#also just realized i lost the old editor....f in the chat

[marciliedonato]

can you believe someone replied to my pmore post like. a quote reblog with a whole ass paragraph in the tags and they used to be a fyeahparamore type page once apparently and now i check my notifs bc i wanted to read her tags again and not only did she delete it she BLOCKED me and then i go on her blog and shes a swift*e like. girl did you not read my fucking post it's literally right there. i said idc for her at all and the post was expressing disappointment in this choice from them and her name was censored.....like, stop the presses: fork found in the kitchen??? girl huh. is reading comprehension not a thing anymore or....

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[limejuicer1862]

F WORD WARNING

Wombwell Rainbow Interviews

I am honoured and privileged that the following writers local, national and international have agreed to be interviewed by me. I gave the writers two options: an emailed list of questions or a more fluid interview via messenger.

The usual ground is covered about motivation, daily routines and work ethic, but some surprises too. Some of these poets you may know, others may be new to you. I hope you enjoy the experience as much as I do.

Amanda Earl

is a Canadian poet, publisher, prose-writer, visual poet and editor who lives in Ottawa, Ontario. Her first and only poetry book so far is Kiki (Chaudiere Books, 2014). Amanda is the managing editor of Bywords.ca and the fallen angel of AngelHousePress. Connect with Amanda on Twitter @KikiFolle or visit AmandaEarl.com for more information.

The Interview

1. What inspired you to write poetry?

I didn’t even realize I was writing poetry until my mid thirties. I scrawled on pads of paper from my parents’ workplaces, all kinds of confessional stuff and complaints and lists. I made notes on index cards about everyone I knew and filed them in a metal box. I just wrote. I didn’t label it. I heard nothing but poetry by men from early childhood and up, whether it was in school or recitations by my father: Shakespeare, Victorian morality poetry, Edward Leer. I liked the rhyming and the sound play, and the images, but I rarely related to it. I dismissed the thought of poetry from my head.

In my mid-thirties, I was going through a period of depression and searched the Internet for solace. I came across the poet Mary Oliver’s poem, Wild Geese, Lorna Crozier’s Carrots (https://jeveraspoetryanthology.weebly.com/carrots.html) poem and also Gwendolyn MacEwen’s fascinating and dark mythological poems. These excited me and made me realize that perhaps I was also writing what could be called poetry. I still wasn’t sure.

2. Who introduced you to poetry?

My father, I suppose, but it didn’t feel like an introduction. He was always reciting poetry to me as a child.

3. How aware were you of the dominating presence of older poets?

More like the domineering presence. Since school curricula for literature were dominated by dead white men, I knew nothing about women poets until I found them in my Internet search in the 90s.  I wish I’d known about Plath and Sexton in my teenage years; although what darkness I would have dredged up back then under their influences… When I first started to realize I was writing poetry, it took me some time to find out about poets like Anne Carson who is willing to step out of traditional form to make poetry out of the long lost fragments of Sappho, accordion books about grief, little chapbooks placed in a box so readers can rearrange at will. Or Caroline Bergvall and her mesmerizing engagements with Old Norse. There’s just so much possibility out there for poetry and yet quite often the same white men, dead or alive, have their work published again and again and win prizes and are taught as the poetry that matters.

4. What is your daily writing routine?

According to Mason Currey in his book, Daily Rituals: Women at Work, the photographer Diana Arbus ritual was sex. (https://www.artsy.net/article/artsy-editorial-daily-routines-10-women-artists-joan-mitchell-diane-arbus?fbclid=IwAR2fXdj7OUukk2c_-RUU8mxIhor8FRPaSWU3yJ0_f_W0t_DzUR8LQ3y3ej0) I usually start my day off with a good wank and at least an hour of pervy chat with a few random strangers. I shivered this morning after a particularly good orgasm. After that I drink Irish Breakfast tea, burn some incense and write or go outside, if it’s not too hot or cold, and wander about until I have no choice but to write. I carry a red journal with me for snippets of overheard conversation, some weird sound play that comes to me, or a doodle. My red journals are smeared in paint and tea stains.

