#also every culture in the world believes in More

[alatismeni-theitsa]

In "KAOS" nothing is anything, and everything is wrong

Two disclaimers: I am no stranger to modern art, and I have no issue with queerness in shows, or in my own mythology (I'm Greek). I am also aware that KAOS is a comedy. It's in the gutter of British comedy, but still part of the genre. At least I laughed every time they said "Oh God!". I don't believe this is the same person who wrote the great and amusing "End of the F**king World"! The premise of "The gods in our modern world" appeals to me a lot, so that wasn't my problem either. My general issue with KAOS is its horrible delivery, bad writing, and piss-poor Greek representation.

This is gonna be long and full of stupid gifs, so sit comfortably, grab a coffee or some popcorn and... pame!

The "ILoveGreekMythology" Kid

Art without context is just a pretty thing to look at. Most of the time, this context can be found within the art piece itself, as the artist has taken care to weave it in. KAOS refuses to connect itself to any context besides the names and a few vague powers. It aims to exist outside of those "boring old stories of the Greek myth" and be entirely "fresh and modern". Something impossible when the entire show and the meanings are based on ancient recorded material. In other words, KAOS is so meta that it ends up being nothing. KAOS cannot stand on its own because you need more than the viewers being familiar with the Greek myth basics to pull such a show off.

KAOS tells us "See? I know all the names of the gods, and what they did, and I know all the locations, so I am qualified to tackle this". More or less like any Western kid who takes all their knowledge from PJO and Marvel and proceeds to unironically hate ancient deities and make a girlboss out of Medusa.

Here's a Greek word for you guys, ημιμάθεια, meaning "half-knowledge". Α Greek saying very well declares "Half-knowledge is worse than no knowledge". The confidence of thinking you know enough often leads you to grave mistakes whereas the humility of not knowing prevents you from touching shit that you shouldn't. When you have no idea what the original myth is trying to say and spit on its meaning, knowing a few names and locations is just smoke and mirrors. I don't believe the audience fell for that.

And don't get me started on the "subversions". A good subversion is intriguing and thought-provoking. In KAOS, every twist was hollow - Greek myth related or otherwise.

"What if Euridice doesn't love Orpheus?" I don't know, babe. What if??? What was the point of that? What did you show us? That women's stories are dominated by men and men don't listen to women, perhaps? And you chose to twist... the love story of Orpheus and Euridice to show this?? One of the best and most tragic love stories Greek mythology has to offer?? You just mocked the myth, you didn't make anything profound out of it.

The Greek Stuff (Nothing salvageable)

I was surprised to see they had a Consulting Producer (Georgia Christou) and an Assistant Script Editor (Isabella Yianni) who happen to be Greek. And I stress that because those people probably weren't hired or utilized for being Greek. We are not sure they were involved in cultural decisions because we have no evidence and because shows with no Greek elements can have more Greeks than that on their staff.

Okay, perhaps they took 5 seconds to ask Isabella about a greeting - which they proceeded to say in a wrong intonation 🙄🤌It's where Poseidon says "ya sás" in the Fates, by the way. How he said it sounds more like "for you (pl.)" than "health to you (pl.)".

Surprise! The only Greek actor present (Peter Polycarpou) has less than 5 minutes of screen time and plays the caricature of an immigrant with a thick (and inaccurate Greek) accent. He has a canteen, selling falafel which is not Greek, and Dionysus buys from him an unidentified tortilla wrap (which... is also not Greek, if you haven't caught up).

For the show they brought in actors of Maori, Nigerian and Sierra Leonean, Pakistani, Black American, Latvian-Jewish, Iranian, Egyptian, Indo-Fijian and Malay descent and you tell me it was impossible for them to seek and find an English-speaking, skilled actor of Greek descent in a show regarding Greek heritage. Sometimes I wonder, do y'all hate us so much?

They considered Greeks only to give us a simple (and wrong) greeting and a stereotype. Crumbs, we are supposed to be happy with. By the way, there are over 70.000 Greek immigrants just in the UK, usually in the urban centers, many of them students or fairly young employees in the corporate workforce. Not the largest minority but not hard to spot either.

Another plague of Anglophone shows: Almost everyone's Greek name is shortened. Yes, we know their full names but we are told that we will use the short ones. Greeks and their "long and difficult" names am I right fellas? Because saying "Ariadne" apparently requires 5 years of Greek language training, and no English word ever has more than two syllables.

Coincidentally, short names are cool in Anglophone imaginary universes and the "long" names are not. it's so strange Anglophones never make universes where it's cool for Greek names to be spoken in full hmmm... They don't even want to practice saying a whole Greek name for just 2 minutes in preparation for a show full of Greek names. And don't give me that "Greek is hard" shit when we only talk about a few syllables. If Greek kids can learn English since first grade and people here can sing English songs and spell English names, you have no excuse.

They also said the name "Fotis" means light, which is close enough but... ugh.. It's like saying Sebastian means "respect". I am not sure if they asked anyone or what their research was here. If I had the writers in front of me, I'd be like:

(This character from an all-time favorite Greek show is called Fotis)

They also made the flag of "Krete" an alteration of the Greek flag and the local Cretan flag. Which is the stupidest move, because they had to remove the religious symbol of the cross to make the flag fit the universe. These are flags created based on 1) Christianity 2) the Greek Revolution of 1821.

National Greek flag to the left, local Cretan flag to the right:

Flag of the KAOS' "Krete":

The only time they seriously took into account anything Greek, was the time when they decided to remove the religious symbol of our ethnoreligion AND (from what I could observe) keep the nine stripes?? The nine stripes of our national flag represent the syllables in "Freedom or Death". The colors are from the white foustanela of the mainland attire and the dark blue vraka of the island attire, the clothing of the Revolution fighters. (That's more of a meta explanation but the characteristics of the flag were decided during and nearly after the Revolution.)

I think I don't have to explain it more but it's not a homage to put the nine stripes in an ancient era where they have no meaning, and to replace a cross??? Let's... not replace religious symbols on national flags, okay? Thank you.

Another cultural element they changed was making everyone have a dedicated coin to pay Charon. Orpheus has Euridice's coin, "her coin", and he's meant to put it on her before she got buried. In Greek culture, any coin would do. Sorry that our culture restricts your script, dear writers. I guess you had to bend this too, in order to create a cohesive plot with a semblance of a twist.

Finally, the many "Kerberus" dogs were cute and I can understand the creative decision behind that. However, in a show full of inaccuracies, this made me roll my eyes a little. I think the showrunners know that Kerveros is not a breed of dog, and there can only be one of him because he doesn't have any other "Kerveros" to breed with. On the other hand, as demonstrated from art/writing on the internet, quite a lot of Westerners are not exactly aware of how our monsters work, so forgive my uncertainty 😅

Nothing is Anything

Every element KAOS played with ended up meaningless. In the words of a Lifo article:

“Zeus is a paranoid authoritarian dictator in mid-life crisis who fears losing his power and murders his aides to vent. Hera is a promiscuous goddess who repeatedly betrays Zeus and has mutilated mute priestesses for protection. Dionysos is a spoiled and immature zoomer who, apart from pranks, indulges in orgies with all genders. Poseidon a sadistic god of the sea, who tortures the crew on his ship for fun. Prometheus is gay and killed his lover so he could overthrow Zeus. Orpheus is a famous pop singer and Eurydice does not love him. Theseus is black and gay. The Erinyes are tough-as-nails mechs that look like they stepped out of ‘Sons of Anarchy’. The Fates resemble a three-member jury in a talent show. The Trojans are a terrorist group that acts against the gods. Crete is more reminiscent of California than the Mediterranean.”

