#also i don't like rauru and don't like having to acknowledge his existence :(

[girlbogg]

sometimes an idea for a Triforce Trio fanfic will pop into my head. and my initial vision is vaguely inspired by the current wilds-era versions of the characters. and i think ok, great, i should write that. And then i start to write. and then i am forced to think about the worldbuilding in totk, especially surrounding ganon and the gerudo. and i begin to bleed from my eyeballs due to how much it sucks. and so i sigh and press backspace and make the fic about older, au-ish versions of the oot characters instead 😔

[gay-jesus-probably]

Let me just preface this by saying everyone is allowed to have their own opinions, TOTK is a really fun game, and I'm glad that other people have been able to enjoy the story as well.

...But I'm being dead serious with my complaints about the narrative being 100% imperialist propaganda. And I'm getting really tired of people replying to those posts by saying it can't be imperialist propaganda, because imperialism is bad and the game says that Hyrule is the good guys.

Like, guys. That's not the argument you think it is. Yes, I am aware that the game tells us Ganondorf is a flat, one dimensional character with no ambitions, interests or motivations beyond destroying the entire world for the hell of it, and also it's totally not racist because he's green, not brown like literally every other member of his race. Unfortunately literally all of these things are kind of the entire goddamn problem.

See, the thing is, everyone trying to make these arguments is accepting the game at face value. Hyrule is the perfect and almighty nation chosen by the demigod Zonai, and whose royal family has the right to rule due to their divine heritage. The other races exist to serve the glory of Hyrule, and they're happy to do it. Ganondorf is pure evil and must be stopped at any costs.

But that's not how anything works. The story informing me that Hyrule is the ultimate good that has done nothing wrong is the whole goddamn reason why I don't trust Hyrule at all. There's always more of a reason than that. And the game fucking suggests there was more going on! Ganondorf mentions Rauru has repeatedly 'invited' the Gerudo to become Rauru's subjects, and let's be clear here, it doesn't matter how peaceful those 'invitations' were, when the guy who owns every single magical nuclear missile in the world repeatedly demands you surrender to him, there's always going to be an implied threat of 'do it or get magically nuked'. Just that power difference alone shows us exactly why Ganon would feel threatened enough to invade. It's because Rauru was holding a gun to his head, and Ganon was expected to just trust that he'd never pull the trigger.

And yes, even if it wasn't intentional Hyrule was always threatening to wipe out the other nations, considering the entire royal family walked around openly wearing their magical nukes as cute accessories. If they couldn't be safely hidden away, there wouldn't be four other secret stones sitting untouched in a vault until the last second.

But that's never acknowledged. Of course Hyrule is the only nation with the right to the secret stones; even if other races get to touch them, they can only have them if they swear eternal blind loyalty and servitude to the glory of King Rauru and Princess Zelda. Ganon wanting to have one magical nuclear bomb out of a stockpile of eight of them is proof that he's dangerous and evil. I mean my god, what if he just walked around all day wearing a magical nuke and using its power for his own benefit, that would be terrifying. It's only okay when Hylian royalty does it.

And you can't argue that Ganon betrayed his own people, considering we don't get to know fucking anything about his relationship with his people. He's shows as the leader of the Gerudo, we're told he's a hero to his people, he has soldiers that loyally follow him into battle... and then oh nevermind, they all hate him and will spend eternity trying to atone for sharing a race with him. How did the entire race do a complete 180 in the span of at most a few months? Who cares, what's important is that now they accept they exist to serve Hyrule so they get to be the good guys now and we don't need to know why they were following Ganondorf, or why they stopped following him.

Basically my point is that yeah, I fucking know how the game insists everything went down. That's the entire reason I think it's imperialist propaganda, because the entire story feels like Hylian propaganda to conceal and justify some horrific atrocities that caused all of this. I literally do not believe that I'm getting the story through reliable narrators, especially considering that the only people allowed to actually tell me the story are all the characters that have the most reasons to be heavily biased in favour of Hyrule.

When the game shows me protagonists that have a massive amount of power and control over the entire world, then says the bad guy doesn't like that system just because he's evil, and literally nothing and nobody in the game says anything to oppose that take, I have some questions about what the fuck the story isn't telling me. And I'd really appreciate it if people would stop trying to argue with me just by telling me to stop asking those questions.

[toushindai]

Seeing your thoughts on Rauru, I am now curious: how do you approach Ganondorf as a character? How does that compare or contrast with how you think about Rauru?

Thank you for the ask and all your thoughtful comments!! I've really appreciated them.