5. What motivates you to write?

1. Lorca’s concept of the duende (https://www.poetryintranslation.com/PITBR/Spanish/LorcaDuende.php) Death is near. I don’t want to be immortal, I just want to continue the conversation. I’m influenced by ghosts, such as Oscar Wilde and Djuna Barnes, Leonora Carrington, Jean Cocteau and Beatrice Wood.

2. Alienation. In some ways I live the standard North American life, but in others I don’t. I write and publish others full-time. I don’t have a nine to five job. I don’t drive. I don’t own property. I live downtown. My husband and I are in a passionate and open marriage. I write to reach out to that one kindred misfit in hope that they feel less alone. The Tragically Hip song “It’s a good life if you don’t weaken,” (https://www.youtube.com/watch?v=gwNVxvczgCs&feature=youtu.be) comes to mind. “Let’s get friendship right.”

6. What is your work ethic?

I follow three principles: whimsy, exploration and connection. I want to play; I want to learn new stuff and I want to write things that connect with those alienated by convention and the lonely. I punched a timecard as a late teen and I saw my parents punching those same damn cards. I loathe systems and routines and any attempts by external authorities to dictate my time, so I rebel against any system. I write because I breathe. It’s just part of me. Writing isn’t as tough as plumbing or surgery.

I serve the work rather than dictating what the work will be. I once spent three months learning about the sonnet because the manuscript I was working on had to be made up of sonnets, not because I wanted to but because the content required it somehow.  I wrote three of the damn things and gave up. They were awful. That manuscript remains unpublished.

I try to remain grateful and humble to have the opportunity to write. Sometimes my work gets published, which is a huge honour. I try to be careful not to let my ego tell me how great I am, because I’m not. I’m just in the right place at the right time and have found the right publisher somehow. This happens rarely.

I try not to take up too much space and leave space for writers who do not have the benefits granted by white colonialist publishing policies and attitudes that continue to prevail. I try to promote and publish 2SLGBTQIA, BIPOC, and D/deaf and disabled writers and look for ways I can support them when I can. I don’t do this enough.

7. How do the writers you read when you were young influence you today?

I read the Exorcist, Mad Magazine, Archie Comics and Harlequin romance novels as a youngster. These works gave me a sense of irreverence that is important for my writing. In high school and university I studied French, German and Italian and finally got excited by literature. Dante made me fascinated with Heaven and Hell; Kafka made me fear insects; Baudelaire made me want to drink red wine. Rimbaud showed me that synaesthesisa, which I have, was not just something I experienced. Later I read Milton’s Paradise Lost. Early influencers of the long poem, I suppose, and the epic. I am writing an anti-epic these days. Red wine isn’t something I can stomach easily anymore. Now and then I’ll have a little Lagavulin in the tub.

8. Who of today’s writers do you admire the most and why?

Nathanaël for Je Nathanaël, for working in the spaces between genres and writing so beautifully of the body. Sandra Ridley for her ability to write long, mesmerizing poems and read them as if they are incantations. Christine McNair for syntactic daggers, sounds that are bitten off, and charm. Anne Carson for her sense of play and versatility. Canisa Lubrin for Voodoo Hypothesis, which is the only book she’s written so far, and it’s brilliant. I am awed by the skill in these poems, not just on a poetic level (diction, imagery, lineation, structure, balance) but also by the power of one writer’s willingness and ability to so effectively dismantle and bring to light the ongoing effects of racism while offering in-depth and tangible illustrations of the othered. Alice Notley for the Descent of Alette, a most extraordinary long poem. rob mclennan for his prolific writing and quiet poetry and bizarre wee stories. Amber Dawn for brave femme truths and incorporating subjects that are traditionally taboo in mainstream CanLit, such as sex work. Joshua Whitehead for the sheer invention and brilliance of Full Metal Indigiqueer which takes down the literary canon so skillfully. The writers in the anthology Stairs and Whispers: D/deaf and Disabled Poets Write Back Edited by Sandra Alland, Khairani Barokka & Daniel Sluman (http://ninearchespress.com/publications/poetry-collections/stairs%20and%20whispers.html) for the versatility and beauty of their writing. It’s good writing and more people should be aware of it. Ian Martin for self-deprecating comedy. Erín Moure for Elisa Sampedrin. Lisa Robertson for the gift of the sentence. Gary Barwin for his whimsy and willingness to play in numerous genres and media.

