#also kiryu: *starts speaking in fucking tongues*

[todayisafridaynight]

I don't wanna laugh at your expense but also KIND OF a funny series of events😭😭😭here's to recouping that $20...

Speaking of Ryuji... I ended up going through like 60 fucking reviews (WILL throw up if I have to read even one more) and while I'm gonna hold my tongue on all that for now, I still can't quite tell if the Ryuji thing is main story or a substory or a substory that's needed to progress... that said, apparently there are a bunch of fights with fakes that feature flashbacks, including a fake Kiryu and a fake Nishiki? Weirdly the flashbacks make me kind of wish there was a fake Mine since I'm not sure there's gonna be anything all that deep with the style change mechanic in Infinite Wealth

it can get even worse Watch This the exam i thought i was gonna have wednesday was today :))))))))))) when i say i had to fight every urge to just get up and start flipping desks :))))))

fake kiryu AND fake nishiki ???? wild....... we finally getting a boss rush mode since like... y3 omg....

[bmaxwell]

Game of the Year 2023: Not the Top 10

Some best-of categories, with every bit as much pomp and fanfare as The Game Awards!

Best Music:

The Last Spell

Some other games had some truly memorable moments with their music this year, but none had a soundtrack as consistently great as The Last Spell. Admittedly prog metal is right in my wheelhouse, but god DAMN this game where you move the little guys around the map and blow up little monsters did not need its music to go this hard.

Also great music: Dredge, Diablo IV, Honkai Star Rail, Cosmic Wheel Sisterhood

It’s Not You, it’s Me:

Book of Hours

Sometimes a game seems perfect for me, but for whatever reason I just can't hit my stride with it. Other times I can tell a game is wonderful, but it either asks too much of me or just isn't my style.

This year had quite a few of these, but the honor goes to Book of Hours. It's the follow up to 2018's obtuse-but-cool-vibes game Cultist Simulator. I couldn't get my head around that one. I tried. I read guides. I watched videos. I started over again and again. I put 7 hours into it and finally accepted that whatever seems to be there - and I can tell that there IS something there - I just don't get to savor it. It's like those magic eye pictures. I believe you that there's a sailboat there if you unfocus your eyes the right way, but I've stared at it for 30 minutes and I'm sweaty and irritated and have a slight headache.

Books of Hours played out exactly the same as its predecessor, except this time I refunded the game before it hit two hours played.

Fuck your sailboat.

Runners up: Chants of Sennaar, A Space for the Unbound, Shadow Gambit, Lies of P, Aliens Dark Descent

Old Game of the Year:

Yakuza 6: The Song of Life

Kiryu gets out of prison to find his adopted daughter Haruka is in a coma and she has a TINY BABY named Haruto so Kiryu's gonna just chill and do his own thing HAHA JUST KIDDING he's gonna protect Haruka and protect that baby and find out who attacked her and who Haruto's father is and is Haruka gonna come out of her coma stay tuned and find out in Yakuza 6: The Song of Life!

Runners up: Soul Hackers 2, Tiny Tina’s Wonderland, Tales of Arise

Best Moment or Sequence:

Alan Wake II: The Herald of Darkness

--- SPOILERS AHEAD ---

2023 had some great moments, none more memorable than this live action sequence in Alan Wake II. The game blends full motion video sequences with gameplay and in-engine cutscenes beautifully. None stands out more than the bizarre section where Alan is again drawn into the television and onto the set of a late night talk show. "This time" the host says "we're going to do what we always do, but instead of talking we'll sing it!" What followed is the best kind of ridiculous, tongue planted firmly in cheek.

--- END SPOILERS ---

Raphael's Final Act in Baldur's Gate III was an impossibly close second on this list. Runners up: Baldur's Gate III: Raphael's Final Act, Diablo IV: Storming the Gates of Hell, Hogwarts Legacy: Sebastian's story arc, Resident Evil 4 Remake: Ringing of the Church bell, The Man who Erased his Name: Kiryu's Ending Best Remake:

Super Mario RPG

I'm a cranky old man about the endless reboots and remakes in TV and film. I hate them. They're money grabs, cashing in our nostalgia and desire for comfort food. With the medium of videogames however, remakes generally make a lot more sense unless you're Naughty Dog. This year had a lot of great remakes. My brain says Resident Evil 4 was the best, but my heart says Super Mario RPG. I played it when it released in 1996 and I remember loving it, but I had lost all details of it. This gave me an excuse to replay it, and it's as magical as I remember. The game's writing and humor are incredibly charming. Mario as the silent protagonist in a world where everyone else can speak is great as he is forced to pantomime everything. The combat is snappy and the timed button presses help spice it up. The play time is short for an RPG, with some fat trimmed off the original release to come in at a dozen hours. All the goodness Nintendo fans know from Paper Mario and the Mario & Luigi RPG's started right here with Square.

