#also hes a he/him lesbian fight me about it

[girlscience]

finished opla and have truly shocked myself.... i think sanji might be my favorite. he is just a little baby. i want to squeeze him so hard.

[etcnnante]

actually i have to talk about how vital yossarians sexuality is in catch 22 and how, despite how the hulu show is the best adaptation of the novel, still manages to almost completely ignore it in favor of the infidelity between yossarian and scheisskopf’s wife. which, is still a vital plot point, but to favor that almost completely over the relationship him and the chaplain share has me insaneeeee especially because of how prevalent homosexuality was among all branches of the U.S. military due to how young and inexperienced many of the drafted men (and women) were. like he CONSTANTLY calls orr a very handsome and attractive man, the most beautiful out of the entire battalion. it’s wild to me that it is never explored bc of geo.rge clo.oney’s homophobic ass

[timeisacephalopod]

That whole James somerton thing has been real interesting to me because I had never seen his "work" but I do find it baffling that anyone could listen to a white guy claim lesbians faced basically no backlash for their sexuality and that straight women have no idea what it was like to be treated as objects or a "purse" as he put it on account of that certainly isnt a White Gay man Only event. In fact women have several words for the way they're views as objects for men's pleasure, not that somerton would know anything about that in part because he never did any actual reading during his "research." But it does hearten me to know if I had come across his "work" I would have clocked it as shit because I know more about the subjects he talks about than he does and anyone who has no idea how shit lesbians were treated has no business speaking up on queer politics, especially when they're just going to use misogyny to play the victim like an instrument.

Hilarious that within 3 days of hbombs vid he bagged himself up and took himself out to the curb to be collected by the garbage people by nuking his entire channel though, that's very funny. (I mention a case about Little Sisters Bookstore in the tags, turns out I got the name right, that's what the link below is if you'd like to read Canada's supreme Courts website on the case!)

[sugared-violets]

oh btw i just wanna say a belated thank you to everyone who ever sent me an ask or a dm or replied to one of my posts about him to tell me that my boyfriend was abusive and i should leave him. you were all right and even though i never got up the courage to do it i appreciate you for trying to convince me i was worth more than the garbage way he treated me

[skrunksthatwunk]

i think it's so so so funny that my main transmasc hc character literally Is The Way He Is bc he's amab. like hiei's one of approx 3 characters ever whose asab is actually relevant and having it otherwise is impossible in the text. ridiculous.

is what i thought, but it's actually wayy way more complicated than i previously gave it credit for!! plus there's a LOT more queercoding than i first thought. lemme explain:

[tw: eugenics, fascism, queerphobia, self harm, suicide mentions]

[yu yu hakusho spoilers/meant for ppl who've seen yyh but probably understandable to ppl who haven't]

[ft too many uses of the word queercoded and my mushy feelings about hiei's arc and the queer experience]

hiei is literally thrown out of his home as a baby for being born male and that's just INCREDIBLY queercoded on its own, but specifically a lot of this is presented with the fact that he's a fire demon. this could just be a trait he got from his father, or it could be tied to the ice maiden species. i think it's a stretch to say gender/sex present the same across all demonkind, much less that it resembles our own. frankly, binary sexual classification doesn't really work for a lot of species (and it really doesn't work for humans anyway, because intersex people exist). his maleness is associated with it, and this creates a potential sexual dichotomy that, in this species, females present with ice powers and males present with fire powers. (i understand this has a very goofy "girls are cats boy are dogs" energy to it but let's roll with it for now). so hiei could have been born with what humans would consider female sex characteristics, but the ice maidens would look at him and go "oh he's on fire get this little man outta here". (this could also be where the idea that he'll destroy them comes from, if all males are, y'know, melty).

some of my initial thought process on this came about because i figured "oh if they reproduce asexually they've probably got all xx chromosomes, and that's how they only have xy kids when the parent has sex with someone outside the village", but even if that's the case (assuming chromosomes work the same for demons), there's still a ~50/50 chance hiei ended up with xx chromosomes anyway. perhaps fire is considered the primary sex characteristic that determines one's asab in the same way genitalia is for humans. so, to a human audience, we'd see his traits and go "oh he's trans", which i think counts for biological coding.

the ice maiden society is also incredibly restrictive in terms of gender and sexuality. they consist entirely of (ambiguously determined, as discussed above) women who reproduce asexually. one is not allowed to leave the bounds of this society, nor perform sexual taboos, such as sleeping with outsiders. hiei was only born because hina acted outside of the strict sexual norms of this society. people's queerness is sometimes chocked up to "poor parenting" (often based in sexual/gender/religious/otherwise traditional nonconformity) of parents. and even though hina loved her son and didn't want to see him, y'know, thrown off a floating island, the society as a whole still deemed him an outsider and a problem to be eliminated and left him for dead for the greater purity/"protection" of the culture. it's serving fascist eugenics tbh. (and hiei doesn't destroy their culture like they and he had expected, subverting their expectations of him and his "kind", though the idea that that subversion matters more than preventing further harm is one I'd disagree with. the choice to cut them out of his life entirely to me is somewhat more justifiable to me given a familial view over a community/cultural one, but i digress). regardless, this is reminiscent of societal marginalization in general, but especially categories that can show up in isolation in families (i.e. queerness, neurodivergency, disability, etc) in a way that other things (i.e. race, religious affiliation, etc) generally don't, and can thus be painted as rooting out abnormalities or defects in individual, bloodless, mundane cases (as opposed to the broader elimination that we associate with genocide)

there's also yukina, who left to find hiei, and who hates the ice maidens (presumably at least partially because she knows what happened to him). think of this as them trying to find each other after familial fallout.

this is all to say that if we view maleness/fire demonness as an equivalent to genderqueerness in the ice maiden society, hiei's story maps onto queer experiences incredibly well. so he's got that cultural/queer experience coding too.

