#also idk when I figured out how to render gold so well but you are welcome

[qvert]

I going to hell and you’re all coming with me

[kozachenko]

[Click image for better quality]

I FIGURED OUT A WAY TO FUCKING MAKE THE IMAGE SMALLER FOR POSTING ON TUMBLR WITHOUT SACRIFICING THE ACTUAL QUALITY OF THE IMAGE OH MY GOD

Ok so, what I did is go into the clip studio paint file, make a new file, copy and paste the group in the original file, merge everything, get rid of the extra stuff outside of the canvas, and then make the flattened image smaller and crop the canvas. Once you have that, export it and you're done. This helps maintain the actual quality of the image and also helps shrink the file size down to something actually postable (if anyone has a better way of doing this please tell me)

[Edit]: Ok I guess posting something to Tumblr just naturally compresses the image a bit more somehow because I'm looking at it now and zooming in too much makes it a bit blurry so I'm still gonna have to futz around with image quality for future pieces oof

Artist's Note:

I'm so glad I figured out a way to do this because I like working on a big canvas so I can get as much detail in as I possibly can. Only problems are how laggy it gets while drawing lol.

I had an idea for a drawing with Reimu and Zanmu because I really like thinking about their potential dynamic a lot. I also wanted an excuse to draw Zanmu again but in my normal rendering style because last time I drew her she was in my more sketchy style with generally flat colours so I wanted to draw her again. Speaking of, looking at the sketch for this is a jumpscare that I never enjoy seeing, like, man am I glad I didn't use those for my final piece.

Also about her spear. I was originally gonna make it like the ones she had in game, but it kinda threw off the whole piece. It was too big, too blue, and too flat, so I just went "fuck it" and gave her a different one instead. My headcanon justifying this is that the ones she uses in game are for danmaku battles whereas in any other fight she just uses a proper yari, or she still uses the yari and just makes it all glowy to power it up, maybe both lol. I pulled as much inspiration as I could from Sengoku era spears, and even put in some blue into the decorative part of the spear and also added a little skull to pay tribute to the original spear. Also, in my research I saw some art of izanami and izanagi making japan and saw that the yari izanagi has had a little decorative tassley thingy on it so I took some inspo from that and just made it one of Zanmu's tassles (Idk when that art was from or if the spear was still accurate to Sengoku period Japan but hey, probably the same reasons Eirin puts little bow ties on her arrows, it's just for personalization purposes).

I love rendering hair and clothes so much omg, while I like the super curly hair Zanmu, the longer, wavier hair suits her better for this drawing (I imagine it only does that like how Ghibli characters hair moves when they feel angry lol). I love making Zanmu's hair all messy and crazy, as well as giving her grey hairs, this woman has aged like a fine wine. Also, if the hem on the ends of her sleeves, top of her shirt, and her pants look like gold to you, that's because it is! It's fairly light so she's not collapsing under the weight, but it's gold! (I don't care how impractical it is, it's just cool). Not the undershirt though, it's made of a gold fabric. I had a cute idea with Reimu's hair to make it have a red shine to it. I also changed up Reimu's outfit so it isn't just a blob of red. I like it a lot when Reimu's skirt and outfit is segmented into different layers, so I wanted to incorporate that.

I tried to draw their hands differently as well, but IDK how noticeable that is. Also, I am super happy with how the side profiles for the two of them turned out, I used to struggle a lot with how to make the side profile of a character actually look like the character, so I'm really happy that they actually look like themselves.

Also added in the tree and rocks in the background as an homage to Zanmu's character art in Touhou 19, just because I was getting kinda stumped on what to do with the background lol.