Runners up: Resident Evil 4, Dead Space, Like a Dragon: Ishin, We Love Katamari: Reroll, Star Ocean Second Story R, Baiten Kaitos I & II HD Remaster

Looking Forward to It:

Like a Dragon: Infinite Wealth

Holy shit there are a lot of great RPG's coming out next year. But a new Like a Dragon game is at the top of my list. Ryu ga Gotoku has Yakuza 8 to build upon for their second turn based RPG. This one takes place in America and it gives us Ichiban and Kiryu. I can think of nothing I'd rather play.

Runners up: Final Fantasy Rebirth, Granblue Fantasy: Relink, Eiyuden Chronicle: Hundred Heroes, Unicorn Overlord, Metaphor ReFantazio

[cat-berry]

[dirt-str1der]

I keep thinking about the mechanics for how to make kazumaji happen outside of adrenaline fuelled lovemaking , like obviously majima isnt going to solicit him for an actual relationship because whatever they have going on is already more than he expected to get because majima isnt a wanting man he gets dealt his hand then he plays (plus hes waiting for someone else , he cant leave and have his story end with kiryu , they both know this) , kiryu isnt a wanting man either i mean not for his love life but you know this guy fights like hell to get what he wants. He doesn’t exactly have a problem pulling girls but its the commitment after thats the issue , he always has someplace to be thats not here no matter how suave and charming he is youre gonna be wondering why he ghosted you for three years then find out he just got released from prison the point is that he doesnt follow through. Once youre done with him then youre done and very rarely is he gonna come back (unless he wasnt actually done with you). Majima offers to help him out in osaka and kiryu says no no no see ive left you behind i have to live this next chapter of my life properly now , without you. He has this inability to understand that people want to spend time with him thats not him helping them / repaying him a favour / working together to achieve a common goal. You literally cant assume he’ll be around you really have to cling tight or he’ll find some reason to fuck off and by then you cant even ask him to stay because Shit is it a good reason. Y0 nishiki got so so fucking close to showing kiryu he didnt need to have any redeeming qualities for people to like hanging out with him. He didnt need to be fun or like to party or entertaining at all , just him sitting quietly on a nearby barstool and maybe clapping along is enough to make his night fun as hell. Im sure kiryu realises that he can be distant and lack initiative , im sure this self awareness has convinced him that hes an undesirable long term romantic partner , and majima fucking up big time with mirei also forces him to internalise the fact that hes not a good partner either. So the two of them have to really really Really want something to start it because otherwise theyd be gracefully and expertly sidestepping any mention of commitment , pirouetting around the word “partner”, assuming they’ve made things clear when no discussion had taken place. They dont figure it out because its obvious to everybody thats not them, all the thinly veiled offers to be useful to each other, the leaning forward when they speak to each other , the open mouthed kisses with tongue , they want each other. More than one time , more than This... but how does one communicate something they havent realised yet ...

[amy-issen]

ok so here it is!! i spent the last week solely making and listening to this playlist like i was POSSESED because this ship is lovely and deserved a nice playlist!  if anyone wants to know why i picked each song, i’m going to ramble about it extensively in the read more, so check that out if you want! hope you enjoy it! also thanks again to @birbwell​ for letting me use her art for the cover!

i divided this playlist in a few sections so let’s start with the first one (section one: first meeting/pining) i. in the rain - joe hisaishi i wanted to start with a short instrumental track to set the mood, and i looooove howl’s moving castle score, so i had to pick this one! the fact that it has rain in the title also helps to reference how their relationship began! ii. with every breath i take - frank sinatra “every breath that I take is a prayer that i’ll make you mine” my sister is a big sinatra/jazz fan (and also a yakuza fan) so she helped me with picking a few of the songs here! this one is very romantic, elegant and beautiful and i thought it fit the mood (and it’s what i think tachibana listens to in his free time lmao).