we also see hiei topless all the time (he's actually incapable of keeping his chest covered. when he doesn't take it off it burns off or whatever like he can't fight covered up. can't even make it through the intro with it covered. whore behavior <3). "but he's got male presenting pecs, so he's amab," you might say. but he is (key to his character and returning home) well acquainted with a plastic surgeon. he literally has a body modification done as part of his backstory (specifically one he had to tell this story to to receive treatment!!!). transcoded asf. and frankly him being topless all the time is very reminiscent of lots of transmasc ppl who've just gotten top surgery. like they paid too much not to show it off. (this was actually the first thing that made me go "omg,, he's trans lmao. that surgeon guy totally gave him a 2 for 1 deal" and then it just. kept piling up. he's also quite short (4'10") and has a relatively high voice (definitely masc, but in a very in-the-throat way that a lot of afab ppl use), but neither of those are that compelling).

he also has a somewhat more flexible view of his body than the others, getting drastic invasive surgery, beating his arm when it disobeyed him(????? ok babe), and willingly sacrificing parts of it to learn fighting techniques (specifically a fire technique, so more gender stuff). this could be tied to genderqueer people's greater willingness/need to change their bodies, or potentially harmful practices (such as improper binding) to alleviate dysphoria.

queerness is featured a few times in the series and implied in others. we encounter a canon transfem demon named miyuki during the yukina rescue arc. karasu and itsuki are both distinctly mlm demons. hiei even acknowledges this in the eng dub, calling itsuki "lover boy" when he's doing his whole "omg sensui,, i want him to be evil so bad he's so hot" speech. the derision in this case seems to come more from hiei's dislike of him/the situation than disgust at itsuki's queerness (or else he could have just called him disgusting or perverse or whatever). kurama also makes a joke near the end of the series implying hiei is interested in him, which hiei refutes by clarifying his intentions, rather than saying smth like "ew nasty I don't swing that way", which is more standard in anime. I'm gonna gesture wildly to mukuro but we'll skip her for now. all this is to say that the only characters we see exhibiting signs of queerness are demons (other than the people we see atsuko hang with for a single shot). this is almost certainly a case of villainous queercoding (a detriment to the series that does rustle my feathers a good bit. the treatment of miyuki in particular makes my blood boil), but we could also read this as demonkind having different understandings of gender and sexuality in general. perhaps the reason we see this queerness in demons is more because the way their bodies work, the ways they present, and the ways they're attracted to others, to us, look queer.

hiei, throughout his backstory, is consistently demonized by the people around him (some of which is deserved bc he keeps killing people, but some isn't, like the thrown-as-an-infant-off-a-cliff thing). and while his arc throughout the show is about him becoming more able to let people into his life, there's always a distance there. he almost always pushes them away. he's always been treated like a monster, so that's all he tries to be, and it's part of his justification for further distance (i.e. using his criminal status as a reason not to "burden" yukina with the knowledge that they're related). for a lot of queer people (especially before the internet and in places without queer spaces like gay bars), you have no way of meeting people you can trust won't hate you for being queer (even queer spaces have transphobes or nb-exclusionists, etc), so you harden yourself and let very few people in. his trauma reads like a lot of queer ones, especially older american ones. this arc culminates with his relationship with mukuro, and his decision to stay with her indefinitely.

firstly, mukuro's referred to as a king and with he/him pronouns by the cast for a while, before it's revealed that she was hiding her true identity as a woman, and the characters' references to her switch to feminine ones. already tripping wires there. and the first time we learn this about her is when mukuro sees hiei's (queercoded) past and goes "you're just like me" and sheds her clothes (mukuro's backstory doesn't feel that queer to me, but she did have to run away from abuse and dehumanization, potentially for her body/the way she was born as well, so it's not insignificant). hiei's unconscious in one of those green anime healing tubes, but their shared nudity (and thus vulnerability) has a very intimate vibe to it. these fundamentally tightly guarded characters are letting each other in a bit in this way, and that backstory/vulnerability being connected with their bodies/genders, especially when you consider all the other queercoding surrounding them, feels very much like queer solidarity. meeting strangers who have been disowned for birth circumstances and immediately sharing your deepest secrets with each other because you feel some deep similarity to them and bonding over that experience (especially when it relates to asab/agab roles) in a way outsiders can't breach is very queer. (note that hiei didn't want mukuro to know his backstory, but was effectively outed, and she came out in kind). and eventually hiei helps her work through that trauma, and she gives him purpose and a home. a found family with a better fit, something more suited to him, than the main cast (as much as I want them to mesh perfectly).

i think part of why hiei is suicidal in the beginning of three kings is because of that distance and isolation. he'd fulfilled his mission of meeting yukina, but resolved not to tell her of their relation. he feels he can't tell her this big secret of his that might change how she views him, or views her home. it's just before the fight where he tries to die that his surgeon's condition that he could never tell her is revealed. the only thing allowing them to meet is keeping that secret, and the bodily change is what causes it. and he says he wouldn't want to tell her anyway. so he has nowhere to go. he doesn't want to destroy humanity anymore (as evidenced by his assistance in the previous arc and destruction of the chapter black tape), he can't get closer to his home or his sister, and there's still that distance between him and everyone else. (in case it needs to be said, all of this is crazy bonkers queercoded). but in the end, after he and mukuro grow together and bond, he tells kurama to tell yukina her brother's dead, to give up hope, to cut himself off permanently. kurama says he won't, because he believes that hiei will return and tell her they're related someday. and hiei begrudgingly agrees. someday he will tell her. when he's ready, and when he feels safe enough to. and from that change in the beginning and end of the arc, we know he's found that safety in mukuro, and may finally begin to really pursue his own happiness and authenticity. because he met someone like him, he now has hope. he can be loved and he can be enough, and he can look forward to it.

so, to sum up, hiei:

1. was disowned as a child for being the wrong/unexpected gender/sex in an incredibly homogenous society (in which it is ambiguous how they classify sex/gender)

2. has a medical and unusually personal history with a magical plastic surgeon and is topless all the time

3. reacts neutrally/without notice to other characters' queerness (when he is rude, it's for other reasons)

4. is a demon, the only group shown to exhibit canon queerness

5. forms a very deep bond with someone over their shared isolating (queercoded) experiences (with persistent body imagery and a social transition on mukuro's part)

basically, he's transcoded <3

[thehoneybus]

I was telling my sister I feel like these days I'm surrounded by women who are in toxic relationships and keep talking to me about it only to completely ignore my advice (she is one of these people) and she got super defensive and told me I wasn't even in a real relationship because it only lasted 3 months so it was easy for me... you're just jealous of the rich and beautiful life I built for myself...