The "River Styx" is a sea, the "River Lethe" is a lake, the gods are nothing more than spoiled humans, the Moirai are drag queens, the Cave is a club where you have to take a quiz to enter the underworld, and generally everything is modern, flat, mundane and anticlimactic. The producers aimed to achieve a work so meta that a "river" is now a concept, a metaphor, whatever you have in your heart. And those who want to see a river when we speak of a river are probably uncultured swines and don't understand postmodernism. Never mind that rivers are rivers in Greek mythology for a reason. That's not culturally interesting enough to explore compared to the new, cool approach of not assigning meaning to anything. That totally shows love for the original rich and meaningful material...

And the reason behind all this subversion? Probably the shock factor. They brought the characters to a point where they said "We have to save the world from Zeus" - Zeus! The father of gods, heroes and humans! - just because they could. It gives off a certain type of smugness that I personally don't like. I mean, I would like the smugness and cheekiness of KAOS if it wasn't a vapid and practically meaningless show. As nothing symbolizes anything anymore, we are just led from hollow plot point to hollow plot point.

If you cut it out of any cultural influence and see it as a story then it's... okay, I guess. But when you consider that it's meant to derive from certain material and it fails spectacularly, it's not a good story. It forgets its bases and doesn't play with the ancient elements at all. Disney's Hercules did it better, FFS!

Bad Writing (pt.1)

KAOS is not without recognizable themes but their demonstration is so juvenile and heavy-handed that it fails to influence a viewer of average intelligence. For instance, "Riddy" says to her religious mother "You dedicated your whole life to Hera, what about me?" Okay, KAOS, we get it. At the same time, this theme nulls itself because it turns out that Ridy's mother was right to do what she did, as she had a greater goal in mind. (And this, kiddos, is called Bad Writing, because your themes and scenes contradict each other)

The biggest theme I spotted was a criticism of religion and religious people who say "Do as I say, not as I do" and create exceptions for themselves. Only, it's not a criticism of anything real, in this case. It's a fact that some people in the clergy tend to preach peace and love and then they do harm, but we don't know, for example, that The Goddess of Marriage is a cheater and yet she pressures everyone into strict marriages. By focusing their wrath on divine beings who are not known for their hypocrisy, the creators missed the mark.

I can give KAOS props for how it handled Trojans to reflect real issues regarding how immigrants and war refugees are mistreated and blamed. I'd argue it was the only (nearly) well-done theme in the whole show because it had the least on-the-nose delivery and some genuine/serious scenes. But that's it.

More Bad Writing!

Jeff Goldblum's Zeus is shit. He'd crap his pants in an argument with a stern Greek dad/uncle his age. Is this character supposed to be intimidating? (Laughs in Mediterranean) That's not to say that Goldblum is not a good actor, but this role wasn't for him. The same can be said for the other actors, too. They are competent but they only give off the air of "The Greek gods if they lived in London, from the minds of people who think beards and body hair are an affliction". In addition to being misplaced, the actors cannot show their talent when following a script that resembles a children's book.

Why does THE GOD Dionysus have the maturity of a 15-year-old? I repeat, The God Dionysus. He's a freaking deity, and a very old one at that. He is not a teenager neither in appearance nor in experience. In our culture, he is mystical, mighty, wise. Why did they downgrade him so? Just for the plot? This is not Dionysus just because you named him so.

The dialogue rarely takes itself seriously to the point it has you wondering at times "Do people talk and behave like that?". In a comedy where everything is meant to be already extreme and parodied. Even in comedies, something must occasionally be serious so there is a healthy fluctuation in tone and the funny moments can hit you. In KAOS very few scenes treated their impactful dialogue as it should be treated.

The queerness and diversity (good elements, in general) were worse off for being in KAOS. Like, I want these elements to be there. I'm just sad about the whole situation. It's not enough that the show is shit, now you also give an additional reason for conservatives to shit on diverse and queer characters because they are part of a stupid narrative.

I'm the type of person who doesn't mind the queerness of Astyanax and Theseus being lovers in the context of this specific show but they're still the oddest pairing to me because they're from the most irrelevant myths and eras. Also, Astyanax in my mind is a baby who died tragically, for little reason if we are honest, so to bring him back and make him a love interest is... ekh.

In addition, isn't Astyanax supposed to be crippled after a fall from the city walls when he was a baby? Sorry to change subjects but the show is so convoluted and with so many issues that it's extremely difficult to stay on track with what's wrong.

To the person who thought this show was a good idea:

Whatever. Bye. I'm fucking done.

[lesless]

One thing I don’t understand abt religious ppl is how’re you gonna believe god made all this & also think he’s a little bitch?? When god said don’t use my name in vain god meant don’t be a fuckhead in the guise of religion & not ‘I’m gonna be SO mad if you say goddamn it.’

[themyscirah]

Okay so basically the United States MINT of all people is going to be working with DC to make a line of coins! These coins sadly won't be in circulation (the things I would do to live in a world where I could get Batman coins from the supermarket) as they're collectors coins, but will be releasing over the course of the next 3 years, 2025-2027.

Designs haven't been released yet (the same is true for all 2025 designs) but we know there will be 9 coins in total (3 each year) with the first year featuring (of course!!!) Superman, Batman, and Wonder Woman.

Although we know the first three heroes to be featured, the remaining six have yet to be decided, and it turns out the Mint is putting out a survey on their site to gauge which of a group of culturally significant heroes people want to see most! (link to the form is mentioned in the article above)

The considered group includes: Supergirl, the Flash, Green Arrow, Black Canary, Captain Marvel, John Stewart GL, Aquaman, Hawkman, Jamie Reyes BB, Robin (Damian?), Cyborg, and Batgirl, of which 6 will be selected.

As someone who does a bit of coin collecting myself (mainly circulation coins like the quarters sets, but I also have a couple proof and collectors coins) I think this is a really cool and interesting idea that showcases the history of the comics medium and these characters and their influence on American culture. Really excited to wait and see what the designs look like for the coins already announced!

[romulanslutempire]

Adelaide Kane needs to reprise her role on SNW (somehow) so we can see her in Romulan tactical gear and with those famous pointy ears.

[lettersiarrange]

Since I just checked my ask box for the first time in a hot minute:

Just a note that tumblr doesn't tell me when I have new asks or messages and I rarely check my notifications. Helpful corrections of misinformation/any messages in good faith are appreciated (though it's possible I won't see them until weeks later, sorry), but if something I reblog angers you enough you feel the need to get hostile in my askbox on anon, I reccomend the unfollow button.

I'm also not comfortable posting asks asking for any sort of donations/directing people to your blog for donation purposes, sorry :// I just don't have time to vet asks like that

[hussyknee]

People seem to think this is fake because it's written in English. Apart from the racism in believing that Arab doctors and nurses aren't fluent in English (a second or official language for half of Asia), Palestinians have deliberately been addressing their audience in English on every social media, from journalists to children, because they know speaking English to Westerners immediately makes people more human in their eyes. Because language is one of the ways the imperial cultural hegemony conditions us (yes, everyone in the world) to see who qualifies as "people" and who are simply a mass of bodies who were always made to suffer and die. Gazans know this deeply, which is why they have been using English to beg and plead through social media, "We're not numbers! We're not numbers! We're people like you, we speak your language, we deserve to live!" all the while they're systematically slaughtered.

Israeli forces also encircled Al Shifa Hospital yesterday and bombed it for several hours while shooting dead anyone trying to flee including medical staff moving between buildings. Not sure whether it's still continuing because WHO lost all communications with its staff there a few hours after. The last new report said that thirty-nine babies had been removed from the incubators before the power went out. It's extremely unlikely they will survive.