iii. gold rush - taylor swift “what must it be like to grow up that beautiful? with your hair falling into place like dominoes my mind turns your life into folklore i can't dare to dream about you anymore” this one is my FAVORITE song on this playlist, and one of the first i picked because this song just fits them like a glove. it’s basically pining 101, and i love that what taylor said this song is about “daydreaming about someone then snapping out of it.” i feel like the first part could be from tachibana’s perspective and the second one from kiryu’s (also giving a bit of a glimpse into the future, with the mention of a coastal town they’ll never find together) iv. first love/late spring - mitski “so please, hurry, leave me, i can't breathe please don't say you love me mune ga hachikire-sōde (my heart seems like it’s going to burst)” this one was another song i picked very early on because i love mitski, and i needed to include her here. i just wanted something to symbolize the trust that tachibana and kiryu have to share to work together, and the feelings that emerge from it, if that makes any sense. i don’t think this has a specific perspective, because i feel like this could work from both kiryu’s and tachibana’s (mostly kiryu though) v. real estate - adam melchor “every time I wonder how i'd carry on without you i'm runnin' out of real estate tryna make all the right moves i don't wanna hesitate i would bet the house on you “ do you UNDERSTAND how satisfying it was to find a song named real estate for them?? come ooon. ok that’s not all of my reasoning for it but it’s like. most of it, lmao another song i felt was about trust and feelings. (also a bit of a glimpse into the future, because i’m sad) vi. i get a kick out of you - ella fitzgerald “i get no kick from champagne mere alcohol doesn't thrill me at all so tell me why should it be true that i get a kick out of you?” another one my sister recommended. i originally was gonna go with sinatra’s version of this, but i love this one and it just wouldn’t leave my brain. again, one from mostly tachibana’s perspective, get this man to sing this on karaoke night right now. vii. like real people do - hozier  “i will not ask you where you came from i would not ask and neither would you honey, just put your sweet lips on my lips we could just kiss like real people do” this is one of my all time favorites from hozier and, again, it just fit perfectly. tachibana and kiryu have both lived some very... troubled lives so far, and while they’re depending on this trust they have in eachother, none of them really care to know about what they’ve done or who they are. this is mostly from kiryu’s perspective, specially with this metaphor of being rescued/dug up from the earth with the whole being found in the rain and saved by tachibana and his poor driving skills. viii. delicate - taylor swift “this ain't for the best my reputation's never been worse, so you must like me for me... we can't make any promises now, can we, babe? but you can make me a drink” y’all are going to have to forgive me for picking TWO taylor swift songs but COME OOOON this is another one that i picked early on because i could draw so many parallels between the lyrics and things that they both said in that car scene on chapter 9 (mostly tachibana though) and i kept harassing my sister with screenshots to prove my point and i’m gonna do it again

ANYWAYS i’ve made my case, and now we enter the second section of the playlist at last ( section 2: actual romantic/fluffy songs because this is a ship playlist) i. good old-fashioned lover boy - queen “dining at the ritz we'll meet at nine (1, 2, 3, 4, 5, 6, 7, 8, 9 o'clock) precisely i will pay the bill, you taste the wine driving back in style in my saloon will do quite nicely just take me back to yours that will be fine” is this a bit of a cliché? yes. did i want to include it because it’s very cute and i’d like to imagine kiryu and tachibana having a nice date night with no people trying to kill them all the time? also yes. i love this song.

ii. stay with me/mayonaka no door - miki matsuraba “you in your gray jacket with that oh-so-familiar coffee stain just as you always are the two of us reflect in the window display stay with me knocking on midnight's door i beg you not to go home tonight” (translated lyrics) is anyone not obsessed with this song lately? this is the only song here i’m blaming tiktok for making me listen to it lol. in any way, this song is deceptive because it sounds really happy but is actually quite melancholic. i thought it fit their relationship well, and it seemed like a good addition to the playlist with it’s 80′s city pop vibes.

iii. on melancholy hill - gorillaz (covered by matt forbes) “just looking out on the day of another dream where you can't get what you want, but you can get me so let's set out to sea, love 'cause you are my medicine when you're close to me" this is a gorillaz song but i went with this cover because it fit the feeling of the playlist a little better. another song that i just love very deeply and i thought fit the sentiment of kiryu being like “hey i know we have Big problems and you’re very sad in the moment but i’m here for you” iv. (i love you) for sentimental reasons - nat king cole "i think of you every morning dream of you every night darling, i'm never lonely whenever you are in sight" surprisingly, not one that my sister recommended, but one i found for myself while looking for quiet  romantic songs. i feel like this is tachibana's reply to kiryu being there for him and helping him. plus, idk i just wanted to imagine them slow dancing to this. v. positions - ariana grande (covered by travis atreo) "perfect, perfect you're too good to be true but I get tired of runnin', fuck it now, i’m runnin' with you" i picked this cover because i felt like using ariana's one would be a little goofy for this section lmao, but i really like this song and how it's about commitment and doing everything to make a relationship work. i just wanted to throw some sexy vibes before this playlist delved into depressing stuff. also if you telling me tachibana wouldn't absolute body a tiktok set to this song you're lying to yourself. (section 3: oh no this is getting sad) i. forever - labrinth "i'll live forever" i love everything labrinth makes, the euphoria soundtrack lives in my mind rent free and this is my favorite one. this barely has any lyrics so, again, mostly a track i picked for its intrumentals and feeling overall. mostly preparing you for the sad stuff ahead. ii. hong kong - gorillaz "you swallow me i'm a pill on your tongue here on the nineteenth floor the neon lights make me calm" this is my favorite gorillaz song, by FAR, and i think it's introspective vibe really fits tachibana's character. not really a song about relationship but i really wanted to include it because it's just such a GORGEOUS song. iii. fragments - severon another instrumental track! this one i stole from a playlist my sister made for a fic i wrote last year. again. sad vibes. iv. sign of the times - harry styles (covered by LANY) "remember everything will be alright we can meet again somewhere somewhere far away from here" i loved the synth-y vibe this cover had, while still keeping this song's sad "our lives are dangerous and i'm about to die" vibes. i mostly wanted to evoke the vibe from the scene where tachibana agrees to go with lao gui after kiryu gets shot. just really sad all around. v. so close - jon mclaughlin "we're so close to reaching that famous happy end almost believing this one's not pretend let's go on dreaming though we know we are so close, so close, and still so far" me? picking a song from disney's enchanted??? for a playlist??? it's more likely than you think. idk this song just gives me that vibe of being so close to being happy and together, almost reminiscing and wondering what could have been. but it just... won't happen. vi. as the world caves in - matt maltese "yes, it's you i welcome death with as the world, as the world caves in" oops, yes, i had to go there. just couldn't resist including this song, and i feel like it's really self-explanatory. vii. places we won't walk - bruno major "neon lights shine bold and bright buildings grow to dizzy heights people come alive at night in places we won't walk" again, i feel like this song speaks for itself. a bit of a meditation on kiryu's perspective on things that could have happened, things they would have done, that kiryu will just have to do alone from now on. viii. carry me out - mitski "i drive when it rains at night, when it rains, i drive and the headlight spirits they lead me down the styx so black it shines and carry me out carry me out"

