#Projecting my need for a Revolution

[snazzy-snapple]

Arcane Season 2 was great and all; there were definitely some stand-out moments, and the animation GOD THE ANIMATION *chefs kiss* I can't fault anyone for loving it. But honestly, I was kinda disappointed with alot of it. Especially the ending. Piltover's treatment of Zaun has been historically shitty; Zaun should've left their asses by the end. 

Even after the war Piltover is still screwing Zaun over like- one seat at the council-one???? Idk how accurate the maps of Piltover and Zaun are, but they look to be about equal size; some even portray Zaun as bigger. The amount of Council Members representing/ from the Undercity should equate. Also, from my limited understanding of the lore told outside of Arcane, there is fluctuation in the amount of wealth and comfort in the layers of Zaun, so not every part of it is in desperate need as the Fissures. Maybe the places more well-off wouldn't mind Piltover representations- but honestly, I feel like this only adds to my argument. Every part of the Undercity has a differing aspect of and problem that needs to be addressed and well… represented. (congrats to Sevika though she deserves it).

 Honestly, I don't even think an equal Zaun/Piltover council is enough for me; let's take a look at Piltover's leadership, more specifically, how they picked. We only really get one example of this when Jayce replaces Heimerdinger where the other Councilors vote on the decision. The circumstances around Jayce being added, while unorthodox, shouldn't have that different of a system from when a Council member just dies. This means all the power and decision making of thousands and thousands of people is put in the hands of 8 rich assholes who get to pick who they make said decisions alongside. No wonder corruption is a problem. Piltover's own system of governance is in dire need of repair, which would never happen voluntarily because it'd require the Council members to give up their own power. What Arcane needs is a good old-fashioned social revolution. And maybe an actual revolution in Zauns case. 

Please keep in mind I'm looking at this from a show-watcher, not a LOL player pov, and I didn't take the time to learn all the lore surrounding the games. What I know mainly came from the show itself. Not to mention because Arcane is tied to LOL the characters and story have to follow a certain trajectory. 

Anyways, Arcane should've ended with Zaun and Piltover Divorced, Ekko in charge of everything everywhere all the time, and Jinx/Viktor are alive, The End. 

In all seriousness, though, I had a lot more problems than this. Piltover's bullshit is what really hit me hard with recent historical events and my own fears about the future. I hope no one takes this the wrong way; I'm pretty good at ignoring problems in media and just loving it because, well.. loving stuff is fun. Its fun to turn your brain off and be happy. And I've definitely done this with this Season at times. Thanks for listening; overall, the Season felt like a mess. But hey, I had fun.

[spice-ghouls]

WOOOOO

[cakemagemaeve]

I'm just. So tired. I can't be the only gentile who thinks that wishing violent death on anyone who thinks the geopolitics of the I/P conflict aren't as black and white as "Israel bad, Palestine good!" or "Palestine bad, Israel good!" is, y'know. Bad?

Like, you get these kids (as well as people who are old enough to know better) who want to prove they're More Leftist than Thou who will shout about how much they hate Nazis and fascism, and then turn around and say that the Israelis should be cleansed from Palestine, often while spouting straight-up word-for-word Nazi propaganda.

It's really been jarring seeing so many people whom I had previously admired and respected for their leftist views and takes not only start falling for and parroting virulently antisemitic propaganda, but outright stating that anyone who thinks Israel has a right to exist at all should be murdered horribly. They're going on and on about all of the Islamophobic attacks happening around the world right now (of which there are a lot, no denying), and yet they're dead fucking silent about all of the antisemitic hate crimes happening at the same time.

Again, it's possible to want a free Palestine and a free Israel at the same time. It's possible to believe that both Palestinian children and Israeli children deserve to grow up without having to worry about bombings and terrorist attacks. It's possible to want peace and freedom for one without wishing terror, genocide or subjugation on the other. It's not a zero-sum game, for fuck's sake.

Also, it still galls me how many white Americans I see rabidly calling out for the blood of the "colonizing Jews" while they themselves live in a country which was founded by European invaders who committed wide-scale genocide against the native populations and whose government has been gleefully committing all manner of war crimes and atrocities across the world ever since. If Israeli civilians deserve to die for their government's crimes, then what do we deserve?

[ragnars-tooth]

It never fails to piss me off that because of my degree I wasn't allowed to take the bookbinding module (100+ hours of teaching) because it was "covered in the illustration syllabus". Was it. Because I got 15 hours in 3 years and they were all optional.

We got to third year and no one knew how to do a saddle stitch bind and the tutors (who we had in first year also) got mad at us. Like girl idk we'd BEEN asking for you to do more than all give conflicting opinions on poorly explained briefs but sure. Its my fault I can't really remember how to do that thing I learnt once when I was a silly idiot child (a fresher)

Anyways I'm planning to bind some little zines for xmas gifts and I know already that I'm going to scream and cry and throw up and do it all wrong repeatedly 🙏

[hofftrans]

gonna start this by clarifying I'm a pretentious dick re the media I love but like. When it comes to being hyperfixated on a ship from a piece of media it's so nice and comfortable when it's a ship from a beautifully written piece of media like Hannibal bc I can wax philosophical abt these two men loving eachother and dicking down but like. When the media Is Not Written Well it's a nightmare bc what the fuck am I supposed to do with detroitbecomehuman

[phagodyke]

wish id had the energy to go bouldering w everyone tonight instead of giving myself brain damage from getting pissed off.... I hope they send me some cool pics at least 😔

[reasonsforhope]

No paywall version here.

"Two and a half years ago, when I was asked to help write the most authoritative report on climate change in the United States, I hesitated...

In the end, I said yes, but reluctantly. Frankly, I was sick of admonishing people about how bad things could get. Scientists have raised the alarm over and over again, and still the temperature rises. Extreme events like heat waves, floods and droughts are becoming more severe and frequent, exactly as we predicted they would. We were proved right. It didn’t seem to matter.

Our report, which was released on Tuesday, contains more dire warnings. There are plenty of new reasons for despair. Thanks to recent scientific advances, we can now link climate change to specific extreme weather disasters, and we have a better understanding of how the feedback loops in the climate system can make warming even worse. We can also now more confidently forecast catastrophic outcomes if global emissions continue on their current trajectory.

But to me, the most surprising new finding in the Fifth National Climate Assessment is this: There has been genuine progress, too.

I’m used to mind-boggling numbers, and there are many of them in this report. Human beings have put about 1.6 trillion tons of carbon in the atmosphere since the Industrial Revolution — more than the weight of every living thing on Earth combined. But as we wrote the report, I learned other, even more mind-boggling numbers. In the last decade, the cost of wind energy has declined by 70 percent and solar has declined 90 percent. Renewables now make up 80 percent of new electricity generation capacity. Our country’s greenhouse gas emissions are falling, even as our G.D.P. and population grow.

In the report, we were tasked with projecting future climate change. We showed what the United States would look like if the world warms by 2 degrees Celsius. It wasn’t a pretty picture: more heat waves, more uncomfortably hot nights, more downpours, more droughts. If greenhouse emissions continue to rise, we could reach that point in the next couple of decades. If they fall a little, maybe we can stave it off until the middle of the century. But our findings also offered a glimmer of hope: If emissions fall dramatically, as the report suggested they could, we may never reach 2 degrees Celsius at all.

For the first time in my career, I felt something strange: optimism.

And that simple realization was enough to convince me that releasing yet another climate report was worthwhile.