Please understand that these atrocities depend on the war of attrition between governments and public attention. The momentum of public outcry is difficult to sustain through repeated stonewalling and bureaucratic intractability. When we're flooded with these reports and a sense of futility and despair replaces the anger, it allows compassion fatigue to set in and the violence to become normalized. Massacring hospitals, killing sick children and openly targeting humanitarian aid workers (Netanyahu just declared the UNRWA is in league with Hamas) will become simply more news articles that fade into the background, and open genocides will soon become part of the "lesser evil".

Take care of yourselves how you can, take distance where needed, but please never tune out and give up on the two million people for whom we are the only witness and hope. Never stop boosting and sharing the news and posts you find, never stop getting out there and joining every protest you can, however small. Anger burns out, which is why activism must depend on an immovable sense of justice and uncompromising value for human life. It's not just about Gaza, it's about the kind of evil our generation will be coerced into accepting as unchangeable and inevitable hereafter.

[dunmeshistash]

Okay I think I'm ready to write the second part of this post about Milsiril

To make it easier for me I'll just divide this into her relationship with Kabru, Mithrun and Helki (her ex-canary prisoner teammate)

First about Kabru

This is an extra from the daydream hour 5. The caption says "Something like this might as well have happened" so its probably not canon but could be. I honestly think his reaction to Milsiril visiting and being overbearing says a lot about the type of relantionship they have. This is the fakest bitch in the whole of dungeon meshi, he never says what he trully thinks unless there's an advantage to doing so, he's a people pleaser that does and says anything to make people like/trust him. And yet he immediatly converts into "Mooooooom you're embarassing meeeeee" when he sees it's Milsiril.

This translation used "Mom" but as I understand the original he uses the more formal version so I think it would be closer to "Mother" but still he acknowleges her as his Mother, and he acts like her kid in every interaction we see between them.

I really don't understand where the idea that he learned to be fake from being "forced" to be her adoptive son comes from.

(Continuing under a cut)

The other interaction we see between them is the Kabru extra from the Adventurer's Bible

Kabru comes to her with a deep fear he clearly has had even before she adopted him, he trusted her with this fear and she did not disappoint him, she comforted him and then gave him the information he needed to believe what she was saying

I'd also like to point out in no moment she discouraged him from calling his his bio-mom "Mom". He also says she taught her children everything they asked

I doubt this would only be true for him, it also mirrors something she said in the manga

"You can go ahead and learn all you want about something else." I believe it when Kabru says she made every effort to answer her children's questions. I think this is also the way she expresses the love she has for them. Plus I love the thought bubble with Kabru mirroring what he learned from her. I also love this daydream hour, she sacrifices her own comfort to do something for Kabru.

Milsiril isn't a perfect mother tho, besides the fact she is overprotective she comes from a very different culture from her children. I like to call her Kabru's white mom cause I think that would be the real world equivalent. This extra is the one I think the most about showing this context perfectly

Kabru wants to share Utaya sweets but looks at his mom looking gloomy/rejected so he talks about fruitcake instead. This very rude for Milsiril to do since she's kinda trying to overwrite his actual cultural background, but I think its done more as a "I want you to like the things I like" rather than something nefarious, and once again Kabru doesn't hide at all his distaste for it, he does the bare minimum to please his mom since she's being dramatic but he doesn't lie to her, he shows how displeased he is about fruitcake, something he refuses to do when eating the harpy omelette that is way worse, because he must make a good impression for Laios. Kabru is honest with his overbearing white mom once again.

Now a little about Rin, from Kabru's context, this is her extra in the Adventurer's Bible

(look at Helki he's such a gremlin i love him) anyway, Rin has a trauma about elves, they really mistreated her so she hates them, but when they notice she isn't thriving they go to Milsiril for help (Helki specifically I'll talk more about him next). I think this indicates she really has a better understanding of short lived kids, her kids are thriving differently from the ones the other elves try to care for. I'd also like to remember she lives secluded from other elves so while Kabru probably had lots of interactions with elves during his life, most of it was probably spent with Milsiril and her other adoptive kids. She also asks Kabru if he would do this to help Rin, he isn't being forced or anything, I also think it's good that Milsiril knows she cant take in any more kids, this to me shows she's worried about the quality of life her kids have. That is all to say, Rin is the one with elf trauma, not Kabru, because Kabru had Milsiril to shelter him from them.

Helki

This will be short and sweet since there's barely anything about Helki, he's her prisioner companion from her time in the canaries, but he was pardoned after Utaya, it says so in the Canarie's Structure page in the new adventurer's guide but I cant really find it translated again... so here's google's machine translation (I remember it saying "Retired and pardoned as a reward after Utaya", something like that)

so officially he isn't a prisoner anymore, but I think he still works as a canary, even so he and Milsiril seem quite close, he is the one to go talk to her about Rin, He is there when she's training Kabru (both laughing at Kabru and then participating). I saw people theorizing she stays close to him because he is also someone who she can feel superior to, but I don't believe it at all, he's STILL in contact with her even after they have nothing to with each other, I think they really have a friendship, and there's no point where it seems like she feels like she's better than him or that he's less than her, people seem to interpret Milsiril and her relationships in the worst possible ways every time and I don't understand why.

This segways into Mithrun

I've also seen people assuming she only got close to Mithrun because now he needs her and has no power over her, once again with the theory that Milsiril surrounds herself with people she can feel superior to. But once again, Milsiril had a change of perspective about Mithrun after seeing his Dungeon

Rather than she feeling superior to him I think rather she realized he was just like her. (And I think she's friends with Helki for a similar reason, it's probably easier to see him as an equal than other nobles)

I've also seen this part used as proof of that. "He said that you've got suspicious ulterior motives and that I shouldn't listen to you" as if that's true, but this is past Mithrun, the one that didn't trust anyone and thought ill of all his teammates, ofc he doesn't believe someone would help him without an ulterior motive. This doesn't prove much about her real motivations.

Also before she showed up, Mithrun was being cared for by servants hired by his brother, he isn't someone helpless she has power over, he is still a member of an important Noble family that has a caring brother providing for him, he can do without Milsiril, he had done without her for 20 years before Utaya happened and she quit the Canaries.

This is all to say I think Milsiril is just a white(elf) adoptive mom doing her best, I don't see much of anything nefarious about her or her motivations, she is flawed as all the dunmeshi characters are, she isn't a perfect mom, she isn't an evil mom, she's just a person.

Elves in general also see short lived species as "children" so I imagine this makes her "You'll always be my baby" attitude way worse, she really treats pre-teen/teen Kabru like he's a toddler sometimes. But she also respected him enough to go all out in training him. I think they're a family with everything that entails.

PS: I didn't get much into Interracial adoption since this is something that happens irl too and I don't know much about all the issues that entails, but in the end, in this case, it seems like a net positive for the kids she adopts considering all we see about how she raised Kabru.

[nikibogwater]

Actually while I'm thinking about it, I just wanna say that the more live-action remakes Disney shlups out like shoveled manure, the more amazed I am that Cinderella (2015) exists. It breaks literally every standard of Disney's LA remakes.

It's not a shot-for-shot remake of the original 1950 animated film, though it does include small references and homages to it, but only when such things can be incorporated organically into the story.

The creators understood and respected the cross-cultural significance of the Cinderella story. They didn't want to "fix" it, or add some wacky twist to it, they just wanted to make the best possible version of the Quintessential Cinderella that they could.

Everything that could be done practically was done practically. The carriage was a real, the horses pulling it were real, and all of the other animals (with the exception of the mice and lizards, since their performance was a lot more involved than the others') were real living animals, the lizard footman and goose carriage driver were wearing prosthetics instead of just having their animal features added in post, the Fairy Godmother's dress had little LED lights sewn into it so that it would actually glow for real, the ballroom set was built by hand and included real chandeliers with more than 2000 total candles that were all actually lit for the scene, and I could go on but you get the point.