Approaching Ganondorf has been a different, more conscious process from how I approached Rauru; when I sat down to start brainstorming "A Sense of Entitlement" there was very much a moment where I had to ask myself "well, what am I trying to communicate about Ganondorf here?" I felt like, because I was putting all this mental work into complicating Rauru, I owed it to Ganondorf to complicate him as well, but I don't think the game presents quite as many juicy contradictions in Ganondorf's character. The game doesn't really seem interested in a well-rounded Ganondorf, a Ganondorf who has a point in resisting Hyrule's formation. Which sucks! Thank god we've all invented fanfiction and can do whatever we want forever.

It took me a little while to pin down the exact shape of him, but what I did decide on very early was that he is just deeply unhappy, the way a bottomless pit is unhappy. Nothing can fill him up besides being in control and exerting that control cruelly. Trace that backwards a bit--back further than he is willing to trace it, because there could be weakness at its source--and there is a paranoia, an inability to trust: only force and domination can be trusted to be real, anything else will be toppled when a strong enough force comes along. Any ally who does not fall 100% in line must be brought into line or self-evidently cannot be trusted. And then peel that feeling back a little more and I see alienation and a hideous, howling loneliness. A how-do-you-survive-this loneliness. And that's the feeling I place at his core--though it's well and truly obliterated from his conscious awareness.

I like writing about alienation? Not realizing that you're queer and autistic until you're in your twenties will do that to you, eh. The alienation from his people that I see in Ganondorf I do honestly read as a bit of a queer one, specifically, given that he is the only person in his culture who is going to exist in his gender category for the entire length of his lifespan. I think that has to feel pretty weird! I think it has to feel alienating, even if the form the alienation takes is that of putting him on a pedestal as king (but also, I have to assume--I will take the liberty of assuming--still being suspicious of other voe in a way that would be obviously visible to Ganondorf). In the fic I have him speaking of the Eighth Heroine, and while when I originally wanted that to be something he learned from Twinrova to inspire him to take pride in himself and the people he would one day lead, I uh. I had to nix that idea because the story of the Eighth Heroine doesn't accomplish that. It is not a story that would make a male Gerudo feel welcome among his people OR reassure him of his people's power! (It is frankly a bad story.) So instead it's something he found when he was--as a much younger man--searching for any evidence that a voe might have a place integrated into Gerudo society. The answer he found was "lmao not even if you save our entire ass 😌." He does not like this story. But to acknowledge how rejected it made him feel would be to look at something he believes is weakness, so instead he focuses on his disgust that even the Seven Heroines needed the strength of an outsider to conquer their enemy.

He has no place in his culture but he has an inescapably prescriptive place in his culture. He was raised knowing that he would be king, that everything he desired would be given to him because he is male. It is impossible to say textually what Twinrova wanted for him because they are. easter eggs. and so I just had to make it up: and what I decided was that they wanted him to be a conqueror, to lead the Gerudo and take over the rest of the land (solidified at some point during his lifespan into the kingdom of Hyrule). They wanted him to rule the Gerudo and the Gerudo to rule the world; but when Ganondorf lost his faith in his kinswomen he also lost interest in being an arm of the Gerudo and instead just wanted power for power's sake. I said this in a comment response but if the game is not going to give me a Ganondorf who is resisting Hyrule for the sake of his people--if it is going to give me a Ganondorf who, upon ascension to the form of the Demon King, seemingly abandons his Gerudo soldiers (Gerudo soldiers who were on board with his attacks on Hyrule! COME BACK THAT WAS INTERESTING) to go joyriding with a bunch of monsters and a rather cool horse instead--then I am going to make that a part of the tragedy of his character. It is a tragedy that he is so disconnected from his people. It is an enormous gaping hole inside him, this lack of connection with anyone.

But to acknowledge that, to feel it, would be to feel weak, and he cannot ever allow that. So he converts it all into cruelty and hatred and misery. He looks at people who have allied with each other and judges them weak for loving peace, for joining together instead of tearing each other apart. (In the Japanese, I am told, he explicitly hates the Zonai for accelerating this process.) He looks at any subordinate--or frankly at any other Gerudo--who does not fall in line with his agenda of unflinching conquest and scorns them for disloyalty and softheartedness. He hates whatever he sees and that hatred would be all-consuming if he were not so strong, so deliberately in control of himself. NOT to toot my own horn but I'm damn proud of this sentence:

Each movement is almost a meditation on his rage, fostering a measured alliance with the disgust and hatred he feels.