In terms of a story idea with Reimu and Zanmu, idk why but the potential plotline of Zanmu wanting to ascend to godhood is so fascinating to me. Like, it is very possible that if she just convinced everyone she was a god (which would be very easy for her to do), she would become one in a heartbeat. Also, if she were to become a god, with her ability to return stuff to nothing, could she hypothetically get similar abilities to (Jojo Part 5 spoiler btw) GER? Like, idk about the death timeloop stuff, but the concept has been haunting me every night as I have been trying to find loopholes in GER's ability for a while now ( for no reason in particular). Back to the main topic, I imagine that she would probably tell Reimu that if she were to become a god she would take over the Hakurei shrine since the god there might as well be dead, and Reimu just says to her, "Over my dead body bitch." Like, I have no idea how to summarize their dynamic but like, it's the type of hero-villain dynamic where the phrase "We're not so different, you and I" would definitely be a phrase said during a fight. I think that if another IN style game were to release, Reimu and Zanmu would be in a team together. They could also have an interesting mentor and pupil kind of dynamic. Can you tell that Zanmu has been charging my mind rent these part few months? Like, instead of living in my head rent free, she kinda just uno reversed the whole situation and now she's the one charging me rent. What happens if I get evicted from my own brain? Actually, scratch that, I don't think I wanna know.

[ivettel]

behind the curtain ep 4

bit late with this one but i wanted to finish laundry first so here we go.. notes on this bitch

right off the bat, yes! i did rotoscoping!

what! after avoiding it since 2017!! shoutout to jennifer @antoniosvivaldi for inspiring me to do that, btw. you should absolutely check out her stuff if you haven't already--her style is so unique and refreshing!

for the most part, i think they turned out swell--after effects behaved itself for once, which like, thank fuck, because i was on a call with fio @maranello and others at 1 in the morning like "haha! i totally know what i'm doing!" narrator voice they did NOT know what they were doing, they were making educated guesses based on past horrible experiences (hence avoiding rotoscoping for years 💀).

but this is meant to be educational lol so! what is rotoscoping? simply put, it's a tracing technique. it has its roots way back in animation when tech was starting to pick up in like the 1920s and artists wanted a more efficient way of animating. rotoscoping is one of those tools that've been used differently from how it was originally intended, which is actually? so cool from like, a media arts study perspective?? because it's commonplace to use it for live-action film and vfx work as a way to mask scenes out and isolate them in addition to its original use of mapping things to isolated scenes. i won't bore you with the stuart hall encoding/decoding stuff, but just know that i find the development of digital art circa adobe dominance fascinating. i am using this century-old animation technique to impose my blorbo upon the eyes of thousands.

ANYWAY. i really liked this particular mask--it has a lot of movement but still manages to flow nicely?

me: [cuts off luke's arm] fio: i think that's his arm me: oh... my god

next up: the lightsaber

goodness. where do i start. well first of all i had a vision of something much more 2d when it comes to lightsaber anatomy, lol. but i extended my subscription for maxon and figured--why not take full advantage of this while i've still got it? so i got this 3d model of luke's lightsaber. it's untextured and unrigged and clunky but thankfully it had most of the inner parts so as far as i'm concerned i struck GOLD.

idk what i can really say in terms of like What Is 3d Modelling, because i think people have an understanding of that. so we'll go instead thru my process!

i added materials and added a null object (does that count as rigging? for something as straightforward as this?) to do a simple rotation animation on the first day...

and then i had an idea before bed to separate the parts like that one scene in the clone wars where they show how a lightsaber is assembled, except i haven't watched the scene so god knows how they animated it NKJFGNDFKJGDF. anyway the day after, this was kinda where i got:

keyframing on c4d is a Bitch because u can't just Access The Graph Editor you have to go through the dope sheet and change ur views and it's just. annoying!! coming from an after effects standpoint! but i can see how it's optimized for Actual Animation work so ughgh. we deal. onwards..

asked the team over at usergif and natalie @kenobiis suggested putting in a kyber crystal to fill out the middle. i ended up taking the og "laser" cylinder and modifying/animating it because uh THIS is the real inside of a lightsaber and i am not putting all that into a 3 second gif LMAO. but yeah i fine-tuned the animation and plopped it in after effects, then fiddled with video copilot's saber to make luke's blade.