There's a ton of attention paid to little details that make the world feel real and lived in. Ella's shoes are always a little scuffed and dirty. Her farm dress is faded and wrinkled. When she breaks down and runs away to the woods, she rides her horse bareback (which, once again, was a thing Lily James actually did, no stunt-double or editing in post), because not only is that something a country girl like her would know how to do, but it also makes sense that with as upset as she is, she wouldn't want to waste time with saddling the horse. When she's dancing with the prince, it's visually obvious that he is leading her and giving her cues because of course Ella wouldn't know the latest ballroom dances, and would need him to guide her through it.

Hey speaking of dancing, y'know what else this movie does that no other LA remake has been allowed to do (at least not to this extent)? ROMANCE. Land sakes alive, this is one of the most unabashedly and yet still tastefully romantic movies I've ever seen. Ella and Kit are just oozing romantic chemistry from the moment they lock eyes for the first time. It all comes down to the fact that these two characters both have the same core values of courage and kindness, which makes their admiration for each other feel grounded and believable. Richard Madden also really sells Kit's feelings for Ella with the way his eyes go all big and soft whenever he looks at her. And don't even get me started on Lily's performance as Ella. Her quiet awe that someone as powerful as the prince loves her. The timidity and fear that she's not really worthy of that. The selfless determination to protect him from her family's cruelty, even if it means she'll never see him again, I'm just-- *banging my fist against the table and screaming into a pillow*

Absolutely god-tier costume design. No notes, I think Sandy Powell's work speaks for itself. Btw, in case you were somehow still wondering, yes, Ella's ballgown is fully practical--those layers upon layers of dreamy silk skirts are real. CG was only used to brighten up the blue color to make her stand out from the crowd more.

Wicked stepmother was allowed to actually be wicked. The movie never tries to make you sympathize with Lady Tremaine, or shift the blame off to someone else. And her villainy is given an extra layer of depth with the reveal that she is a dark reflection of Ella. They've both lost people they loved, but where Ella refused to let her grief get in the way of kindness, Lady Tremaine became utterly consumed by it. She views the death of her first husband as a sort of twisted justification for pursuing all her worst impulses. She despises Ella for her ability to flourish even while enduring terrible suffering, for being everything Lady Tremaine was either unable or flat-out refused to be.

Also Cate Blanchet absolutely SLAYS in this role. Hands-down my favorite portrayal of the wicked stepmother character.

Anyways, TLDR: Cinderella (2015) is the only Disney live-action remake that can justify its own existence and that's because it actively defies everything the LA remakes are today.

[saturngas]

hickeys on display

[🪐] satoru wears proudly the hickeys you left on him last night

pairing: gojo satoru x f!reader

genre: fluff

warnings: established relationship; only one suggestive paragraph; crack fic? again me trying to be funny; nanami mentioned!; slight possessive traits;

word count: 1k

..

nanami sometimes pitied you. you were a good human being, a nice woman, a devoted and strong sorcerer. but why did the world reward you with this menace that calls itself satoru?

the moment his eyes landed on the tall sorcerer walking in the bakery shop, nanami swore he wanted to throw himself off the window.

satoru had convinced him to go out to his favorite bakery shop to spend time while his beautiful wife returned from the mission. the blonde man actually didn't have any other plans for the day, so he could bare a couple of hours with the strongest.

but not like this.

Japanese culture revolved in humbleness and respect towards others. satoru was anything but that. he had gained multiple stares since he landed on the bakery, all eyes focused on the angry marks on his attractive neck and collarbones.

"what happened to you? were you attacked on your way here?" nanami asked sarcastically as satoru sat down in front of him.

"what do you mean, nanamin?" he faigned ignorance as he adjusted himself on his sit, his large hands fidgeting with the menu. nanami sent him a dead stare, not believing his cluelessness. "oh this?" he pointed to his exposed skin. "oh it's just that I miss my wife so much. I also want anyone to know im so taken."

Nanami couldn't believe his ears. he wanted to choke the hell out of the sorcerer for being so shameless.

"your ring is sufficient."

satoru eyed the silver band adorning his ring finger, the lovely reminder of your wedding playing on his head. "well, yeah I guess... but people dont usually look at other's people hands first."

the curious and judgmental stares from the strangers in the store were making nanami a bit uncomfortable. maybe he should just have his baguette as a take out.

"nanamin, have you ordered yet? I think ill have the strawberry cheesecake and a vanilla milkshak— what are you doing?"

in front of him was nanami holding up his phone, hands ready to take a picture of satoru as an evidence to you and a reminder to him to never go out with him again.

"im sending your wife a picture of you. I hope she doesn't approve this and takes you home away from people." as soon as satoru heard the mention of his wife, he stood taller in his sit, puffing out his hard chest, his exposed bruised neck more on display as a boyish grin struck his face.

"haha, okie~" a fit of giggles left his lips that made nanami exhale the hardest he had that evening. "please tell her I miss her and that I love her with all my heart."

come get your husband. he has no shame.

your phone buzzed in your pocket as a final puff left the remaining of the curses you just have exorcized. you checked the message sent by a good friend of yours, nanami. you couldn't help but laugh.

since you were called for a quick mission not too far from tokyo, poor satoru was left alone without his pretty wife. he insisted on going with you, however you reminded him of the house chores he had been avoiding the past weeks.

your husband had a habit of sending you recurrent messages whenever you were away. it could be him on a mission overseas sending you pictures of himself in every angle just to crack a smile on your face. or it could be him spamming you on texting him back if you left him on read by accident.

right now, it had been around thirty minutes since satoru had informed you he had finished his duties, sending you visual proof—he would often get away with it—and a dozens of messages declaring he missed you and was miserable without you, so he let you know he would be visiting nanami, probably because there wasn't anyone within his range he could bother.

what you didn't expect was the photo attached to nanami´s previous message.

satoru was sitting in a booth—probably in some bakery shop—with one of the biggest grins you had seen on his angelic face. his baby blue eyes were covered by his rectangular glasses and his white hair was a bit messy.

but what immediately caught your attention wasn't his toothy grin or his perfect jawline—it was the shameless exposure of his bare neck, where purple and red marks decorated the pale skin of his collarbones, neck, and trapezius.

the night before was a night. satoru made you feel so full that your eyes were at one point covered in tears of pleasure, your jaw as tight as ever as you took all of him so well. the carnal heat inside you was boiling and daring to explote, so you released it with snug bites on satoru's skin, anywhere within your range, making him groan and hiss in painful arousal. there were moments where you would almost chew on the rosy skin to suppress the loud moans. satoru took good care of you. but now?

your husband deliberately decided to wear that low collar sweatshirt you loved so much. but not right now! how was he so uncaring about showing the entire world your marital business?

a sighed left your lips as you replied to nanami with an "im coming," before departing your way to the place, already having the directions since satoru left his location on with you all the time.

"please dont ever do this, toru."

"then dont give me these hickeys! and dont leave me alone too much! I need to remind myself you still exist, baby."

"I was done with my mission in like two hours!"

"oh wow, you are getting stronger pookie bear."

taglist: @snwvie @fanficsforkicks

hello guysss, im working on other works because I have like so many ideas but it's kinda hard to write them all the way I want to. im also working on pt 2 of some works some of y'all have suggested. bare with me alr :]

[mostlysignssomeportents]

Why they're smearing Lina Khan

My god, they sure hate Lina Khan. This once-in-a-generation, groundbreaking, brilliant legal scholar and fighter for the public interest, the slayer of Reaganomics, has attracted more vitriol, mockery, and dismissal than any of her predecessors in living memory.

She sure must be doing something right, huh?

