#also it looks like there's a lot of moving parts

[harmoonix]

S T A R G I R L

ʀᴀɴᴅᴏᴍ ᴀꜱᴛʀᴏʟᴏɢʏ ᴏʙꜱᴇʀᴠᴀᴛɪᴏɴꜱ

🧊 Those who are ruled by Jupiter or have Jupiter as a dominant planet have it easier in life since Jupiter grants luck, happiness, prosperity. This depends also if you have good aspects to Jupiter

🧊 if you are favored by Mars (Having Mars in a good sign like Aries, Scorpio, Capricorn) there is a chance to have less fights/arguments/drama in your life, depends on the aspects of your mars

🧊 Saturn ruled natives have dark aura, dark does not equal bad, is just darkness, their beauty relise in the dark, is always secretive and mysterious

🧊 Lilith aspecting the ascendant can be prone to attract toxic people, some people can also think that you can be 'toxic' or 'bad' with these placements

🧊 Mars can feel more lazy when is around an earth sign/house or degree, it moves more slowly than usual

🧊 Pluto/Moon or Neptune in the 9H can be attracted by occult, magic, withcraft, tarot, etc. These placements are also called 'bewitched' in this house

🧊 I find natives with Pluto or Saturn in the 11H to be very secretive around their friends and social circles, like nobody knows them truly

🧊 If Pluto is in the 10H and badly aspected can indicate 'power - hungry' doing anything to obtain what they want which is not good in most cases

🧊 Jupiter aspecting your ascendant can bless your appearance and looks, something about you is beautifully written in the stars

🧊 I know people who have lots of Virgo Placements that would like to work in fields where they can help others, like a therapist, a doctor, etc

🧊 If you have no aspects or empty North Node, it can indicate that your life is not that much impacted by things, like going flawlessly with your life

🧊 If you have Lilith aspecting the Sun, you can end up being blamed for things you never did, Lilith usually takes the bad part of the sun which represents the ego and turns it against others

🧊 I know by a fact that air and water placements can get influenced by the weather, it can influence their mood the most

🧊 Neptune/Chrion/Sun in the 12H/1H can make the native to be moody in a sense of getting into a depressed state easily than others

🧊 People with their Moons in Sagittarius or Pisces may like to sugarcoat others, in a way to be more 'indulgent' to others and to keep their hopes high both being ruled by Jupiter

🧊 I don't usually talk about synastry but looking at the Venus in a couple synastry chart can show how your partner gives/offers love to you

🧊 Venus in Sagittarius, Gemini, Aquarius can have the best luck in finding partners who will give them freedom in a relationship, since your Venus can show 'lovely' things your spouse can do for you

🧊 Saturn conjucting Lilith is one of the most painful placements to have in a chart. Everything that Saturn touches it becomes strict. It can strict yourself from your sexual energy

🧊 Lilith in your 4H can talk about breaking bad things from your family, like habits, addictions, trauma

🧊 I deeply wanna talk about Scorpio and Cancer Lilith because both of these have issues with their emotions, feeling safe/secure comforted, lacking love from parents or partners, both signs struggle in these areas and these are not easy signs to have Lilith in, especially if you have a traumatic history

🧊 Uranus and Moon in the 6H are planets which pay a lot of attention to their mental health, they always prioritize it

🧊 Libra Moon/Venus/Eros/Juno will feel dissatisfied in life if they don't have a sensual/romantic connection with their partners

🧊 a Scorpio moon/8h moon will value intimacy a lot in their relationships, beside being important, is also a healthy way to express themselves

🧊 Saturn in Virgo or in the 6h, or at 6° 18° may struggle with organization, finding an order in their lives, can be chaotic and the person may find peace in a chaotic environment with this placement

🧊 Saturn in the 12H/Pisces/ at 12° 24° makes a native to be confused, about their life, their career, job, family, relationship. Is like you live in a fog and you can't see the things you have around so these things can confuse you

🧊 Mars is a cruel planet, is not a sweet candy and will not stay to sugarcoat nobody in life, Mars will put action in your life

🧊 Sun harshly aspecting the Neptune can indicate 'hiding' yourself from the world, you can be anxious around others, not wanna be seen

🧊 Your 4H can talk about your home and the way you take care of it, having harsh aspects to your 4H ruler can indicate having a hard time to take care of your house

🧊 Scorpio Venus can be invested in their partners sexual life, your partner may not give the same energy back to you while you may crave it

🧊 Earth Signs in the 12H may deal with their subconscious more harshly, they can constantly judging themselves and being critical which is a pain for your subconscious. Give yourself a break from all the negative things

🧊 Jupiter and Venus aspects match so good if you're looking for a partner or a relationship, you can be blessed with a good marriage as well

🧊 I heard that a good time to look for a relationship is when you have your Jupiter Return or that most people find their love during one

🧊 Saturn in the 8H/Scoprio or at 8° 20° can struggle with their sexuality, in a way that they may feel shameful to be sexual or to be more opened about these topics

🧊 Capricorn Risings usually have better years with the time, you can actually observe that the next year can be better than the last one

🧊 Chiron in the 7H have the power to heal their partners and their relationships/marriage

🧊 Every time Mars has a transit in your 10H you may feel like people have something against you or that you may feel everyone around you is angry on something

🧊 The sad thing that comes with a Venus in the 6h/10h in a relationship may be that either you or your spouse may overwork and you will not have that much time to spend with each other, someone will always be more focused on work

🧊 'All night you gave me mad love' is an Aries Mars/Venus/Eros/Juno melody line, it fits with the Aries behavior

🧊 Pluto conjunct Lilith can make the native sexually powerful, your sexual energy is everything!

🧊 Aquarius Risings have an inner magic that not all the people can see, you need to be close to them in order to see their energy

🧊Aries/Scorpio/Mars/Pluto/Capricorn/Saturn in the 3H wont hold back from calling peolpe out, talking dirty, cussing, malefics are more in anger in the house of communication

🧊Earth Suns are so classic, so sophisticated, their fashion style is extremely beautiful, you should wear more gold to be in more earthy energy

🧊 I do not trust any uranus dominat/aquarius placements natives who are racist, sexist, homophobic, you know all these against the human right. (Usually i dont stand any people who are like this)... Like Uranus and Aquarius stand for being humanitarian and you are against it? JAIL and GOODBYE

🧊If you are Saturn dominant make sure to wear more black or dark colors because thats how saturn feels more appreciated by you, can bring you more benefits

Have a blessed day for everyone reading my astrology observations 💙💙💙

Harm💙💙nix

[nipuni]

Alright, time to share my opinions about Veilguard!! I have both criticism and praise so bear with me as I jump from one extreme to the other 😆 spoilers ahead of course!

The game has a very rough start with the dialogue being formulaic and rushed and the characters overexposing. It feels like a heavy handed attempt at summarizing all of previous games' lore for newcomers or in case you forgot but it's so overdone it feels coddling and trivializes a lot of previous events. Luckily this gets better once all of the introductions are out of the way, though the excessive hints and clarifications continue until the end sadly.

The locations are absolutely incredible and very diverse!! This is a highlight of the game for me. There is so much detail and care in every map and there are so many of them. My pc is struggling to reach medium settings and yet everything looks stunning. The verticality of the maps is so imposing and the graphics have a very dreamy quality that I love. I also enjoy the maze-like structure to the maps, it's more linear but makes everything look a bit more intentional. The color and light direction was amazing, all the visual development really!! it has to be one of the prettiest games I've ever played.

When I started I have to admit it did not feel like I was in Thedas and it all felt a bit theme-parky, if that makes sense. A lot of previously important and established world elements that made Thedas what it is were overlooked or made irrelevant. But the more I played the more it started to feel a bit more similar to Inquisition, for better or worse depending on what you feel about Inquisition. But!! this also feels like a selectively sanitized version of Thedas compared to previous games. In it's attempt to stay safe and uncontroversial in some aspects it loses a lot of substance and it changes the tone. The surface level politics, ignoring previously established major societal issues and a tell-don't-show approach makes the world seem more simple and shallow with no grey areas to explore. ( the humor also falls flat and out of place often too, and WHY is everyone always smirking, enough!! godlike beings are destroying the planet please this is not the time for Marvel banter aaaa )

The pacing at the start is a bit of a mess. It is so fast it felt like jumping from one world shattering discovery to the next with no time to process. The characters also seem to underreact to important information and major developments. It felt like the game was rushing me through all this to get to the part of the story it wanted to tell me while I was still wrapped in my shock blanket trying to catch my breath lmao. I really like all the key story points they touched upon, I just wish they dwelled more on them to give them more narrative weight. ( though blaming every bad thing to ever happen on the Elves was certainly..a choice )

I think the writing could have used more subtlety in the first half and more boldness in the second 😆 but I loved the thematic parallels between Rook and Solas and how every quest informs the main storyline. I do wish Rook was given more impossible choices and put in more difficult situations that forced them to lie or betray their own to better drive the point home though ( listen I just love a Trolley problem!! we need more of those, I'm the Trolley problem's number one fan!! ) I feel like they missed the chance to put Rook in Solas' role and be as vilified and hated for it as Solas was despite their best intentions which would make Rook's regrets stronger and in turn make their escape from the fade all the more impressive and give them a better understanding of Solas to either use against him or earn his respect. The line 'they called me the Dread Wolf, what will they call you when this is over' from the trailers was so good I was waiting for this!! But everyone just loves Rook no matter what!!

But I feel like I stated too many negative aspects in a row so moving on to some things I enjoyed!

The characters were very lovable to me. The romances weren't as long or impactful as I would have liked but I enjoyed all the companion quests. Emmrich is a delight and his quest is so wild and fun. I loved learning about Nevarra and I was awestruck by the Grand Necropolis. The mourn watch was so interesting, it showed a whole new side of Thedas' lore I knew nothing about! and I loved Manfred! Davrin is so charming, he became a favorite. I loved his quest too and learning more bits and pieces about the Dalish was great, I wish we got more. Seeing the Wardens through his quest also made me enjoy them a lot. Assan was very cute too and I'm glad he was treated as an animal and not turned into a goofy Disney sidekick too much lmao 😭 Lucanis is hilarious. The fantasy Spain/Italy was a bit silly and off at times but he is very sweet! and I love the Spite possession, that was so fun I'm glad they kept him that way! Bellara is adorable, her first backstory quest made me cry and I just love a nerd! I wish the second part of her story was written better however, and she sort of devolves into 'it's hard, I wish it was easy but it's hard' dialogues too often sadly. Anaris and the Forgotten Ones' portrayal was underwhelming and anticlimactic which was disappointing. Harding is also very cute and her Titan plotline was the most interesting to me, I bawled my eyes out in her quest!! I love the dwarven lore of this universe I'm so happy we got more of it!! ( she also fucking died in my playthrough?! I was devastated what the hell 😭 'whatever it takes' WEUEUGHHHG I'M SO SORRY) Neve was a slow burn for me because of my choices in game slowing that relationship down ( saving Treviso I mean, perdón amor 🙏 ) but I love detective novels and she is such a badass I ended up loving her. Taash was unexpected, I didn't think they would be so young. The coming of age story was sweet, though I found myself cringing a lot too at the handling of it I have to admit ( and the Lords of Fortune in general, and the Antaam...and que Qun..listen- kajshfgf ) but I also enjoyed learning more about the first expedition and the Qunari in general despite the messy writing and choices. I also loved Antoine and Evka! and Strife! And I haven't even read any of the novels they are in 😆 also Mila!!!! and her dad oh my god and Felassan haunting the narrative!! speaking of haunting, I would have loved for Cole to be in the lighthouse too I think it would have worked well 🤔 especially with the whole 'reading Solas' secret diary' thing the game had going on lmao

Everyone seems to get along except for a bit of friction that is quickly resolved at the start, which is hmm missed potential? I would have preferred more tension personally. I enjoy the drama! gives me more to work with and gives you a better grasp on everyone's personality by contrasting values. I think they wanted to speed run a found family trope for the new hero to establish some emotional stakes early on but it ended up making everyone seem like a group therapy session instead. The group meetings also have everyone either state the obvious or repeat the same opinion or conclusion to each other, I would have loved these meetings to have more bickering, have people get mad and storm out and also get to listen to different takes on a situation. Make Rook struggle more to take the reins and keep the team functional, learning how to be a leader.

Speaking of Rook! ( who in my case has a northern British accent that I loved so much 🥺) They seem to have a very established personality. I was expecting more of a blank slate but I'm lucky that the personality they went for kind of matches what I would normally choose in a first playthrough. Though the lack of range in the choices is irritating and takes away some replayability and role playing potential. Rook is very supportive and selfless, I wasn't expecting this tbh! But it all made my Rook turn into the team's weird supportive necromancer mom so it worked out in the end I guess lmao. I can't wait to draw her!!

I was so overwhelmed by the amount of information we got about Solas and his past!! I was expecting answers but not these many and not for them to be such an integral part of the plot!! The game feels like it's about him more than anything else. His arc is the best written out of all. He is mentioned in every conversation, he's the main advisor and the narrative foil, you get to talk to him often, you work for him and with him and go into his memories it all feels so surreal to me lmao I love him so I'm delighted ngl! but also making the other Evanuris so cartoonishly evil makes Solas into such an obvious choice of an ally, god of trickery or not, that it sort of takes the decision out of your hands and makes some dialogue options and companions' opinions seem almost nonsensical. I have no idea how this game would feel to someone who absolutely hates Solas' guts honestly. I suppose I will find out soon enough 😆

About Solas' story, I loved it! I somehow also feel that I knew it already, all the speculation and theories that Solavellan fans were crafting for years were so accurate that it was all very validating. Even the wildest ones! Solas as the Maker, the elves spirit origin, Mythal giving him a body, the war with the Titans, the origin of the Blight, Solas being on your side as advisor, I can go on, we knew!! Also I have to mention this I'm sorry but they made him look so hot!! unbelievable. And the bloodied teary eyed pathetic look in the end ouurghhh I'm cheering and clapping!!

The romance conclusion was so lovely 😭 the Loki and Sigyn ending we deserved to such a mythological epic!! and open ended enough for all of us to cook!! and we got to see him fight and transform into the Dread Wolf!! and whimper and cry!! and bleed and love!! that's all I ever wanted, incredible we were really spoiled what the hell I still can't believe it 😭 GDL acting was brilliant as usual! the visuals were also incredible and exactly what I had in mind when I imagined where the story may go, the eclipse, the giant wolf, the glowing eyes, the Elvhenan ruins, the statues, even the hair lmao it all aligned exactly to what I've been painting all these years but better I was thrilled 😭

Solas backstory with Mythal also offers players that didn't romance him a chance to see him act out of love and show a side they wouldn't be able to reach otherwise and I think it was smart! also very tragic and sheds more light into all of his choices and words and his relationship with Lavellan too and the parallels and reversals and uughh thoroughly enjoying the emotional distress 👌

Pleasing both the Solas lovers and haters at the same time was always going to be hard with him being such a polarizing character by design and the world states being so different but I think they did a good job! at least from my side of things.

I think my favorite part besides the Solas related stuff was the Blight. I loved how horrific and gross and threatening it was! I've always loved the concept of the Blights and I'm glad it was such a huge part of the story in this game. I also loved Treviso!! has to be the most beautiful city in Thedas ahhh and the Necropolis!! the gardens!! Vorgoth!!! Kal-Sharok!!! I can't believe we got to see it!! and a Titan!!! the giant floating face of Ghilan'nain in the clouds??? and the huge archdemons and dragons!! oh and that warden dragon trap in the shape of a griffon?? and the giant blight tendrils!! the siege at Weisshaupt was outstanding!! and the floating panopticon castle situation in Minrathous uughh there is so much I loved.

OH I also enjoyed the Varric arc even though I saw it coming since the trailer it was still played well and it was touching 🥺

The ending felt a bit jarring to me in tone though, a bit too cheerful considering...the horrors. Over half the continent destroyed and most of the problems Thedas had before the game are still there. Veil in place and all 😆

But I had fun!! I'm nitpicking really, the conclusion to Solas' story feels very satisfying to me which was my main worry so I'm happy. It is a good game!! with a sort of soft reboot feel to it and aimed at a younger audience which is probably what they were going for? You can sort of feel the struggle the team went through during production in the way the target audience seems unclear sadly. I also can't help feeling like this is an ending, so much was revealed and resolved!! but maybe I feel that way because that is what I felt after Shadowbringers / Endwalker in FFXIV once my favorite part of the story was wrapped? They can always pivot to a new continent and expand on the world and cultures we know almost nothing about, but that is always harder to sell so I have no clue where they will go from here 😵‍💫

Anyway I'm still processing a lot of stuff that I will probably talk (and draw) about later, this is already long enough!! for now I'll look up how to get the artbook because the art direction of this game is fantastic!! I would love to hear your thoughts too really, I'm curious about the experiences of players who made different choices and with different tastes to mine!!

[bonsiii-art]

*point out my water gun at you* this's a robbery ¯¯̿̿¯̿̿'̿̿̿̿̿̿̿'̿̿'̿̿̿̿̿'̿̿̿)͇̿̿)̿̿̿̿'̿̿̿̿̿̿\̵͇̿̿\=(⌐▀͡ʖ▀)=o/̵͇̿̿/'̿̿¯̿̿¯̿̿

I dmand all your cute Longan HCs or else.../j

Took a while to answer this one bc I wanted to illustrate some of my ideas! I thank you for asking me uwu

Has a natural, booming voice. Doesn't need to try at all to make themselves heard over a raging storm. Also, rarely blinks as part of their intimidation towards others. Towards someone they care about, Longan will naturally blink more and even make an effort to speak more softly to them.

Big thing in my artworks of them is that they're super tall compared to regular cookies. This, of course, gives them a larger stride when walking. They won't slow down, even for their precious weak one. Though, they'll look over their shoulder now and then to watch them struggle to keep up; it's amusing to them :P

DEF NOT THE PERFECT PARTNER. Even if they gain a companion, they'll still be fixated on their goals. If their weak one's interests lie in anything cookiekind-related, Longan will be completely tuned out of it. EVENTUALLY, they'll try to see what all the fuss is about. Just to learn and form their own opinions about it.