possibly the saddest and the most powerful song in this playlist, because i just had to put a mitski song again. the image of kiryu carrying tachibana's body is just constantly in my mind when i listen to this, but i could also see this song being from the perspective of tachibana's spirit. ix. arms tonite - mother mother "i died in your arms tonight i slipped through into the afterlife it was nice" lmao this felt a bit like a cruel joke to include, but i didn't want this playlist to end TOO depressingly. it's a nod to tachibana dying in kiryu's arms, sure, but also it's romantic and possibly a little hopeful (tachibana lives au!!! orpheus and eurydice au!!! fuck it, idk!!)  xi. everybody wants to rule the world - tears for fears "there's a room where the light won't find you holding hands while the walls come tumbling down when they do, i'll be right behind you so glad we've almost made it so sad they had to fade it everybody wants to rule the world" not a recommendation from my sister, but it is her favorite song, and she was happy that i included it. another 80's bop with sad lyrics! i feel like this is a lovely summary of their story together and it feels like a nice little bow to wrap up the playlist.  i hope you enjoyed my long ass explanations! i might add songs later (or make an entire second playlist altogether for the fic i'm writing rn, but let's not get ahead of ourselves)

[subasekabang]

Ties We Bind (& Break), Chapter 5

Author: composeregg Rating: T Word Count: 15435, Chapter total: 4170 Pairings/Characters: Joshua/Neku, Shiki/Eri, Joshua & Neku & Shiki & Beat & Rhyme & Eri in a queerplatonic poly-pile relationship. Hanekoma, Kariya. Warnings: Includes depression heavily, and mentions of suicide. Summary: One year after the Long Game, a tall boy named Yuuto Kimura, who has messy black hair, glasses, and bright green eyes, stumbles into Neku’s life, and he can’t help but let him get close, letting him join the circle of friends.

One year after the Long Game, Joshua aches to hang out with Neku again, but the restrictions he’s gained for his transgressions are very clear: Yoshiya Kiryu, Composer of Shibuya, is not to interact with Neku Sakuraba.

(But every rule has a loophole.)

Author’s Note: Each chapter is also being added to ao3! Here! (Small delay per chapter).

Featuring autistic/neurodivergent characters, the “Joshua is Neku’s Dead Best Friend” theory, and lots of headcanons abound.

“Where is he?”

Yuuto looks over at Neku from his place sprawled on Neku’s bedroom floor. The declaration makes him raise an eyebrow, and Beat, Shiki, and Rhyme sigh.

Neku is sitting on his bed, flopped over Beat’s lap with a sketchbook in front of him. Rhyme is leaning against its base, and Shiki has staked a claim on the desk chair. Yuuto himself has his back against the wall, laying on his side so he can look at the others. With Neku talking, he sets down his phone.

“Where is who?” he asks.

A sigh escapes him as Neku looks back. “My second week Partner.” Oh. “His name is Joshua, and I haven’t seen him since the last day of my Game.”

“You don’t talk about him much, Neku,” says Shiki, eyebrows scrunched as she looks up from her current sewing project.

“Yeah,” he mutters. “It’s complicated, guys.”

More than you know.

“He did somthin’ to ya, we know that, but you’ve never said what,” Beat chimes in, and oh, they’re prompting Neku. Trying to get the full story out of him.

Neku wavers, fingers tapping at the paper in front of him as indecision flickers across his face. He needs to tell them. Neku can’t keep this bottled up forever, nor can he wait for Josh to emerge.

All it takes is one Imprint. He doesn’t even notice the subtle sway wriggling its way into his head, urging him on, strengthening his impulse to spill the secret.

Tell them. What’s the worst that could happen? They deserve to know, and if Joshua protests, well, you were never told not to tell them.

