#also let me know if anythings wrong!!!

[youreanerdharvey]

https://uquiz.com/gzLlCs

WHICH RIDE THE CYCLONE CHOIR MEMBER ARE YOU??? I MADE A UQUIZ!! TAKE THE QUIZ!!! YIPPEE!!

[julijbee]

girlbossing too close to the sun.

[boughclan-clangen]

six clangen characters meme except i did 7 and ALMOST did another one but i ran out of steam hahaha so hopefully a doodle of my fursona in the empty space suffices.

left to right, up to down, we've got:

dr. frecklesmoke from @uss-echo-clangen

blizzardfawn from @direclan

zinniaspirit from @sapling-clangen

moorsnow from @splinterclan

iciclepaw from @a-song-upon-the-waves-wishclan

ospreystorm from @the-tale-of-stingrayclan

shadowdive from @salt-clangen

thank you to everyone who made suggestions!! i had so much fun drawing these characters!

[luna-loveboop]

I want. Four to get appreciation. Because

Four gave a ton of unnoticed help when Twilight was injured

The fight with Wild was difficult, and I know we're all concerned about his negative view of the shadow crystal

But Four did something that no one else really thought of to help- He took care of Twi's stuff

From the beginning he told Twilight to not worry about them

So Four took care of pretty much everything but the others (that Sky and Wars handled)

He took care of Epona

Which is so very important- he took care of Twilight's horse. After her arrival at the stable Four followed up on her

And for Epona, a horse so attached to her human, having some company can help so much for reassurance

He took care of Twilight's stuff

He got Twi's shield- his bags and equipment, and organized it into one place

And he was worried. He obviously found the shadow crystal while handling Twi's stuff, but his negative reactions to it were out of concern.

Also- because of his placement in this scene

I'm fairly convinced Four was ready to start cooking before Wild showed up (since he's beside the counter with food supplies). At the very least he had the basket of fruit out for everyone -but he was literally standing with food behind him- he thought of everything

And he did housekeeping!

Wars payed for the inn, so Four took care of the inn

Realistically these boys were probably not too concerned with tidyness. Four got all of Twi's things on one table, and took care of the room they stayed in

Organizing tables and Twi's things, having food supplies ready, and opening the curtains- overall he was the one tidying up the inn

Four helped in a huge way! He took care of Twi's horse (Epona is so important), his equipment and shield and bag, as well as the other rooms in the inn

Four filled in all the little tasks that others didn't think of. He helped in ways that were needed, but not obvious

There's a lot of problems with the shadow crystal and with Wild, and I don't know what's gonna happen in the future

But don't forget this- don't forget that Four was one who stepped up in an almost unnoticeable way

Don't forget that when everyone was barely holding it together, Four visited Twilight's horse and took care of his things

No matter what develops in the future- this amount of care shown is important ya know?

.

Art and comic from Jojo @linkeduniverse au :)))

[reaurelynios]

@kikruui's designs because both them and their designs are cool as hell !! go check them out :))

[image ID a digital drawing of sun and moon designs by kikruui. sun is stood slightly taller than moon with one hand by his face and the other stretched out behind moon. moon is slightly hunched over with both hands in claw-like shapes at his sides. the background is purple with a light purple outline around sun and moon. end ID]

[deoidesign]

please please please please please please please let me tell you about this comic I want to make it so bad please I can not wait I am losing it

If I don't make the comic then I'm not going to make it... I need other people to see what is in my brain so I'm not the only one going feral over them

[mangodoodles000]

Considering that today is the egg anniversary, I'll show u clip #2 of my little animatic compilation I'm putting together.

