#also i know its not mentioned at all in the story but-

[sluglore]

Explaining The Iterator's Purpose (And Why They Weren't Made to Circumvent The Echoes)

Alright, I know there's already been a few posts like this out there, like this older one from @halvedforest, and this recent one from @noizepushr, which are both good posts, but I've been meaning to touch up and cross-post my own older misconceptions post from reddit for a while now, and provide a deeper, more expanded analysis as to why this misconception exists and explain what's actually going on, so here it finally is haha I'll also be using the term 'Benefactor' instead of 'Ancient', if people are confused about that, I intend to make a post about it eventually ^^

( If you're confused on who out there even believes this, this idea originated from Rain World YouTube lore videos, long before Downpour was ever a thing! It is unfortunately still quite prominent on there... but it's definitely getting better :3 )

This misconception stems from misreading the singular pearl to ever mention the echoes, being the Bright Red farm arrays pearl, so let me begin by attaching the specific section below:

“There were some horror stories though... That if your ego was big enough, not even the Void Fluid could entirely cross you out, and a faint echo of your pompousness would grandiosely haunt the premises forever. So even when the Void Fluid baths became cheaper, some would still starve and drink the bitter tea.” (Bright red Farm Arrays pearl dialogue)

Note the specific usage of “some” here. Echoes weren't presented as an issue significant to re-center Benefactor society around, (let alone build the iterators for) but as some horror stories which only "some" people (likely on the fringes of society) would believe in. Nowhere are we given anything that alludes to the existence of Echoes being regarded as a societal problem to address, much less have anything to do with the Iterators.

Additionally, although we know for a fact that echoes do exist, its fairly possible that most of Benefactor society didn't, as LTTM doesn't even know what they are either, regarding them as nothing more than superstition. On the very next line, LTTM confirms that the void baths continued all the same, while again mentioning that "some" would still choose to abstain from them, and drink the bitter tea.

Then what’s the purpose of the iterators if they weren't created to circumvent the echoes? What is The Big Problem that they are even trying to solve in the first place? Well, both FP, LTTM, and the Exterior colored pearl dialogue spell the answer out for you. In fact, it's the first thing FP even tells you!

“The good news first. In a way, I am what you are searching for. Me and my kind have as our purpose to solve that very oscillating claustrophobia in the chests of you and countless others. A strange charity - you the unknowing recipient, I the reluctant gift. The noble benefactors? Gone.” (Five Pebbles dialogue to Survivor) (Monk's version also hits similar notes)

Five pebbles introduces himself as a “reluctant gift," with his purpose being "to solve that very oscillating claustrophobia in the chests of you and countless others," meaning to solve the cycles for everyone and everything else.

If you bring Looks to the Moon a neuron, she has the chance to repeat the same exact explanation to you.

"We were supposed to help everyone, you know. Everything. That was our purpose: a great gift to the lesser beings of the world. When facing our inability to do so, we all reacted differently. Many with madness.”

FP, LTTM, and the rest of their kind were created to serve the rest of the world in finding a method of total mass ascension, of ending the cycle entirely for everyone.... and everything. Not only including the fauna of the world, like the slugcat, but the bedrock, microbes and even gases, as explicitly stated in this snippet from the Exterior pearl dialogue below:

“The Moral Argument: Five Pebbles is our Creation, and we have Parental Obligations towards him. As an Iterator, he is also a Gift of Charity from Us to The World (unable to reach Enlightenment by itself - being composed mostly of Rock, Gas, dull witted Bugs and Microbes - and towards which We thus have Obligations)” (Pale Green Exterior pearl dialogue)

Here we have the Benefactors define it very clearly, that as an iterator, Five Pebbles is a "Gift of Charity from Us to The World." It's important to note that many misinterpret the next section in parentheses as being about FP himself, but if it were, it would be the only time FP is ever referred to as “it”. What's really being described is the world, “unable to reach enlightenment by itself, being composed mostly of rock, gas, dull witted bugs and microbes” The world is unable to reach Enlightenment on it's own and therefore, that's why the iterators were created. (Also- when you think about it, the description of "being composed of rock, gas, and dull witted microbes" doesn't even really fit FP's description lol)

Quick but necessary tangent, the concept of non-living things being apart of the cycle is a little confusing, and tricky to quickly answer without going deep into cycle lore discussion, (I have an entire post in drafts dedicated to clearing this up) but it's actually incredibly important for understanding what The Great Problem is! To shed some light, it's not that non-living matter are able to somehow comprehend the cycles, but that the entire physical world itself is actually an intrinsic part of the cycles.

If you leave a stone on the ground, and come back some time later, it's covered in dust. This happens everywhere, and over several lifetimes of creatures such as you, the ground slowly builds upwards. So why doesn't the ground collide with the sky? Because far down, under the very very old layers of the earth, the rock is being dissolved or removed. The entity which does this is known as the Void Sea. If you drill far enough into the earth you begin encountering a substance called Void Fluid. The deeper you go, the less rock and more Void Fluid. It's believed that there is a point where the rock completely gives way - below that would be the Void Sea. When that stone you placed on the ground has finally done its time in the sediments, it meets the Void Fluid and is dissolved, leaving the physical world. (Teal Subterranean pearl dialogue)

There's a reason that 'Cycles' is always plural in Rain World, because there's multiple of them! Organic life is in cycles, the physical bedrock of the world is in cycles, even the very concept of civilization is in cycles. In order to ascend everything, that means ascending not only all living things, but the entire physical universe itself! That's what the Great Problem really is :D (Also technicallyyy it's only ever referred to as "the big problem" and not "the great problem", the latter term stems entirely from the community but it's whatever i just wanted to quickly mention that. great problem definitely sounds cooler LOL)

In conclusion, Iterators are described as "Gifts to the World" not once, not twice, but three entire times throughout base game Rain World's dialogue, one from FP, one from LTTM, and one from the Benefactors. Rain World lore holds many unanswered, purposefully ambiguous questions, but the Iterator's purpose is not one of them!

If you're confused/interested in analysis of the Benefactor's motivations and perspectives on Ascension, I made a post a little while back containing my thoughts right here :)

[vxsellie]

KINDLY, DARLIN' - 𝐸.𝑊

summary. after seemingly endless days on the road, you find yourself at a random country bar in the middle of nowhere. entering with the sole goal of getting your hands on come kind of alcohol, your attention is soon drawn elsewhere. to a girl and her guitar. notes. ok funny story! this idea came to me from a 5 sec interaction i had with a complete stranger. i went out to a bar, gave ten bucks to the singer, & he said the line that the title is based off of , which the prompted my brain to conjure up an entire love story (he's prob double my age lets be so fr) Also! idk if any of u will like this comparison (if not, just ignore this). but, as i wrote this, i imagined ellie's voice like lucy gray's from the hunger game's. like the slight country drawl, strong vocals, yes yes yes yes Also x2! anyone who follows me should know that im absolute SHITTT at writing smut. but, for some reason, that doesn't seem to stop me from creating works of garbage for my own amusement. anyway, if you reach the smut & realize that it's literal trash, i won't blame u for clicking off of this. just a warning! warnings. brief mention of creepy old men at the bar, depictions of alcohol, public flirting ???, eventual smut, drunk sex in a bathroom LMAO, oral (r! receiving), fingering (r!receiving) wc. 5.1k

𝓕uck your back hurts. Well, if you're being honest, everything hurts. Your neck, back, stomach, legs, hands. Everything that's capable of aching, does.

However, rather unfortunately, you suppose that's to be expected after driving for nigh two days straight in your shitty truck. It's a 90s pickup, the white paint peeling and the tires in desperate need of care. The beige seats are worn and stained, evidence of age having taken its toll on your poor vehicle.

In spite of your truck's needs, you're far more interested in your own ⎯ getting a damn drink.

You're currently coasting through the backroads of some small western town, streets made of dirt and buildings all decrepit. You've never heard of this place before, the name having already slipped your mind due to how utterly foreign it'd been to your mind.

Your headlights cast a yellow glow onto the dirt before you, your tires crunching against fallen leaves and loose rocks. You pass gas stations, wooden homes, dollar stores, an immeasurable amount of churches, and no liquor store. Most shop signs are staked into the dirt, the few billboards all dilapidated in some way ⎯ broken letters, flickering lights, or completely torn from the ground somehow.

Then, by either the grace of God or a wondrous turn of fate, your eyes stutter on a certain sign. A broken wooden one advertising a bar. Your interest is instantly piqued, wheel turning toward the building without hesitation.

You don't give yourself the chance to even think before you're hopping out of your truck and walking into the bar.

The moment you push open the wooden double doors, the sound of boisterous laughter and heavy cowboy boots meet your ears. Perfect.

You stand in place for a moment, craning your neck with narrowed eyes are you examine the atmosphere. To the left, there's a bar with almost every stool occupied by an overweight old man. To the right, there's a pair of barn doors with the word 'restrooms' carved into the wood. In the center of the space, there's bucking machine ⎯ a drunk teenage boy holding on for dear life while his group of friends cackle at him from the sidelines.

Then, on the side of the building opposite you, there's a small stage. It's only elevated a foot or so, wood rotting a bit on the edges. But you hardly care for the conditions of the stage itself. What you find yourself drawn to is the person on it.

In the center is a stool, an auburn haired woman perched atop it with an old guitar situated on her lap. She strums the instrument in an upbeat tempo, leaned forward slightly as she sings into the microphone before her. There's a small crowd in front of the stage, girls admiring and boys whistling.

Considering how run-down this town is, you hadn't expected to stumble across a bar that's so fucking packed. There's barely any open stools at the bar, the bathroom doors are rarely sitting still as people continue to pass through them, the mechanical bull being gifted coins non-stop. But you can't complain.

After so long alone on the road, it's nice to be in such an active atmosphere. It's not calming, of course, but you welcome it lovingly nonetheless.

Watching the auburn for a few moments longer, you then turn on your heel and saunter over to the bar. You're forced to sit beside someone as the lack of stools forbids you from not having a neighbor.

"What can I get'cha, hon'?" The bartender asks you with a tip of his cowboy hat. In his other hand, he wipes the outside of an octagonal glass cup.

"Got any whiskey?" You inquire, leaning your elbows on the sticky countertop.

"Mhm," He hums, turning around to grab a bottle from the shelves behind the bar. He sets the glass onto the counter with a light clink, popping the bottle open. "'N' how would ya like it?"

"Neat."

He nods once more, pouring the liquid into the glass with a flourish before sliding it across the wood toward you. The moment you grab it, he's turning away to tend to another patron. You drink it quickly, downing the glass in one large swig.

As you place the glass back onto the counter, you feel eyes boring into you. Hoping it's someone of interest to you, you turn only to find a duo of old men chuckling at you. Their cheeks are rosy, bellies full ⎯ therefore likely drunk. You roll your eyes as the bartender refills your glass without a word.

Now with an entirely new bit of determination, you down that glass even faster. Another refill. Another singular gulp. Another refill. Another gulp. Another. Another. Another.

You're now swaying a bit atop your stool, feeling pretty good all things considered. The men continue to gossip among themselves, pointing at your ass. You feel disgusted ⎯ not at yourself, but at them for their fucking audacity. Part of you wants to knock their teeth out. But you're not that drunk.

So, instead, you take the mature approach and simply pick up your glass and exit the scene. As you walk away, you hear their chuckles increase and you suddenly regret not punching them.

Your heavy boots thud against the wooden flooring as you walk aimlessly around the bar. You push through an amass of bodies, everyone too drunk to care for your harsh shoving. Then, before you know it, you find yourself situated in the very front of the stage, glass of whiskey in hand.

The woman's voice is laced with a slight country drawl, her boot tapping against the leg of her stool to count the beats of the song. She nods her head as she sings, a small grin lighting her features.

The dim lighting of the bar doesn't do her justice. But you still manage to notice the freckles that dot her face, the cupids bow to her upper lip, the small scar on her right eyebrow. Or maybe you're just drunk and enamored by her. God, what if she finds you creepy? What if she thinks you're some fucking creep? What if she⎯

She looks at you and you swear your heart gives out right then and there. And, if that weren't enough, she winks. You feel your cheeks heat up and you blame it on the alcohol. You down the rest of your whiskey, suddenly feeling very hot. A light chuckle shakes her chest, ringing throughout the space. Nobody else thinks anything of it, of course, all too drunk and preoccupied to give a shit. But you find yourself fantasizing about all the other ways you could make this woman laugh like that again. Oh fuck you are a creep.

In a desperate attempt to salvage the residual bits of dignity you have left, you pull twenty bucks from your back pocket and step forward to drop it into her open guitar case.

She raises a brow, tipping her cowgirl hat in your direction with a smirk. "Thank ya kindly, darlin'."

Somehow, she'd managed to thank you in tune with the song, keeping the beat going without missing a second. It's almost impressive. Okay, it's super impressive. In fact, you feel your heart speeding up again, mind playing on loop the sound of her addressing you. Her country drawl, her smirk, her long fingers grabbing the bridge of her hat. Fuck.

Impulsively, you end up turning on your heel and heading right back to that damn bar. The bartender just grins as he pours you another serving, likely having noticed the flush to your cheeks and the desperation of which you placed the glass down.

"Mind if I give y' some advice?" He asks, leaning forward a bit.

In an act of self pity, you don't have the energy to deny him. "Why the hell not?"

"I ain't gotta clue who you're blushin' over, but my advice is that." He nods toward something behind you. You cast a glance over your shoulder, eyes landing on the bucking machine. You almost laugh, turning back to him with an unimpressed expression. "Listen, y' ain't gotta be good. Y' jus' gotta move your hips right n' I swear he's all yours. Trust me. I've seen it work hundreds of times."

You don't dare to correct him on the gender of your current infatuation, instead deciding to take a few more drinks for a bit of liquid courage. I mean, seriously. How else will you get this woman's attention? Plus, what do you have to lose? You'll never see her again after tonight. The least you could do is try.

After another few drinks, you're staggering over to the mechanical bull with a few coins clutched tight in the palm of your hand. The wait for the stupid thing is way longer than necessary, everyone competing for the longest time lasted on the machine.

You lean your empty hand on the frame of the wooden fence that encircles the rider, watching with reddened eyes as yet another person is flung onto the ground with a heavy thud. He rubs his head with a groan, though his sounds of pain quickly fade into laughter as he brushes off his jeans and stands upright, returning to his boisterous friends with a crooked grin.

Unease begins to lick up your spine, the logical part of your brain wondering why the fuck you're doing this for some country chick you don't even know the name of. You're strong, sure, but your luck would lead you to breaking your neck.

You look over your shoulder casting a glance in the direction of the bar. The bartender gives you two thumbs up, flashing you a grin with missing teeth. As encouraging as that is, what really pushes you to continue is seeing those two old men. They're sitting side-by-side, lustrous smirks on their face as they stare at you, leaning over every few seconds to mutter something in the other's ear. Yeah. Fuck them. You're doing this.

As you make it to the front of the line, you're overcome with naught but confidence. Whether that be due to the sound of the woman's singing growing nearer or the sight of the gross old men, you don't know. Though, honestly, it's likely because of the sheer amount of whiskey you've downed in the past hour.

"Coins." The blonde woman demands, palm of her hand facing you like a bill you've been avoiding. You place the coins into her hand and she opens the gate, hinges squealing as the prior rider stumbles out with a streak of dirt under her eye.

You walk into the ring, feet staggering a bit already from your drunkenness. You hoist yourself onto the bull, situating yourself until you feel a bit less awkward atop the back of the metal animal.

It begins rocking slowly back and forth. You find it easy at first, not really needing to use your hands. You still do, though, not much trusting the machine to not throw you off the moment you let your guard down. It picks up the speed, more. More. More. More. And, before you know it, it's thrashing back and forth. You hold onto the saddle, a dazed smile spreading across your face as you find yourself having fun.

It spins in a circle, your eyes suddenly catching on the woman on stage. She has the perfect view of you from her pedestal, her stool bringing her higher than the crowd just as the bull brings you.

She's still singing into the mic, her voice drowned out by the sound of chatter and cheers ⎯ though you're not sure if they're directed toward you or her at this point.

You've stayed on longer than you anticipated, the ache in your back returning as the bull yanks and dives under you. But you hold on, suddenly remembering the bartender's advice. You don't want to switch up whatever tactic you accidentally built into habit, but the point of this is to get the woman's attention.

