#also is it just me or does buck’s hat look photoshopped on??

[achilles-rage]

thinking about buck and eddie both working at the same ranch in montana sent tweet.

[the-desolated-quill]

Okay, Enough With The Live Action/CGI Hybrids - Quill’s Scribbles

So the trailer for the upcoming Sonic The Hedgehog movie came out...

Do I really need to say it? Everyone and their mums have already said it. Hell, you’re probably saying it right now.

Sigh. Okay. Fuck it. I’ll say it.

Who the fuck thought this was a good idea?!?!

The trailer itself is shockingly bad. It looks bland and generic with almost nothing in common with the games. The jokes are forced and painfully unfunny (why are the people in the airport more concerned that the ‘child’ in the bag isn’t James Marsden’s rather than that there’s a fucking child in the bag in the first place?!), Jim Carrey is being his usual obnoxious self and is plain and simply a terrible choice for Doctor Eggman (isn’t the whole point of Doctor Eggman that he’s supposed to, you know, look like an egg?), and the soundtrack is utterly cringeworthy (Gangsta’s Paradise? Really?!?!). But that all pales in comparison to by far and away the biggest problem with the trailer. And I think you can all guess what that is. 

Yes I’m of course referring to the noticeable absence of Team Chaotix. An artistic decision so despicable, it’s practically a hate crime. For shame! Everyone knows that Charmy Bee is the best character in the franchise and yet they don’t have the guts to put him in the movie! Fucking philistines!

...

Oh yeah, and Sonic the Hedgehog looks like a monstrous abomination concocted from the fever dreams of Doctor Frankenstein and Walt Disney.

It’s hard to know where to start when talking about just how grotesque and disgusting this CGI Sonic is. He looks like what your computer would produce if it caught pneumonia. What I especially don’t understand is why they veered away so heavily from the original, iconic design. I mean...

I don’t know about you, but I’d honestly have no problem if the movie just kept this look from the games. Hell, I think even giving him realistic fur would be pushing it. This is perfectly fine. I could totally see this design working in a movie. Instead we get the secret love child of Gollum and Papa Smurf.

He just looks so weird with human proportions. The leg muscles, the two eyes, the human looking teeth. Apparently the filmmakers wanted this Sonic to look as realistic as possible. Because when I pay to see a movie about an anthropomorphic blue hedgehog that can run at supersonic speeds, that’s my first thought. ‘Is it realistic?’

... Jesus Christ.

But of course the main problem with this live action Sonic movie is that it exists in the first place. When it was first announced, I assumed in my naivety that it would be an animated movie. Because that would make sense, right? There have been movie and TV adaptations before and they were all animated. Imagine a big budget computer animated Sonic movie. That would be really cool. But it was not to be. In Hollywood’s infinite wisdom, they decided to go the live action route because... Actually why did they choose to go the live action route? Well that’s what I hope to address in this very Scribble.

Live action adaptations and remakes are nothing new of course. Disney had tried it a few times in the past with movies like 101 Dalmations, there have been other live action versions of animated or illustrated characters such as the Grinch and the Cat In The Hat, Garfield, the Smurfs and Alvin and the Chipmunks, and there was of course the infamous Super Mario Bros movie, which answered the question of what it would be like if the Mushroom Kingdom took place in the same universe as Judge Dredd. But this is the first time live action/CGI hybrids have been huge money spinners. Disney struck gold back in 2010 when Tim Burton’s version of Alice In Wonderland made a billion dollars at the box office and now the company is mining through their back catalogue of Disney classics and giving all their movies the live action treatment. Initially I was okay with this because in the case of Alice In Wonderland and Maleficent they were at least trying to reinterpret the original films and put a new spin on them, but now they just seem to be copying the movies verbatim. Making live action remakes just for the sake of making live action remakes.

Now other studios are trying their hand at, the most notable being Pokemon: Detective Pikachu. Here’s a picture of the original Pikachu:

Cute, right?

Now here’s a picture of the live action Pikachu:

Can you see the problem here?

(also why the hell is Ryan Reynolds the voice of Pikachu? I honestly can’t think of anyone more inappropriate for the role. It’s like casting Samuel L. Jackson as a Powerpuff Girl)

The fact of the matter is some things just don’t work in live action. Sonic the Hedgehog and Pokemon work in their respective universes because they’re animated creatures in an animated world, and their anatomy and design fit that world. In the real world, it just doesn’t work. Pikachu looks strange and kind of creepy in the real world. The same is true of the other Pokemon. Jigglypuff looks utterly adorable in the games and animated show with its spherical body and cartoon eyes and you just want to take one to bed with you and cuddle them like a teddy bear, but in the real world it looks fucking scary!

I wouldn’t want to cuddle that thing! It looks like it would go for my throat given the opportunity!

The same is true of Sonic. Paramount’s attempts to make him look more ‘realistic’ just makes him look incredibly alien and out of place.