A quick refresher. In 2017, Khan — then a law student — published Amazon’s Antitrust Paradox in the Yale Law Journal. It was a brilliant, blistering analysis showing how the Reagan-era theory of antitrust (which celebrates monopolies as “efficient”) had failed on its own terms, using Amazon as Exhibit A of the ways in which post-Reagan antitrust had left Americans vulnerable to corporate abuse:

https://www.yalelawjournal.org/note/amazons-antitrust-paradox

The paper sent seismic shocks through both legal and economic circles, and goosed the neo-Brandeisian movement (sneeringly dismissed as “hipster antitrust”). This movement is a rebuke to Reaganomics, with its celebration of monopolies, trickle-down, offshoring, corporate dark money, revolving-door regulatory capture, and companies that are simultaneously too big to fail and too big to jail.

This movement has many proponents, of course — not just Khan — but Khan’s careful scholarship, combined with her encyclopedic knowledge of the long-dormant statutory powers that federal agencies had to make change, and a strategy for reviving those powers to protect Americans from corporate predators made her a powerful, inspirational figure.

When Joe Biden won the 2020 presidential election, he surprised everyone by appointing Khan to the FTC. It wasn’t just that she had such a radical vision — it was also that she lacked the usual corporate law experience that such an appointee would normally require (experience that would ensure that the FTC was helmed by people whose default view of the world is that it should be structured and regulated by powerful, wealthy people in corporate boardrooms).

Even more surprising was that Khan was made chair of the FTC, something that was only possible because a few Republican Senators broke with their party to support her candidacy:

https://www.senate.gov/legislative/LIS/roll_call_votes/vote1171/vote_117_1_00233.htm

These Republicans saw in Khan an ally in their fight against “woke” Big Tech. For these senators, the problem wasn’t that tech had got too big and powerful — it was that there were a few limited instances in which tech leaders failed to wield that power in the ways they preferred.

The Republican project is a matter of getting turkeys to vote for Christmas by doing a lot of culture war bullshit, cruelly abusing disfavored sexual and racial minorities. This wins support from low-information voters who’ll vote against their class interests and support more monopolies, more tax cuts for the rich, and more cuts to the services they rely on.

But while tech leaders are 100% committed to the project of permanent oligarchic takeover of every sphere of American life, they are less full-throated in their support for hateful, cruel discrimination against disfavored minorities (in this regard, tech leaders resemble the corporate wing of the Democrats, which is where we get the “Silicon Valley is a Democratic Party stronghold” narrative).

This failure to unquestioningly and unstintingly back culture war bullshit put tech leaders in the GOP’s crosshairs. Some GOP politicians actually believe in the culture war bullshit, and are grossly offended that tech is “woke.” Others are smart enough not to get high on their own supply, but worry that any tech obstruction in the bullshit culture wars will make it harder to get sufficient turkey votes for a big fat Christmas surprise.

Biden’s ceding of antitrust policy to the left wing of the party, combined with disaffected GOP senators viewing Khan as their enemy’s enemy, led to Khan’s historic appointment as FTC Chair. In that position, she was joined by a slate of Biden trustbusters, including Jonathan Kanter at the DoJ Antitrust Division, Tim Wu at the White House, and other important, skilled and principled fighters like Alvaro Bedoya (FTC), Rebecca Slaughter (FTC), Rohit Chopra (CFPB), and many others.

Crucially, these new appointees weren’t just principled, they were good at their jobs. In 2021, Tim Wu wrote an executive order for Biden that laid out 72 concrete ways in which the administration could act — with no further Congressional authorization — to blunt corporate power and insulate the American people from oligarchs’ abusive and extractive practices:

https://pluralistic.net/2021/08/13/post-bork-era/#manne-down

Since then, the antitrust arm of the Biden administration have been fuckin’ ninjas, Getting Shit Done in ways large and small, working — for the first time since Reagan — to protect Americans from predatory businesses:

https://pluralistic.net/2022/10/18/administrative-competence/#i-know-stuff

This is in marked contrast to the corporate Dems’ champions in the administration. People like Pete Buttigieg are heralded as competent technocrats, “realists” who are too principled to peddle hopium to the base, writing checks they can’t cash. All this is cover for a King Log performance, in which Buttigieg’s far-reaching regulatory authority sits unused on a shelf while a million Americans are stranded over Christmas and whole towns are endangered by greedy, reckless rail barons straight out of the Gilded Age:

https://pluralistic.net/2023/01/10/the-courage-to-govern/#whos-in-charge

The contrast between the Biden trustbusters and their counterparts from the corporate wing is stark. While the corporate wing insists that every pitch is outside of the zone, Khan and her allies are swinging for the stands. They’re trying to make life better for you and me, by declaring commercial surveillance to be an unfair business practice and thus illegal:

https://pluralistic.net/2022/08/12/regulatory-uncapture/#conscious-uncoupling

And by declaring noncompete “agreements” that shackle good workers to shitty jobs to be illegal:

https://pluralistic.net/2022/02/02/its-the-economy-stupid/#neofeudal

And naturally, this has really pissed off all the right people: America’s billionaires and their cheerleaders in the press, government, and the hive of scum and villainy that is the Big Law/thinktank industrial-complex.

Take the WSJ: since Khan took office, they have published 67 vicious editorials attacking her and her policies. Khan is living rent-free in Rupert Murdoch’s head. Not only that, he’s given her the presidential suite! You love to see it.

These attacks are worth reading, if only to see how flimsy and frivolous they are. One major subgenre is that Khan shouldn’t be bringing any action against Amazon, because her groundbreaking scholarship about the company means she has a conflict of interest. Holy moly is this a stupid thing to say. The idea that the chair of an expert agency should recuse herself because she is an expert is what the physicists call not even wrong.

But these attacks are even more laughable due to who they’re coming from: people who have the most outrageous conflicts of interest imaginable, and who were conspicuously silent for years as the FTC’s revolving door admitted the a bestiary of swamp-creatures so conflicted it’s a wonder they managed to dress themselves in the morning.

Writing in The American Prospect, David Dayen runs the numbers:

Since the late 1990s, 31 out of 41 top FTC officials worked directly for a company that has business before the agency, with 26 of them related to the technology industry.

https://prospect.org/economy/2023-06-23-attacks-lina-khans-ethics-reveal-projection/

Take Christine Wilson, a GOP-appointed FTC Commissioner who quit the agency in a huff because Khan wanted to do things for the American people, and not their self-appointed oligarchic princelings. Wilson wrote an angry break-up letter to Khan that the WSJ published, presaging their concierge service for Samuel Alito:

https://www.wsj.com/articles/why-im-resigning-from-the-ftc-commissioner-ftc-lina-khan-regulation-rule-violation-antitrust-339f115d

For Wilson to question Khan’s ethics took galactic-scale chutzpah. Wilson, after all, is a commissioner who took cash money from Bristol-Myers Squibb, then voted to approve their merger with Celgene:

https://www.documentcloud.org/documents/4365601-Wilson-Christine-Smith-final278.html

Or take Wilson’s GOP FTC predecessor Josh Wright, whose incestuous relationship with the companies he oversaw at the Commission are so intimate he’s practically got a Habsburg jaw. Wright went from Google to the US government and back again four times. He also lobbied the FTC on behalf of Qualcomm (a major donor to Wright’s employer, George Mason’s Antonin Scalia Law School) after working “personally and substantially” while serving at the FTC.