So you wait until it spins back around. Then, while her eyes are pinned to yours, you shift a bit, back moving more fluidly as you roll your hips against it. Nobody else would think anything of it, the act so subtle that you simply appear to have altered your position. But she noticed. You know she did. Because her voice caught in her throat, causing her to have to take a sip from her water and apologize into the mic before resuming.

Your confidence spikes at this, suddenly feeling much more egoistical than you did when she was a complete stranger you made eye contact with once. Now you know you have an effect on her.

So you do it again, maintaining eye contact as you roll your hips against the bull suggestively.

Just as before, nobody else pays any mind, far too focused on the fact that you're stayed on for so long to give a fuck about technique. Honestly, if anyone were to notice, it'd be those creepy old men. And, hopefully, they're aware that it's pointed at this woman and now them. Though you doubt they'd care. Creeps like them rarely do.

The singer, with her eyes now pinned to you ⎯ though, everyone's now are ⎯ switches her tone a bit. Her song alters from an upbeat bar tempo with little meaning to having more directed lyrics to a girl with mesmerizing eyes. Again, nobody else picks up on this. She sings about a random girl with stunning eyes, never digressing past that.

But you know; and she knows. And that's all that matters.

She sings a certain line, something more lustful about the way you look at her. Something suggestive about the way she's imagining you. You instantly falter, your grip slipping.

You fall to the ground with a thud, the entire bar making a sound of disappointment and empathy. You don't care, though, not giving a single damn about the bull riding. All you care for is that fucking singer.

You hit the ground, breath knocked from your lungs. You cough, pushing yourself onto your hands and knees. Your head spins, the alcohol finally catching up to you. Another cough is yanked from your heaving chest as you groan.

The blonde coin-collecting woman allows the next person into the ring, not waiting for you to give your say. As the next man enters, he offers you his hand. You, desperate for assistance, take it with a grateful smile. He hauls you to your feet, muttering quick compliments on your performance on the bull. You thank him before brushing past him and exiting the ring with staggering steps.

A few people from the crowd compliment you, offering words of encouragement for the 'next time you go up'. You give them half-hearted smiles, chest still aching slightly from your fall.

You shove through the crowd, nearing the restrooms you'd seen at the entrance. You push the doors open and head into the women's side.

You brace your hands on the edge of the sink, glancing in the mirror for a brief moment ⎯ examining the small cut on your cheekbone and the bruises that are beginning to form on your shoulder and hip. You then lean down, positioning your mouth under the faucet before turning on the water. You drink it, relishing in the taste of cool liquid rather than burning alcohol.

"Mm, look who it is."

You smack your head on the faucet with how quickly you straighten. You groan, rubbing your temple as you turn to face the person standing behind you. The singer. Well fuck, that makes the head smack twenty times more embarrassing.

Somehow, she's even more alluring up close. Her pale green eyes bore into you, lashes lidding them slightly. Her skin is lightly tanned, freckles likely produced from a life spent under the sun. Her forearm has a tattoo covering the rippled skin there, lean muscles adorning the rest of said arm.

You play off your staring by narrowing your eyes at her, "Followin' me, are ya?"

"Nah." She shakes her head, stepping forward to wash her hands in the sink beside yours. She tips her head down, looking at her hands as she scrubs, hat coming to block her face from your view. Unfortunate. "Jus' comin' t' wash the filth off my hands. I wouldn't worry, though, darlin', I'm sure that Smilton boy'll check up on ya."

Your brows furrow at this. "Smillin boy?"

"Smilton." She corrects you rather harshly, looking up to meet your eyes through the reflection of the mirror. "Farmer's boy. Rich. Brunette. Helped y' up after the bull."

Realization hits you like a brick. She's jealous. This woman that you've never met, this woman that you stressed over impressing, this woman that you bruised yourself to get the attention of. She's jealous because some farmer's boy helped you stand up. A smirk tugs at your lips, an idea lighting your mind.

"Hmm," You hum lowly, brushing past her to dry your hands on one of the scratchy white towelettes. "He is quite handsome, ain't he?"

"Suppose." She replies shortly.

Your smirk only deepens, drying your hands achingly slow. Because you know she's aware that she has no right to be jealous. And that only serves to make her more pissed off. How interesting.

"What's his first name, if y' don't mind me askin'?" You speak casually, talking with her as though everything that passed between you two prior to this hadn't happened at all. It's driving her insane and you can tell.

"I dunno." She says, turning the faucet off to dry her hands beside you. "Somethin' with a J?"

"Oh, c'mon," you coo, turning to her with those eyes you know she adores. "I know y' know more than jus' his last name."

She looks away, clearing her throat with a set jaw, "you're right. Know his first initial too. It's a J."

You chuckle lightly, releasing the towelette to trace your fingertips along the soft skin of her bicep. "Yeah? And what's your first initial?"

Her entire body seems to tense, breath hitching in reaction to your touch. She looks at you from under the bridge of her hat, green eyes glinting with something informal. Something unfit for a casual conversation between two strangers in the women's rest room. You feel your heart stutter at the sight, having to make an effort not to fall to your knees before her in this very moment.

"E," is all she whispers.

"Last name?" You whisper back, matching her for quietude.

"Williams." She manages.

You hum, eyes following the movements of your hand. Had you not been so drunk, you'd likely never have the balls to be so flirty to her. But, as it turns out, your intoxication is good for something. Well, something aside from staying on some metal bull.

"How pretty," you whisper, leaning forward so your mouth is now right beside her ear. Your breath fans across her skin as you continue. "Now tell me your full name, will ya?"

Her eyes are pinned to your face, pupils tracing your features as your hand traces her arm. She finds herself mesmerized by you, entranced by your every detail ⎯ the slope of your nose, the curve of your cheek, the arc of your brow, the height of your cheekbones, the line of your jaw. She imagines running her tongue along each of these points, imagines committing your to memory using naught but her mouth.

"Ellie." She replies finally, watching closely as your eyes raise to meet hers. Her heart stutters in her chest at that, as it always does when you make eye contact.

Your gaze flicks between her eyes and lips, hand slowly inching up her arm. "Ellie?"

The sound of her name rolling off your tongue is enough to send a spark of heat to her core. That paired with the way your fingers are lightly tracing up, up, up. You move your hand over her shoulder, along her collarbone, up the side of her neck, and finally rests to cup her cheek in your palm. She leans into the touch, eyes fluttering.

"You're such a fuckin' tease," she mutters, voice low as it's weighed down by desire and a deep need to feel your skin on hers.

You ignore her words and move to lean in close enough that your noses brush. Then, with your breath fanning across her skin, you ask, "this okay?"

She doesn't say anything, instead abandoning the towelette completely and grabbing your face in both her hands. With a sudden sense of ferocity, she presses her lips to yours, pulling your body flush against hers.

"I'll take that as a yes," you chuckle between kisses.

"Quiet," she murmurs, too needy for your touch to have time for conversation. As much as she loves hearing you talk, shed much rather talk via action rather than actual words.

You giggle against her lips, your arms coming up to wrap around her neck. She hums, hat falling to the tiled floor with a light brush. With each passing second, her actions become more and more desirous, suddenly pushing your back against the nearest wall. You let out a huff of air from the impact, your lips quirking up to form a small smile, regaled by Ellie's sudden desperation for you.

She tilts her head, peppering kisses down your chin and along your jaw. They're harsh and hungry, nipping your skin in some places purely to see your brow furrow at the feel of her teeth.

As she trails down to your neck, you tip your head back against the wall and open your eyes to blink up at the wooden ceiling. Your hands fist Ellie's hair as she leaves bruises down the column of your throat.

Still well and drunk, the room swirls around you. The lights seem to shift with each blink, making this all so much more intoxicating. Your nerves are already on edge due to the alcohol, so the feel of Ellie kissing them is absolutely maddening.

You feel as she presses kisses along your collarbone, tongue grazing the taut skin there. You shift, legs pressing together as she grows more sensual in her act of quick intimacy. This movement doesn't go unnoticed by her, however, her lips quirking into a small smile against your skin as she feels rather proud of how quick she's turned you to putty under her.

She moves across the bare skin of your chest, plump lips taking time to memorize each detail that adorns you. You move again, the heat between your legs growing harder to ignore.

"Patience, darlin'." She instructs. "I'll get there when I get there."

You frown at this, "well get there faster."

Her kisses suddenly cease, looking up at you through her lashes. She tilts her head at you innocently, blinking as she waits for you to correct yourself. To reword your restive demand. "Don't be rude, now."

You can feel your dignity push at the back of your throat, pride yearning for a moment to speak. Seeing as you're normally the one making orders, this feels quite stranger. But, after the long journey you've taken, you suppose you've earned a bit of time to sit back and let someone else take the lead.

Ellie draws a line of kisses between your breasts and down your stomach, kneeling before you as her head comes to situate itself in front of your waistband. You can't help but admire how she looks from here, hair in your hands as her eyes are pinned to your denim jeans as though it's a buffet and she's a man starved. After a moment, she lifts her head to look at you.

Eye contact. Sparks shoot through your body. Somehow, something as simplistic as meeting Ellie's gaze can make you feel indescribably nervous. Pale green irises bore into you, waiting for you to utter words of consent. You do so, giving her the go-ahead.

As soon as you do, Ellie wastes no time hooking her fingers through your belt loops and pulling your jeans to your knees. She leans forward, eyes lidded.

"Wait." You pant, tugging on her hair to halt her movements. She seems rather annoyed by your sudden interruption, but looks up at you kindly despite her own irritation. You rolls your eyes at her evident pique. "What if someone walks in?"

She sighs heavily at that. "I locked the door."

"Oh, okay." You nod. Though, just as she's about to lean forward again, you stop her once more. "Wait. How did you know to lock it? You were all pissy when you first came in here."

"I didn't know." She explains hastily. "I simply hoped."

You huff out a chuckle, shaking your head fondly at her admittance. Then, finally, you don't stop her when she leans forward.

She traces her tongue along the outside of your underwear, the fabric between you only adding to the pulsing in your pussy. A shiver wracks through you, causing Ellie to grab you by the hips to hold you still. She traces circles into your hips with her thumbs, a gentle motion when compared to the needy movements of her tongue as she draws small circles into your clit.

You tighten your grip on her hair, drawing a grunt from the back of her throat. The vibrations from her mouth against your pussy makes it hard to keep back your own noises.

When she finally shifts your panties to the side, you nearly collapse at the feel of her mouth against you. She licks a long stripe up your vulva, a shaky breath yanking from you. The sound only urges her further, taking one hand and drags her middle finger up your center. You shift, leaning heavily against the wooden walls as standing upright suddenly seems impossible. Then, without warning, two fingers shove right into your hole.

Your hips jolt, moving far more than initially seeing as Ellie is now only holding on with one hand. Whilst thrusting her fingers in and out of your needy pussy, her tongue circles your clit with that same neediness, mirroring you for desperation.

Your head falls back, thudding lightly against then wall. At the sound, Ellie ceases. You almost whine at her sudden stopping.

"My eyes are down here, darlin'." She says lowly. "Let me see you."

Begrudgingly, you oblige, lowering your head to make eye contact with Ellie. She's on her knees, legs folded against tiled flooring as she resumes her lapping. You huff out an airy moan as you have to actively stop yourself from tipping your head back again. She holds your gaze the entire time, adding to the intensity of the feel. Her eyes are lidded, shoulder moving as her fingers recommence.

This all paired with your dizzy head and swimming vision makes for quite the climax, core knotting progressively as Ellie doesn't dare to stop. "Fuck," you pant as you buck your hips against her face, forced to watch as you do so. With another heavy breath and an arching back, you utter, "I'm⎯"

She seems exponentially proud as she hears you say this, regardless of if you finish your sentence or not. She pauses only for a moment to say, "yeah?"

"Mhm," you hum, though it comes out more of a moan than anything.

"Do it, darlin'."

And you do, coming undone right atop her face. She, admittedly, relishes in it, hydrated only by what you're able to provide her with. You see stars and they're swimming too, circling your head in a celestial body of pleasure. And Ellie watches, for once allowing your head to fall back as she deems this a one time exception. Because there will be a next time.

You're panting as you lower your head to face her once more, her gaze never having left your expression. She makes out with your pussy sensually as to bring you down from your high. Then, as gently as she can, she situates your panties back on correctly and pulls your jeans to rest as your hips, remaining knelt in front of you as she zips and buttons them just as she'd found them.

You watch with a twinkle of fondness behind your irises, unable to look away from the expression of adoring concentration she wears. She then uses your hips as a support system to haul herself back to her feet, leaning forward to press a kiss to your lips. You can nigh taste yourself on her.

"Not bad for a stranger at a sketchy bar." You muse, picking her hat from the floor and situating it atop her auburn tufts of hair. She watches you, analyzing your every move.

"I'm not just a stranger." She reminds you as your eyes find hers, your hands coming to drape around her shoulders. "I'm a stranger who wrote a song about you."

"Mm," you hum, "so you're a stalkers stranger?"

"I prefer the term passionate." She says, shooting you a playful scowl.

You chuckle, "passionate for what? Stalking and preying on drunken women?"

"Pfft-" She scoffs. "You're not drunk."

For a moment, you consider agreeing with her. To save her the pain of realizing you hadn't been sober for this. But you know better than to lie to her. So, through lidded eyes ⎯ ones that should have been a rather telltale sign of your intoxication ⎯ you give her a look, not even needing to voice the truth aloud for her to understand.

"Well fuck." She groans, taking a step backward and causing your arms to fall to your sides.

Frankly, you'd expected her to be much more angered than that. Because you know you would be. After writing a song, chasing down, then tongue-fucking someone in the bathroom, the worst news to receive would be that they'd been wasted the entire time.

"I'm sorry," you're quick to apologize, for some reason feeling the need to earn her forgiveness.

"How're you planning to get home?" She asks.

"I hadn't thought about that." You admit.

"How about this," she suggests, "I give you a place to stay to apologize for fucking you while drunk and you let me take you to dinner tomorrow to apologize for not telling me beforehand. Deal?"

A smirk works its way to your mouth, "deal."

⊹ ࣪ ˖𐙚 perm. taglist @luvsturniolo @kasqnxx @xlovla @ilovewomenfr @zzombiegirl @shawangel

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[cruel-hiraeth]

꒰ THE UNBEARABLE WEIGHT OF LOVE ꒱ RORONOA ZORO X READER

warnings ⟢ slight angst (though it gets resolved). hurt/comfort. mentions of death and dying. descriptions of blood and wounds. brief allusions to buddhism. reader is gn and described as “beautiful” once.

word count ⟢ 1086

notes ⟢ happy birthday to my most beloved! this fic is self-indulgent (i.e. full of my hcs about zoro’s childhood) and a labor of love. the three of swords design in the banner is from the rider-waite tarot deck. three of swords generally depicts a difficult, sorrowful experience.

So this is how it ends.

The midafternoon horizon is fathomless—a halycon ocean—the sun anchored in its depths. A cool breeze stirs, kissing his tawny flesh, rustling his hair, and chiming his earrings; whispering beachgrass casts sinuous shadows across his face, allowing his good eye to rest in partial shade. Nearby, the tide laps at the shoreline—tenderly, the caress of a lover. Foam glides across half-buried seashells and beached debris in a brief greeting before returning to the sea, heeding her call.

Where Zoro is, he can’t be certain (not an uncommon occurence, though he would never admit it). His robe was slashed off at some point, and fell to the ground in shorn tatters. He lies bare-backed in a slurry of sand and ichor, his swords beside him; weeping wounds litter his torso, the most gruesome of which stretches from his navel to his right side. While he had the wherewithal to cut his haramaki and tie it around his waist as a makeshift tourniquet, the fabric is sodden, metallic teardrops puddling in the sand.

Pain is a feeling he greets like an old friend. It’s comforting, almost, like a suffocating embrace. As a boy, he had to nurture that cold familiarity if he wanted to survive—be it fighting bigger kids for spare scraps at the orphanage, or taking lashes from a bokken at the dojo. Strength comes with a cost, as does physical and mental growth. Existence is suffering, and suffering is—in its purest form—pain. But the mind-numbing sting that currently radiates from his injuries is the last thing on his mind.