Something angsty- if their weak one is a normal cookie and not a dragon, their mortality will become a constant thought in Longan's mind. They'll get more and more attached over time but in turn, put up a stronger aloof front. They have the power to bring back the era of dragons, but they can't bring back a cookie once they're gone... ...unless they can preserve them in some way. cutely petrifies their beloved into stone.-

You know the two NPCs in one of the stages of the Longan Palace Map, Longan Shaman and Longan Lancer? I imagine they would be bit more friendlier towards their master's new partner. :> At least one of the two would be assigned to them to watch over them when Longan's busy. Which means plenty of time to get acquainted!

After looking at their sprites a lot when drawing, I believe that Longan is able to move the spines on their back freely, as those are the most flexible of their horn structure. TBH, I think Longan is almost freakishly flexible, overall. In addition to stretching in any position with ease like a cat, they can also turn their head almost 180 degrees, just for the added creepy effect.

More on the cat thing actually, Longan absolutely does the eye thing where their pupils get wide when they see something they like. Also, purring- *gets shoved off stage*-

Has a tail similar-looking to their dragon form's. They just like having it hidden under their robes, since it tends to show more of their emotional state than they like.

I've been drawing the ears on charas more often and I think that compared to the rest of the dragons, Longan's would be pointy but slightly on the droopy side.

[madamtrashbat]

Placing this under a read-more so it doesn't clog things up

There's a fascinating undercurrent with Islam in its assertion that it is The One True Religion, which means that it has a conquest mechanism built into it pretty much by design.

I've spoken with a Muslim friend (and just, like, generally observed interactions with Muslims) and the thing that I found weird is that Islam asserts that everything has always been Islam, and it wasn't until the prophet Mohammad told everyone this did everyone start understanding it (seriously, go look up any comment section on videos about pre-Islamic religions, especially native religions in Arabia, it gets very intense). Because of this, they believe that all souls are inherently Islamic and are led into other religions against their will, and it is thus their duty to convert all the lost souls into Islam because it's where they're meant to be.

The conquests and the forced conversions and dhimmitude of non-Muslims aren't the result of particularly ruthless caliphates going too far; they are literally baked into the text. It is a sacred duty to them. I've even caught my Libyan friend a time or two trying to lead me towards conversion, which I shut down immediately because, bro, be for real.

Christianity has a proselytizing message built into it as well, with the message of submitting to Christ and therefore being saved from damnation (I didn't even go to church and I'll be able to recite John 3:16 until the day I die), but there's still an element of choice there, and a recognition that it is built on something else, a recognition that it is the next step that was originally promised to the people by God, and the people who are rejecting it are no longer the True Believers, but they can just be wrong and also damned, if they want. Christianity cannibalized Judaism, but it still sees that Judaism exists. Christian texts do not assert that Moses was a Christian, or even really assert that Jesus was a Christian (lots of modern Christians do but the Bible is generally pretty clear on calling him a Jew).

Islam, however, claims all of these figures as Muslims. Because they view Islam as the only religion, all these figures are Muslim, part of the Abrahamic faith, and therefore a rejection of this idea (complete rejection of him as a Messiah, or viewing him as the savior and not just a prophet of God's word) is total blasphemy. The existence of Christianity and, even worse, of Judaism, is an affront to the main ideas of Islam. And it is not an accident that the people of these religions are heavily discriminated against in Muslim-majority countries.

And I think there needs to be a reckoning with that idea that needs to addressed if we are to move forward with the way we discuss things like Middle Eastern conflicts, the friction between Judaism and Islam and Christianity, and the way these three religions behave. There truly needs to be a confrontation with the idea that Judaism has had its entire belief system cannibalized, and then Jews have been punished over and over and over for daring to still claim their history as their own, and we treat them like shit for refusing to be crushed underfoot. The sooner we do that, the better.

shmads.y

This is your daily reminder to learn your Jewish history with pride. We renounce Jewish hate in all its twisted forms.

[reader-from-another-dimension]

IM BACK IM ALIVE So sorry for being dead for a bit tehe im back again with some tomfoolery, hope you enjoyyy :P Secondbee au by @yuukirita!!! Part 1, 2, 3 hereeee

_____________________________

Elita regrets telling Optimus about the cave-in.

She sighs, watching the leader of the Autobots pace around the moving train, occasionally stopping to look out at the window glass to check if they’re there yet.

You would’ve thought she told him the Decepticon had busted in their base. The way his face pales (as much as it could being silver, anyways) and how he insisted on coming with.

She wasn’t worried about Cliffjumper, not really, the mech can handle himself just fine - there was a reason his name was what it is, after all. But alas, logic might not be available inside Optimus’ blue-helm right now, seriously, he spirals.

“Optimus, sit-down.” The pink mech grits out, she was already in a bad mood when Cliff scares her half to death when his comm suddenly cuts out, then the reports about the collapsing mine.

How ironic, she couldn’t have ever forgotten that mine. There were a lot of feelings going on when she assigned the place to Cliffjumper, it was mostly to just distract the bot, but deep down, she had hoped that he might be able to stumble upon sub-50.

Now, Elita has never personally seen sub-50, the place was a myth to her, a warning to scare mine-bots into behaving, she hadn’t thought the mines even went that low.

She hasn’t gone there, not really. Not even after what happened.

She wasn’t sure if she even wanted to.

Optimus told her about it, sometimes, if he had enough high-grade on a particularly slagged day. He told her about Steve and the others (she had only recognized Steve’s name), told her about how he and D-Megatron found him.

The stories usually ends there, when the mech starts shaking and they drop the topic.

Elita knew, she heard enough of Cliff’s complaints enough to know, Optimus truly couldn’t handle the red-mech being in any sort of danger, even though he was a fully trained soldier. Jazz said it might be a fragged-up coping mechanism, she wasn’t sure.

The Prime babies Cliffjumper to the point of ridiculousness, it had only gotten worse.

Despite that, Elita couldn’t bring it on herself to talk Optimus down from it. It was also pretty funny to watch, too.

Optimus flinches at her rough voice, and meekly sits down next to her, his antennas scratching the roof of the train, making both of them wince. Elita sighs.

This is going to take awhile.

______________________

Finally, finally, they arrived at the cave-in mine. Next to her, Optimus exhales shakily at the sight of the mine’s entrance. She had told him to stay behind, damnit.

Regardless, they look around, occasionally tapping their comms to search for Cliff’s frequency, awaiting a response. Every cycle passes, the more nervous and jittery Optimus becomes, pacing around again. Elita sighs, she could never understand how some people find this mech intimidating, was it the height difference?

They walk and walk, until finally arriving at the reported collapsed part of the mines. Also presumably where Cliff’s signal was lost.

Elita grimaces at the gaping hole in the ground, so deep she couldn’t even see the bottom. Glancing at Optimus, she can clearly tell the mech was going to lose it at this point.

She nudges him, tilts her helm, then jumps down.

Optimus’ scream is like music to her audio-receiver.

________________________

They landed in a run-down hallway, looking like there was no one around for centuries, the amount of dust in this place is going to clog her vents, ugh.

“Elita.” Optimus calls out, and she walks over, glancing at what he was pointing at.

Fresh poot prints, about the same size as Cliff’s.

“Well,” She lets out an exhale she didn’t realize she was holding. “Looks like we won’t be here for long, after all.”

They continue on.

Passing broken lamps and scratched walls, Elita frowns at the shredded posters of Sentinel, she’d recognize those claw marks anywhere - Cliff never really had good impulse control. They were heading in the right direction.

“Hey, Elita.” Optimus’ voice jolts her out of thoughts, she looks at him.

“Do you think…nevermind.” Oh no, they’re not doing this again.

“Once you start something, better spit it out, Optimus.” Elita snaps, it was the only sure way to pry any kind of worry out of the Prime, he had developed this nasty habit of hiding things - even from her.

Optimus isn’t looking at her, but his antennas are flat against his helm, red flag.

“The matrix, it’s…acting up.” That made her pause, as much of a blessing the artifact had been, it was also a huge headache, for both her and Optimus. Damn gods and their cryptic relics.

“It is? How long has it been doing that? Have you gone to Ratchet for that? What am I saying, of course you haven’t, Primus, Optim-” “Elita!” The Prime’s shout cuts Elita off of her rant, she glares at him, but the annoyance quickly vanishes when she sees what he was pointing at.

Cliffjumper, very much alive and kicking, standing shell-shocked at the sight of the two of them at an end of a dimly lit hallway. Elita releases a vent she didn’t know she was holding. See, Optimus? Cliff was fine, he-

What the pit is he holding?

Cliffjumper seems fine, nowhere physically injured, at least. Squinting her optics, as Optimus calls out for the red bot, Elita can vaguely make out a small figure in Cliff’s hold, like a drone bot.

Primus, if Cliffjumper also starts getting attached to and bringing back drone bots, Elita wouldn’t know what to do. Why, oh why did out of all of Optimus’ traits, that would be what Cliff picks up after the Prime.

Oh wait, he’s coming closer to them, Elita can hear his voice echoing back from the end of the long hallway.

“Optimus, Elita! L-Look!” Oh no.

“Cliff, I swear to Primus, if you’ve picked up another dro-” Elita had to cut herself off, her voice failing her as she looked at what Cliffjumper had in his hold.

“...Oh.” Optimus mumbles, his out-stretched hand frozen mid-air.

Elita resets her optics, twice.

Shivering in Cliffjumper’s arms, so small Optimus could probably hold him in one hand, was a sparkling. An honest to Primus actual, active sparkling.

And that’s not even the real kicker. Because when Elita resets her optics again, Optimus has one knee on the ground. One would think he’s doing it in order to not scare the small sparkling who’s a fraction his size, but Elita knows better, it took all of her willpower to not do the same.

Bright, if a bit dirty, yellow frame, with two black stripes running down their rounded chest frame. Two small (absolutely itty bitty) wings on the back, jittery in their movements, likely from nervousness due to the sudden attention.

A small horn at the side of their head, the other side missing, likely an accident, based on the dent on the sparkling’s helm.

Elita lets out a shaky vent, her frame is still and high-strung, like one small push can set her off.

Optimus hasn't said anything yet, he’s not moving, instead the Prime stares at the sparkling who looks so much like a friend that it hurts. Primus must have an awfully twisted sense of humor, he must be.

An old wound now all torn back open, blistering with pain she thought was long gone. Optimus’ frame shakes with frantic vents.

The sparkling looks up at the two of them with wide, scared but curious blue optics. They cling to Cliffjumper like a lifeline, small hands holding on red frames so tight it would’ve left dents.

“E-Elita-” Optimus finally speaks up, he calls out for her, but his optics didn’t leave the sparkling, he didn’t dare to.

“...B?” For the first time in her life, Elita can admit that her voice broke, just this once.

[felassan]

The Art of Dragon Age: The Veilguard preview pages Part Two, under a cut due to spoilers. Preview pages come from Google Books.

[Foreword]

[Part One]

In Inquisition you had your advisors in the war room. We liked the idea of bringing the whole team in with you and the opportunity for friction it provides.

Part Two: Joplin

Top: Solas continues to taunt you and guide you through dreams. Middle: The suggestion of romance at sea. Bottom (1): Solas is nearly triumphant, but you reveal that you know about the last elves. Bottom (2): A stealthy, aquatic infiltration in Tevinter. Text: Story Art – After Dragon Age: Inquisition shipped, and all the DLC was complete, we focused our full attention on the sequel. It was going to have a fantasy spy theme, which was eventually modified to “covert commandos”. We were travelling to a new part of the map to hunt down the most dangerous man in the world. The beat boards continued. As the story started to take real shape, we asked if the artists could be moved into the same room as the writers. We could then get real-time updates to the story and create quick storyboards. Previously, most people working on the game didn’t know the full story until all the pieces had been put together in a take-home build (months from shipping the final game). For the first time ever, we could show the whole team what the story was intended to be near the beginning of the project, rather than the end. The biggest benefit of this was that the story could received feedback from a wider cross-discipline audience and could then be iterated on more than ever before. This also helped unblock the art team in an unprecedented way. Being able to look at the whole story in one glance meant that we could begin to prioritize our efforts. For example, we could tell which locations would feature most heavily, so we could spend more time designing their architecture, props, and clothing. It also forced us to do quick first-pass designs without overthinking, knowing that later we could come back and refine things if they changed. This method also takes a lot of pressure off and prevents things from feeling “overbaked”.

Top: The team is at its lowest. Middle: Sparking an uprising. Middle (2): Ghilan’nain is defeated. Bottom: In a dream, Solas is furious with you.

Top: You meet with the Archon of Tevinter. Middle: You stop Solas’s ritual, but something (or someone) escapes. Middle (2): Elgar’nan. Bottom: The patchwork team doesn’t get along at first. Bottom (2): Exploring the Anderfels.

Top: Solas reconstructs the lyrium dagger from the idol. Middle: The team discovers the body of Elgar’nan’s Archdemon. Middle (2): Ghilan’nain. Bottom: Tranquilizing himself, Solas recloses the Veil around himself and the Blight.

Top: This sequence was an early fail state. Solas succeeds in his ritual, life as Thedas knows it comes to an end, and the ancient elves return. Middle: Storyboards had played a critical role in the development of Inquisition. We wanted to integrate them into our process even earlier. To that end, we created an interactive storyboard. Starting with the early drafts of the story, we sketched it all out, including any major choices. These boards were then stitched together into a playable choose-your-own-adventure-style game. It meant that years before the real game was up on its feet, an early draft of the entire story could be played from beginning to end. This was invaluable in receiving early feedback from the team and planning out what visuals would be needed to support the game. Bottom: A rather covert entry into Tevinter remained a consistent element in the story right to the end.

Top: Rook and a team track a mysterious idol to a black-market auction. Middle: You’re not the only team that has been tracking the idol. Bottom: The remnants barely escape. Text: While we worked quickly, these sketches helped reveal where to best spend our efforts later. It turned out we spent far more time in particular locations. Some factions were over- or under-represented. In one case we discovered a unique creature that would have taken ages to build but would have only appeared for ten seconds before disappearing forever (it was cut).  

Middle: These quick sketches are often used to approve new ideas as fast as possible. In this case, exploring a “hidden in plain sight” meeting place in a Thedas nightclub. Bottom: Icons from the interactive storyboard, where you could decide whether your Inquisitor had disbanded or preserved the Inquisition, and whether they stood opposed to Solas or not.

Top: Solas reaches out to Rook in dreams. Middle: Exploring new sections of the Deep Roads. Bottom: With the help of the Wardens, you defeat Elgar’nan. Text: After a round of feedback, the story was revised. For the next batch of drawings, we added more polish. This helped us design the game before designing the game. At this stage, we weren’t too precious about anything, so we could make visual design decisions quickly, purely to tell the story. Many designs made during this stage remained largely intact.

Top: A version of the deserts of Nevarra. In this case, trying something with very high contrast: white ash and sharp black obsidian.   Bottom: The eastern Tevinter town of Ventus. This Tevinter location is a little less oppressive than the megapolis of Minrathous. You can see the hanging gardens, and in the background are magical statues keeping Arlathan Forest from encroaching any closer.

Top: Another fail state was that if you couldn’t find a way to block Solas from your dreams, he would be able to kill you remotely. Bottom: Solas lures his greatest threats to one location and wipes them off the board.

Top: Some visual backstory for Solas’s cut “bad cop” right hand, Reva. Middle: In disguise at a fancy Necropolis ball, waited on by the undead.   Bottom (1): As you sneak into the ball, you sneak into the host’s office, only to find Reva one step ahead of you. Bottom (2): Reva reports back to Solas.

Top: In one draft of the story, Solas manipulated Tevinter and the Antaam into open war, with the goal of performing the biggest blood-magic spell since the creation of the Veil.   Bottom: Rook would have to covertly approach both sides of the conflict to plead for peace. Should Rook fail at diplomacy, Solas also planted magic-collecting orbs around the battlefield. Sabotaging them would be Rook’s last option.

Top (1): Solas’s magical ritual in Arlathan Forest has already begun. Top (2): Elves loyal to Solas’s cause stand in your way. Middle (1): You finally reach Solas, just as he plunges his lyrium dagger into the Veil. Middle (2): Reva reveals a monstrous “Dread Wolf” creature. Bottom: Solas is stopped, but you begin to learn that you’ve unleashed something far worse. Bottom (2): The biggest advantage to working like this is turnaround time. You can show someone a drawing and say, “Like this?” and then quickly revise it.

Top: Imshael, having previous joined Solas, turns out to be a loyal double agent. Middle: Kal-Sharok dwarves perform a ceremony in the grip of an ancient Titan. Bottom: Solas tranquilizes Ghilan’nain (above) and, as his last act, performs the same procedure on himself.

Ghilan'nain reveals herself to the world.

[no caption]

Top: A final message from the Inquisitor. Bottom: Defeated, Solas enters the Black City alone.

Top (1): Team members betray you. Top (2): A sacrifice opens the Black Eluvian. Middle: A happy ending with your love interest. Bottom: Secret instructions from Charter.

[no captions]

The ship was a great backdrop for the interpersonal conflict of the team. We enjoyed thinking about how to make it unique, like including the collection of curiosities seen above. We also liked including the idea that Isabela procured it for you, but as a fixer-upper. Nothing like a scrappy but lovable ship to call home.

Preview pages end here.

[r0-boat]

Something we all wanted

Zagan NSFW alphabet

A = Aftercare (what they’re like after sex)

The first thing he'll do is get water for you It's important to stay hydrated after an intense 'workout.'

Though he doesn't want you leaving the bed. He just wants a little more time with you, holding you close and brushing against your chest. He's really just a large puppy.

B = Body part (their favorite body part of theirs and also their partner’s)

It's a silly reason but he likes your hands It's not anything sexual really He just likes when you pet him. When he craves your touch he leans his head against your shoulder and hopes you understand what he wants.

