocence left ever since Bianca died). Overall, I think Nico being gay was handled well-Jason’s reaction was very straight but supportive so he gets a pass there. My point is Nico deserves the world. That’s all. 

The POVs. Again, I don’t know if people who aren’t writers would have an issue with the POVs in this series but I do. So far, we’ve had Hazel, Leo, Frank, Annabeth, Percy, and Jason narrate. I said this before, Rick needs to stick to 3 or 4 POVs because this shit don’t make sense. Annabeth and Percy are in the same setting together, they can’t even go on side quests because they’re in Tartarus so like why do we need both of them to narrate?? If they separate at some point, maybe. Don’t get me wrong, I love their narration but it’s jarring as hell to keep bouncing from POV to POV. I also saw somewhere that they don’t get a narration POV in Blood of Olympus in which case, I sure as hell don’t want to be reading the POV in the HoO characters who I don’t really jive with except Leo. So Hazel is going to be important to the Mist thing whatever, it makes sense she gets a POV (and she hasn’t had one since tSoN/same with Jason but the Lost Hero instead) but Frank and Leo? And I really thought since it’s 5 demigods (Percabeth in Tartarus) they’re going to be able to do side quests with all 5 of them that we didn’t need so many POVs but guess I was wrong. Idk it’s driving me insane, Rick should’ve done third person omniscient (Think Harry Potter and it can still follow different people like Percabeth in Tartarus). 

Damn, if this is how much I have to say about the first half of HoH, I’m really excited to get back to reading the last half. I’m HELLA looking forward to have Reyna join the quest temporarily (where I left off, she is on her way to the 5 demigods). I want the Piper/Reyna/Jason thing to be resolved (a lil drama would be nice) so Piper can stop being annoying and insecure. I want to know who Coach Hedge has been talking to and is he a good guy? Oh and another thing that’s been bothering me is Gale, Hecate’s polecat? It just farts all the time. And I have to remember I’m 20 and this books isn’t targeted to me so juvenile humor isn’t funny to me anymore but it’s just kind of gross and unnecessary?? 

Anyway, I’m going to have to start a new post for the last half of my HoH read with me because this thing is long. But you guys, I am invested into this book. It is on par with my love for PJO books so far. I could give this book a 4.5 stars (despite some faults) if it keeps going this way. Thanks for reading! 

[somesandthings]

❤❤❤❤ THANK YOU SO MUCH!!! OMG, NOW 450 FOLLOWERS!!! ❤❤❤❤ 

Thanks for many things, sorry for so many ugly and horrible drawings. ;-; /

Now, what kind of special is this? Well, how I said before, I would make a surprise for you all who love LeeGaa so much like a beautiful OTP. And… What is it? GRAPHIC NOVELS (?) !!! YAY FHJDBHVJFDBJHB  All of them in spanish and english, if I can (?).

And, here we go~.

~~~~

❤❤❤❤ ¡¡¡MUCHAS GRACIAS!!! ¡¡¡OMG, CONIO, QUE YA SON 450 SEGUIDORES!!!❤❤❤❤ 

Muchas gracias por tanto, perdón por tan poco con puros dibuejos horribles y feos. ;-; /

Ahora, ¿qué clase de especial es este? Well, como lo dije antes en otro post, iba a hacerles una sorpresa a todos aquellos que aman el LeeGaa como una preciosa OTP. Y… ¿Qué es entonces? ¡NOVELAS GRÁFICAS! (?) YAY FHJDBVHJBFDJH Todas estarán en español e inglés, si es que puedo, no worry (?).

Y, weno, pos acá vamos~.

SweetRaccoon & RudeLeaf

—> Gaara has two jobs, one in a flower shop and the other in a coffee shop. Both sites are next to each other. He is a quiet and shy boy, he really possesses the same personality as Gaara being a child. Innocent and very kind. His favorite hobbies are taking pictures of all types of cacti found along the way.

On the other hand, Rock Lee is a boy who is passionate about motorcycles and martial arts. He is a lover of those machines, but he also has the desire to get to own his own dojo, and can teach martial art.

Lee began to frequent that cafe shop where was attracted to Gaara from the first moment. 

All the evolution to be together, and much more after that~.

Permanent

—> This story is based on an illustration made by Hikanon, specifically, this one here: https://hikanon1336.tumblr.com/post/159228213078/so-hot 

In this story, Gaako is a young woman who works in relation to politics, while Lee is a famous fighter of the UFC. 

One summer day, Gaako and Lee meet each other on a beach, on vacation. It has all been a matter of destiny, is not it? However, despite the attraction between the two, none say anything about it, but it feels in the air. How will you continue with the communication after that extraordinary meeting?

Btw, the illustration on the cover was inspired by this song and video (  Ed Sheeran - Thinking Out Loud https://www.youtube.com/watch?v=lp-EO5I60KA ). The lyrics are important, as are the two songs following that have some emotion linked to the story:

Bomba Estéreo - To My Love https://www.youtube.com/watch?v=THBP1tq49wk

Bella - Wolfine https://www.youtube.com/watch?v=jjuSfhYiup8

To hell with you… and wait for me

—> In youth, Gaara and Rock Lee were very good friends… Lee was in love with Gaara, and Gaara too… Well, it could be said that too, although he was not sure what was happening to him. However, for a long time, Yashamaru had some hope for Gaara to become a good priest in the future, although Gaara was not sure of that. Everything changed when Yashamaru died and Gaara decided to take his uncle’s wish to make it happen. Lee, meanwhile, didn’t agree with that decision, knowing that it would ruin what he wanted for both. For a long time, Lee tried to get Gaara’s attention and divert him from that path, but Gaara continued.

It should be noted that in this story, Lee has almost the same personality type as when he is twelve years old, that is, somewhat elevated in ego and very impulsive. So well, there will be a point where Lee fell into a strong torment, where he ended up making a horrible decision: sell his soul to the devil. He performed a ritual, he did everything, just hoping he could be with Gaara. Things went out of control, and now Lee is a soul that has in part a demon that leads him to do several crazy things, raising those impulses to great levels. Meanwhile, Lee’s body will be trapped in a remote place. Will there be a way to recover it? The truth is not known, but now he is tormenting Gaara, continuing his battle to get his attention.

Sinful

—> This is a version with Gaako. The difference? It was the decision of Gaako and her father. But Lee will not lose his body and neither will sell his soul to the devil, on the contrary, he ends up accidentally put in a curse by a strange object.

Lee is the blacksmith of the royal army and the inquisition. The accident occurs, and the demon begins to torment Lee to agree to unleash the power he has given to him. The demon tortures Lee with his love for Gaako, making the impure desires fill his head to seek out of control of himself.

Paradoja

—> Rock Lee was herited from a great fortune by his father, but things are not so simple. He has to know how to maintain the business relationships and friendships that his father had, having to surpass his personality with a hard, cold and difficult mask to deceive those interested in knocking down his power herited. One day, Lee makes the decision to make a purchase of dancers for private shows to strengthen relationships with old friends of his father, as usually. He needs something new, and that’s when he meets Gaako.

Gaako, on the other hand, was never there from the beginning, she was never “a slave from birth”, but she was kidnapped for that business. Could it be that with Lee things made easier or worse for her? Actually, Gaako doesn’t feel confident about anyone. Lee is trapped by her unusual beauty and never before seen by those territories, but he must gain her confidence.

The inspiration:  The Black Eyed Peas - Meet Me Halfway https://www.youtube.com/watch?v=I7HahVwYpwo

And well, each new page (most likely I’ll upload two pages per novel update), I’ll upload it on this same platform, at least, until I find another way, but to be honest, I like it more here. I will arrange each story with its update with its corresponding hashtag, that way I will also add previous page and next page in each description, including a translation, probably. :’)

I hope you like them! And like the surprise, well (???).

AND WAIT, THAT IS ALL? No, I still have many more stories to do, of course, don’t be scared, I have a lot of YAOI, not just Gaako. I still have to prepare and show you the cover for the “canonical” story, so~. 👀👀❤❤❤

This was for the 400 followers, but the number increased in a week (?).

~~~~

No inventen, no puedo traducirlo todo, a la ronia, porque luego se hará un inshi post gigante y como que no, perdón. 3 

Cada página nueva (lo más probable es que suba dos páginas por actualización de novela), la subiré en esta misma plataforma, al menos, hasta que encuentre otra manera, pero para ser sinceros, me gusta más por aquí. Acomodaré cada historia con su actualización con su hashtag correspondiente, de esa manera también añadiré página anterior y siguiente página en cada descripción, incluyendo una traducción, probablemente. :’)

Espero que les guste esta salvajada, so (???). 

Y un momento, ¿eso fue todo? No, todavía tengo un montonal de historias más, claro, no se me espanten, porque tengo mucho YAOI, no solo cosa de Gaako y listo. Todavía he de preparar y mostrarles la portada de la historia “canónica”, so~. 👀👀❤❤❤

Esto era para los 400 followers, pero el número aumentó en una semana (?).

[tessatechaitea]

Cerebus #6 (1978)

Is The Secret a story about Cerebus manifesting reality because that's what he winds up doing pretty near constantly, right? Like Elrod and the Regency Elf and the Black Tower and his relationship with Jaka and running a tavern?

I just developed a massive migraine thinking about doing reviews for the Latter Days Woody Allen issues and had to lie down for three weeks. Based on the cover alone, I have no idea which Cerebus story this is. Is it the one where he first meets Jaka and gets drunk on Apricot Brandy? Or is it the one where we learn he's a hermaphrodite and there are three aardvarks? No, no! Probably too soon for that! Dave didn't yet realize he wanted smart and interesting people reading his comic book; he was just looking for us fantasy loving fools hoping for some chainmail bikini side boob with a little black and white barbarian battle gore to go with it. Although for people wanting side boob and gore that was also in color, there was a better option out there: the four collected Elfquest volumes. Especially Volume Four! Elf orgy, baby! Skywise dicks like five elf maidens at once! Although how that's possible, I don't know. It should have been Nightfall taking five elf cocks at once. Maybe six. They're small! Deni announces in the "A Note from the Publisher" bit that she and Dave are getting married! Is that exciting enough for an exclamation point even though we know it ends in tragedy? Is divorce a tragedy? Probably not on the scale of, say, the sinking of the Titanic. But then again, was that really a tragedy? I know a lot of poor people died but don't forget a lot of robber barons did too! If there had been a Schoolhouse Rock song about Astor and Guggenheim and Straus drowning when the Titanic sunk, it probably would have been my favorite Schoolhouse Rock song. The chorus (and maybe title!) would have been about Archibald Butt and, sadly, that, as opposed to the "Eat the Rich" theme, is probably why I would have liked it so much. In Dave Sim's Swords of Cerebus essay, he explains how he came up with Jaka. She represented every girl Dave ever had an unrequited crush on. Not that he knew the crush was expressly unrequited since he never actually spoke to any of the girls he had a crush on. He decided stalking was easier. I get it! That's exactly how somebody who thinks women as objects is a much more attractive package than a woman who can express their own agency and beliefs! Dammit. That last statement hurt my feelings because I also had a problem expressing my feelings toward the ladies. Although that time Marilyn Mendoza came up to me in the library and said, "I hate being stared at," I did stop staring at her! It was the hardest thing I ever did in my life but I stopped! I didn't stop obsessing about her and wishing we could do whatever it was two people in love did to each other (hold hands and drink milkshakes out of one straw while staring in each others' eyes?). Eventually she, apparently, couldn't take not being stared at anymore so she began talking to me again. She also slipped me a note that said, "I love you anyways," and she tried to give me one of her school pictures unsolicited and she convinced her friends to take the phys ed class I was in and she asked for the rose I had on my desk that I was going to give her for her birthday but had chickened out giving it to her. And if that doesn't convince you that by not staring at her, I won her affection because you're a cynical jerk who still thinks the rom-coms where the guy wins the girl through sheer determination is a pox on society (which, I mean, it kind of is but that admission goes against my real life experience I'm relating), this is what she wrote in my 9th grade yearbook:

Sure, it sounds like a 9th grade Yearbook form letter! But check out the kind of jealous shade thrown at Kim and the "Luv ya kid!" up the side!