I wish Djuna Barnes was here. I’m always looking for a modern-day equivalent. Nightwood was an exquisite and poetic novel.

9. Why do you write, as opposed to doing anything else?

I don’t just write. I also play with paint, make visual poetry, which some might say is a form of writing, run two small presses, which do a bunch of things. I spend too much time on social media. I make countless lists. I watch a lot of films and tv. I listen to music. I wank. I fuck my husband. We cook glorious meals together. I go on long rambles and spend a lot of time in cafés. I cry and worry every day for the persecuted in this topsy turvy era where the Ogre in the House of White is making us all fear that the end of the world is close.

All these activities and emotions enter into my writing in some way.

10. What would you say to someone who asked you “How do you become a writer?”

I don’t know. I focus less on being a writer and more on writing. Writer sounds like a title and titles have a bunch of preconceived expectations I can’t satisfy. Same with poet. I just write.

But I guess, I’d tell them to be gentle on themselves, surround themselves with books, art, film and whatever inspires them. Ignore prescriptive rules, such as write what you know. Heather O’Neill, a fiction writer I admire, once said that for her to write, she has to be angry about something. At least that’s what I remember her saying at an Ottawa International Writers Festival event.

For me, I have to feel emotion of some sort, whether it is anger, sadness, love… I guess I would say to the person who wants to write that they are going to have to make sure that they don’t numb themselves. It’s easy in this era to want to numb ourselves against all the pain and suffering and power games going on, but when we numb ourselves, we don’t feel and if we don’t feel, it’s hard to respond. Writing, whether it’s directly political or not, is a response to what’s around us. I think it takes a great deal of empathy to write. It takes close listening and close watching.

Find a mentor. I’ve been fortunate in that rob mclennan has been extremely supportive of my work. He’s been honest when the stuff is shite. I still remember taking my first of his poetry workshops in 2006 and him telling me I was writing zombie poems.

He’s published many of my chapbooks through above/ground press and my book, Kiki through Chaudiere Books. He always encourages me to write and he has introduced me to many of the poets I mention in my list of influences and more. He does this not only for me, but for numerous others. It’s amazing!

11. Tell me about the writing projects you have on at the moment.

I was fortunate to have received a grant from the City of Ottawa for Beast Body Epic, a long poem that I began a few years after a major health crisis in 2009 and have been tinkering with ever since. So I’m going to finish tinkering and submit the manuscript for the fourth time toward the end of the year.

I have a smaller manuscript called The Milk Creature and Mother Poetry, inspired by Diana di Prima, one of the women active in the Beat poetry scene.

I’m working on The Vispo Bible, a life’s work to translate every chapter, every book, every verse of the Bible into visual poetry. I began in 2015 and have completed about 300 pages so far.

In 2018, I began work on a novel. Its working title is The Nightmare Dolls’ Imperfect Reunion. It’s about women, health, ageing, friendship, gender, and it has a helluva soundtrack. (https://open.spotify.com/playlist/5B1GAgN046EdtrBLXiNoni?si=NIbexI5mQqKnr54qfmJ7ZQ)

Amanda Earl is a Canadian poet, publisher, prose-writer, visual poet and editor who lives in Ottawa, Ontario. Her first and only poetry book so far is Kiki (Chaudiere Books, 2014). Amanda is the managing editor of Bywords.ca and the fallen angel of AngelHousePress. Connect with Amanda on Twitter @KikiFolle or visit AmandaEarl.com for more information.