Anyways, happy 1 year to this lovely family :)

———

como que hoy es anniversario de los huevos, yo quedo enseñar clip #2 de me animacion que yo estoy haciendo

Como queda, feliz 1 año de éste familia genial :)

[inkskinned]

this is sort of pathetic, but when you were younger, you were sort of puzzled by the cartoon representations of fathers: how a kid would be outside with a mitt, waiting to play catch.

it's not that your father never played catch with you, but you also didn't like when he did. something about a hard ball coming quickly towards your face doesn't seem exciting. not that you'd ever say you don't trust him. you trust him, right?

it's not like he never tried to teach you anything. or never tried to parent. on rare days, a strange person would walk in your father's skin. bright, happy, magnificent. this version of your father was so cheerful and charismatic that you would do anything to keep him. and this is the version of your father that would laugh and gently coax you try again. this is the version of your father that would break down the small elements of a problem and point them out so you have an easier time with them.

as a kid, those days happened more often. but somewhere around 11, you started being too much of a person, and he was often cross about it. when he'd try to sit you down to learn something, you spent the whole time with your shoulders around your ears, nervous, uncertain. terrified because you didn't immediately understand how to navigate something. worried you will run out of his goodwill and then you will have the Other Father back, and you will have ruined a good day for your entire family. something about you being visibly afraid - it just made him angry. he would accuse you of not wanting to learn and storm away.

on tv, it's not like there's a lot of versions of men-who-are-mostly-fathers. they can be good dads, but usually their stories are not told in the household. so it's normal that your father is there, but he's never around. you know he was in the house, somewhere, it's just not that you guys ever... "hung out". he just seemed to get kind of bored of you, annoyed you weren't made in his perfect image. frustrated with how much energy it took to raise a kid. over time, you kind of adopt a bittersweet band around your throat - he knows nothing about me. he says at least i never abandoned my family.

and it's technically - technically - true. he was there for you. sometimes he even made an effort and made it to the big moments; the graduations and the dance recitals. he grins and tells everyone that he taught you. it almost erases the days in between, where he complains because you need a ride to school. the weeks that go by where he doesn't actually ever speak to you. the times you say i am struggling and he says figure it out on your own. i can't help you.

and that's fine! that's all fine. you can call him if you are having a problem with your car. or if you need a ride to the hospital. he loves playing hero, he just doesn't like the actual work that comes with being a father. and you've kind of made your peace with that; because you had to, because you don't want to live your life like he does; the whole world at a managed distance, a little rotating and controlled orb he can witness and take credit for but never truly love.

as an adult, you are rewatching some dumb cartoon - and again, the child standing in the rain, with a mitt, waiting for their father to come play catch. as an adult, there's this strange creeping dread - this little thing? this little thing, and their dad can't even show up for that? oh god, holyshit, it's not about the mitt, is it. oh god, holyshit, your father spent most of your life leaving you hanging.

[princessdarth-vader]

I think my ultimate thoughts re; Kipperlilly is that I wish we got a scene where a character was allowed to show her... sympathy. I know there's a tone you wanna hit with a victorious season finale, and a somber note of a teenager falling into a deep well of rage doesnt match that tone but it would've been nice to see.

In my dream world, we get an extra epilogue scene where Riz goes to see Jawbone to go and talk to him, and brings up the thing he mentioned about "seeing Kipperlilly in himself" -- relating that to what Jawbone said at the beginning of the year, and wanting to talk about that deeply set in need for control, and the latent anger he has, and all the ways he is like Kipperlilly, and doesn't want to be.

And in response, Jawbone is able to address the ways in which he failed Kipperlilly, and let her down. That she needed more help than he could provide, that she needed someone who wasn't too afraid of their own biases to shut down her anger, someone who could maybe have given her a support system to turn to instead of Porter. Someone external to the school and the social dynamics within it. Just an acknowledgement from, as far as we know, the only adult in Kipperlilly's life who earnestly tried -- and earnestly failed -- to help her find a better path than her rage.

Just a small moment of acknowledgement that Kipperlilly was a child, an angry, scared, biased and deeply insecure child who was looking for help when she first walked into Jawbone's office, and because of all the adults who failed her, she was turned into something unrecognisable by the time she was 17.

[tex-now]

New challenge. Watch Guilt Trip Of ML Season 4.