If you're wondering how I didn't immediately sweep her up in my arms after reading this and declare my undying adolescent love (You know? The kind of undying love that only adolescents can have which, also, dies rather quickly), it's because my friend Sal noticed the "Luv ya kid!" which I had failed to notice. This was halfway through summer and Marilyn wound up going to a different high school than I did. Although Mr. Edwards in my Spanish 2 class called her name for attendance on the first day of 10th grade! Stupid cruel life! After that slight confessional, you'll realize why I was primed for the Cerebus/Jaka will they/won't they drama to come. Cerebus has arrived in Iest and quickly meets a dying man who may or may not have expressed to him The Secret. Judging by the way the guys who were chasing and/or killed him, E'lass and Turg, are fantasizing about a future full of gold crowns, my guess is The Secret is the location of some treasure and not the means to bend the universe to your will simply by desiring shit. They believe Cerebus has learned The Secret so Turg tries to beat it out of him. But as we, the enraptured and attentive readers, have learned from the previous five issues, Cerebus can't be bested in battle. And since force doesn't work like it almost always does 100% of the time which is why America's diplomatic policy is "Don't even tell us your problems because we'd rather just beat the shit out of you until you shut the fuck up," E'lass decides to get Cerebus drunk. People always blab secrets when they're drunk! Which is why I try not to write more than 35% of my reviews while drunk. That way, you can't tell when I'm actually confessing to some gross misconduct I engaged in in my youth or I'm just writing a satirical joke about how reckless and terrible young men are in general.

This scene makes me think of Bill Cosby which makes me think of the Picture Pages song which makes me sad that I can only now sing it as, "Picture pages! Picture pages! Now it's time for Picture Pages! Time to grab your condoms and Rohypnol!"

I'm ignoring the spelling error because I'm above petty gripes. Once Cerebus is drugged, E'lass turns Cerebus' attention to the dancer, Jaka.

Love at first sight of side boob.

Cerebus climbs on stage to watch Jaka dance and nobody cares because he's an animal. Animals can get away with murder around pretty women! They can sniff their crotches and paw at their breasts and put their tongues straight up their noses. It's like, if you're going to scold me for doing it, maybe scold animals for doing it too? Be consistent in your messaging, women! Is it funny and slightly embarrassing when your crotch is sniffed or is it the actions of a sex pest?! Would it help if I wore a dog costume everywhere I went, especially yoga?

I'm going to pretend this doesn't read like a Cerebus getting an erection joke so that I appear more intelligent and sophisticated.

Jaka tells Cerebus he is cute. Jaka also refers to Jaka in the third person exactly like a princess from Palnu wouldn't. But that's what makes her stripping disguise so excellent! What also makes it excellent is that Dave Sim didn't really know who Jaka was yet. Which is fine! It's much harder to come up with a 300 issue story all at once and then remember it and then write it exactly as you conceived it without changing and updating it as you learn and grow with the work. It's much easier to write an off the cuff story about a stripper and a barbarian and unrequited love. It doesn't make it any less entertaining because it wasn't pre-planned. Also, the fun thing about comic books is when a writer takes a story from the past and recontextualizes it. That's why Geoff Johns and Grant Morrison have always been so popular! That's all they fucking do! A brawl breaks out because Cerebus is in a bar. It's the kind of thing that has to happen once the protagonist walks in a bar. And you can even role-play your very own bar brawl in my introductory Places & Predators module, "Welcome to Poorchaghoul!" While Cerebus is distracted by the brawl, E'lass and Turg go backstage to threaten Jaka. If she doesn't get The Secret from Cerebus, they'll make sure she never dances again. So that's how the Cirinists eventually take over Iest! Jaka decides not to help them and instead of breaking her legs like the reader assumes their threat means, they bring in the Cirinist matriarchy to take over and outlaw dancing! They're so clever! Jaka lies to Cerebus and tells Cerebus E'lass and Turg will kill her if she doesn't help them. But that's not what they said at all! Oh, those wily women and their words and sex appeal! Cerebus, desperate to drink apricot brandy out of one of Jaka's orifices (is the belly button an orifice or is it more of a scar? Let me check the dictionary definition: "an opening, as of a pipe or tube, or one in the body, such as a nostril or the anus." Woah, dictionary! You couldn't have chosen a different second example?!), beats the shit out of E'lass. After that, things get sexy (if you're into woman-on-animal action).

Unbeknownst to Cerebus, rich is the last thing Jake wants to be again. Her dream is to settle down with a cuck with a Messiah complex while dancing illegally for rent until she gets her boss killed. Now that's the life!

Cerebus lays out his future plans with Jaka once they're rich. You can read about those adventures in Going Home which won't happen for another two hundred or so issues. Because before that happens, Cerebus has to come down from his Rohypnol trip, forget about Jaka, become Prime Minister, remember Jaka, be rude to Jaka, become Pope, lose everything, live as a guest in Rick and Jaka's apartment, travel through space, talk to "God," and finally run a bar and lose all of his friends. While shopping for a present for Jaka, Cerebus sobers up, forgets about Jaka, and decides to get unsober again as quickly as possible. Meanwhile Turg and E'lass get their comeuppance. It's such a great comeuppance that I think they never again appear in Cerebus. I could be wrong but I think they basically get replaced by the more entertaining McGrew Brothers, Dirty Fleagle and Dirty Drew. Cerebus runs into Jaka one final time but doesn't remember her.

Deni said this final page was her wedding present from Dave.

In "A Note from the Publisher," Deni writes, "This issue is special to me in that the ending is my wedding present from Dave. No joke!! It's different and when you read it, I think you'll understand." Dave, in his essay, writes, "I can remember trying to come up with the ending for a few days. I knew that Cerebus would have to snap out of it eventually. It was at that point that I realized the essence of the problem. I had been thinking of Cerebus' point of view of the situation, but I hadn't stopped to consider how Jaka was reacting to him." So Deni's wedding present from Dave Sim was to give a female character in his book a point of view? To give her agency? To show her as not an object of Cerebus' lust but as a human being with feelings of her own? Nice one! And it was cheap! This month's Aardvark Comment contains a letter from Elric creator Michael Moorcock! Holy smokaroonies! He was entertained by Elrod but just wanted to point out that Elrod looked nothing like Elric based on Moorcock's writing. It was really based on an artist's rendition of another artist's rendition of Elric and the first rendition wasn't based on any written description at all! I have a vague memory of reading the Elric books and referring to the cover and thinking, "Is that supposed to be Elric? Weird." This issue begins the one page of reader art that Sim pays $150.00 for. This one is of a kid doing art while his "lacks discipline" report card lies at his feet. I think Dave Sim might have screwed up this first one because there's no attribution other than the artist's signature which you can't really make out. I'm sure he'll correct that next issue since he made a correction from the previous issue here: he added the rest of the Swords of Cerebus essay that was missing last issue. Cerebus #6 Rating: A-. This is a solid effort and begins to really show Sim's plotting ability and narrative control. It's got a lot of good jokes in it as well, both in dialogue and slapstick forms. One thing I haven't mentioned is just how good Dave Sim is at slapstick. It might seem like the easiest humor to work into a comic book but it takes some really well-crafted writing and careful planning of action across panels which not a lot of writers and artists can pull off. It really helps that Dave's doing both so that one or the other job isn't the cause of it all falling apart. Also, it was Jaka's first appearance!

[televinita]

Books Read in 2019: The Why

In a tradition I accidentally started for myself and now quite enjoy, at the end of the year I look back at my reading list and answer the question, why did you read this particular book? 

Below, the books are split into groups by target readership age, plus nonfiction at the end. This year I have added the category “how I heard of it” as well, because I just think that info is neat.

FICTION

The Visitor - K.L. Slater. 2018. Read because: Ten episodes of The Good Cop weren't enough, so I tried to find something w/ similar characters, and this looked kinda like "TJ as a slightly more withdrawn weirdo." By the time I realized it wouldn't work due to being British, I was too excited by the prospect of a thriller to stop.

How I heard of it: Googling keywords

Like the Red Panda - Andrea Seigel. 2004. The back cover and first few pages reminded me of a friend I had once.

How I heard of it: Library

The Lost Vintage - Ann Mah. 2018. What's that? You've got some secret family history/a mystery from the past to be solved using old personal papers, including a diary? My jams.

How I heard of it: Goodreads

The Asylum for Wayward Victorian Girls (4th ed.) - Emilie Autumn. 2017. I googled for books that promised unique formatting/art design, and Emilie Autumn has always been an intriguing enigma to me.

I Heard the Owl Call My Name - Margaret Craven. 1967. I know this title, but not why -- when I tripped over it in the teen* section and saw how tiny it was, I decided to find out what it was about. (*it's there because it's often taught in schools. It's here because its intended audience is adult.)

Escape - Barbara Delinsky. 2011. Went looking for an audiobook -- the cover with a woman standing on a small bridge amidst the woods drew me in (I can't find that cover on the internet though), and the idea of abandoning responsibility and driving off to a small town sounded like my dream.

How I heard of it: Library

Saul and Patsy - Charles Baxter. 2003. Another search result from my attempt to cast Josh Groban in a novel -- Midwestern-set and a man very much in love with his wife, no worries about the relationship being wrecked? Sweet! (though ultimately, I had to mentally recast)

How I heard of it: Googling

California - Edan Lepucki. 2014. Needed an audiobook. The title and green forest cover caught my eye, and the off-the-grid life + promise of a mysterious and possibly suspicious settler community described in the plot appealed to me.

How I heard of it: Library

The Lost Queen of Crocker County - Elizabeth Leiknes. 2018. Woman moves back home to rural Iowa in a book described as a "love letter to the Midwest"? Look at all these good choices.

How I heard of it: Library

All The Things You Are - Declan Hughs. 2014. Was looking for a different book w/ this title, but saw Spooky Dark House cover + wild summary and wanted to know how that could possibly happen / what the explanation was.

How I heard of it: Library catalog

Tumbledown Manor - Helen Brown. 2016. Cover love. A book about restoring a historic family manor?? BRING ME THERE.

How I heard of it: Library

The War Bride's Scrapbook - Caroline Preston. 2017. IT'S LITERALLY A SCRAPBOOK. I loved her other one like this.

How I heard of it: Goodreads

Miss Pettigrew Lives For A Day - Winifred Watson. 1938. Rewatched the movie and needed to relive an alternate take immediately (especially for more Michael).