I think that is how he experiences just about every waking second. He has cut off all his access to happiness that does not come from dominating and taking away the power and happiness of others, and he has walked so far down this path--each step taking him further away from holistic contentment, each step taking him closer to the ability to dominate all he sees--that he could never turn back now.

Urbosa could've fixed him. imo. when he was much younger. (I'm saying this like a joke but I mean it.)

WAit I forgot to get into how he contrasts with Rauru. The thing between them is that both of them want power, want to have power over others; but Rauru hides this from himself because he thinks the desire for power is evil and he wants to think himself good, whereas Ganondorf... I think is probably comfortable thinking of himself as evil, or at least as what others term evil. And his comfort with his desire for power allows him to wield it much more effectively than Rauru does. We've got a bit of a hard power/soft power contrast going on. Ganondorf believes in power and physical force but Rauru's power lies in diplomacy and civility. In the trappings of social niceties. Ganondorf subjects himself to this framework by swearing his false fealty to Hyrule and finds it more ensnaring than he enjoys (he enjoys it zero), but once he has the opportunity to actually act in his own element by seizing Sonia's secret stone, the social niceties are powerless against his brute force.

[archaictunic]

now that i've finished!!! i have THOUGHTS i'm just rambling don't mind me. this is the abridged version of this post because i initially had 12 different points and lost most of my thoughts when i accidentally hit ctrl+z :3 SPOILERS FOR TOTK PLEASE DON'T CLICK IF YOU HAVEN'T FINISHED.

first. i am ignoring that link got his arm back. i understand why it does that, but i am not keeping nor acknowledging that bit of information - not for a while, at least. the gloom can be gone. ganon can be destroyed. rauru still had to REPLACE LINK'S ARM ENTIRELY. unless his weird ghost arm just… slid on top of link's existing one like a glove. but thats SILLY. i like the cool dragon arm. i want link to start growing out his nails on his other hand and get them done in hateno or something and continue to have cool little claws.

second. i want to write up a page or something somewhere detailing my opinion on Ships. like… i didn't ship zelink really UNTIL botw/totk, and even then, it is purely because of my partner and i talking about/developing some stuff with them. and the more i think on sidlink or even link/mipha the more the zora age starts to make me Question things?? and then obviously, despite my personal adoration for revali, he and link would NOT get along super well , especially romantically? ( at the very least, NOT my link, not without some MAJOR work on both sides ) idk. link ships in-universe are hard lmao give me crossovers or something where i'm not working off the burden of canon (this is only mostly a joke) - also urbosa is a lesbian, and daruk is more like a dad. this is hard. riju is ............ viable i guess but i dont know they also don't feel super romantic. yunobo is his hype man not his boyfriend.

third. the ganon fight was SO fun. i absolutely adored the very end of it; and it felt way more involved than the big pig from botw?? so like even though, essentially, those final phases were the same sort of type of gameplay (very hard to lose, honestly) it was STILL super fucking fun i had such a good time exploding his pustules. how many times now has link stabbed ganon in the forehead.

fourth. other than the arm, i'm excited because the ending really didn't step on the toes of ANY of my vague thoughts for development so far?? like i will still be able to take my link in EXACTLY the direction i was hoping to!! where he KNOWS what responsibility rests on him; and he's quiet because of the burden, but also like… he doesn't know WHY he's the hero. why ganon is the villain. he knows ganon did evil things, he knows he's supposed to hate the man for … well, everything, but he sort of sits on a weird little line where he hates him, but also doesn't understand why he should feel anything at all about him? the hatred is a requirement. he has to hate the calamity. the demon king. even if he's never really met him. even if he doesn't know anything about how they got here. he just. HAS to hate him.

fifth. i am thinking about link's scars. not that he canonly has ANY. but i really want to look over the events of these games, and my own personal playthroughs, and find a few scars to really give him more character. i think that scars can be something SO important. something that can have such a heavy story behind it. like… i'm never gonna forget my first lynel battle, for example. idk i really need to draw him a WHOLE reference i'mj ust fufuckcing tired. might also make an art sideblog for that when it comes to it because i fear my content getting notes.

sixth. i want to chew on every character in this game like a stimmy squeaky toy

[multbasa]

Honestly this was very apparent to me. Link's hand glows yellow with the recall rune, Sonia also had time powers and Rauru boosted those powers like we saw Zelda and Sonia do.