For the first time in years, Zoro is afraid. He shivers despite the scorching sunbeams, sucking in shallow mouthfuls of air, glistening beads of sweat sliding down his body toward the earth.

It isn’t the prospect of death that scares him; he has walked most of his life along the corpse-strewn path of demons, fighting against his fate as an asura. And he has peered into death’s grim visage before—too many times count. He even dived into hell and cleaved through its bowels to face Enma, emerging victorious as the king of souls departed.

Regret, however? Regret is a different beast.

It’s why he trembles now, covered in grime and gore, half-lucid. As dark thoughts slink to the forefront of his consciousness, he’s aware that dying here will mean failing. Not simply failing himself and his own dream of becoming the greatest swordsman, but also failing his captain and best friend, and failing to preserve Kuina’s legacy. Most gut-wrenching of all, he knows that dying here will mean failing you. There’s so much Zoro wants to do with you, so much he wants to say. He itches with regret, calloused digits twitching at his sides, desperate to claw his skin off.

Clarity torments him. Memories flit before his steel gaze, now wet—a tear-streaked blade. He sees you: the flicker of your eyes when you tell a story; the curve of your lips when you poke fun at him; the halo of your hair when you nap against his chest; the set of your jaw when you’re serious. More than anything else, he longs to tell you how he feels.

I love you.

Three simple words that he always struggled to string together. Perfect moment after perfect moment was presented to him on a gilt platter: inside the crow’s nest at dawn, or beneath the lush boughs in the tangerine orchard��even perched atop the Sunny’s bow to watch the sunset. He squandered each of these opportunities because he (foolishly) assumed there would be more in the future.

I love you.

If only he could muster the strength to breathe out the sweetness of your name once more—to taste each smooth, honeyed syllable on his lips, to feel it silken on his palate. Maybe then he could forgive himself. But instead, it dies on his tongue as his vision blots and blurs. Eventually, his world goes black.

I love you.

Zoro awakes to the muffled creaking of a hull.

His head pounds, his mouth is bone-dry, and his limbs are leaden and stiff; he feels like death, and suspects that he looks like it, too. Surgical gauze tightly wraps his frame, stifled wounds screaming in agony. When he glances up and sees framed pictures of the crew above his cot, he recognizes where he is: the Sunny’s infirmary. In his periphery, you’re sitting at Chopper’s desk with a book in your lap. He tries (and, to his frustration, fails) to shift into a seated position. As soon as you notice the movement—head snapping up in surprise—you rush to his bedside.

He waits for you to reprimand him for being so reckless while away from the rest of the crew. But you don’t—not yet, anyway. (Not until he’s mostly healed. And for that, he wonders if you may be an angel.) Instead, you kneel on the wooden floorboards to level with him. Your fingertips tentatively brush against his cheekbone, as though you’re testing to ensure that he’s real. Content with what you find, you cup his chin, allowing him to lean into the soft warmth of your touch, catlike.

“I was worried about you. Well, so was everyone else. But I’ll only speak for myself,” you murmur.

His voice is gravel, cragged from disuse. “Sorry.”

After a few beats of silence, he clears his throat. “Is Chopper on break?”

You nod. “I’ve picked up the night shift so he can sleep.”

“How long was I out for?”

“Roughly two days.”

“Fuck.”

That draws a chuckle from you.

Zoro swallows. “Listen, I—”

Your thumb grazes his chapped lips, forcing him to pause. “Save your energy, Zo. You don’t have to defend yourself; you’re safe with me. I promise.”

Tired but patient, your gaze breaks him, only to piece him back together. His heart aches.

He inhales deeply. Then—in a flood of emotion he can’t stem—the words flow out: “Y’know I’m not good with feelings…or words. But, uh…” A broad palm wraps around your wrist, your skin hot against his. Ignoring the heat creeping up into his cheeks, he sighs, “I love you.”

Before he can second guess his confession, your lips bloom and burst into a radiant smile, setting your features alight. He doesn’t think you have ever looked more beautiful.

“I know,” you admit airily. Leaning in, you dot a kiss to his scarred eyelid. “I love you, too.”

[wen-kexing-apologist]

LITBC Ep. 7-8: Gotta Love an Adaptation

Chiming in from @lurkingshan's book club post

On Episodes 7 and 8

So, I love adaptations. While I don’t always engage with every element of an adaptation (I have read zero of the BL books for the shows I’ve watched, for example) I am always interested to learn about how stories are transferred between mediums and people. 

Love in the Big City has been so fun to watch because I have really enjoyed seeing the ways in which the author of the book himself has decided to adjust his own story as the screenwriter for the show. The original creator being in charge of the story in another medium is rarer than it should be, and I am always more comforted by the changes made to plotlines when I know that the creator was responsible. 

Episodes 7 and 8 for example still followed a lot of Part Four, however it was had some of the strongest moments of divergence from original canon of any section of the series. A number of us have mentioned the T-ara’s as an example of this. I think the loneliness that we feel throughout the entirety of the book is countered in the show by the visual presence of the T-ara’s in all the important parts of Go Yeong’s life. And it is such an interesting thing because we don’t learn about them until Part Three of the book, but in learning of their existence we realize that Young has had people around him for all the shit he’s talked about in Parts One and Two. 

gif by @khunkinn

One of the biggest changes being the ending. In the book we end with Young wandering the streets alone, thinking about all the writing about love that he’s done. We end with the flashback to him and Gyu-Ho’s lantern burning. We end with the words: 

“In the end, I left just two syllables on the lantern.  Gyu Ho. My only wish.” 

In the show we still get the burning lantern, we get Gyu Ho, and we get a one-two punch of having the lantern physically say Gyu Ho (규호) on it in Korean, and the voiceover say “love” because fucking ouch. But we also get Go Yeong watching the fireworks with the T-ara’s, a scene that is very much not in the book. I know in talking with some people that they read that moment as taking away from the healing that Young has been doing, which is an entirely valid read, especially because we know how often Go Yeong fakes a smile to hide his pain. 

But for me, it didn’t feel like having the T-ara’s there with him was getting in the way of his healing. With the addition of the T-ara’s as a link between the story beats I really appreciated that Go Yeong ended the show with all of his single friends, watching this explosion of fireworks. I really loved that we end with some level of understanding that Go Yeong will have people in his life to support him whatever comes his way, who will drag him out of bed when he’s depressed, who will carry his mother’s coffin at her funeral, who will be there to watch his healing and to call out his poor taste in men. 

I loved the addition of Eun Su and the wedding and the way that Eun Su looked straight at Go Yeong when he was deciding whether to say yes or no to the proposal. I loved that we got this quiet moment of tragic helium consumption between Go Yeong and Eun Su in a moment of sobering calm, that we had a moment to let Eun Su cry realizing that he didn’t want to get married and that Go Yeong was there in all of that as a support. I know that Go Yeong doesn’t trust the T-ara’s enough to tell them about Kylie, but I have hope that one day he will. Just as he has been reflecting upon the fact that he loved Gyu Ho and regrets letting him get away. 

On the Adaptation as a Whole

Okay, on to the adaptation as a whole. I want to talk about the decision to use different directors every two episodes and why I think that was a brilliant choice. 

First of all, we know each section of the book is its own period of time, and centered around different relationships in Young’s life. The structure of the parts in the book is really interesting because the readers can realize how important Gyu Ho is in Young’s life in the fact that he interrupts the narrative with Habibi. While I think this show would have been elite if it had released two episodes a week for four weeks, I understand the urge to publish it all at once considering the push back it received in Korea. 

Regardless of that though, having different directors makes each of the four sections feel distinct. It is always really fun to watch shows that have different people behind the camera because you will always get something different. Each director has a different lens, a different style, a different performance they will draw out of the actors. And that is incredibly important in a story such as this one where the main character is changing over time. You can write and perform character growth, but I think each part comes with a change in physicality that- while not impossible -would be really difficult to draw out of a performer who is being directed by the same person throughout. 

In addition, because each part does focus on a different important relationship in Go Yeong’s life, having different people be in charge of directing those relationships creates fresher, more distinct chemistry between each pairing. The kind of relationship that Mi Ae has with Go Yeong is large and bright and loud. It’s full of light, and joy, and a deep connection built on authentic selves only the two of them understand. But look at how Go Yeong interacts with Mi Ae in Episodes 5-6. His relationship to her has changed and while the same director could have helped the actors navigate the changing relationship between them, I think to have a different person with a different visual style direct that scene adds an additional, juicy layer of complexity and separation that you wouldn’t necessarily get otherwise. 

As I and many others have surely noted before, different mediums have different benefits when it comes to conveying information. Books can provide intense description or skip over entire settings depending on their relevance, television must show you everything, the clothing the actors well tell you a lot about their characters, the food they eat, the things they drink, the places they live, all the little pieces of set dressing you might not get, that you don’t get from the book are all in there. Love in the Big City the novel gives you much deeper insight into Young’s psyche than you are going to get in the show. The book feels bleaker, more isolated, and more depressed at all stages of the story than what we get out of the show, for the simple fact that the entire story in the book is narrated. When we are first introduced to Go Yeong in the show we get the exterior version of him, the fakest version of him in so many ways. A version of Young we never get because of the structure of the book. 

But there is something I have been thinking about in terms of the visual progression of the stories with the directors that we get. The show itself gets darker and more introspective over time. In Episodes One and Two we are lured in to the story via quick, snappy, and chaotic vibes. The room we open with is full of light, Go Yeong is begging for sex, and then he’s running out the door because his sex partner’s boyfriend has returned on military leave. The club is bright, his time with Mi Ae is bright, the abortion clinic is bright, Mi Ae’s wedding is bright. Everything is bi and loud and distracting, because this is the point in Young’s life where he is the most detached from his own feelings. The biggest moments of visual darkness in Part One are all surrounding Kim Nam Gyu, they’re dates mostly happen in the dark. Their conversations in the car are in darkness, the date to the lock gate is in darkness, the karaoke place is dark, the exchange of apology marinated crab is in the dark. 

But Mi Ae is the more important and prominent relationship in Yeong’s life in the first two episodes and so darkness is drowned out and more disguised in the first two episodes as a result. 

gif by @themisconceptions

Part Two the darkness starts to take over more. Most of the dates with Hyung also take place in the dark, his apartment is scarcely lit, the light of day is on screen primarily through the windows of Hyung’s apartment, through the fake lighting of the hospital rooms. In times when Hyung and Yeong are out in daylight the sky is overcast and gray, better lit than his apartment to be sure, but still there is something dulled out about the sky when they are together. The brightest moments we really get to my recollection (which to be fair I refuse to go back and comb through the episodes to back up my claim) are Yeong waking up in the hospital after his suicide attempt, and Yeong sitting in the park with his mother’s head in his lap. 

Part Three has something really interesting in it to me in terms of how it plays with light. Go Yeong’s relationship to Gyu Ho starts primarily in the dark, meeting at the club, meeting in the coffee shop after the play, meeting on the steps after the last train. But we start to see more light in these episodes after Go Yeong tells Gyu Ho about Kylie. When he starts that conversation he begins it in the dark, and by the time that Gyu Ho has caught up to him to cry over the fact that Go Yeong is smiling through the pain the light has started to rise. Just thinking visually about this part I feel like we get a good mixture of light and dark, it feels balanced in a way the other parts haven’t, and I think that speaks to the fact that Gyu Ho is the person that Go Yeong actually loved. 

I am talking about the lighting here mostly because Part Four feels so distinctly dark. The curtains are drawn, there is very little light coming in. I think @solitaryandwandering is on to something when they are talking about the lighting feeling more ambient. All the light throughout feels muted somehow, like the camera isn’t picking up as much of it even when it’s there. Light does not exist around Habibi almost at all, his apartment is pretty dark, the stairwell where they do their chase scene feels washed out rather than bright, the hotel where Gyu Ho and Go Yeong have sex, the hotel room he has with Habibi where the curtains close all the way, versus the light that comes streaming through the gap in the curtains in his first hotel room with Gyu Ho. Once again the brightest sections of this part surround Gyu Ho, but even then compared to Part Three the way this director utilizes light feels more muted and reserved, just as Go Yeong spends a lot of his time in this part grappling with deep depression. 

I love that even though we have four different directors I feel like we have a clear visual metaphor through the linear progression of lighting in this. We start out bright with the fakest version o fGo Yeong and we end dark with the realest version of Go Yeong we’ve had a chance to see. He’s still got a way to go, but I like how the directors are able to pull different performances and aesthetics out of the story while still making it feel like one cohesive unit. 

Also, I really wish I could pick Park Sang Young’s brain to learn if and how the last few years since he published this book have influenced his engagement with the source material and if and how that may have influenced any changes he made to the story we watched in the show. 

Also also, hugeee shout out to Nam Yoon Su, that dude fucking crushed his performance as Go Yeong, and I another reason I am glad that there were multiple directors on this is because I want that boy to stay as booked and busy and I think that gets a little easier when he has now shown his acting prowess off to four separate directors.

[italianpersonwithashippersheart]

Hey bestie, dropping by with a mea culpa. When Peaceful Property started, you expressed concern that GMMTV was inching toward a model of using bl pairs in shows that would avoid being explicitly gay but still draw on shipping fandom to be successful. Coming off The Trainee, which was not a bl but did have expIicitly queer characters and romance subplots, I wasn't sure the intentions were quite that dark for PP, but having now finished it and seen the way some in the production have interacted with shipper fans, I have to call it: you were right to be concerned. At no point was this show ever a bl and none of its principal characters are canonically queer, but they successfully leveraged the TayNew ship to have fans interacting with it as if it was in fact a gay love story, that idea and fan commentary was explicitly encouraged by the creators, and the show has been quite successful despite never actually delivering on all the TayNew bait. I'm definitely concerned that we might have somehow swung back around to queerbaiting being seen as acceptable and good, as long as it features popular branded pairs. I don't have any bigger thoughts to offer about how this should be addressed, but just wanted to come back and say you were valid for naming that!

Thank you. I didn't want to be correct. And I am still hoping to wrong about what this says about where GMMTV is going.

But I am not gonna lie, seeing the posts about the finale did regnite the massive fury I had at this project when it was first called a bromance. So I am going to use your ask as an opportunity to vent.

FOR THE RECORD: I am not mad at you, or at the people and mutual on my dash that have enjoyed the show and are claiming as gay out of spite. My anger is at GMMTV and at GMMTV alone.

THEY DID THIS SHIT TWICE ALREADY!!! Back to fucking back.

I know High Schoool Frenemy is being watched by like 5 people on tumblr. But it's doing well outside of tumblr. They are using bl style fanservice with the 2 main boys of that show. I have seen the shippy content and compilations along with the other bl couples. Not to mention people like Jojo saying those characters are the his new favorite ship on twitter.

AND I AM SO PISSED!!!!

I am glad you brought up TayNew because there is no doubt in my mind that they used TayNew for Peaceful Property as a test. They knew there could be backlash. They knew the bl fandom could have rioted. But they also knew that if it that rage would have been directed at TayNew not at the director, not the company but TAYNEW.

And I think TayNew knew this. Because they spend weeks on social media doing preintive damage control, I have seen the posts of them (or at least New) saying it wasn't going to be romantic. I don't think the two of them forgot how they were left to eat the shit alone over the bullshit backlash during the TayGun kiss situation with GMMTV doing fuck all for them.

And what pisses me off is that BL audience didn't even give a backlash. They eat that shit up like it was fucking icecream.

The BL audience is literally doing their job for them. They are taking a show with some gay subtext and running with it.

They are showing up for the fanservice (again broder audience outside of tumblr), and gleefully closing their eyes and ears and saying well I Think It's Gay.

What do you think Mega Corporation GMMTV is going to take from the success and no backlash? If the answear is anything but: We can produce half of the BLs as usual and make the rest Bromances, you have more faith in corporations then I do.

Because Bromances can be watched by non BL audiences as well. The BL niche is a big one, but it is still a niche.

And now they won't even have to bother inserting arguable quality gay commentary or struggles or homophobia. Or any gay kissing, no more workshops. No more worries about how effective these potential straight boys are going to be at playing gay. All they have to do is making them do fanservice, and they are great at training people for that. Or better yet, actually use one or two ships that have kissed before and done actual BLs.