I did?? Like a while ago?? Did you not read the disclaimer orrrr

Also. In all seriousness. Guilt Trip also isn't done very well in terms of dealing with a character having a disability, with it being like "yeah, she doesn't NEED all this help even though she has a disability cause disabled people aren't fragile and helpless" which is a good message but it's not done well. And it also just makes Marinette look like more of an ass in retrospect because she was only willing to accommodate rose cause they're ~friends~ and rose is good so she can't be lying about her disability! Unlike that super liar Lila who is definitely lying >:( because she's evil >:( (and yes she was lying and the only reason why is so Marinette can have an excuse for her horrible behavior)

Also juleka tells rose's secret without her consent to the entire class (not cool) and rose is also a common archetype of a character who "has a disability but that won't stop me from living life to the fullest!" Except it's only brought up in this episode and never acknowledged again because MLB doesn't know how to write characters with disabilities.

Oh and also they do that stupid thing where they only really focus on how sad their poor loved one must be, having to worry about them all the time :( /s which is a very common and quite ignorant thing that always happens when writing disabled characters.

It's not a good episode. Like. At all. The only thing it does is make Marinette look like the worst type of ableist person and prove that the writers should not be allowed to touch this topic ever again.

I'll be honest I don't think it's marinette or juleka's fault that they do such fucked up things because it's obvious that the writers are trying to frame their actions in the right and act like what they're doing isn't fucked up.

The problem is the writing not the characters themselves. Their personalities get pushed and pulled in the direction that the plot needs to move forward. I know I sound like I think Marinette sucks but it's not her it's her writing. Does that make sense

Edit: Juleka actually only told Marinette and Adrien about rose, so she didn't tell the whole class, it was Marinette who had notified everyone of rose's condition, contrary to what i remembered. Apologies on my part

[wav48k]

would anyone be interested in my gay fucking spreadsheet... it has a very large amount of sourced mcr pics arranged by date (work in progress, not very professional. but its fun) and also a section with like a hundred old interviews. did you know one time frank got interviewed by some random fucking tumblr user and they talked about donnie darko? now you will. theres finally enough stuff in there that i think its worth handing out for people who want to see :)

[bishicat]

I had a bunch of fun Silverhandin' an old photo of Keanu from his Dogstar days ૮ • ﻌ - ა~♡

(reference photo below the cut)

Source

[pestilentbrood]

VERY long Ramble incoming

honestly now that I'm looking at the auraboa lore situation, I'm just disappointed. There was such POTENTIAL in the idea of the Loop and the horror of a new generation inexplicably being disconnected from it, forcing the newly hatched children into a world totally separate from that perceived by their parents (I mean, hell, they perceive TIME differently!).... but then the writer(s?) just fell ass backwards into Icky Tropes.

I feel like I can see what the idea was, especially with the recent alterations to the Encyclopedia entry... It seems like staff fundamentally understands the true Horror potential here, but... Instead, through the short story, they proposed it through the lens of a condescending outsider character, turning the fears of the older generation into something trivial. And also weirdly demeaning the Auroboa's situation by portraying them as overreacting.

Why... why would you do that? Like, from a storytelling perspective? What's gained from that? Why not embrace the true horror and even Emotional significance of that disruption? Why instead go for "ohh we NEED outsider help we NEED to be saved because we are so helpless and it is so Silly that we, creatures who have never experienced such things, do not know what sleep is"????

And if they WANTED to have a condescending outsider, I feel like they COULD have done that, but it would have to have that character realize the horror at some point. And make it obvious that their attitude towards distressed parents and children facing Eldritch Shit and the Sudden Deconstruction of it was not cool!

(or at the very least be a bit more...idk. Consistent with said outsider character? Juniper just goes from "omg I am so honored that the fascinating creatures of the behemoth have chosen me to speak to" to "oh their wasting my time because they don't know what sleep is. I'd rather be sleeping!! 🙄" like girl... c'mon now. Why are we trivializing it like this. Do you want me as the reader to be invested in their plight or not.)