Something has changed in the United States, and not just the climate. State, local and tribal governments all around the country have begun to take action. Some politicians now actually campaign on climate change, instead of ignoring or lying about it. Congress passed federal climate legislation — something I’d long regarded as impossible — in 2022 as we turned in the first draft.

[Note: She's talking about the Inflation Reduction Act and the Infrastructure Act, which despite the names were the two biggest climate packages passed in US history. And their passage in mid 2022 was a big turning point: that's when, for the first time in decades, a lot of scientists started looking at the numbers - esp the ones that would come from the IRA's funding - and said "Wait, holy shit, we have an actual chance."]

And while the report stresses the urgency of limiting warming to prevent terrible risks, it has a new message, too: We can do this. We now know how to make the dramatic emissions cuts we’d need to limit warming, and it’s very possible to do this in a way that’s sustainable, healthy and fair.

The conversation has moved on, and the role of scientists has changed. We’re not just warning of danger anymore. We’re showing the way to safety.

I was wrong about those previous reports: They did matter, after all. While climate scientists were warning the world of disaster, a small army of scientists, engineers, policymakers and others were getting to work. These first responders have helped move us toward our climate goals. Our warnings did their job.

To limit global warming, we need many more people to get on board... We need to reach those who haven’t yet been moved by our warnings. I’m not talking about the fossil fuel industry here; nor do I particularly care about winning over the small but noisy group of committed climate deniers. But I believe we can reach the many people whose eyes glaze over when they hear yet another dire warning or see another report like the one we just published.

The reason is that now, we have a better story to tell. The evidence is clear: Responding to climate change will not only create a better world for our children and grandchildren, but it will also make the world better for us right now.

Eliminating the sources of greenhouse gas emissions will make our air and water cleaner, our economy stronger and our quality of life better. It could save hundreds of thousands or even millions of lives across the country through air quality benefits alone. Using land more wisely can both limit climate change and protect biodiversity. Climate change most strongly affects communities that get a raw deal in our society: people with low incomes, people of color, children and the elderly. And climate action can be an opportunity to redress legacies of racism, neglect and injustice.

I could still tell you scary stories about a future ravaged by climate change, and they’d be true, at least on the trajectory we’re currently on. But it’s also true that we have a once-in-human-history chance not only to prevent the worst effects but also to make the world better right now. It would be a shame to squander this opportunity. So I don’t just want to talk about the problems anymore. I want to talk about the solutions. Consider this your last warning from me."

-via New York Times. Opinion essay by leading climate scientist Kate Marvel. November 18, 2023.

[heartyearning]

Antigone in the Amazon is (overall!!!!) incredibly incredibly incredibly good. Theatre is like high school football. The highs and lows.

[bortalis]

My concepts for the development progress of an Iterators Puppet

-my ideas below

-Feasibility Study  

[1]: First autonomous control module, any instruction to be given must be done manually through physical means (the keys), outputs were shown through the screen. A very primitive system, however, did its job proving the greater machine concept was achievable. While it does look like a lens above the monitor, this was a simple status gauge for benchmarking.

-Prototyping and Development  

[2]: Now with the capability to wirelessly and audibly communicate to receive instructions and inputs. The system was no longer directly integrated into the facility, and resided on the first instance of an iterator's arm. This was considered a feat due to the complications with isolating the control module from the rest of the iterators components, while keeping processing power. A permanent connection/umbilical was needed to sustain life and function though. 

To “talk” back, they were crafted with multidimensional projectors, the mobile arm allowing the angles and variance for this projection. Only later into development were advanced speakers installed for optimized understanding, however the extra computing power required to synthesize proper speech was found to strain the contained module, so this function had rare use in the end.

[3]: At this point there was a change in perspective in the project. What once were machines to simply compute and simulate, were now planned to be the home, caregiver, and providers. The further the project came to fruition the more religious importance was placed upon these “random gods”. From this stance not only did the puppets have to manage and control their facilities, they had to communicate with the people and priests. To represent benevolent beings who will bring their end and salvation. In this process iterators began to take a more humanoid shape, to better reflect their parents. Development was focused on compacting the puppet closer to the size of an ancient for this purpose. This stage was the first to incorporate a cloak/clothing into their design considerations, to further akin themselves in looks. The cloak would hide the iterators' engineered bodies and give a body to their silhouette. 

[4]: As bioengineering and mechanics were rapidly progressing due to the void fluid revolution, this allowed plenty of margin for developing the outer design of the iterator puppets. This prototype was the first to incorporate limbs for the purpose of body language. This was another step in the drive to give a body to their random gods.

-Final Iterations

[5]: First generation iterators had the final redesign of puppet bodies. Far different from their first designs, they are fully humanoid. Their bodies are shaped to be organic and as full of life as they could at the time. Their center of sapience has fully settled within their body, as can be seen as their unconscious use of limbs without the direct intention for communication. This can also see how they manage their work, where many of the functions (which can be done with just an internal request) are operated through physical gestures of their limbs. Their puppet chambers also allow for full comprehensive projection, where many of their working monitors are displayed. It is seen how iterators prefer to utilize their traversal arm to transfer between the current working projection window.

These designs were hardy and nearly self-sufficient, only requiring minimal power from their umbilical to charge. (However was still limited in the terms of internal power production, for this first generation extensive batteries sufficed)

[6]: Later generation not only incorporated advanced bioengineering internally, but externally. While still a hardened shell, their body plates have been incorporated into the organics of the puppet, maintaining the protective requirements while barely leaving a trace of hinges or plates. This “soft” skin had drawbacks, such as reduced durability to the first generations, this was offset by the greatly enhanced repair speeds and capability this type of skin allowed.

Internal power generation was implemented into these late generation models. If the case arose, the Puppet could be disconnected from their umbilical and still be conscious from an undefined period of time. (However this would limit the operating capacity of the puppet when running self sufficiently) This greatly eased maintenance works, as the Puppet could still run the greater facility wirelessly while work was done on the chamber, arm or whatever as needed.

[stealingpotatoes]

POTES SEMI-LIVEBLOGS KOTOR!

ive been writing my thoughts in the notes app but due to popular demand (one person asked for it) i'm posting my liveblogging DO NOT SAY/TAG/COMMENT SPOILERS PLEASE i read tags

warning im a yapper, im 10 hours in and theres a lot already (separated into sessions):

SESSION 1

whos this clown i thought i would be playing as revan

ive been too spoiled by dragon age origins this character creator sucks ass

only human???? ): fr?? ill just imagine her different in my brain or some shit

my life is being mansplained to me. is this bad writing or do i have amnesiacs

hes meta now??? hes talking abt the screen controls?????

omg a jedi and an evil jediii

omg their asses suckedddd they both died immediately

i <3 bringing a sword to a gun fight

WHY R THERE SO MANY SITH WHERE IS TJE RULE OF TWO

i clicked a workbench and it said lightsaber so either i get a lightsaber or i get a jedi friend whose lightsaber i can steal if im careful

I assume u play as revan in kotor2 so im gonna buy that now so i can play it when im done playing w this clown

i got light side points im getting a good grade in game morality which is something both normal to want and possible to achieve

everyone keeps saying revan is dead but thats my friend revan from tumblr hes clearly alive. or they???

my characters ass is distractingly present onscreen

huge fan of the way everyone collapsed drunk what the FUCK was in that wine

ok these sith ppl might be the bad guys but their armour is DRIPPY AS FUCK

ideologically i dont agree w the sith but they kinda went off w the fits

googling how to become a sith without being evil cause they have Drip

SESSION 2

i paid £1.19 to see revan he better show up in this game at some point

all these sith n i still cant find one revan….. stop faking ur death rn come out n talk to me babygirl this isnt like u….