Wombwell Rainbow Interviews: Amanda Earl F WORD WARNING Wombwell Rainbow Interviews I am honoured and privileged that the following writers local, national and international have agreed to be interviewed by me.

[damnnngirl-things-blog]

Roni Marsh- DamnnnGirl

For a special spotlight, we interview DamnnnGirl's Co-Founder and Managing Editor. We dig into questions about how Damnnn Girl started, life and many other fun questions. Read below! 

Do you remember how we began discussing the thought of DamnnnGirl? Where were you? Where were you professionally? And how did the topic come about?

I was in Houston working my first big girl job at a creative agency -- lost and alone. I really wanted an outlet. I wanted a place to vent. I wanted a community for myself and my peers so I said if we can’t find it why not create our own?

What made you choose public relations? You’ve been an entertainment personal assistant, worked in event management and marketing, what led you to Public Relations?

I went to college thinking I was going to follow in my parents’ footsteps and go into the medical field, but boy was I wrong! I got all the way up to Cal. 2 and Chem. 2 and said “nah this ain’t for me bro” and I decided to search for something else. Like any other college student, I didn’t know what the hell I wanted to do. I knew I was good with people. I knew that I had fun planning events with all of the organizations that I was involved in and someone said you should try communications. So I did and I fell in love with it. But once again, I knew I loved communications, I just didn’t know which part of communications to focus on. So I tried a little bit of everything. Public relations was a constant in all of those positions, so I decided to make it my thing.

What makes your heart sing professionally? What do you love doing?

Helping and empowering people and creating new ways to do these things. I feel like I come across so many awesome people on a daily basis and I want to help them reach their goals. That’s what I love to do.

This website has been developed as a safe haven for professional women with dreams and hopes of conquering the world but also letting the world be our oyster. What is the biggest lesson you’ve learned?

That everything takes work and everything takes time. Patience has never been one of my virtues but in starting this journey I have had to learn patience. It’s important to learn that things will never come instantly. Things take time. And sometimes it isn’t quite time for your flower to bloom yet.

How do you pick yourself up after falling, after quitting a job? After a terrible heartbreak? We’ve all been there, we’ve all been grueling on the floor from disappointment how do you bounce back?

I was listening to a Podcast “The Read” the other day and they discussed when recovering from a breakup it’s important that you mourn the relationship before moving on. I think that’s  what you have to do after every disappointment that comes in life. Give yourself time to process, to cry, or to say “F him” or “f this Job” you need to do these things. Its healthy. Then you get your shit together. Fix your crown. Remind yourself who you are and what you capable of and then you move on. And in this process remember that God’s plan is always bigger than yours and if something didn’t work out it was a lesson. Life is full of blessings and lessons and in the end everything turns out to be both.

What is family to you? How big is your family?

Family is everything. Everything. My family and I are so close and I don’t think I would be where I am without them. Especially Ronald and Alexis (my parents) those two are my everything. They will literally pick me up off of my face every single time and I am forever grateful. My family is pretty big, and when I tell you we are all close we are lol. We all have group chats to share the family tea and keep up with each other.

Where do you see yourself in 5 years? Where do you want DamnnnGirl to go?

I see DamnnnGirl becoming larger than anything I can imagine, I see it becoming a true community for professional women looking to find an outlet. I want to start hosting events, conferences and selling merchandise. As for myself, I plan to quit my 9-5 and focus on DamnnnGirl and any other ventures that may come up in the future. I want to be in a better mental space, debt-free and able to live freely without having to check in with someone first. That’s where I will be in five. Living by my own rules.

Why DamnnnGirl?