Another example I like to bring up is the film Christopher Robin. Now we all know Winnie the Pooh. Silly ol’ bear. Charming, cuddly and endearing, right? Just look at him.

How can you not fall in love with him?

Now here’s the live action version:

When I first saw the trailer, I was utterly creeped out. He looks like something out of a horror movie. Add to that that they got the original voice actor from the Disney cartoons to reprise the role, and Winnie the Pooh pretty much became the source of all my nightmares for the next couple of weeks. That lovable voice should not be coming out of that... thing.

It’s a pattern that repeats itself over and over again. Look:

Charming and lovable.

Weird and unsettling.

Creative and fun.

Photoshop disaster.

Sweet and likeable.

Fetch my crucifix and holy water.

Emotional and expressive.

So ‘realistic’ to the point where he looks like he has the emotional range of a teaspoon.

Now I recognise this largely comes down to subjective opinion. If you like these CGI redesigns, that’s great. More power to you. But I know for a fact I’m not the only one getting increasingly weirded out by these computer generated demons from Hell.

So why does Hollywood keep making these films. Well obviously in the case of Disney it’s because they’ve ran out of original ideas and want to make a quick buck by exploiting their audience’s nostalgia. (the same can be said of the Star Wars sequel trilogy). But what about other studios? Yes they’re financially motivated too, but there’s got to be more to it than that.

I think it’s largely down to the stigma of animated movies. Animation has become synonymous with children. When you hear the term ‘animated movie’, you automatically associate it with ‘kid’s film’. And ‘kid’s film’ is often used in a negative context. Like it’s somehow lesser than quote/unquote ‘proper’ movies. Live action suggests a certain pedigree. A sense of prestige. But that’s obviously bollocks. The quality of a film isn’t dictated by whether it’s live action or animated. It’s determined by the writing, directing and acting. There have been live action films made for kids and animated films made for adults. And I’m not talking about Sausage Party. I’m talking about Finding Nemo.

Now I know what you’re thinking. Finding Nemo? Isn’t that a kid’s film? No. It’s a family film. And that right there is the problem. You heard me say Finding Nemo, an animated film about talking fish, and you automatically associated it with a kids film. But the thing is Finding Nemo deals with some very dark and adult themes and its moral message of not being overprotective and allowing children to take risks is intended for the parents, not the kids. Obviously kids can still watch and enjoy Finding Nemo, but it’s the parents who are clearly the target here. The same is true of Toy Story 3. Children can still watch and enjoy it, but the film is clearly intended for people who watched the original Toy Story when they were a kid and are now grown up. When you stop and think about it, it’s really sad that family movies are associated with kids movies. Not that there’s anything wrong with kids movies obviously. But why do people assume that family movies are meant for kids? Why can’t they be adult stories that are also accessible to children? Books have done it. The Artemis Fowl series is kid friendly, but its tone, themes and style suggest the author has an older and more sophisticated target audience in mind. A Series Of Unfortunate Events is popular with kids, but it’s adults that get the full experience because of the way Lemony Snicket uses postmodern and meta-textual elements in the books, which would sail clean over the head of a kid reading it. The idea that a live action remake is somehow more ‘grown-up’ than an animated movie is just absurd. The original Lion King was very grown up, thank you very much. There are lots of bright colours and fun songs for the kids, but it also doesn’t sugarcoat the darker themes such as death, betrayal, corruption and abuse of power. Mufaser’s death isn’t going to be made any more impactful in live action. The animated version was more than heartbreaking.

Shifting the conversation back to Sonic, this is also intrinsically linked with another problem with Hollywood at the moment. Movie adaptations of video games. And again, it’s a similar problem. People, especially critics, view video games as being lesser than movies. Roger Ebert famously said that video games will never be considered art. But that’s nonsense. There have been loads of video games that could be and have been considered art. BioShock, for instance, which scrutinises and criticises both objectivism and capitalism. There’s the Mass Effect trilogy, which is often described as this generation’s Star Wars. The Last Of Us is widely considered to be a masterpiece by gamers and literacy scholars alike. Hell, the fact that Hollywood wants to make movie adaptations of video games at all suggests that games do in fact have some inherent artistic value after all. And it’s not as if I’m wholly against making movies based on video games. There are some games that could translate really well to films, Sonic being one of them. (I personally loved the Ratchet & Clank movie, for example. It’s just a shame nobody else fucking watched it due to the almost non-existent marketing). However there’s an inherent problem with translating video games to movies as opposed to, say, translating books to movies. In book to movies adaptations, studios are adding something. Visuals, sound, performance, etc. In video game to movie adaptations, they have to take things away. The most obvious is interactivity. Unlike movies where nothing is required of the audience other than to just dumbly stare at the screen, video games require the audience to actively control the story. Move the character, kill baddies, solve problems and stay alive. You are an active participant in the narrative. As a result, the emotional connection you feel with both the plot and the characters is often stronger than that in a movie because you have direct influence over what happens. 