How I heard of it: special features on the DVD

April & Oliver - Tess Callahan. 2009. This just screamed "(slightly less storybook) Ned/Chuck AU!!" [Pushing Daisies] at me. There was semi-platonic comfort-spooning in the second chapter, COME ON.

How I heard of it: Half Price Books

A Short Walk to the Bookshop - Aleksandra Drake. 2019. This looked like an even more solid Ned/Chuck AU, missing only the childhood connection/age similarity, with bonus fave keywords anxiety, widower, bookshop and dog.

How I heard of it: Googling

Girl Last Seen - Nina Laurin. 2017. Recently watched "Captive" and wanted a story of the aftermath from the captive's perspective.

How I heard of it: Goodreads (specifically, I looked up an older book by this title intending to check out related recs, but this came up first)

The Road to Enchantment - Kaya McLaren. 2017. Gorgeous cover/title + "single [pregnant] woman inherits late mother's ranch" = an alternate life I want to try on.

How I heard of it: Library

From Sand and Ash - Amy Harmon. 2016. Love between childhood best friends who can’t (well, aren’t supposed to) touch? Sounds like a Ned/Chuck AU to me!

How I heard of it: a book blog post

My Oxford Year - Julia Whelan. 2018. Always here for age-appropriate student/teacher romances -- I had this one saved for a while -- but read now specifically to cast David Tennant.

How I heard of it: Goodreads

The Reckoning at Gossamer Pond - Jaime Jo Wright. 2018. There's a mystery from the past being solved in the present. Also, "inherited hoarder's trailer" made me v. curious about what was inside.

How I heard of it: a book blog post

My Husband the Stranger - Rebecca Done. 2017. It's Find Books That Remind Me Of David Tennant's Roles Month, and this was my crack at "Recovery."

How I heard of it: Googling

The House on Foster Hill - Jaime Jo Wright. 2017. Fixing up a spooky abandoned historic house + solving a mystery from the past in the present!

How I heard of it: a book blog post

Broadchurch - Erin Kelly. 2014. Fell in love with the show, had to immediately relive it in text form.

How I heard of it: Goodreads

The Vanishing - Wendy Webb. 2014. Spooky historic mansion from a reliable author for the spookening season.

How I heard of it: looking up the author’s back catalog

The Scholar - Dervla McTiernan. 2019. The Ruin - Dervla McTiernan. 2018. "Hmmm looks kind of like (Irish) Broadchurch but where the detective character has a girlfriend to fuss over and worry about. Nice." Read out of order because the second one had more girlfriend content, and enjoyed it enough to go back for book 1.

How I heard of it: Googling

The Day She Died - Catriona McPherson. 2014. The cover looked perfect for the Spook Season/gloomy weather. Sign me up for insta-families and murder mysteries w/ MCs in possible danger any day.

How I heard of it: library (literally because it was right next to McTiernan)

Still Missing - Chevy Stevens. 2010. Collecting base material for when I play this scenario (abduction/prolonged captivity and its aftermath) out w/ TV characters I like.

How I heard of it: Goodreads

This Is How You Lose The Time War - Amal El-Mohtar & Max Gladstone. 2019. It sounded EXACTLY like a (genderbent) Doctor/Master or Crowley/Aziraphale relationship.

How I heard of it: a book blog post

The Tale of Halcyon Crane - Wendy Webb. 2010. Wanted an audiobook and I like this author (esp. for spook season).

How I heard of it: author’s back catalog

The Child Garden - Catriona McPherson. 2015. I liked her previous book and this setting looked even spookier and more atmospheric.

How I heard of it: author’s back catalog

Quiet Neighbors - Catriona McPherson. 2016. One last dip into this author...because what part of "woman gets a job organizing the books in 'the oldest bookshop in a town full of bookshops' + an old cottage to stay in" does not sound like my dream life?

How I heard of it: author’s back catalog

Doctor Who: The Nightmare of Black Island - Mike Tucker. 2006. After 2.5 months in a Ten/Rose spiral, the time was nigh to pluck one of their novels I didn’t get around to reading back in my original fandom heyday.

How I heard of it: can't remember

Misery - Stephen King. 1987. I just woke up one day and decided I was in the mood to try this infamous mother of all literary whumps.

How I heard of it: can’t remember

The Whisper Man - Alex North. 2019. Went looking for books that would remind me of the father/son dynamic in "The Escape Artist."

How I heard of it: Googling

Open Your Eyes - Paula Daly. 2018. Second crack at a "Recovery"-shaped novel (it failed instantly because I didn’t take the possibility of diversity into account, but suspense is still a good genre regardless).

How I heard of it: Googling

The Last - Hanna Jameson. 2019. "Dystopian psychological thriller" + the gorgeous hotel on the cover.

How I heard of it: Goodreads

------------------

YOUNG ADULT

Blood Wounds - Susan Beth Pfeffer. 2011. Established quality author + (what I thought was a) thriller premise.

How I heard of it: author’s back catalog

Beware That Girl - Teresa Totten. 2016. I wanted an audiobook, and contemporary YA options are limited at the library. The mystery/thriller aspect sounded good enough to spend 8+ hours with.

How I heard of it: library

Trafficked - Kim Purcell. 2012. I am mystified/intrigued by domestic/non-sexual slavery, and have not seen the topic covered in YA.

How I heard of it: Goodreads

Wild Bird - Wendelin Van Draanen. 2017. I have long been fascinated by teen reform camps for girls in the wilderness.

How I heard of it: library

The Year of Luminous Love - Lurlene McDaniel. 2013. The Year of Chasing Dreams - Lurlene McDaniel. 2014.

The library didn't have Girl With the Broken Heart, but it did have a fat duology featuring similar elements of horses + tragic illness, and a trio of friends that called to mind Sisterhood of the Traveling Pants.

The Pull of Gravity - Gae Polisner. 2011. I was looking for quality male friendships, but the male/female friendship + road trip in this search result sounded like I could cast them as teen versions of Survivor contestants. I forget which ones.

How I heard of it: Googling

The Summer of Jordi Perez (and the Best Burger in Los Angeles) - Amy Spalding. 2018. Established quality author + bright cover, cool title, burger quest, MC's love of fashion and job in a clothing store, and summer in L.A. setting

How I heard of it: Goodreads

Tiger Eyes - Judy Blume. 1981. Found out Amy Jo Johnson was the mom in the movie version, decided to read the book as prep since once again, I knew the title, but not why I knew it.

Darius the Great Is Not Okay - Adib Khorram. 2018. I turned the internet upside down in search of books with quality male friendships, and was pointed here.

How I heard of it: Googling

Big Doc's Girl - Mary Medearis. 1941. Went looking for vintage stories of simple country girls who reminded me of Katharine McPhee's character in The House Bunny. (spoiler alert: this was not it even a little bit, why did I think it was)

How I heard of it: Googling

With Malice - Eileen Cook. 2016. Always here for random teen thrillers, including a fictionalized version of Amanda Knox.

How I heard of it: library

The Girls of No Return - Erin Saldin. 2012. Like I said, I'm big on girls reform camps in the wilderness.

How I heard of it: Goodreads

Hope Was Here - Joan Bauer. 2000. Needed an audiobook. This one was short and by a proven quality author.

How I heard of it: library

Rules of the Road - Joan Bauer. 1998. Best Foot Forward - Joan Bauer. 2006. Bought the first super-cheap a while ago because of the cover/road trip aspect/fascinating first few pages; read NOW to keep the Bauer train rolling, followed immediately by its sequel.

How I heard of it: Goodwill/Goodreads

Now Is Everything - Amy Giles. 2017. Interesting format, sympathetic-sounding main character (edit: What Makes You Beautiful - Ha Ha Ha version.mp3), potential for a sweet and protective romance.

How I heard of it: library

Radical - E.M. Kokie. 2016. Survivalist/prepper teen?  Intriguing and underrepresented concept in YA.

How I heard of it: library

Hit the Road - Caroline B. Cooney. 2006. “It's spring, which means it's time to think about road trips.” Plus I just read a fun teen + old lady on the road book (Rules of the Road). It's thematic.

How I heard of it: library

I Am Still Alive - Kate Alice Marshall. 2018. I dig survival stories, especially in the wilderness, and this one was well recced.

How I heard of it: Goodreads

The Caged Graves - Dianne K. Salerni. 2013. Spook cover!! I MUST KNOW WHY THERE ARE CAGES OVER THESE GRAVES.

How I heard of it: library

Fancy Free - Betty Cavanna. 1961. Found cheap and will read this author always.

How I heard of it: antique store

Once And For All - Sarah Dessen. 2017. Stubborn determination to complete this author's canon and literally no other reasons.

How I heard of it: Goodreads

Wired Man and Other Freaks of Nature - Sashi Kaufman. 2016. People in the Goodreads reviews were mad that the guys were so close yet not gay for each other. That's the very specific male friendship wheelhouse I've been looking for! Plus I know this author can write teen boys in a way I can tolerate.

How I heard of it: Goodreads

Field Notes on Love - Jennifer E. Smith. 2019. Needed an audiobook and this was on display at the library; it looked cute and fluffy and I was ready for an antidote to the Dessen book.

How I heard of it: library

Midnight Sun - Trish Cook. 2017. Needed an audiobook and sick!lit seemed the most reliable of my options, given that previews for the movie had looked okay and it was real short.

How I heard of it: library

9 Days and 9 Nights - Katie Cotugno. 2018. Sequel to a book that drove me insane, but where I loved the writing style and was frustratingly fond of the characters so I Had 2 Know what happened next.

How I heard of it: Goodreads

Your Destination Is On The Left - Lauren Spieller. 2018. Attractive cover + keywords like "nomadic RV lifestyle," Santa Fe, post-high-school YA, and internship

How I heard of it: library

Weird Girl and What's His Name - Meagan Brothers. 2015. X-Philes?? In MY modern-day YA fiction?? (with a side of inappropriate age-mismatched relationship?)  My interest is more likely than you'd think!

How I heard of it: library

All Out of Pretty - Ingrid Palmer. 2018. Attractive design + arresting first page piqued my curiosity

How I heard of it: library

Hitchhike - Isabelle Holland. 1977. Vintage book w/ a puppy on the cover, by an author I like.

How I heard of it: Goodreads

Send No Blessings - Phyllis Reynolds Naylor. 1990. Reread from high school after it came up on the What's The Name of That Book? discussion group; felt a strong pull of positive feelings but couldn't remember much.

How I heard of it: Goodreads

The Year of the Gopher - Phyllis Reynolds Naylor. 1987 Wanted better understanding of the source material before reading an essay about this book and the above in Lost Masterworks of Young Adult Literature.

How I heard of it: another book

Up In Seth's Room - Norma Fox Mazer. 1979 There was an essay about this in Lost Masterworks too. I had read it a long time ago and remembered NOT liking it, but figured I might as well revisit it to review on Goodreads.

How I heard of it: library

Blizzard's Wake - Phyllis Reynolds Naylor. 2002. Happened to be on the shelf when I checked to see what non-Alice books of hers the library had in stock, and figured as long I'm on a Naylor kick, this might as well happen. Mainly ‘cause I saw "deadly blizzard" on the back and was like "WOW this seems useful for my hurt/comfort scenario stockpile."