why can i be light/dark side if im not a jedi. give me a laser sword

maybe this jedi gyal will know where revan is faking his death. or give me a fuckin lightsaber PLEASEEE

was just thinking 'does this game have romance' and then carth called me beautiful. i dont think im gonna romance anyone until i get this amnesia sorted

why is carth questioning me so much abt the crash im pretty sure i have amnesia

why tf did the jedi lady have me transferred to this ship are we in lesbians with each other???

carth's not wrong it is suspicious but i lowkey have amnesia so i coulda done that i coulda not

a lot of clone wars voice actors in this. was lucasfilm so broke in the 2000s that they could only afford the same 3 VAs for every project

mission is 14??????? we need to get my girl back in school

SESH 3

tale as old as time i fucking suck at racing games

ok i didnt realise you had to mash click i won

REVAN!!! REVAN!!!!!!!!!

why am i dreaming abt revan tho. real as hell but ?????

lmao cringe revan getting blown up. i thought the jedi beat rev-meister in a fight but no. accident

"such visions are often a sign of force sensitivity" COOL YAY GIVE ME A LIGHTSABER

BASTILLE LOST HER FUCKING LIGHTSABER??

CARTH IS RIGHT THATS LIKE DAY ONE JEDI SHIT. ok i still love her even tho shes a bit of a bitch and also doesnt have a saber

if we find a lightsaber im taking it first tho

whys carth getting weird abt me being weird that he doesnt trust me. i just wanna be friends mate

SESH IV: A NEW HOPE

'i mean no disrespect, but perhaps one of the male slaves could serve you better' i went in here to start a slave revolution and instead got called a lesbo

LMAO THERES A SPICE LAB???? WALTER WHITE WHERE ARE YOU

thats insaneee they blew up BILLIONS of people to get to one jedi?????? these sith arent fucking around theyre scary

UM THIS IS CRAZY GRAPHICS THE LIGHTING IS CLEARER/DARKER WHEN I COVER THE SUN W THE SHIP EDGE?? 2003 IS THE YEAR OF THE FUTURE

someone just called me padawan i kinda assumed i was in my late 20s do i just have baby vibes

all the jedi in the movies are so chill but every kotor jedi i've met so far has been a bit of a bitch

YO THEY HAVE A YODA!!! its not THE yoda but

cool so these guys are just the regional managers at best. your asses are not the council

why can everyone smell my force juju so strong

THATS STRAIGHT UP YODA'S CLONE WARS VA

why does fake yoda not blink both eyes at the same time. im calling him master tortimer he reminds me of the animal crossing mayor

bastila there was no need for such a fancy bow

malak is like evil aang

revan is so much shorter than malak omg

are me and bastila sharing dreams. are we both obsessed w revan

poor mission ):

WHAT WAS MASTER TORTIMER ABT TO SAY????????? EVER SINCE WHEN??? DID WE KNOW EACH OTHER BEFORE MY AMNESIACS????? DID BASTILA TELL U SMTHN MORE WHEN I WASNT IN THE ROOM???

im intrigued i like this whole hidden jedi shtick its very compelling. so is whatever theyre hiding from me

kinda surprising no jedi found me before tho given my force juju is so strong

IM A LEGIT JEDI NOW??? SICK!!!

does revan rlly not have pronouns i thought that was a tumblr thing but they straight up are a nonbinary icon ive never heard a single pronoun used. revan's pronouns are revan/revan's

damn revan seems so cool in these stories (charismatic war hero that convinced their troops to join them as conqueror?? julius caesar) and yet all we've seen them do onscreen is get blown up and die by accident

A YEAR AGO? the way they were talking i assumed revan died like. a week before the game started

master uh i forgot his name he has martin scorcese vibes said revan was a paragon of the jedi so what im getting is that all jedi gifted kids turn evil

even if i didnt know revan as a tumblr darling id KNOW revan has to be alive somewhere they way everyone talks abt them is too cool for a character who exploded and died. i think. i hope. I PAID £1.19 TO MEET REVAN

'only you and bastila can stop malak' seriously????? just us two?? ive been a jedi for like, 6 minutes and you guys keep calling bastila young???? do you guys not wanna help??

omg im getting carth to traumadump! <3

HE WAS ON REVAN'S ARMY>??

i totally knew the jedi code and did not have to google it whatsoever

they rlly said fuck going to illum heres a crystal from the bin

he told me id be a great sentinel and i was like i know but i want blue cause i dont wanna be matchies with bastila

OGH!!! I HAVE A LIGHTSABER!!!! THIS IS GAME OF THE YEAR!!!!

omg i made my lightsaber perfectlyyy which is rare <3 getting a good grade in jedi

maybe i was a travelling lightsaber salesman before my amnesia

seriously though WHO was i everyone's kinda stopped acting like i have amnesia since the first mission BUT IVE PLAYED DRAGON AGE THAT GIVES YOU OPPORTUNITIES TO RP UR PAST. THIS DOESNT. EITHER THIS GAME IS BAD (but i love it so its not) OR I HAVE RETROGRADE AMNESIA

also everyone keeps being like "Oh ur force juju is so strong" AND NOBODY FOUND ME TIL NOW??? suspicious. did getting a really bad concussion activate the force in me

im too confused and amnesiac'd to think abt anything except the fact i have a glowing stick now

FSESH FIVE:

big fan of using aliens to avoid having to get VAs to read every line

oh so carth's boyfriend saul betrayed him and became leader of the sith fleet so he has trust issues

well he needs to calm down. i can't betray him cause i dont know what the fuck is happening

yooo i love the design differences on the mandalorians

oh my god this lady wanted to fuck her droid cause it was her husband's. and then it killed itself. wtf. game of the year tho

wtf they jebaited this juhani person into going dark side but then i talked her out of it. that seems a bit mean of them

i hope she can join my party she looks too unique to be a random npc

ive been thinking and I might be going crazy but there was a loading screen tip ages ago that said jedis could wipe ppl's mind and all i thought at the time was 'fuck the shitshow acolyte didnt make that up'. but what if one of them wiped MY memory and i used to be a jedi or smthn ????????

cause they keep being like ur weirdly good at this??? did bastila steal my memories??????????

I KNOW I HAVE AMNESIA!! EVEN IF EVERYONE DOESN'T BRING IT UP BC THEYRE PROBABLY TRYING TO SAVE MY FEELINGS

if i dont have amnesia and im just deeping the fact the opening had my life being mansplained then im gonna look real stupid

anyway time 2 go to the fuckshit ruins cave where r-dog and malak went to

"it must be referring to revan. the dark lord and malak--" revan's pronouns are revan/thedarklord

bastila said theres no mention of the Builders in the archives. does she just know every text off by heart

THIS DROID IS 20K YEARS OLD ???

omg i can equip 2 lightsabers at once. game of the year

OK I TAKE BACK EVERYTHING I SAID ABOUT THE AMNESIA BASTILA IS ASKING ME QUESTIONS ABOUT MY BACKGROUND THAT I CAN ANSWER. I REPEAT I DO NOT HAVE AMNESIA

ok i didnt get choices and i didnt really uh… say anything that i didnt already get told im still not ruling out amnesia

also booo i didnt get to find out how old i was

master tortimer rlly looks like the ultimate ketamine yoda

LMAO THERE WAS A DIALOGUE OPTION 2 CALL JUHANI A CATGIRL

omg kashyyk from jedi fallen order!!!

