#also for context the finished pieces with shading and backgrounds take between 4 and 7 hours
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heres-someart · 10 months ago
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If I open commissions, would people actually be interested in purchasing them?? Also, for other artists, how do you go about pricing commissions?
Here are some examples of my art are under the cut!
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powerandmagic · 6 years ago
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P&M Press is now taking submissions for POWER & MAGIC: The Queer Witch Comics Anthology Volume 2.
First, there was the award-winning POWER & MAGIC: The Queer Witch Comics Anthology... then, our “spirit”-ed interstitial volume, Power & Magic: IMMORTAL SOULS... and now, POWER & MAGIC returns with a full-length Volume 2, bigger and better than ever before!
The POWER & MAGIC SERIES is all about queer witches of color as icons of female power. Witches represent rebellion, transcendence, healing, feminine monstrosity, so-called “deviance,” and interconnectedness -- with the cosmos, with their bodies, and with each other. These anthologies exist as a space for women of color to explore gender, power, struggle, selfhood and community, all in the context of compelling fantasy comics for young adult readers (and up)!
Submission Period
Submissions will be open to the public from February 11th - March 10th (11:59 PM Pacific Time).
Who Can Participate
To submit to POWER & MAGIC Volume 2, both of the following must apply to you:
You are a person of color.
You identify -- whether fully or partially or complicatedly -- as a woman. This can include cis women, trans women, bigender people, two-spirit people, demi-girls, questioning-but-leaning-woman-aligned, etc. Sex assigned at birth is irrelevant. We’re looking to represent womanhood as a spectrum rather than a fixed point.
For team submissions: At least the writer must meet the above criteria. 
If you’re a member of a long-standing comics partnership that includes a white writer and an artist of color, you may pitch together so long as the partner of color plays an equal-or-greater role in determining the story. 
If two submissions are equally matched, the team whose members all meet the criteria will be prioritized. 
Use #CovenSearch on social media to find teammates!
Age Restrictions
All contributors must be 18 years or older. All content must be suitable for readers as young as 14 years old.
Specifications
Comics from 2 - 10 pages long (must be an even number)
6” x 9” trim size (template will be provided)
Bleed? Yes.
Black & White or Grayscale (no screentones, please)
600 dpi
.PSD final files
Timeline
Selection Process (Feb 2019 - Apr 2019)
Open Submissions: 2/11 - 3/10 (4 weeks)
Selection Period: 3/11 - 3/24 (2 weeks)
Acceptance Emails/Pitch Feedback: 3/25
Paperwork: 3/25 - 4/1 (1 week)
Creation Period (Apr 2019 - Sep 2019)
Script: 4/1 - 4/21 (3 weeks)
Feedback/Edits: 4/22 - 4/28 (1 week)
Thumbnails: 4/29 - 5/12 (2 weeks)
Feedback/Edits: 5/13 - 5/19 (1 week)
Pencils: 5/20 - 6/23 (5 weeks)
Feedback/Edits: 6/24 - 6/30 (1 week)
Inks: 7/1 - 7/21 (3 weeks)
Feedback/Edits: 7/22 - 7/28 (1 week)
Toning & Shading: 7/29 - 8/11 (2 weeks)
Feedback/Edits: 8/12 - 8/18 (1 week)
Lettering: 8/19 - 9/1 (2 weeks)
Feedback/Edits: 9/2 - 9/8 (1 week)
Final Files Due: 9/15
Kickstarter (October 2019)
Payment (November 2019)
Compensation
Contributors will be compensated at $106/page plus any Kickstarter bonuses unlocked through stretch goals. Contributors also receive a minimum of 10 complimentary copies of the anthology, royalties on all digital sales, and royalties on any future print runs of the anthology after the first printing sells out.
Rights
Creators will cede exclusive first worldwide print and digital rights to their stories for a full calendar year from the date of publication, and non-exclusive worldwide print and digital rights in perpetuity. Ownership remains with the creators.
What We *WANT*
Previously unpublished stories.
At least one protagonist must be a queer woman of color (or woman-aligned).
At least one character must be a witch, and at least one witch character must be a queer woman of color (or woman-aligned).
The queer woman of color protagonist(s) must be human or human-appearing.