I mean come on. They're beings connected through one networked hivemind-like system, yet each still maintains a silver of individuality that allows them to move freely throughout the Behemoth that they care for. And they've got an eldritch understanding of time that no other dragon could understand. They're seeing the future, past, and present unfold simultaneously. They're witnessing the birth and death of the world at the same time, and have no way to communicate it to other dragons. The best they can do is maintain their home, and even then, they see its roots spread and decay all at once.

And then the newest generation is suddenly disconnected. An inherent link between parent and child and all dragons in-between, that has existed since the creation of their species, is just suddenly GONE for the newest births. With NO explanation for it. The children have no easy way of communicating with their parents. The children are experiencing time in a way that was not meant for their species. They've forcefully been shoved into a circadian rhythm that they are Not! Built for!

The only way a parent could communicate properly with their child would be when the latter is sleeping, something that is also completely foreign to this species. It would be terrifying for all involved!!!

They are literally experiencing eldritch horror from the perspective of the eldritch being forced into the mortal.

Like why WOULDN'T there be panic!!! And why would that panic be trivialized! Why are we only shown the perspective of an outsider who looks at this situation and goes "Oh the silly tree beasts are being so silly over nothing, it's no big deal!"

That and the way the auraboas talk to outsiders. Like. There was such potential there. Real opportunity to explore how ancient, time-bending beings would communicate to someone who couldn't even BEGIN to understand the intricacies of it.

Instead we got what feels more like baby talk (even described as though they were hatchlings enunciating their first words, which... I dunno man, maybe we don't want to compare them to children like That) and less like... Beings that experience all of time at once. I mean, the hatchlings and the adults speak the exact same way, and that doesn't make any sense given the literal time barrier going on.

I totally get why people thought there was just a language barrier and that auraboas had their own language, thus causing the disjointed speak, and not that it was because They Do Not Experience Time Like We Do. And I feel it would've been far easier to get it across by just... I dunno. Do anything else?? I saw someone on here suggest they speak in the "wrong" tenses, or using multiple tenses in the same sentence, which I think would've been far more clear.

Like, as opposed to "saplings wilt! saplings silent!" just "the saplings will wilt in silence, they've wilted in silence, they are wilting silently." Said all at once like all things are true simultaneously. And if we're going for hivemind, have each auraboa speak in a different tense, all at the same time, and have them switch it up every time. Have our outsider get confused and be like "which is it? are they wilting now, or have they already wilted?" and the cluster of auraboas respond in a cacophony of yes's, no's, and maybe's all at once.

Would've probably gotten across the "alien" vibe they were supposedly going for far better than wide-eyed desperation for an outsider's guidance conveyed through disjointed, in-world described as baby speech.

And also maybe would've had less accidental connotations. Because as it stands, I completely see why people have made the connections to the real world where they have. This doesn't read like eldritch timey-wimey intrigue, or even a respectful look at how younger generations can become detached from their families' cultures over time and the struggles that come with it. It reads like a culture being perceived by an ignorant outsider who (despite supposedly respecting these dragons) scoffs and rolls their eyes because the tree beasts with their funny words are being silly again, and that Hey, isn't it actually a great thing that the children are fundamentally different in all manners now? Because now they can join the rest of us in the "real world."

Yknow. Ick.

(I Personally think it would've been better to have the perspective be one of the Auraboas themselves, especially one of the children, to really understand what was going on here. Give us the full brunt of the mind of a creature experiencing all of time interwoven as one shape. The waters fall and the oceans crash with waves. They've now fallen to drought. The ocean has yet to be born. Caves have been carved out through the waters' currents. And when I break from this timeline, I open my eyes to see a child, the child not yet born, the child born now, the child born yesterday. Why can't I hear it? Why couldn't I hear it? Why won't I ever hear it?)