Will they stop doing BL at all, obviously not, you gotta give the BL audience something to remind them they can still show boys kissing, and we have the Ex Morning and Jojo that will never actually stop making BLs and some gay shit. But if in the next line up we will more bromances, and eventually we get half BL and half bromances I wouldn't be surprised.

Of course maybe I am just pessimistic and cynical. Maybe the proto bdsm in the heart killers is enough to persuade people that I am totally wrong. I guess we will see about that.

Thanks again for the ask and the oppurtunity to vent a little. Again I don't fault anyone for enjoying this, it was design to get the BL audience watching.

I will personally be keeping with my own resolution and never watch another gmmtv show live ever again, maybe binge the few that sound interesting and that's it.

At least I can find comfort in the idea that that other companies do not have the same level of BIG cast of boys and big budget to do the same thing and follow in the bromance trend.

[blue-eyed-beastie]

Oh my goodness! This is it!! Thank you for this!

I was able to find the original novel through Project Gutenberg. It's free to read on any web browser! Helpful hint: If you use Firefox, it gives you the option to translate it automatically (but with varied and sometimes hilarious results).

Anyway, as far as I can tell, the story is told through a series of letters. The excerpt from Belle's book is from a letter written by one Annette Bourdon to her friend Adelaide Fairlie, dated 19 September at Les Frênes (in case you want to look up the exact chapter, since they aren't numbered).

I won't include the entire translation, because it is quite long, but it's worth the read. By the way, I'm not at all disappointed that my earlier guesses about the context were wrong. I'm just thrilled that someone else knew what the excerpt was from so that I could read it in its entirety!

For those who don't have the time to read it right now, the summary of it is that Annette is discussing her engagement to Paul, and what has happened since, and how she feels about it. She also wonders what comes after marriage (and yes, she means the bedroom!):

There must be novels that talk about these situations, novels that I'm forbidden to read. As soon as I'm married, I'll read everything that's been forbidden to me; so I will be informed and I will know what I must do, in case of necessity. I am determined to be very good to my husband, but I would not want to cause anyone unnecessary pain. If someone courts me, I will be happy. I like to be looked at, and to be talked to. All alone, I get bored and sometimes I have done extravagances to attract attention. I told you about the one in the river, but it was my sister who had the idea. No matter, I see that the idea was not bad, because it is since that moment that Paul began to look at me with completely new eyes. As for me, if I saw a naked man swimming on the surface of the water, it would frighten me and I would start running. Men are braver; they are not even afraid at all. They both seemed ecstatic, and I almost laughed, which would have made me drink water and drown. What a pity, but what an opportunity for Paul to fish me out and hold me in his arms, like a languid siren!

Ah, the languid siren that was mentioned at the beginning of the excerpt! One translation suggested "mermaid", which I actually prefer in this context, since sirens tend to want to drown their victims. Mermaids, not so much! (See: The Little Mermaid, as a case in point.)

Now, I won't quote the entire excerpt again, but I did want to know what the very last fragmented sentence turned out to be, so I will include it below in its full context, plus a little more:

Paul is more handsome than I have ever seen him before. He is pale with large eyes full of fever and love. I find him sublime when he kneels down beside me to look at me as if in prayer. I want to pray to him too, sometimes, and to lay my cheek on his knees, but when I have that desire, I get angry with myself and I sulk at Paul. It is very difficult to keep a man within the bounds of respect. He addressed me informally once; I did not like that. No one has ever addressed me as "tu" [you] except women. In the mouth of a man, this familiarity seemed unbearable to me. Nothing vulgar pleases me. A woman must be a queen to be completely a woman. This is the attitude I want to take from now on; even when I play hide-and-seek, people feel that I am a princess and they do not pull me carelessly by my crumpled dress. I turned eighteen the day before yesterday. At that age, one has a scepter or a fairy wand. When I laugh, there are eyes that are worried; and when I smile, people look at me to share in my smile.

The last of Annette's letter sees her looking forward to marriage, but wishing this feeling would last. She ends with this last romantic thought:

I feel that I am embarking on a long pleasure voyage. Everything laughs. Autumn itself is spring-like this year. There are languors of the month of May and freshness of new grass. One would say that it rains love every night…

While there are no sword fights or magic spells in this one, there seems to be plenty of romance, and that's all right with me. ❤️

A Closer Look at Belle's Book: Part II

In Part I, I went into some detail about the illustration inside Belle's book, but now I want to turn the page, so to speak.

Thanks to the magic of 4K, I was able to zoom in on some details in Beauty and the Beast that I had never noticed before, and this time I wanted to see what story Belle was reading. I've seen theories that it was either foreshadowing Aladdin or referencing Sleeping Beauty, and I myself noticed that it bears some artistic resemblance to Snow White... but it turns out that it has nothing to do with Disney, or its fairy tales.

It's something else entirely, and it's in French!

After zooming in and studying each frame, I managed to make out the following text:

une languissante sirene! Enfin, il sera bientôt heureux, si c'est là ce qui doit causer son bonheur. Je sais que je suis agréable à regarder, puisque j'y ai du plaisir moi-même, et de ce plaisir je ne priverai pas mon mari, au contraire. Je ne sais si je l'aimerai, je l'espère; mais je veux qu'il m'aime lui, et je ferai pour lui plaire tout ce qui lui plaira. Ah! chère Adélaïde, je suis pleine de rêves absurdes et de pensées contradictoires! Je songe à des choses qui me semblent à la fois douces et vilaines, et j'ai des imaginations qui me font rougir en même temps que pleurer! Au moins, je ne m'ennuie pas. Je vis plus en une heure de ces journées que l'an passé je ne vécus en toute l'année. Chaque heure me renouvelle, me grandit et m'épanouit. Je me semble un rosier qui fleur rirait à vue d’œil, je suis fraîche et parfumée; je suis légère et forte: j'attends le bonheur. Paul est plus beau que je ne l'avais encore jamais tu. Il est pâle avec de grands yeux pleins de fièvre et d'amour. Je le trouve sublime quand il s'agenouille près de moi pour me regarder comme en prière. J'ai envie de le prière aussi, parfois, et de coucher ma joue sur ses genoux, mais quand j'ai cette envie-la, je me fâché contre moi-meme et je boude Paul.

Which, roughly translated into English, means:

a languid siren! Finally, he will soon be happy, if that is what will make him happy. I know that I am pleasant to look at, since I take pleasure in it myself, and of this pleasure I will not deprive my husband, on the contrary. I do not know if I will love him, I hope so; but I want him to love me, and I will do whatever he pleases to please him. Ah! dear Adelaide, I am full of absurd dreams and contradictory thoughts! I think of things that seem to me both sweet and ugly, and I have fantasies that make me blush and cry at the same time! At least, I am not bored. I live more in one hour of these days than I lived in the whole year last year. Each hour renews me, makes me grow and blossom. I seem to myself a rosebush that blooms laughing before my eyes, I am fresh and fragrant; I am light and strong: I await happiness. Paul is more handsome than I have ever seen him before. He is pale with big eyes full of fever and love. I find him sublime when he kneels down next to me to look at me as if in prayer. I want to pray to him too, sometimes, and to lay my cheek on his knees, but when I have this desire, I get angry with myself and I sulk at Paul.

By the way, there is one more sentence (maybe even two) at the bottom of the page that is partially obscured by Belle's shoulder and right hand. It may or may not be important to the rest of the excerpt, but for completion's sake, I'll share it here:

Il est ... maintenir un homme dans les ...

Which translates to:

He is ... to keep a man in the ...

Intriguing, isn't it? What was she trying to say?

Overall, the author appears to be an unwed woman dreaming of her future marriage to a man named Paul. Her confidante is someone named Adelaide, but I suspect she is actually writing to herself. Regardless, she is either betrothed to Paul or she longs to be, since she calls him her husband. Perhaps it is an arranged marriage? She goes on to dwell upon his handsomeness, and how she longs to be close to him, but then she gets angry at herself for feeling this way. The last line of the passage is incomplete, but my best guess is that the author is saying that Paul is not to blame for her sulking, so it is not right to keep a man in the dark, i.e. ignorant. I could be wrong, though. In any case, she is conflicted about her feelings on the matter. You could even say that her feelings are "new, and a bit alarming".

I can see why the filmmakers chose this passage for Belle's book.

It may not be a fairy tale, but it certainly has elements from the film. There are references to beauty, roses, imagination, and eyes filled with love, and passion.

Belle:

"Oh, isn't this amazing? It's my favorite part because—you’ll see Here's where she meets Prince Charming But she won't discover that it's him 'til Chapter Three!"

Do the lyrics match the story hinted at on the page itself? No, but I really respect the filmmakers for going out of their way to include this kind of detail in the film. They could have taken the easy way out, by writing out something like "Once upon a time" to echo the opening narration, or used "Lorem ipsem" Latin filler, or even meaningless brush strokes just to fill the page... but they didn't. They chose something in French that Belle herself might have liked to read. And I think that's really cool.

[melancoley]

WHAT MOVES THE WORLD

SYNOPSIS: when you’re born into a burning house, you think the entire world is on fire – that was kakashi’s reality. always surrounded by fragments of war, kakashi grew up with only the purpose of surviving beating in his heart. for him, nothing else existed in the world but war – that was kakashi’s philosophy. until you showed up. and, like spring, you came with the promise of hope and warmth and ended up bringing an inevitable change that would forever alter the life, and heart, of hatake kakashi.

PAIRING: hatake kakashi x gn!reader WORD COUNT: 5.811.

TAGS: soulmate!au, strangers to lover(s), fast-paced, unrequited love, kinda miscommunication. angst, fluff, hurt/no-comfort. CONTENT: gloomy kid kakashi. confused young-adult kakashi. heartbroken adult kakashi. shinobi reader. you are full of life & love talking to kakashi. conversations about stars, wars & love. he is the captain of your team one time.

WARNINGS: mention of sakumo's death but nothing explicit. you are going to break kakashi's heart, so be ready.

COLE'S NOTE: hiii, miss me? ♡ so !! this fic was originally a request and i posted this on my previous blog - if it sounds familiar, maybe u read the old version: ‘war & love’. i did some changes here and there to turn ur reading more pleasant and i hope i did a good job lol also !!! someone made one fanart based on this fic - if u know them/saw the fanart, please tell me so i can link it and give them the attention they deserve. ok, that's all ♡ have fun breaking hearts ♡

Not all stories are happy.

Not all soulmates are reciprocal.

Not all people could change their destiny.

Of course, in a perfect world, one person’s soulmate would also be another person’s soulmate. But reality went far beyond fairy tales and, as such, not all soulmates were mutual – and a person only knew their destiny when it was too late.

For years, people woke up with words tattooed on their wrists. They were simple, small words, just for the purpose of summarizing people’s love lives with their true love.

There were the luckier ones who woke up with little ‘fulfilled’ or ‘happily ever after’ on their wrists after their wedding. There were also those who had little ‘close call’ or ‘don’t try again’ written on their wrists on the coldest nights. And there were also those that read painfully ‘not destined’ or even ‘maybe in a next life’ that caused an inexplicable burning in the eyes of those who received such words. There were those who liked it, there were those who didn’t mind a mere tattoo and there were also those who did everything to force a soulmate into their lives.

The reality is that a person’s tattoo was already inscribed on them from the moment their soul found a body, always wanting to arrive at the right time to make itself noticed. And that was why no one could change their destiny.

But none of that matter. None of that mattered one bit to Kakashi. Because he only had one thing in mind: becoming strong and reliable. Kakashi didn’t care about dating or romance. Kakashi just wanted to do his duty as a shinobi.

But, of course, no matter how much he didn’t want to know, no matter how much he showed he didn’t want to know, his father was always attentive to him, always wanting to make him even minimally interested in the subject. After all, parents only wanted the best for their children.

And that was why Sakumo forced Kakashi to sit next to him on that cold, foggy morning.

“Kakashi, there is beauty in the midst of all this chaos.”

Sakumo’s voice was lost amid the fog, a phrase of pure harmony and delicacy trying to find its way in the thick maze of clouds and trees that invaded the territory.

There was a pause.

Kakashi didn’t deign to respond – he knew perfectly well where this conversation would end, he knew perfectly well what awaited him.

“The world is not driven by war alone.”

“Dad…”

Kakashi let a long and monotonous sigh escape his small lips, muffled by the dark mask, trapped inside the fabric without being able to show his total dissatisfaction.

“Not again. I have class in a bit.”

Kakashi stood up carefully and a little hesitantly. The truth is he didn’t want to leave his father alone. Kakashi didn’t want to abandon him once again at the mercy of fairy tales that did nothing but deceive a person.

However, Sakumo gave him no other choice. The cheap repetition of stories and princesses and kings became tiring – there was no longer any surprise in his father’s speech, there was no longer any hope for Kakashi.

As such, he was determined to abandon his father sooner than expected, his little feet taking short, uncertain steps to get away from his father, to get away from yet another unwanted conversation.

“Kakashi, why do you think there is war?”

Kakashi stopped his step with some abruptness.

That simple question from Sakumo echoed strongly inside Kakashi’s head, causing small dizziness in his mind where several possible answers appeared without any invitation, assaulting the little child’s sanity, making him question everything.

Why does war exist?

Of course, the main answer focused on people’s inability to be able to communicate with each other. There was also that need to come out and show their disgusting egos – that is the second answer to that question.

But there was something more.

There had to be something more.

People didn’t start wars just because they were bored.

…

Right?

Throughout his small and short existence, Kakashi has lived in a world of war and from an early age he was trained and taught to live and survive amidst so much devastation and anguish. Kakashi’s entire existence was shaped around the thick and aggressive sphere of what moved the world – war.

Would he have to know why?

In reality, Kakashi didn’t care if someone wanted to conquer the world, or if someone was kidnapped or killed unleashing days and months and years of pure destruction. Kakashi only had the mission to fight the war – that was all that mattered. Now the reason?

“I don’t care. Certainly the origin of all wars has an illogical basis. I have to stop the war. I don’t need to know why it started.”

Sakumo smiled and let his son go on his way, slowly losing sight of him as he began to be consumed by the fog.

Sakumo’s lips formed a perfect smile, a smile that left a trail of sadness with it because he knew perfectly well what was going to happen that day – Sakumo couldn’t really smile, not when he knew the end was near.

But there was something else hidden in his smile.

No matter how loud the voices screamed in his mind, the reality was that Sakumo feared for his son. Sakumo feared that Kakashi would never experience the beautiful pleasures of love as he himself had once experienced.

And there was nothing to do. There was nothing to do when Kakashi only focused on the human intellect. There was nothing to do when Kakashi purposely denied all the emotions that moved the world. There was simply nothing to do.

And Sakumo kept smiling.

His cold fingers gently stroked a small ‘there will be more in the next life’ that was fading due to the passage of time.

Several memories of a short and intense love began to haunt him in such a way that Sakumo didn’t even notice when the sadness on his lips turned into hope.

That hadn’t been the last life with his beloved – Sakumo knew that.

Then, muttering the answer to the question he himself asked his son, Sakumo stood up as well.

He knew perfectly well that there would be a second chance for his love. He knew perfectly well that Kakashi would realize the reality of the world they lived in. He knew perfectly well that everything would end well.

After all, there has never been a war without love.

Kakashi had lost everything.

There was nothing left for someone so young.

At fourteen, Kakashi’s entire life fell apart before his own eyes. Without family or friends, without anyone who could support him, he had lost everything – including his way in this world. Kakashi was wandering through the days, lost on the path of life, with no knowledge of maps or no guides that could help him.

Kakashi had lost everything, until he gained a new friendship, a new hope.

You appeared with the arrival of spring. Uncertain and always encouraging steps, an enormous desire for knowledge to be noticed in the intense shine of your sweet eyes, and wide smiles enchanting anyone.

You brought with you the breath of fresh air that prevailed at that time of year. Your feet encouraged so many beautiful flowers to bloom, new lives were created by you, new paths were drawn by your bare feet. The innocence of someone who had not yet experienced the evils of the world painted your smile with an extra tenderness that gave your cheekbones small splashes of the passion that the sun felt for you.

That spring day, when Kakashi saw you leaning over a hollow log, you carried something more than pure curiosity and amusement in your fingertips. You brought with you the hope of a new life for Kakashi, a hope that was felt by him when he, very clumsily, stopped you from rolling with the log to the bottom of the cliff.