I CAN UPGRADE MY LIGHTSABER THIS IS JUST LIKE JFO

omg this ship is fun i wish everyone had personalised bunk spaces like hfw… a game which came out 19 years after this i should probably just take what we have

im gonna start w manaan cause im p sure thats what B-dog said n its the same language the droid was speakin

omg hyperspace from star wars

THE GUY THE BUILDING FELL ON???

am i having dreams abt revan bc bastila killed revan and im connected to her this is so roundabout

maybe i'd sleep better if my ponytail wasnt clipping into the pillow

[kiwi accent] six

carth needs a xanax every time i think we're friends he stops trusting me

also lmao he actually pointed out how wild it was that a day one padawan is being sent on this uber important mission and HES RIGHT IT IS WEIRD!! i thought it was main character logic but he's calling it out

i really really like the sense of unease that's setting in like at first i thought it was just cause im not used to 2003 games but no this is on purpose bc carth my friend carth keeps calling it out

THERE IS A CHILD ON MY SHIP ??????????????????

lmao the representative for menaan is roland wann. its like poetry it rhymes

there are no cameras in the sith hangar <3 rookie error i can commit crimes now

bastila's favourite hobby is getting shot and walking into my grenades

this isnt a combat system this is a missing system

I GOT ARRESTED???? IM JUST A GIRL

nvm i had a datapad that said the sith were evil so theyve let me go free and we're besties

why do i feel like ive just walked into an underwater horror mission

this suit waddles at the speed of a penguin on fentanyl

i tamed the beastie this is like how to train your dragon

MALAK FIRED ON REVAN?????? WERENT THEY BEST FRIENDS???????

but maybe revan escaped when bastila wasnt looking THEYRE FINE THEYRE OUT THERE SOMEWHERE. I BELIEVE

so hopefully when we run into revan they'll be like agh i changed my ways cause of the being shot thing and they'll be my bestie

great news i successfully communicated w the ship child and gave her back to dantooine. my girl has shockingly good linguisitics skills

bastila is so dour "oh watch out for the dark side" GIRL I AM. I NEED TO GET THE BEST GRADE IN GAME MORALITY

ok OFF TO KASHYYK i hope cal kestis is there… thru the force i guess… bc he wont be born for another 4000 years but its whatever

omg you'll never guess what. another vision. wow its one of the thangs. cool this is a tomorrow me problem

[libraford]

A local organization here has released a list of books that they feel are imperative to have in the time ahead. The list was not easily shareable, so I copy-pasted it here.

There is no need to read all of these, but one thing you can do that takes little effort is call your library and see if they have them in stock.

If you are moneyed, you can buy some copies and put them in little free libraries.

EDUCATING FOR ADVOCACY BOOK LIST

All books are written by authors from that culture

BOOKS FOR ADULTS

(2024) Be a Revolution: How Everyday People are Fighting Oppression and Changing the World - and How You Can, Too by Ijeoma Oluo

Each chapter discusses how someone is advocating for oppressed populations

and has examples of how others can do the same or similar.

(2024) The Message by Ta-Nehisi Coates

The author travels to Senegal, South Carolina and Palestine and grapples with deep questions and emotions.

(2023) Better Living Through Birding: Notes From a Black Man in the Natural World by Christian Cooper

A memoir of a Black man learning to claim space for himself and others like him.

(2022) Myth America: Historians Take On the Biggest Legends and Lies about Our Past Edited by Kevin M. Kruse and Julian E. Zelizer

The title explains it so well.

(2022) South to America: A Journey Below the Mason Dixon to Understand the Soul of a Nation by Imani Perry

History, rituals, and landscapes of the American South and why they must be understand it in order to understand America.

(2022) Memphis by Tara M. Stringfellow

Tells the story of 3 generations of a Southern Black family in Memphis.

(2021) How the Word is Passed: A Reckoning with the History of Slavery Across America by Clint Smith

An exploration of important monuments and landmarks in the USA that show

how slavery has been foundational in the development and history of our country.

(2021) The Sum of Us: What Racism Costs Everyone and How We Can Prosper Together by Heather McGhee

The title explains it.

(2021) The Seed Keeper by Diane Wilson

Historical fiction telling the story of several generations of a Dakota family

(2020) The Good Immigrant: 26 Writers Reflect on America edited by Nikesh Shukla and Chimene Suleyman

26 authors share their stories of living in the USA.

(2020) Caste: The Origins of Our Discontents by Isabel Wilkerson

Examines the unspoken caste system that has shaped America and shows how we continue to be defined in this way..

(2020) This Is What America Looks Like: My Journey from Refugee to Congresswoman

by Ilhan Omar

This title explains it.

(2019) The 1619 Project: A New Origin Story by Nikole Hannah Jones (among others)

Reframes our understanding of American history by placing slavery and its continuing legacy at the center of our national narrative.

(2019) Things are Good Now by Djamila Ibrahim

Stories of how migrants sort out their lives in foreign lands.

(2018) So You Want to Talk About Race by Ijeoma Oluo

An examination of race in America.

(2018) I’m Still Here by Austin Channing Brown

A memoir telling her journey of learning to love her blackness while navigating America's racial divide.

(2018) If They Come for Us by Fatimah Asghar

Poetry that captures the experience of being a Pakistani Muslim woman in contemporary America, while exploring identity, violence, and healing.

(2016) Stamped from the Beginning: The Definitive History of History of Racist Ideas in America by Ibram X. Kendi

Traces the history of Black America.

(2015) Between the World and Me by Ta-Nehisi Coates

A memoir, in the form of a letter to his young son, telling his personal experiences with racism and violence in the United States.

(2015) My Seneca Village by Marilyn Nelson

Poetry and information about Seneca Village – a multi-racial, multi-ethnic neighborhood in the center of Manhattan (Central Park ) that thrived in the mid-19th century.

(2014) An Indigenous Peoples' History of the United States by Roxanne Dunbar-Ortiz

Tells the 400+ years of US history, from the perspective of Indigenous peoples

(2013) Braiding Sweetgrass: Indigenous Wisdom Scientific Knowledge, and the Teaching of Plants by Robin Wall Kimmerer

Explores the place of plants and botany in both Indigenous and Western life.

(2010) The Warmth of Other Suns: The Epic Story of America’s Great Migration by Isabel Wilkerson

Follows the stories of three Black Americans’ migration journeys from Mississippi, Florida and Louisiana.

(2010) The New Jim Crow: Mass Incarceration in the Age of Colorblindness

By Michelle Alexander

Explains how we haven’t ended, but have redesigned, the caste system in the U.S.

(1972) Lame Deer, Seeker of Visions by John (Fire) Lame Deer and Richard Erdoes

Told by Lame Deer, a Lakota medicine man, this memoir teaches the history of Indigenous people in the USA.

BOOKS FOR GRADES K-12

GRADES 7 - 12

(2021) Firekeeper’s Daughter by Angeline Boulley

The novel's main character is a young woman with a French mother and an Ojibwe father, who often feels torn between cultures.

(2021) The 1619 Project: Born on the Water by Nikole Hannah-Jones and Renée Watson

Illustrated by Nikkolas Smith

Tells the story and consequences of American slavery in verse.

(2020) Stamped: Racism, Antiracism, and You by Jason Reynolds and Ibram X. Kendi

Shorter and appropriate for middle and high schoolers.

(2020) All Boys Aren’t Blue by George M. Johnson

Series of personal essays about the author’s life growing up as a gay, black man.

(2020) Dictionary for a Better World: Poems, Quotes, and Anecdotes from A to Z by Irene Latham and Charles Waters Illustrated by Mehrdokt Amini

Explained in title.