“Joshua is the Composer, and he shot me. Twice.” The words spill past his lips, tumbling off his tongue, before he slaps a hand over his mouth, eyes widening.

Rhyme gives Yuuto a Look, making sure no one else notices. He shrugs back, sending a thought over to them: He needs to get it out, he’s bottled all this up. There’s nothing against the rules… Explicitly.

“What the fuck?” Shiki is staring at Neku, and Beat is too.

“It’s complicated–”

“Okay but what the actual fuck? He shot you!?” She stands, huffing and pacing the room, running fingers through her hair. “You still want him to show up after he did that to you?”

“Shiki please–”

“I’m wit’ her man, why would you want that?” Beat says, fist clenched.

It should concern Yuuto more, honestly. Rhyme is still glaring at him. Yet, all he can do is frown, and tap a finger to his chin. “I’m sure Neku has his reasons, why don’t we let him speak them?”

Neku shoots him a grateful look as the others quiet down, and Shiki flops back into the chair, keeping her mouth shut but her eyes on Neku, ready to judge if the explanation is satisfactory.

“Joshua is… Complicated.” Neku sighs, sitting up and leaning against the wall, instead of lying on Beat’s lap. It’s no doubt easy to pull away, pull into himself.

“I think he’s a lot like me. Or, before and during the Game he was similar to how I was when you all first met me. Only worse. Depression and loneliness gave him a misanthropic view of the world, and I could feel it.” He runs a hand through his hair. Gelled spikes don’t agree with the treatment, so he switches to twisting the end of one between his fingers.

“I related to him, we had the same sort of humor and outlook, except seeing his helped me re-evaluate my own. It hurt, when I thought he shot me, even though he was an annoying git. It hurt even more, when I thought he got himself Erased to save me, and I thought he hadn’t killed me for that last week.”

Yuuto keeps his expression neutral, a blank sheet of paper. The sacrifice might’ve been over-the-top, it might’ve been what kept Neku from shooting him. Neku knew what it was like to lose him, and he didn’t want to cause himself that pain. Again.

“I dunno…” Neku continues, “I don’t forgive him, but he was my Partner, and you all know what that’s like. He chose me as a Proxy, playing some fucked-up game with the Conductor. At the end…”

“You don’t talk about what happened in that final room,” Rhyme says, moving away from the bed so they can look up at Neku.

“The Conductor got Erased, and he challenged me to a duel. Whoever won got to choose what to do with Shibuya, he wanted to Erase the UG. Even with that motive, even knowing everything he did, I couldn’t pull the trigger. And he shot me. Again.”

A slight tremor runs through Neku’s body. His Music is a cacophony of noise, but Joshua keeps the Noise at bay, even when he looks like Yuuto. There are no tears, but grief wells within Neku.

“If he won, why is Shibuya still standing? Why did any of us get brought back?” Shiki asks.

“Erasing the UG wouldn’t destroy Shibuya,” says Yuuto. “Just the UnderGround, and a shiny new one would grow back. Erasing the UG, however, would Erase the Composer. If the Composer is Erased with no one there to take his spot, no Conductor or person who beat them, then the UG collapses.”

Neku freezes, the guitar strings of his Music snapping as he whips his head toward Yuuto. For a second, he thinks Neku’s caught on, he’s been caught, but… “Oh my god. Did he want to die?”

“I can’t answer that. You did say he seemed depressed, though.” Yuuto doesn’t look up, grabbing a safety pin off his clothes to pick at his nails with.

Of course Neku hadn’t caught him. He shouldn’t even want that. And yet, the idea of Neku piecing together the puzzle fills him with a soft fuzz, warm because it’d mean Neku knew him well enough to see through his disguise.

Maybe if he had all his memories…

But that’s an impossibility.

“Still… I trust him, he and I were Partners. We had a bond.” Neku waves a hand in the air. “The least he could do is meet up with me, because I want an explanation, he owes me one. But no! It’s been two years, and he’s nowhere to be found!”

Silence falls, until: “Maybe he can’t?” Rhyme asks.

Neku’s head snaps to look at them, eyebrows furrowed. “What?”

“Maybe… What if there’s rules you don’t know about, and he’s not allowed to see you?” they explain.

Joshua would hug them, if he could, but alas, it would be weird if he did that now, as Yuuto. He’ll send them a thank-you text tonight.

“If there’s a rule against visiting me but not one against shooting me then the rules are messed up. And if there is one, then he’s a hypocrite.”

Yuuto snorts, rolling his eyes. “Fair enough.”

“He still deserves to get punched in the fucking face,” Shiki says. “If I see him, I’ll chuck something at him for you.”

Neku laughs, and oh, no matter how much he gets to hear that nowadays, it still sends a buzz of energy through his stomach. Like being zapped by a lightning bolt psych.

“Well, if you get the chance, go right ahead, but make sure to tell him to stop being a coward, too.”