Quickly, like someone blowing a leaf, something formed between you. A friendship? Probably. It was hard to be sure with Kakashi. But whatever you and he shared, you both knew it was something unique, something true.

A new stage in both of your lives was discovered in the other’s presence, a vast and longing wave of feelings beginning to form in you.

There was complicity between the both of you.

Since your first meeting next to that log, you and Kakashi shared an enviable complicity. Each one understood the other without the need to exchange words. A simple look, a simple sign, was enough for one to be understood by the other.

Days were spent together. Little secrets were exchanged amidst laughter and sighs, two distinct lives were soaked in pure melancholy, drenched in an extreme longing for a long-lost past.

And your adolescence has never looked so beautiful in the eyes of others.

Before you knew it, you and Kakashi have reached adulthood. And what used to be so simple and natural now seemed complicated with so many glances and hidden smiles and that hint of desire that clung to every word you exchanged.

Quickly, like someone forming a smile, beyond that very natural friendship, something more emerged between you. Something deeper began to emerge between the two of you.

“I don’t understand people’s admiration for the stars.”

You stretched a little as you sat next to Kakashi, the red blanket you always carried protecting you from the cold wind of that autumn night. “It’s something that has existed since the beginning of time. There are maps and photographs of them everywhere. Why the fascination?”

“It’s like war.”

The rest of your team rested silently on the ground, wrapped and cozy by a small fire starting by you, the tranquility of a successful mission being noted by their deep and steady breaths.

You and Kakashi were relaxing on one of the many branches of the most colorful and sturdy tree near your camp, your vision completely focused on the vast starry sky and the faint line of the horizon painted by the small mountains covered in snow.

There was silence on the ground and there was silence in the tree branches.

The breeze had been encouraged by several clouds venturing along unknown paths, giving you a little privacy on that very welcoming night. The moon was small, gaining strength for a more special date, slowly feeding on the desire of the most melancholy people who wrote to her. Every animal in the forest slept near you, the heat of the fire that crackled so loudly convincing the most diverse living beings to truly rest that night – except you and Kakashi.

“The war?”

You couldn’t contain the laughter that formed inside you, a sound so melodious and innocent that it woke up nature itself for a brief moment. The breeze had returned to you only to take with it the pure sound you released, keeping among the various clouds and stars the memory of your innocent question and laugh.

“How does the fascination of the stars compare to the war?”

“Humans can’t live without them.”

Kakashi was leaning against the trunk reading one of his typical books. None of his words were of the slightest interest. His uncovered eye cautiously read each line of the book. And he just waited for an answer. He waited for your curiosity. He waited for you.

“My dear Kakashi, I live well without both. Does that make me non-human?”

Kakashi let a long, amused sigh escape his lips and grab the echo of your new laugh. By closing the book and adopting a posture more favorable to a conversation, Kakashi let his movements continue over time.

The relaxing crackle of the fire calmly accompanied your team captain’s gestures as you fixed your eyes on Kakashi in the vain hope of encouraging him to speak or, at the very least, to hurry up.

However, there was no rush in Kakashi’s movements – all the time he took to sit next to you and stare at the stars seemed like an eternity to you.

But finally, Kakashi spoke.

“Of course you live well without both. But would you be the same person you are if they didn’t exist? Would you be complete if they didn’t exist?”

“Are you insinuating that we humans need to have stars and wars to be real?”

It seemed like an outrage. What Kakashi had just insinuated to you seemed to be wrapped in a thick layer of blasphemy and nonsense. The indignation at those words was reflected in the way you looked at the various leaves that framed Kakashi in an ethereal casing of change.

What was once a peaceful setting has now become a stage for nature. Strong winds and thick clouds slowly began to appear, hoping they could continue listening to Kakashi’s thoughts. Small nocturnal birds greeted you shyly with sweet and tender melodies that spread through the sleeping forest and made you smile.

“It’s what moves us.”

“I’m sorry,” you let out a fake laugh as you composed yourself on the tree branch.

You turned to Kakashi and focused your attention on his relaxed posture. Curiosity was caught in your eyes, and an eagerness to prolong that conversation could be seen in the way you so firmly and enthusiastically pronounced the words. “But I still don’t follow your reasoning.”

“A’right, let’s go step by step.”

“Please.”

Kakashi let out a small, almost inaudible laugh at your tender plea.

His eyes were now resting on your very curious posture: your arms adjusted the red blanket to also shelter Kakashi on that cold night; your eyes sparkled with the enthusiasm of yet another conversation with your best friend; your smile warmed Kakashi more than any blanket or fire could do.

“The stars, yea? We all know that since ancient times they have been the cause of all happiness and pain for people. People in ancient civilizations worshiped the stars as gods and saw in them countless stories and life lessons. And the very own people of those civilizations used the stars and their positions for agriculture and to make decisions. Are you following?”

“Yes, professor.”

You let out another laugh as you placed your legs over Kakashi’s and gently slid closer to him. The night was getting cold, the fire was on the ground and all you had was a red blanket and Kakashi.

And how he thanked all the gods for wearing a mask and for the moon being lazy that night. For, the pink tone he quickly adopted when he felt you so close to him only revealed how much he was waiting for that action of yours.

“So…”

A brief moment of silence followed after Kakashi’s statement.

Your captain’s reasoning was lost with your innocent act. It was a simple, affectionate gesture, something that had been repeated so many times. And, like every other time, Kakashi simply lost any coordination – the feeling of having you so close to him was fantastic, almost magical.

Thus, a brief moment of silence followed as Kakashi tried to find the thread of his thought, as Kakashi tried to grasp that thread without losing the very welcoming feeling of having you close to him.

“So,” he repeated again, his posture always relaxed and carefree, the mask being the perfect hiding place for his rosy face. “People adopted these little habits from their ancestors and that’s why there are so many people who still marvel at the stars. Of course, all romantics are also enchanted by them.”

“Why?”

Pause. Silence. Contemplation.

Why? In fact, that was always the question you asked. That was always the question that made sense to ask. Indeed, why?

Kakashi stared at the stars, trying to understand why. You stared at Kakashi, waiting for him to answer why.

But the answer never came. The answer never showed up and beautified your ears with sweet justifications and immaculate logic. For, realizing that there really wasn’t a defined reason for that question, Kakashi continued his reasoning.

Your captain’s voice was drawn out and always monotonous as if it were perpetually stuck in a timbre that conveyed a vast sense of comfort.

And you listened carefully to every word Kakashi said. You listened attentively to everything he had to say, always trying hard to follow his thoughts.

“Now the war.”

Kakashi paused briefly and took a deep breath.

A sigh that seemed to be filled with tiredness escaped his lips without realizing it – the memories of conversations he had with his father were felt at that exact moment. And they weighed. They weighed so much.

“War has always existed. Since the beginning of humanity there has been war. No wars, no humans. It is in our condition as human beings – it is our need. We crave destruction. We seek chaos. It’s in us. We need war to move us. Because, quite simply, we are the war. Without it, what would we do? Who would we be? That’s why there is fascination with it. That’s why there’s so much admiration. War is the stars of the most political. And the stars are the war of the most romantic.”

“So, by that logic, love is the war of the most philosophical.”

Kakashi looked at you with confusion expressed in his eye. The various and infinite stars reflected in Kakashi’s gaze showed that, in fact, he had not understood the use of your words.

Why did you decide to grab love out of nowhere?

Why did you decide to bring that taboo into the middle of a conversation that was so special to both of you?

Why?

You noticed the confusion in Kakashi’s lack of reaction. You realized that there must be doubt in your captain’s thoughts. Looking at Kakashi, it was easy to decipher the confusion he felt and you were intrigued, fascinated even.

“Do you really think that it is only war that moves the world?”

Kakashi opened his mouth but you didn’t know.

Kakashi closed his mouth again and you didn’t even notice.

In your captain’s mind, that last conversation he had with his father began to replay endlessly. Sakumo’s words came up whenever that dangerous topic was brought up – it seemed that Sakumo’s cheap philosophies tormented Kakashi until that day.

But it wasn’t always like that – no.

From the moment Kakashi met you, Sakumo’s haunting finally ceased.

There was no need to understand love because, quite simply, and even though he didn’t know it, Kakashi was experiencing that feeling so strong, so true. There was no need to recall a conversation that tried to explain something he was feeling, even though he couldn’t decipher that specific something.

Therefore, for several years, Sakumo’s words that were imbued with understanding and affection had been forgotten, completely erased from Kakashi’s memory.

No. Wrong. The words were still there, safe, inside Kakashi’s heart.

And it only took your question, your question so similar to Sakumo’s question, to free the words and torment Kakashi again.

“Kashi?”

You let out a laugh.

Kakashi certainly knew there was something more than war. He positively knew that not everything was destruction or contempt in this world. He had to know there was beauty and hope. He had to know that there was something good in this world. Kakashi had to know all this – right?

“Love?”

The word burned in Kakashi’s mouth, his melancholic eye locked in your eyes, the reflection of the universe trapped in your fingertips.

“Love.”

Your response came with a real, genuine smile. Your eyes showed a light and tenuous sadness while a tiny hope threatened to collapse at any moment.

You spoke like love itself. Delicate and light, your lips pronounced that word with precision and extreme ease.

You spoke like love itself. Your smile was genuine and embellished by the infinite stars, painted by the cool night breeze. Your eyes were sad, scared and fearful of the drastic change of an event, of a feeling.

You spoke like love itself. You spoke in a mix of emotions that were foreign to Kakashi, a thick ball of feelings and memories was trapped in your expression and made Kakashi feel confused.

You spoke like love itself, but Kakashi could only speak like war.

Kakashi spoke like war itself. Without any feeling, afraid of what his lips could utter, scared of the strength of the word itself.

Kakashi spoke like war itself. His every word and thought was completely calculated by him, no mistake to be uttered by Kakashi, the doubt that escaped his lips bringing a bit of wisdom.

Kakashi spoke like war itself. Kakashi spoke knowing perfectly well what awaited him, he spoke knowing perfectly well the answer to his question.

And between war and love there was a brief moment of silence. A moment of tranquility brought by the infinite stars.

Between war and love there was a moment of serenity that was heard only by your careful breathing, your gaze locked on each other, your smile slowly fading as time passed.

Love.

Was that the answer to his father’s question? No. It couldn’t be something so simple like that – but there was no such thing as simplicity in love.

“Love.”

Kakashi said his statement again, allowing a fragile and invisible line to escape his mask and take with it the bruning of that word.

There was something comforting in your gaze, something soothing in the way you held the blanket tight to you. There was something serene in the way you rested your legs on Kakashi’s, something welcoming in the way you and him stood together under that starry sky.

“Love” – Kakashi never found it easier to pronounce that word.

Days without you were boring.

Everyone knew that whenever you were on a mission without being on Kakashi’s team, he would roam the streets of the village like he used to do before he met you. Everyone knew that, for Kakashi, days without you simply didn’t make sense, not when you and he had already become fully accustomed to each other’s presence.

And that day wasn’t much different from the others.

Kakashi walked through the streets calmly. His feet shuffled without any energy, one of his hands sheltered in his pants pocket, the other holding a book close to his face.

Kakashi didn’t pay attention to what he was reading or where he was walking. Having already read and reread that book so many times, having already walked those streets countless times, Kakashi didn’t need to pay attention – because something else occupied his mind.

Your mission was somewhat complicated and you left with a good team, yes. But Kakashi couldn’t trust them, not when your integrity could be at risk – Kakashi could only worry about you.

A melancholy trail was left by Kakashi’s short and relaxed steps.

His eyes read and reread the same page over and over as his mind wandered to so many possible scenarios that could happen to you.

How he hated being away from you at a scary time like that.

Kakashi had been your team captain enough times for him to know you knew how to take care of yourself. But you were also distracted and that was what bothered Kakashi. A distraction from you, an ambush from them, a misfortune from the universe – everything seemed plausible when he was away from you.

He just wanted to be with you, to hear from you, to know that you were okay. He had to be with you.

But regardless of whether or not you managed to get home safe and sound, Kakashi spent his days monotonously without you by his side.

Even though Guy continued to make his occasional appearances, enticing Kakashi into meaningless duels; even though Naruto and Sakura could fill a fragment of the void you created; even though he knew you would be back next week, the reality is that Kakashi simply couldn’t live the days in your absence.

Not since that night under the starry sky. Not when the confession of a love came out disguised in a novice and somewhat shaky pronunciation.

What could Kakashi do? Just wandering around the village without your company. Just wishing every day was shorter than the last. Just peacefully wait for your arrival.

“Today I received my words!”

Naruto was always so loud.

Kakashi lazily looked up from his book and watched Naruto talk excitedly to Sakura and Shikamaru. The smiles they shared with each other were big, contagious, as if enticing Kakashi to also let out a small smile.

“Hinata is my soulmate!”

“I got mine during the war. It was Ino who noticed,” Sakura let out a small laugh as she recalled her chaotic reactions when she discovered that Sasuke was, in fact, the man the universe had destined for her. “What about you, Shikamaru?”

“Nothin’.”

A small sigh escaped Shikamaru’s lips and brought with it the hope of not having to worry about a soulmate anytime soon.

“What about you, Kakashi-sensei?”

“I don’t pay attention to that.”

A shrug was enough to direct the conversation back to Shikamaru.

But Kakashi kept thinking. Without realizing it, all the younger’s’ speeches were obstructed with the thought that, perhaps, Kakashi had already received his words.

It was true that Kakashi avoided looking at his wrist – since that night, the mere thought of love scared him.

Once, Kakashi simply didn’t care about something as trivial as love. The mere thought of such a feeling brought only haunting of long, uninteresting conversations with his father. But now, after that night, there was fear in the feeling. There was an extra fear that burned in Kakashi’s heart when he allowed himself the luxury of thinking about something as dangerous as love.

Ever since that night, the mere thought of love scared Kakashi because, quite simply, Kakashi couldn’t imagine that word without picturing you.

And Kakashi blamed you. Yes, you. You were the bringer of Kakashi’s destruction. Because, since that night, Kakashi really started to see the world differently. And he blamed you. He blamed that word. He blamed all the stars.

But had any mark already been engraved on his wrist?

Leaving conversations and laughter behind, Kakashi returned home.

A single goal was stuck in his mind. A single need ran through his heart. A single feeling moved Kakashi. Love.

The four walls of Kakashi’s room had never felt as cozy as they did at that moment.

It was the end of the day.

The last rays of sunlight were lost in Kakashi’s room. Shades of gold and hope burned fiercely in the three frames that rested delicately on his little furniture. Your face and Kakashi’s were adorned with light celestial tones from the last ray of sunlight, enhancing the joy and comfort that that photograph brought to Kakashi.

Night fell so quickly that it didn’t even give the sun a chance to warm Kakashi’s room.

It was cold.

The proud and bright moon contrasted with the weakness of that night, the stars taking the night off to give the various and diverse clouds their turn to shine.

There was darkness and there was cold.

In the midst of that discomfort, Kakashi looked for some warmth in his wrists.

His right wrist had nothing on it – the pale skin brought a bit of disappointment to him.

But there was still hope. There was still a second chance.

Cautiously taking off his left glove, Kakashi saw a single word shining in the moonlight.

‘Almost’.

Almost?

Kakashi’s mouth opened slightly on impulse as his eyes repeatedly read and reread that single word that was carved into his wrist.

How long had it been there? How long ago did fate decide to steal you from him? Almost? Why ‘almost’? Hadn’t his confession that night been enough for you? Wouldn’t the vulnerability with which he uttered and repeated that forbidden word have been enough for both of you? Almost. Almost? Why? Could he have done something? Could he have done nothing?

A wave of corruption completely washed away any and all hope Kakashi might have had. The curiosity that once drove Kakashi’s gestures was entirely replaced by regret and frustration.

Could he go back? Could he do something to change that word?

Surely if you arrived and he confessed everything he wanted and felt for you, maybe you would reciprocate his words.

No. Not ‘maybe’. Kakashi was sure there was reciprocity. That night left no doubt. The way you two spoke, the way you looked at each other, the way you pronounced the forbidden word.

Yes. There was definitely still a little hope, even if it was small. And Kakashi knew, as years of war had taught him, that hope would always be the last to die. Surely the same applied to love. Right? – you said it yourself: love is the war of the most philosophical.

Yes. Hope.