How I heard of it: library

A Whole New World - Liz Braswell. 2015. Seeing the new Aladdin trailer blew up my heart with FEELINGS for the original, so I went looking for a YA retelling. Can't believe I found an actual Disney-based retelling.

How I heard of it: Library catalog

After the Dancing Days - Margaret I. Rostkowski. 1986. The connection between Roy and the little girl in The Fall reminded me of this book, so I reread it specifically to visualize Andrew as Lee Pace.

How I heard of it: Library

There's Someone Inside Your House - Stephanie Perkins. 2017. I'll read most any teen thriller you throw at me. The more murders the better.

How I heard of it: Library

All the Forever Things - Jolene Perry. 2017. Loved the author's writing style on a previous book, but couldn't stomach the love triangle. Wanted to give her another chance.

How I heard of it: Library

Aristotle and Dante Discover The Secrets of the Universe - Benjamin Alire Saenz. 2012. Been on my TBR for a while because quality male friendship; read it now to see if I should keep or get rid of the dollar store copy I bought. (answer: get rid of. it's good but not amazing to me personally)

How I heard of it: Goodreads

The Hollow Girl - Hillary Monahan. 2017. Violent revenge fantasy against rapists? Especially to save the life of a guy you like who was brutally beaten during your assault? Heck yeah.

How I heard of it: Library

The Opposite of Love - Sarah Lynn Scheerger. 2014. The hurt/comfort potential was off the charts and it vaguely reminded me of Ryan/Marissa (the O.C.).

How I heard of it: Library

Sophomore Year is Greek to Me - Meredith Zeitlin. 2015. It just looked light and cute, like summer.

How I heard of it: Library

Girl Online On Tour - Zoe Sugg. 2015. Girl Online Going Solo - Zoe Sugg. 2016. Two sequels to a book I enjoyed.

How I heard of it: Goodreads

Plague Land - Alex Scarrow. 2017. Plague Land Reborn - Alex Scarrow. 2018. Always here for illness-based apocalypse/dystopia. Would have finished the trilogy but library doesn’t have book 3 yet.

How I heard of it: Library

Pretty Fierce - Kieran Scott. 2017. Spy daughter of spies running for her life along w/ doting boyfriend (named Oliver, a name that has never let me down in fiction)? The ship radar is sounding OFF.

How I heard of it: Library

The Leaving - Lynn Hall. 1980. Will read any LH book, but this one was small and easy to take on an overnight trip plus everything about the summary and first couple of pages drew me in.

How I heard of it: author’s back catalog

Speed of Life - J.M. Kelly. 2016. Beautiful cover, blue collar family, unusual premise (twin sisters co-parenting the baby one of them had, no dad in sight), and I love stories where teens are (essentially) head of household.

How I heard of it: Thrift Books

Freshman Year and Other Unnatural Disasters - Meredith Zeitlin. 2012. Looked light and cute, because it's back-to-school time and lately I've been enjoying study blogs from people just starting high school.

How I heard of it: Library

The Land of 10,000 Madonnas - Kate Hattemer. 2016. Unsupervised teens a-wanderin' through Europe? Sign me up for that vicarious wanderlust.

How I heard of it: Goodreads

A Thousand Boy Kisses - Tillie Cole. 2016. A romance w/ astronomical hurt/comfort potential. (spoiler alert it’s too sickly saccharine even for me)

How I heard of it: Goodreads

Hooked - Catherine Greenman. 2011. Random reread of a book I had come to believe should have been 4 stars rather than 3, but couldn’t remember well enough to feel confident in changing the rating without checking first.

How I heard of it: Library

Appaloosa Summer - Tudor Robins. 2014. Horsey YA + after years of it being on my TBR, the author saw me post about this fact and offered to send me a free paperback copy for review.

How I heard of it: Goodreads

I Stop Somewhere - T.E. Carter. 2018. I too identified as a girl my classmates would never notice was missing (moreso in college, but still). Plus it's getting close to Halloween, so time for spooky/true-crime-esque reads.

How I heard of it: library

What Waits in the Woods - Kieran Scott. 2015. An ideal spook setting for the spook season!

How I heard of it: Library

Illuminae - Amie Kaufman & Jay Kristoff. 2015. The formatting/art design just sounded cool and unique.

How I heard of it: a book blog post

Boot Camp - Todd Strasser. 2006. I went to the library to check out a different book of his, but this caught my eye because WHUMPITY WHUMP (with a side of pining for the teacher he had previously been in a relationship with).

The Last Trip of the Magi - Michael Lorinser. 2012. Picked up cheap at a book sale for the struggling-to-survive-a-winter-night-outside aspect.

A List of Cages - Robin Roe. 2017. Male friendship loaded with hurt/comfort.

How I heard of it: Goodreads

-------

MIDDLE GRADE

Sparrow Road - Sheila O'Connor. 2011. The setting -- an artist's retreat at an old mansion on sprawling estate grounds formerly used as an orphanage -- captivated me.

How I heard of it: a Little Free Library (outside of a mansion repurposed as an art council's center, actually)

Annie's Life in Lists - Kristin Mahoney. 2018. I LOVE LISTS.

How I heard of it: library

Hope is a Ferris Wheel - Robin Herrera. 2014. Still grinding my teeth over Dessen's Once and For All, I was desperate for a sweet middle grade story to refresh my palate. Gimme that bright cover. Ooh, and a trailer park kid?

How I heard of it: Library

The Education of Ivy Blake - Ellen Airgood. 2015. Prairie Evers - Ellen Airgood. 2012. Also intended as a Dessen antidote, I picked up the sequel first due to the incredibly charming excerpt on the back, and then fell so in love with the character and writing style I needed more of her world.

How I heard of it: Library

When You Reach Me - Rebecca Stead. 2009. Rave reviews from friends; mystery aspect sounded intriguing.

How I heard of it: Goodreads

Counting By 7s - Holly Goldberg Sloan. 2013. Picked up cheap at a fundraiser garage sale I wanted to support; seemed easily readable.

Summerlost - Ally Condie. 2016. Young!Ned/Chuck AU?? (spoiler alert: maybe if it wasn't so boring)

How I heard of it: Googling

Where The Heart Is - Jo Knowles. 2019. "Country girl taking care of the animals at a hobby farm across the road" = the childhood dream and also I wanted to ignore the summary and hope I could still get a Young!Ned/Chuck AU. How I heard of it: Library

The Wizards of Once - Cressida Cowell. 2017. Twice Magic - Cressida Cowell. 2018. First one: David Tennant reads the audiobook, and literally no other reasons.

Second one: Ah heck turns out I kind of loved how David Tennant read that audiobook and want more.

How I heard of it: Library catalog

My Sister Lives on the Mantelpiece - Annabel Pitcher. 2011. David Tennant reads the audiobook, and literally no other reasons.

How I heard of it: Library catalog

----------

NONFICTION

Seinology: The Sociology of Seinfeld - Tim Delaney. 2006. It's sociology, it's Seinfeld, what's not to love?

How I heard of it: Goodreads

Survivor: The Ultimate Game - Mark Burnett. 2000. At the beginning of the year I was obsessed w/ this show like never before, so a detailed recap of one of its seasons seemed like the ticket to complement that.

How I heard of it: Googling

Jungle: A Harrowing True Story of Survival - Yossi Ghinsberg. 1985. Loved the movie, wanted to relive it in text form.

How I heard of it: special features on the DVD

Lost Masterworks of Young Adult Literature - ed. Connie Zitlow. 2002. There was an essay about Send No Blessings in here. If that's the kind of book this book is about, I wanna hear all about it.

How I heard of it: Library catalog

Animals in Young Adult Fiction - Walter Hogan. 2009. From the same publishing line as the above, which I loved, I figured this was even MORE my specialized reading niche.

How I heard of it: Goodreads

Phantoms of the Hudson Valley - Monica Randall. 1996. When I have I ever NOT wanted to read about grand mansions of yesteryear -- especially if some are abandoned ruins?

How I heard of it: Goodreads

Seven Cats and the Art of Living - Jo Coudert. 1996. Picked up cheap at a library sale because cats (and the cute author-illustrated cover painting).

Psychic Pets and Spirit Animals: True Stories From The Files of Fate Magazine. 1996. Random reread of a childhood favorite.

How I heard of it: B. Dalton's (THAT’S how long I’ve had this book, y’all).

Extreme Couponing - Joni Meyer-Crothers with Beth Adelman. 2013. Who doesn't love saving money? But I am not very coupon-savvy and wanted to learn.

How I heard of it: Library

Cabin Lessons: A Tale of 2x4s, Blisters and Love - Spike Carlsen. 2015. Having the money/skill to build my own cabin on MN's north shore is a fun daydream.

How I heard of it: Library

The Little Bookstore of Big Stone Gap: A Memoir of Friendship, Community, and the Uncommon Pleasure of a Good Book  - Wendy Welch. 2012. Opening a used bookstore is my impractical dream too.

How I heard of it: Library

Belonging: A German Reckons With History and Home - Nora Krug.  2018. Illustrated memoirs are always awesome.

How I heard of it: Library

The Astor Orphan: A Memoir - Alexandra Aldrich. 2013.

Rokeby was one of the estates that fascinated me in Phantoms of the Hudson Valley, and the content of this one took place around the same era that book was written.

How I heard of it: Goodreads

I'll Be There For You: The One About Friends - Kelsey Miller. 2018. Am I going to turn down "a retrospective" about one of my favorite shows?? I am not.

How I heard of it: Goodreads

Season Finale: The Unexpected Rise and Fall of the WB & UPN. 2007. Recommended after the above because I love hearing how network TV stations are built in terms of programming decisions.

How I heard of it: Goodreads

Paperback Crush: The Totally Radical History of 80s and 90s Teen Fiction - Gabrielle Moss. 2018. Take how I reacted to Lost Masterworks of Young Adult Literature, and multiply it by "fully illustrated with brightly colored pages." These are the kind of books I’m familiar with and always down to talk/hear about, but hardly anyone else is.

How I heard of it: Goodreads

[courage-a-word-of-justice]

Magia Record 4 | Uchitama 3 - 5 | Eizouken 5 | Iruma-kun 17 - 18 | BnHA 76 - 79 | ID: Invaded 5 - 7

Magia Record 4

There’s a fish behind Iroha. Also, I was confused about the ketchup cake thing Jenn mentiond in one of her posts until I saw it here.(On a related note, ketchup cake seems to really exist…but only in Canada.)

Ah! Tsuruno. I’ve heard of her from reading around about this mobage.

The coding of the episode went funny again…

I feel like despite this being everything Madoka was, this seems to have lost some of the charm somehow. I’ve been reading that others are having similar experiences, though. Update: I think I know why now…although there are magical girl events fuelling the entire thing, the show is currently more bent on being a CGDCT. That’s why I’m not so happy with it…I dunno about others, though.

I suspected Séance Shrine was Mizuna Shrine…I mean, it was right behind Iroha and co.

Who was that blonde girl…?

I thought I just saw face-stealing aliens swoop in (i.e. someone didn’t bother drawing in the girls’ faces). I thought that was just a Bones thing exclusive to BSD.

“Olibe oil” (sic). Also, there are creepy blue (green?) figures walking the aisles…

I notice Iroha needed an extra bounce to get over the gate.