White light cascades from the rooftop of 104, obscured by the sun. He sits, legs dangling over the edge.

Rhyme climbs the stairs, and pops the door open.

Joshua doesn’t move. His edges are blurred, ink smeared and blended, and they can’t tell where he ends and Shibuya begins. Not RG, maybe not even UG, a frequency buzzing in the back of their head that sends static stabs through their skull.

They shove it to the side, and plop down by him. “So, sitting on the roof, huh? Wistfully staring out at the city?”

He snorts. “You know how it is: doubting life, and death, choices, being the emo seventeen-year-old you never got to be in life. Having a vague existential and moral crisis.”

“Is this… About what Neku said yesterday?”

“He’s right,” Joshua says, light surrounding him starting to dim. The harsh glow fades, and Rhyme can feel him slide down the vibes, into the RG. “I am a hypocrite. He deserves better.”

They headbutt him, leaning against his side. For all that Josh proclaims to be cold and dead, the warmth emanating from him is full of life. Maybe it’s fake, meant to comfort, or habit so he doesn’t alarm any of the group with clammy skin claimed by the grave, but they think it helps his mental state, too.

“He doesn’t want better though, he wants you. Tell me your side of the story.”

He sighs and flops onto his back, staring up at the sky. “He was meant to be my replacement. I wanted to be gone. I’d messed up bad, and he was so much like me, in so much pain, that I thought the Game could make him better, and he could free me from my misery.”

Looking down, the distance to the ground is far, the people below flowing like rivers, intermingling and dispersing. Individuals are lost to the crowd. “There’s more, isn’t there? You fixated on Neku for this, instead of anyone else.”

“Neku deserves to be the first to learn about that reason. Sorry, but it wouldn’t be fair.”

They nod, and swing their feet.

“You shouldn’t be so close to the edge, you know,” he says, and they laugh.

Pulling their legs up, they flop around so their head dangles instead, hair blowing in the wind. “If I fall, you will most certainly catch me.”

A rustle is the only sign they get that he moves, until he sits right on their feet. “And now you won’t fall at all. Beat would skin me if he knew I let you do this.”

“Nah, Neku and I wouldn’t let him.”

“So,” says Shiki, “you like him, don’t you?”

It would be useless to flail his limbs, sputter and deny her words, so instead, Yuuto sighs and nods. “What gave me away?”

She laughs, rolling her eyes. “You’re pining, it’s obvious to anyone with eyes. You sprawl yourself over him whenever he gives you permission, like a cat seeking affection. You’re always staring at him when he isn’t looking!”

A cat seeking affection, he snorts. “I’m just a big, cuddly snow leopard. I’m touchy-feely with all of you, how is it different with him?”

“Even on your bad days, you lean against him. You don’t let anyone else touch you, but he’s always allowed,” she says.

“I guess,” he shrugs, tapping his pencil against the paper in front of him.

Since becoming friends with everyone, his apartment had become lived in. Trinkets and gifts from the past year fill the space. Shiki has given him some plushies, and pillows with pretty designs rest on the couch where she sits. Eri’s gifts are clothes picked from the rack, if it’s not a joint-gift from her and Shiki in the form of clothes they’ve made.

Beat has taken to cooking, and Yuuto keeps his kitchen stocked. In return, he gets good food and a skateboard resting in the entryway closet. Rhyme gives stim toys, from the reversible-sequin snap bracelet to the rainbow tangle.

As for Neku… Art hangs on the once-barren walls. A landscape of Shibuya in watercolor hangs behind the couch, and a portrait of the entire gang is framed and placed near the entrance.

Papers and pencils are scattered everywhere. Neku keeps a case of art supplies here. Everyone has small projects that have taken up residency, and Shiki is working on one of them now. Stitching a snow leopard into existence.

“The thing you’re working on, it’s for Neku, isn’t it?” Shiki asks, breaking the silence.

He nods. “I’m composing. I’ve got most of it down, in fact it’s pretty much finished, but I’m worried… Will he like it?”

She looks over at him, a quick glance before her eyes dart away again. “What? Are you gonna serenade him or something?”

“Yes, actually, I am,” he says, tossing the paper to the side and himself to the floor. It’s pointless to sit on the chair when it impedes his creative flow. “But it’s so impossible to know if he’ll appreciate it. If he’ll understand my reasoning. I don’t even know if I want him to know yet!” he moans, rolling onto his side.

“Then play for me,” she says, like it’s the most simple conclusion in the world. “I can tell you if he’ll like it, at least.”

Yuuto perks up. “You’d be cool with that?” When she nods, he jumps, dashing to his room to retrieve the violin.

She doesn’t see it appear from thin air in his hands, doesn’t see his form flicker ever so slightly. He comes back looking like Yuuto as always.

“Serenade me, music boy.” She stabs the animal in her hand with the needle again, something to fiddle with so she can enjoy the music more, no doubt.