I dunno. People more qualified than me to speak on this matter have already torn the lore apart, I'm just... dropping my own two cents. Potential got weirdly squandered and we ended up instead with unfortunate implications and tropes that could be connected a liiiittle too awkwardly to irl situations.

*Also, before anyone points out: Yes, I know the hatchlings aren't COMPLETELY detached from the Loop and can join it when they sleep. But the fact is, these thangs never had to sleep before. That wasn't in their species' nature. So that's still weird and foreign for them on both sides. And since the hatchlings now have a circadian rhythm, they can't stay connected to the loop permanently. And also Also, seeing as the previous generations aren't experiencing time linearly, who's to say they even recognize when their child joins the loop? They'll speak with an echo of their child when that child was last asleep ages ago, not knowing that it's not them presently, because there is no 'present' for the older generations.

[cripplepunkbarbarian]

Things we know or can deduce about Gorgug’s Barbaficer Subclass + Feats! I preface this by saying I didn’t go back in the episodes to find the proper “names” of the feats mostly because we don’t even know if they were using them or just saying what they needed to get the point across lol.

Tool Knack/“Rage Against The Machines”: This one seems full homebrew to me and is also fairly simple, Zac more or less read off the ability description in an episode. As a bonus action, the Barbaficer can whack a broken/malfunction piece of technology to force it back to its working state. Due to the limited situations in which this can be helpful, I’d guess it’s what is standing in for his first (Level 3) Barbaficer Specialist Feature.

Elemental Rage: It’s likely that this may just be a modified version of the Pathfinder Unchained Barbarian’s “Elemental Stance” Rage Power! When raging, the Barbaficer chooses a type of elemental damage to infuse into their attacks and become resistant to for the duration of their rage. It seems possible to stack with Absorb Elements for either double elemental damage being dealt back out or for multiple different elemental resistances. Due to it representing the combination of his experiences (but also process of elimination), I’d guess it’s his second (Level 5) Barbaficer Specialist Feature.

Battle Gear/Gadgets: This one seems like a mix of homebrew and an expansion on the Artificer’s Infusion List. The Barbaficer gains a set of tools optimized for battle. These tools can only be used a certain amount of times per day, it is unclear if the “uses” are a pool for all tools or if each tool has its own number of daily uses. I also don’t know that we’ve seen the full list but we do know two of them! Gorgug’s Goggles can be used to obtain one piece of information about an opponent, including their HP, immunities, resistances, vulnerabilities, and potentially more. It is unclear if the goggles can be used multiple times on the same person to glean multiple pieces of information and what it takes in terms of action economy as they were never used in battle. Gorgug’s Grenades can be used as a reaction to distract or disorient an opponent, giving them disadvantage on a roll. The way that these tools are spoken about seems to imply that they do not count towards Gorgug’s known Infusions or count against his Attunements. Due to the variety/complexity it can add to the battlefield, I’d guess it’s the third (Level 9) Barbaficer Specialist Feature. Not to mention the fact that Zac dropped a level of Barbarian, losing the Mindless Rage Feat, to get access to his third Artificer Feat and I doubt he’d choose Elemental Rage over Mindless Rage.

And lastly, Artificers get their last Subclass/Specialist Feat at level 15! Since last we saw Gorgug he had deleved in Barbarian down to level 5 it is possible, that if we get a Senior Year and Gorgug continues to exclusively take Artificer levels, that we could one day see that last feat. It is also possible for the current feats to gain a thing or two, the most likely being access to more tools/gadgets or an increased amount of daily “uses” of said tools/gadgets and increased damage output from elemental rage.

[dazais-guardian-angel]

Chapter 110 is 13 pages long welcome to hell!!! so in a lot of ways this is just more fuel for a theory that I've had for a few weeks now, that's only gotten stronger with each recent season 5 episode, which is that the last episode of the season is gonna end on 110, and that Asagiri/Harukawa and Bones have been collaborating to make this happen, specifically because it's a major turning point that would be the only good place to end the season on.