What’s that orange marking on the girls’ faces…? Update: Reading the wiki reveals it’s the Witch’s Kiss, or something similar to it.

Uchitama 3

Well, it says “chome” but gets translated to “street”…which is a bit weird. A chome is a city district, which functions much like a street but isn’t the same.

I just realised the title card has a dog’s face on it. Maybe next time it’ll be a cat’s face…

Oh my gosh, it’s a Yu-Gi-Oh duel! Teenager-ness…(?) What is that (LOL)?! *squints at screen* Oh, chuunibyou. That makes sense.

They even materialised the (Gon’s) chair! (LOL)

At least this matchup isn’t Bull vs. Momo…thank goodness(!)

I seriously love how much skin they make Bull show…(LOL…?)

Well, if the race to the top is exciting then the race to the bottom should be humiliating, no? That’s how these things work.

LOL, just seeing a badass dude that’s meant to represent a wolf howling like one is hilarious. (But seriously, are any of these neighbourhood dogs a Bad Enough Dude, to paraphrase an old game meme?)

Don’t Naruto run, Pochi! It’s dangerous!

Ahhhhhhh, so that’s why people call Pochi “Shiro” and feed him tofu…

The video got encoded funny again…

Uchitama 4

This is like Wakasa all over again…

The “My Name is Gon” title is a reference to “I Am a Cat” (Wahagai wa Neko de Aru). It actually doesn’t have the word for “name” in there, which is a bit weird…Update: It’s about the day-to-day introspection and life of a cat and the wagahai suggests the cat thinks rather highly of himself, so I’d assume the former (applied to a dog of course), if not both of those things to be part of this.

The fact that Gon doesn’t move his mouth while telling us weird things (such as how Bull’s sweater reminds him of an old lady in Osaka) is hilarious. It’s almost like a play with Gon as narrator.

See? That titlecard has a different dog’s face now! (I believe it’s Kuro’s, actually.)

This series is actually really informative about cats and dogs!

The Detective Conan parody cat is pretty interesting in regards to how the series wants to play with the human/animal dichotomy.

Now the titlecard has a cat’s face.

This song is so energetic! The banners are pretty funny too – I mean, “trying to get a ripped body” is impossible for a dog, right?

Yyyyyyyyup, Ume is singing this song (Sanchome no Hoshi* or The Star of 3rd District*)! I’m being spoilt!

Eizouken 5

Iron Giant…I thought the name sounded familiar. Turns out it’s a Brad Bird-directed movie.

This episode is very Scott...LOL.

I like how they showed the back of the guy to correspond with the back of the robot.

Iruma 17

Gap = sukima, as you might know from a post I made re: Mairimashita! Iruma-kun puns.

“Yes, boss!” in English.

Why do people being questioned  at a koban always have katsudhum? (Hataraku Maousama reference)

Ooh, this long-haired demon from the Game or New Magic battler is hot!!!

That's the 1st time Acchan and Bakemi appear...

I'd assume the ga in Gabuko means gakkou (school).

Now it's ki su ma...(instead of sukima)

Iruma 18

Aw, Kiriwo's so cute...

...and he's now a sadist. (Good job, me...I don't like sadists much.)

The cyclops girl's name is Dosanko, huh?

Hanabi are "fire flowers" (translating somewhat literally), which is why they "bloom" in the translation.

Update: Oh, I accidentally skipped ep. 17. I was wondering how Sabro got to hold up Comecome's stall…

BnHA 76

I’m not sure how the subbers got “Go entropy! Plus Chaos!”, although it might have something to do with Saikou da! (which I made out from listening to the audio).

Okay, now you can hear them say “Plus Chaos”.

Note Overhaul’s eyecatch background is purple, which contrasts Deku’s green. By the way, the eyecatch says that Overhaul belongs to the Shie Hassaikai and not the League…the guy’s always been picky about not being associated with the League.

The one time I turn the volume off, I don’t need it (LOL).

Dame da is closer to “It’s useless” or “You’re useless” than “Naughty girl”, subbers.

The coronavirus has taught me that masks make people seem less human, especially those with weird mouths like Overhaul’s plague doctor/bird one.

BnHA 77

In one of the Discord servers where Mudamaid appears, I decided to take Chronostasis. Why? He isn’t that bad-looking when he hasn’t got his mask on, to be real with you.

Froppy uses “senpai”, not Tamaki’s hero name.

I believe Tamaki calls Tsuyu “Kero-chan”, hence “Miss Ribbit”.

I wanna cry…I know Nighteye won’t see All Might again until All Might himself dies…(and this is because I’ve read the manga – thanks Viz and Shonen Jump for doing that!)

Shigaraki makes me beg the question…where do those hands of his come from??? Update: Ewwwwwwwww, those hands come from individuals affected by Tomura’s Quirk! (I think that’s a spoiler though…)

I almost got to the point of crying. I mean, I knew it would happen, but seeing it animated…makes it worse, y’know??? (Also, I accidentally might’ve stuck my finger in my eye when I was trying to wipe away tears, so either way, I teared up.)

BnHA 78

Huh? This OP is awfully cheerful after Nighteye’s death…I think it’s called Star Maker? Update: Star Marker by Kana Boon.

Well, you do realise I don’t know about anything after this point…all over again. So your surprise will be mine too.

LOL , it’s a Titan! (Apparently – according to the wiki pages I read – Gigantomachia is based on the Titans of lore, so…that’s true in more than one sense when you take into account Attack on Titan.)

The birbs are so cute!

That was just a few solid minutes of recap. Not as bad as Detective Conan where they frontend it, but still bad.

Hmm? I thought I saw black hair on Kurogiri…?

“He’s a walking disaster.” – That’s what I’d say about Bakugou, LOL.

Shouto “Daddy Issues” Todoroki taking the stage again…not that I mind, but…isn’t this Midoriya’s story?

I think I saw a Funko Pop All Might in the ED…?

You can see someone with a red wing Quirk. Based on what I’ve read around, that guy is Hawks.

Deku’s shirt at the end says “sheets”, not “shirt” (it’s missing a small ya).

BnHA 79

“…and I like udon better!” - *facepalm* That’s not how you make friends, Yoarashi.

Gang Orca’s like the Gordon Ramsay of heroes…with much less swearing.

*laughs behind hands as kids spill out the door* Welp, this is going to be real good.

This blonde kid is basically Monoma ver. 2!!! I hate him already!!!

Oh…that’s surprisingly strategic, Bakugou…*shows image of kid being dangled by a rope* Uh…or maybe not.

Who’s this guy with the bolo tie, anyway…?

Uchitama 5

I seriously thought this cat was Nora…(Sakura)

Does “big sister” refer to Lilly or another cat…?

Oh, I was wondering why Sakura didn’t have a cat tail…turns out she’s a pig. (Huh. It reminds me of a kinder version of the Africa Salaryman mixer joke.)

I like how open the series is in regards to interspecies love. Then again,…bestiality is an absolute no-no in my books, so maybe not.

Is it just me, or is there a slight bruise around Nora’s left eye…?

It’s like a Boueibu reunion! Shirai and Ume at the baths! Yay~!

There’s something absolutely silly about seeing anime boys hide in cupboards like cats. It puts a stupid smile on my face, like Eizouken does.

“I told you to get in the bath already!” – Gaddammit, Koma!

How do Gon’s glasses not fog up in the bath? (MST3K mantra required)

Oh, Nora does have a bruise around his eye! What’s it from, though?

Way to upsell Koma’s services, Kuro. (partially sarcastic…?)

“Can I say we’re having a doggone good time?” – Remind me to check what that sounds like in Japanese later. Update: Kuro says something that sounds lik izoizo in the line beforehand and then matches it in this line. In order to match the puns, there’s a pun in the English translation too.

ID: Invaded 5

Matsuoka’s glasses thing reminds me of Kanamori (Eizouken)…

“hole experience” – Is that a pun…?

Never ask a woman her age.

Hmm…”maidenly innocence”…

Why do some people believe “never mind” is one word???

I just noticed there’s a differently coloured bar on the title card…maybe that’s how far into the episode you should be. Also, is this well a pun on “falling for you”?

I noticed the blood had a weird texture to it. Also, I noticed the woman had heterochromia bfore it was pointed out she’s not real.

I have a theory. See, John(nie) Walker is an alcohol (sake) brand, right? This is Sakaido (as opposed to Anaido, who’s the Perforator and ana = hole). It’s the same character, so (I suspect) Sakaido’s crime has to do with alcohol…

Hmm…this ain’t gonna pass the Bechdel test after all…

Oh! Post-credits segment! Keep watching.

ID: Invaded 6

“Matsuoka was injured” – Er, he still has the knife in him…?

Ohhhhhh…this has gotta be Hondomachi!

I predict Hondomachi and Sakaido are going to go head-to-head someday. Update: Or those two vs. Johnnie Walker.

There was a cut-off footprint…

Isn’t it possible for a person to kill someone without knowing their name?

*cries* Sakaido! I’ve never seen you so emotional before…!

ID: Invaded 7

So Narihisago did look like Sakaido at one point…when his daughter was murdered.

The thing that reads cognition particles has “Back ground. Rad. Lev.” on the bottom of its screen.

I don’t have the sound on right now, so I dunno what Matsuoka was reacting to specifically…(aside from the guy owning up to whatever was done.)

Interestingly, Katsuyama has the character for “win” in his name. However, this is the only link I’ve found between the serial killers and their names.

There’s a character which appears in both the word for “martial arts” and one of the (dead) professional fighters – Takehiko Fujita. It means stuff like “war” and “military power”.

Oh! There’s a bar on the titlecard and this one is up to 900 of 1200…I wonder what that means? Is that an indication of time, perhaps? Also in the bottom left, “CAM 025”.

Miyo Hijiriido?! Oh my gosh! This is new, indeed!

Okay, so the characters for Miyo look like this: 聖井戸 御代 The first character in “Miyo” is the same one that denotes “go” in goryoushin (formal way to denote “parents”) and similar words in keigo. The characters which aren’t “well” (water well) are the character for “saint/holy” and “age” (as in the period of time, alternatively “generation”), aside from the one I’ve already discussed. Therefore, I’d suggest Miyo is actually “the great detective [who ushers in a new] age” or “the great detective [of the current] age”. Update: Apparently Miyo means “age of a ruler”, as in the period of their reign (specifically referring to the emperor if it needs to be). I’ve heard there’s specific words in the Japanese language used only to refer to the imperial family…this is probably one of them. That specific name combo (as “odai”) is also a very polite way to refer to spare change, although that doesn’t seem very useful to know.

What’s that thing on Tamotsu’s wrist…? (A watch? Wouldn’t that be illegal in a prison like this?)

Interestingly, all other killers wear white. Narihisago is the only one in black (or brown…or whatever colour that is).

What would Miyo need a key for? The key to the mystery, or a physical key?

I don’t think you can see Narihisago’s face in any of the pics he has of Muku or his wife.

Ooh…Sakaido’s pretty ripped. (Me likey…not that I would like a killer…)

Why is Sakaido…or I should say Narihisago…dead in his own imagination, huh?

Hmm…Miyo wears a black singlet or sleeveless top of some sort under that cape...poncho…Holmes cosplay thing. She still has a gun in her detective form, too.