C = Cum (anything to do with cum, basically)

He loves covering your face and body in his cum, His heart pounds in his chest and he can't look at you straight. It drives him crazy.

He's kind of shy about that And he always tries to clean you up right away with a damp towel. If you lick any of his come off you he will go into cardiac arrest.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

Zagan thinks about you a lot, a lot a lot. Fantasies that will never see the light of day because he's too nervous to admit his desires.

One of his fantasies is just keeping you and his bed fucking you over and over till he can't move his hips anymore till his whole body hurts.

E = Experience (how experienced are they? do they know what they’re doing?)

Experienced hasn't done it in a long time since he wasn't interested in a lot of his partners before you. He's a little nervous

F = Favorite position (this goes without saying)

He actually has a book on sex positions. And likes to try different ones. Though his favorite ones are anything where he could still see your body move underneath him. He also likes the ones where he can show off his strength to you.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

He tends to be more on the serious side That doesn't mean you can't be goofy during sex.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

Zagan is a hairy boy but he's still kept with a happy trail from his 'carpet' to his belly button

I = Intimacy (how are they during the moment? the romantic aspect)

Surprisingly extremely cuddly especially before and after sex, All he wants to do is wrap his arms around you and pepper your body with kisses. Zagan doesn't really get a chance to cuddle and fully express his affection to people he loves. So when he's with you in bed he wants to let it all out.

J = Jack off (masturbation headcanon)

Doesn't jack off as much as you think he does, because he'd rather just be in bed with you. His hand is just not as good as you're tight walls wrapped around him. And he'd rather be thrusting inside you then fucking his hand.

K = Kink (one or more of their kinks)

Other than a slight praise kink, Zagan is vanilla, He just likes sex though that doesn't mean he won't try things with you. In fact he would be excited. Puppy boy want to try the things you like.

L = Location (favorite places to do the do)

It's a fantasy of his to fuck in the gym room. Though he doesn't think it would ever be fulfilled so he's a little self-conscious about it.

He'd rather fuck in bedrooms since he doesn't want people to see you like this.

M = Motivation (what turns them on, gets them going)

It's very specific but when you were working out especially in looser clothing or baggier clothing. To him there's nothing hotter than your intense focus and your sweaty body he just wants to see what's under the clothing.

N = No (something they wouldn’t do, turn offs)

Zagan would never ever do something without your consent. Even if you beg for it he'll be so uncomfortable. He will also never ever choke or spank or hurt you. Seeing bruises on your skin just reminds him how fragile humans are.

O = Oral (preference in giving or receiving, skill, etc.)

Giving, all Zagan wants to do is give you pleasure. He can't sit still even when you're the one giving His hands have to do something.

P = Pace (are they fast and rough? slow and sensual? etc.)

It always starts off slow and sensual but devolves into fast and rough. Once he gets into it he's practically rocking the bed as the slapping of skin feels the room but he always checks in to make sure you're okay.

Q = Quickie (their opinions on quickies, how often, etc.)

Zagan loves quickies He's always particularly horny after workouts and if you're alone he will always try to go for it.

R = Risk (are they game to experiment? do they take risks? etc.)

Zagan Will do almost anything you want to do. Puppy boy wants to please you and make you happy That smile is what he wants to see! And pleasured screams is what he wants to hear!

S = Stamina (how many rounds can they go for? how long do they last?)

Zagan's stamina is on par with Mammon He just doesn't really show it that much. One round is usually never enough to satisfy him. He needs more.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

No toys :(. He might get a little jealous, because he wants to be the one pleasuring you.

U = Unfair (how much they like to tease)

He doesn't tease you much but he can't deny how that pouty little face makes him feel. How can you be so cute? But when you tease him he can't take it just the slightest touch makes him drooling and wanting more.

V = Volume (how loud they are, what sounds they make, etc.)

The most you're going to get out of him is breaths and groans but there's only one way to get him loud ;)

W = Wild card (a random headcanon for the character)

Ride him. Write him and that quiet boy will lose it His eyes were real back as you'll hear his voice wailing and moaning. Fingers will dig into your ass trying to buck up into you. Zagan is on the verge of audibly begging for more

X = X-ray (let’s see what’s going on under those clothes)

Zagan is a little proud of how big he is. His dick size is on par with the kings. Watching your eyes widen is such an ego boost for him. He's beaming on the inside.

Y = Yearning (how high is their sex drive?)

You can tell when he is particularly pent up when he's more needy, when he starts touching you and kissing your neck and public. When he lets out a whimper and berries his face in your neck pressing his crotch against your ass. He knows that you can't really understand him so he has to convey his feelings in other ways.

Z = Zzz (how quickly they fall asleep afterwards)

Zagan is always busy, so we can't afford to rest, but when he does at the time and when you're cuddled up to his chest like this, he's in pure bliss.

[mellxncollie]

hiiii alex and now i have no choice but to drop all the process info and the outtakes :)

overall impression: very lovely and moody and spooky!! i kinda expected more blood-reds from devlin house but i should've known better, you wouldn't go for something that cliché. as always the shots you chose are SO good, love the combo of very dramatic shots with way more subtle ones!

aaaaa okay okay yes definitely not a lot of 'expected' shots in this one. couple reasons for this:

episode 3 is not one that i can watch very much, there's too many triggers in there for me. it's only very recently that i'm now able to rewatch it in its entirety, and i still have a hard time screencapping for it. so... not too many gifs from inside the devlin house

not a lot of shots in these episode work well for these palette sets. unlike all the other episodes, this one does not have many establishing shots or wide shots, which are the ones i like to use for these gifs. of the few establishing shots that are used, many are relatively static, so they don't look great as gifs. plus a lot of the devlin house shots have flashing lights and/or are very short. this made it really difficult to just find scenes that would work

so, this is a little less of a cohesive set than the other two, and i think the rest of the episodes will have more cohesive palette sets than this one as well. i love how this episode is shot, cheryl dunye's avoidance of 'filler' shots really reminds me of her film the watermelon woman, and while that movie does have more wide shots and more cohesive colors, the focus in on the characters as opposed to the backgrounds is what makes this episode feel so much like her work. it really drives home this episode as a standout in terms of writing, visuals, and direction.

it just also... breaks out of a form that i rely on to make these gifs work. so: less cohesive colors. i'm glad that this didn't exactly come across, and that we still have a kind of moody vibe :)

gif 1: cindy my beloved!! oh my god i need to see edwin laughing like that. i need CHARLES to see edwin laughing like that! and niko is so precious, i love her and her green coat. speaking of! love the way she moves past the colour blocks and almost adds contrast to them until she reaches the green and basically blends in?? SUCH a cool effect. and i love the colours themselves, the green + goldish vibe is everything. the green in the shot is so dramatic that it's like a fun little puzzle to find the rest of the colours! and then you realise, oh wait, that's the majority of the picture. ceiling, chairs, cabinet, niko and cindy's hair. and cindy being represented by the colour palette, drawing her undeniably into the picture because she can actually be seen by everyone around her, the opposite of ghostly, is SO cool. and then the contrast of the bright (blueish?) white?? the way it contrasts so much with niko's coat that at first i couldn't see where you got it from, only when niko moves back it blends perfectly into the window in the background?? olly you are a GENIUS

honestly i didn't really realize how this looks with niko's movement adjusting how the green and the blue all suddenly mix in with the rest of the gif!! but you're right, it's very cool!

this gif was a bit of a challenge, and with all those browns i initially thought it might be on the chopping block. but then i came around to liking it enough to make it the first gif in the set.

here's a before/after of the colors i put on it, and you can see that the blue is basically not even in the original shot, and it was only after i adjusted the blue channel to decrease that yellow tint that the blue really showed up.

gif 2: JENNY JENNY JENNY! this is a wild one because it's such a mundane part of the scene and yet i can't stop looking at the dramatic colouring. SHE!!! also the colours you chose feel very similar to the jenny gif from ep1, which, to be clear, i mean SO positively. i love that it ties them together! also something something jenny in her black clothes being surrounded by so much colour as symbolism to what crystal and niko bring to her life. brb crying

out of all the gifs in this set, this is definitely one of my favorites. mostly just cause the shot is really cool, nothing to do with the colors or anything. but speaking of the colors!! yes they're a lot like the ep 1 gif, and it's so fascinating to me how they pack so many hues into jenny's shop via the lighting.

gif 3: HI SPOOKY SHOT OF ALL TIME 😍😍😍 one of those dramatic ones i NEVER want to look away from. loveeeeeee the red-orange reflections on them, the purple of crystal's coat, the blue of edwin's shirt. also getting into the symbolism again but the way most of the colours are drawn from crystal and the background (even the blue is present in her grey shirt/jacket/whatever that is) and it makes the boys feel even more ghostly. ESPECIALLY CHARLES?? WHO ONLY RECEIVES RED BACKLIGHTING?? AND SPENDS THE EP GRAPPLING WITH HIS OWN HELPLESSNESS?? THE ONLY ONE UNTOUCHED BY BLUE (AKA SYMBOLIC OF HEAVEN)?? I'M MAKING MYSELF SICK WITH THIS OH GOD

yipeee!! one of my favorite shots of this episode, but one of my least favorite shots in the whole series to gif (that i've been making gifs of more and more to force myself to figure out how to do it best) and honestly because of that, i wasn't sure if this would make the final cut either.

here's two recent(ish) uses of this scene in various gifsets, both of which i don't really like how the final gif turned out.

this is because the original shot is....

so aggressively blue/green on their faces and that it is very difficult to make this look good.

i wanted the final gif for this set to be a bit more orange and a bit less red, but i'm glad i kept the more red toned backlight, since that allowed gif 8 to feel different enough. and i'm actually pretty okay with how this one turned out, espeically because you get the purple and the blues in their costumes.

also, just for fun, here's what this gif would look like if i did some normal brightening and coloring, but didn't do anything to fix their skintones 🫠

and yeah. god. thinking about charles 'untouched by blue.' fuck.

gif 4: SUCH a lovely little shot! the blues from edwin's outfit, the greenish-gray i'm guessing from the stripes (very nice and subtle, love the choice to emphasise them!), the white from his shirt. and then BAM, gold for the bracelet of homosexuality. but even then it's a very subtle colour choice for it, i can see some of the background is the same colour, even the darker parts of edwin's shirt cuffs. it's like you, via the palette, are helping him hide the bracelet and. i'm just in love

one of my favorite gifs in this set! it is really fun, and you got all the color sources right! i did want to include another color from the bracelet, but most of the colors i was sampling just didn't look too good with the blues, so i used the white from his shirt and i think that really worked.

gif 5: monty!! the return of niko's green coat!! love the cool (ha!) colours, mixed in with the warmer browns. the blue is so subtle in monty's plaid shirt (and the port townsend sign if i'm not mistaken?) the brown/burgundy in monty's scarf and shirt and the trees in the background really draws it all together! plus the green in both niko's coat and the trees' leaves! also interesting to see here the colours you didn't choose for the palette, like the white of niko's hair and monty's books. not to get too deep into it but it feels like a sign that it's not niko monty's trying to connect to, even though edwin isn't even in the frame! and the darker brown feels sort of similar to edwin's coat but that might just be grasping at straws lmao

the blue is from monty's shirt, yeah! this one was hard to pick colors for, and you totally got it with all the colors i'm leaving out. also because of the 540px x 500px frame size, we're also leaving out edwin from this shot. so maybe there's something there too about leaving out colors. (and now that i'm looking at it again, i do think that off-white would have been a great way to tie this palette together)

gif 6: OH DEVLIN HOUSE WE'RE REALLY IN IT NOW. obsessed with the way you subverted expectations with the devlin house being so blue and monotone, vs how we tend to read it as this dramatic high-stakes situation with so much blood spilled. again with the symbolism but it feels like it speaks so much more to the nature of the thirty-year (!!!) loop and how to the victims of it it's not dramatic but just the same cycle they can't get out of. over and over and over. and crystal and charles' expressions in this one OUGH. crystal trying immediately to find a way to help, to free these women, and charles is seeing his worst nightmare and trying desperately to suppress it. again, charles' helplessness represented by none of his colours making it onto the palette, even though his shirt is still pretty red. his hero colour is represented only as its worst in this house

i wanted at least one mostly monotone gif in this set, and the devlin house is predominantly teal and yellow, so it's such a strong contender for a monotone shot. problem with the yellows is that they're hard to make look good if there's a person in frame, so blues it was! i had a lot of blue shots to choose from, because every time the loop resets the power cuts and they're plunged into darkness. and i think there's something really symbolic there for charles (oh and now i'm thinking about the way that he drops into the water in the next episode when the night nurse forces the flashback)

and yeah, the first two colors are sampled from crystal's clothes, and the final three are from the wall. and now that i think of it, none of these palettes use colors sampled from charles/his clothes, despite this being really his episode. makes me think about what you said for the tube gif in the ep 1 set, how not sampling from them makes them more of a ghost in their own gif. anywayyyysssssssss

gif 7: can i just say. obsessed with the parallels of the last two gifs, showing the pre- and post-devlin house feelings? at first i thought this one was from the end of ep3, after gif 8, but just from seeing charles and crystal's interaction it's obviously not OUGH. love the wide shot of them (and the cinematography lessons!! the focus falloff at the top. i am Looking), the greens of the trees and the brown of the leaves and the purple of crystal's coat (ooh and the sign!). some of the purple even seems to come across in charles' jacket! and the blue of the statue also being in edwin and charles' socks and crystal's shirt. it ties them all together in a way that contrasts so much with the effect devlin house has in breaking them apart. forever emotional about ittttt

so this one is actually post-devlin house. it's right as charles says he's fine and right before niko shows up. it's the last gif in this set chronologically, but i don't really go by chonological order in these sets, since i want the first and last gifs to be strong, and i don't want any two palettes side-by-side to feel too similar.

i am now thinking about how charles and crystal's interaction in here realllllyyyyy doesn't feel like post-devlin house.

anyway. colors. yeah. that purple being the same in crystal's coat and the sign was such a blessing. and every time i throw a surprise blue in to these palettes i think of you. it definitely is the bit that pulls this palette together.

(yes i was also thinking about the focus falloff here, it is soooo wildly intense in this shot)

gif 8: AND FINAL SHOT. devlin house is over (or is it??) the colours nearly blending in with the background and then contrasted against charles' coat. i'd say SYMBOLISM but i'm sure you're sick of hearing it by now lmaooo. the bright lights in the background are SO striking. and the green??? the way it reflects so dramatically against the orange specifically on edwin's face??? i know that's not death's light shining on them but it sure is interesting how often edwin is the one bathed in that colour of light.......... also this might be a reach but the way crystal's jacket/hoodie/whatever seems to be a similar shade of green-grey, tying her and edwin together as having found common ground in the devlin house, vs charles again being the least represented by the colour palette -- devlin house might be over but he still feels helpless. i'm sure nothing bad will come of that!

the first 10ish frames of this gif are some of my favorites in this entire episode. i just love how this shot looks, and if it was a bit longer, i wouldn't have even had them running into frame. but that little bit of the trio that we do get is so interesting to get to hear you talk about. because i was not paying attention to how they blend in (or don't) to the palette.

--

so. what about the outtakes? first we have this one:

really like this shot. couldn't figure out the palette. i wanted some of that green from the interior wall of the attic space, but it doesn't sample as very green (yay for color theory!) and the few pixels that do sample as green do not look very good next to the rest of the colors.

here's the other outtake gif:

now that i'm looking back at the whole set, i think this one would have been a really good addition to make the whole set feel more cohesive, but i'm not sure which gif i would have cut instead to keep it at 8, so that's probably why i cut it in the first place. this one is kind of fun since the green is not from niko at all, but from the grass below. i initially made this gif with a monochrome palette, but right before i exported it, i noticed just how much green is in there, and decided to use some of it. glad i did, and i am really happy with this gif.

i'd say i can never be normal about this but you already know that. love this, love you, thank you forever for blessing us with your gorgeous gifs!!!

i'm so glad that you can't be normal about these because i also can't be normal about making gifs and i love that i get the opportunity to do this kind of breakdown for them. thank you thank you thank you alex. you're wonderful!!

Dead Boy Detectives (2024) 1.03 — The Case of the Devlin House (insp)

[dreamer1084]

Natsuyuu Anime S7EP6 VS Manga Vol22 SP.19 & Vol19 Ch.77

Sensei's "tsk" was changed to "hum" Matoba's "おや" was deleted.

Matoba's laughter was deleted.

Matoba's dialogue when explaining the content of the commission was greatly simplified, retaining only the most basic knowledge without details.

Deleted the scene where Natsume was suspicious of "Why did he keep me here?"

Natsume's description of things that the audience can directly see has been deleted as usual. By the way, we cannot see the youkai in anime as clear as in manga.

Anime deleted a lot of monologues and dialogues here explaining why he went to Hakozaki's house.

When they saw the Youkai, they were still outdoors in manga, but they had already entered the house in anime. That's why the dialogue where Beniko thanked them for coming was also deleted.

Anime changed Natsume's straightforward statement about investigating his grandfather here to be more tactful. First, anime moved the dialogue forward, saying that although he didn't know if he had the ability to help, he would look around the house. Then he use "speaking of" to bring in his grandfather's matters.

In terms of dialogue, manga Natsume seemed to be talking to himself, so he later apologized for being rude. In anime Natsume used more questions, thus a more sense of communication.

Youkai hided behind this tower in amine. It is different from the manga in which Beniko answered the phone and left so Natsume could discuss the situation with Sensei.

Anime deleted Natsume thought Matoba sneaked into the house, and Matoba smiled and said he had permission LOL

Deleted scene where he said "かじん(家人) will not be harmed" (The "家人" here in Japanese does not necessarily refer to the family, but may also mean something like a servant. It may be an attempt to ridicule the identity of Sensei. But it may also mean people in this house. )

Manga's Natsume chose not to speak when faced with Matoba's request, and than delivered a monologue to the readers. In anime, he said, "I am (helping you) only for Beniko-san and Sensei."