When we started this we went through so many different name changes and Damnnn Girl stuck. When you walk into a room and you see another woman either looking extremely beautiful or just doing the damn thing? You either automatically say out loud or to yourself DAMNNN GIRL! That’s where that came from. All the women mentioned or are apart of the site make me say that.

Today is your birthday, what does that age mean to you? Where did you see yourself at this age in college? Are you impressed?

This age meant it is time to get my shit together. Seriously. In college, I kind of pictured that I would  be here or somewhere near here I just didn’t know how, where or when. I am not necessarily impressed with myself but I am damn sure not disappointed. There are days where I sit back and I think how truly far I came as a person both emotionally and professionally. So much has changed in such a short amount of time.

What do you love about being a woman?

Everything. It’s amazing. We have the ability to bring life into this world I am not sure it gets more powerful or amazing than that.

What’s self care to you?

Taking time for Roni. Doing mental check-ins with myself to make sure everything is alright up there. I think we often get caught in what’s going on in the world that we forget to take care of ourselves but this year I have started to take that a bit more seriously. I even meditate now. I take five or ten minutes to just unplug and unwind it does wonders for my body. But self care can be anything that involves you. If that means going shopping, getting a manicure or hanging with the girls, all of those things mean self care to me.

Gifs or Kimojis and why?

Kimojis duh lol. Kim is my bestie in my head and her emojis are so fun and risque I am quick to use one.

Number one used gif and kimoji?

No judgies. But twerking kimoji gets used quite often (lol)

Top or bottom loll?

Both? Because…. depending on the day (LOL)

What are your thoughts on gender roles?

I am old school in the sense that I still believe that some gender roles still exist while others have evolved. I think that’s okay too. Some people don’t believe in them at all, which is okay too. I do though. The way I see  the woman's role and the man's role in a relationship is definitely outdated.

What’s important to tell to your women wanting to branch out, brand themselves while still taking Corporate America by storm?

I think it’s always important to create something for yourself outside of your corporate position for a number of a reasons: another stream of income, doing something that you love or are passionate about, and remembering that jobs aren’t forever so having something else outside is amazing. Women can do amazing things and hell why not do those things while still climbing the ladder?

Quick quote to your 23-year-old self? We had just started Damnnn Girl?

“Be patient mama, it’s coming”-- I have had to tell myself this several times in my life. I want things to happen now. I don’t want to wait. I wanted DamnnnGirl to be great as soon as we thought of the idea but I realize more and more that things take time and a lot of trial and error to get right.

Fur or thigh highs? That seems borderline offensive but either or

It’s extremely offensive that you would ask me to pick between two amazing things (LOL) but I guess since I must chose definitely thigh highs because you can have more fun with them.

What’s your I’m feeling myself outfit go to?

My legs are my favorite part of my body so a mini dress that shows off these babies is always a go-to for me.

Partition or Drunk in Love?

Ha. Rolling up the partition while we’re drunk in love.

 How do you work with a person like me who has a type b bohemian personality? I’m crazy and difficult and we’re both confrontational? How do you do it?

Goodness, it’s hard but it’s worth it. I have learned so many things about myself and you because we have such strong personalities and finding the balance between the two has been and probably always will be a struggle for us but when we really get it together beautiful things happen. I do it by being patient and playing on our strengths and not focusing so much on our weaknesses.

What has it been like to work on a project and be on opposite sides of the world? Best tip for keeping it cute and staying semi conflict free?

It’s hard and it is not easy and quite honestly it is not something I would recommend anyone do. Like at all. Because time is always be a constant issue so finding ways around that is important to keep the relationship and partnership strong. I think the best tip I can give is that put your friendship first and foremost and don’t forget why we started this thing in the first place.

Biggest lesson you’ve learned through this partnership?

Never forget the end goal and do not get caught up in the arguments. Let things and always get back to the bigger picture. Sometimes we lose sight of that. Always get back to work.

   Special Thanks to Bradlei Smith, TransMaxMedia and the IncYOUbator!