Notably, no detective wears a skirt in this world…*sigh* So much for Nancy Drew and Miss Marple…

Muku has smiley faces on her hair decs.

Does that mean you’ve met the real Muku…? (I think this is Momoki speaking about Muku.) Update: It might be Habutae, actually. I never really got a grasp on the names of the peanut gallery.

Hondomachi’s never seen the cockpit in real life, right?

Well-ception! (It’s a bit of a joke that when there’s something in something, I call it [X]ception as a homage to Inception.)

Table flip! That meme hasn’t been around for a while, come to think of it…

I find it interesting that they point to the circles of the roof when talking about pi. As you know, the circle and pi are related.

Hmm? I don’t remember seing the quote “Let us try to make this world a better place” in this episode…

[richincolor]

Interview: Patrick Flores-Scott

Today we welcome Patrick Flores-Scott to the blog. He was kind enough to answer a few questions about his writing life and his newest novel, American Road Trip, which is making it's way out into the world today. I loved American Road Trip and reviewed it here last week.

Summary: A heartwrenching YA coming of age story about three siblings on a road trip in search of healing.

With a strong family, the best friend a guy could ask for, and a budding romance with the girl of his dreams, life shows promise for Teodoro “T” Avila. But he takes some hard hits the summer before senior year when his nearly perfect brother, Manny, returns from a tour in Iraq with a devastating case of PTSD. In a desperate effort to save Manny from himself and pull their family back together, T’s fiery sister, Xochitl, hoodwinks her brothers into a cathartic road trip.

Told through T’s honest voice, this is a candid exploration of mental illness, socioeconomic pressures, and the many inescapable highs and lows that come with growing up—including falling in love.

Have you had any memorable and/or life-changing road trips?

Definitely memorable. My parents drove us—me and my sisters—from our Seattle area home to Wisconsin for a reunion when we were all teenagers. Three hormonal teens squished in the back seat of a Ford Fairmont. Middle of Summer. Vinyl seats. No air conditioning. Two out of the three—mortal enemies. Seventeen hundred torturous miles. We camped the whole way. I definitely drew on that trip as I wrote the book.

I’ve actually been through all of the towns and most of the freeways and highways from American Road Trip. I taught in Los Angeles and would drive home to Seattle for the summer. And I also drove from L.A. to visit my sister and her family in El Paso, Texas a couple times.

I’d have to say that most of my road trips up and down the coast (including a trip to the Rose Bowl with friends in college) were as fast or faster than the trip in the book. It was always about getting there. I still feel that pace and those freeways in my bones. Although those experiences ended up being great for the writing, I’d love to do a slow, touristy version of a trip down the west coast with my wife and kids some day.

American Road Trip delves into the issues facing a family who is welcoming someone back after military service. Is this a situation you were familiar with or did it require a lot of research?

There are no vets in my family. I was inspired to start writing this story in 2009, after the housing bubble burst and the economy collapsed. I’m a big NPR listener and at that time there seemed to be so many stories about vets returning from Afghanistan and Iraq. Most of the stories focused on the difficulties of adjusting to civilian life and the tragedy of vet suicide and the treatment vets were receiving at the VA.

There was one story that really launched me into the book. It featured a mom reading a gut-wrenching letter her son wrote to her and his dad before he took his own life. I started researching and listening to all the stories I could. Early on I also was moved by this short movie, Poster Girl. It showed a young vet suffering from PTSD. The thing that got to me—besides watching her battle against the overwhelming demons that followed her back from war—was her support network. This small group of older vets took her in. They counseled her and accompanied her to VA appointments and really seemed to be keeping her alive. Those real-life vets inspired Tio Ed and “The Group” in American Road Trip.

There was a lot of digging through stories online and websites where vets would share their stories, often in search of support and camaraderie. Same with websites for families attempting to find resources to help them cope. I talked to vets and family members and with some folks who work at the VA. My father-in-law is a psychiatrist who has had a lot of experience working with vets so he was a big help as well. I worked on the book for a long time, but there were changes made, even at the last minute, because of feedback I received regarding vets and their care. It was important for me to get that aspect of the story right.

The portion of the experience Manny’s family went through when he came back from war that I connect to personally, is that of being a kid experiencing a family member dealing with mental illness. I feel that in my gut. Also, even though no one dies in the book, the threat of loss hangs over the story like a dark cloud. Much of the time I was writing the book, I was dealing with grief brought on by loss in my family.  So a lot of very real, very strong emotion collided with—and became entwined with—all the new information I was taking in about vets and their families.

I also brought to the writing a profound belief that sending a person to war—whether they go willingly, or not—is the biggest sacrifice you could ask an individual to make, and sending a loved one off to war is the biggest sacrifice you could ask a family to make. So as long as we’re a country that chooses to send people to war, we owe it to them and to our whole society, to meet them with an overwhelming amount of easily accessible care, from the time they return home, for as long as they require it.

I love that you focus on sibling relationships and even go way beyond the nuclear family. How did so many family members become part of this story?

Teodoro is the protagonist. But for some reason, from the very beginning I envisioned Xochitl, the sister, being the person who activates the road trip. She was always the one who believed that Manny—who returned from war unmoored and adrift—could find his bearings via a reconnection to long-lost family. That’s no cure for PTSD, but in the story those re-connections do lead to support that is meaningful for everyone.

Also, at one point, the book was going to be, in part, about the role repeated stories and lore play in unifying families. I made up Avila family stories and wrote them in this heightened style, my attempt at magical realism, and I spread them throughout the novel. Each time I wrote one, it seemed to expand the world of the Avila family. When it became clear that the stories were just too much and I had to nix them, some of the characters from those stories found their way back into the novel. Even some of the stories found their way back in, but in a style that fit the rest of the book.  

Xochitl was a new name for me, but I was happy to find someone online who made a video about her name. It is really beautiful in both sound and meaning. Do you know someone named Xochitl or was this just a random pick related to the family history and culture?

I had a student named Xochitl and I really loved that name. My wife, Emma, picked Xochitl for her confirmation name. You’re supposed to pick a Catholic saint’s name, but she went with Aztec instead. (I think it’s so cool that she did that.) It means ‘flower,’ which is sweet, but the written name looks so strong on the page. I wanted to Xochitl, the character to be STRONG. She needed a name that looked and sounded strong. You say, SOE-cheel. A teacher friend told me she had a student who gave up trying to get folks to pronounce it correctly, so she told everyone, “I am so chill.” Doesn’t quite have the same umph.

The book used to start with Xochitl coercing the guys into the car for the road trip and T describing his sister’s name, telling the reader the pronunciation and saying how that name that starts with an X looks as crazy as his sister is. It was fun writing but eventually it didn’t fit and I’m fine making the reader do a little work to find out how it’s pronounced.

Since writing the book, I came to learn that there is a singer-songwriter, Xochitl, out of Sacramento. She is great. Check her out on Youtube. And Xochitl Torres-Small is now running for Congress in New Mexico. Send her your support, people!

Xochitls are coming on strong. Very soon everyone will know exactly how to pronounce that name.

Change can be a challenge at any time in life even when it doesn't involve trauma. You've made a geographical move and a switch in careers recently. What have you learned about yourself through these shifts?

Wow. It’s been four years since I quit teaching and we moved to Ann Arbor for my wife’s job at the University of Michigan, and I’m still learning. I’ve learned that I need to get out and be social. I have a great and loving little family. But I need to reach out more often to the many people who have opened their arms to us since our move to Ann Arbor. I’ve learned that being a writer and stay-at-home dad seemed to really work for me when my youngest son was in preschool half day. Now that he’s in Kindergarten, it’s a long day and I get stir crazy and I’m feeling like I need to get back to a half day teaching job—mostly for social reasons (but also for added income until this writing thing takes off). I’ve learned that I really need a network of writing friends—and I’m SO LUCKY to have eventually found them here. Don’t tell the whole world, but Ann Arbor is a phenomenal town for connecting with writers.

Do you have a special connection to amazing green chile cheeseburgers?

My wife is from Las Cruces, New Mexico. We go down there with our boys twice a year. About ten years ago, my in-laws took my wife and me to the town of Hatch, and to Sparky’s restaurant, the barbecue and burgers place I write about in the book. That first Sparky’s cheeseburger is what started my addiction to green chile, and specifically, to green chile cheeseburgers. I recommend that everyone travel to New Mexico and eat their way through that state. Enchiladas, gorditas, green chile stew. The use of local chile, green and red, makes it a unique and transcendent regional dining experience. My mouth is watering as I write this. If anything, I undersold the glory of New Mexican green chile—and New Mexican cuisine—in the book. It’s amazing, but you have to go there to experience the real thing.

[roominthecastle]

ethics, romance, sex: where’s Michael at? (nobody asked, rambling on my own accord)

Short version:

I think atm Michael’s character is markedly grey in these 3 “areas” of human experience. He’s started to shift away from his “old ways” and is now somewhere in-between. His “ethnical transition” is the most straightforward one and it can be used as a guide for speculation on possible shifts to romantic and sexual dimensions bc they are all parts of the larger reconceptualization process Michael’s been going through.

Long version: behind the cut

Michael’s an amoral being who was created for and, up until v recently, has existed w/ the singular purpose of inflicting pain on bad people. His human form is also meant to serve this very purpose. But he moves away from this “default setting”. He gains a new, more nuanced perspective that was previously inaccessible to him due to rules, norms, and customs. Living among human beings (the heart of his innovation) produces the wild card of transformative empathy and triggers a paradigm shift: the “gross insects” become close friends and the “stupid garbage” he’s initially forced to learn turns into a roadmap to a richer, more meaningful life.

“Stupid” and “gross” are keywords here, imo, bc they indicate Michael’s ingrained attitude: if it’s human, it’s reflexively considered primitive and disposable by his kind. This attitude is the norm and isn’t questioned by demons (tbh, it would be rather counter-productive for them to do so). But this “stupid and gross” seem to hold a covert interest, an inherent and genuine attraction to Michael. It’s the complete opposite of Trevor’s exaggerated sleazy overtures which still strike me as empty “all talk, no action” posturing, sth similar to when Janet briefly switched to “overt sexuality mode” despite having no real desire/interest or any relevant experience. It’s a function, a role to perform, part of the job. But to Michael, humans present a puzzling, stimulating otherness that invites close proximity and experimentation, which falls way way outside his job description.

This “repelling is also alluring” contradiction is nicely demonstrated on a small scale when Eleanor calls the white chocolate + shrimp combo nasty yet keeps eating it, or when she describes churro dogs to Michael and he responds w/ an excited “oh, sounds awful.” We know that given half a chance, he would try it. We know bc this is what happened on a much larger scale when he was given the opportunity to work as an architect: Neighborhood 12358W was born and he purposefully designed it in a way that granted him 24/7 close contact w/ “disgusting humans” and their gross ways.