Deleted Motoba's line "Do you want to hear it? Okay" and Natsume was again speechless.

His dialogue explaining the Youkai was again slightly simplified.

Deleted Motoba's "そうですね" (more like a modal particle for thinking than recognition) Matoba in manga just stared at Natsume, and Natsume asked him unhappily what was going on. Anime included a strong wind that made Natsume close his eyes. At this time, Matoba looked at him thoughtfully.

Anime simplified Matoba's instructions to Natsume into simply telling him to look to the east.

Deleted Nanase said "We meet in a strange place"

Deleted Nanase said, "It's so convenient that Youkai will come close to you when you are here."

The dialogue here was split into Natsume first asking if there was a mirror, Nanase responded that it was part of the spell, and Natsume said that the mirror was broken.

Animation added Natsume says "わかりました"(Got it) And Nanase also said "頼んだぞ"(I am counting on you)

Sensei in anime did not have the arrogant tone from manga, but he clearly complained that "forbidden techniques are really troublesome." Anime Natsume asked "Even Sensei can't exorcise it?"

Deleted the dialogue where Matoba asked Natsume not to tell others and hoped to have a good conversation with him (Because the content was similar to the summary part of the abandoned station later.)

Anime also deleted the sence where Beniko said that she only let them in because Matoba-clan agreed not to charge. She also promised Natsume again that if she discovered anything related to his grandfather, she would inform him.

[citrusandrottefruit]

Modern!Steddie (This is based on something I read a while back on Tumblr about Eddie becoming famous, Steve getting doxxed, and years later singing Hozier's Francesca to Eddie. I'll look for the fic, and if I find it, I'll put the link here.) EDIT: This is the fic here, guys. I recommend reading it. (https://archiveofourown.org/works/48091627/chapters/121266283)

Steve has always been one of the popular kids, but not the kind of childish villains you see in movies. No, he was popular because he was handsome, had rich parents, was charismatic, and was good at sports. He didn't bully other kids, but he wasn't interested in them either.

He never felt the need to seek out new connections at school, because he'd had Tommy and Carol for years, and anyone new who wanted to talk to him would come to him. He didn't have to work hard to make new friends.

His time was spent on sports and the friends he already had. The occasional girlfriend, too, because he'd always been a romantic at heart and a lonely kid. Being best friends with a couple would also make him feel like a third wheel a lot, so having a girlfriend and double dates seemed cool.

Then he got into a fight with Tommy and Carol after that graffiti episode in the movies and they drifted apart. Tommy wasn't mean about it, but he was resentful and hostile, because they were best friends and it always sucks to lose a friend to a boyfriend/girlfriend who you think cheated on them.

After a year, when he and Nancy broke up, he, Tommy and Carol didn't get back together, but they weren't hostile, you could tell they felt bad for him. Steve wanted to be friends with them again, he just didn't feel right crawling back with his tail between his legs and he also felt guilty that they never reconnected before. He didn't want it to seem like he only got back together because he was single.

He's still popular, but now his best friends aren't around anymore and he got cheated on by his girlfriend, but he feels like he deserved it (let's just say the story they made up about Barbara dying was real and the trauma grew into a monster and consumed their entire relationship). So he feels alone.

He has the kids. But Dustin thinks he's awesome and he doesn't want to be anything less, Lucas also sees him as a hero, willing to take a beating for him, Max looks up to him as a big brother. Will is Jonathan's brother and has traumas, so Steve would never dump his problems on the kid. Mike is Nancy's brother.

All of his real friends are kids.

So, Eddie. Steve isn't lonely around school, he still interacts with other students, he's friendly with the popular crowd, a lot of people like him. He just has these moments where he seems sad and then suddenly he seems super chill again.

Anyone who looks closely can tell he's got a problem and pretends not to, but it's not obvious. Eddie doesn't think much of it at first. He actually finds it amusing, because he has a lot of shallow and superficial ideas about popular kids who conform to the norm and who are well-off.

Eddie comes over when he sees Steve reading a DnD rulebook. He mocks it a bit, but explains a few things and Steve, who has always been a social butterfly and never cared much about sitting at the same table as some group in the cafeteria, sits down with Hellfire.

Not with the intention of being their friend, just because he wanted to ask them questions, take notes and move on with his life. A brief connection, a friendly interaction. No different from his relationship with most people who are part of his social circle.

But Eddie keeps pulling him closer, invites him to join the Hellfire Club. Steve declines, because he likes the stories and wanted to learn about DnD because of the kids, but he feels insecure about being a player, about roleplaying, he's afraid of making the wrong decisions and ruining something that seems to be so important to their friends (both the kids and Eddie).

Eventually, they fall in love.

Steve graduates without much distinction and Eddie barely makes it, but they are free from high school. While Eddie continues to play concerts at the Hideout with the CC boys, Steve works at Scoops Ahoy and makes friends with Robin.

So, when Eddie decides to leave, Steve asks them to wait a little, to save up more money, to get better organized. If they stayed for a whole year, Robin could even leave with them. When Eddie doesn't agree, he says they can continue their relationship long-distance. After all, it's 2010 and there's technology for that.

Eddie leaves anyway, believing that Steve will regret it and look for him, understand that leaving is the right choice and blah blah blah. Steve can't leave yet, because if he moves out, if he doesn't follow the path his parents have laid out, he'll give up any illusion of family he might have had. His car is in his father's name, he doesn't have much savings, he's still not open about being bisexual and he's terrified of leaving his entire life behind. It's hard in Hawkins, but facing the whole world, the uncertainty, not having a home to go back to… It scares him. Eddie doesn't understand, because if nothing else worked out for him, he could go back to Wayne and be welcomed with open arms.

One of Eddie's first hit songs is about a preppy, popular, charismatic kid who's the captain of the swim team and lives in Loch Nora who starts dating him in his senior year and gets stuck in a shitty job at the mall. It's easy to figure out who Steve is. People at school find out quickly.

I like to think Carol is the one who alerts him, goes to his job to tell him the rumors. Tommy goes with her. Although Carol is kinder and more open and Tommy keeps his distance, as if he might be infected, he also tells Steve to be careful, for old times' sake.

Either way, he becomes a target. The students tell their parents that they believe the hit song is about Steve. This story even gets around the church that his parents donate to and "attend" when they're around. His parents' friends find out. His business partners find out. His parents, too.

His parents suddenly move back home. It was a huge fight, with his mother accusing him of being possessed, suggesting a treatment to "cure" him. Mr. Harrington said it was due to a lack of beatings. Either way, it ended with him bleeding alone in the street.

A few days later, he and Robin managed to return to "steal" some of his belongings back, including documents. Other than that, he lost everything.

Mr. Wheeler didn't even want him to get close to Mike anymore.

For a while, he spends his days between the Hendersons' couch and Robin's bedroom floor, feeling like shit and listening to the music Eddie wrote over and over again.

After that, he sells his cell phone, his laptop, whatever he managed to keep. Robin also sells some of her things and the kids help with this small fundraising, selling cakes and sweets. Even Tommy and Carol seek them out, providing almost 50% of the money. That way, Steve is able to leave with a few months' rent saved.

Wayne also helped, because he knew that Eddie's music was responsible for this. Steve told him never to talk about everything that happened with Eddie, so Wayne kept it a secret.

I think Tommy, Carol and Steve could get back to being friends. Not the same as before, but they have lunch together every few months and they were the ones who helped Steve get a job in a new city.

A few months later, Corroded Coffin is well established, about to release its first album. Robin goes to college and Steve and she move in together.

That's when other people start to find out who Steve is too. It starts with a post on Reddit, people speculating about him, which is the central theme of several songs, although none are as explicit about his identity as the first. His parents receive some hate mail, they make a point of sending it to the Buckleys and Steve finds out. What hurts the most is knowing that his parents never gave him any of his belongings, but they found a way to let him know that people he didn't even know hated him.

He gets some hate messages too, because, although he deleted his old accounts, the new ones are easy to find through the profiles of people who knew him before all this. So, they're probably students from school, people know what Robin's social networks are, finding him.

There isn't much hate coming his way because he's careful to keep to the shadows, and thankfully the speculation about Steve Harrington being responsible for breaking Eddie Munson's heart doesn't go that far, after all, there's nothing to keep fueling those theories.

One of the things that connected Eddie to Steve was music. I like to think of Steve as a musician, like Joe Keery is. If Eddie can pour out his anger through music, he can also pour his heart into it. He writes Unknown/Nth and posts it to an anonymous YouTube account. He sings with an acoustic guitar, without showing his face.

For a while, this feels like closure.

Steve still gets hate mail sometimes, even though he deletes the old accounts and creates new ones. Everyone in Hawkins seems to know about him and Eddie. The kids, who hated Eddie for a while, have reluctantly started to admire him again. Steve reassured them about this, but they all remained bitter about everything that happened.

Steve, for his part, has vacillated between hating Eddie and hating himself. Most of the time, he still feels like he maybe loves Eddie a little bit, as if he’s stuck on that last day they saw each other. Sometimes he blames himself for making the wrong decision. Other times he thinks that if he hadn't stayed in Hawkins, Eddie might never have made it big.

His feelings for Eddie are complicated.

So, about 5 years after the breakup, there's a documentary about the beginning of Corroded Coffin. Something not produced by them. Maybe by a fan? Who goes to Hawkins, talks to people, tells them about Steve, exposes Steve and it goes viral on social media.

His life goes to shit very quickly. Eddie doesn't even notice at first, because CC is on a world tour and they never have free time. Meanwhile, Steve becomes well-known on social media and gets some hate mail.

Things change a bit when someone, seeing old photos of Steve, posts on Reddit that they have a crazy theory: there's a song they've been listening to for years, that's a lost gem in the depths of YouTube and they swear that's Steve Harrington, because the moles match and you can see a Hawkins High jacket in the background. It's a pretty crazy theory, so it doesn't get much attention, but the song gains momentum.

Eddie finds out because, once he learned everything that happened, he started researching everything about Steve, trying to measure how much he ruined his life.

Assuming people find out that the song is really about Eddie, I think he could become the target of hate, almost as much as Steve did, because Unknown/Nth is a powerful song.

That's what I've thought, for now. They get back together in the end because Eddie's actions had terrible consequences, but he never meant to hurt Steve like that and the biggest culprits for everything that happened are his parents. The hate from the fans wasn't that intense until the documentary, so it was hard to notice.

Anyway, they have a long way to go. A talk to clear up their last fight, a lengthy apology from Eddie, reconnecting with the kids, getting back to being friends.

It would be terribly sad and difficult. It definitely wouldn't be a fairy tale, but they could learn to trust each other. Eddie could earn Steve's trust, affection, and friendship, and one day they could be a couple again.

[milfhunter6698]

Star girl

Synopsis: You were a talented but underappreciated actress lands a dream role in a highly anticipated romance film directed by a well—respected filmmaker. Your cast opposite Victoria Neuman, an industry icon known for her powerful performances and magnetic screen presence. As you work together, unexpected feelings develop between you, you find yourselves drawn to each other in ways you didn’t expect.

Warnings: 18+ eventual smut, no use of (y/n), cursing, no describing reader’s appearance, explicit language, fluff, suggestive themes, a lot of angst, teasing, hollywood AU, slow burn, Acting, friends to lovers.

AN: Hello hellooo!! happy tuesday everyone, guess what? yep another Victoria Neuman fic because I ain’t gonna even lie and just say that I got over that crazy bitch, I’m missing her like crazy baddd. Anyway this is just something that’s been on my mind, heh… I dunno I mean who wouldn’t love a good Hollywood love storyline. It’s just something short, while I work on a few requests I’ve gotten, I’m gonna also be posting this on ao3 If you’re interested go check it out. Now as always have fun, and lmk what you think because I kind of have mixed feelings about this.

wc: 4.1k

You moved between tables at the cafe, balancing a tray loaded with coffee cups, sneakers squeaking faintly with each step. The place was buzzing with late-morning chatter, filled with the smell of fresh coffee and fried eggs. You’d perfected the art of pretending to be completely focused on your job, but every spare second, your mind wandered back to the idea of acting—your true passion, the career you were chasing even if you were currently only known as “the girl with the tray.”

On your break, you slumped into a corner booth with your phone, scrolling through casting calls, your eyes landing on headlines you’d read a dozen times. Your finger hovered over an audition listing when your phone suddenly vibrated. You barely recognized the number, but your manager’s name popped up on the screen.

“Hey, it’s really not a good time, I’m—”

“Sit down,” he interrupted, his voice breathless with excitement. “Are you sitting down?”

You raise an eyebrow glancing around. “Yeah, I’m sitting. What’s going on?”

“You know that big casting call I sent you on last week?” His voice was buzzing with excitement, a little smug.

“The one you said was a ‘long shot,’ right? Look don’t mess with me. You said they wouldn’t even look at—”

“They looked. And they loved you. You got the part.”

For a second, the noise in the cafe faded to nothing. You blinked, trying to make sure you’d heard him right.

“You’re not serious,” you said, your voice barely a whisper.

“Dead serious,” he said. “This is the role. You’re going to be in a movie with Victoria Neuman. The Victoria Neuman.”

Your heart started to hammer. “Wait, Victoria Neuman? That Victoria Neuman? The one who—”

“The one who’s headlining the Oscars, the one whose face is on every billboard on Sunset Boulevard, yes. I told you it’s big.”

You gripped your phone so tightly your knuckles turned white. “But… how?”

Your manager laughed. “Because you’re good, that’s how. Look, they want to meet you this Saturday for lunch. The director wants to give you the rundown himself.”

You could barely process it. You’d spent so many nights pacing around your tiny apartment, rehearsing lines for auditions that led nowhere, wondering if you’d ever break through. And here it was, your shot.

“I swear… if you’re messing with me, I’ll never forgive you.”

“Trust me, kid. I’d never mess with you on this. So you better get your best outfit ready.”

You couldn’t stop yourself from laughing, a small, breathless sound. For the first time in months, you felt like you were exactly where you were meant to be.

Saturday afternoon you stood outside an upscale restaurant, your heart thudding as you stared up at the polished glass doors. You’d spent nearly an hour choosing an outfit, finally settling on something simple—a black dress and a vintage jacket you’d found in a thrift shop. You tugged at the sleeves nervously, feeling a strange mix of excitement and intimidation. Your manager had reassured you repeatedly, but the idea of meeting with a famous director and talking about your role felt surreal.

Inside, your manager waved you over, standing beside a man with sharp, discerning eyes and a warm, easy smile. He was younger than you’d expected, dressed casually in a way that somehow made him look more important.

He greeted and you reached out, introducing yourself and trying not to let your nerves show. “Thank you so much for… I mean, this is just…”

He grinned, shaking your hand. “Take a breath. We’re all just people here, no need to be so formal. Grab a seat. Let’s talk.”

You slipped into the seat across from him, trying to play it cool as the waiter poured sparkling water into your glasses. He leaned back, studying you with a quiet intensity that made you feel both exposed and encouraged.

“So, I saw your audition tape,” he started. “You’ve got something—an authenticity that I want in this role.”

You couldn’t help but blush. “Thank you. I’m really honored you thought of me.”

“Now, I’m not going to lie,” he continued, “this project is demanding. The story centers on two women, past lovers who come from very different backgrounds, but they find solace and understanding in each other. It’s raw, emotional. We’re looking for chemistry, vulnerability. That’s why Victoria Neuman is the co-lead.”

At the mention of Victoria’s name, your eyes widened. You tried to hide your reaction, but he noticed, a small smile tugging at his lips.

“Yeah, the Victoria Neuman. She’s a big personality, but she’s focused. And demanding. Don’t be surprised if she challenges you—she does that with everyone.”

You took a deep breath. “I’ll… I’ll do my best.”

“Good,” He said, nodding approvingly. “I have a feeling you’ll do more than that.”

You spent the rest of the lunch discussing the film, the script, and his vision for your character. Your excitement grew with each detail, feeling a spark of confidence you hadn’t known you had. By the end of the meal, you couldn’t believe you were about to step into a project like this.

The morning of the table read was overcast, the gray sky adding to your nerves. You arrived at the studio early, clutching your script as you walked into the bustling room. People were milling around, flipping through scripts, chatting casually. Your heart thumped as you found your seat, glancing nervously around the table.

Just as you were trying to steady your breath, you heard a small hush ripple through the room. You looked up and felt your pulse quicken. Victoria Neuman had arrived.

She moved gracefully, exuding a quiet, confident presence. She was dressed simply, yet she looked every bit the star she was, her gaze sharp and focused. She walked over to the table, catching your eye for a brief moment before giving a polite nod.

Your breath hitched. Act normal, you reminded yourself, pretending your palms weren’t sweating. You managed a small smile in return, trying to look calm.

The director greeted everyone and launched into his vision for the film. “This isn’t just a love story. It’s about connection, about finding something real in the chaos. We want to capture those quiet, vulnerable moments, the ones that people don’t talk about but feel every day.”

When it was time for the read-through, you and Victoria shared your first scene together. You focused on your lines, but your heart was pounding as you read opposite Victoria. Her voice was smooth, effortlessly slipping into character, and her eyes stayed locked on you all throughout the scene, intensifying each line.

By the end of the scene, you could hardly breathe. She leaned back, nodding slightly, and then you offered a small, approving smile. It was just a flicker, but it felt like an acknowledgment—a silent promise that you belonged here, too.

After the session ended, you lingered at the edge of the room, replaying the moment in your mind. You were about to leave when you felt a hand on your shoulder.

Turning, you found yourself face-to-face with Victoria, your name escaping her lips softly. “Is it?” she asked, her voice calm but with an unmistakable warmth.

You nodded, trying not to let your voice shake. “Yes. I… I just wanted to say, I’m a huge fan of yours. I’ve watched all your films.”

She gave a soft laugh. “Thanks. I know it must be overwhelming, jumping into something like this. But you were great today.”

Your heart lifted. “Thank you. That really means a lot.”

She nodded, her eyes lingering on you just a moment longer than necessary. “I’ll see you at the next rehearsal.”