George Mason’s Scalia center practically owns the revolving door, counting fourteen FTC officials among its affliates:

https://campaignforaccountability.org/ttp-investigation-big-techs-backdoor-to-the-ftc/

Since the 1990s, 31 out of 41 top FTC officials — both GOP appointed and appointees backed by corporate Dems — “worked directly for a company that has business before the agency”:

https://www.citizen.org/article/ftc-big-tech-revolving-door-problem-report/

The majority of FTC and DoJ antitrust lawyers who served between 2014–21 left government service and went straight to work for a Big Law firm, serving the companies they’d regulated just a few months before:

https://therevolvingdoorproject.org/wp-content/uploads/2022/06/The-Revolving-Door-In-Federal-Antitrust-Enforcement.pdf

Take Deborah Feinstein, formerly the head of the FTC’s Bureau of Competition, now a partner at Arnold & Porter, where she’s represented General Electric, NBCUniversal, Unilever, and Pepsi and a whole medicine chest’s worth of pharma giants before her former subordinates at the FTC. Michael Moiseyev who was assistant manager of FTC Competition is now in charge of mergers at Weil Gotshal & Manges, working for Microsoft, Meta, and Eli Lilly.

There’s a whole bunch more, but Dayen reserves special notice for Andrew Smith, Trump’s FTC Consumer Protection boss. Before he was put on the public payroll, Smith represented 120 clients that had business before the Commission, including “nearly every major bank in America, drug industry lobbyist PhRMA, Uber, Equifax, Amazon, Facebook, Verizon, and a variety of payday lenders”:

https://www.citizen.org/sites/default/files/andrew_smith_foia_appeal_response_11_30.pdf

Before Khan, in other words, the FTC was a “conflict-of-interest assembly line, moving through corporate lawyers and industry hangers-on without resistance for decades.”

Khan is the first FTC head with no conflicts. This leaves her opponents in the sweaty, desperate position of inventing conflicts out of thin air.

For these corporate lickspittles, Khan’s “conflict” is that she has a point of view. Specifically, she thinks that the FTC should do its job.

This makes grifters like Jim Jordan furious. Yesterday, Jordan grilled Khan in a hearing where he accused her of violating an ethics official’s advice that she should recuse herself from Big Tech cases. This is a talking point that was created and promoted by Bloomberg:

https://www.bloomberg.com/news/articles/2023-06-16/ftc-rejected-ethics-advice-for-khan-recusal-on-meta-case

That ethics official, Lorielle Pankey, did not, in fact, make this recommendation. It’s simply untrue (she did say that Khan presiding over cases that she has made public statements about could be used as ammo against her, but did not say that it violated any ethical standard).

But there’s more to this story. Pankey herself has a gigantic conflict of interest in this case, including a stock portfolio with $15,001 and $50,000 in Meta stock (Meta is another company that has whined in print and in its briefs that it is a poor defenseless lamb being picked on by big, mean ole Lina Khan):

https://www.wsj.com/articles/ethics-official-owned-meta-stock-while-recommending-ftc-chair-recuse-herself-from-meta-case-8582a83b

Jordan called his hearing on the back of this fake scandal, and then proceeded to show his whole damned ass, even as his GOP colleagues got into a substantive and even informative dialog with Khan:

https://prospect.org/power/2023-07-14-jim-jordan-misfires-attacks-lina-khan/

Mostly what came out of that hearing was news about how Khan is doing her job, working on behalf of the American people. For example, she confirmed that she’s investigating OpenAI for nonconsensually harvesting a mountain of Americans’ personal information:

https://www.ft.com/content/8ce04d67-069b-4c9d-91bf-11649f5adc74

Other Republicans, including confirmed swamp creatures like Matt Gaetz, ended up agreeing with Khan that Amazon Ring is a privacy dumpster-fire. Nobodies like Rep TomM assie gave Khan an opening to discuss how her agency is protecting mom-and-pop grocers from giant, price-gouging, greedflation-drunk national chains. Jeff Van Drew gave her a chance to talk about the FTC’s war on robocalls. Lance Gooden let her talk about her fight against horse doping.

But Khan’s opponents did manage to repeat a lot of the smears against her, and not just the bogus conflict-of-interest story. They also accused her of being 0–4 in her actions to block mergers, ignoring the huge number of mergers that have been called off or not initiated because M&A professionals now understand they can no longer expect these mergers to be waved through. Indeed, just last night I spoke with a friend who owns a medium-sized tech company that Meta tried to buy out, only to withdraw from the deal because their lawyers told them it would get challenged at the FTC, with an uncertain outcome.

These talking points got picked up by people commenting on Judge Jacqueline Scott Corley’s ruling against the FTC in the Microsoft-Activision merger. The FTC was seeking an injunction against the merger, and Corley turned them down flat. The ruling was objectively very bad. Start with the fact that Corley’s son is a Microsoft employee who stands reap massive gains in his stock options if the merger goes through.

But beyond this (real, non-imaginary, not manufactured conflict of interest), Corley’s judgment and her remarks in court were inexcusably bad, as Matt Stoller writes:

https://www.thebignewsletter.com/p/judge-rules-for-microsoft-mergers

In her ruling, Corley explained that she didn’t think Microsoft would abuse the market dominance they’d gain by merging their giant videogame platform and studio with one of its largest competitors. Why not? Because Microsoft’s execs pinky-swore that they wouldn’t abuse that power.

Corely’s deference to Microsoft’s corporate priorities goes deeper than trusting its execs, though. In denying the FTC’s motion, she stated that it would be unfair to put the merger on hold in order to have a full investigation into its competition implications because Microsoft and Activision had set a deadline of July 18 to conclude things, and Microsoft would have to pay a penalty if that deadline passed.

This is surreal: a judge ruled that a corporation’s radical, massive merger shouldn’t be subject to full investigation because that corporation itself set an arbitrary deadline to conclude the deal before such an investigation could be concluded. That’s pretty convenient for future mega-mergers — just set a short deadline and Judge Corely will tell regulators that the merger can’t be investigated because the deadline is looming.

And this is all about the future. As Stoller writes, Microsoft isn’t exactly subtle about why it wants this merger. Its own execs said that the reason they were spending “dump trucks” of money buying games studios was to “spend Sony out of business.”

Now, maybe you hate Sony. Maybe you hate Activision. There’s plenty of good reason to hate both — they’re run by creeps who do shitty things to gamers and to their employees. But if you think that Microsoft will be better once it eliminates its competition, then you have the attention span of a goldfish on Adderall.

Microsoft made exactly the same promises it made on Activision when it bought out another games studio, Zenimax — and it broke every one of those promises.

Microsoft has a long, long, long history of being a brutal, abusive monopolist. It is a convicted monopolist. And its bad conduct didn’t end with the browser wars. You remember how the lockdown turned all our homes into rent-free branch offices for our employers? Microsoft seized on that moment to offer our bosses keystroke-and-click level surveillance of our use of our own computers in our own homes, via its Office365 bossware product:

https://pluralistic.net/2020/11/25/the-peoples-amazon/#clippys-revenge

If you think a company that gave your boss a tool to spy on their employees and rank them by “productivity” as a prelude to firing them or cutting their pay is going to treat gamers or game makers well once they have “spent the competition out of business,” you’re a credulous sucker and you are gonna be so disappointed.

The enshittification play is obvious: use investor cash to make things temporarily nice for customers and suppliers, lock both of them in — in this case, it’s with a subscription-based service similar to Netflix’s — and then claw all that value back until all that’s left is a big pile of shit.

The Microsoft case is about the future. Judge Corely doesn’t take the future seriously: as she said during the trial, “All of this is for a shooter videogame.” The reason Corely greenlit this merger isn’t because it won’t be harmful — it’s because she doesn’t think those harms matter.

But it does, and not just because games are an art form that generate billions of dollars, employ a vast workforce, and bring pleasure to millions. It also matters because this is yet another one of the Reaganomic precedents that tacitly endorses monopolies as efficient forces for good. As Stoller writes, Corley’s ruling means that “deal bankers are sharpening pencils and saying ‘Great, the government lost! We can get mergers through everywhere else.’ Basically, if you like your high medical prices, you should be cheering on Microsoft’s win today.”