When we started getting especially long chapters again (like from 25-35ish pages, with the exception of 107.5, the last two being some of the longest we've ever had), at first I just assumed that Asagiri/Harukawa got freed up from some other obligations they'd been having to cause the extremely short/half chapters, like promotional stuff for the anime/Beast movie, or working on light novels. But then 109 happened, with the "supposed" death of Dazai, and heavy emphasis at the end on how literally everyone is at their lowest point right now, and I got to thinking. 11 episodes is a strangely specific number for an anime season -- why not 12, or 13, or even 10, like you'd usually see? Why have we gotten suddenly gotten two 35 page chapters out of nowhere, that's almost unheard of at this point? They're both beautiful chapters, don't get me wrong (as always), and maybe A/H simply just didn't want to cut them in halves because they felt like the full emotional impact wouldn't hit/that there were no good cutoff points in them, but you can't deny that it's surprising, after all the shorter chapters we've been getting. Why has the anime been going at such insanely breakneck pacing for the most part ever since around the Sunday Tragedy chapters, even more so than it has in the past? So much so that it feels dangerously close to overtaking the manga?

Well, maybe, just maybe, it's because..... Asagiri decided a long time ago that whatever happens in 110 is the only point that feels "season finale"-worthy enough, in an arc that still isn't anywhere close to being completely wrapped up, and so both the manga and the anime have been specifically coordinated to reach that part within 2 and a half weeks of each other?

I've seen a lot of people now think season 5 will end with 109, and as much as my sadistic side would find that hilarious, I honestly don't think they'd do that and realistically don't want it to happen; it'd be so cruel to cliffhanger the anime for years like that, and just doesn't feel like a season cliffhanger BSD would do, a series that is ultimately hopeful and uplifting. Seasons 2 and 3 had a positive, conclusive ending; the only reasons seasons 1 and 4 didn't was because they're technically not really full seasons of their own, and are more like the first cour of another "season" that also came out that same year (seasons 1 and 2 both aired in 2016, so they're more like one big season, and seasons 4 and 5 have both aired this year, so they're also more like one big season, again taking into account how episodes 12 and 50 are not satisfying finales like episodes 24, 37, and hypothetically, 61, are). I really can't see season 5 ending with Dazai and Fukuzawa's supposed deaths, Sigma being unconscious and maybe close to death, Atsushi being vulnerable and limbless again, everyone we love still vampires, and the entire world being basically doomed; that's just too depressing and not like BSD at all. However, having said that, if it doesn't end there, there really isn't any good place to end the season before that, either, that feels in any way satisfying or like a finale at all. And so, to me, that only leaves after 109: chapter 110.

I think things are really gonna turn around next chapter. Like I said, everyone is at their lowest point right now, it cannot possibly get any worse, the framing of Dazai, Fukuzawa, and sskk at the end of 109 is telling us that; this is the time for the heroes to finally start winning again, with Aya being so close to pulling out the sword, and for all the thematic reasons other people have talked about to death that I don't need to go into here again. This upcoming chapter being so short again makes a part of me wary of 110 being "the one", so to speak, I won't lie, but at the same time, it's very possible that it needs to be that short because that's all the final episode of the season will be able to reasonably fit in, since it's already gonna be VERY close if they do make it all the way to 109. And at the end of the day, I don't doubt at all that Asagiri and Harukawa can make these the most monumental and game-changing mere 13 pages ever if they wanted to; a chapter does not at all need to be extremely long in order to be an important and impactful one, even if short ones we've gotten in the past haven't felt the most important.