His attitude towards human mouths is another interesting example that carries this contradiction:

“There are gonna be days when you're just sick of being around these disgusting humans, with their weird, gross little mouths, and their stupid elbows.” (201 - a rallying speech that I suspect is exaggerated but still serves to illustrate the basic demon’s view)

“Kissing is gross. You just mash your food holes together. It’s not for that.” (209)

And yet when we take a look at his small stash of human objects (106), we find wax lips that have sexual connotations (shiny, full, and red - they resemble the vulva) but are also edible and come w/ the “play now, chew later” tagline. Nice triple twist on the “mouths are for eating” sentiment. Michael also abruptly reverses his stance on kissing: gross suddenly turns exciting (hot diggity dog!). Granted, there may be other factors influencing this particular flip-flopping (I believe there are), but it’s still a solid example of the confusion created by the radical, ethics-infused reconceptualization process.

Michael starts to question things he never did before. He comes to regard humans in a fundamentally different way. He experiences the superiority of a species he always thought inferior and recognizes the inferiority of his own kind (Ya basic, Shawn.). In this sense, he plays Beauty in the tale as old as time who discovers that there’s more humanity in an allegedly primitive beast than in most of her fellow humans who mock her for the “crime” of being “different”. But the reverse is also true: being a demon, Michael also plays the Other/Beast. In the former scenario, Eleanor serves as the primitive Other/Beast being aided in her transformation, and in the latter, she’s Beauty who inspires transformation. Both work simultaneously and both result in an intimate understanding of one another, which opens the door to other areas of intimacy, i.e. those of romance and sex.

Feelings bloom whether we want them or not, but how we act on them (or not) is our choice. It’s impossible to tell the exact nature of Michael’s feelings atm. His actions indicate that love is already at work on at least a semi-conscious level but if it’s romantic love, there are way more reasons for him to keep it under wraps than there are reasons to confess. Same goes for sexual interest. Lack of overt interest does not equal lack of interest but to outside observers they can look identical, so, for now, canon is a question mark here. Another related question is, would he “cross the line” if there was encouragement from a partner, some guidance, and an opportunity to indulge? I think he definitely would w/ Eleanor, but it doesn’t mean there wouldn’t be obstacles or that he wouldn’t opt out later if he found it to be not to his liking.

I can see several options here but him rejecting romance and sex and having no interest there whatsoever just feel out of character to me given what we know about him and his past (see below). I still don’t think canon will ever go there, not in any overt, straightforward way, and it doesn’t have to, but this is still a very fertile and legitimate soil for shippers.

Michael is curious, loves experiments, and his core arc is about him shifting away from his original mode of existence which was marked by a lack of morality, meaning, and emotional/physical intimacy.

“Your lives aren’t meaningless. Everything on Earth counted for something. The same is not true here in the afterlife where I exist and have always existed. ... There is no ‘outside of work’. None of us exist outside our jobs. We have no homes, no hobbies, or relationships. We get the names of people to torture. We torture them. We get more names.” (204)

This isolated, (seemingly) aromantic and asexual existence just doesn’t feel to be a clear choice on his part but more like a result of not having an alternative to embrace (- sth he created for himself in form of his neighborhood perhaps?) If that’s the case, then I think there’s a good chance he harbors an interest in romance and sexuality, too, but it’s couched in reluctance/hesitance stemming from confusion, lack of experience, lack of a partner, initial aversion and, more recently, ethical issues. All of these are understandable but they are not binding or set in stone. He felt reluctance towards ethics, too, but he’s already moved somewhere between amoral and moral on that spectrum.

Michael finds reconceptualizing hard and disorienting, which is not at all surprising given how much he has to unlearn and recalibrate and discover still. Human ethics (a total buzzkill), human emotions (there are way too many), and human bodies (fragile, weird, and stupid) are alien to him, and it will take time to sort these new experiences and orient himself.

The matter of “human suit” is esp interesting bc it has direct relevance to the topic of sex.

“There are gonna be days when you're just sick of being around these disgusting humans, with their weird, gross little mouths, and their stupid elbows.” (201)

“Everyone in the Bad Place Bureau of Human Affairs gets randomly assigned a human body, so we can get the feel of how best to torture you. I gotta say it took me a long time to get used to the hanging bits. [Gross.] Oh get your mind out of the gutter, Eleanor. I was talking about my testicles.” (203)

“Let me just get into the mindset of a human. ‘Oh, I’m a human and my breathing tube is next to my eating tube. Oh, and look: my arms end in stupid little sticks.’” (204)

Demon anatomy and physiology are undoubtedly different from ours, which means that the appropriate form and function of various parts can significantly differ, including those involved in procreation and/or sexual acts (if demons even have any of those but given their “lifestyle” they may not). Michael’s in an alien body w/ weird parts that don’t look and function the way demon parts do + up until now his only interest in human anatomy has had to be to find ways to cause pain, so the fun potential in pleasure-focused experimentation is sky-high w/ the right partner (and if there’s one human who would ride a demon, that’s Eleanor) + making love to a human is the most radical thing Michael could do w/ his “human suit” tbh. And giving himself over to selfless love felt towards a human is the most radical thing he can do w/ his soul, which is already happening, imo.

Michael’s initial dismissal of human-y stuff is a product of his original indoctrination and “culture shock”, not of a set of immutable attributes. It also comes pre-mixed w/ latent fascination and begins to weaken due to exposure, “deprogramming”, and an innate quality other demons do not seem to possess. I mean, when he notices the crude erotic drawings in Kant’s journal, his eyes linger on the page only to conclude that this is an “interesting guy.” No longer stupid and gross but...interesting.

The idea of studying human ethics felt insane to him in the beginning bc it was so radically un-demon-y to do, so it’d be understandable if embracing human ideas and practices of romance and physical pleasure felt similarly jarring at first. It doesn’t mean he can’t or won’t (or hasn’t) develop(ed) an interest, esp. after having been exposed to stimuli and companionship of which he was entirely deprived before. If he’s developed some interest already, it also makes sense that it’s not advertised: he doesn’t have a teacher to guide him here, he’s seen what happened to Janet when she spiralled down this road, there are also way more pressing matters to focus on, and the most likely target of his interest is already “taken” anyway and must remain so.

I don’t think Michael will ever move out of the “grey zone” he currently occupies (or maybe it’s just my personal preference talking bc I love the grey), but that’s okay bc this grey has so many exciting shades and they are a lot of fun w/o being explicitly in-your-face.

[booksareawayoflife]

Zenith by Sasha Alsberg And Lindsay Cummings

‘WHEN THE UNIVERSE NEEDS SAVING.

THERE’S ONLY ONE GIRL FOR THE JOB.

Most know Androma as a powerful mercenary whose reign of terror stretches across the Mirabell Galaxy. To those aboard her glass starship; Marauder, however, she’s just Andi, their friend and fearless leader.

But when a routine mission goes awry, the Marauder’s all-girl crew is tested as they find themselves in a treacherous situation – and at the mercy of a sadistic bounty hunter from Andi’s past.

As the Marauder hurtles towards the unknown, and Mirabel hangs in the balance, the only certainty is that in a galaxy run on lies and illusion, no one can be trusted.’

Book Review: *Minor spoilers*

Watch My YouTube Video Review of Zenith if you want to see me go into more depth! https://youtu.be/2yCefcQoriM

I finally finished this book! I wasn't sure if I wasn't sure if I was going to make it! This is going to be predominantly a negative review, but there were some things that I liked about this book and I will probably continue on with the series because THAT ENDING THOUGH. I wasn't sure if I was going to continue but the ending made me want to read the next book to see what happens next so there are some redeeming aspects to this book. I want to say two things before I start going into my review of the book. 1) I am a fan of Sasha Alsberg. I bought this book to support her, and if she hadn't have written this book I don't think I would have bought it. Or if I did buy it, I probably would have DNF-ed it. 2) I did the terrible mistake of reading Mass Effect: Redemption before I picked up Zenith. If you don't know about Mass Effect, it's a video game universe that's set in space. It's one of the best games I've ever played and there's graphic novels/books as well that's set in this sci-fi universe. So I was subconsciously comparing Zenith to the perfection that is the Mass Effect Universe. Let's get into it! THE PLOT  Zenith is the perfect example of how not to write multiple points of views [POVs]. Six of Crows is the perfect example of how to use multiple POVs. Six of Crows uses POVs to build suspense, create tension, add to the story line (especially when characters are separated from one another), without sacrificing on fluidity or pacing. Zenith... the multiple POVs in Zenith disrupt the pace, the plot, the tension, and they are so short/repetitive that sometimes I asked myself, "What was the point in that?" I think Zenith could have been better served just being from Andi's POV because she is the main narrator anyways, or have far LESS POVs. In the beginning of the novel, you literally don't know who anyone is, and yet there are so many POVs... and flashbacks. It wasn't until the last flashback that I thought that it was ideally placed in the outline of the plot. All the other flashbacks you have no idea what the significance they play until the very end. And by very end I mean 98% completed. And I get it, you want the plot to be mysterious and in the end you want the puzzle to be completed, but I felt like it could have been organised far better because sometimes these flashbacks would occur in the middle action/fighting POVs when you're worried about people dying. The plot does get better throughout the book, and I think that it had a good ending. But there are so many other problems with this book. THE WRITING  The writing of the first 100 pages was tragic. I can completely understand why people would DNF around that mark because honestly the writing was so bad. You can't help but notice the writing style, which draws attention away from the actual story. The similes were virtually on every page, and some of the similes you can't even imagine because they're implausible or give no context. 'Vengeance will be mine," is said 4/6 times that I counted within those 100 pages, and the writing is so inconsistent. The writing is inconsistent throughout the novel but you particularly notice it in the beginning. I'll give you a list of the inconsistencies: - Andi is a killer, who kills pretty much without second though vs. the Andi that writes notches on her swords of all the people she's killed (that sword better be infinitely long because in the beginning she kills two ship fulls of people), and dances with the dead. And is so guilt ridden that in almost every POV she brings up her guilt 😑 -The Marauder (the ship that Andi captains) is unbreakable vs. breaks down twice. -Lira says that hate is not a strong enough word to describe Dex vs. pretty much the second person to like him, and tries to convince Andi to forgive him. -Gilly is a 13 year old child that is too young to say ass vs. the girl that can shoot/blow up people without a second thought. Those were just a few that I could think of right now. I'm sure if I went through all my Zenith notes then this list would be longer. This could be because there are two authors so they might not mesh well? I don't know. All I know is that this book should have been edited a few more times to be consistent. The world building was also incredibly weak. I would not be able to describe the universe that Zenith creates. Other than the fact that the Mirabell galaxy only seems to be made of 5 systems, and maybe 4 different inhabitable planets/species? With Mass Effect I could name LOADS of different alien species, and give some physical/character traits of the species. With Zenith I got Arcadians and Adhirans mixed up, and all the aliens were humanoid. Andi actually says "humanly" on p. 23 of my edition, and I don't even think humans exist in this universe... or if they do they aren't explained in the lore. Because humans is an Earth term, and if Earth doesn't exist you can't use Earth descriptions. The language is also not explained. There is a 'Great Universal Dictionary', but we have no idea if the language is universal or if they have translators... THE CHARACTERS  -Andi - I didn't like Andi. I didn't hate her, but there was nothing about her character that I like or related to. A part of this is because her characterisation is inconsistent, but also because if she is not talking about her guilt of being a killer, she's hating/pining on Dex... I also felt like there was no growth in her characterisation, and she made bad decisions.