u might notice the motion blur--that's re:vision's RSMB! i also added a little bit of depth of field with frischluft, but it doesn't show up well in gif form. speaking of things that don't render well:

there is A FUCK TON of aliasing going on. i couldn't make any anti-aliasing settings work for some reason so i ended up trying to smooth it out in ae.. to probably not a lot of effect. i got the very edges around it smoothed out with the classic gaussian blur and a matte choker method, but the black rings are killer. ugh. it's whatever, i figure i'll work something better out for the next time.

finished animation in c4d + the final gif:

the rest

everything else is fairly basic and intuitive i think? obviously used shape layers + alpha mattes, my beloved. i fucked up a little on the text because i think i made my offset keyframes backwards somewhere in the middle of the process but at that point i was too lazy to go back in and fix it. oops!

anyway if u got this far hello thank u i hope this was informative in some way. if u have any questions don't be afraid to ask :D

[novadreii]

my thoughts on castlevania s4 SPOILERS obviously

wow, i was actually impressed with hector for once. he collected the last wit about him to turn his situation around and take his balls out of lenore’s hands back into his pants. i thought he would go sicko mode on her and feared it getting a little revenge misogynistic, but i was pleasantly surprised at how civilized it was between them up until the end.

lenore was a little useless, wasn’t she? i half expected her to go, “you know what? fuck diplomacy” and just go mach 1 on everyone. eh.

isaac, oh. isaac. my favorite secondary character. wanders the desert conquesting, killing and raising the dead which made him realize things. he realized so much he marched right into carmilla’s castle while her beserker and army were away and owned her ass. good for him.

carmilla. oh, carmilla. tied with isaac for my favorite. so determined and single-minded that she sent away all her forces while she schemed in her fortress. she depended too hard on her partners doing all the work for her, and as a result she wasn’t much of a thinker, just a bloody, murdery doer. for example, she didn’t think that there were other formidable forces in the world that may want to impede her whole world domination plan? did she forget about isaac, out in the world rogue forgemastering? that was a threat she should have checked on before going global. she got too greedy, too quickly, and she paid the ultimate price for it. she went out like a fucking boss though, and i was pleased with her arc overall. as far as villains go, her raison d’etre was relatable and hard to argue with. 

the dialogue style is both one of my favorite parts of the show but also at times a pain point for me. when it’s good, it’s relaxed, comfortable and realistic and the characters play off each other really well with it (like quipping back and forth during battle which i normally hate but works well here). when it’s bad, it’s a little cringe. some dialogue scenes went on wayyyyy too long while the characters repeated things they’d literally just said verbatim, which is awkward af in screenwriting. i.e. Isaac telling Hector twice in the space of 30 seconds “Dracula earned his rest.” which is odd because impactful phrases like this usually are not repeated so as not to, yknow, dilute their impact. Also Carmilla waxing spiteful about “evil old men” and repeating some variation of the phrase 15 times in one scene. lastly, the liberal sprinkling of the word “fuck” in every other line is also like, mostly welcome but once or twice just sounded silly given the context of the scene. i’m nitpicking, here.

saint-germain. Idk much about his woman, but she definitely seemed worth slaughtering a village and raising dracula from the dead for. violent and hot as fuck, she never uttered a single word which i want to think is indicative of something but what? did we ever figure out why she kept eluding him via dimension-jumping? imagine she was trying to get away from him all this time lol. yikes.

the smartest people in this whole show are the vampire lesbians who peace tf out immediately when they see their castle is under siege and figure out carmilla is dead. LOL at them assuming useless lenore is dead too (bc, she’s useless) and just leaving her there. they packed their shit up, moved out west, presumably to build a lover’s stronghold where they could just be in vampire love forever. GOOD FOR THEM.

trevor: continued to drunkenly yell Fuck while being masterfully proficient immediately at any weapon he picks up, though eventually always ending up using his fists like the brawler he is.

sypha: if she met the avatar, she'd be like “lmao, you can ‘bend’ the elements, huh? i can use them in ways that would make your skin crawl and your head explode to even think about. sit the fuck down.”