An additional thought I've had, though this is much more crack territory than all this already is, is that since we know from Anime Expo that a Stormbringer movie at some point is highly likely (judging from Asagiri's reaction when someone brought it up), it's possible that chapter 110 and thus the final episode will involve the long-anticipated return of Verlaine and/or Adam, or at least some other major reference to Stormbringer, that would naturally and smoothly lead into a Stormbringer movie to explain things to people who haven't read the novel. It would make a lot of sense, especially since the s4 OP has the Old World sign behind Chuuya, which might be a hint that this has been in the works ever since seasons 4/5 were first in planning with Asagiri. We also know that Dazai and Chuuya's voice actors apparently struggled to record their lines together this season, which probably relates to 101 and possibly 109, but it could be 110 too.... I could be very wrong, as I'm no expert on this kind of thing, but I kinda doubt they would bring Chuuya's actor in for just the vampire growls, and Asagiri placing heavy emphasis on Chuuya's importance this season in that one interview gives me the impression that he's talking about much more than just 101/109. But that's the least solid evidence I have, that's just mostly based on vibes I get.

So basically, I think a lot of factors -- the unusual episode count, how close the anime is to catching up to the manga with three whole episodes left, the seemingly arbitrary recent chapter lengths, and the climactic events of 109 -- can tell us that 110 might be a very, VERY big deal. Again, there's of course no way this arc is anywhere near close to being finished, with so much left to address and resolve, but since it is currently incomplete in the manga, unlike the previously adapted arcs, if the anime was going to adapt it at all, they'd have to find a place that feels satisfying enough to end this season, knowing there won't be more anime for a long time after this, and so I think they specifically planned for that, from both Bones' and A/H's sides. 10 episodes might not have been enough to reach that point, but 12 or 13 might have been too many it wouldn't have been if Bones actually decided to slow down and let the story breathe the way it needs to, but this post isn't meant to criticize the anime, so maybe 11 was just right. And maybe Asagiri and Harukawa specifically pushed to make recent chapters longer than usual, in order to make sure that the manga reached the story content in 110 the monthly release right before season 5 was to end.

Is this just copium? Absolutely. Am I going to look like an absolute clown in two days when this post ages like milk? Probably. But the evidence is There, so let me just enjoy my delusions until Sunday, okay 🥂🫡

[deadhawke]

Comprehensive Trigun Stampede Timeline

(With sources and references!) I will use the abbreviations EY to stand for Earth Year and PE to stand for Planet Era, the calendar and year system used by No Man's Land. I will use ~ in front of a date to indicate that it's not concrete but is about that time.

This should hopefully be a comprehensive timeline for TriStamp. I've done my best to comb through both the series as well as some of the extras from Studio Orange on Twitter, and I will provide sources/pictures as well as reasoning where relevant. So onto the actual timeline starting with.....

~EY 2256 - Project SEEDS leaves earth - based on Rem saying that it has been about 200 years since they left Earth and in that scenes the boys look like they do after at least a year old.

EY 2405 May 3rd - Tesla is born

EY 2455 July 21st - Vash and Nai are born

EY 2456 July 21st - Vash and Nai's first birthday

~ EY 2456 - The Big Fall - due to the fact that Vash and Nai still look about the same age it is either the same year or pretty close to it when the Big Fall happens

~ EY 2461 - When Vash runs away from Home to confront Nai and he gets his arm cut off. Brad says it had been 5 years since the Big Fall.

PE 00 November 1st (~ EY 2502) - The first city November is established as well as the Planet Era Calendar. Based on Vash, Nai, Luida, and Brad all saying it has been about 150 years since the Fall at the time the actual episodes take place, the math works out to this happening about 46 years after the big fall. This information comes from Studio Orange's twitter where they posted some extra world building info.

PE 00 December (~ EY 2502) - 2nd city December is established

PE 01 July (~ EY 2503) - 3rd city July is established (RIP your theme song slapped)

PE 01-02 (~ EY 2503-2504) - The rest of the seven cities of Augusta, Octovern, May, and September are established

~ PE 79 (~ EY 2581) - Rollo is taken and Eye of Michael-ed. Based on a combination of what Roberto and Conrad say in episode 5. Conrad says in the flash back after Rollo has been experimented on that he is the first to survive for 5 whole years. And then Roberto later says its been about 20 years since the town was abandoned aka since Rollo came back as Monev the Gale and wrecked the place. Roberto says the 20 years comment when looking at the state of the house and before finding the photo of Vash and bby Rollo.