A laugh. He sets up the stand for his music, and positions the violin. “Now, ideally, this is somewhere like, WildKat, and I’m wearing one of your super fancy suits, but we can discuss that later.”

Yuuto raises the bow, and lets the magic happen.

Fast-paced, running through Shibuya streets with the beat, weaving through crowds and ducking into back alleys. It starts soft, then crescendos. He closes his eyes, letting the high notes weave together with the low.

The pulse matches time with the heartbeat of the city, spray paint graffiti hits the wall. The echo of a drum plays through his tune, noticed by its absence. A solo player is not a quartet, is not a band, and he does not have techno parts to add for a violin solo, but he lets the music do the talking.

Imagination weaves through the notes, calling forth the memory of other instruments, adding the illusion of more than there is.

Yuuto steps in time, sways, pacing a fluid circle to match his song. Not his song. Neku’s song, Neku’s Music. Music warped and persuaded into playing on a single violin, playing over the strings to describe him.

Magic is kept to a minimum, he doesn’t call forth the actual sounds, or implant them as more than elusive notes, but it’s impossible to give off the feel he wants without it. Impossible to transcribe the flashes of orange and piercing blue, the splash of color he brings everywhere, the conflicting notes and discord of life.

Joshua does his best, but there’s only so much he can do without dropping his disguise.

The final note draws out as the song comes to a close. The real one plays on elsewhere in the city, but he cannot play his violin all day.

Opening his eyes, he looks to Shiki, finding her staring on with awestruck wide eyes, and a jaw dropped far enough to catch flies. The snow leopard in her lap left abandoned.

He bows with a flourish, before setting his instrument down.

“So, think he’ll like it?” Yuuto asks with a grin that wavers like the final note.

“If he doesn’t fall head-over-heels for you after hearing that, you’re shit outta luck my dude.”

She stays unnoticed, trailing behind Yuuto after the weekly meetup. Shiki doesn’t want to suspect a friend, but he’s suspicious, plain and simple.

Yuuto doesn’t make it to every meeting, which she can understand, but it’s a regular occurrence every few weeks. He’s had lunch with a Reaper, chatting like old friends. He knows too much about the Game, more than any of the Players should know, more than Neku ever learned.

WildKat is the destination, and she hangs back to watch through the windows as Yuuto enters. Standing in the shadow of a nearby building, staying out of sight, she expects to find some shady business going down.

Shiki doesn’t expect him to have a fucking magical girl transformation.

Bathed in a glow of light, his features blur, glaring against the window. As it fades, black hair grows and turns white, his body shrinks, and the glasses he wears are removed. His skin goes pale, and–

She’s seen him before.

She doesn’t need to see the violet eyes or the smirk to know that frame. He’s talking to Mr. Hanekoma, facing away, but the picture rings clear in her brain.

Neku has filled pages upon pages of his sketchbook with that person. She’s seen him in the ink staining paper while he vents far too often.

The bell chimes above her head, and she’s faced with Yuuto again. The last vestiges of creamy light fading from view, dismissed as aftereffects of being in the sun if she didn’t know any better.

“Hey, Shiki, what are you doing here–”

The steel in her eyes leaves no room for him to finish that sentence as she marches over to him, her voice a snake’s hiss. “You have ten seconds to explain to me what the fuck I just saw, starting now.”

He slides off the stool, taking a step back from her pointed finger. “I don’t know what you’re talking about.” He laughs, rubbing his neck.

“Try again. You changed. I saw that. I saw who. Six seconds.”

Yuuto scrambles, holding his hands in the air as he retreats, back to the window. “Okay, okay. It’s. Shit, it’s complicated. Give me a moment.”

She holds up five fingers. In the silence, she ticks it down to four.

“I can’t, okay? I can’t. There’s… A lot. Where do I start?”

“Start with why the fuck you’re hiding your identity from all of us!” He’s down to three fingers now, and as Mr. Hanekoma slips out of the room, she takes note of the steaming cup of coffee on the counter.

“Well,” two fingers. “I wasn’t hiding it from all of you. Rhyme figured it out in a month.” He takes another step back. “I just… I can’t tell Neku who I am, okay?”

“So you’re a liar, then?” One.

“No! Well, yes. It’s complicated, give me some time to–”

Gravel escapes her throat as she huffs, grabbing the cup and throwing it.

The scalding coffee never reaches its target, suspended in midair, lid popped off as some splashes over the edge.

Yuuto’s eyes glow violet.

The glow washes over the rest of his body, and vanishes when he blinks.

Joshua stands in front of her. Coffee hangs between them. His hand is still outstretched.

“Give me one good reason why I shouldn’t walk over there and punch you. Or take a picture and tell Neku.” Her voice is flat, buried deep in the anger boiling in her stomach.

“You can’t tell Neku. If he knows, Yuuto will have to leave without a goodbye,” Joshua says, waving his hand so the coffee settles on the table. “I’d hate to do that to him, but you’d give me no choice.”