As she turned and walked away, you felt a flutter in your chest. You knew this role was going to be life-changing, but you hadn’t expected Victoria’s presence to affect you so deeply. For the first time, you wondered if this film might change your life in more ways than one.

Your apartment was a mess. Scripts were scattered across your small, worn coffee table, along with half-empty coffee cups and stacks of notes. You had highlighted every line, each margin filled with scrawled thoughts and questions. Late into the night, you practiced alone, your reflection in the mirror staring back with the intensity you hoped your character would convey.

The role wasn’t simple. Your character, Lauren, was a guarded, impulsive complex woman burdened by loss. She had loved deeply once but had lost it all, and as you read through the lines, you felt yourself peeling back her layers, finding the pain and resilience hidden beneath.

You practiced your lines over and over, speaking them softly, then with anger, trying to understand the character’s emotional range. You kept Lauren’s experiences in mind, dissecting every reaction and choice she’d made, wondering how you yourself would react in such moments. You hadn’t had much in life, but you knew about chasing dreams, about feeling that endless mix of hope and fear. There was so much of yourself in Lauren—and that scared you. You wanted to do this right, not only for yourself but for the chance you’d been given to stand on this stage.

You arrived on set early your first day, your nerves a steady thrum under the excitement. The studio was a blur of movement—crew members rolling carts stacked with equipment, actors adjusting their costumes, assistants buzzing around the director with notes and coffee cups. Cameras and lights stood like sentinels around the set, wires coiled across the floor in intricate patterns you had to carefully step over.

You spotted your director in the middle of it all, standing beside the cinematographer, discussing the shots for the day. His voice was calm yet energized as he gestured toward the mock-up of the first scene. This was where the magic was happening, the place you’d dreamed of being. And now, you were here, not as an extra or a bit part, but as one of the leads. The weight of that realization pressed down on you, but it was also exhilarating.

“Hello there! Good to see you,” he called, waving you over as he noticed you lingering at the edge of the set. “Ready for the big day?”

You smiled, hiding the nerves that knotted in your stomach. “As ready as I’ll ever be.”

“Good, good. Remember, this isn’t just about the lines. It’s about Lauren’s silence, her glances, her gestures. Don’t be afraid to let the camera see that,” He said, his eyes filled with encouragement.

You nodded. Feeling the director’s words sink in, you needed to live the character—not just act her. You weren’t sure if you would be able to pull it off, but you were at least ready to try.

The first few days on set went by in a haze of new faces and whispered directions. You and Victoria had only one brief exchange about your first scene together. She had approached you with a warm yet reserved smile.

“Hey, I thought maybe we could run through this scene together. Just to get a feel for each other’s rhythms,” she suggested, her tone calm and professional.

“Absolutely. I’d love that,” you replied, your heart racing. You kept your voice steady, but you couldn’t shake the nervous flutter you felt deep in your chest.

Victoria read the lines with such ease, her delivery flawless, yet subtly different each time as if experimenting with nuances. You watched her, trying to keep your focus, yet every word from her seemed to pull you in deeper.

As you wrapped up, she nodded approvingly. “You’re good. I can see why they’ve picked you.”

You flushed, stammering a quick thank-you, and then watched as she walked off, her steps graceful, her confidence effortless. Just keep it professional, You told yourself. But as the days passed, it became harder to ignore the warmth you felt whenever she looked at you, a lingering gaze that seemed to see more than just your role.

When the day came for your ever first scene, you arrived on set early, going through your lines one more time. The scene was intense—a reunion between Lauren and Helene, two people who had shared a complicated past and were bound by emotions neither of them could entirely let go. You had thought you were prepared, but now, with each beat of your heart, you felt a new nervousness you hadn’t anticipated.

As you walked on set, you saw Victoria standing at the other end of the room, speaking with the director, who animatedly explained his vision for the scene. She caught your gaze and gave you a nod, her usual professional demeanor in place, though something about her expression felt unreadable—guarded, maybe, as if she was bracing herself for what was to come.

He turned toward you, breaking you out of your thoughts. “Hey, come on over. Let’s get you in place. So, here’s the setup: Lauren is paying an unexpected visit to Helene at her office, and she’s there because… well, that’s up to you. She has her reasons, but the scene hinges on that ambiguity, the push-pull between them. Lauren is bold, maybe even a little reckless, but we need to feel that Helene is barely holding herself together.”

You took a steadying breath and nodded, your nerves slowly morphing into a focused determination. This was Lauren’s moment to push, to test the waters with Helene. And in a way, it felt a little like you yourself were testing something—feeling your way through the strange pull you’d somehow begun to feel around Victoria. You couldn’t explain it, but it was there, like an undercurrent humming just beneath the surface.

Your director called for quiet on set, and as the cameras rolled, you transformed. You were no longer you but Lauren, striding into Helene’s office with a calm confidence, a hint of mischief in your gaze as you found Helene at her desk, pouring over stacks of papers.

“Hello, old friend. Long time, no see,” you said, your voice low but carrying a hint of hesitation, as if unsure of the reunion.

Helene looked up, startled, and for a split second, the cool facade she wore slipped, allowing a flicker of surprise and maybe even a touch of longing. Then it was gone, replaced by her usual detached, slightly exasperated expression as she leaned back, crossing her arms over her chest.

“Lauren,” she said, her voice edged with a mix of wariness and familiarity. “Not that long. Maybe a year?”

You tensed, responding instinctively. “A year’s a long time when you’re left wondering.”

The words hung in the air, and the silence that followed was thick, charged. You could feel Victoria’s eyes on you, not just as Helene but as herself, watching you, assessing you.

You let a slow smile spread across your face, the kind that was both playful and just a bit dangerous. You crossed the room, closing the space between you until you were just close enough to lean down slightly, your gaze intent.

“What, I can’t just stop by for a friendly visit?” Lauren’s voice was light, teasing, but there was an unmistakable intensity in her eyes that made Helene shift, visibly uncomfortable yet rooted to the spot.

Helene rolled her eyes, but her hands, you noticed, clenched slightly on the arms of her chair. “Last I checked, we weren’t exactly on friendly terms.”

Your smile softened, and you tilted your head, a touch of vulnerability breaking through. “Maybe that’s something I wanted to change.”

For a long, charged moment, you held each other’s gaze, a silent conversation happening in the space between you. Helene’s jaw tightened as she looked away, a hint of pain flashing across her face.

But Lauren wasn’t one to let go that easily. She stepped closer, until she was close enough to reach out, to touch, though she didn’t. Her presence was all-consuming, and you could feel your own pulse quicken, blurring the line between yourself and Lauren.

“Come on, Helene,” Lauren murmured, her voice barely above a whisper. “I know I hurt you. But that doesn’t mean I haven’t thought about you… that I haven’t missed this.” She let the words hang, raw and intimate, before adding softly,

“Missed you.”

Helene’s cool facade cracked just slightly, a flash of pain and frustration in her eyes as she stood up staring back up at Lauren, her composure barely holding. “You don’t get to say that. Not after all this time.”

The line struck something deep within you as she spoke it, feeling Helene’s hurt and resentment like a living thing. But Lauren your character, ever defiant, only leaned in closer, her hand coming up to brace against the wall beside Helene, effectively trapping her.

“Tell me you don’t feel the same,” Lauren challenged, her voice a low, urgent whisper. The tension in the room thickened, and you felt the weight of Victoria’s gaze, a spark of something intense and undeniable in her eyes.

Helene hesitated, her resolve wavering, her breath catching as her gaze flickered from Lauren’s eyes to her lips, the charged air between them pulsing with all the words left unspoken. But just as the moment seemed poised to tip over into something more, the director called, “Cut!”

You snapped back to yourself, blinking as you released the breath you hadn’t realized you’d been holding. Your heart raced, your skin tingling from the lingering tension of the scene. You let your arm drop from the wall, stepping back to give Victoria space.

Victoria straightened, her expression unreadable as she adjusted her jacket, her gaze sweeping the set before finally settling on you. There was a flicker of something in her eyes—something that looked almost like… admiration? Or was it something else?

“That was intense,” you said, trying to keep your tone light as you offered a small, slightly self-conscious smile.

Victoria nodded, a faint smile playing at the edges of her lips. “You have a way of bringing out the worst in Lauren,” she replied, her tone laced with irony but also something warmer, softer. “It’s… refreshing.”

You laughed, a little relieved but also thrown off by the words. “Well, she’s complicated. Keeps me on my toes.”

Victoria tilted her head, studying you for a moment. “Complicated is good. Makes it more interesting.”

The look you exchanged held a spark, something you couldn’t quite name but was beginning to recognize more and more each time your eyes met. It was as if you were both playing a game, one where the rules were unspoken, yet unmistakably understood.

Before you could say anything else, your director clapped his hands, calling everyone’s attention for a quick break before the next setup. You caught one last look from Victoria before she turned away, feeling the remnants of the scene still thrumming in your veins.

As you headed back to your trailer, your mind swirled with a mix of emotions—excitement, nerves, and the undeniable pull you felt whenever you and Victoria shared the screen. You’d always thought the hardest part of acting was embodying someone else’s feelings, but now, for the first time, you wondered if maybe the hardest part was keeping your own at bay.

You rubbed your temples, fatigue and excitement mingling as you gathered your things in your trailer. The day had been intense, the charged energy between you and Victoria in that last scene still humming under your skin. Just as you were about to head out, you swung the door open—and nearly collided with Victoria, who stood in front of the trailer with her hand mid-air, ready to knock.

“Oh!” you stammered, stepping back in surprise. “I didn’t expect—”

She chuckled, lowering her hand. “Neither did I, apparently.” There was a slight pause as you stood there, your heart beating just a bit faster, the exhaustion from the day melting away in her presence.

“I was actually going to suggest grabbing a drink. Somewhere quiet to unwind after…” She gestured vaguely, but you knew exactly what she meant.

You blinked, caught off guard but strangely thrilled. “A drink sounds… perfect,” you said, a smile slowly spreading across your face.

You ended up at a dimly lit, tucked-away bar, the kind of place you would never have noticed on your own. Victoria seemed to know it well, however, leading you inside with the ease of someone who valued privacy.

You settled into a booth near the back, ordering drinks and sinking into the quiet atmosphere. For the first time all day, you were free of the cameras, the lines, the lingering tension of your roles. Here, you were just you and Victoria, sharing a drink like two colleagues winding down after work.

“So,” she began, raising an eyebrow over her glass. “How was your first day of intense romantic drama?”

You laughed, taking a sip of your drink. “I have to say, it was… exhilarating. But definitely a bit intimidating.” you glanced at her, a little more openly than you might have dared earlier. “You make it seem so effortless. I keep wondering if I’m doing it right.”

“Trust me, you’re doing it right.” Victoria leaned forward, her expression earnest. “Acting isn’t about ‘right’ or ‘wrong,’ anyway. It’s about trusting yourself. You get lost in the moment, and… well, you did that today.”

You felt your cheeks warm, feeling simultaneously grateful and a little self-conscious under her gaze. “Thanks. Coming from you, that actually means a lot.”

You fell into an easy rhythm, talking about the movie, then drifting into lighter topics—the absurdity of long filming days, the occasional mishaps on set. Victoria shared a story about an elaborate costume mishap during a period drama that left her frantically trying to fix her dress just seconds before a big shot. You laughed so hard you nearly spilled your drink.

“Is this your secret weapon?” you asked with a grin. “Getting everyone to laugh so they forget their lines?”

“Ah, you’ve caught me,” she replied, a playful glint in her eye. “It’s all part of my master plan. Throw them off just enough so I can look that much better.”

You chuckled, and then, in a moment of pure spontaneity, you blurted, “Well, I don’t have your number. So if you ever need a partner in crime… or just someone to grab a drink with…”

Victoria’s eyebrows rose, a hint of mischief in her smile. “Is that your idea of subtle? Or is that just how you are with women?”

You felt your cheeks go warm again, though you grinned, refusing to back down. “Maybe a bit of both.”

She held your gaze for a beat longer than necessary before reaching for her phone. She tapped a few times, and your phone buzzed in your bag. “There. Now you have my number,” she said, her tone playful, yet her eyes held a trace of something deeper. “Just… don’t go spreading it around. I have a reputation to uphold.”

“Oh, wouldn’t dream of it,” you replied, matching her teasing tone.

You finished your drinks, lingering for a few more quiet moments before you finally decided to head home. Outside the bar, you shared a quick, almost shy goodbye, both of you staying just a bit longer than needed. You watched as she disappeared down the street, a strange blend of exhilaration and confusion swirling inside you.

When you finally returned to your small apartment, you lied awake in bed, staring up at the ceiling. The day’s events replayed in your mind, your thoughts wandering from your intense scene to the quiet, easy comfort of the bar. Every moment with her felt like an uncharted path you were just beginning to explore.

A smile crept onto your face as you thought of her teasing remarks, her gaze, the effortless way she seemed to fill every space she entered. You couldn’t quite pin down what was happening between you, only that something had started, and you were more than ready to see where it would lead.

[heavysighing-dreamyeyes]

I'm in love with this series!! Jay Todd, my beloved. Just, ah, the world building is so good, and the FEELINGS! Don't even get me started on the smut cause I was fr fanning my face. I talk about my fav parts below the cut!

Jay bursts into the bar, door hitting the wall with a crash, and oh fuck she forgot her helmet at home so she’s gonna have to do this as Jay, without the weight of the Hood’s legend behind her. Taking a deep breath she squares her shoulders and swaggers in.

Plsss, I'm swooning already. Love that she doesn't need the helmet to get shit done.

Jay goes to take the seat next to you but shoulder slams into a body. She turns and raises a single disdainful eyebrow that she knows for a fact has made grown men cower before. “You’re in my seat,” she says, low and bored.

Ah, I'm grinning! You can fr feel her confidence through the screen

Jay very conspicuously wipes the front of her leather jacket with a bar napkin. Looks him up and down and smirks. “I think your conversation was over 30 seconds after you opened your mouth. I bet a lot of things are over in 30 seconds with you,” she tells him coolly.

OOOHHHH!! Get him!! It's over for me. She has my heart and I'm buying her anything she wants

You grow more flustered at that and Jay rolls her eyes at Cala’s interfering. She lays a hand on your bare forearm to get you to stop tearing the napkin in your hands to shreds. “You’re not in any trouble honey,” she says, voice low and soothing.

!!! I've got heart eyes for this fr

Jay’s just so goddamned tempted to press her thumb into the hollow underneath your eyes, see if that’s enough to make the gathering tears of relief spill over. Wants to see your puffy bitten lips wrapped around her fingers rather than your straw. Time just gets away from under you two, Jay too enthralled with the way your hands move as you tell a story, you too drunk under her attention to bother looking at the time.

No notes. I love when two people are equally enthralled with each other

And Jay, Jay doesn’t really have a phone besides a collection of burners but for you she’ll keep one on her. “Could always use another friend,” she says slowly, hands her phone over to you anyway.

aw that's sweet but also only burners my girl? I worry for her lots

Your ensuing enthusiasm sets to right the last of her worries that you’d only offered out of obligation and she sets about monopolizing as much of your free time as she can get away with. Takes you to the movies, to museums, to lunch. Lends you her sweater, her umbrella, her helmet. Actually thinks about buying a second one with how much use you’re getting out of hers.

I've decided that they're married, your honor. Just, ah, I love how quickly they entwine into each other lives! Just finding your person and knowing you want to be with them all the time, do everything and anything with them.

How she’s come with the image of your tear-stained face, fingers buried in her cunt. It’s fine! Jay’s fine. Eventually she’ll learn to stop lusting over her darling best friend who looks up at Jay with such sweet trusting eyes, unaware of what an awful lecher she is.

Oh, it's so fine. They're absolutely just friends and there isn't anything more to it at all and they definitely don't see each other anything but platonic besties

“Oh what’s this, a party?” you ask, hair falling down the nape of your neck in a way that has Jay itching to brush it aside and kiss your spine.

I mean, I'd let her

“You hate the Jimmy Choos,” Jay reminds you. “Always complain they pinch your feet.” “Duh,” you tell her, pushing yourself up. “But they make my legs look like sex so I’m wearing them.” Jay has to swallow a couple of times at that, lost in the last time you’d worn them out clubbing and dragged her with you. Your legs had looked like sex, miles of long yummy skin only ending at your barely there mini dress.

AHH, I'm losing it over this interaction!! and all of it done in each others arms!! INSANE!! It really shows how comfortable they are with each other. I just adore friends to lovers

Your fingers come to her throat and slowly undo the buttons there until only a single button or two above her waistcoat remains done up. Satisfied with your work, you spread the material flat under your palms, right over the swell of Jay’s breasts. “I think you look really nice just like this,” you confess to her. Jay can barely breathe as she says “Fuck the tie, never liked ‘em anyway.” Your slow smile is worth it.

PLEASE! I'm drooling. Reader is better than me cause I would not have made it out of her apartment

Jay is secretly, privately glad that you don’t notice Dick’s eyes lighting up with interest in you as you come in to view. She’s very careful to stamp that light out with a scowl and pantomiming slitting his throat. He’s all charm and smiles when he’s introduced to you though Jay still stomps on his toes for good measure.

I actually love Jay's and Dick's sibling antics

“You just told Mr. Texas Oil Man that you’re here on a date,” Jay says, voice tight and frustrated at having to spell this out for you. “And we–” she gestures sharply at the two of you “–are not on a date.” Your face falls, voice thin and hurt. “We’re not?” you ask softly.

Misunderstanding of century!! But I am eating it up!!! Angst is my kryptonite

“You– you thought this was a date,” she says slowly. “You got all dressed up and wore the heels you hate because you wanted to look good. For me.” You hug yourself tightly and nod, gaze fixed on a spot on the floor.

owwww. The heartbreak. The humiliation. I wanna sink my teeth into it

“Yeah, Jerry,” Jay says, not sure where this is going. “Fuck that guy.” “Gerry short for Geraldine!” you practically howl. “I’ve been practically throwing myself at you ever since, I thought you were just being nice and not saying anything to hurt my feelings,” you yell at her. “I thought– I thought you were finally giving me a chance tonight.” You pant, chest heaving as you reveal this more vulnerable truth.