Any era, any location, any type of witch -- real or folkloric or invented.
Fantasy elements! How fantastical or understated is up to you.
Peaceful stories, sad stories, triumphant stories, funny stories, failure stories, action stories, love stories -- the full spectrum of humanity is welcome. The catch: it must end “positively.” Everything doesn’t have to work out, but we’d prefer for stories to end on a note of hope or new understanding or resilience, etc, even if things go wrong.
What We *DON’T* Want
No fan works. No auto-bio. No prose. No one-off illustrations.
Comics that are already finished or that you’ve already started drawing.
Meet-cutes (“Two people meet and crush at first sight, the end”). A meet-cute may occur within the story, but it can’t be the whole story.
Horror: Your story can use fear and danger as plot elements, but if instilling fear/existential dread in the reader is the overarching goal, this is the wrong anthology.
Tolkienian fantasy: no elves, dwarves, orcs, etc. We won’t freak out if you make something up that’s very loosely(!) inspired by any of these (unless it replicates the problematic elements of Tolkien’s work, in which case your work will not be accepted).
Cursing is permitted as long as words aren’t used literally (i.e. “Shit, you scared me!” as opposed to “Let’s go shit in the woods!”) and are used very sparingly when used at all. In general, we’d prefer not.
No porn. No references to specific sexual acts. No explicit nudity whether sexual or non-sexual (sorry, folks). “Consensual fade-to-black sex between legal adults” is fine.
No depictions of abuse (sexual, physical, psychological) whether pictorial or written. Characters may vaguely reference (in non-graphic language) abuse that they have suffered in the past if doing so serves the story or is integral to the character.
No gore. People can get hurt, bleed, die, etc, but not in a grossly over-the-top way that fetishizes violence.
No slurs, no racism (not even “gnomes hate all faeries” fantasy racism), no misogyny, no transphobia, no ableism, no xenophobia, and no white supremacist nonsense in general. (And please, no stories whose sole purpose is to teach that these things are bad.)
Ready to pitch? FILL OUT THIS FORM.
Here’s what you’ll need to complete your submission:
A working title and page count for your comic (doesn’t have to be exact).
A synopsis of your story, including a beginning, middle, and end. Spoil everything, but try to keep it under 500 words.
Preliminary sketches associated with your pitch: character ideas, important creature designs, environment concepts (the latter is especially important if your portfolio lacks strong examples of background art), etc. These don’t need to be final or polished pieces! Just detailed enough to give us an idea.
Links to any relevant publishing credits (whether you’re writing the comic, drawing it, lettering it, or doing everything yourself). Self-published works and webcomics count as credits! Choose examples that best reflect the style you intend to use for this comic. You may simply include a link to your portfolio if you have no pre-existing credits, but please note that folks with sequential storytelling examples will receive preference.
Tell us about yourself and anyone else working with you, your cultural and artistic background(s), and why you want to be in POWER & MAGIC Volume 2. Short and sweet is best!
More Questions?
Check out the FAQ. If your answer isn’t there, Ask away!
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toroimports-blog · 6 years ago
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10 Best Vape Juice Package Designs
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by Toro Imports
We love packaging design here at Toro Imports — as a smoke and vape wholesaler, we know how important design can be to make products appealing to potential consumers. Ugly packaging means slow-moving product, and a great design conveys a strong message. When a company introduces products with great design, it conveys the message that the company has good communication, a quality product, strong branding, a good understanding of its customers, and that it cares about the presentation of their product. 
Vape juice bottles are items that customers tend to collect, after all. Who wants to add an ugly bottle to their collection? So, without further ado, here are 10 of our favorite vape juice brands with great packaging:
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10. Vapetasia
Vapetasia is a brand with a fun aesthetic. The vaper demographic tends to be young, edgy, alternative adults who grew up with the Internet, Adult Swim cartoons, and skater brands like Savage, Thrasher, and Stussy. Vapetasia does a terrific job of encapsulating everything that this demographic finds nostalgic and fun without directly exploiting that nostalgia.
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The mascot for the Killer Kustard line of vape juices by Vapetasia reminds us of the heroes of Aqua Teen Hunger Force, as a character that is personified food with a thick black outline and expressive features.