‘Almost’ wasn’t the word Kakashi had chosen to dictate his fate, no. It was ‘hope’.

 Clinging to that small flame that had quickly lit in Kakashi’s heart, he watched the remaining days pass slowly and wistfully.

Kakashi just wanted you to come back as soon as possible. He just wanted to cheat fate once and for all and grab the happiness he had been so deprived of. Would it be too much to ask?

‘Almost’. Pathetic.

‘Almost’. Of course it wasn’t almost – Kakashi would never allow it to be ‘almost’.

And when you arrived, Kakashi carried the war with him – he was determined to change his destiny, even though he was scared. There was determination in his steps, Kakashi’s eyes so empty conveying a bit of uncertainty, of fear, of regret in actions he should have done long ago.

Waiting for you for so long only gave Kakashi permission to think, to ponder all the opportunities that were missed by him in fear of a confession made of decent words – he could make a list of all the waste that was lost.

The ‘almost’ was right.

Years passed – Kakashi should have known better. He had so many books about it, he should have known better. It wasn’t enough to just say a complicated word. It was not enough to just feel a complex feeling. Kakashi had to show – and Kakashi never showed.

But now Kakashi was determined to change that. Kakashi was determined to change his destiny.

Just like war, Kakashi came to you without any warning.

Just like war, Kakashi caught you unnoticed in a spontaneous embrace of longing and nostalgia. It was rare for Kakashi to express his love, but you couldn’t deny that it was something that always made you smile.

You hugged Kakashi back, your arms fitting perfectly around his body, the way his strong arms squeezed you in a comforting embrace making you more relaxed. Although you had already arrived at the village two days ago, it was at that moment that you truly felt at home.

“How’s the mission?”

That wasn’t the question Kakashi wanted to ask – it wasn’t what he had rehearsed.

But you started a long, drawn-out monologue about all the ups and downs of that mission that lasted almost two weeks. A rollercoaster of emotions was reported by you as Kakashi listened attentively to every word out of your mouth.

And, while he listened to you, he looked intently at your arms.

Kakashi’s empty eyes searched for tattoos made by the stars. The curiosity to know your fate was what moved Kakashi’s eyes and forced him to look at your body.

Until finally he saw it.

‘It was close’.

It was close?

What absurd words had fate given you? It didn’t make sense.

Was it close that you didn’t end up with Kakashi? Was it close that you fell into someone else’s love trap? What did those words mean? What did they mean in a vast sea of ​​possibilities?

“And I got my tattoo on the way here.”

You extended your arm and gave Kakashi permission to read your mark better.

‘It was close’.

“I was confused by what it meant. But it made sense when I found…”

“Him?”

Him.

Kakashi knew who you were talking about.

You didn’t need to confess names or draw portraits with your words. Kakashi always knew who you were talking about, because he was the one you loved before you met Kakashi, and he was the one you loved during the early days of your friendship with Kakashi.

“Yea.”

The smile you let out reminded Kakashi of love: shy and so happy, a hint of accomplishment displayed in the beautiful curves of your lips, a sense of comfort trapped in your confession.

Love.

Damn you.

“He walk with me to the village and is staying here. Today we’re going to our first date.”

And that’s when Kakashi realized – no one could change their destiny.

With a fake smile and forced curiosity, Kakashi allowed you to nail long, painful barbs into his heart, erasing any hope he still had left, completely staining the forbidden word for Kakashi.

With a fake smile and tears trapped in his eyes, Kakashi allowed your happiness to flood his darkness, little stars of your joy faintly painting Kakashi’s pain.

Because, yes. Despite everything, Kakashi was happy.

Even though he would be happier with you, Kakashi was happy for you.

You overflowed with love.

Extreme happiness wrapped in a film of euphoria delicately filled your room. Your eyes shone with the emotion of a love about to be lived. Your wide smile managed to be contagious, even though Kakashi didn’t want to smile.

You were the embodiment of love.

You were hope and comfort from the first day he met you and he hated you for it.

Kakashi hated you because he knew he would never be able to find someone who had as much of an impact as you did. He would never be able to find someone who made the word ‘love’ mean as much as you did.

It was the way you spoke so happily about each other. It was the way you still cared about Kakashi like you still liked him. It was your own way of being.

You were kindness and simplicity hidden behind a strong sphere of complexity.

You were, undeniably, love.

And the conversation that night never made as much sense as it did at that moment.

In Kakashi’s realization, in the midst of all the suffering caused by you, you continued to move Kakashi. The way you still made Kakashi eager to see you. The way your company was still, and always would be, crucial to Kakashi. The way he still loved you after you caused him so much anguish.

You have always been the personification of the word love. And, just like the feeling itself, it was you who moved Kakashi’s world.

♡ feedback is always welcomed ♡

[funnypages]

Lessons of Resistance from WWII: The Rosenstrasse Protest and Evacuation of the Danish Jews

So a long history rant I think people should know about and keep in mind for the future. I want to talk to people about a little talked about story in the history of WWII, the Rosenstrasse protest: the one time, during the height of the Holocaust, when the German public protested against the deportation of Jews; and they won.

1942-early 1943 was arguably the height of Nazi Germany; with most of the continent occupied, allied, or neutral to them. It was also 2 years into the Final Solution phase of the Holocaust, the planned mass killing of Jews. In February 1943, the government began the final round-up of the 20,000 remaining Jews in Berlin. This included a category of Jews that the government had previously avoided deporting: Jews married to gentile Germans. While the Nazis had cracked down on these relationships since they came to power, there were at this time 1,800 mixed couples remaining in Berlin; almost all Jewish men married to gentile women (After the consolidation of power under Hitler, more German men had divorced their Jewish partners than women).

When these Jewish men were arrested, hundreds of their non-Jewish spouses descended upon the building they were held in, bringing with them friends and families, screaming for their husbands to be released. The protests were so large, that the Nazis could not suppress news of it spreading through Germany and internationally; and they were also genuinely afraid that arresting or shooting these women could cause the situation to spiral even further into an outright uprising. As a result, the men were released, and most of them survived the war.

Now there are a lot of critiques and analyses that can be done of the protest, about privilege and gender, and noting that nothing was said about releasing the 18,000 other Berlin Jews set to be deported to camps. Still, the reaction that the public had to these deportations, combined with the shockingly hopeful story of Denmark in the Holocaust, gives some valuable lessons in how fascists can be thwarted.

Demark was invaded by Germany in 1939 and was given a degree of autonomy, being treated as the "model protectorate." While the Danish government did acquiesce to demands to ban Communist and Socialist political parties, they refused to enact racial laws targeting Danish Jews. While not to say anti-semitism didn't exist in Denmark, for reasons debated by historians and sociologists, Denmark did not have a strong history of "othering" its Jewish community, and it was largely seen as an accepted part of Danish society.

In September 1943, German plans to deport the Danish Jewish community to concentration camps leaked to the Danish government, which then alerted leaders of the Jewish community. Over 3 weeks churches, civil servants (notably mostly working independently of the government), political parties, the Danish resistance (mostly at this point made up of the before mentioned Communists and Socialists), and private individuals helped evacuate 7,220 Jews, plus 686 non-Jewish spouses, by sea to nearby neutral Sweden. For context, the Jewish population of Denmark before the invasion was around 7,800. Of the 580 Danish Jews who failed to escape to Sweden, 464 were arrested; however, work by Swedish and Danish groups saw 425 of them released. Further, when the war ended, it was discovered that 116 Danish Jews had been hidden by their neighbors. In all, a shocking 99% of Denmark's Jewish population survived the Holocaust; the most of any occupied nation in Europe.

I tell both of these stories because they show what fascists and authoritarians are aware of: the limits of their power. They are aware of the simple fact so much of their power comes from average people just accepting what they do with no pushback. These groups thrive on atomization, demonization, and otherization. Because when people refuse to let their neighbors be attacked, that's when issues pop up. There were other individuals and groups in Germany who spoke out against the Nazis (the White Rose and the Edelweiss Pirates to name a few), but they were small and disorganized, they could be arrested or exiled or killed without much effort. But large groups of resistance? How do you arrest or kill those without stopping their families and friends from protesting? And the foot soldiers enacting their agenda tend to get antsy if there is large-scale pushback to them. The big guys in charge might be safe, but them? They are vulnerable to being fired, sued, arrested, or ostracised if they are seen enacting unpopular policies. Such actions put authorities on the defensive, stall them, and make them reconsider their tactics; which in the long run, can save lives.

This is what people mean, whether they know it or not, over the last few days when they have been saying "Help those close to you, keep your friends close." They want you to think they are all-powerful. They want you to think they are unstoppable. They want you to think there is no hope in openly denying them. Because they know that if those few people openly defying them become large groups openly defying them, then things spiral out of control.

[pumpkinsy0]

if papercut met in college i wonder what soda and darrys first reactions to curly would be (in this au curly wouldnt have grown up in tulsa) soooo hcs for that?

lets say curly was grew up in nyc cause im still rockin w my shepards lore here and many haitians moved to nyc and i will add as many self projections onto these characters as i can, i promise u that much

•ok look I KNOOOWWWW i made a post on what i think all the shepards could get a degree in AND IT TOOK A WHILE TO FIND IT BUT I DID ITS RIGHT HERE IF U WANNA SEE, id def fix some of these a bit but whatever, immmm gonna go w curly as an engineering degree kinda guy

•soda and darry def have way bigger respect for curly, MOSTLY bc they dont know how curly rlly acts and havent grown up w him, but also bc hes acheiving something darry and soda themselves cant, getting a college diploma

•SUPER rare soda and darry papercut shippers perchance??? its not 100% there, but everytime pony comes home they ask about “that boy mate of urs”

•but thats only for the first year of college, the rest of em??? we r getting back into the good ole curtis family and curly dynamic, bc pony tells them stories about what curlys done, plus they can hear curly in the background when their calling pony

•theyve talked to him before too!!!they dint get what hes on about half the time, but hes not THEE worst person theyve ever talked to, they like talking about where curly grew up, his stories r a lil fucked up but they like hearing a different pov!!!

•pony always sends pics home so darry and soda arent too surprised seeing pony grow and its curly who hels take em!! pony feels bad just having him take it thi so chances r they WILL see curly there too and curlys just on the curtis fridge

•thats actually how soda and darry kept catching on that they had a thing for each other, bc the way they were looking and touching each other in those photos??? darry knows that look,,,,,

•curly got bonus points for being pretty family oriented (especially from soda for being the middle child, ts aint easy)

•dare i say,,,,they finally see curly as somewhat as a good influence,,,,its about timmeee🙄🙄🙄, pony mentions how curly makes pony get to class, pony doesnt mention the times curly pulls pony away from his studies however and he never will

•i promise if curly was in college for entomology, theyd thing hes so odd for that, but they cant say much about it bc at the end if the day, hes doin things they aint, BUTTT bc here hes getting an engineering degree, soda (especially again) will ask him a lot if questions about it and how pony tends to surround himself w ppl who build/fix things, they all tease pony for that

[skyguy8108]

The difference with Ki-Adi and Anakin though is Ki-Adi was a Knight in the story whereas Anakin is still a Padawan so they might not let him leave.

I don't know if Lucas realized how he made the Jedi look because neither AOTC (movie) or novel explains why they had no contact. I know Lucas told Terry Brooks, the writer of TPM novel, what happens to Shmi in the second movie and that's why he wrote a scene in TPM novel with Anakin saving a Tusken.

The thing is Lucas wanted Shmi to die that way and for Anakin to lose it and he didn't care about how he made the Jedi look but I think were not suppose to see because he does not see the Jedi's rules as wrong even though we may question it and feel (as I do) that is part of why Anakin fell. In the AOTC commentary Lucas says Anakin would have been fine if he had been found as a 1 year old because he wouldn't have had a strong connection to his mother (I say he wouldn't have one at all) and learned to love without attachment. But what does loving without attachment really mean because it comes off as just not caring beyond Oh, that's said.

Obi-Wan knows Anakin has been having dreams about his mother, if contact was allowed surely Obi-Wan would suggest calling her but he doesn't. Going further with reading things from the movie we have Anakin telling Padmé he's ready for the trials and feels held back and I feel a part of that is because as a Knight he would have the freedom to go save his mother from slavery. The AOTC novel adds that other Padawans his age have taken the trials.

Before getting on the transport to Naboo Anakin tells Padmé this is his first assignment on his own. So that to me says he never had a chance to run off and help his mother and Padmé offering to go with him addresses the need of him getting a ship.

On the transport to Naboo Anakin has a nightmare, the scene was cut form the movie but Padmé mentions this when she says to Anakin he's had another nightmare. The second being the one he had on Naboo. This scene is also in the novel. Now I don't know why it was cut but it again raises the question of why Anakin doesn't know about his mother being free once Anakin and us the audience learn she's been free for years.

All the other Jedi are recruited as infants and are we to assume that no parent in the history of the Jedi Order has never tried to contact their child? Sure Lucas could say that has never happened but he hasn't so all we can assume is the Jedi would not allow the children given to the Order to have contact with their families. So them preventing Shmi from talking with Anakin is in their wheelhouse.

I have wondered what would the Jedi do if Cliegg or Owen had sent a message to tell Anakin what had happened to his mother. The Jedi are all about not acting on their emotions and they would remember how he felt about her when they first interviewed him and surely they know that he'd run off to help her and thus could easily determine Anakin should not be told.

There is a quote from TPM novel which I feels highlights the issues with the Jedi and why Qui-Gon would have been the ideal master for Anakin. Also in Legends Qui-Gon did do something to help Shmi which if he had lived I'm sure he would have told Anakin what he did. Qui-Gon was going to send Shmi money that Watto would take but worried Watto would be suspicious so he sent her a valuable ship part. After falling in love with Cliegg she gave it to him and Cliegg used that to free her.

Here is the quote:

Qui-Gon lifted his gaze to a darkened window. The storm had subsided, the wind abated. It was quiet without, the night soft and welcoming in its peace. The Jedi Master thought for a moment on his own life. He knew what they said about him at Council. He was willful, even reckless in his choices. He was strong, but he dissipated his strength on causes that did not merit his attention. But rules were not created solely to govern behavior. Rules were created to provide a road map to understanding the Force. Was it so wrong for him to bend those rules when his conscience whispered to him that he must?

The Jedi folded his arms over his broad chest. The Force was a complex and difficult concept. The Force was rooted in the balance of all things, and every movement within its flow risked an upsetting of that balance. A Jedi sought to keep the balance in place, to move in concert to its pace and will. But the Force existed on more than one plane, and achieving mastery of its multiple passages was a lifetime’s work. Or more. He knew his own weakness. He was too close to the life Force when he should have been more attentive to the unifying Force. He found himself reaching out to the creatures of the present, to those living in the here and now. He had less regard for the past or the future, to the creatures that had or would occupy those times and spaces.

It was the life Force that bound him, that gave him heart and mind and spirit.

So it was he empathized with Anakin Skywalker in ways that other Jedi would discourage, finding in this boy a promise he could not ignore. Obi-Wan would see the boy and Jar Jar in the same light—useless burdens, pointless projects, unnecessary distractions. Obi-Wan was grounded in the need to focus on the larger picture, on the unifying Force. He lacked Qui-Gon’s intuitive nature. He lacked his teacher’s compassion for and interest in all living things. He did not see the same things Qui-Gon saw.

Qui-Gon sighed. This was not a criticism, only an observation. Who was to say that either of them was the better for how they interpreted the demands of the Force? But it placed them at odds sometimes, and more often than not it was Obi-Wan’s position the Council supported, not Qui-Gon’s. It would be that way again, he knew. Many times.

This also ties into another part from TPM novel and the book Clone Wars Gambit Stealth.

Obi-Wan closed his eyes in dismay. This was a disaster waiting to happen. But it was Qui-Gon’s disaster to manage. It was not his place to interfere. Qui-Gon had made the decision to bring Jar Jar Binks along, after all. Not because he was a skilled navigator or had displayed even the slightest evidence of talent in any other regard, but because he was another project that Qui-Gon, with his persistent disregard for the dictates of the Council, had determined had value and could be reclaimed.