(2020) Woke: A Young Poet’s Call to Justice by Mahogany L. Browne with Elizabeth Acevedo and Olivia Gatewood Illustrated by Theodore Taylor III

Poetry about fighting for racial justice through joy and passion.

(2020) Be Amazing: A History of Pride by Desmond Is Amazing Illustrated by Dylan Glynn

The history of Pride, with bold illustrations, focusing on the importance of embracing one’s own uniqueness and tuning out the haters.

(2020) Dear Justyce (Dear Martin #2) by Nic Stone

Continues the story of Justyce from Dear Martin in a series of flashbacks and letters.

(2020) Punching the Air by Ibi Zoboi and Yusef Salaam

A novel in verse about a boy who is wrongfully incarcerated.

(2019) Gender Queer: A Memoir by Maia Kobab

The author tells the story of life as a nonbinary person in graphic novel form.

(2019) An Indigenous Peoples' History of the United States for Young People original book by Roxanne Dunbar-Ortiz adapted by Debbie Rees and Jean Mendoza

Shorter and appropriate for middle and high schoolers

(2017) Sea Prayer by Khalad Hosseini Illustrated by Dan Williams

Written as a poetic letter, from father to son, this is a story of the journey of refugees.

(2017) Dear Martin (Dear Martin #1) by Nic Stone

A story of the realities of a Black teen living in America.

(2015) All American Boys by Jason Reynolds and Brendan Kiely

From the perspective of two teenage boys, one Black and one White, a story is told with the realization that racism and prejudice are still alive and well.

(2015) Beyond Magenta: Transgender and Nonbinary Teens Speak Out by Susan Kuklin

The author interviewed six transgender for gender-neutral young adults and lets

them tell their story.

(2011) Heart and Soul: The Story of America and African Americans written and illustrated by Kadir Nelson

The title explains it well

GRADES 4 - 6

(2023) An American Story by Kwame Alexander illustrated by Dare Coulter

Tells the story, poetically and honestly, about American slavery

(2023) Step by Step!: How the Lincoln School Marchers Blazed a Trail to Justice

by Debbie Rigaud and Carlotta Penn illustrated by Nysha Pierce

Tells the story of a group of Black mothers and children and their two-year march to integrate an Ohio elementary school.

(2022) Say Their Names by Caroline Brewer illustrated by Adrian Brandon

A young Black girl leads a #BlackLivesMatter protest march.

(2021) Stamped (For Kids): Racism, Antiracism, and You by Jason Reynolds and Ibram X. Kendi.

Shorter, more kid friendly version of Stamped from the Beginning.

(2021) Unspeakable: The Tulsa Race Massacre by Carole Boston Weatherford illustrated by Floyd Cooper

Traces the history of this African-American ‘Wall Street District’ and its destruction by White supremacists.

(2016). I Dissent: Ruth Bader Ginsburg Makes Her Mark by Debbie Levy illustrated by Elizabeth Baddeley

The life and work of RBG told in picture book form.

(2008) Silent Music: A Story of Baghdad written and illustrated by James Rumford

Ancient and recent history of Baghdad from the perspective of a young boy.

(2005) Show Way by Jacqueline Woodson illustrated by Hudson Talbott

Traces the history of the ‘show way’ quilt from slavery through freedom.

(2005) My Name is Bilal by Asma Mobin-Uddin illustrated by Barbara Kiwak

Muslim-American student experiencing religious prejudice.

(2005). Amelia to Zora: Twenty-Six Women Who Changed the World by Cynthia Chin-Lee Ilustrated by Megan Halsey and Sean Addy

An alphabet book that teaches about the extraordinary lives of 26 women.

(1978). The Other Way to Listen by Byrd Baylor and Peter Parnall

Helps children learn about indigenous cultures.

GRADES PRE-K - 3

(2023) These Olive Trees: A Palestinian Family’s Story written and illustrated by Aya Ghanameh

A story of a young girl and her family in Nablus, Palestine, 1967

(2020). Antiracist Baby by Ibram X. Kendi illustrated by Ashley Lukashvsky

Teaches young children how to be an antiracist.

(2016). When We Were Alone by David A. Robertson and Julie Flett

A young, indigenous girl learns about her grandmother’s experience in a

residential school.

(2013). A is for Activist by Innosanto Nagara (board book)

An ABC book that teaches children about being an activist.

[melaninfury]

Synastry Observation 🕯️

Please don't take this as astrological facts. These are more my experience and perspective. The whole chart and aspects must also be considered.

👥 As much as I love a good moon in the 11th, I do recall every person showing some sort of over interest in my longterm goals and who I am friends with. It kinds gives they feel some type of way about the friends you make or can get very personally offended by the way you go after your goals and even the community you’re in. Of course more with affliction and squares to your eighth.

👥 I always recommend if looking into synastry for families/generational curses/childhood trauma/familial bonds to look at their Lilith energy between each other. My family member who birthed me has their Lilith retrin my 12th house. I always think they are trying to have power over me subconsciously or questioning my mental health (12 house). Over all a hidden opp at times but very dedicated and nosey on what plans or how to crack your code.

👥 Saturn in the 8th house is oppressive in synastry in many ways if not balanced. I find these individuals are pocketwatchers to your debt towards them even when they give it comes with some resentment.

👥 Yes that mans venus is touching exactly on your mars, I think your attracted and may want to you know. Yes your venus is touching their mars … yes they want you or maybe they have thought about it. In context to most sexual and relationship area this aspect creates the right tension. It is not as direct as mars wanting you in the first house it is a take you out to dinner first kind of fuck you.

👥 Mars in the 1st house either wants to fuck you, compete with you or argue, fight with you or just all of the above. At some point 🤷🏾‍♀️ to some degree maybe so.

👥 Uranus in the 9th may feel estranged to your dreams/goals/ideologies. They may come from a different religion that may demonize or judge your beliefs. They feel your way of life is a revolution to their own. It either tears you down or feels welcomed by its difference.

👥 If your parent has their neptune in your 10th house of Career/Legacy/Who your parents want you to be/Your social status...I do feel for the way they project and want to control you. Very controlling of the narrative of who you want to be. They project their own failures and need to do what they never got to do. Then they hold you to a lot of standards to make sure you turn out the way they want. They want you to live the life they projected onto you at birth or really young. Weird effect of Neptune/Afflicted Neptune/Capricorn Neptune in Saturn’s House

👥 10th house synastry is superficial. If I were to say anything else. No matter the placement, they all manifest this differently but in the same energy. If someone is falling on top of your tenth house make sure your relationship isn't based on appearance or the "idea" of you and what you bring into their status (life).

👥 As much as that Moon/Mars is gonna draw you is as much as it’s gonna fuck you over....you will be annoyed by what drew you in 😬. With this synastry are you ready to be madly in love on the plight than the mars actions that disrupt or activate the hidden emotional world of the moon, make you think your not 😃. if you don’t really want to feel that feeling, tension and resistance even though this is someone you want I recommend taking that shit slow please.

👥 See my problem with 8th house energy is its attention. Your sexual partners mars or moon falling in your 8th can really make them want you in that way but it’s the house of debt and others peoples money it’s inherently shadow like and has a touch of mystery. Like stop making secret passes at that lady in the dark or giving the eyes. Stop taking someone out to eat and taking them back to your place. Stop not ignoring the urge to touch….and touch…and touch all the time. Being so goddamn intimate. Yes that shit can turn really ugly really quick. And your not gonna “die” per say from synastry like this in the house of death but when they leave or if they hurt you it’s gonna hurt just as much as it felt good in the moment. You might feel like a part if you is actually dying. But y’all stay safe out there 🙂.