The Vapetasia logo itself is also fun, having two variations — the cloud which has icons from all of its juice brands:
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and the simple, iconic Vapetasia name. I have found that people wear Vapetasia branded swag freely, simply because even outside of its context as an e-juice brand, it is a groovy look.
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9. Enfuse - Pulp
We admit a personal bias here, because Enfuse is a brand local to Toro Imports HQ here in Houston, Texas. However, there’s a lot to be said for its logo and packaging design for their line of Pulp e-Juices.
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While the Enfuse logo is simple and conveys what the brand is, the packaging for Pulp reminds us of packaging for food and beverages. The Pulp packaging is classic, readable, and beautifully conveys the flavor with its mostly bi-chromatic color scheme that makes the box itself into a watermelon and lemon hybrid.
The packaging is bright, appealing, and while not as cartoonish and playful as Vapetasia, still has its own crisp, minimal illustrations that make the bottles fun to collect as well as delicious to vape
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8. Naked100
Naked100 is one of those brands that you can count on consistently flying off the shelves. Each bottle has a very minimal aesthetic that strives not to give the consumer more visual information than they require — the brand name, the e-juice line, nicotine strength, flavor, etc. 
No additional design elements are ever added to the packaging, which makes the brand unassuming, yet very stylish.
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Naked100’s sans-serif font and minimal aesthetic remind us of Apple or Google, strong brands that also strive not to over-design their products. The brand is also careful not to under-design their packaging, either: all of their juices come in an eco-friendly glass bottle with very pale, subtle colors on the labels.
Aside from their innovative flavors, Naked’s sophisticated and thoughtful packaging makes it stand out from the competition as one of the best juices out there.
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7. Nasty Juice
On the opposite side of the design spectrum from Naked100 is Nasty Juice. According to their company bio, Nasty Juice is a company founded on the idea of being an “obnoxious e-juice brand” with an “empowered sense of X-rated […] playfully daring spirit”. Standing out from other vape juice brands on this list, Nasty Juice vocally prides itself on its “exquisite advertising and top notch packaging”, which it easily accomplishes.
Nasty Juice, like Vapetasia, understands its alternative, millennial consumer base, diving into design language of skater brands and hip-hop aesthetic. Nasty Juice, much like RAW Rolling Papers, even produces its own skateboard decks and apparel with their signature fun illustrations. We love Nasty Juice not only because they are hugely popular, but because their thoughtful packaging and branding earns the popularity.
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Just look at this guy. Nasty as can be.
While each of their line of Nasty Juices have unique packaging, every single bottle is easily identifiably Nasty™.
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6. Nasty Juice x Kilo Collab
We just had to bring it back to Nasty Juice, because this collaboration between Nasty Juice and Kilo is absolutely stellar. 
Nasty Juice tends towards its high-contrast, pop culture skater illustrations, while Kilo has a high detail, classical, almost baroque style of packaging. When you combine the two, you get this line of amazing illustrations and packages that remind us of Alphonse Mucha and vintage tobacco ads.
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The packaging for the Nasty Juice x Kilo collaboration, to us, shows enormous respect and love for their consumers, knowing that the swag and bottles would be a lot of fun for fans of the individual brands to own. Kilo has a great aesthetic in its own right, but when combined with the powerhouse that is Nasty Juice, they come together to make a gorgeously detailed piece of artwork on every bottle.
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5. Alternativ by Marina Vape Co.
Marina Vape Co. is a company that understands the other side of its consumer base that Nasty Juice and Vapetasia don’t quite reach — the sophisticated, yet edgy adults who are also likely big fans of the design of Naked100 bottles. While not quite as minimal as Naked100, the Alternativ juice line by Marina Vape Co. has a strong, informed design language of its own. Each juice is named after Greek letters, while using typography and design elements that are very much from the advanced digital age.
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Alternativ e-Juices Alpha through Omega do a beautiful job of showcasing the transcendence of nicotine consumption from traditional smoking to high-tech vaping techniques, while also alluring the consumer with its fruity color schemes.