alucard: adorable himbo with a heart of gold, needs a tough as nails gf to jerk him out of his moods and organize his kitchen for him. another round of good for him. i was a little scared they would kill off his gf but that would have been unimaginably cruel considering what he went through in s3. alucard had imo the best/most stylish fight sequences of the season. and they know what we’re about, since he was shirtless or at least in a very deep V cut most of the time. thank you.

i had 2 major predictions for this season going into it: trevor would die (permanently), and sypha would have a kid/get pregnant. i was 75% on the money.

i liked the ending message of why humans win these wars against vampires despite being slow meatbags compared to them. the vampires’ fatal flaw is resistance to change, provoked by their immortality, arrogance, and insatiable desire for power in order to provide themselves long term stability in the world. whereas humanity’s best trait is the polar opposite: adaptability. throughout history, the ability to adapt has been proven to be the determining factor in a species’ survival. vampires, for all their god-like strengths, prove to be no exception to this rule. alucard, with his human heart, is the only one with vampire blood who has proven he can make major changes and overcome personal prejudices to live a better life.

And my final thoughts on the ending are: everyone major got a satisfying end to their arc. BUT. it was just too happy. either trevor should have stayed dead, OR dracula and lisa should have gone back to hell. but not both. having everyone come back to life and go on to skip in fields just seems contrary to the tone and messaging of the whole show, which is pretty high up on the edginess scale.

i love a bittersweet ending in general, so i’m biased. imo, the joy of a mostly good ending is rendered all that much sweeter by reflecting on what was lost to obtain it. imagine:

alternate ending 1: trevor comes back, the gang lives happily ever after at Belmont Village or wtvr they name it, BUT. we see alucard lost in thought thinking about his parents, how he saw a flash of their souls during the penultimate battle. there’s regret there, the regret of shit left unsaid and shitty family dynamics unsolved. we cut immediately back to hell, with lisa and dracula embracing, maybe whispering a few lines of doomed lovers dialogue and something about their son. they’re in hell, but ultimately, they’re together. cut back to alucard, yanked out of his sad thoughts by his pretty gf who won’t let him get too deep in the weeds. shot pans out of them together with the gang. the end.

alternate ending 2: trevor is DEAD dead. sypha stays with alucard and the gang at belmont farms and raises her kid. maybe we get a 2 year timeskip and we see the little shit have some of his dad in him/her. sypha is sad about trevor but doesn’t mope about it. she runs that town like it’s a business. alucard is the best uncle to that kid & the orphans they could ask for. everyone gets trained in ass-kicking next door at the belmont hold. lisa and dracula are miraculously alive through whatever convoluted bs makes it work, and contemplate one day moving back to see their son. dracula has a moment to realize that his family is mostly human, and what he loves in them he can learn to tolerate from all of humanity.

don’t those feel happy but just. TINGED. with just enough sadness to be more memorable? idk i may just be a masochist.

i haven’t mentioned the technical aspects such as animation and direction because they were amazing. really, really incredible animation that is going to be hard to follow up (and netflix is going to make copycats of this formula, you bet your ass they will). where cgi was used, it was excellent and barely detectable, really well integrated with 2d. so engaging to watch.

overall: 9/10

[comickergirl]

Alright. Let’s give this a shot.

SPOILER-Y DISCUSSION OF CAPTAIN MARVEL, INCOMING:

I figure the best way to do this is chronological; my prior attempts have not been chronological, which might account for their feeling a little...all over the place and unorganized.

This will also be a good test to see how much of the film I remember.

RIGHT THEN: First and foremost, (and we gleaned this from the trailers, obviously) MEMORY-LOSS PLOT. Which is Classic Carol™. She’s lost her memory like. Four times.

(her poor brain D:)

All of this to say: The premise of the movie, a kind of reverse origin story in which Carol figures out who she is, in a very literal but also figurative sense, was a great way to go, IMO.

Love all the moments from Carol’s past. I was admittedly surprised that we didn’t get more of that? But what was there was effective and given the amount of ground the movie had to cover, I think it was sufficient.