-Dex - I liked Dex... at some points. He becomes more likeable through the course of the book, but there is no depth to him. He just says some cool stuff sometimes, but also kisses Andi without her consent. -Lira - I didn't like Lira either. Her species characterised like a mix of Vulcan/Amity from Divergent, but in the worst ways. She also keeps on telling Andi, 'As your second in command'. It's like we get it you're important. Also underdeveloped. -Valen - Probably my favourite character, not going to lie... I'm going to be rooting for him 😂 -Alfie - An AI that can detect emotions, but also acts like a typical Robot. Underdeveloped massively. -Everyone else - I didn't care about them because we didn't get to know them in the course of this 500+ page book. Breck/Gilly were barely explored and I doubt they will be after their positions in the ending. The bad guys also just felt like bad guys with no substance. Just being bad for the sake of being bad. I prefer morally grey bad guys that I can relate too. THE INFLUENCES  Zenith is influenced by so many popular YA books, and if you have read them then you'll feel the similarities. This book felt like an amalgamation of all these books: Divergent Six of Crows, Cinder, Throne of Glass, Red Queen, Illuminae, and maybe A Court of Thorns and Roses... this one is probably the weakest influence, but I could feel the others quite strongly. Conclusion  Would I recommend this book? No Will I buy the next book? Yes Will I reread this book? No Before I started this book, I was worried that perhaps booktube was being too harsh on Zenith because it was published by a booktuber. But I think the criticism that most people talk about is valid. Yet, I don't think that this criticism is meant to be hurtful in anyway. I was so critical of this book because I wanted it to be a masterpiece. I wanted this book to prove the doubters that booktubers/youtubers can write good books, but Zenith ended up proving the opposite. I do think that people could get some enjoyment value from it, but they would have to be very naive about YA books, and reading in general. I could imagine perhaps younger readers really enjoying this book, because the younger you are the less critical you read. But then I wouldn't want people too young to read this because there are some intense kissing scenes/hints at sex. So I don't know.

Overall, I gave Zenith 2.5/5 or 5/10.

Love Lou xx

[ayearofpike]

“Collect Call”

From Thirteen, ed. T. Pines Scholastic, 1991 73 pages, 2 parts ISBN 0-590-45256-8 LOC: unknown OCLC: 24486627 Released October 1, 1991 (per Amazon UK)

When the new boy at school gives the head cheerleader a tape for her birthday, Janice Adams is jealous, enough that they get in a fight as they’re driving home from a party. Unfortunately, the fight makes Janice drive off the road and wreck her car, killing the cheerleader. But when she gets home, her answering machine starts playing new messages from the cheerleader, leading her back to the scene of the wreck – somehow, before it ever happens.

We’re fully into the edgy ‘90s now, and kid lit has come along for the ride. This collection, to me, reads as Scholastic trying to not only sell this book, but others by related authors. They knew kids were getting into thrillers, and that a compilation of short stories might be a good way to move more books. Tonya Pines says it herself in her introduction: the boom in sales made this book inevitable, with the part about buying other writers’ books going unsaid. And there are some names we recognize there on the cover – Pike for sure, R.L. Stine (who might have ended up even hotter in terms of pure sales), and also Caroline Cooney and Diane Hoh, who we might recognize as Cheerleaders authors. What I can’t get over is that obvious pen name at the top. D.E. Athkins indeed.

For the purposes of this blog, I only read “Collect Call” this time around. However, some of the other stories in here are quite good. Ellen Emerson White’s “The Boy Next Door” was my favorite at the time I read the book. I definitely shared that one around more than the Pike. She built the hard left turn at the end far better than anything I had seen from him, and certainly never before in such a tightly-crafted short story (it’s only like 18 pages!). White mostly wrote historical fiction, it looks like, besides the very occasional foray into thrillers, so I don’t know how she got tabbed for this anthology. The only other of her books I read, an adult mystery that came a few years later, was kind of boring. “The Boy Next Door” was far more memorable.

But anyway, we’re here to talk about Christopher Pike and “Collect Call.” It starts at a high school party, where Janice is trying to get up her courage to talk to Bobby Walker, the mysterious and cool new kid who always wears the same black leather jacket and jeans. For a minute, he seems like he’s too cool to remember her, but then he knows more about Janice than he’s let on. But right when she feels special, he calls over Caroline Spencer, the head cheerleader whose birthday it is, and hands her a cassette tape of music from some hot new artist called the Black Walker. Hmm, wonder if they’re associated in any way? Nah, too obvious.

So a couple hours later, the party’s ending, and Caroline asks Janice for a ride home. Janice is more than a six-pack in at this point, but she agrees. They listen to Bobby’s tape, which moves them, but then they get in an argument about him. This is the whole reason Caroline wanted a ride from Janice. She wants Janice to lay off, and Janice is basically like screw you, he’s not your property. So Caroline literally slugs the driver of the car she’s in in the face, just as they reach a curve over a steep incline.

When the car finally stops at the bottom, Janice is just a little scraped up, but Caroline has gone partway through the windshield and is obviously dead. Remember, Janice was not just driving drunk, she was driving totally fucked up. She doesn’t want to go to jail for this, so she gets the great idea to move Caroline into the driver’s seat. The tape is on Caroline’s lap, so Janice just sticks it in her pocket before starting the shift. Just as she’s getting Caroline positioned, she gets a weird premonition and gets away from the car right before it explodes in a giant fireball. And Caroline starts screaming as she burns alive. 

Freaky, no? It gets weirder. Janice gets home after being treated and questioned about the crash, drops everything right beside the answering machine, and jumps into the shower. When she gets out, there’s a new message - and it’s Caroline, asking for a ride to the party. The party that’s over. The one that Caroline died on the way home from. So Janice figures, huh, that’s weird, but she must have called before and I didn’t notice the message light. So she gets in bed, starts to settle in – and then hears the answering machine start going again. And it’s Caroline, even more insistent than before. Janice turns the machine off – and it starts recording again anyway, and Caroline is getting pissed. So Janice puts on her torn and bloody clothes, including her broken watch, and gets into her mom’s car and takes off.

To kill some time while she’s driving aimlessly, she sticks a tape into the player. The tape from the answering machine. And now Caroline is giving her driving directions like some kind of ethereal GPS. Janice, for lack of anything better to do or any kind of real explanation, follows them, straight to the point where she drove off the road before. And there’s no wreck. There’s not even broken glass. While she’s checking out the site, her watch starts again, counting down the last couple of minutes before her car is slated to come bombing off the road. And sure enough, right at the hour, here it comes. Janice realizes that she needs to get Caroline out of the car first, but when she goes around to help the driver, they keep canceling each other’s attempts to open the door. And pretty soon it’s too late, and the car explodes with Janice inside.

So Caroline wakes up in the hospital and learns about poor Janice’s fate. She’s told that Bobby Walker is hoping to see her, and while she’s waiting for him to come in she checks the voicemail on the hospital room phone. Because I guess pretty popular girls assume they have messages no matter where they are or what’s just happened.

But she has two. The first is from Bobby, hoping she liked the tape. The second? You already know. Janice says that the fire burned off her hands, but don't worry, she'll be in touch soon. And that's where the first part leaves us hanging.

Part 2 starts a month later, with Caroline having agreed to go on a date with Bobby. She's still recovering from her injuries sustained in the accident, hasn't even been back to school in fact, but there's something about his voice and his attitude that makes her feel like she needs to go. Bobby wants to go to a horror movie, and Caroline doesn't even like horror movies but she still agrees. The movie they go to? The Listeners, a story about a lizard monster from the past who possesses one of a set of twins and starts killing everyone. I know, this sounds familiar, but it's also upcoming: Pike has once again referenced one of his works that he hasn't yet written. At this point, The Listeners the novel was still four years away from publication, but he must have had the plot fleshed out already. (And we'll talk more about how he reuses YA themes in an adult novel again when we get there.) 

(And now I’m thinking about whether I need to try to tie together the Pike Extended Universe. It’s not the first time another work has shown up in one of his stories. But I’m not going to do it in this post. Just thinking about it I’m getting tired.)

But so anyway, Caroline averts her eyes for most of the gory parts, and Bobby doesn't like that. He thinks she's missed out on understanding what the movie is really trying to tell her, and makes her stick around for the next showing, with the implication that he'll do something bad if she doesn't watch every second. So Caroline does, and she starts remembering stuff about the accident that didn't happen: Janice climbing out of the car, Janice pulling her into the driver's seat, Janice backing away just before it exploded. Only this couldn't have happened, because Janice is dead. 

But we the readers saw Janice do this too, so what gives? Bobby's not totally forthcoming with what gives, but he does want to take Caroline somewhere else, and says she'll know more when they get there. "There," Caroline is appalled to learn, is Janice's grave. Before she can even move to get away, he's tied her to a tree and is digging up the coffin. 

While he does, he puts on the Black Walker's song and explains it. If you put a tape recorder in a silent location, Bobby explains, sometimes you'll get a ghost whisper. Bobby lucked out and got an entire song, which acted as an explanation of how to sacrifice unaware young women to a demon god. It haunted Janice into a nightmare before she ever knew she was dead, and it continues to haunt Caroline with her knowledge that her punch is what made Janice drive off the road in the first place. What's more, it gives Bobby the strength and the motivation to do what he does. So just like the twin in his favorite movie, Bobby is a vehicle for an ancient evil, and Caroline is just his most recent victim. He plans to throw her in the coffin with Janice's body and bury her alive.

Lucky for Caroline, it takes a while to dig through six feet of earth, even if one is possessed by an evil spirit. And also lucky for Caroline, there's only one copy of the song on the tape, which provides enough blank space for her to hear a ghost whisper of her own: Record. Button. So she snags the tape recorder with her feet, rewinds the tape to the beginning, and records over the Black Walker's song with "Silent Night." Bobby doesn't notice until he's ready to throw her in the grave, and the missing song saps all of his energy, which gives Caroline time to whack him over the head with the shovel and throw him into what was intended to be her final resting place. And as she heaps the earth on top of him, the voices on the tape swell and expand, a ghostly choir presumably of Bobby's victims singing along with Caroline's lone voice.

And so we reach the end of Pike’s first short story that we know of. It works fine, I think, but it seems like it wants to breathe and is out of room to do so. Part 2 seems like it could have (and maybe should have) been a short story by itself, but without the background of Part 1 it wouldn’t have worked as well. You get the impression that Pike, constricted to a length of maybe a third of his regular works, really wants to throw more detail in but can't. And that's not really what short stories are about anyway – it’s about crafting a tale with the minimum amount of information you need to tell it, without sacrificing the details that will engage the reader. Every word counts, and if it doesn’t count you should leave it out. Pike isn’t super good at leaving stuff out, and so "Collect Call" is straining against its bounds. (I never even mentioned the dude who threw the party and all the extraneous details used to describe a kid who’s not even integral to the plot.)

To be fair, Pike’s bio at the end of the book says he’s "America's best-selling author of young-adult fiction," and if that's true it makes sense that they'd let him kind of go as long as he wanted here. (None of the other stories even goes more than 30 pages, let alone two parts.) Still, I don't think it was quite enough for him. After all, this is a dude who has now written nine books about an eternal vampire. We’ll get to some more short stories in a bit, and as I recall he’ll start to figure out the genre. But “Collect Call” takes too much time on extras and is too floaty and flighty (at least in the first part) to be a real engaging read. Kind of like this blog.