“You coward,” she spits, acid burning her tongue. “You’d do that to him? What, can’t face the truth? Can’t face his judgement of you?”

It burns. Fire burns in her, eating away at her stomach as the fumes leave her mouth. She’s biting back the flame, for now.

“It’s beyond my control! Give me a chance to explain, please!” His voice cracks, wavers like a pane of glass balanced on its edge.

“Explain what? How you’re lying to us? How you’re trying to manipulate me, so I don’t tattle? How do you explain shooting someone in the face? How do you fucking explain what you’ve done to Neku? What you’re doing,” she flings her arms wide, “to him!”

Reality splinters.

Time tips on its axis. Cracks run through her body, she vibrates a pitch just out of reach, on a different frequency. Static leaks into the air, humid and heavy. She’s frozen, an ancient crumbling statue ready to collapse, unable to hold back the torrent of power coursing through her.

It wants to escape. She gives it a channel.

Mr. Mew launches himself from her purse at Joshua, who scrambles back, collapsing on a chair as he tries to get away from the stuffed cat. Curses fly from his mouth as the echo of light flies from his fingertips, trying to bat the cat away.

All it takes is one hit and Mr. Mew stills, dropping to the floor like his strings were cut. Shiki stares.

She’d done that. She had made Mr. Mew move in the RG. She’d used a Psych.

Joshua is staring at her, she’s staring at the plushie. Her anger stewing in her stomach is stirred by confusion, cooling for a second to digest this.

Joshua stands, inching closer, but not too close. “You’ve still got your power, but don’t worry. You’re firmly RG right now, WildKat is on a thinner part of the boundary between the planes, and nobody in this group of friends has been left untouched by the UG.” Hesitance is scrawled on his face, and his hands bounce, fingers tapping at his leg.

While it helps her to know she hasn’t flipped to the UG, this draws her attention back to him, and she pierces him with an icy glare. “Don’t test your luck by trying to change the subject. Tell me what you’re trying to accomplish. Or I’ll try doing that again.”

“I want to be friends, is that too much to imagine?” he asks.

“After everything you’ve done? Yes! You’re playing at some kind of game here, and I don’t trust it. I don’t trust you.” She steps forward and picks up Mr. Mew, so he doesn’t go flying off again. She’s ready for some retort, some proof, or a laugh.

She doesn’t expect him to go blank. To shut down. He closes his eyes, and they stay closed for a few seconds. Arms go slack, mouth drops into neutrality.

When he opens his eyes, she takes a step back, because they’re dead.

Yuuto is known for his energy, his laugh, the glint of mischief in his eyes. He doesn’t sit still, he can’t. It only happens when he hits a slump.

Joshua very much resembles that rare Yuuto, cold and tired. Dull violet eyes meet hers for one second, before he glances away. HIs voice has slipped into a monotone as he says, “If that is what you believe, then there is no point in me saying anything right now. If you choose to listen to one thing I have said, let it be the fact that if you tell him, he will lose a friend.”

She must blink, because one second he’s there, and the next he’s gone.

Shiki: ^Rhyme listen trust me.^

^I need you to kick Yuuto from the group.^

^He’s trash we don’t need him around but you’re the one with admin powers in the game chat.^

Rhyme: ^Oh did you find out too?^

Shiki: ^Wait what?^

^You actually know?^

Rhyme: ^Of course. If he told you I do, then yeah, I do.^

Shiki: ^And you’re just???? Letting him stick around? You haven’t said anything!?^

Rhyme: ^I’ve always been able to tell.^

^I still have residual instincts from when I was a Noise.^

^I sensed something off about Neku’s second week Partner when I was Noise, and I remembered that. It felt the same around the Composer. And Yuuto. I put it together and he told me what was up.^

^He can’t mention the whys directly, so he dances around the subject until you figure it out. Hints and clues because I don’t think he’s allowed to say it or anything.^

Shiki: ^He’s been lying to us for a year now! And you heard from Neku what he did!^

Rhyme: ^I’ve gotten to watch him as both Yuuto and Joshua for a year now, though.^

^He’s the same person, always. A different face, a different name, but he’s got the same personality. Just, as Josh, he’s more open and honest.^

^I trust him. He’s helped me work through some of the residual Noise stuff, and he wishes he could tell Neku, tell everyone.^

Shiki: ^Then why DOESN’T he? Why not tell us all? He could’ve told me and Beat way earlier!^

Rhyme: ^The more people who know, the more likely someone will slip up and reveal it to Neku.^

^And besides, he plans on telling everyone after he tells Neku. Once he’s allowed, he will. I’ve seen how it’s eating at him, he wants to, but he can’t right now.^

^So no, I won’t remove him from the group. I don’t think he has many people he can befriend, and we’re some of the few he does. I’m not going to take that away from him. Besides, we’d have to explain it to the others, somehow, and I don’t want to reveal the truth and force him away.^