[phantomrose96]

Season 3 Elias is so goddamn fucking funny to me I forgot what a rollercoaster he was during my first listen.

Like the s2 finale has Jurgen Leitner giving Jon the whole "monsters are real speech" and Jon's like "I need a cigarette. NO ONE get brutal pipe murdered while I'm gone" and Jurgen fails step 1 because Elias walks in and grabs Jon's point-and-click-adventure pipe he'd been carrying around and Brutal Pipe Murders. Which, of course, Jon walks back in on and is prime suspect #1 due to literally every single feature trait and word he's said in the entirety of s2.

So naturally s3 starts with Jon on the lam and Officer Tonner like "I'm gonna arrest him for brutal pipe murder" and I'M like "Shit. I hate this. Elias is going to SO easily pin it on Jon and get away with it."

EXCEPT Elias walks in and is like "hello Ms. Officer no Jon Archivist did not kill that man, also I won't tell you anything else, also this is what you sound like" while reciting all her childhood trauma and all her illegal activity that will get HER sent to jail for brutal murder of the non-pipe variety and now I'm like "....huh." He's also like "Jon didn't do it but you can kill him if you want maybe :)" Elias your alibi????

And then we come BACK with Jon storming Elias's office with his two lesbian bodyguards as back up and he's like "I'm gonna use my powers to make you confess to pipe murder!" At which point Elias is like "It doesn't work on me. But I'm having fun so Martin go get everyone I need to tell you all how I committed pipe murder." and Martin does and Elias is like "Yes I pipe murdered. I also killed Gertrude. I love murder. You will not be compensated extra for this time. Get back to work." And they... DO... just go back to work. Because work is haunted. One of the lesbian police officers works here now, too. This just happened. "Also living dolls from Russia are about to Apocalypse the world, Jon go stop it," Elias says, while also saying "no I'm not gonna tell you how to stop it."

Okay???? Mr. Elias man??? And you're like "maybe he's a ruthless tactician? Maybe he's brutal but it's all in the interest of stopping the doll apocalypse??? He wants to save the earth???" Except THAT'S not even true it's actually more like he's trying to get the Russian dolls kicked out of line at Disney World so HE gets to meet Mickey Mouse first by which I mean, start his OWN Apocalypse, because if the dolls do it first well then what's the point of apocalypsing a planet that's become someone else's sloppy seconds.

Anyway Elias's master strategy here is to bring the human equivalent of a drowned cat to the gun fight and just sit back and watch Jon fall down every set of stairs he finds while Elias goes "This is good. This will work." His name isn't even fucking Elias.

[riverofrainbows]

Eliot Spencer. Listen to me i am obsessed with the man. He is so incredibly stereotypically masculine, and hardcore so, yet at the same time really isn't in ways that would be damning for the 2000s and early 2010s. Long hair, not unusually tall, the most emotionally aware one and most in tune with his emotions on the whole team. (Not that the others don't also have points in that area, but they're all terrible at it in some way and Eliot scores by far the most points.) He has a hobby that's not James Bond like (cooking), and he gets to be goofy while being unquestioned as the most badass guy in the room. And yes he makes inappropriate jokes about lesbians and goes all no homo at physical affection from other men, and younger people probably don't find him quite as monumental as i do in terms of masculinity. But his behaviour never reflects those jokes or the no homo, and he was the red blooded american former military guy character on a big network tv show in the year 2009. For which he was a severely mild case. He treats the other characters as people and not stereotypes, in the way the whole show does, and he has long hair he puts up in ponytails and half buns that have his side bangs falling out (you need to understand what big of a deal the manbun was in like 2013, so much so that they had to invent a word). He's emotional and doesn't actually mean his gruffness most of the time, and doesn't thinks himself above certain tasks or people. He wears ridiculous little outfits without putting up a show about his threatened masculinity, and he's the most emotionally intelligent one outside of cons. He wears little jewellery in his hair sometimes, and little braids even (yes braided hair was a no go), he plays guitar and sings earnest love songs not just to try to get laid (love songs would only be permissible in the immediate context of romance), and whenever they have a young woman as a client, that reminds him of home i presume, he works with so much effort and respect for them as the one he's in service to, and respects their opinion strongly. He wears glasses, and reads books and is way too nerdy for an action hero type of the 2010s. He is great with kids, and unironically so (there were multiple big shows and movies about the topic of "men needing to deal with children on their own" with the entire premise of that being ridiculous and them being naturally bad at it). He's the most stereotypically action hero type masculine guy on the show, and he does get strive or posture for power or dominance in their team, is content with a contributing role and trusting on the expertise of the others, and he is not portrayed as the most valuable one or as that behaviour being beneath him. He undresses so he and the woman he's fighting with are on equal ground reading undress. He is shorter than the others and continuously portrayed as the most dangerous one in any room, and height differences afe never deemphasised via cinematography (seriously, to be regarded as sufficiently masculine in western films they either get really tall actors or employ a variety of camera angles and boxes to give that impression. But just think of Eliot in the pilot when rescuing Hardison in the first break in, standing behind the group of security guys who all look way taller than him and more physically impressive with weapons and all. And then Eliot just in a t-shirt with no weapon but himself.) He has long hair (again, mainstream sufficiently masculine guys didn't do that back then, or now if we think of it (not that long at least)).

The show and all it's characters were a goddamn marvel back in 2009, and sadly in many ways still are today, 15 years later.

And he heals my little broken heart regarding gender stereotypes and masculinity, my heart that grew up in the 2000s and has so much difficulty accepting that my gender is valid. Bless him for it.