Like Naked100, the Alternativ vape juice packaging is not over designed, and only has some design elements that aren’t directly giving you information. We love the classy, stylish look of this juice line
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4. Fresh Pressed by California Grown E-Liquids
Going back to fun and illustrative, yet a little more modern, Fresh Pressed juices by California Grown E-Liquids reminds us of Enfuse Vapory’s Pulp juices. The logo condenses its flavors into one succinct space, and the entire aesthetic makes the juice line feel very “fresh”, as it claims to be.
The finish on Fresh Pressed bottles is glossy with contrasting metallic and glossy shine, and the illustrations are minimal, yet very appealing.
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We are particularly big fans of the high-contrast packaging used for the Fresh Pressed line of Salts. Using its flowery, decorative logo splashed against a matte black background, this packaging is downright sexy.
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3. Levels
While the packaging design for Levels is not very illustrative like other brands on this list, it is indeed thoughtful and intriguing. Utilizing design language of the 80’s such as Neon signage color schemes and fonts, Levels understands that its bottles need to earn their place in a customer’s vape juice collection.
This juice brand is for fans of the Terminator, the San Junipero episode of Black Mirror, and the more seasoned of their target demographic who actually lived through the 80’s. 
What impresses us about the packaging for this juice brand is how it conveys a feeling, a time, and a place while giving us very little visual information besides lines and color, with no real change in color values or shading.
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2. Coastal Clouds
Coastal Clouds is a hugely popular brand that positively flies off the shelves — in part, we believe, due to their amazing packaging and illustrations.
Like Marina Vape Co., Coastal Clouds utilizes a maritime design aesthetic, making consumers feel like they are inhaling fresh fruit right by the seaside. Coastal Clouds manages to work in the digital age information and inherent newness of vapor products in their vintage packaging feel seamlessly. 
The old-school shape of the label and logo are vectorized, as are the illustrations of the flavors each bottle contains. The color schemes are muted, not overbearing, yet still ‘pop’.
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Each design element on the bottle is perfectly balanced with the other elements. While some brands like Nasty Juice can tend to ‘crowd’ the information on their packaging against their vivid, detailed illustrations, all of the information on Coastal Clouds packaging is perfectly legible and beautifully described.
Also, they’re delicious.
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1. Psycho Unicorn by Puff Labs
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Psycho Unicorn earns first place on our list for design for making us stop and stare every time we pass their bottles in our store. We are suckers for vaporwave aesthetic here at Toro Imports, as is most of their demographic — making Psycho Unicorn by Puff Labs a clever play in packaging design.
One of the latest and greatest crazes in fashion and art nowadays is Glitch and Vaporwave. Psycho Unicorn perfectly merges design language from the 80’s and 90’s, a nostalgia factor for both sides of the vaping demographic spectrum. The illustrations for Psycho Unicorn are as appealing as they are hilarious, which shows that although they understand the importance of great packaging design, they don’t take themselves so seriously that they can’t inject humor in their product.
Psycho Unicorn is stylish, fun, and shows a deep understanding of their consumer base, which makes it our #1 favorite packaging design for vape juices.
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suechoiart · 7 years ago
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“Drawing Basics” Syllabus
This is a web-version for my 10-week Drawing Basics course I’ve taught twice at Nashville Community Education. It includes the following: 
Course Description
Course Objects
Suggested Reading 
Materials
Syllabus
It has been reformatted for web-view on Tumblr.
I hope that anyone who reads it can benefit from it, but please respect my  original intellectual property. ;) 
DRAWING BASICS  
aka Introduction to Visual Arts, Art Appreciation, and “Drawing and Squinting” Nashville Community Education Center – Spring 2017
Instructor – Sue Choi [email protected]
Course Description
This course will focus on the foundations of drawing: line, tone, composition, and more, using charcoal. Students will exercise their knowledge in drawing objects from life and copying from old master paintings. Students will be expected to engage in group critiques to develop their artistic voice. This ten-week course will end with a semi-private exhibition in the classroom.  
Course Objectives
At the end of the course, we will become familiar with
1.      Understanding charcoal as a medium and material; 2.      Recognizing and utilizing fundamental elements of visual art; and 3.      Discussing context and affects of artworks.
As a course for budding artists, there is no expectation of true mastery of those three items.