👥 Jupiter in your 7th house you say…well I SAY you want that man to be your husband, that woman to be your wife, their soul to be your equal, you want that partner title with them because they fit into your world and they elevate in the way you dream. Maybe they are your dream but I think you like em a bit to much, Jupiter is an abundance is it not, for better or for worse.

©️ All rights reserved melaninfury

[comicaurora]

A bit of a strange question, but if there were any of your videos you were to "remake" today for any reason (ex: you feel like you misrepresented the original text or spread misinformation), which would it be and why? None of them is a perfectly valid answer

Again: bit of a strange question, but I've been thinking about my own creations and how I could have done so much better with some of them, but I also know that is a sign of my growth and constantly chasing "what if I did this instead" isn't always healthy for nurturing a creative mindset, and I was wondering what your opinion might be as a Creator of Things with a bit more experience than I

There's been a few trope talks where I've thought later of other angles I could've explored that might warrant sequels or part 2s, but I don't dislike any of the summaries enough to justify a rework.

I always find "I could've done this better if I made it now" to be a bit of a fallacy. I'm only better at making things now because I made all those earlier things. If I knew everything I'd learn from making a project before I started the project, it wouldn't come out the same.

I think when it comes to the "rework remake perfect" instinct, it helps to zero in on what the impulse is really grounded in. In my experience, more often than not, it's not actually about making the art better, except incidentally. It's usually about showing that you are better. It's demonstrating your competence and your higher standards and your skills, and more importantly it's overwriting the proof that you were once less than perfect. If people look at your old work and think that's all you're capable of, they'll be judging you poorly!

If that's the motivator, it's a very unhelpful one. You can't control for being harshly or incorrectly judged. It's a fruitless effort to stave off potentially upsetting outdated criticism, and it's not even going to work. Fear of critique is an unreliable and untrustworthy motivator.

If it really is about making the art itself better, perfecting your magnum opus with your newly leveled-up skills, that's a little more solid. But from where I'm standing, it's always better to use those skills to make something new instead of polishing something old. The older, unpolished work has already acquired its audience that finds it appealing for reasons that might never occur to you. Trying to bury or overwrite it just deprives that audience of the thing they like, and maybe makes them feel bad for having liked it in the first place. Also, usually when you look back on the older work, you'll conclude that the problem is everything and it'll need to be torn down and started from scratch. I know when I revisited the first three chapters of the comic, when I let my critic brain spin up, it wasn't shading or lineart I wanted to fix - it was panel composition, overall pacing, the entire structure of the chapters as a whole. I would've had to make them all over again to be happy with them, and they wouldn't be the same story by the end.

I've been thinking a lot about the Discworld through this lens lately. It ended up over 40 books long, but everyone agrees that the first two are not what you should start with, because they're the worst ones. They're entirely parodic, purely referential of at-the-time major fantasy series, and borderline mean-spirited in places. If you haven't read Fafhrd and the Gray Mouser and Dragonriders of Pern, you're not gonna understand like a full 50% of The Colour Of Magic.

It's clear that when he started in on them, Pratchett was entirely focused on taking the piss out of a genre he found mostly shallow and unimpressive. But the Discworld wouldn't leave his head, and everything he made fun of he clearly eventually found himself overthinking. He'd make little one-off jokes in the early books about Dwarves having no women and a hundred words for gold, and then twenty books later he'd have a Dwarf gender revolution make waves across the Disc, and then he'd write Thud!, a book that delves deeper into the nuances of Dwarf societal structure than Tolkien ever did.

If you look for them, there are continuity errors everywhere in Discworld. In his introductory book, Carrot defused a dwarf bar full of rowdy brawlers by guilting them all into writing to their poor lonely mothers back home. Shortly thereafter, Carrot will be outraged at the mere concept of an openly female dwarf. Pratchett even eventually wrote Thief of Time, a book that loosely explains that the Disc makes no sense because history has been broken and put back together incorrectly twice, and therefore any continuity errors are because of that.

He's the writer. He could've gone back and fixed it, edited the reprints to be less disruptively discontinuous with the later books. Instead he continuously moved forward and allowed the world he made to grow without cutting it off from its roots. And because he didn't bury his older, far worse work, we have the privilege of following the Disc's evolution from the very start, and seeing how this shallow, stock fantasy world parody became something incredibly rich and complex without ever pretending like its early installments never happened.

Anyway, that's why I think it's better to move forward. You make more good stuff that way.

[autismparadise]

I'm gonna be meeting up with someone local-ish to hopefully discuss plans for a photography project centered around trans people... wish me luck!!

[kaiserin-erzsebet]

I would LOVE to hear more gripes about accuracy of portrayal of historical monarchies!!!

I have been wanting to do this for a while, because there is a lot that irks me. And this ranges across board from big budget period dramas to how people write royalty AUs, which means this isn't one specific thing I'm pointing at. And if it is helpful on a writing tips level, I'll be happy with that.

Long post under the cut:

Disclaimers:

I research 19th century European history, which has a lot of questions about what a monarchy is and why they continue to exist. That's the perspective I am bringing to this.

I probably shouldn't have to say this, but: this is not about modern monarchism. This is about history. I don't want to debate whether you think certain countries should continue to have their monarchs be public figures who are only nominally head of state.

The short version:

Monarchies are institutions. They are part of how the government functions and that should have implications for how someone writes them. A monarch is a person with a built in job that they were born into.

Monarchies are not all absolute. They can exist in a multiple forms with very different structures, and often discontent within a monarchy wants to reform the system not replace it.

My biggest advice would be this: figure out how your fictional or historical monarchy is structured. You don't have to exposit about it, but you do need to know it.

The long version:

The King has a job and there is a right and wrong way to do it.

Fantasy monarchies that draw upon history seem to have Versailles in mind in terms of an aesthetic space and royalty with a lot of power over the people around them. This also includes a lot of lounging around and looking pretty and doing lavish things. However, the issue is that this is a mental image of the dysfunction in the French monarchy close to the revolutions. You can't "Après moi, le déluge" through several centuries of government.

A King (or Queen) has a job, a really important one. They are the head of state, the highest authority in the country, and the highest judge on legal matters. At least in the platonic ideal of absolute monarchy, those jobs being concentrated into one person means their responsibility and good judgement will give the state stability and consistently.

Enlightened absolutism was exactly that: monarchs staunchly holding onto the ideals of the Enlightenment and making reforms from the top down. People who read texts about ideal government and natural rights and put it into practice.

A lot of fiction takes that and goes: Oh, so they have unlimited power and can do whatever they want. Being king means you can do what you want without oversight? That's why someone would want to be king?

And yeah, sure, in theory. But the problem with having a job is that you can do it poorly and people will object to you doing it poorly. If someone is not fulfilling obligations, it is noticeable because the state functions poorly. The premise of Robin Hood is that the king is doing his job poorly. He's overtaxing, the officials are corrupt, there's disorder. The solution? Bring back the true king who is good and fair, and thus functional.

Ludwig II of Bavaria gets ousted from his throne for being more interested in opera and extravagant building projects than ruling. Again, it is a problem and people notice.

Historically, if you want to protect from someone being bad at the job you can support the idea that there should be more oversight and safeguards: Other bodies that control parts of the government alongside the king's ability to approve or disapprove. This tactic takes away the ability to be arbitrary since laws and such are not just coming from the crowned head of state. That would be a constitutional monarchy.

Not everyone needs to be Franz Joseph, waking up at the crack of dawn and working on governmental papers and meetings until bedtime. However, if a monarch is shown in fiction lounging around or talking to courtiers all day but never doing any actual governing, I'm going to assume they are very bad at their job.