[inkskinned]

she's three years younger than i am, and i put on cascada as a throwback, cackling - before your time! i've been borrowing my brother's car, and it's older than dirt, so the trunk is like, maybe permanently locked. when the sun comes through the window to frame her cheekbones, i feel like i'm 16 again. i shake when i'm kissing her, worried i won't get it right.

in 2003, my state made gay marriage legal. where she grew up, it wasn't legal until 11 years later - 10 years ago. if legal protections for gay marriage were a person, that person would be entering 5th grade. online, a white gay man calls the fight for legal marriage boring, which isn't kind of him but it is a common enough opinion.

it has only been 9 years since gay marriage was nationally official. it is already boring to have gay people in your tv. it is already boring to mention being gay - "why make it your entire personality?" i know siblings that have a larger age gap than the amount of time it's been legally protected. i recently saw a grown man record himself crying about how evil gay people are. he was begging us, red in the face - just do better.

i am absolutely ruined any time my girlfriend talks about being 27 (i know!! a child!), but we actually attended undergrad at the same time since i had taken off time to work between high school and college. while walking through the city, we drop our hands, try not to look too often at each other. the other day i went to an open mic in a basement. the headlining comedian said being lesbian isn't interesting, but i am a lesbian, if you care. as a joke, she had any lesbian raise their hand if present. i raised mine, weirdly embarrassed at being the single hand in a sea of other faces. she had everyone give me a round of applause. i felt something between pride and also throwing up.

sometimes one thing is also another thing. i keep thinking about my uncle. he died in the hospital without his husband of 35 years - they were not legally wed, so his husband could not enter. this sounds like it should be from 1950. it happened in 2007. harassment and abuse and financial hardship still follow any person who is trying to get married while disabled. marriage equality isn't really equal yet.

and i don't know that i can ever put a name to what i'm experiencing. sometimes it just feels... so odd to watch the balance. people are fundamentally uninterested in your identity, but also - like, there's a whole fucking bastion of rabid men and women who want to kill you. your friends roll their eyes you're gay we get it and that is funny but like. when you asked your father do you still love me? he just said go to your room. you haven't told your grandmother. disney is on their 390th "first" gay representation, but also cancelled owl house and censored the fuck out of gravity falls. you actively got bullied for being gay, but your advisor told you to find a different gimmick for your college essay - everyone says they're gay these days.

once while you were having a hard day you cried about the fact that the reason our story is so fucking boring to so many people is that it is so similar. that it is rare for one of us to just, like, have a good experience across the board. that our stories often have very parallel bends - the dehumanization, the trauma, the trouble with trusting again. these become rote instead of disgusting. how bad could it be if it is happening to so many people?

i kiss my girlfriend when nobody is looking. i like her jawline and how her hands splay when she's making a joke. there is nothing new about this story, sappho. i love her like opening up the sun. like folding peace between the layers of my life, a buttercream of euphoria, freckles and laughter and wonder.

my dad knows about her. i've been out to him since i was 18 - roughly four years before the supreme court would protect us. the other day he flipped down the sun visor while driving me to the eye doctor. "you need to accept that your body was made for a husband. you want to be a mother because you were made for men, not women." he wants me to date my old high school boyfriend. i gagged about it, and he shook his head. he said - "don't be so dramatic. you can get used to anything."

the other day a straight friend of mine snorted down her nose about it, accidentally echoing him - she said there are bigger problems in this world than planning a wedding.

[prideprejudce]

I think alot more people would enjoy the show if they learned to see Rhaenyra and Alicent as Unreliable Narrators, and characters who are supposed to have glaring flaws and weaknesses.

Mandatory preface- There are Issues™️ with season 2 that are its own other ask- but the complaints ive seen about character assassination on both women kind of tells me ppl just wanted to see the two just GirlBossing around, not being tragic characters trapped in their own circumstances.

For Alicent specifically- she just isn't written to be Cersei 2.0, and while it was really interesting to see motherhood from cersei's point of view, its already been done!! I actually prefer seeing Alicent's mercurial clinging to and abandoning motherhood- its interesting!! She was made a mother at what- 15? An age where you truly arent mentally developed enough to raise 3 kids, AND be a child bride, AND be a queen, (AND be a lesbian).

Alicent is interesting to me because she's stunted at 15 years old, she's an adult woman who talks to and sometimes bullies her kids as if they are her peers, and is obsessed with her childhood crush(es). She hasn't built any new relationships* past the ones she was entangled with as a teenager, she's obsessed with both acting out to make SOMEONE see that shes suffering, (she's honestly pretty blatant for someone who prides themselves on being the Temperate Voice of Reason) but also to erase herself and reset to before she had to marry the king, before aemma died.

I think most of her 'bad out of character' decisions are just these two impulses winning out, her trying to force a reset, go back to a time where none of this had happened yet, when things were simpler and she had love and every day wasn't the worst day of her life™️.

She sleeps with cole, the man she thought was pretty at 15 (her last uncomplicated attraction just before it all went wrong and aemma died) -she doesnt seem to like it that much, but she does seem compelled to seek him out, esp when upset- shes obsessed with, and desperate to reconnect with Rhaenyra, her childhood best friend (and first love) and get back to where they were as kids, AND she still treats and asks her father for absolution as if he's still the only authority that matters to her just like she did at 15. Alot of her 'victim complex/bewildered they took it so far' behaviour in the plotting of rhaenyra's usurption reads to me like a teenager in over her head, she talked big game and now its real and shes panicking!! She's tragic BECAUSE she's still a teenager- so stunted shes unable to meaningfully grow up and learn to make healthier choices for herself, or move on and stop trying to grasp at the 'if i could just go back' urge.