GERRY! just, oww!! All of this is ow. Fr the pain reads so real and I'm devouring every line

And fuck. Jay’s not about to let the best thing that ever walked into her life just walk right back out. Not without a fight. Eating up the distance with her longer legs, she reaches out and gently clasps your wrist. Turns you around and pins you the door by it, forces you to look up at her with wide teary eyes.

Swooning. This angst is so sick and twisted (but in a good way, I swear)

“Why don’t you tell me what you were hopin’ for with your one big chance, tell me how tonight was supposed to go.” Jay nuzzles the side of your cheek, inhales the sweat and desperation rolling off your skin.

CRUEL and UNUSUAL. I'll take fifteen

Swiftly Jay drops to her knees, so fast she barely recognizes the pain of it. Hooks your leg over her shoulder and starts rucking up your devastating dress to expose your panties. Moaning you scrabble at the door, her hair, anything to keep you upright and balanced.  “These,” she snarls, then licks a fat stripe across the thin fabric of your black lace panties. “I’ve been dreaming of getting my hands on them since I first saw them.” You shiver, bury your hands into her thick hair for balance.

Plssss, chekhov's gun but it's the underwear I knew were gonna come back up. I looove it. And Jay being just as desperate has me feral!!

Spells her own name against your clit, brands her claim on you into your flesh as you wobble and whimper. Slick runs down her face as she grinds her nose into you.

hehe, The way I am giggling and twirling my hair

Jay bites down at the sensitive inner skin of your thigh and suddenly has to drink down the slick of your second orgasm. So her baby girl likes a little pain with her pleasure, she’ll have to remember that for next time.

I think I forgot how to blink reading this. my jaws on the ground

Pulls your skirt back down to hide the utter wreckage she’s made of your panties. Jay scrubs at her chin with her hand, then licks down all the sweet remaining slick she finds there. Grins felinely as you moan at the sight.

!! They're nasty and I love them for it

“I’m taking you home and I’m fucking you until either I pass out or the sun comes up.” “Okay,” you say, voice just verging on a whine. “That sounds better, actually.”

eee I'm obsessed with this!! The way I want to sink my nails into it and never let go. I looove they're dynamic fr. Sunnie you're actually feeding the Fem!Jason enjoyers soooo good 🥰💙

A Fever You Can’t Sweat Out

Part 1: Unexpected Faces in Familiar Places

fem!jason todd x fem!reader summary: jay makes a new friend, now if only she could be something more... tags: sexual harrassment, threats of violence, idiots in love, flirting, swearing, sexual tension, semi-public sex, cunnilingus, fingering rated explicit (mdni) | wc: 4.7k a/n: enjoy! i've been having a really shitty week (even before the election) so i scrapped my original intention to only post once it was fully written and decided to just share this with you all

Jay Todd has the shittiest day to cap off the shittiest week in what feels like forever. Her ribs ache from a hit on Monday that’s still not fully right and she spent most of the day chasing down one of her accountants that had the sheer fucking nerve to try and steal from under her nose. Her knuckles are bloody, she’s on the verge of a stress headache, and all she wants is to drink her goddamn drink in peace. Apparently that’s too much to ask for because she gets a call from Cala down at one of her bars about out of towners harassing the guests and now that just won’t do at all.

Jay bursts into the bar, door hitting the wall with a crash, and oh fuck she forgot her helmet at home so she’s gonna have to do this as Jay, without the weight of the Hood’s legend behind her. Taking a deep breath she squares her shoulders and swaggers in. Zeroes in on the two chucklefucks have that cornered a poor girl sitting at the bar. Notes the way she’s hunched over and pulling down the hem of her skirt to hide her skin from lecherous eyes. Cala buzzes around the scene trying to divert their attention away from poor little miss unlucky but it doesn’t work.

“–m not alone,” Jay hears you say as she strides towards the bar. “I’m waiting on a friend.” 

“That so,” the taller of the two men leer. “Well she can just join us too. Plenty of room for more.” The shorter man makes a crude gesture at his crotch and Jay sees red.

“There you are!” She calls out, shoulders past the men without even acknowledging their presence. “Sorry I’m late, traffic was a real bitch. Did you already order our drinks yet?” You look up at Jay with gratitude and something suspiciously like tears shining in your eyes. Fuck. You’re pretty.

“No I– I didn’t know if you were planning on driving so I just waited,” you play along. 

Jay goes to take the seat next to you but shoulder slams into a body. She turns and raises a single disdainful eyebrow that she knows for a fact has made grown men cower before.

“You’re in my seat,” she says, low and bored. The man’s face starts to go a horrible shade of red that clashes terribly with his hair.

“So you think you can just butt into a private conversation, bitch?” He snarls, spittle flying.

Jay very conspicuously wipes the front of her leather jacket with a bar napkin. Looks him up and down and smirks.

“I think your conversation was over 30 seconds after you opened your mouth. I bet a lot of things are over in 30 seconds with you,” she tells him coolly.

He opens his mouth to respond, vein pulsing in his forehead but the cock of a shotgun stops him. Cala, blessed Cala, had finally had the distraction she needed to grab the shot gun from under the bar and she is using it to maximum effect.

“Out!” She thunders, waving the shotgun in the men’s faces. “Out and don’t you ever come back. This is one of the Hood’s bars, we’re under her protection and there’s gonna be hell to pay for this.”

Enraged the larger one goes to yell back but the shorter one grabs at his shoulder. Whispers at him to look around at all the hostile faces, the other regulars getting to their feet and cracking their knuckles. Tails between their legs the two nuisances scamper out.

Jay nods at Cala and she calls out “Next round’s on the house!” to the cheers of the room.

Job taken care of, Jay goes to leave when a hand around her wrist, just catching her under the hem of her jacket, freezes her in place.

“Wait!” you call. She turns to look at you properly, the wobble of your lip and the shortness of your skirt from where you’re no longer tugging it down. “Please? I just– I’m worried they’ll be waiting outside for me. I was supposed to meet a date here but they bailed on me and now I have to wait for the next bus to come. Would you stay with me for a bit? Please? I’ll– I’ll buy you a drink for the inconvenience.” And well, Jay always was a sucker for a damsel in distress.

“Sure,” she says, slinging herself lazily back into the bar chair. “It’s no inconvenience but I’ll take that drink. Whoever he is, he’s gotta be mad for standing a pretty girl like you up.”

“Oh um,” you fluster at her words. “Thanks?”

Cala sets down Jay’s usual order for when she’s driving in front of her and refills your drink. Waves off your fumbling with your wallet with a “It’s on the house, chérie. Our apology for the bad night. Besides,”  she nods at Jay “the Boss Lady would not let you pay if you tried.”

You grow more flustered at that and Jay rolls her eyes at Cala’s interfering. She lays a hand on your bare forearm to get you to stop tearing the napkin in your hands to shreds.

“You’re not in any trouble honey,” she says, voice low and soothing. “Just needed a little help, that’s all. Now my name’s Jay and I own this little establishment. Why don’t you tell me a little something about yourself too?”

You stutter and start through your own self-introduction, mascara long eyelashes fluttering at all the attention. Jay’s just so goddamned tempted to press her thumb into the hollow underneath your eyes, see if that’s enough to make the gathering tears of relief spill over. Wants to see your puffy bitten lips wrapped around her fingers rather than your straw. Getting you to talk about yourself seems to work though, familiar territory slowly evening you out. You’re surprisingly witty when you’re not flustered, someone fun to have a conversation over beer with. Time just gets away from under you two, Jay too enthralled with the way your hands move as you tell a story, you too drunk under her attention to bother looking at the time.

A stray notification catches your attention, interrupts your story about how this bar wasn’t even in your bottom five. You roll your eyes at the sender name.

“Jerry,” you answer Jay’s inquisitive look. “Apologizing for standing me up, for all the good that’ll do.” With a flourish you tap at your screen, smile and say “Blocked.”

Jay can feel the corners of her eyes crinkle up in return, simple joy and approval for you cutting the trash out of your life. Not that she’s really entitled to an opinion on it. Your smile lasts a half second longer before suddenly descending into panicking, fumbling out your phone and chanting no no no under your breath.

“I missed the last bus,” you breathe out, eyes wide. Jay’s brain stutters at that, there’s no way you’ve been talking together for four hours. Cala catches her eye and jerks her head up at the big clock hanging over the bar. Fuck. It really has been four hours.

Jay knocks back the last of her beer and stands, extends a hand out to you to help you hop off the bar stool that’s just the wrong side of too tall. Even in your heels Jay’s still got quite a few inches on you.

“C’mon,” she says. “It’s my fault you were out so late, I’ll give you a ride home.”

She leads you outside to where her bike is parked, your palm still in hers.

“I don’t have an extra helmet so you just take mine okay?” She says, putting it on you.

“We’re– we’re going on that?” you squeak out, surprise rendering you docile.

“Yep,” she answers, already straddling the bike, thighs flexing. “Hop on and hold on tight.”

Jay more feels than hears your scream as she revs the engine and takes off, corners maybe just a little too fast to be anything other than showing off. Too soon she pulls up at your front door and already she mourns the feeling of your arms wrapped around her middle. She gives you a hand to help you off the bike again and nearly buckles at the brief glimpse of the black unlined lace panties she sees under your skirt as you swing your leg over the bike. The two of you stand there facing each other, moment stretching out until a car backfires a few blocks over.

“Well, I guess I should get going, “ Jay tells you reluctantly.

“I’ve got work in the morning,” you respond, still not moving. “Wait! D’you want my number or something so we can do this again? Not the first bit obviously, but maybe drinks? Maybe coffee next time?”

And Jay, Jay doesn’t really have a phone besides a collection of burners but for you she’ll keep one on her. “Could always use another friend,” she says slowly, hands her phone over to you anyway. Grinning, you see her off into the night, taillights dissolving into darkness.

Jay calls first, asks about coffee with too much casualness in her voice. Your ensuing enthusiasm sets to right the last of her worries that you’d only offered out of obligation and she sets about monopolizing as much of your free time as she can get away with. Takes you to the movies, to museums, to lunch. Lends you her sweater, her umbrella, her helmet. Actually thinks about buying a second one with how much use you’re getting out of hers. Bitches with you about assholes at work – not that she gives you the full story – and bemoaning the state of customer affairs. Makes you dinner at her apartment and makes a spot for herself on your couch. Worms her way into every corner of your life without regret because you’d tell her if her presence was unwanted. Right?

Leave it to Jay to come back from the dead and still fall in love with a straight girl. Dick teases her about how far she’s willing to bend over backwards for ‘just a friend’ and Jay has to show her teeth and snap back that at least she has some. Has to cover up for the fact that her sanity is hanging by a goddamn thread thinner than that single string that had tied the open sides of your top together that one afternoon, revealing bare skin and the hint of a breast if you leaned just right. The way she almost walked into a wall when she realized you weren’t wearing a bra the first time she came over to your place. How she’s come with the image of your tear-stained face, fingers buried in her cunt. It’s fine! Jay’s fine. Eventually she’ll learn to stop lusting over her darling best friend who looks up at Jay with such sweet trusting eyes, unaware of what an awful lecher she is.

A gala invitation has Jay wishing she could shoot lasers with her eyes and incinerate it. Her eye twitches with annoyance and you snatch it up out of her hands before she can stop you.

“Oh what’s this, a party?” you ask, hair falling down the nape of your neck in a way that has Jay itching to brush it aside and kiss your spine.

“A stupid one,” she answers, not really paying attention.

“But you’ll have to get all dressed up for it! Please, please can I come over and watch you get ready? You never get dressed up,” you pout.

Even with your whining and pouting, Jay can’t help but think she’d still have a better time at the gala with you by her side to distract her from pointed glances and whispers. She sighs. Wait.

“There’s a plus one on that invite,” she tells you nonchalantly, studying your face in her peripheral vision. “You could come if you want, get all dressed up too.”

You stiffen at the question. “You really mean it?” you whisper, hardly daring to breathe.

“Course, but only if you want to,” she offers. You squeal, clutch the envelope to your chest and tackle her.

“It’s short so I’ll probably have to rent a dress and oooh I need to think about makeup, maybe a bold lip? Oh! And I can have another excuse to wear the Jimmy Choos...” you babble in her arms.

“You hate the Jimmy Choos,” Jay reminds you. “Always complain they pinch your feet.”

“Duh,” you tell her, pushing yourself up. “But they make my legs look like sex so I’m wearing them.” Jay has to swallow a couple of times at that, lost in the last time you’d worn them out clubbing and dragged her with you. Your legs had looked like sex, miles of long yummy skin only ending at your barely there mini dress. You prance around the room pulling down dishes for dinner and Jay sighs, melts back into the couch cushions as she listens to you chatter a mile a minute about how excited you are.

Jay’s really, really regretting her impulsivity by the time the gala rolls around a few days later. In all her excitement about not going alone for once, she’d forgotten that this meant she’d be going with you. With you, all dolled up and mouth-wateringly gorgeous.

You knock at her door earlier than she’d expected from you when a fancy event is involved and has to do her very best not to drop her jaw on the floor. Gorgeous green silk pools around your breasts in a daring cowl neck, the fabric clinging to your curves, draped to exaggerate them. Skims the plush sides of your hips before falling straight to the floor, a daring slit revealing the warm bare skin of your leg ending in those heaven sent Jimmy Choos. Jay stares, knows she stares for a beat too long but there is quite literally no force on earth that could tear her away. You start to squirm under her attention, still standing half in her doorway.

“That bad, is it?” You laugh self consciously, start to cover your cleavage with your hands. “I knew it was too much.”

“No, no it’s just enough,” she rasps, standing back to let you in. You brush past her so close she can smell your perfume, can tell you’d broken out your special occasions scent in the nice glass bottle. “I just need to fix my tie and do my hair and then we can go.”

“Do you need the tie?” You hum, stepping into her space. Grabbing a hold of one of the loose ends, you tug it out from where it’s tucked under her collar and drape it over the couch. Your fingers come to her throat and slowly undo the buttons there until only a single button or two above her waistcoat remains done up. Satisfied with your work, you spread the material flat under your palms, right over the swell of Jay’s breasts. “I think you look really nice just like this,” you confess to her.

Jay can barely breathe as she says “Fuck the tie, never liked ‘em anyway.” Your slow smile is worth it.

“Can I do your hair too?” You ask shyly.

“Don’t see why not, I was just going to do a ponytail,” Jay shrugs. Delighted you push her down onto the couch and start pulling bobby pins out of your purse. “Wait did you plan this?” She asks.

“A girl should always be prepared for the best outcome,” you tell her primly as you stand behind her and finger comb her riotous hair.

Quickly you separate out a deep side part and Jay memorizes the feeling of your hands in her hair. Hands twisting and pinning, you’re done in only a few minutes, handing her the little mirror out of your clutch to admire your work. Softly Jay touches your work, the way you’ve slicked back one side of her hair and made the waving curly mess look artistic and purposeful.

“Thank you,” she says, making eye contact with you in the mirror. She means it, means it for more than just fixing her hair but for everything else you’ve done since stumbling into her bar and her life all those months ago.

“It’s nothing,” you tell her, hands suddenly occupied with the mechanism of your purse. “We should probably get going, right?”

Jay drives the two of you to the venue in a really nice car you’ve never seen before. She waves away your questions with a tight, “My dad won’t even notice it’s missing.” She parks at the end of the red carpet and the doors haven’t even opened yet but you can already see the camera lights flashing. You look at her, suddenly nervous because you’d vastly underestimated how important this event was. She turns to you and smiles, grips your hand over the car console.

“Hey,” she says, all softness. “Just stick with me and you’ll be fine. I’ll head off the vultures, you just hold onto me and enjoy the canapes, okay?”

You nod, and then suddenly she’s opening up your door, hand extended to help you out. The lights are blinding, flashing so fast the afterburn never gets any time to dissipate. Pasting on a smile you cling to Jay’s strong arm, rock solid even under all her suit layers. Paps shout and scream at you to look their way and you can barely hear them over one another.

Eventually the two of you make it through the front doors of the hotel and you gasp like you’ve been drowning. Rubbing your shoulders Jay moves to cover you, cuts off the private moment from prying eyes that seek and skitter.

“Is it always like that?” You gasp. Fighting to regain your balance.

“Unfortunately,” she says with a rueful smile. “But that’s the worst of it over, now we can really enjoy the night.” Gallantly she offers you her arm and you accept it gratefully, her elbow brushing up against the swell of your breast as you walk.

She introduces you to the night’s hosts – her family – with a whispered apology in your ear. Jay is secretly, privately glad that you don’t notice Dick’s eyes lighting up with interest in you as you come in to view. She’s very careful to stamp that light out with a scowl and pantomiming slitting his throat. He’s all charm and smiles when he’s introduced to you though Jay still stomps on his toes for good measure. She doesn’t know what possesses her to, but she wraps a proprietary arm around the small of your back as she steers you around the room. Helps you to crystal flutes of champagne that make your nose twitch at the carbonation and warns you off the most disgusting canapes.

Jay has just chased down the waiter carrying the mushroom and cheese quiche bites you’d fast declared your favourite when the two of you get roped into a very stilted conversation with some of the fat cats the Waynes are currently trying to drain dry, for charitable reasons of course. She’s tuned out the conversation while she piles all the best looking bites onto a plate for you, horrifically uninterested in whatever Mr. Harold J. Carson, esquire had to say about the Texan economy. She cottons on to something being wrong as your hands tense up around her arm and your laugh gets ever more brittle.

“That’s a very kind offer Mr. Carson–”

“Harold, please,” the great mustached walrus harumphs.

“–Mr. Carson,” you bravely soldier on. “But I’m here on a date and I hope you’re not implying that I’m the type of woman to two-time someone.”

He turns an ugly shade of puce and sputters at the implication, society matrons chuckling behind their glasses at his terrible blunder. Sensing an opportunity, Jay grabs you by the arm and starts leading you away.