As for why no one fixes Zelda earlier: Rauru literally did not know she was turned into a dragon since it happened after his sealing stunt while Sonia only showing up as a spirit when Ganondorf is completely destroyed is telling. Ganondorf was able to suppress Minaru's soul from contacting Link, according to Minaru, so it is very likely that Sonia's soul was also unable to do anything while Ganondorf was alive.

Link and Zelda as a dragon defeated Ganondorf together which allowed Sonia to manifest with Rauru to revert Link and Zelda to an earlier state. It makes sense that Zelda's memory of being a dragon would be lost since her body and mind were reverted while Link just had his arm reverted. We know Zelda could think as the dragon or at least her spirit inside could think because of the final memory where she is holding the regenerating Master Sword. These memories do not exist as she was returned to an earlier state.

I understand people like the sad ending where Zelda cannot be returned however that's not how Nintendo rolls and that's okay. Midna survives and is restored at the end of Twilight Princess with little explanation as well. Plus that moment where you have to dive for Zelda and finally catch her hand was incredible. The way this scene book ends the story is great imo.

It's fine to dislike the ending but not acknowledging the canon explanation suggested by the story and calling it a simple plot contrivance is a very shallow reading of the scene. I don't think every plot point needs or should be explained. We don't need someone telling us how this will happen. It's just unnecessary.

Answers to the common questions of “Why didn’t Zelda retain dragon features?” and “Why did Link’s arm revert to normal?”

I’ve been dying to do some analysis posts since TotK came out, and after seeing a lot of people complain about the above, I decided my first should be related to the endgame.

So, I’ve seen a lot of posts where people seem to misunderstand what was going on when Zelda changed back into a Hylian, and why Link’s arm returned to normal. Many write this off as simply plot convenience, and while it’s true that Nintendo wouldn’t want to leave the main characters of one of their most popular titles with permanent changes, I’m here to try my best to explain the actual reason these things happened the way they did, because whether you noticed it or not, there is plot relevance to this reversion.

Draconification is permanent.

This is an indisputable fact.

And while I have seen people criticizing the way Zelda changed back, the fact is she swallowed the stone knowing that she never would.

“I’ll be forever changed…”

Her cry for Link to find her was not for her sake. She wasn’t depending on him to find the key to changing her back. Nay, the only reason she desperately prayed for him to find her was so that he could get the Master Sword, which—ignoring game mechanics that would allow you to beat Ganondorf with literally any weapon with the right damage/durability ratio—canonically is the only thing that can hurt him.

When Zelda changed back, it was almost entirely thanks to Sonia. That’s right!

���Let’s take a second to recall this scene in which Rauru decimated the horde of Molduga.

We see Sonia extend her hand and then gesture for Zelda to do the same.

Here they’re extending their own power to amplify Rauru’s counterattack, even beyond the already-massive boost the Secret Stone provides.

In the final scene when Link finds himself hovering over the sleeping Light Dragon amongst a dream-like atmosphere, it’s really quite telling that Sonia is the first to rest her hand over Link’s, then followed by Rauru.

This time Rauru is fulfilling the role of amplifying Sonia’s power over time. Not just that, but adding it on top of the time manipulation that Zelda gave to Link at the beginning of the game.

That’s what’s happening here. This is immensely powerful, triple amplified time magic!

The change from dragon to Hylian wasn’t a transformation in the same sense that it was when Zelda changed from Hylian to dragon. I know that’s a confusing sentence, but consider the basis of Sonia’s time magic is recalling things as they once were.

Zelda didn’t retain dragon features because, through the power of time reversal, she was never a dragon to begin with.

This is the also the reason the Secret Stone reappeared on her necklace.

This is ALSO the reason Link’s arm reverted to its natural state before he was affected by the gloom.

And before y’all come at me with “well, why didn’t Rauru do that in the first place instead of giving his arm to Link?” Simple; Sonia wasn’t there. Even spirits aren’t omnipotent… in Hyrule. (Probably.)

The point is, this was essentially a lucky break for Zelda and Link, because if Sonia (and therefore Zelda, by inheritance) didn’t have time magic, there would have been no way to undo the Draconification. It would have been every bit as permanent as Hyrule legends and history says it is, and Zelda would be gone forever.

In fact, it’s likely it was a shot in the dark even on Sonia and Rauru’s part, considering there was no prior knowledge of reversing time on a dragon, let alone a person. It was a glorious blend of the convenience of Sonia’s time magic, and luck that it worked out the way they (“they” being all characters involved) wanted.

Anyways, to wrap this up, Draconification is indeed permanent, unless you have the number one badass-master-of-time-manipulation Queen Sonia on your side. Then you can probably undo anything. :)