As a mother, I think this creates an interesting dynamic as well, and I do like that in the casting even, she seems closer in age to her kids than rhaenyra does to hers. I think the contrast ppl are drawing with Alicent Protecting Her Kids in season1 compared to her giving them up in season two isn't bad writing to me, just massive differences in context. Sure she protected Aemond in driftmark, but we cant ignore that she probably felt humiliated by her husband choosing rhaenyra's side over hers in front of everyone, did it seem like a grown woman fighting for her son?? or a teenager furious with her ex winning one over her again? or both!! both sides twisted together is still interesting! When she protected Aegon from Rhaenys, is stepping in front of her son the king to protect him from the enemies dragon fire not the most romantic daydream of a deserving death a child bride could come up with?? Was it the impulse to protect the son she couldnt decide if she loved or hated, or was it to have the most heroic death possible to escape the reality that she sees coming. And if Rhaenyra hears about how Brave she was in the face of a dragons maw, and cries about it forever and feels sooo bad and regrets it til the day she dies, thats an added bonus. I think Alicent loves her kids, but is teenager selfish about HOW she loves and protects her kids, and is unable to be a mature, consistant, protective mother to them when she also sees them as having ruined her life. I think in season 2 when she 'gives them up' shes relieved, and once again following the compulsion of 'if i reset to when Rhaenyra was heir, i had no sons, and i wasn't married or queen, everything will be better'. I think theres complexity to it, i think she does love her sons and feels insane about it, but I think Alicent has been trying to Go Back in more and more Intense ways ever since she got married, and we might be giving her sanity more credit than it deserves when it comes to the need to wipe the board clean and go back to being 15.

hey anon are you trying to get married to me or what

[hoodedjelly]

my Jenny, Tuck, Brad, Shelden, and Vega older designs ^__^

i'm watching mlaatr, still not done, i think i got like 10 more eps (and if i'm being transparent i skipped around eps... i just wanted to see vega...). And i'm absolutely loving the show!!!! i love these characters a lot, didn't like Shelden at first i'm going to be honest, #1 Shelden hater for a bit there. but he chilled out in season two and i started to ship breldon with that too so now i just love him so much.

more about my personal headcanons:

Jenny: - I am under the belief that she is transgender. Jenny was made genderless, so her deciding to be a girl was strictly her choice and i believe that makes her trans. (She's also a lesbian) - she did grow a bit, im not gonna explain how idc really i just liked her being a taller lady :-) - she has A LOT of different cute outfits and hair styles, honestly too much to draw. she never transforms back into her base show outfit when crime fighting, she just fights in her cute summer dress she don't care. - her and vega are dating grrgrgrrrr - when vega is in rule she makes it so there is complete free access between earth and cluster prime for citizens in both places. - I say that cause i think when jenny is older she moves in with vega, technically living in cluster prime but visits earth like everyday. And brad/shelby/tucker/wakeman visit cluster prime - Jenny also hangs out with the nicktoons unite gang, but i deffo feel like its just that secondary friend group that you don't talk to with for months. when you talk again its the same goofiness as before - i think danny calls for her help when he needs it (also manny) Tuck: - he is still a little shit but we love him - adhd boy - questioning cis (he/him) - he got into robotics/stem and builds little silly things - with that, he gets help from Shelby - pretty much just a silly teen, he's on the internet a lot and has "cringe" interests - but idk he's having fun and being silly and finding himself (those interests is stuff like sonic and among us) Shelden(Shelby) - honestly kinda nervous about ppl thoughts on my Shelden, idk it makes so much sense in my brain - hits you with the transfem beam (she/they) Pansexual (she just wants anyone type of vibe) - I think when jenny is visiting vega often that leaves Shelby and Brad hanging out alone a lot. which they don't mind honestly, they are actually good friends! - but during that they just get closer and start catching feelings. Shelby eventually lets go of her feelings about jenny and realizes they were a real jerk and weirdo to her. brad helps them through that and eventually her realizing she's trans. blah blah they in love and kiss at some point. - Shelby is also a furry lmaooo her fursona is a cat.

Brad: - bisexual cis man (he/him) - Still his old brad self if i'm being honest. - totally forgot to say i think all 3 of them go off to college together (even though jenny doesn't have to i feel like she would prob want to just for the experience, but tell me if you think differently i'm still unsure) - i really don't know what else to say sorry brad! he's literally just as silly as ever man. he's just also gay - i will say here i feel it takes a lot longer for shelby and brad to start dating then jenny and vega. they got that slow burn kinda shit going on, since a lot of that is shelby being confused about her feelings. and jenny and vega just hit it off right away if im being honest, very high school sweethearts. - (also i think shelby makes brad make a fursona to match hers, so brad got a dog fursona)

Vega: - Lesbian cis (she/her) - That ending of her just ruling cluster prime was just so crazy to me cause like, aint she like 16? - i think she has a lot of stressed nights and fearing she's not doing the right thing for her people, and jenny tries to help as much she can - that is why jenny visits so much, she wants to help her. - very much got those nights were she accidently falls asleep at her desk, jenny finding her and giving her a blanket and a kiss goodnight - it's not like she's unhappy, she is actually very very passionate about her work and wants to NOT be like her mom - and yeah she deffo goes to robo therapy for the stuff with her mom. - i think it's a conflict where vega is scared her mom is gonna come back and jenny has to reassure her that if she does they'll get rid of her for good.

imma be honest a lot of my hcs are pretty half-baked and random things, im sure im going to think of more stuff in the future but that will be in different posts.

[born-in-hell]

Hi!

As some of you might know, southern Brazil, specifically the state of Rio Grande do Sul, has been struck by heavy rains and a consequential flood. The rains started on monday (29/abr) and only stopped today (5/mai), in Porto Alegre ─ the state capital, and the city i live in ─ and in the other cities nearby.

The lake that borders PoA (named Guaíba) has reached more than 5m up its normal level. This is higher than on the historic 1941 flood. The city's center ─ a big residential and commercial hub, beyond being the host of most of our public services (such as the city hall and the state government) ─ is completely taken by the water. Many other neighbourhoods were also affected.

Smaller cities that also border Guaíba were even more heavily affected, such as Eldorado do Sul, whose territory was almost 100% flooded.

The state is, for a lack of a better word, abandoned by the people that were supposed to aid.