“I do think our presence is needed by my family elsewhere,” she says, vowels Diamond District clipped. Her grip around your fingers is strong, tighter than it’s ever been as she leads you down a hallway and into an unused meeting room. Her breaths are coming heavy as she drops your arm like she’s been burned, deposits the plate on the empty table. Jay knows if she speaks now, her voice will shake and she will not have that. FUCK. Fuck, she was supposed to have this under control by now. She’s not your keeper, she’s not gonna stand between you and happiness but fuck it hurts to be used like a ticket into someone else’s bed.

“Jay,” you ask cautiously. “Are you okay? I really wasn’t going to take him up on his offer, I’m telling the truth, promise.”

“Why’d you come with me as a friend when you were already invited as someone’s fucking date?” Jay spits out, unable to contain her jealous anger and pacing to try and burn it off.

“But you invited me,” you answer her, voice trailing off in confusion.

“You just told Mr. Texas Oil Man that you’re here on a date,” Jay says, voice tight and frustrated at having to spell this out for you. “And we–” she gestures sharply at the two of you “–are not on a date.”

Your face falls, voice thin and hurt. “We’re not?” you ask softly.

Jay has to stop pacing because wait what.

“You– you thought this was a date,” she says slowly. “You got all dressed up and wore the heels you hate because you wanted to look good. For me.” You hug yourself tightly and nod, gaze fixed on a spot on the floor. “But you don’t even like women?” And it’s less a painful fact she knows now and more of a question. 

“We met because my date stood me up!” you exclaim.

“Yeah, Jerry,” Jay says, not sure where this is going. “Fuck that guy.”

“Gerry short for Geraldine!” you practically howl. “I’ve been practically throwing myself at you ever since, I thought you were just being nice and not saying anything to hurt my feelings,” you yell at her. “I thought– I thought you were finally giving me a chance tonight.” You pant, chest heaving as you reveal this more vulnerable truth.

“Oh,” she says stupidly, suddenly forced to re-contextualize her entire life for the past few months. You dash an angry hand at your tear eyes and turn to go.

“It was my mistake,” you tell her voice thick with emotion.

And fuck. Jay’s not about to let the best thing that ever walked into her life just walk right back out. Not without a fight. Eating up the distance with her longer legs, she reaches out and gently clasps your wrist. Turns you around and pins you the door by it, forces you to look up at her with wide teary eyes.

“Oh sweetheart,” she croons and you shudder. “Bet you’ve been feeling like I’ve been treating your real raw lately.” She cups your face in her hand, smoothes her thumb over the high plain of your cheekbone. “Why don’t you tell me what you were hopin’ for with your one big chance, tell me how tonight was supposed to go.” Jay nuzzles the side of your cheek, inhales the sweat and desperation rolling off your skin.

“We were– we were supposed to dance,” you confess, head falling back against the door. 

“We can still do that,” she says, curling her fingers into your hair and pulling. She grins at your swift inhale.

“We were gonna dance an’ then, then you were gonna take me home.” You breathe out, pupils blown wide with hunger.

“Was that it baby girl?” She asks. “Playing it a little safe for your one night fantasy, weren’t you?” Jay lets go of your wrist to rest her hand on your shoulder, large hand pressing down on your collarbone.

“Was gonna kiss you goodnight,” you whimper, shivers running across your skin. Slowly, so slowly you can make out the ticking seconds hand of the big clock on the wall, Jay leans in and carefully slots her mouth down over yours. Sucks gently on your bottom lip before releasing it with a sigh.

“Like that?” Jay asks. “You were just hoping for a sweet little kiss on the mouth?” Her own breathing is ragged.

“No–o,” you gasp. “Was hoping– was hoping you’d kiss a little lower too.”

Swiftly Jay drops to her knees, so fast she barely recognizes the pain of it. Hooks your leg over her shoulder and starts rucking up your devastating dress to expose your panties. Moaning you scrabble at the door, her hair, anything to keep you upright and balanced. 

“These,” she snarls, then licks a fat stripe across the thin fabric of your black lace panties. “I’ve been dreaming of getting my hands on them since I first saw them.” You shiver, bury your hands into her thick hair for balance.

“They’re my– my lucky date underwear,” you gasp into the air. 

“And you were hoping to get lucky tonight, weren’t you baby girl?” She coos up at you.

Biting your lip, you nod. Jay sets about tearing your underwear to pieces with her teeth. Your thighs tremble around her ears and she slams your hips back down against the door. Spreads your lips open with calloused fingers, presses a light kiss to your clit in greeting before she starts making out with your pussy. You howl and sag, trusting her to take the full weight of you as your knees turn to jelly.

Jay eats you out with enthusiasm and she eats you out with experience. Does this thing with the slick thrusting muscle of her tongue that has you gasping and begging for more. Can feel the heel of your shoe digging into her back, urging her own, begging her to fuck you harder. Spells her own name against your clit, brands her claim on you into your flesh as you wobble and whimper. Slick runs down her face as she grinds her nose into you.

Sucks your clit, hard, just a hint of teeth as she spears you open on a thick finger. Twists and curls it against your slick wet walls, lets herself affectionately get acquainted with your cunt. Scissors you open with two fingers just to watch your head bang back against the door, eyes shut and tears streaming down your face. Sets an uneven rhythm with her fingers and tongue that has you moaning and trying to ride her face for more. Finger fucks you with wet, squelching vigour as you quiver and shake, walls tightening up as you careen towards climax. Starts putting pressure on your rim with a third finger just to tip you over the edge of it all, pleasure making you stupid. Jay bites down at the sensitive inner skin of your thigh and suddenly has to drink down the slick of your second orgasm. So her baby girl likes a little pain with her pleasure, she’ll have to remember that for next time.

Gently, she takes your trembling thigh off her shoulder and places it back onto the ground. Pulls your skirt back down to hide the utter wreckage she’s made of your panties. Jay scrubs at her chin with her hand, then licks down all the sweet remaining slick she finds there. Grins felinely as you moan at the sight.

“Hoping for a little something like that, honey?” She teases.

Vigorously you nod, head bouncing back and forth like a bobblehead, words still fucked out of your brain. She holds out a hand to you – not the one that’s just been buried knuckle deep inside you – and clasps your hand in her own.

“C’mon, let’s go home then,” she tells you airily, leading you back through the maze of the building.

“But what about the party?” you ask, mascara still smeared around your eyes.

“I don’t care,” Jay bites out. “I’m taking you home and I’m fucking you until either I pass out or the sun comes up.”

“Okay,” you say, voice just verging on a whine. “That sounds better, actually.”

“Good,” Jay smirks. “Because it wasn’t a question.”

series masterlist | part 2

[moonveiltarot]

YES OR NO PICK A CARD TAROT READING

Think of your "yes or no" question and choose an image from above that you're drawn to. This is just a quick reading!

1 - 2 - 3

4 - 5 - 6

7 - 8 - 9

10-11-12

1. The Magician. I'm getting a yes from this card. You're currently manifesting whatever you asked about. Your practical and spiritual actions are in alignment with what you asked for. I'm assuming it's something you really want, in which case, you can absolutely achieve it.

2. Two of Wands. Yes. You're probably still in the planning stage or will be making a solid plan to move forward soon. You are on the right track, follow your intuition for each step. If you ever get nervous about making the wrong move, your guides are with you every step of the way. Mistakes are okay to make. They won't be detrimental to your plans or manifestations.

3. Seven of Wands. Not yet. Your defenses are up, but there are legitimate reasons for you to be guarded right now. Your spirit team want you to know that your struggles will be over soon and your blessing is right at the end of this difficult time. This is part of the manifestation. Inner work is being done now, as seven is the number of actively overcoming obstacles. You are going to succeed in this as long as you don't give up.

4. The Lovers Reversed. No. This decision is not in alignment with the path you want to go down. If you are having negative thoughts, they are not in alignment with your higher purpose and are throwing you off guard. If this is a potential love interest, avoid canoodling of any kind. Just because there is chemistry and a vibe that only you two feel does not make this person your soul mate or twin flame. They are likely not a good option for you right now or they may not be available. If you're inquiring about a person, you don't know enough about them to assume they'd be a good match. You need to avoid this for now. The Page of Pentacles popped up as well, so take your time and look at this practically. Get grounded and think about this choice or person realistically.

5. The Lovers. Yes. You can firmly make this decision. If you are of two minds, spirit is urging you to take the path you are most drawn to intuitively. I saw the Two of Swords a moment ago flip over with this card. Some of you need to make a decision now or spirit will assign you one to put you in alignment with your goals. Seriously make this choice and stick to it, don't doubt yourself. Your intuition is correct. Whichever path you take is going to lead you to where you want to go. (This deck has 4 lovers cards and I got the NB lovers for this pile, so you may be NB or it's just a gender neutral card for spirit's message to reach whoever it is intended to).

6. The Devil reversed. Yes, but there is some healing to do. You seem to be making the right choices and aligning with your true purpose, which is the life you choose to live. You are overcoming an addiction, bad habit, abusive behavior or completing a karmic cycle. Your path ahead is one of healing and recovery, but it's worth it. Good job making such a strong decision! Your spirit team is proud of you and happy for you.

7. 6 of Cups. Yes. Your inner child is happy about this, go for it! It may not seem very grown up to others, but if it brings you joy and delight, go for it. Everyone else can shove off, to be honest. This is for you and your happiness. Go ahead and indulge. If it's about love, yes, someone is coming back or reuniting with you and it will feel so good. It could also involve a childhood home, family or an inheritance. Regardless, whatever your question was … the answer is yes!

8. Strength. YES! You can handle whatever you inquired about or choose to take on here soon. You are able to do this with dignity and grace. I can see you making it look effortless, even if there were a lot of options or some confusing circumstances. You are going to get through whatever difficult times you are facing coming up, if there are any.

9. Justice. Yes!! Justice and balance are returning. Did you ask if you're pretty? The answer is yes, you are symmetrical or harmonious in terms of facial features and aesthetics. You look very pleasant. Your mannerisms and behaviors are enjoyable too. If you asked about a situation that needs to play out and you wonder if it will go in your favor, justice tells us that the scales will be karmically balanced. You saw what you saw, you heard what you heard. You aren't crazy, that really happened. I felt like that last part needed to be on here for some reason … were you gaslit a lot about something?

10. Eight of Wands. Yes. Whatever you asked about is moving along quickly or will arrive soon. I'm seeing someone on a motorcycle in my mind. Confirmation? It's arriving quickly and there's a sense of excitement. Are you waiting for a package? It's definitely going to arrive. If it's communication or something, it may be brief, but it will happen.

11. The Hanged Man. Not yet. You need to see things from a new perspective, most likely another person's. See from their point of view. After that, you can really think the situation through. Maybe turn to your crystals or tarot for more guidance. I felt like a couple of you might need to hear that to nudge you in the right direction. Meditation may help to clear your mind too. Try to be emotionally balanced in this situation as you view things from their perspective. Your guides love you and want you to be understanding of the other person. Eventually, this will be a yes.

12. King of Swords. Yes. Think logically and be decisive about this matter. You probably already are and just needed this nudge in the right direction. In which case, yes, you have a practical and logical response or person or thing in mind. Your strategy is working and will continue to do so. I heard “Keep your cards close to your chest.” Don't stray from your path, keep to your strategy and you will succeed. Just keep others out of it. No sharing details or being bold about it. Real Gangstas move in silence …

That's all for this reading! Thanks for checking in. Keep in mind that your own thoughts, beliefs, intentions and actions shift the energy surrounding you and your situation. Things may change moment to moment, so check back in from time to time to see how things have changed. Tarot is just an “energy-check-in” tool, it isn't meant to be set in stone. If you ever get a reading you don't like, it's an opportunity to reassess your current vibe and realign with your intentions.

[goldsainz]

# HIGH INFIDELITY — CHAPTER ONE !

SERIES MASTERLIST !

001. SUMMARY !

✯ no matter what you do or who you’re with, rafe is the thorn in your side that persists.

002. WARNINGS !

✯ drinking, rafe’s a bitch.

003. NOTE !

✯ the italics part is meant to be past, normal is present. not a lot of rafe in this part, but we’re building up the tension, bear with me guys. also this is short n’ sweet, but it was either this or waiting like a week sooo 🤗

word count : 3,1k

Summer is, without a doubt, your favourite season of the year—a time when everything seems a little brighter, warmer, and full of promise. But above all, it’s the chance for romance that makes it truly special. As the breeze grazes your skin, you're struck with all the endless possibilities for a breezy, passionate fling. Summer brings not just warmth, but the promise of memories waiting to be made.

Perhaps that is why this summer feels different, why you're filled with a sensation you are not used to. Because, in true you fashion, you cannot help but fall for the first guy that makes eye contact with you. It’s as if that single look, just a fleeting connection, has already set something in motion within you. It doesn't really matter who they are, you just hope they're decent enough that when the summer ends you won't wallow until the next one.

Despite everything you’ve always been told—that Kooks and Pogues live in separate worlds, that some lines are best left uncrossed—you can’t help but feel all that advice slip away in a single moment. A single glance across the bonfire, a glint of warmth and interest in his eyes, has you questioning every cautionary tale you've ever heard. 

He lifts his hand in a simple wave, and without thinking, you lift yours in return. He smiles, and you find yourself smiling back, helpless against the pull he seems to have over you. It’s such a small exchange, yet it sends a thrill through you. So simply, your heart is already in the hands of a Kook that probably doesn't even know your name.

For a single moment, just when you finally let your guard down and begin to lose yourself in the summer night, you feel a hard shove against your shoulder. The unexpected force nearly sends you toppling, and you stumble awkwardly to keep your footing. A quick flash of irritation floods your mind, and as you turn, you see the culprit—and, oh, if it isn’t the most predictable sight in the world.

It’s Rafe Cameron. Of course, it is. He moves through the crowd like he owns it, barely glancing your way, as if you’re invisible, or worse, just an obstacle on his path to whatever or whoever he’s fixated on. 

“Watch it, Kook!” You shout at him, your voice sharp, as you glare down at the mess now soaking into the sand, the drink he so casually spilled with his careless shove. Typical Rafe—he couldn’t just bump into you and keep walking; no, he had to leave a mark, a small reminder of how easy it is for him to disrupt whatever, or whoeever, is in his way.

There’s no point in trying to get Rafe to acknowledge his mistakes. He wouldn’t care, and honestly, why waste the energy? Annoyed, you make your way toward the drink stand, trying to shake off the aggravation and enjoy what’s left of the night. The makeshift bar is stocked with copious amounts of beer, a few murky-looking bottles of whiskey, and vodka that looks questionably watered down. You sigh, filling a red cup and trying to hold on to a sliver of the excitement you felt earlier. Maybe it’s time to call it a night, to forget the rude shove and, disappointingly, to forget the boy you shared glances with.

“Hey,” a voice interrupts as you lift the cup to your lips, pulling you from your thoughts. You look up, and there he is—the guy from across the bonfire, standing right in front of you, his expression soft but earnest. “I’m sorry about him,” he says, a hint of a smile tugging at his lips.

“Huh?” The word slips out, and for a moment, you forget all about the spilled drink, the scowl on your face, even Rafe Cameron’s entitled shove. The memory of the night seems to blur, leaving just this moment, this exchange. You’re left with that same rush from earlier, only more intense now, standing close enough to see the way the firelight reflects in his eyes. 

“He shoved you, right?” he asks, raising his voice slightly so it cuts through the noise around you. There’s a hint of concern in his eyes, and he leans in just enough for you to catch the faint scent of saltwater and something earthy, maybe cedar. “Or did I mistake you for someone else?”

“No, no,” you reply, shaking your head, a small, sheepish smile creeping onto your face despite yourself. “That was me, unfortunately. Rafe Cameron’s idea of saying ‘excuse me,’ I guess.”

He laughs, a low sound that somehow makes the rest of the chaotic night fade into the background. “Sounds about right,” he says with a shrug, like he knows exactly the kind of person Rafe is—and isn’t surprised in the slightest. His gaze lingers on you, though, holding a warmth and sincerity that feels like a stark contrast to everything you just experienced. It’s as if he’s actually seeing you, not just some girl who got shoved around in the crowd.

“So… can I get you another drink?” he asks, nodding toward your mostly empty cup. “You know, as a ‘sorry for my obnoxious friend’ kind of thing.”

"I don’t even know your name,” you say, keeping your tone casual, though you can feel a flicker of heat rising in your cheeks. Of course, you do. But he doesn’t need to know that. Not yet, anyway.

He raises an eyebrow, a playful glint in his eyes as if he’s caught on to your feigned innocence but decides to play along. “Is that so?” he asks, a grin curving on his lips. “Well, then. I guess that makes us strangers, doesn’t it?”

You bite back a smile, shrugging, as if the flutter in your chest is no big deal. “I suppose it does.”

He extends his hand, the light from the bonfire casting a warm glow on his face. “I’m Joshua, but you can call me Josh.” he says, as though you hadn’t already heard the name whispered among your friends a hundred times. “And you are?”

“YN,” you say softly, letting your name slip past your lips like a secret, as if saying it too loudly might break the spell of this moment.

“Well, YN,” he drawls, your name slipping off his lips like honey, rich and warm. Somehow, in the noise and firelight, it sounds sweeter coming from him than you’ve ever heard it before. “Can I get you a drink?”

You hesitate, just for a second, but then you nod, feeling a lightness in your chest that hadn’t been there before. “I’d like that, yeah,” you say, and suddenly, youre not so ready for the night to end.

As you lie peacefully on the beach, your head resting on Josh’s chest and the sun’s warm rays caressing your skin, a deep contentment settles over you. The waves roll in rhythmically, their soft crashing mixing with the steady beat of his heart beneath your ear. 

Josh’s fingers trace lazy patterns along your arm, a quiet gesture that says so much without a word. Somehow, these last days have passed in a perfect blur, each moment with him slipping effortlessly into the next. It’s as if the rest of the world has faded into the background, leaving just the two of you and the freedom of these warm summer days.