PE 81 (~ EY 2583) - Meryl is born! This also helps us establish the year the episodes take place as Meryl was born in 81, is 23 years old, and just finished college in 103 which you can just make out at the bottom of the screen. (23 + 81 = 104) Meaning the majority of the episodes themselves take place in PE 104

~ PE 84 (~ EY 2586) - Rollo comes back to the windmill town as Monev the Gale and wrecks the place.

PE 99 - PE 103 (~ EY 2601 – 2605) - Meryl is in college!

PE 104 May 25th (~ EY 2606) - We finally get to Episode 1! Meryl and Roberto find Vash half dead and he has the duel with the military police! As stated earlier we have determined the year based on Meryl's resume.

PE 104 May 25th/26th - Episode 2/3 happens. This episode may either be the same day as episode 1 or it could be the next day as there is multiple ways to determine the timing. First way: As Vash is attempting to leave Roberto does say "Wait... You told me this morning." when asking who Vash is seemingly running away from. This would indicate that it is the same day as episode 1 since that is when Vash first tells them about Knives. Second way: Episodes 2/3 take place the next day as in the intro sequence while Vash is cleaning his gun it is night outside as shown by the window in his room, and later on we see it is day and we know it is a window as when Vash is leaving you can see the light outside. I personally still think this is the case since the town people have also had a chance to get together and plan Vash's capture, and when Roberto is referring to the morning that could be referring to the interview he and Meryl were doing with him in the bar.

PE 104 May 29th/30th - Episode 4 happens. The radio states it has been 3 days since Jeneora Rock.

PE 104 May/June/July - Sometime in this period episode 5 happens. I suspect towards the mid/end of July since Vash and Wolfwood are still upset with each other over Rollo during the start of episode 6. (@ StudioOrange what happened during their off screen road trip we wanna know)

PE 104 ~ July 20th - Episodes 6/7 happen. The timing on this is entirely based on how long Vash remains passed out in Home before waking up, but at least one day passes from 6/7 to Vash's very bad no good day that is episodes 8/9/10/11/12 since it goes from day on 6 to sunset on 7, and then back to day when Vash wakes on the ship.

PE 104 July 21st - Episodes 8/9/10/11/12 aka Vash goes to Soup day aka the twin's 151st bday or thereabouts. We know for sure it was July 21st thanks to Nai giving his bro the worst bday present ever and the radio announcer confirming the date explicitly during the anniversary for the epilogue.

PE 106 July 21st (~ EY 2608) - Episode 12 epilogue happens as stated by the radio announcer.

BONUS: SE 110 June 2nd (~ EY 2612) - Now this is an interesting date, as this is the "effective" date listed on Wolfwood's pastor contract.

We do know for sure however that the date June 2nd SE110 cannot equal June 2nd PE110, and equal the current day and year, as this happens on July 21st. It also cannot be the date Wolfwood is sent after Vash as they meet up May 29/30th, and even if that date is wrong (like if more than a day passes between episodes 1 and 2 somehow), if the year was 110 then Meryl would be 29 years old, very much not a fresh out of college newbie since we know she also graduated in 103.

General theorizing from myself and the wonderful people who have commented on this post and on others post seem to align with SE possibly meaning Sinners Era and being slightly off from the Planet Era year system the rest of the planet uses.

For my personal theorizing, the closest match to this date is if SE110 is equivalent to PE104 (so a six year difference between year systems), and an extra 3 days happen between Episodes 1 and 2/3, then it may be the day Wolfwood was sent after Vash. It could also be that we are making the incorrect assumption that they are using the Earth calendar with Earth calendar month lengths. If May is 28 days then that would place Episode 4 on June 1st with my current timeline which would be even closer.

In summary: The important part is that Vash, Wolfwood, Meryl, and Roberto spend a total of about 2 months traveling together between May 25th and July 21st. And I have no fucking clue what's going on with Wolfwood's contract.