Our governor, Eduardo Leite, is more worried about his plitical campaign ─ making dramatic videos, changing his facebook pfp to one of him with a public defense vest, making streams with no useful information ─ than with the people's lives. This year, he destinated only R$50.000 (~ USD250.000) for the Civil Defense. For the entire year. He is now, delegating the responsibility of recuperating our state to the Federal Government, stating that "the rbuilding of the RS will demand a Marshall Project".

Porto Alegre's mayor, Sebastião Mello, has vanished. He sold our city out to big enterprises ─ Melnick, Zaffari and Panvel, mainly ─, and hasn't destined any public resources to maintaining the Mauá wall (a wall built after the 1941 flood with a system made to protect the city from other floods), which caused many points to fail and the water to invade the city.

This is the danger we all face with a neoliberal system.

Neoliberalism is an individualist ideology. All these people and companies I named did close to nothing to help us. Or even made it worse. The Civil Defense, for example, published a map of all the areas that would be affected, but had to take it back, since it didn't consider the topography.

Its the people for the people.

This situation is being aided by people using their own resources. Donations of various natures and volunteer work. It is very beautiful, in a way. It shows that colaboration and union can do great things. It shows, at least to me, that the world can reach, one day, a self sustaining way of living, contrary to the ultra-individualistic capitalism some preach. Humans can, and are, good.

But it also lays out how much the people that govern us failed us.

Human lives were lost because of their negligency.

This flood isn't normal. It is a product of the huge levels of degradation multi-billionaire companies are causing the world, supported by higher class and their representatives. Eduardo Leite changed almost 500 points of our state's Environmental Code, for the worst, when he was first elected in 2019. His actions, and the actions of all other neoliberal politicians, such as our ex-president Bolsonaro, are what created this situation. They are responsible for everything that is going on here.

This flood isnt the only environmental crisis this state has faced in the last 6 months. This isn't the last one that will happen.

This text is, beyond a personal vent, a warning. We need to keep fighting against a system that is actively trying to kill us. Please, do not support ideals and people ─ especially if said people will rule you ─ that go against the environment, that preach that the capital, the money, the posesions, are more important than lives. Of the people, of the animals, of the environment. Fight for a better world, i know there can be one.

Always be aware of the climate in your areas. Things like this won't happen only here. Please be safe.

Sorry for the long post.

If you're interested in donating, @decaf-lesbian made this post with some links for international and national donations.

-> If you're from Brasil, check this link, that has a copilation of maps of risk areas, shelters, places to donate to, etc, made by a UFRGS student.

[williamvapespeare]

"every day i'm fucking smiling;" a rant (cogent, intellectual character study) about Charles

We all know that Charles Rowland is THE character of all time. Obviously. Undisputedly (except by Netflix) blabla. I, a mixed race bisexual idiot with daddy issues, am about to fucking get into it.

I think there are a lot of ways to get into that end of ep 4 scene – I think we can look from trauma, we can look from model minority syndrome, we can look from a place of people pleasing to the extreme, but I think the best way to get into Charles (for me, personally) is to look at him as a character formed of intersections. Of in-betweens. In literally EVERY way possible, he is between things. He’s mixed race, he’s (probably) bisexual, he’s between life and death, he’s between good and bad, he’s probably sitting somewhere between trauma and healing – like, he’s CONstantly engaging in coping mechanisms and that itself is an in between.

Ok this idea of “I must be liked” very obviously will come from living a life where the opposite of not being liked is always violence, and that definitely can’t be understated. But I think this whole scene and this line in particular really speak to this very specific feeling that comes with inhabiting an identity that is ALWAYS seen as “not enough” in some way. Like, if you sit in a place where you don’t speak one side of your family’s language well enough and simultaneously aren’t white enough (or whatever enough) for the other side, you’re just like fundamentally culture-less and fighting to just be ANYTHING.

(Another GREAT example of this I think is the game Life is Strange 2, which is about two Hispanic American brothers, one of them speaks Spanish and the other one is much younger and doesn’t and there’s a bit where the younger brother doesn’t want to leave the US and says “I don’t even speak Spanish” and the other one is like “don’t worry, everyone likes you.” Like YES being “““Likeable””” is maybe the only way in when you are so fundamentally detached from a thing that you are also fundamentally part of, anyway!!)

Similarly, like all of us bisexual people know we’re constantly getting shit from both sides, from straight people and gay people and probably like, corpses decomposing in the ground who are throwing around terms like “gold star lesbian” or whatever the fuck. People just look at whatever relationship you’re in and they’re like ah yep that’s you!!

Like the whole thing is the most reductive narrow-minded stupidity, but it’s also just THE WAY. It’s the way of stuff. And being like ok, I AM NOT ENOUGH OF ANYTHING THAT I AM. How are you going to deal with that, you’re going to try and be likeable?? Because that’s something you can control!!!

And I’m low key so mad that we can’t see a continuation of this story where we get to see a character slowly come to terms with these in-betweennesses and say like, I’m not actually two halves, I’m two wholes. This is intentional in-betweenness. Like yes, blabla let the boy be bi, but it’s SO MUCH MORE THAN THAT. And I trust this show and I trust these writers to get that right and we were robbed of that.

So yeah idk tldr “every day I’m fucking smiling” was like the gut punch of the century. Whoever wrote that I’m omw to haunt your local Denny’s with my extroverted mixed race bisexual energy THANK U

[butch-reidentified]

anyone here seen the show Resident Alien?

bc holy shit am I obsessed with the portrayal of 30-something women, their solidarity, feminism, friendship, and fun and self-expression! GODDD I did not realize how BADLY I needed to see a tv show actually depict (attractive but not "bikini models" by any means) adult (and admit they're adults, real adults not 20 yr olds) women as human beings with deep complex personalities and relationships, who really stand with each other despite being flawed humans who do sometimes hurt each other, who are silly and goofy and get into shenanigans bc oh my god WOMEN CAN STILL HAVE FUN AFTER TURNING 30.