Ronald Reagan’s antitrust has colonized our brains so thoroughly that commentators were surprised when, immediately after the ruling, the FTC filed an appeal. Don’t they know they’ve lost? the commentators said:

https://gizmodo.com/ftc-files-appeal-of-microsoft-activision-deal-ruling-1850640159

They echoed the smug words of insufferable Activision boss Mike Ybarra: “Your tax dollars at work.”

https://twitter.com/Qwik/status/1679277251337277440

But of course Khan is appealing. The only reason that’s surprising is that Khan is working for us, the American people, not the giant corporations the FTC is supposed to be defending us from. Sure, I get that this is a major change! But she needs our backing, not our cheap cynicism.

The business lobby and their pathetic Renfields have hoarded all the nice things and they don’t want us to have any. Khan and her trustbuster colleagues want the opposite. There is no measure so small that the corporate world won’t have a conniption over it. Take click to cancel, the FTC’s perfectly reasonable proposal that if you sign up for a recurring payment subscription with a single click, you should be able to cancel it with a single click.

The tooth-gnashing and garment-rending and scenery-chewing over this is wild. America’s biggest companies have wheeled out their biggest guns, claiming that if they make it too easy to unsubscribe, they will lose money. In other words, they are currently making money not because people want their products, but because it’s too hard to stop paying for them!

https://www.theregister.com/2023/07/12/ftc_cancel_subscriptions/

We shouldn’t have to tolerate this sleaze. And if we back Khan and her team, they’ll protect us from these scams. Don’t let them convince you to give up hope. This is the start of the fight, not the end. We’re trying to reverse 40 years’ worth of Reagonmics here. It won’t happen overnight. There will be setbacks. But keep your eyes on the prize — this is the most exciting moment for countering corporate power and giving it back to the people in my lifetime. We owe it to ourselves, our kids and our planet to fight one.

If you’d like an essay-formatted version of this post to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/07/14/making-good-trouble/#the-peoples-champion

[Image ID: A line drawing of pilgrims ducking a witch tied to a ducking stool. The pilgrims' clothes have been emblazoned with the logos for the WSJ, Microsoft, Activision and Blizzard. The witch's face has been replaced with that of FTC chair Lina M Khan.]

[cutielando]

Hiii I'm kinda nervous cuz I'm still kinda new to requesting stuff! Could you maybe do like female!reader x Oscar Piastri where r is not English but knows it fluently but when it comes to talking in it she stutters and stuff cuz she's shy but wants to say things good like she does in her head and maybe Oscar comforts her or teaches her to say them easier myb??? Idk if you understood my request, hope you did.. write it if you fell comfortable with it!! 🤎🤎

language troubles | o.p.

warnings!!: difficulty speaking English

my masterlist

Oscar loved the way you talked.

Especially your accent whenever you spoke English.

It wasn't your native language, you had learned it your whole life as a second language, so you still had some troubles when it came to pronouncing certain words and expressing yourself.

When you met Oscar, the whole dynamic between you two was very funny and awkward at first due to his accent and the differences between Australians and other English-speaking countries.

It was especially endearing to both of you whenever he would use certain Australia-specific words, which you would have no idea what they meant, and watching your cute scrunched up face made Oscar's heart swell even more in his chest.

In contrast to Oscar's endearment of your little pronunciation problem, you were embarrassed every time you wouldn't be able to say a certain word.

You found that you struggle most with talking in English right when you wake up. It takes a while for you to function in the mornings, so you always need a little time before things get going in your brain.

That's also Oscar's favorite time with you, mainly because he loves the way you stutter because of how tired you are.

It was currently 8 in the morning and you had woken up purely by accident, therefore ruining your sleep. Oscar was still sleeping when you walked out of the bedroom silently, but it wasn’t long before his steps slowly walked towards the kitchen where you stood, his tired eyes taking in your figure immediately.

“Morning” he murmured, kissing the top of your head once he was close enough.

“Hey” you smiles tiredly at him, leaning against his warm body.

“What are you doing?” he asked, wrapping his arms around your shivering body.

“I’m waiting for the kapushino machine to finish my drink” you said, not even realizing what you had said.

“What machine now?” Oscar asked you, trying to suppress the laughter threatening to escape his lips.

“The kapushino machine” you repeated, confused and unaware still.

Oscar couldn’t help now but chuckle, making you look up at him as you felt his chest vibrate against your cheek.

“It’s cappuccino, babe” he corrected you, making you furrow your eyebrows.

Slowly, realization started spreading out all over your face, making your cheeks pink up in embarrassment.

You hid your face into Oscar’s chest as he laughed softly, rubbing your back in soothing manners.

“I can’t believe I just mispronounced cappuccino” you groaned, making Oscar pout at how cute you were.

"That's okay, you don't need to be embarrassed about it" he cooed, kissing the top of your head just before the coffee machine finished brewing the fresh pot.

You threw your head back as you stepped away from Oscar's hold, filling your mug and taking a sip of the hot beverage.

Oscar was used to correcting you whenever you would fail to pronounce things correctly, it was something you secretly loved about him.

He never made fun of you, never made jokes about the fact that you sometimes struggled to speak the language, he just accepted you for who you were, helping you along the way as best as he could.

That was one of the many reasons why you loved him.

Even if it sometimes got annoying for the both of you.

♡♡♡♡♡

Another cute moment like this happened at dinner with his family after the Australian Grand Prix.

You were fairly new to the whole world of Formula 1 and frankly, you were still a foreign when it came to Australian culture.

Oscar’s family always did their best to help you adapt more and more with each visit there, especially his mother and sisters.

You spent a lot of time on Twitter, it was a very bad habit for you, but you were very confused when tweets about your boyfriend being a serial killer popped up on your page.

Your eyebrows furrowed, looking at the posts confused. Oscar came into the room in the middle of your deep dive, stopping when he saw how focused you were on your phone.

“Babe? Everything alright?” he asked, watching you jump up and look up at him.

You hadn’t even realized he had come into the room, that’s how distracted you were.

“Why is everyone on Twitter saying you’re a mureder?” you asked with a frown on your face.

Oscar tried to contain his laughter when he heard you trying to pronounce the word murderer, but he figured laughing in the current situation was not the best idea.

“Who’s saying that?” he asked, indulging you as he slowly walked and sat down next to you on the couch.

“There’s a bunch of people who made a thread on Twitter saying you’re a mureder and that you killed people” you urgently explained, showing him your phone.

He took the phone from your hands, barely glancing at what you were reading before he gave it back to you.

He tucked a strand of your hair behind your ear before he cupped your cheek in his hand, smiling at your still distressed face.

“They’re confusing me with someone else, Oscar Pistorius. I’m not a murderer” Oscar explained, putting an emphasis on the word murderer.

You nodded silently, taking in his words. When you noticed the smile with which Oscar was looking at you, you slowly realized that, most probably, you had just had another fail when dealing with the wonderful English language.

Smiling sheepishly, you buried your head into his shoulder as he chuckled lightly and wrapped his arms around you, hugging you close to his chest.

"English gives up on me when I least expect it" you complained, getting more comfortable in your boyfriend's hold.

"You just have an on-and-off relationship, pretty toxic if you're asking me" he joked, making you laugh out loud.

Oscar always knew how to make you feel better, especially after some fails which would leave you embarrassed in front of him. He was sweet like that.

Even when your own brain and language failed you, Oscar never did.

You'd conquer English one day.

Oscar would make sure of that.

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[creature-wizard]

Looks like it's time to talk about starseeds and the New Age movement again.

Since I'm seeing more starseed content being posted, I'm gonna make another post on why the whole starseed thing and the surrounding New Age belief system are... not good.