So after the dreams** we get the early morning fight with Yon-Rogg (who I was absolutely certain was Yon-Rogg, in spite of all the back and forth speculation and Marvel attempting to ‘hide’ his identity) and there’s exposition, obviously, and the set up of Carol’s struggle with Yon-Rogg’s forced Kree values clashing with Carol’s humanity but MORE importantly...

PHOTON BLASTS.

Love the way they render the energy pulsing just below the surface of her skin. Looks so cool. 

Then: Chit Chat Time with The Great Intelligence!

I thought for sure it was gonna be Helen Cobb.

BOY WAS I MISTAKEN. (More on that in a sec.)

Favorite Visual #1: The slow pan of Starforce and the excellent shot of Carol’s helmet as they swim to shore on Torfa.

The whole rescue mission sequence/Carol’s kidnapping is...Truly a Highlight, in my opinion.

I mean!

She’s running around the enemy ship! Without her boots! Pummeling the Skrulls with unwieldy metal shackles! And growling in their faces!

#BOSSOFSPACE

Also, comic connection alert: Carol was kidnapped and experimented on by the Brood, which resulted in her stint as Binary.

So, back to the movie:

Talos man.

TALOS.

We’ll get to him later.

Okay what month of 1995 does Captain Marvel take place in? Because I was honestly offended that no one, and I mean NO ONE made a Buzz Lightyear joke re: Carol’s outfit and being a member of STARCOMMANDFORCE who checks her wrist communicator to try and make contact.

(Toy Story came out in November so if this takes place in the summer I GUESS I will let it slide.)

But otherwise dug all of the 90s references.

The little Gameboy sound when she calls Yon-Rogg!

(Also, train chase was great but I’m trying to save time though I do feel inclined to mention Kelly Sue DeConnick! Bringing some quality side eye! Very nice.)

Young Fury + Carol = excellent buddy cop combo, 14/10 would take an entire spinoff of their wacky 90s road trip adventures.

‘You look like someone’s disaffected niece’ might be favorite line in the film.

Let’s pause for a moment and appreciate the score, shall we? Pinar Toprak CRUSHES IT; the Captain Marvel theme feels like something out of The Rocketeer but with about 400% more sci-fi synth and I LOVE IT.

**Love the piece of score played when Carol wakes up. (Appropriately titled “Waking Up” I think, on the soundtrack.)

I also like the songs they picked for the movie? This is probably the complaint I’ve seen most often, that they feel obvious and easy, but. I dunno. I was never expecting something like Guardians of the Galaxy? So I wasn’t mad about it. 

(In related news, I’ve been listening to “Connection” on repeat ever since the special look trailer dropped.) 

Anyways.

GOOSE.

GOOOOOOOOOOOOOOOSE.

MY GOOD FLERKEN GIRL.

(So, yes, breezing past the bar interrogation--though I do like the ghostly images of Carol’s past that crop up--as well as the trip to Pegasus, again in the interest of time.)

(WAIT. NO. THE TAPE JOKE.)

(Okay for real. Moving on.)

So then. THEN.

The Rambeaus. And the feelings.

Unpopular(?) opinion: I love that this big budget action movie focuses on female friendships and platonic relationships instead of romance THERE I SAID IT

ALSO LIEUTENANT TROUBLE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

I spelled Lieutenant right on the first try. Just sayin’.

But in all seriousness, I love the time we spend in Louisiana. We get a lot of good stuff. Carol getting answers from Maria, Talos arriving with his soda (milkshake?) The standoff with Goose.

(Oh, and how could I forget Maria bidding farewell to the neighbor, shutting the front door as Carol continues to glower???)

‘What’s happening?’ ‘It’s loading.’ XD

Favorite Visual #2 (Chronologically, but actually the one I like best in the movie) The Pysche-Magnitron Light Speed Engine explosion.

(Thank you, Marvel, for changing it to ‘light speed engine,’ which is much easier to spell than Psyche-Magnitron)

But yeah, that was the visual that sold me, in the earliest trailer. I wish I had some profound reason for that, but the truth is I just love blue-glow-y stuff.