Especially later in season 1 and in season 2 (I'm still on s2), there's just so much female badassery and solidarity that I love. there's also a gym workout scene in s2 with my favorite character D'Arcy and tbhhhh that scene is 😨🥵 Like, my wife said "this scene was definitely filmed by a lesbian, right?" 💀 It really did feel like celebrating an attractive woman build muscle without the typical male gaze-y lens. it actually focused on her flexion, facial expressions, sweat, flushing, yk, the things we are supposed to pretend women don't do even while vigorously exercising.

this same woman leads her friends on a drunken midnight raid of town hall where they review the town budget and discover they're paid less than the men. cut to the entire group of women (one of whom is the mayor's wife) standing in the mayor's bedroom in the middle of the night, standing over him and informing him "no, this isn't a nightmare, what the fuck is wrong with you, pay us fairly" like?? holy shit lmao. D'Arcy then proceeds to RENT A HELICOPTER to drop fliers all over town telling women about this and encouraging female solidarity in fighting back. this barely scratches the surface of her character's feminist heroics. in another seen she cuts the brakes on her best friend's abuser's truck and sends it down a hill in front of him, before telling him she'll happily kill him if he gets near her friend again. it's just so much fun to see. she also rescues herself and 2 others from a crevasse in the glacier by climbing 30 feet in a storm with a broken wrist. oh and shes a FORMER OLYMPIC SKIER bc fuck you

I've actually been very impressed with this show in a number of ways. they have a young girl character whose family is Muslim, and the writers seem to want to critique Islam while being aware that they have to avoid performative liberals picking up on this too much. so at first I was a bit 👀 thinking they were going a certain way with the character, but they ended up sneaking in a lot of critiques of Islamic patriarchy. they keep surprising me.

[blluespirit]

Overall NATLA Thoughts

Okay, now that I've watched the series, I can give my thoughts.

Overall, I thought it was good!!! I had fun watching it! I'd rate it a solid 6.5/10. It's nowhere as good as the original, but it was definitely enjoyable and made some nice changes here and there that I liked. There were also some things I was also Not a fan of too.

I said in another post that it's best to treat this like an AU of the original. There will things that are great and things that are bad. That's the nature of adapting something.

Having said that, I need to get my initial thoughts off my chest... here we go.

Things I thought were good:

Sokka's characterisation - I really enjoyed him! I thought Ian did a good job! He played the funny moments well and retained the underlying seriousness/cautiousness. It wasn't perfect, but I enjoyed the changes a lot and think it was overall a solid performance.

Zuko's characterisation - Like Sokka, I do think I was most satisfied with their performances. A lot of Zuko's moments from the cartoon are sometimes... well, cartoonish and definitely wouldn't translate to live action, but I think Dallas did a nice job at balancing Zuko's desperate anger and that occasional sassiness well.

Zuko and Iroh moments were great. Had me on the floor crying. As it should have.

The bending looks a trillion times better than the movie - I understand it would not have been easy for the actors but, overall, I was very happy about it.

The scenery was stunning. It just looked so beautiful. I loved it so much.

Absolutely ADORE that they made Zuko a good calligrapher and artist. I read a fic about a million years ago where Zuko is a fantastic calligrapher and I thought it was perfect and made so much sense, and now I can say it's canon. This is perfect for me.

S U K I

The Freedom Fighters were ✨ perfect

They were so real for making Oma and Shu lesbians

Koh, Wan Shi Tong and Hei Bai looked fantastic, but I have more to say about all of them below, unfortunately.

I actually like the change they made that Katara is Aang's sole waterbending teacher.

Aang is not perfect, and needed more goofy scenes HOWEVER, I did like how they've had Aang's guilt more prominent in the story. The original didn't do a very good job with that, imo.

Zuko entering is breaking and entering era by breaking into an impenetrable Earth Kingdom prison is just perfect.

In Masks, I like how Aang and Zuko got a longer conversation - that was pretty cute.

I liked how they changed Yue a bit and got her out of the arranged marriage... how Yue saw Sokka in the Spirit World before meeting him in the real world.

Things I didn't like:

Far too much info-dumping/exposition. So much spelling things out. It was not as egregious as the movie, and I get there's a lot of information that needs to be conveyed well and quickly... but sometimes it really took me out of the show.

Why are Mai and Ty Lee here.... I was hoping the live action would give them a bit more depth (and they might as it goes forward!), but why put them in season 1 at all if they're just going to stand around???

Some odd changes - putting this as one point, but there are some bizarre changes that didn't make sense to me, as they did not benefit the story or deepen the characters. I have two main examples: a) making it so Aang didn't run away from home, and b) making it so Zuko actually fights Ozai in the Agni Kai.

Characterisation of Katara was Not Great. I don't think I got many hints of the reckless, compassionate, badass Katara until the end when she fights Pakku and rallies all the women together to fight (which happens off-screen). She was sweet and kind, but she just lacked the fire that OG Katara has.

Azula's characterisation - Azula is desperate to impress Ozai and so her character is just…. brewing with anger, frustration, desperation. I was SO excited to see the Azula we are introduced too… perpetually and irritatingly calm, calculating and ruthless. She's perfect, she's terrifying! She's literally the character of all time. But this Azula had more Zuko vibes? I don't think there's anything wrong with giving Azula more concrete motivation by wanting to impress Ozai and establishing that Ozai is abusive to both his kids, but I do think trying to do that right off the bat is a mistake.

WHY is Wan Shi Tong here. I love Wan Shi Tong, but like I said: Why Is He Here? Why could we not have his iconic, ominous as fuck introduction from The Library, and instead he's introduced in a random season 1 episode giving Aang Information(tm) about the Spirit World.

When Aang gave Koh the statue, and then he just takes it and immediately lets all the villages go, and neither of them even say anything, I actually laughed out loud. Like, I am so sorry, but what in the jesus fuck was that.

Speaking of Koh - I think Koh is better the less we know about him. Roku saying ~all Koh wants is a family like the rest of us~ just pissed me off?? I like my Koh the Face Stealer Terrifying and Unknowable, thank you.

NOTHING EVER REALLY HAPPENS WITH HEI BAI!!?? where's my precious spirit bear?? Like Aang never really does anything with him and the replacement Koh story is boring and it sucks.