It hasn’t been more than three days, you’re sure. But in the rush of everything—of his touch, of the laughter, of the long talks that stretch into the night—it feels like so much more. It doesn’t matter, though. Summer is fleeting by nature, and relationships, much like the warmth of the sun, can’t last forever. You’ve always known that.

Maybe that’s why things feel so easy with Josh. There’s no pressure, no rush to figure it all out. You don’t need a lifetime to know that this connection is real, even if it’s only for now.

“I was thinking…” he whispers, his voice sending a shiver down your spine as it tickles your ear. “Why don’t you come with me to a party? It’s very casual.”

You turn your head slightly so you can look at him, feeling the heat of his breath against your skin. “Where?” you ask, curiosity piqued.

“Just… at a friend’s house,” he replies, his words vague, as though he’s trying to keep something hidden. You sense it, the hesitation, like he’s afraid the full truth will make you back out.

“Okay… whose house?” you ask, your voice a bit firmer now, wanting a little more clarity.

You roll your eyes and let out a dramatic groan, but there’s a smile tugging at your lips despite yourself. “Fine. But the second he crosses a line, I’m out. Don’t try to stop me.”

Josh raises his hands, feigning innocence, though there’s a gleam of victory in his eyes. “Deal,” he says with a grin, leaning down to press a quick kiss to your forehead.

“I’m serious,” you press, your voice soft but your gaze steady, locking onto his as if to underline your words. You want him to know you’re not playing around; Rafe has crossed too many lines before, and you’re not about to give him any more chances.

Josh’s grin softens into something more earnest as he takes your hand, giving it a reassuring squeeze. “I know. And I won’t let him pull anything. I’ll be right there with you.”

You nod, reassured—well, mostly. There’s still a twinge of anxiety at the thought of walking into Rafe’s space. But with Josh by your side, it feels like a risk worth taking. You take a deep breath, pushing away the doubts, letting yourself focus on the warmth of his hand in yours.

You know you’ll probably regret being so compliant later, but in this moment, under the warm sun and the gentle pull of his charm, you can’t find it within yourself to care. Not right now, anyway.

The party is at its peak when you step inside with Josh, his hand a steady presence on the small of your back. People weave around, stumbling and laughing, drinks sloshing as they chug another round. The air is thick with the smell of beer and perfume, the music pounding loud enough to shake the floor.

Tannyhill is enormous, every inch of it polished and perfect. Compared to the flimsy house you call home, this level of luxury feels surreal, almost insulting—like you’re trespassing in a world you’re not meant to be a part of.

“You good?” Josh’s voice is low against your ear, his fingers pressing lightly, reassuringly, into your back.

“Yeah,” you manage, glancing around at the high ceilings and spotless marble floors. “Big house,” you mumble, trying to play it off, but Josh catches the edge of awe in your voice and lets out a soft chuckle.

“Sometimes I forget,” he says with a smile, “that this is all just… normal to me. It’s weird, huh?”

You nod, a small smile tugging at your lips. “A little.” There’s an underlying discomfort, a feeling of not quite fitting in, but with Josh beside you, you tell yourself it doesn’t matter.

As you navigate through the crowd, you spot Rafe across the room, casually leaning against a table, a smirk on his face as he watches the crowd unfold around him. His gaze shifts, and for a brief second, his eyes lock onto yours, his smirk turning into something sharper, something that sends a prickle of irritation through you.

Josh notices and gives your hand a squeeze, as if grounding you. “Remember our deal,” he murmurs, his tone playful but his eyes serious.

“Right,” you reply, taking a deep breath and letting it go, trying to shake off the feeling of being under Rafe’s watch. Tonight, you tell yourself, is about being with Josh, about experiencing his world—even if only for a night.

There are barely any Pogues here, you realize, glancing around at the faces in the crowd. Maybe a few who hover on the edges, those who toe the line between a bad season of hard luck and those who might actually crawl and beg to be part of the Kooks’ world. They’re the ones who keep their heads down, wearing uncomfortable clothes, trying to blend in without drawing attention.

You feel the difference even more now, the gap between you and this place, this crowd. Everyone here is effortlessly at ease, basking in the privilege that’s been theirs since birth. And yet here you are, standing in the middle of it all, aware of every sideways glance, every slightly raised eyebrow as you pass by.

“You’re sure it’s okay for me to be here?” you ask again, your voice low, almost like you’re bracing yourself for Rafe or one of his friends to notice you and kick you out.

Josh squeezes your hand, his expression softening. “Of course. They don’t care, really,” he says, his tone steady, almost casual, as if it’s the most obvious thing in the world.

You wish you could believe him. You’ve noticed, over these past few days, how little Josh seems to care about the whole Kook and Pogue divide. He doesn’t see you as an outsider, doesn’t seem to register the tension that hums just beneath the surface. To him, it’s all irrelevant, a line drawn in the sand that doesn’t matter. It’s refreshing—and it’s blinding.

Because Josh’s indifference almost fooled you into thinking the world works that way, too. Like the Kooks and Pogues can just coexist, that the labels and histories are meaningless. But tonight, standing in this mansion with strangers’ eyes glancing your way, you feel the weight of it again, the silent reminders that you don’t belong.

He notices the hesitation in your eyes, the way you’re pulling back, and his hand slides to your shoulder, a gentle reminder that he’s here with you. “Listen,” he murmurs, leaning close so only you can hear, “I don’t care about any of that, and if anyone else does… well, that’s their problem. You’re with me.”

His words are a comfort, but they’re not enough to erase the uneasy feeling that lingers. You force a smile, hoping he can’t see the doubt flickering there, and nod. “Right. I’m with you.”

For the slightest moment you feel at ease, but almost like clockwork, the grating voice of Rafe Cameron breaks your reverie, pulling you out of your thoughts. “Hey, man,” he greets, slapping a hand on Josh’s back in that familiar, boy-ish way.

“What’s up, Rafe?” Josh replies, his smile wide, clearly used to this dynamic, his tone casual and easygoing.

“Nothing much, just trying to keep everything at bay,” Rafe responds, his voice dripping with indifference as he talks like you’re not even standing there. Like you don’t exist in this moment, and it stings more than it should.

“Cool,” Josh shifts slightly, turning toward you. “I’m sure you’ve met YN, hope it’s all good that I brought her?”

At that, Rafe finally looks at you. The weight of his gaze makes your skin prickle, and for a moment, you almost squirm under it. “Yup, all good,” Rafe says, his voice laced with something colder, something discomforting. “I said you could bring anyone… and you did.”

The way he says it is so backhanded, so typical of him. You can practically hear the unspoken judgement in his words, feel it in the way he looks at you, sizing you up.

You’re not surprised, of course—this is Rafe, after all—but the little jab only adds to the discomfort that’s been creeping up on you all evening. You force a tight smile, but it feels too small, too weak for what’s really going on inside. Still, you keep your eyes on Josh, hoping he doesn’t notice how the atmosphere has shifted, how Rafe’s presence has twisted everything just enough to make you feel smaller than you are.

“Well, enjoy the party,” Rafe says, his smile almost too practised, like he’s delivering a line he’s said a hundred times before. The kind of smile that doesn’t reach his eyes, that’s meant to keep things cordial, even if the undercurrent of judgement is thick enough to cut through.

“We will,” Josh replies easily, not missing a beat, his voice smooth and unbothered, as though none of the tension is hanging in the air.

Josh’s hand finds yours, his fingers warm against your skin as he gently pulls you away from the conversation. But as you pass by Rafe, you hear him lean in slightly, his voice just low enough for only you to hear. “Not too much, yeah?”

It’s a whisper, but it feels like a slap. You can feel your brows furrow instinctively, the words gnawing at you. You’re tempted, so tempted, to turn around and shove him and ask, What the hell is wrong with you?

But you don’t.

Instead, you let Josh lead you away, his hand tightening around yours in a subtle reassurance. The music swells, the noise of the party grows louder, but it all feels distant now, like a blur around the sharp edge of Rafe’s comment. You try to ignore it, try to shake it off, but it clings to you, sticking in your chest like a splinter.

Even as you move through the crowd, you know that this night isn’t just about the music or the people—it’s about the silent things too. The things you can’t control, the things you have to push past in order to keep moving.

And Rafe Cameron is the one thing you can’t push past, no matter how hard you try. The one who thinks he can push you down, who sees you as something beneath him, a reminder of everything he’s convinced he’s better than.

But if there’s one thing he needs to know, it’s that you don’t go out without a fight. He might have the money, the reputation, the home twice the size of anywhere you’ve ever lived, but he will not ruin your summer. 

He’s attempted to get under your skin before and failed. And you’re not about to let this be any different. The summer isn’t his to take from you, no matter how hard he tries. He’s not a force you’re willing to let derail everything good about these days. Not the warmth of the sun, not the nights you spend with Josh, not the taste of freedom you’ve felt since you stepped into his world.

You’ll be damned if you let Rafe Cameron, of all people, get in the way of that.

[mr-ys-phantasma]

🌙 Moon Phases 🌙

Agatha Harkness X Fem!Reader

Word Count: 1472

Chapter 42:

The boy was gone, having gotten what he wanted from the road, and now he was free. The lights above you flickered again, few remaining alive; a sign that your time was almost up.

Agatha looked at the place where Billy was as she leaned back, thinking of his question. "No, Billy. Sometimes... boys die."

You parted your lips but remained silent, feeling that those words were not just directed at Billy but also to herself.

Pieces fell into place in your mind, now a clear picture formed that filed the blanks you had.... that answered almost all of your questions.

"Is this you forgiving Rio for taking Little Nicky?" You dared to ask, your voice soft and empathic.

Agatha finally looked at you, surprised by your deduction. You were good with those things, but she did not remember you being that good.

"How did you find out?" She asked.

You offered her a weak smile, the topic as sensitive to you as it was to hers. Perhaps little more, considering this was a talk about the relationship Agatha developed with Rio... who might had become your replacement if things had turned out differently.

"I did keep wondering what Rio had done to you, to cause such rift... unexplained rift that didn't fully justify your feelings for one another."

Immediately, Agatha felt guilty.

"Sugar -" You did not let her finish.

"It's okay, Ags," you gave her a pained smile. "I mean, Nicky did look a lot like Rio while growing up... and I have come to peace with it. When I left you... I never made anything clear, and it would be wrong of me to expect something from you." You took a deep breath. "Considering who Rio is, it finally clicked that it was his passing that divided you."

Agatha did not comment, unsure what to say. She could thank you for your understanding and passive forgiveness. She could try to justify Rio and Nicky... but she realized it would change nothing.

Things had been set on stone, and they could not be changed. What could be changed, though, was your chance to get out of this road and return to your free solitary life... to finally be free from the curse thar seemed to follow Agatha and was affecting you.

"Okay, sugar. It's time for you to get what you want from the road and get out of here, " she said, changing the topic as she pushed some of her hair above her shoulder.

"But I have already gotten what I want," you explained, shocking her for the second time. She watched you move to sit right in front of her, taking her hand and holding it with both of yours. "What I wanted was for a chance to join you, Agatha. To truly help you find what you are looking for, not to watch you go alone while I stay back; never to join you. "

Agatha was once again speechless at your sweet confessions, at your unyielding loyalty to her. Even after all those centuries, even after all those times she walked away; you remained.

You did not lose faith in her. You didn't stop caring and worrying for her.

You never stopped regretting every time you turned down Agatha and lost the chance to join her.

She didn't know that, and in that moment of revelation, a single tear escaped her left eye.

You moved one hand to wipe it away gently before it could roll down her cheek, and you offered her a sweet, comforting smile; beaming with light and love, unmatched by anything else... except for the look Nicky would give her when he was alive.

"I told you. I am with you until the end." You reminded her and squeezed her hand in reassurance.

Agatha used her free hand hand and cupped your cheek, every move done with outmost care; as if you would break into thousands of pieces with a wrong move.

"This might be the end, sugar." She admitted, slowly accepting the fact that she was not going to survive the road the second time.

"Then I will be happy to know I made it so far with you. If it means dying, I don't mind as long as I am in your arms. "

Agatha was the first to pull you into a hug this time, her arms wrapping tightly around you; passively seeking comfort and also trying to get control of her emotions... of her mind and her heart.

You returned the action without hesitation, squeezing her in your arms with all your might; as if she would disappear into thin air if you dared to let her go.

You buried your neck into her thick curls, eyes closed as you fought back tears; both getting emotional over the confession while accepting more and more that this could be the end... for both of you.

Another flickering light above you reminded you of the time that was left, but it was not your concern anymore.

Slowly, you pulled back but kept your hands interlocked; never letting the other truly go

Agatha looked at you with care, and she chose to open up one last time. "You know... I am not ready to confront him yet." She confessed.

"Little Nicky?"

She nodded. "I... he was not meant to be born, Y/N... Rio gave us time, and I paid her back with the bodies of other witches I drained... and it all worked fine for 6 years, until the night... the night he asked me not to go after the witches... the night Rio had to take him back."

You squeezed her hands, seeing how misty her eyes were becoming as she relieved those dark memories that overshadowed the good ones she had with him.

And you could see it because you knew it was what Agatha did in such situations. Dark moments were the only things she truly remembered, letting them consume her heart and make her forget the good ones that existed at the same time.

So, you chose to change that.

"He was a brave boy, Agatha," you started, making her focus on you. "I can still remember how mesmerised he was, when we told him we survived the Road... and how proud he was of that... of us..." Agatha let out a mix of weak chuckle and sob while your heart ached with each beat as you remembered the sweet and innocent face of the boy you had come to love as your own. "And I remember how persistent he was to learn of the Ballad, wanting to go down that Road as well... and when we told him no, he just made up his own Ballad... and each time you would visit, you two would have finished another part of it. "

Agatha sniffed, and you swallowed a lump down your throat, tears prickling at the edge of your eyes; threatening to escape and roll down your cheek.

Your breathing was difficult as you tried to keep down the sobs, the memories happy but also painful; a reminder of a brighter time in your life, a time that would never be able to be replaced.

"I remember," Agatha said weakly with a faint smile, your retelling reminding her of the sweet moments you were talking about.

"I don't think he will ever judge you, Ags. He loved you too much," you reassured her.

With shaking hands, Agatna pulled away from your grip and went to unclip her amulet; Evanora's brooch with the triple Goddess, a steady item of her wardrobe.

She slowly opened it, and from inside, she gently held a short patch of hair; neatly tucked inside for safekeeping.

"I have kept it with me all this time... to never forget him, " Agatha confessed and placed the hair close to her heart, wishing deeply that she could feel and hear Nicholas' heart beat one last time.

You could only watch as you wiped your tears with the back of your hand, the moment too precious and heavy to be interrupted. This was a deep point in your relationship and even deeper in Agatha's trauma with the loss of her son.

Agatha, with teary eyes, was about to put the lock back into the brooch when she noticed something... something that she swore was never there before.

She placed the hair back and took out what seemed to be a dried up seed/petal of a dandelion. So weak, small and tiny... unable to ever grow.

As your eyes landed on it, sowmthing clicked inside your mind; just as the lights flickered, and now you were left with only one.

"Agatha, the dandelion!" You exclaimed. "That's the key to this trial!"

Chapter 43

[grison-in-space]

Stupidest of stupid questions: So humans are trichromatic, right? We basically have RGB eyes. How inefficient would it be to have CMYK eyes? Is it even possible?

You could absolutely do CMY eyes, but the K (being black) is a little more difficult because black isn't a wavelength of light so much as the absence of light. I suppose you could call the K your rods, which are best used in low light and convey things like "shadows" and "movement" particularly effectively. As a human, the most sensitive part of your retina, the part you're using when you directly look at things, is called the fovea. It is PACKED with cones, which are good for color and also tight spatial resolution; rods are found outside along the periphery of both the retinal and visual field. So we're just going to set the K aside now and think about those cones.

Honestly, tetrachromat eyes are technically pretty easy to achieve: all you need is four versions of cone-rhodopsin genes getting translated into different kinds of cone-rhodopsin cells in your retina. Old World primates evolved our trichromat eyes from dichromat mammalian ancestors exactly this way: with a gene duplication in one core cone-rhodopsin gene that allowed one of the copies to accumulate mutations until a sufficiently divergent copy fixed in the population.

So to have CMY eyes, you'd need three cone-rhodopsins with different wavelength sensitivities: one that is most sensitive to cerulean, one most sensitive to maroon, and one most sensitive to yellow. You might or might not have better color resolution than a regular old RGB human, though: color resolution is partly a function of the sensory information hitting your retinas, but it's also partly a function of how much brain space you dedicate to processing that information.

I mentioned my blind cat Arthur the other day--here's a photo:

Arthur is what we call cortically blind. As a kitten, he had an intact pupillary reflex and could probably see light vs dark, but he also had severe nystagmus, so his pupils jittered uncontrollably all the time and he probably didn't get a whole lot of useful visual input. Without the visual experience of seeing things and learning how to organize and process visual information, his brain as he developed went "you know what? fuck this" and stopped dedicating any processing power to whatever visual input he was getting.

Basically, he lost visual acuity because the information he was able to pipe to his brain was fragmented and poor-quality enough that his brain stopped bothering to process it. If I pulled his current eyeballs out and magically hooked up new totally functional ones, he wouldn't be able to do anything with them: his brain has given up sorting out the information.

So the question of whether theoretical CMY humans could distinguish colors better than RGB humans is driven by two things: one, whether having two highly-overlapping cones helps you distinguish between slightly variant light types better than very different cones, and two, whether we're extending the total visual range by moving the cones at the external ends of the range (B and R) farther apart. Overlapping but unique sensory information can be really helpful for localizing and distinguishing similar-but-not-identical inputs--that's one of the reasons owls are good at localizing quiet noises, actually, their ears are wildly asymmetrical and they can computer where a noise is made based on how loudly it can be heard with each ear, especially if the owl is on the move as it listens. Like the Doppler effect, but faster with a lot more processing power on it.

I have no idea which would be more effective, but it's a fun thing to think about!