BUT ALSO

(And, okay, an additional spoiler- warning because this is a big one. Like. Big.)

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Seriously, go away if you haven’t seen the movie yet.

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MAR-VELL iS A WOMAN

LIKE THIS WHOLE TIME. EVERYONE WAS SO FOCUSED ON JUDE LAW. And then there was that blip, right before the release, when Annette Bening revealed she was the Great Intelligence, again after months of secrecy so we were all like, HA we know the TWIST.

BUT NO. NO WE DID NOT.

Well played, Marvel. Well played.

This was something I was thinking about before the film came out; I just kind of assumed, because of the lack of an apparent ‘Mar-Vell,’ that Carol would be the first and only Captain Marvel in the MCU. And she basically is, b/c we have no indication that Dr. Larson was moonlighting as a superhero, but regardless this is SO COOL. SUCH A GOOD TWIST.

(A quick Google search on how many ‘L’s are in Mar-Vell led to a serendipitous discovery: an article on the gender swap decision, and apparently it came very late in the game. Like. ‘Already looking at guys to play Mar-Vell’ late in the game. *insert themoreyouknow.gif here*) 

Right, okay, back to Feelings:

When Carol’s like: You don’t know who I am! I don’t know who I am!

I was. Emotional.

(Brie Larson is perfectly cast and does a wonderful job.)

Maria’s pep talk? Also caused emotions.

And Maria got to come on the mission! I was pleasantly surprised, and really glad that the visit there wasn’t like. Just a pit stop, you know?

RIP Science Guy, we hardly knew ye.

Again, jumping ahead, but may I just say: It was truly an Experience, watching this movie with folks who had no idea what a ‘Flerken’ was.

Both my friends at the first screening I attended, and then like. Half the theater at the second one. XD

The whole row was like: WHAAAAAAAAAAAAAAAAAAAAAAAAAAAAT when the tentacles came out.  

So yeah, Talos and the 180 on the REAL villains: Nice. The enduring complaint leveled at the MCU is a lack of compelling villains. (I guess Talos technically doesn’t count as a villain by the end of this, but. We’re going with it.) And Carol’s commitment to helping the Skrull refugees lifts plot elements from my favorite portion of the DeConnick run, so. YEP. LOVED IT.

(I was also trying to determine if Talos’ daughter was perhaps meant to be like. a Tic expy. Did it say ‘Tic’ on the pinball machine? Or ‘Tig’? Or something else entirely?)

Loved the...mind prison? sequence. All of it. “Come as You Are,” the Great Intelligence rockin’ out in the jacket, Carol’s Big Damn Hero moment. Brilliant. Spectacular. Amazing.

“My name is Carol.” 

YEEEEEEEEEEEEEEEEEEEEEEEEEEEESSSSSS

(Or does she say her full name? I can’t remember.)

And then the subsequent fight scene where Carol’s like. Simultaneously kicking butt but also enjoying all this newfound power/strength? A+++++

Favorite Visual #3: Carol sitting on the railing with the lunchbox.

Sad to see Minn-Erva go, but. Was so cool that Maria gets her own hero moment.

And then this big ol’ fight scene where Carol DESTROYS SPACESHIPS WITH HER BARE HANDS. 

Favorite Visual #4: Carol going Binary in the red, blue, and yellow suit with the helmet FLYING THROUGH SPACE, LOVING EVERY MINUTE OF IT.

All of the visuals from this portion are so on point it’s like they’re pulled straight from the comics.

Favorite Visual #5: When Carol’s staring down Ronan and she like. Does that thing, where you hit your palm with your fist? (IDK the technical term there) And there’s this awesome energy burst and AGAIN, BLUE GLOW-Y THINGS. I love.

I’m pretty sure there’s an interview where Brie Larson talked about watching Indiana Jones? And wanting to be the female equivalent of that.

WELL, that’s the movie I immediately thought of when Carol blasted Yon-Rogg into a boulder, mid-goading.