Bumi.... sorry I just didn't vibe with him at all.

Things I can't decide on:

Fancy spirit knife to kill the moon spirit annoyed me a bit, but I guess they wanted to Kuruk something to work with and a little bit more interaction with Aang which I get but idk. I really flip/flop on this one.

I've been very on the fence about having Azula (and Ozai) being in the show in season 1 in general. I'm not sure if it benefited either of their characters.

Azula & Ozai's dynamic - Okay, so, I think they're trying to give Azula more depth, right? They're trying to establish what it was like for Azula to live with Ozai and that she's also (like Zuko) trying to desperately prove herself to him, but Ozai using Zuko's... achievements to do that just felt so weird. I get he's doing it to manipulate her, but that just felt so wrong when in canon it's very obvious that Ozai just didn't give a single fuck about Zuko. Ozai pits Azula against Zuko by saying he's a failure, he's a bad bender etc. Azula is born lucky, Zuko is lucky to be born - like, Ozai says that to Zuko's face. I don't know if I am communicating this point very well, but it just didn't seem right to me??

Zuko vs Zhao in the Siege of the North... I genuinely do not know how to feel about it! I didn't love it, I didn't hate it. I don't know how to feel about Zhao telling Zuko that his mission is a sham and that Azula is the prized one... It feels like it's saying the quiet part out loud? In the OG we all know that Ozai sending Zuko on that mission was an excuse to get rid of him, but we can work that out, no one actually says it. And then Iroh just fucking killing him/mortally wounding him instead of the Iconic scene where Zuko reaches out to save him despite everything Zhao has done to him, but Zhao's own pride gets in the way from letting him accept help from Zuko.

Zuko’s crew being the 41st is not necessarily a bad thing at all!!! But I do just want to say that in the original, the attack goes ahead, and presumably, those soldiers die. It’s horrible. Zuko’s sacrifice is in vain, and it was always going to be in vain because the Fire Nation as it stands would not allow Zuko's compassion to win. Ozai would not allow it. While not necessarily a bad choice (all the soldiers bowing to Zuko on the boat was so sweet I loved it!) but I think it does take away some of the horror of Zuko’s story (same as it does with making Zuko fight back in my opinion) because the whole point is that Zuko did the right thing - and he was punished for it, and those soldiers died anyway.

anyway...

Okay!! got that off my chest. I know I just had a big whine here, but I still had a lot of fun watching this show. I think some of the backlash is a bit over the top and unwarranted. It was never going to stand up to the original - and that's okay.

Enjoy it for what it is!

[m3talmunson]

It started with babes. Babes is completely platonic right? Nothing out of the ordinary there. Eddie was known for being over dramatic, why would nicknames -or in this case, pet names- be any different?

Babes wasn't even that over the top, so why was Steve blushing like a school girl after it was said in passing?

Steve definitely knew why, although, he was going to pretend he didn't. But he knew, about himself, about Eddie. A couple months after spring break '86 Steve had a very enlightening talk with Robin about his feelings. Towards Munson. Those completely and totally platonic feelings.

And a couple weeks later, as though Eddie was so in tune with Steve's discovery, Eddie came out to Steve at a campfire with Robin and Nance. Those two had wandered off, Eddie made some comment about "Good for Robs," before realizing his mistake. That was, until Steve said "Yeah, good for Robs," and Eddie just had to ask.

"You know about her? Y'know..."

"What? Eddie? Of course! She's my best friend."

"And you're ok with it?" Eddie was kind of shocked. Great 'King' Steve wasn't going to sick the dogs on Hawkins Local Lesbian? And it seemed like he had known longer than Eddie?

"Yeah, when you survive hell and back enough it's pretty hard to hate anyone for being gay." Steve left off the part where he was also into guys. He knew Eddie was ok with that, clearly ok with Robin, but Eddie might not be ok with being the guy Steve was into.

"Oh. Well," Eddie didn't know if it was the couple beers he had downed, or his newfound safety with this big ol' group of misfits, but he was comfortable asking Steve, "What if I was like Robin too?"

"Are you?" Steve asked. He wasn't going to get his hopes up over hypotheticals, but he could admit he had feelings for the older boy. He wasn't sure what feelings to be honest,but he was figuring that out as he went. He just knew they were more than platonic.

"Well, technically I'm the opposite of Robin, y'know. Not attracted to women. But yeah, I am." Eddie stared into the camp fire, torn between hoping that it would eat him alive, or that it would simply stare back.

"Okay, thanks for trusting me." Steve responded, plain as day.

He had asked Robin, if someone were to come out to him (granted they were not just drugged by Russians), what would she have wanted to hear. And he finally got the chance to use it, seeing the way Eddie's shoulders dropped in relief.

"So you're like actually ok with it?"

"Like I said, been to hell and back with you, who you love doesn't mean a thing over that."

" Yeah," Eddie said,"But most straight guys don't like it when gay guys flirt relentlessly with them."

"We'll keep that one between us then, won't we?" Steve wasn't entirely ready to correct Eddie on the straight thing, so he just didn't acknowledge that part. He chose to ignore the blush rise on his face, blaming it internally on the heat of the fire.

He also tried to ignore that at that point, the nicknames picked up.

It started with babes. Then baby, which made Steve's brain flutter. Then sweetheart. Eddie only used that one when he wanted something, and yet Steve still loved it. Stevie was one of the fan favorites. Not really a pet name, but used just as lovingly as one. Sometimes Eddie held out the end, in a sing-song voice. Made Steve weak in the knees. Eddie knew what he was doing.

It was babe that made Steve do something about it. Eddie used sweetheart, baby, Stevie, around everyone. In front of the kids, on his various trips to Family Video (whether to buy or annoy, who knew). But babe. Babe was just for Steve and Steve alone.

So of course, the only logical order of events was for Steve to start using them back.

It started with babe, the obvious choice. Fight fire with fire, or whatever. The meaningless pet names ended with babes too.

Because after Eddie kissed Steve to shut him up, they suddenly had meaning.