2. You're probably understanding Courts and Ministers wrong.

I run into the issue quite a bit that courts are flattened to random servants, ladies-in-waiting, and people trying to be the king's sole advisor (for malicious power grabbing reasons).

The first problem: Being at court isn't an easily accessible thing. You're probably nobility or a scion of an important family. Your presence is built on family prestige and your own skill. Yes, even people in service to the monarch. There are no random people here, because proximity heightens the likelihood of greater promotion.

For example, I'm currently doing my research on a prince from an important dynasty in the 19th century. His secretary is a Baron.

It's not impossible for someone not of noble birth to get to be at court. They could have risen up the ranks of the army or be an exceptionally skilled civil servant promoted to the rank of minister. Though depending on the time period, expect these "new men" to get pushback from nobility by blood.

Ministers also matter.

Unless your fictional monarch is one of the few people who decides (to mixed results) to do all of the thinking about government on their own, there is a cabinet and ministers.

These are skilled people whose job is to think about aspects of government and be knowledgeable about them. A monarch might have many of them that argue and balance each other.

Or, you can write a particularly skilled statesman in a leading role that makes them just as prominent as the monarch if not more so. There are many historical examples of ministers who define their period:

If your monarch character isn't a strong person politically, but is intelligent, having them find a minister to take over most of the governing is a good idea. This person is promoted based on merit, even if the monarchy is hereditary.

I have rarely if ever seen fiction do a good job with a prominent minister as a character (except A Royal Affair, which everyone should watch).

Think of monarchies as whole institutions of government. They have people within them who do all the jobs of governing. But the structure of the government and the personality of the monarch can determine whether it is one person (Joseph II, Peter the Great, etc.), a prominent minister (like a Metternich or Bismarck) or a counsel or congress.

The structure can support a person not doing a lot as monarch, but you as a writer need to think what structures are around them allowing that.

3. Revolutions are scary.

There is a common trend in fiction to make your good guys pro-republic. They're revolutionaries who want to get rid of the king, so they must be good.

But here's the thing: Revolutions are a step into the unknown and have historically happened rather rarely and with very mixed results. That's because the system has to be really broken for something totally new to sound better than what you already have.

A monarchy can create a sense of stability: A fixed head of state who will be there until they die. Historically, people aren't seeking to change that. More often, the call is for a change within the existing structure. The Magna Carta or a written Constitution. Firing of Bad Ministers or the abdication of a bad king in favor of their heir. Creating elected bodies under the sovereign. These are all shifting the monarchical paradigm but keeping the monarchy intact.

And historically even the most liberal of people wanted to place restrictions of some sort on voting, especially property and gender restrictions.

There is a myriad of ways to change the system, the person at the top, or both while maintaining a monarchy. You can have a monarchy be elected as the best person among the nobility (though it didn't go that well for the Polish-Lithuanian Commonwealth).

Completely throwing the whole thing out means risking all stability vanishing. That could be anarchy. That could mean a charismatic strongman who is also bad at governing in power. You could end up with a guillotine and rivers of blood in the streets. You could end up with a restoration eventually because Cromwell or Robespierre doesn't actually produce something people want to live under and they want the old certainty back.

People have a sense of inertia about changing government. What you have is better than what you don't know, especially if there can be internal reform. Making your character a Republican (in the Jacobin sense, not the US politics sense) means that they are a radical in most times and places and will likely be in the minority.

If there is one thing I would say is the point here is that monarchies are government systems, and thinking through how someone exists in that system in fiction is important. Being king isn't actually much of a fun job unless you're very good at delegating or very irresponsible. Unless you want to be celebrity, president, congress, and moral center of the state all in one, being king isn't a great deal.

[andy-15-07]

The Father's Heart

PAIRING:Pedro Pascal x reader

WORD COUNT: 2076| requests are open (send requests, I will gladly answer them all)

Pedro Pascal Masterlist

The aroma of freshly brewed coffee filled the cozy kitchen. Y/n hummed softly as she flipped pancakes, the sizzle a comforting counterpoint to the gentle chatter of her family. Pedro sat at the kitchen island, scrolling through his phone, a thoughtful frown creasing his brow. Their youngest, Leo, a whirlwind of energy at eight years old, was attempting to build a tower out of cereal boxes, while their middle child, Mateo, fourteen and perpetually attached to his headphones, mumbled something about needing more syrup. Elena, their eldest, sixteen going on seventeen, was the last to arrive, a vision of effortless cool even in her pajamas.

"Morning, sleepyhead," Y/n greeted, placing a stack of pancakes in front of Elena.

"Morning, Mom," Elena mumbled, giving her mother a quick kiss on the cheek. She glanced at Pedro, a flicker of something unreadable in her eyes, before grabbing a fork and digging in.

Pedro watched her, his frown deepening. He’d been doing some thinking, some serious thinking, and he wasn't entirely sure he liked where his thoughts were leading him. He cleared his throat.

"Elena," he began, his voice carefully neutral.

Elena looked up, a question in her eyes.

"Your… friend, Ethan," Pedro continued, choosing his words carefully. "He's coming over later, right?"

Elena nodded, her cheeks flushing slightly. "Yeah, he said he'd be here around two."

"Two," Pedro repeated, the word hanging in the air. He glanced at Y/n, who gave him a subtle ‘don’t you dare’ look. He ignored it. He was a father. It was his job.

"So," Pedro continued, "what exactly are you two planning on doing?"

Elena’s flush deepened. "Just… hanging out," she mumbled, avoiding his gaze.

"Hanging out," Pedro repeated again, the words laced with suspicion. "Doing what, exactly?"

"Dad!" Elena exclaimed, her voice rising in exasperation. "We're just going to watch a movie or something. Maybe work on our history project."

"History project," Pedro echoed, unconvinced. He knew teenagers. He’d been one himself, a lifetime ago. "What's this project about?"

"The French Revolution," Elena replied quickly, a little too quickly, Pedro thought.

"The French Revolution," he repeated, nodding slowly. "Interesting. Tell me, Elena, what was the primary cause of the French Revolution?"

Elena blinked, caught off guard. "Uh… economic inequality?" she stammered.

"And the Reign of Terror?" Pedro pressed.

Elena’s eyes darted around the room. "Robespierre… guillotine… lots of people died?"

Pedro sighed. "Elena, I’m not trying to grill you on your history project. I just… I want to know what you’re doing. I want to know who you’re spending your time with."

"Dad, I know you don't like Ethan," Elena said, her voice low.

"I didn't say that," Pedro countered, though it wasn't entirely true. He didn't dislike Ethan, exactly. He just… he was sixteen. Sixteen and full of… hormones. And Elena was his little girl. Always would be.

"You don't have to say it," Elena retorted. "I can tell. You’re always giving him the ‘look’."

Pedro knew exactly what ‘look’ she was talking about. The ‘I will disembowel you if you even think about breaking my daughter’s heart’ look. It was a work in progress, he’d admit.

"Elena," Y/n interjected gently, "your father just cares about you. He wants to make sure you’re safe and happy."

"I know, Mom," Elena said, her voice softening. "But I'm not a little kid anymore. I can make my own decisions."

"About some things, yes," Pedro said, "But some things… some things your mother and I still get a say in."

"Like what?" Elena challenged.

"Like… like who you spend time with," Pedro said. "Like… making sure you’re not getting into any trouble."

"Dad, I'm not going to get into trouble," Elena said, rolling her eyes.