It was a preoccupation that both mystified and frustrated Obi-Wan. His mentor was perhaps the greatest Jedi alive, a commanding presence at Council, a strong and brave warrior who refused to be intimidated by even the most daunting challenge, and a good and kind man. Maybe it was the latter that had gotten him into so much trouble. He repeatedly defied the Council in matters that Obi-Wan thought barely worthy of championing. He was possessed of his own peculiar vision of a Jedi’s purpose, of the nature of his service, and of the causes he should undertake, and he followed that vision with unwavering single-mindedness.

Obi-Wan was young and impatient, headstrong and not yet at one with the Force in the way that Qui-Gon was, but he understood better, he thought, the dangers of overreaching, of taking on too many tasks. Qui-Gon would dare anything when he found a challenge that interested him, even if he risked himself in the undertaking.

So it was here. Jar Jar Binks was a risk of the greatest magnitude, and there was no reason to think that embracing such a risk would reap even the smallest reward.”

The Gungan muttered some more, all the while casting about through the viewport as if seeking a road sign that would allow him to at least pretend he knew what he was doing. Obi-Wan gritted his teeth. Stay out of it, he told himself sternly. Stay out of it.

“Here, take over,” he snapped at Jar Jar. He moved out of his seat to kneel close to Qui-Gon. “Master,” he said, unable to help himself, “why do you keep dragging these pathetic life-forms along with us when they are of so little use?”

Qui-Gon Jinn smiled faintly. “He seems that way now perhaps, but you must look deeper, Obi-Wan.”

“I’ve looked deep enough, and there is nothing to see!” Obi-Wan flushed with irritation. “He is an un-needed distraction!”

“Maybe for the moment. But that may change with time.” Obi-Wan started to say something more, but the Jedi Master cut him short. “Listen to me, my young Padawan. There are secrets hidden in the Force that are not easily discovered. The Force is vast and pervasive, and all living things are a part of it. It is not always apparent what their purpose is, however. Sometimes that purpose must be sensed first in order that it may be revealed later.”

Obi-Wan’s young face clouded. “Some secrets are best left concealed, Master.” He shook his head. “Besides, why must you always be the one to do the uncovering? You know how the Council feels about these … detours. Perhaps, just once, the uncovering should be left to someone else.”

Qui-Gon looked suddenly sad. “No, Obi-Wan. Secrets must be exposed when found. Detours must be taken when encountered. And if you are the one who stands at the crossroads or the place of concealment, you must never leave it to another to act in your place.”

Clone Wars Gambit Stealth

“Probably,” said Anakin, grinning again. “Right, let’s get settled in. The faster we can get through to the Temple and coordinate a battle plan, the faster we get Bant’ena away from Durd. Here—” He held out his glowing lightsaber. “Hold this for me.”

Troubled, Obi-Wan watched him as he unplugged a small desk lamp. “Anakin …”

“What?” said Anakin, dropping to his knees to set the lamp up again on the floor under the front counter. He looked over his shoulder—and his expression changed. He plugged the lamp in and switched it on, then sat back on his heels. His face was wary now, and his fists rested combatively on his thighs. “Obi-Wan, what?”

Obi-Wan wasn’t going to let himself be sidetracked by the tone. Deactivating the lightsaber, he tossed it back. “Anakin, don’t do this,” he said, as his former student caught the weapon and put it aside. “Don’t—” He took a moment to rein in his own temper. Fixing broken things is all very well—but not when we’re up to our armpits in a dangerous mission. “Qui-Gon used to do this. He used to roam around the galaxy picking up strays.”

“Like me, you mean?” said Anakin tightly. “Useless hangers-on like me?”

“You were never useless. Anakin, please, you must listen,” he insisted. “On almost every mission he and I went on we came across someone in trouble. Sometimes they’d brought it on themselves. Sometimes they were like Doctor Fhernan, victims of another being’s machinations. But there was always someone. And he would try to help them.”

“So?” said Anakin. “What’s wrong with that? He helped me. He saved me. And this is my way of paying him back for that. Every person I help or save is me saying thank you to Qui-Gon. Why do you have a problem with that?”

“I don’t,” Obi-Wan protested. And then, at Anakin’s look, he grimaced. “Well—yes, all right. I do. But not because it isn’t an admirable ambition. It is, Anakin. It’s admirable, it’s laudable, it shows you have a good heart. But—” He ran a hand over his beard, searching for the right words. “For one thing, we’re Jedi, not social workers. It’s not our job to collect the galaxy’s waifs and strays.”

Anakin’s chin came up, defiant. “Then it should be. What is the point of having all this power if we don’t use it to make people’s lives better?”

“But we do make people’s lives better! You know we do!” he retorted. “Right now the Jedi are dying to make people’s lives better. I can’t believe I need to remind you of that!”

“You don’t,” said Anakin, glowering. “And I’m not saying we should drop everything and devote all our time and resources to picking up strays. I’m not saying we should go looking for them, either. What I’m saying is that if we happen to fall over one we shouldn’t just—just pick ourselves up and keep on walking.”

“Oh, Anakin.” Sighing, he dropped cross-legged to the dusty carpet. “I know it’s hard. I know it seems cruel. But—”

“That’s because it is cruel, Obi-Wan,” Anakin snapped. “Cruel and unfeeling and unworthy of the Jedi Order.”

He was so like Qui-Gon. This was like arguing with a ghost. Don’t waste your breath, Obi-Wan. I will do what I must. “It rarely ends well, you know,” he said gently, willing Anakin to hear him, to believe him. “Entangling yourself in these transitory lives? And when it doesn’t end well, when you can’t save these people, when we can’t save Doctor Fhernan or her family or her unfortunate friends—”

“You don’t know we can’t save them. You’re giving up without even trying!”

“No, Anakin. I am not giving up. I am merely facing facts.” He hesitated, because what he wanted to say next was dangerous. On the other hand—it needed to be said. “Don’t misunderstand me. Your compassion is admirable. You are a truly good man. One of the very best I know. But you’re also a Jedi, and we cannot allow ourselves to become emotionally involved.” A deep breath. A sharp sigh. “Bant’ena Fhernan is not your mother.”

Anakin leapt to his feet. “You leave my mother out of this!”

“Anakin!” he hissed. “For pity’s sake, keep your voice down.”

Hard-breathing silence as Anakin struggled for self-control. And then he shook his head. “You don’t understand, Obi-Wan. You’ll never understand. You’ve never been a slave. You have no idea what it’s like to be completely helpless. To know your life could end at any moment on someone else’s whim.”

“That’s true,” he admitted. “But—”

“No. There is no but,” Anakin said flatly. “You’re wrong. Okay? You’re wrong. So just sit there and be wrong. Or get the other lamp set up. Or start looking for a comm hub so I can hopefully punch a signal through to the Temple. Do something, Obi-Wan. Do anything. Anything except try to tell me that I’m wrong. Because I’m not.”

Obi-Wan looked at Anakin, astonished. Ignoring him, Anakin turned away and began to rummage through an overstocked cupboard. So he did as he was told, and started setting up the second lamp.

My read of the situation is simply Shmi is not important enough for the Jedi to bother with and that lead to some of the problems.

In the epilogue of the Darth Plagueis novel Obi-Wan and Anakin visit Palpatine shortly after the victory celebration on Naboo on Coruscant and he realizes that Anakin will grow embittered as his mother ages in slavery. The freaking Sith Lord figures it would while the Jedi are just OMFG.

[Attack of the Clones reveals that sometime after Anakin left to become a Jedi, Shmi found herself freed from her enslavement to Watto, but tragically died later on due to the actions of some Tusken Raiders. Anakin came to her aid in her last moments, but was unable to save her, and his main hangup over what happened is indicated to be a belief that he could've saved her if only he'd been stronger.]

Jedi critical folks: The Jedi should've gone back and freed Shmi; that would've TOTALLY prevented her from randomly dying! Also, Anakin and Shmi not speaking for ten years was OBVIOUSLY because the Jedi forbade them from contacting each other, and he DEFINITELY came to resent the Jedi over that, nevermind that there's absolutely no evidence to support this in Lucas's works!

[sapphicdib]

Opinions on how ascension is portrayed by the community vs Canon?

I’m ngl I feel like downpour kinda…not ruined, but “christianized” ascension a bit. i mean, rubicon is literally called “hell region” in the game files. not to say that i don’t like rubicon, i actually fucking love it — it’s a twisted parody of everything we have come to know melting together and literally coming full circle, ascending from the void sea while a reversed pictures of the past plays, as the cycle starts a new. but yknow. tone it down with the red and gold hellfire aesthetic maybe.

however i dont like how rubicon kinda made it look like ascension is…bad. i feel like its up to the individual to determine that. some, like pebbles and most of the benefactors, wanted ascension. but some dont. gourmand is seemingly content where he is. i doubt rivulet or spearmaster wanted to ascend based on how underwhelming their ascension endings are. i think the benefactors (literally by nature of calling themselves that) made a broad assumption that everyone, including those outside their society, want to ascend.

ascension is morally neutral. it’s the context around it that isn’t.

in my apple juice fic (im so sorry i keep mentioning it) the colony scugs think ascension isn’t good because it takes a loved member of their family away. hunter, on the other hand, thinks it’s good, because she was raised by someone influenced by the benefactors and literally programmed to believe ascension is the answer (though i don’t think sig really gives a shit about the problem all that much)

but yeah. i don’t really like…like concrete answers to what ascension is. we don’t know what it is. it’s literally unknowable and that’s what makes the iterators’ stories so tragic. but it’s also what makes the world feel alien and cool!

so. yeah. that’s my take on it! as you can tell i kinda like rain world being left very vague because it adds to the mystery and stuff. i don’t know how the cycles work and don’t really…want to? i of course am a sucker for reincarnation stuff, like bro scugerators lilypad getting to raise hunter and rivulet as their actual slugcat daughters is so fuckin precious!! but also it could literally just be you dissolve into nothing, it’s just. like that!!

[scuffle-with-spirals]

Helter Skelter Sleeper

Trigger Warning: Brief description of a cat-caller

Word Count: 1,000

Notes:

Oh boy!! Finally got something posted for a @flashfictionfridayofficial piece! I hope you guys like this. Laika is an OC that’s lowkey been kinda brainrotting in my head?? But either way, I’m glad she’s in here, although she’s clearly not the focal point at all here, lol.

I’ve reaaaally wanted to try writing absurdist fiction, lmao. Big inspiration for this was Alice in Wonderland and Matoryoshka.

I hope you guys enjoy this! \3v3/

 __________

Laika hated public transport.

The bustling conversation, frequent drunks, the pervasive eyes glued to her like a child's messy handwork, she couldn’t stand it. The last thing she needed was to be irritated unpaid.

Her mind stuck on the catastrophes, she grew lost in thought.

She arrived at an empty train station. The fluorescent lights shone a sorry, orange flicker on a lifeline.

In time, the train made its stop. Like clockwork, she reached into her purse to pay the fare.

“What's this?” The conductor asked.

“I'm paying.” Laika mumbled.

“Nonsense!” He shouted. “Deary me, are you rich? Save the buck and comedy, doe — sit, sit!”

Laika could only manage a mental blessing. She hadn’t realized the lanky, well-spoken deer in his clean-cut black uniform wasn’t a friendly man of exception.

The trains gears began to work in tandem. Outside, a loud cough hacked and cursed the conductor four rings down. Then, with a resounding squeal, the ride began.

She planted herself in the nearest seat; one forfeited as a termite queen skittered away.

“Here you go,” Her frail voice offered, her free leg outstretched as the other gripped a small purse.

Laika recognized her elderly tone. “No, please, you have it.”

“Oh, honey and chambers of wood, no," she replied. "You’re a young one. You’ll need all the vigor you can get.”

Laika didn't protest. Her back reclined into the seat so cushioned it ate at her like quicksand.

The smell of lavender and cigarettes wafted across the commute. Laika didn’t see or question the clique of horses conversing amongst themselves, the clickity-clock of their clog box gossip a language only they could understand.

Toward the back, his sullen face pale as a corpse, a desperate businessman with only bone at his hands and feet spoke to a zombie about the perks of joining his pyramid scheme. Once denied, he gave one more strained grin and disintegrated into dust.

“Deary me!” The conductor exclaimed through the low-quality microphone overhead.

“Clean-up, Pamela!”

The front door flew open. Quiet as a guest at a stranger’s wake, Pamela-Poet glided across lukewarm glossy floor. Her bleak patchwork maid dress allergic to jewel tones swiveled around her waist to conceal nonexistent feet. A trail of smoke from a nonexistent eye trailed behind her.

“Heeey,” A flytrap who reeked of cheap booze and musk from a lack of rainfalls growled.

“Heeeey Poetry-baby—“

His catcall was grabbed by the tongue as he was decapitated at the stem. The horse ladies neighed and clapped their hooves together.

Pamela-Poet stared down the pair of shears she’d retrieved from her missing eye.

“Say, I think there’s a million messes!” A ghost that danced with indecision corporeal forms screeched, her figure akin to the static flickering across an old television.

Silent, she took her broom and flung the trash to the ceiling.

“You should clean it all! Why don’t we all go into the ceiling!” The ghost screamed like anxiety-inducing broadcast alert. As the ceiling opened up to free the garbage, she too flew out like a paper bag.

Pamela-Poet scowled, her face a vivid apple anger as she glided away. Laika’s face wrinkled as she passed. She cracked her eyes ajar too late to notice where the smell of animal meat had come from, much less see it sewn a tell-tale taxidermy partially onto her dress.

More passengers came onboard. Laika didn't budge, not even as as orphan stars flew down. Despondent and bratty, their warm, stardust-coated tears flooded the train as they were ignored.

“Goodness game!” The conductors voice returned.

"Oh boy!" A rebellious penguin shouted. From their sleek leather jackets, they all fished out barber-pole straws to share a drink.

“How's the taste?” A tortoise asked. He sat atop his two brothers, all hidden in a small raincoat athirst for the fare privilege.

“Delicious!” One said.

“We got extra straws!” Another informed.

In a moments notice, everyone helped themselves to a meal of tears. The stars incessant raged ended once their meteorite caretakers found them. Rejected by them too, they'd ran away and conducted a homeless fiction to get what they wanted. The meteorites threw the stars into the atmosphere to dissipate as punishment. They exploded like fireworks to loud, celebratory fanfare.

Laika was fast asleep.

The horse ladies were first to go. Their gossip ended in favor of friendly goodbyes and wishes for good health.

The zombie next, he gave the conductor a light pat on the back. The deer knew he'd throw his suit into the chimney fire later.

Quiet the entire ride, a kākāpō stopped to give prayer to the businessman and hoped he finally found rest. He wished the fly trap could at least learn manners in a much-needed tsunami limbo until the Gods could decide his fate.

The penguin gang left, unable to convince the termite queen. She saw through the liars trick however and left before the tortoise trio.

"Rise and shine, deer!” The conductor announced. A gloved hoof rustled Laika awake. She looked up to him.

"What?! Who are y—"

“Ha-ha!" He could only laugh. "My dearest, doe deer dumb child." The conductor sneered.

He cleared his throat.

"Clean-up!"

Again, Pamela-Poet barged out.

"Who are you?! Get away!"

“'Sorry about this" She apologized. "I’ll try to aim so you hit a sweet spot.”

Laika couldn't ask. Pamela-Poet grabbed her and chucked her through the open ceiling.

Defenseless amidst the night sky, Laika feared the inevitable pain. She gazed at the soft satin glow of the moon, and a few distant meteorites huddled around a group of bright stars.

She noticed her house. A structure she would soon crash into.

In a last, ditch-effort, Laika extended her hands. Instead of pain, she fell straight through onto her bed.

Her adrenaline fresh, she wanted to make sense of it all. But like a predictable show that never deviated from formula, she slept. She had work tomorrow, anyway.

And besides, she kind of liked the ride.

Maybe she’d find that station again.

[aurorangen]

Staying strong was just so hard

Transcript & Context:

[Was he gone for good? We thought so, he took all his belongings after the fight. A few weeks passed and he came back: it was just me at home as my mum was on an errand. New locks were installed on the doors in case he returned, but he climbed over the fence. My breath quickened as I watched from my window, full of fear]

Ashton: Hello? I just left the hospital for [redacted] documents. Now I'm picking up other stuff. I know I can't leave any trace of this research behind, but I can't fit everything [pauses] It's secure. No one outside knows this system and the stuff left isn't important [abruptly changes topics] It'll be hard to monitor-

[I watched him go into the shed and close the door. After some time he came out with some boxes] Ashton: [still on call] Yeah, my flight is tonight. I'll call you when I get to Chestnut Ridge. You plan all my travel arrangements from there, alright? And make sure they know what time I'm arriving.