(Y’know, like the scene in Raiders where Harrison Ford was too sick/tired to do the fight choreography, so he just. Shot the bad guy.)

ALSO, when she drags his sorry butt across the desert? I was IMMEDIATELY reminded of Kara dragging Astra into the DEO.

DANVERS GIIIIRRRRRRRRRRLLLLLS

*ahem*

THE FAMILY DINNER AT THE END?????

LITERAL FOUND FAMILY OF ALIENS AND SOLDIERS AND SUPERHEROES JUST. HAVING DINNER. PLAYING UNO. WASHING DISHES AND SINGING "PLEASE MR. POSTMAN”?

Thank you, Marvel, for this beautiful gen fic material.

 WHOOPS I forgot the costume colors bit. (Admittedly confused it with the ending wherein Monica gives Carol her jacket back. Sans ketchup stain.)

So backtracking ever-so-slightly...

Let’s see if I remember this right: We get

Red and gold (Binary send-up, possibly? Or maybe the original Ms. Marvel costume?)

IDK what to call it....Lite-Brite? (♪ makin’ thi-ings with lii-iii-ight ♫) 

Black and Gold (bathing suit costume?)

White and Green (original Mar-Vel/Kree colors) 

That last one’s the only one that’s like. Obvious and deliberate. I’m just guessing with the others.

BUT CLEARLY I am ABSOLUTELY ONTO SOMETHING with the Lite-Brite.

BACK TO THE ENDING Lt. Trouble gives Carol her jacket and that’s my fav look, out of all the costume variations we see in the movie. I mean. I love the black and green, admittedly, and the helmet looks SO GOOD for being something that should be ridiculous, but my go-to answer for superhero costume design is: add a leather jacket.

Favorite Visual #6: Carol in the suit and flight jacket, floating above Earth, ready to go save the day.

AND THEN SHE’S OFF.

Ooooh, ooooooooh, but we can’t forget the scene. The scene that I’m certain ticked off The Continuity Police. (You know the types.)

See, remember when Marvel was like, ‘Carol’s the first Avenger!’ and haters were like, ‘UH HELLO IT’S STEVE????!????’ 

And then Marvel was like, oh ho ho ho, we meant LITERALLY the ENTIRE INITIATIVE IS NAMED AFTER HER CALL SIGN AND SHIELD STARTS LOOKING FOR SUPERHEROES BECAUSE OF HER ERGO SHE IS THE FIRST die mad about it.

That was so very, very satisfying to see.

(Also I guess she’s a literal Captain in the air force? If the rank on the jet is legit. Pretty sure she’s a Major in the comics, though. But I assume this change is to help sell the ‘Captain Marvel’ name.)

And then, friends. And then.

I was fully prepared to leave the theater, uncertain of when we’d next see Carol.

EVEN AS THE MID CREDITS SCENE PLAYED. I was like. ‘Well, they’re gonna cut it off before we can see anythINOHMaNTHERESHEIS!!!!!!’

‘Where’s Fury.’

*insert aesthetically pleasing keyboard smash here*

BRING ON ENDGAME.

And before we wrap up here, one final note:

The Space Stone, sought after by Trickster Gods and Mad Titans alike, was for a brief time, nothing more than a glorified furball.

FIN

(Nope, wait. One little anecdote before we go: of my core group of buddies, I am the Comics Nerd, and thus I am often consulted after we’ve watched a Marvel movie. So I had to explain that YES, Kara Danvers had the last name Danvers first, but she was adopted, and her GIVEN fake name was Linda Lee, so in all fairness, the same-name thing is a little less plagiarize-y, b/c ‘Linda Lee Danvers’ does not necessarily match up as well as ‘Kara Danvers’--which wasn’t even used until really recently--to ‘Carol Danvers’. ...Honestly, I was just really happy they called out the connection MY WORK HAS NOT BEEN IN VAIN XD )

Also, I sometimes get replies on posts like this which is totally fine BUT, I would ask that folks keep really spoiler-y stuff out of ‘em. At least for a little while.