However, we will encourage each other to give it an A+ effort. ☺  
Suggested Reading
Picture This: How Pictures Work by Molly Bang (1991)   Drawing Lessons from the Great Masters by Robert Beverly Hale (1964)  
Materials
The items you purchase with your course will last beyond the course.  
Note taking materials (pen, pencil, notebook, etc)  
Newsprint paper (provided)  
Vine charcoal  
Compressed charcoal pencils  
Compressed charcoal sticks  
Kneaded eraser  
Eraser pen  
Spray fixative
Portable Sketchbook (5” x 7” - 9” x 12”)  
Internet access  
Printer (optional)  
Cloth (for cleaning)  
Artist / drafting tape  
Syllabus  
This syllabus is subject to change to match the pace of the course. You are expected to think about art and practice drawing between each week. Eat, live, and breathe art! ☺  
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Final Project
The final project will be a “big” (about 18” x 24”) copy of your artwork of choice. This will be done in charcoal. In the ten weeks, we will learn how to use charcoal to make that happen and learn how to present it in a meaningful way.  
Week 1: Introduction  
What is art? What has inspired you to take this course? If any, what would you consider your artistic background? Before we start with charcoal, let’s talk about what we’re getting ourselves into. You do not need your materials yet.
Prepare: Email one or two of your favorite paintings, photographs, scenes from movies, anything to Sue. Be prepared to introduce yourself and  Assignment: Buy materials if you haven’t yet.  
Week 2: Essence of Art and Lines  
Let’s get weird. Let’s talk about essence, the spirit, the driving force of art. Let’s extract this into lines. What other things could it represent? We will begin gesture drawing.  
Prepare: Vine charcoal and something to clean your hands.     Assignment: Start value shade exercises (handout).  
Week 3: Lines and Gestures
A line is a moving dot. We will review what we can do with lines and practice that idea with more gesture drawings. We will also start thinking about our final projects.
Prepare: Vine charcoal and something to clean your hands.     Assignment: Find two pieces of 2D artwork that you would like to copy as a final project.  
Week 4: Shapes
What can multiple lines do together? They form shapes! Let’s talk about circles, rectangles, and triangles. Everything else is a variation of those three. Sue will read you a story. We will practice drawing shapes.  
Prepare: Listening ears!     Assignment: Practice gesture drawing and abstracting by shape. Read guide on critiques.  
Week 5: Composition & Introduction to Squinting
Composition is actually nothing but a well-thought-out combination of shapes. Let’s practice seeing compositions in artwork. Before that, we will also have our first critique!
Prepare: Bring in your best gesture drawing and your best abstracting by shape for critique.   Assignment: Practice composition by looking at artwork. Recognize shapes.  
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Week 6: Shapes 2, Values, Art Survey I
Let’s know that shapes also in 3D. No need to master it. But we can start shading boxes! Let’s talk still life. I’ll give you a brief survey of art (part I).  
Prepare: None.   Assignment: Watch a movie (preferably on the list I provide). Make lots of sketches. Pick your favorite one, make it bigger, and shade it with four shades. Instructions will be provided.  
Week 7: Art Survey II, Copying  
Second half of the abridged art survey. We will critique the thumbnail sketches. We will then learn how to copy some works.  
Prepare: Listening ears. Drawing materials. Think about shapes.   Assignment: Decide what you’d like to do as your final project!    
Week 8: Lab Day  
In class, we will start working on our final project. This is a built-in extra day in case of weatherrelated closings. We will also talk about artist statements and discuss how we want to do our final presentation.  
Prepare: Artwork you want to practice copying, printed out (or emailed to Sue). Assignment: Read artist statement handout and write a draft. Work on your final project.  
Week 9: Artist Statement & Preparation
Everyone will share their (working) artist statements and receive feedback on them. In the remainder of the class, we will continue to work on the final project. We’ll finalize how to do our final presentations.
Prepare: A working version of your artist statement, printed out (or emailed to Sue).   Assignment: Finish  
Week 10: Presentation!  
Logistics for this day will be determined before this date. ☺  
Prepare: Whatever we’ve decided.   Assignment: Complete class evaluations and enjoy your artwork!  
Please email [email protected] if you have any questions or comments.  
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