[I was frozen in place watching the whole scene and didn't dare to move afraid he would hear me. Whenever he was in my presence, I felt so weak, my whole body was tense as if he was controlling me. Once he drove away I felt more relaxed with my courage back again and I found myself walking towards the shed]

[Curiosity got the better of me and I wanted to know what was inside. I peeked through the door window and there was nothing out of the ordinary: garden equipment, tools, not much space for those boxes, except for that empty corner. Then I shoved some things out the way and I saw a glimmer in my eyes: a key]

[Back then I was too young and oblivious to notice anything unusual about the shed nonetheless the key. Quite frankly, I had forgotten about it until after the case closed. Thinking back there must have been a secret room in there, a basement. But I'll investigate it in the future: I have Isaac now. No police are needed]

Context: Before anyone asks, Vincent was hiding/watching from the window and could not hear his phone conversation, and why he doesn't want the police involved was explained here!

[toxin-trails]

Myyrin’s gaze softened as she took in his words. She was struck by his longing to reclaim fragments of a past he could barely remember—a desire so different from her own experience. Her heritage, with its bloody sands and a lineage that had cast her out, was something she had left behind by choice. And yet, here he was, cherishing any bit of his ancestry he could find, even the unknown names etched on weather-worn headstones.

“Well, Itto, if I come across anything during my travels, anything at all, about the name Arataki or the Crimson Oni—whether it’s buried in the Akademiya’s texts, or scrawled on some obscure field notes—I promise, I’ll make sure it finds its way back to you.” She spoke firmly, wanting him to know her offer was genuine. If there were even a trace of his people recorded somewhere, she’d ensure it reached him, even if the clues were small or incomplete.

Her curiosity stirred at his mention of his physiological differences. The Crimson Oni, built differently, were larger, stronger, and distinct even among Oni. She couldn’t help but wonder about the specifics—the physiological traits that set them apart, their deeper connection to the natural elements around them. But she kept these questions quiet. In her mind, Itto was a friend, not a research subject. Even as a scholar by nature, she respected that he was a person whose story deserved dignity and agency, not meddling for intellectual gain.

She watched him carefully, choosing her words with a thoughtful tone. “I’ll admit, part of me is curious. You’re the first Crimson Oni I’ve met, after all, and I’d be lying if I said there weren’t things about your lineage that interest me.” She gave him a gentle, understanding look. “But… I also know it’s not my place to pry. You’re a person, not a specimen for anyone to examine. Whatever makes you comfortable—that’s what matters.” She was blunt most of the times about her intentions and this time was no different.

Pausing, she thought for a moment, reflecting on their different approaches to their histories. "We’ve both got our pasts to make peace with, I guess. Yours, something you’re trying to reclaim, and mine… something I’d rather leave buried." She gave a small smile, one that didn’t quite reach her eyes. “But I respect the way you’re doing this. I think it’s brave. The unknown can be just as heavy as any memory.”

She hoped he knew her words came from a place of empathy, that she truly respected the effort he put into remembering and honoring his kin. “And I have a feeling,” she added, more brightly, “that you’ll uncover more of your story when you least expect it."

Myyrin could sense his yearning for something as simple as a name—just one link to his family, to his origin. As he finished, she gave him a soft, encouraging look, sensing the courage it took to search for answers that time itself had nearly erased.

“You know, you’re wrong about not being of interest to historians. Quite the opposite, actually,” she said with a gentle smile. “With the borders open now, word will get around about the last known Crimson Oni—and trust me, that kind of thing catches the attention of the Akademiya in no time. I can tell you firsthand, there are plenty of scholars who’d be fascinated by the Crimson Oni.”

She paused, tapping a finger against her chin thoughtfully. “Scholars in Vahumana and Haravatat would probably be the most eager to hear your story. They’re historians, linguists, and cultural experts. Now that Inazuma’s borders are open, word’s bound to spread—especially with the uniqueness of your lineage. And if there’s one thing I know about, it’s scholars.” She chuckled, recalling her own experiences in the Akademiya, where scholars of every field were constantly searching for new mysteries to solve, eager for something rare and meaningful to dissect, sometimes literally.

“Trust me, once they hear you’re the last known Crimson Oni, some of them would be tripping over themselves to learn everything about your culture, history, traditions. They’d want to know what kind of society the Crimson Oni had before their demise." She paused thoughtfully, envisioning the likely fervor with which some scholars would dive into such a rare and complex historical puzzle.

“And as for Amurta scholars,” she continued, raising an eyebrow in mock warning, “well, they’re the biologists. They’d be fascinated by your lineage from an anatomical and physiological perspective. Amurta scholars might ask about your strength, your abilities—how the Crimson Oni were different, physically, from other Oni."

A small chuckle escaped her as she thought of the more eccentric researchers she’d met during her time at the Akademiya. “But listen… a word of advice? Scholars can be weird—and pushy. They’re usually harmless, but they can get very annoying if they think they’ve found a topic worth studying. If you get a few dozen letters or visitors from Sumeru one day, that’ll be why. Just… be on your guard. You might find yourself overwhelmed by how persistent they can be.”

She glanced over at him, hoping he could see that she meant to reassure him as much as to prepare him. His story, the story of the Crimson Oni, deserved to be preserved and honored, not prodded and examined until it lost its meaning.

“Regardless, you have every right to know who your family was,” she continued, her voice softening. “And you’re not alone in your search. You’ve already left a mark on Inazuma just by being yourself. And maybe one day, you’ll find those names you’re looking for. Maybe even more.”

[lovesickeros]

☆ decadence divine [ act I ]

{☆} characters arlecchino, neuvillette, furina {☆} notes yandere, drabble, gender neutral reader {☆} warnings yandere content, stalking (implied), kidnapping (implied) {☆} word count 2.3k

ARLECCHINO

Arlecchino was wont to leave social gatherings to her subordinates– the private meetings were where she thrived. It was so much easier to lure your prey into a trap when you didn't have prying eyes and ears waiting for the barest hint of blackmail.

She clicked her tongue in distaste, her eyes narrowing beneath the mask of the fox as she set down her cup sharply. It was difficult as it was to draw them from the safety of their bubble– at the slightest hint of danger, her quarry would run. A chase would be fun, but she couldn't risk getting caught here. The political nightmare it would cause..it already gave her a headache. She had to be discreet.

They weren't making it easy, however.

Which is why she never liked crowds. But this chance didn't come by every day. She wasn't going to simply let it pass by because of a little danger. She'd have them eventually, it was just a matter of how. There were already numerous of her own lingering in the crowds, hidden beneath the masks that every patron bore. It was difficult to stand out amongst the flurry of masked patrons constantly shifting around the room, moving from one conversation to another, gliding from one dance partner to another.

Her heeled boots clicked sharply against the tile as she stalked through the crowds, keeping a wide berth yet always lingering nearby– she was sure they could feel the vague sense of being watched, but with the huge crowds..her lips quirked into a grin with the barest flash of teeth. There were a great many ways to break them in– she'd spent a great amount of time and mora to get anything she could for blackmail, if she so wished. She had the backing of the Fatui as well if she played her cards right– it wouldn't be difficult to convince them that they were a valuable target, and none of them would dare to question just what she did with them afterwards.

Perhaps a bit of play, first. Test the waters. She was familiar with playing the polite gentleman, despite her status as a Fatui Harbinger. Stage something for her to intervene, perhaps, to look the hero. The look of shock when she revealed the wolf beneath the wool..she could see it already. That wide, doe-eyed look as they realized the monster they've followed blindly like a lost lamb..she was beginning to see the appeal.

All it took was a few hushed words and subtle signals before the tiles started to fall in place, her hand gliding along their lower back as she leaned over their shoulder with a thin, predatory smile. She'd have to organize for the agent to be released later, her eyes following as the Gardes dragged him out of the room in a flurry of curses, but for now..she tilted her head to peer down at them, polite and almost apologetic.

"You aren't too startled, are you? Now now, there's no need to look so..scared, poor thing. I won't let another lay a hand on you," She cooed in a sickly sweet tone, the husky rasp of her voice whispered in their ear like dripping honey. "You have my word. Now, why don't we get you some fresh air? Come. Allow me to escort you."

Her lips pulled into a jagged grin at the relief in their eyes– the blind lamb following the shepherd as it led them into it's maw. Just a little longer, and she could finally have her own caged bird– a pretty thing to admire, to protect, to possess.

Something no one else would ever touch again. Something hers.

NEUVILLETTE

Neuvillette was not one for parties. The intricacies and delicate handling of public relations he oft left in the capable hands of Furina, rather then himself. It was only at her behest he even attended at all, but he still felt rather..out of place amongst the bodies constantly shifting through the ballroom like a constant rush of water from one end to the other, no rhyme nor reason to the flow. The only thing that kept him afloat among the tides was the mask of the deer obscuring his face– even if it was exceedingly difficult to truly hide himself among the crowds, most passed over him without second thought.

Though he had to be honest with himself, even if he couldn't bring himself to admit it to Furina despite her insistence that his attendance was mandatory. He had his own reasons for coming– selfishness that left a sour taste in his mouth. It was purely by chance he'd seen the briefest glimpse of them prior, and he..was intrigued, that was all.

He refused to let his thoughts linger on the sleepless nights he spent prying every piece of information he could from loose tongues and obscure documents, every moment he managed to squeeze in between trials spent lingering in their most favored locations– cafes, stores, restaurants, the like.

Now a masquerade.

He tried not to let the guilt gnaw at his conscious, but it lingered like an age old scar that still ached.

So he relegated himself to simply residing in the further corner, nursing a goblet of water like a fine wine, trying not to let his eyes stray to the brief glimpses of them through the ever moving bodies filling the center of the room, dancing like puppets in music boxes.

Still, his hand twitched in an instinctual desire– a need to clasp his hand in their own, to touch his lips upon their knuckles, to indulge in a moment of reprieve and unshackle himself from the mantle that bears heavy upon his shoulders. He seeks reverence, worship, but not of himself– but towards the one who had drawn the eye of the dragon amongst the waves of humans he'd seen come and go for a great many years.

No one could compare, he is certain. None have left him as breathless, as hopelessly infatuated, as the one who made him wish only to kneel at their feet in senseless reverence until he could no longer speak. A hopeless man, indeed, if he has never even truly met them.

Instead he's spent his time prying into their life from the shadows. Caution, or simple cowardice?

He dares not ponder.

Yet in his ceaseless pondering he'd blocked out the world without, failing to notice the figure stepping up beside him until their hand brushed against his elbow– just the briefest touch, but it had his pupils narrowing and his entire body tensing like a coiled spring. That touch..bliss. It left him breathless and lightheaded as he tilted his head to regard them, his lips parting in a shaky sigh. They are as beautiful as he remembers– even with their face obscured beneath the mask, he would never forget them.

"Greetings, Monsieur– I hope I didn't frighten you too much." Their laugh made him feel rather faint, just the sound of their voice making his hand tighten around his cane. "..Not at all. I was simply lost in thought." He admitted apologetically, trying to reign in the urge to cup their face between his palms. A dangerous thought. He didn't want to scare them off when they'd provided him a priceless opportunity.

"My apologies, you must have needed something. It was rude of me to have been so absorbed in my thoughts to have ignored you." He continued, gently turning to set his goblet down– offer them his full attention, be a gentleman. The words rang in his skull like a ceaseless alarm, blaring and rattling his thoughts as he gently took their hand in his own. It was a split second decision– an indulgence, but he could simply not help himself. Even with his gloves between them, he felt like he was going to lose his composure just from such a brief touch..

He truly was a hopeless man before an altar, praying for a salvation he intends to bury deep beneath the waves– to keep it hidden in the darkness of the depths that only he can reach. A selfish man, he must be, to even think of it, but it is an itch that he cannot scratch. A need that must be satisfied. He cannot allow any hands but his own to tend to them, to know what it feels to touch them, to hear their voice and see their eyes as he prays– prays like a man starved, devotion born of desperation.

"I hope I did not make you wait too long." He smiles, soft and affectionate, like the bloom of spring beneath the winters chill– yet just as deadly, only masked by the sweet fragrance of flowers.

He had waited too long.

No longer.

FURINA

Furina was right at home amongst the crowds– where the masks obscured the identities of most, it was impossible to not recognize the charming banter of the Hydro Archon beneath the mask of the lamb as she graced the masquerade with her presence, speaking with a silver tongue to any who would listen. A truly enthralled audience fitting for the grandest of performers in Fontaine.

But her eyes lingered not on the people who's praise dripped from their lips like honey– yet so very bitter upon her tongue. Even the mask obscuring her expression did little to hide the longing that had her visibly deflating like a popped balloon. She hated all the eyes on her, really– it was suffocating. She was only putting on a show in the foolish hope that they'd finally pay attention to her. Just her luck, she supposes, that instead she's had to throw herself straight into the role of Archon without a pay off..

They hadn't even spared her a glance! It would be infuriating if not for the fact she couldn't even keep her composure just seeing them across the room. They didn't even have to look at her and she could feel the heat rush to her ears as she forced another smile at the crowd gathered around her. It was unfair how easily they could fluster her without even knowing it– her heart was thumping so hard against her ribcage she felt like it might burst.

Her only solace was the fact none of the patrons seemed to realize she'd clocked out of the conversation, her thoughts and eyes lingering on the distant figure– what a lovestruck fool she makes..it was a chance encounter she'd seen them during one of her outings. That was all it took to enthrall her, evidentially, try as she might to have ignore it for months.

They never left her mind for longer then a day, in the end, and she had to face the fact they had managed to enrapture her so deeply she felt like a newborn lamb learning to walk whenever she so much as thought of them. What an embarrassment! She..she was the Archon, she had a reputation to maintain, she couldn't be seen fawning over a human.

But oh, she still longed for it, beneath the veneer of a God. She'd watched them more times then she'd admit even to herself, wishing to find herself in place of those who'd hands were cradled so casually in their own– to hear their voice, their laughter, as often as she pleased..like a fine delicacy she so badly wished to taste, yet so far from her reach.

Would they think her pathetic for her infatuation? She pursed her lips at the thought, trying to bury the sour mood beneath her faux image of the Archon. Yet it lingered, and with only the quietest of excuses, she slipped into the crowd like a ghost– she needed to leave before she did something..stupid. Neuvillette would surely have a few choice words with her if she did, and she was inclined to avoid such a fate.

She..she just needed a moment to collect herself was all. That was it. She could go back to playing Archon for a little longer, she just needed a moment to herself. At the very least, the balcony had been regarded as off limits so late into the party– which gave her an opportunity to slip out of the public view for the briefest of moments. A welcome reprieve– she was starting to feel suffocated amongst the crowds.

Perhaps on instinct, she reached for the mask, lifting ever so slightly away..only to let out a startled yelp at the touch of a hand on her shoulder, the mask slipping back into place far too easily. It made her lightheaded, even now, but she dared not to dwell on it.

But when she turned sharply on her heel to chew out the person who'd followed her and had the gall to scare her..oh, she was done for, her ears flush with heat. The brief glimpse of their eyes beneath the mask, the curl of their lips as they smiled– her heart stuttered in her chest, and she was certain it had stopped all together when they clasped her hand.

"Y–you.." She wanted to be angry, to brush them off and leave with her rationality in tact, but the warmth of their hands on her skin rendered her speechless. She was no better then a fish on land, struggling to fill her lungs with air as she drew in a shaky breath. "Ahem, you caught me off guard. That's all. Surely you do not make it a habit to sneak up on people?" She huffed in indignation, trying to mask the fluster that threatened to break through her carefully crafted facade.

Ah, what a cruel twist of fate..she'd slipped away to escape their allure, but here they were, dragging her back into their orbit without even knowing how deep her infatuation ran. They were alone, too..it was a chance she wasn't sure she'd ever get again.

Maybe, just this once, she could do something for herself rather then everyone else.

She buried her guilt, the fear– buried it beneath the need to be seen.

"But if you want to make it up to me.."

[ganondoodle]

was feeling 'fine' (all things considered) then spent 3 hours daydreaming about oc stuff without moving and inch and now i feel very much not fine, i really cant win can i :(