"I know, honey," Pedro said, reaching across the island to take her hand. "I trust you. I do. But… Ethan… he’s a nice boy, I’m sure. But he’s still… young."

"So am I!" Elena exclaimed.

"That’s my point," Pedro said. "You're both still figuring things out. And I just… I don't want you to get hurt."

"Dad, everyone gets hurt sometimes," Elena said. "That's just part of life."

"I know," Pedro said softly. "But I don’t want you to get hurt unnecessarily. I don’t want you to make any mistakes you’ll regret later."

"I won't," Elena promised, though Pedro could see the flicker of doubt in her eyes.

"Okay," Pedro said, finally relenting. "Okay. Ethan can come over. But," he added, pointing a finger at her, "the French Revolution better be discussed. And," he added, glancing at Mateo, who had finally removed his headphones and was listening intently, "no funny business."

Mateo snorted. "Dad, please."

"I’m serious," Pedro said, his gaze sweeping over all three of his children. "I love you all. More than anything in the world. And I’ll do anything to protect you. Even if it means being the overprotective dad."

Elena smiled, a genuine smile that reached her eyes. "I know, Dad," she said. "We love you too."

The tension in the room dissipated, replaced by a warm, comfortable silence. Y/n smiled at her family, a feeling of contentment washing over her. They weren't perfect, not by a long shot. But they were hers. And she wouldn't trade them for anything.

Later that afternoon, Ethan arrived, a shy, lanky boy with a mop of brown hair and a nervous smile. Pedro greeted him at the door, his ‘look’ firmly in place. Ethan swallowed nervously, but managed a polite "Hello, Mr. Pascal."

"Ethan," Pedro replied, offering a curt nod. "Come in."

He led Ethan into the living room, where Elena was waiting. "Hey," she said, giving Ethan a quick hug.

"Hey," Ethan replied, his cheeks turning a delicate shade of pink.

Pedro watched them, his eyes narrowed slightly. He cleared his throat. "So," he said, "the French Revolution, huh? Big topic."

Ethan blinked. "Uh, yeah. We have a presentation to do."

"A presentation," Pedro repeated. "Interesting. What aspect of the French Revolution are you focusing on?"

Ethan looked at Elena, who gave him an encouraging smile. "We’re looking at the role of women in the revolution," he said.

"The role of women," Pedro repeated. "Fascinating. Did you know that Marie Antoinette…"

And so began a lengthy discussion about the French Revolution, with Pedro occasionally interjecting with historical facts and anecdotes. Ethan, to his credit, held his own, demonstrating a surprising knowledge of the subject. Elena, meanwhile, seemed amused by the whole exchange, occasionally rolling her eyes at her father’s over-the-top protectiveness.

As the afternoon wore on, Pedro’s ‘look’ softened. He could see that Ethan was a respectful young man, and that he genuinely cared about Elena. He still had his reservations, of course. But he was starting to realize that he couldn't protect Elena from everything. All he could do was offer her guidance, support, and unconditional love.

Eventually, it was time for Ethan to leave. "Thank you for having me, Mr. Pascal," he said politely.

"You’re welcome, Ethan," Pedro replied, offering a genuine smile. "Just… take care of her."

Ethan nodded. "I will, sir."

He turned to Elena, giving her a quick kiss on the cheek. "I’ll see you tomorrow," he said.

"See ya," Elena replied, a soft smile playing on her lips.

After Ethan left, Pedro turned to Elena. "He seems like a nice young man," he said.

Elena nodded. "He is," she said.

"Just… be careful," Pedro said.

"I will, Dad," Elena promised. "I know you’re just trying to protect me."

Pedro smiled. "That’s my job," he said.

He pulled Elena into a hug, holding her close. She was growing up so fast. It seemed like just yesterday she was a little girl, playing with dolls and dreaming of being a princess. Now, she was a young woman, navigating the complexities of life and love. And he, her father, would be there for her every step of the way.

Later that evening, after the kids were in bed, Pedro and Y/n found themselves alone in the kitchen, the quiet hum of the refrigerator the only sound. Y/n was washing dishes, while Pedro leaned against the counter, a thoughtful expression on his face.

"So," Y/n said, breaking the silence, "what did you think of Ethan?"

Pedro sighed. "He seems… polite. Respectful. Nice enough."

"But?" Y/n prompted, knowing there was a ‘but’ coming.

Pedro hesitated. "But he's still sixteen. And Elena… she's my little girl. It feels like just yesterday I was teaching her how to ride her bike, and now… now she's dating."

Y/n chuckled. "I know what you mean. It's hard to believe how quickly they grow up. It feels like just yesterday we were bringing her home from the hospital."

Pedro nodded, a wistful look in his eyes. "She was so tiny. So fragile. And now… she's this beautiful, intelligent young woman. And I just… I don't want anything to hurt her."

"I know, honey," Y/n said softly, drying her hands and turning to face him. "But you can't protect her from everything. She has to learn to navigate these things on her own. We can guide her, support her, but we can't shield her from the world."

"I know," Pedro said, running a hand through his hair. "It's just… it's hard. Seeing her with him… it makes me realize how much time has passed. How quickly she's growing up."

"I feel it too," Y/n admitted. "But that's a good thing, isn't it? It means we've done our job. We've raised her to be a strong, independent young woman."

"I hope so," Pedro said. "I just… I don't want her to make any mistakes she'll regret."

"She will make mistakes, Pedro," Y/n said gently. "Everyone does. The important thing is that she learns from them. And that she knows we'll be there for her, no matter what."

Pedro nodded, his gaze softening. "You’re right. You always are."

He reached out and took her hand, his fingers intertwining with hers. "Thank you," he said. "For everything. For being such an amazing mother to our children. For… for putting up with me."

Y/n smiled. "You’re not so bad," she teased. "Most of the time."

Pedro chuckled. "I love you," he said, pulling her close.

"I love you too," Y/n replied, resting her head on his chest.

They stood there for a moment, wrapped in each other's arms, the silence once again filled with a comfortable warmth. They knew that the road ahead wouldn't always be easy. There would be challenges, and heartbreaks, and maybe even a few French Revolution debates. But they would face them together, as a family. And that's all that mattered.

A few weeks later, Pedro found himself having another conversation with Elena, this time about her future. She had been accepted to a summer program for aspiring writers, a program that would take her out of state for six weeks. Pedro was… hesitant.

"Six weeks?" he repeated, his brow furrowed. "That's a long time."

"I know, Dad," Elena said, "But it's an amazing opportunity. It could really help me with my writing."

"I know, honey," Pedro said. "It's just… I'll miss you."

Elena smiled. "I'll miss you too, Dad. But it's only six weeks. And I'll call you every day."

"I know, I know," Pedro said. "It's just… you're growing up so fast. It feels like just yesterday you were asking me to read you bedtime stories."

Elena laughed. "I still like you to read me stories sometimes," she admitted.

Pedro smiled. "I know you do," he said. "And I always will. No matter how old you get."

He looked at her, his eyes filled with love and pride. She was so talented, so passionate. He knew he couldn't hold her back.

"Okay," he said finally. "You can go. But," he added, pointing a finger at her, "you better call me every day. And," he added, his gaze softening, "be careful. Okay?"

"I will, Dad," Elena promised. "I love you."

"I love you too, sweetheart," Pedro said, pulling her into a hug.

He knew that letting her go was the right thing to do. It was part of growing up, part of becoming her own person. And as much as it pained him to see her go, he knew that he had to let her fly. All he could do was be there for her, waiting for her return, ready to catch her if she fell. Because that's what fathers do. They protect. They guide. And they love. Unconditionally. Always.