Also video games have the luxury of being able to tell their stories over the course of eight to thirty to even a hundred hours of gameplay. There’s no way you could condense something like The Last Of Us down to a two and a half hour movie. There would just be too much lost. Important character moments and plot points that would have to be chucked in the bin. Yes things get lost in book to movie adaptations, but nowhere near at the scale of a game to movie adaptation. A possible workaround would be to make game to TV adaptations instead, but then we’re back to the interactivity problem again. And don’t get me wrong, I’m not saying that movies are better than books or that video games are better than movies. I’m just saying they’re each individually suited to tell their own kinds of stories in their own unique ways, therefore translating from one medium to the other is often difficult. The Last Of Us would never make a good movie, and that’s okay. The game is still amazing and the story is still amazing. Its artistic merit isn’t lessened because it can’t be translated to films, in the same way the merits of a bike aren’t lessened because it can’t fly. It’s just not designed to do that.

I guess the point I’m making is there’s no one way to tell a good story. There are an infinite number of ways it can be done. So lets stop Hollywood’s obsession with pigeonholing everything into one format and actually explore the possibilities, shall we?

[kayawagner]

Looking after the pennys

I kind of suspect that most GMs harbour some kind of desire, however small, to make a living from gaming. After all if you look at the success of the Forgotten Realms haven’t we all created just as good a campaign setting? Haven’t we all written adventures as good if not better than the off the shelf adventure modules?

All GMs almost by default are creative. We know our chosen game systems almost inside out. I am certain that any one of use could write and stat out and adventure at the drop of a hat.

And don’t get me started on writing your own games…

So, as many of you know I like creating stuff and selling it on the OneBookShelf network, RPGnow and DriveThruRPG etc., I have created many adventure hooks that typically sell for 99¢, random die tables, the odd supplement and my own game that sells for $7.99. I also publish a fanzine on a monthly basis both on OBS and on Amazon as print and kindle. None of this is earning me big bucks but it is fun, the barriers to entry in self publishing is very low, the new skills you need to learn are fun and the creation process is quite satisfying.

You will also undoubtedly know that I quite enjoy solo role play. It is more satisfying than watching TV and like most GMs I have more games than I will ever be able to play with my regular players. Solo play lets me take those games for a spin.

Most of what I create is branded as ‘system neutral’ meaning that I don’t include stats for any particular game system. It is just an adventure outline, pen portraits of NPCS and suggestions of monsters or foes for the encounters. Finding monster stats is not hard it is the creative idea for the adventure that is the bit that is worth paying the 99¢ for.

In total I have maybe 100 documents that I have published or co-authored and in general they collectively earn me about $2 a day. It is no great income but it does mean that I can basically pick up anything I want at any time from RPGnow and it costs me nothing. My publishers commission is accumulating faster than I am spending it which is rather nice.

So last week I created a little HTML/Javascript tool that I shared here for Fudge Solo Play. So far there have been 25 downloads of it and I kind of hope people are enjoying it. So this weekend I wanted to have a go at 7th Sea. I have not played the 2nd Edition but it does look awesome. So me being me the first thing I did was rewrite Karl Hendricks One Page Solo Engine to fit the D10 mechanics of 7th Sea. I then updated my Fudge HTML page for 7th Sea and built a Dice Roller that accounted for the exploding dice and the roll 4 keep 3 (4k3) mechanics of the game. So that was Friday afternoon while I was quiet at work (you know how Fridays can be when no one wants to return your calls).

Incidentally, I have recently bought myself a second hand copy of Adobe Creative Suite 4 just so I can make better looking RPG products. I am still very much learning how to use Photoshop and InDesign having moved up from CS2 to CS4.

Having now got a 7th Sea solo engine I cannot stop myself from trying to put together a published version using InDesign. To tempt me even more John Wick Presents actually have a free InDesign template to help people create good looking supplements and a Community Created Content programme so you can sell them through their own OBS portal. This is just too good for me to turn sway from. So Saturday evening is spent creating my document. There is a sample page…

I am really pleased with how it turned out. So on Sunday I published it on the Explorers Society portal and over night it has sold 13 copies. This makes it my fastest selling document so far.

Needless to say, Friday I wrote the rules up, Saturday I did the page layout and Sunday I published it via their community portal so as a result I never got to play the game at all. What it does demonstrate is just how fast and easy it is to go from idea to published product. So easy in fact that any one can do this. Michael publishes for free just so others can enjoy what he has created. I do it for money but not for mercenary reasons. I was once told that if I don’t value what I create then why should anyone else? I took that to heart and have stuck to it ever since.

So the next time you have a dull weekend ahead why not give self publishing an RPG product a bash? You never know, you may surprise yourself or make enough commission to get a free game!

Related posts:

Solo Games

The Horror of Leatherbury House

X-plorers solo game

Looking after the pennys published first on https://supergalaxyrom.tumblr.com