So for those who don't know, New Age mythology is essentially a hodgepodge of cherrypicked and distorted myths from various cultures, racist pseudohistory, and far right conspiracy theories. To put it very briefly, starseeds are supposedly here to help Earth resist the reptilians, a race of politics-manipulating, war-starting, media-controlling blood-drinking aliens. For those who don't recognize the tropes here, these are basically all antisemitic canards. The reptilian alien myth as most know it today comes from David Icke, who ultimately cribbed a bunch of his material from The Protocols of the Learned Elders of Zion, a Russian hoax created to justify violence against Jews. He was also influenced by the work of people like Fritz Springmeier, a hateful crank who based much of his work on other hateful cranks.

(David Icke, by the way, also claims that transgender is an evil reptilian conspiracy. You'll never find just one form of bigotry with these people.)

There are supposedly numerous alien races out there, and one of the most prominent among them are the Pleiadians, AKA Nordics. While modern depictions of the Pleiadians give them more variety in skintone, there's no denying that older Pleiadian mythology basically pictured them as Aryans In Space, even associating them with the swastika.

You see what's going on here? "Good" swastika-loving Aryan aliens versus "evil" Jewish aliens? Sound familiar?

Racism isn't just a tangential part of the starseed myth, either. It lies at its very core. It's inextricably tied in with the ancient astronaut hypothesis, which has a history of racist motivation behind it. The TL;DR is that a bunch of white people couldn't believe that non-white people had built a bunch of things they couldn't figure out how to build themselves (EG, the Great Pyramids), so they proposed that the real builders were anyone from Atlanteans to aliens. (Atlantis, by the way, never existed; it was a literary device created by Plato.)

One supposed purpose of starseeds is to help the world "wake up to the truth," which basically just means "convert people to New Age spirituality." New Age believes that world peace is contingent on a majority of the world being converted to New Age belief, and that resistance against their belief system is ultimately the work of the aforementioned reptilian aliens.

To put it another way, New Agers think they understand other cultures' spiritual traditions better than the actual members of said cultures, and think that anyone who disagrees with them is being manipulated by the conspiracy, or is an agent of the conspiracy. This includes Indigenous cultures which are already endangered from white Christian colonialism.

Essentially, endangered cultures cannot speak up for themselves and resist New Agers' efforts at cultural assimilation without being labeled a problem and an enemy. It's basically white Christian colonialism repackaged as "spiritual, not religious."

Again - if you heard from these people that some ancient text or myth describes extraterrestrial beings visiting our planet for one reason or another, you heard misinformation. They twist and misrepresent literally every myth and text they get their hands on. For example, you may have heard that the vimanas from Hindu traditions were actually alien spacecraft. They were no such thing. Or maybe you heard that the Book of Enoch describes aliens performing genetic experimentation on humans. It literally does not. At best, all of the stories they cite just kind of sound like aliens if you ignore most of their content and pay no attention to their cultural contexts.

The starseed movement preys on alienated people, especially autistic people and people with ADHD. You can look up nearly any list of signs that you're supposedly a starseed, and many of them will align perfectly with characteristics associated with autism and/or ADHD, or that people with these conditions commonly report. Some people within the movement even go so far as to claim that ADHD and autism don't even exist, but were actually made up by the conspiracy as a cover to suppress and control starseeds, which is some yikes-as-hell ableism.

So basically, people are being told that if they have these certain characteristics or symptoms, that means it's their job to spread New Age spirituality to defeat the conspiracy and help others ascend to the fifth density.

And what's the fifth density, you might ask? It's supposedly humanity's next evolutionary level, because New Age is also based on biological misconceptions. Supposedly once everyone's DNA "upgrades," they'll essentially morph into an aetheric form. Supposedly, this is preceded by a number of "ascension symptoms," including depression, headache, gastrointestinal issues, and any number of other symptoms that could indicate almost anything, including stress.

What many of these people don't realize is, this prediction has already failed. Back in the 2000s and 2010s, experiencing "ascension symptoms" was supposed to precede ascension to 5D beginning December 21, 2012. One lady, Denise Le Fay, was convinced that the hair loss she was experiencing in 2008 was an ascension symptom. As we can see by looking her up, she's very much still with us on the 3D plane these days, repeating the same tired old scripts New Agers recycle endlessly.

By the way, everything you near New Agers saying today about old systems being dismantled, dark forces being arrested or kicked off the planet, and new economic systems on the horizon? They've been recycling these scripts for years now. Take a look at this page written back in 2012. You got stuff about the complete dismantling of an enormous network of sinister forces," "the arrest and removal of a world-wide cabal," and a "new economic system."

("Cabal," by the way, is a dogwhistle term for "Jews.")

Furthermore, people in this movement are often encouraged to try and access past life memories through dreams or hypnosis, which makes the whole thing feel even more real to them. But the thing is, you can have incredibly vivid experiences about literally anything you put your mind to - the people in the reality shifting having vivid experiences of living another life in the Harry Potter universe are a great example of this. Just because you have vivid experiences, doesn't mean they have any bearing on anything happening in this reality.

So yeah, the starseed movement and the larger New Age movement are both extremely harmful. They promote racist pseudohistory, medically-irresponsible pseudoscience, conspiracy theories that target numerous marginalized groups, and functionally target aliened people with ADHD and autism to convince them that spreading its beliefs is their job.

[calder]

Released in 2010, Obsidian Entertainment's Fallout: New Vegas actively concerns itself with the realities of gay existence, and is widely recognized as a noteworthy work of queer science fiction. New Vegas extensively examines social attitudes towards homosexuality among the game's major factions, and primarily conveys this lore through gay and bisexual characters describing their own experiences. It also allowed the player to mechanically set the Courier's sexual orientation. By taking both available perks, the player character can be bisexual. By choosing neither, the player can opt out of seeing flirtatious dialogue options.

Uniquely, Fallout: New Vegas explores homosexuality in the context of wasteland societies, and touches upon related issues. The core theme of New Vegas is that the desire to recreate the past is driven by irrational nostalgia, and any endeavor to manifest past glory is dangerous and doomed. The social issue of homophobia is used as a demonstrative example. The resurrection of corporate and military power structures presents new avenues for Old World problems such as institutional homophobia to reemerge. One of the many issues that divide the New California Republic and Caesar's Legion is the latter's open persecution of gay people. The NCR is described as tolerant and even accepting of same-sex relationships, though acceptance tends to fall off the further one moves away from the developed, urbanized core of New California. In recent years, the Republic's rapid economic transformation has led to an unforeseen erosion of the humanitarian ideals which it was founded to serve. In practice, to recreate America was to take on its shortcomings and its sins. As subsistence scavenging has dried up, the people of the NCR increasingly turn to wage labor, entrepreneurial venture, or military enlistment to keep their families fed. Meanwhile, their government enacts morally corrosive imperialism (narrative verbiage), their dominion expanding indefinitely as their infrastructure crumbles from within. This has led to a profit-based imperial monoculture which must conquer, consume, and coerce to perpetuate. As personal politics and service labor grow in importance, people find themselves more inclined to present as "normal" in the interest of financial stability and political expedience. A loading screen visualizes this culture of artificial social normalcy: the portrait of President Aradesh on the NCR 5$ bill neglects to depict his unibrow, earring, and facial scarification, overall portraying the once-chieftain so cleanly-cut as to be unrecognizable at first glance. He also appears to be wearing a collared shirt or suit as opposed to the robe he wore in Fallout.

In the Legion, Caesar has mandated that every legionnaire take a wife and produce children, citing high infant mortality rates and the constant need for soldiers, and going as far as instituting child quotas. He treats human beings as a resource to be exploited for war. Ostensibly in this aim homosexuality has been declared a capital offense punishable by death. Historically, routine demonstrations of violence towards women and gay people are a deliberate feature of fascist societies, the only logical cultural conclusion of a government devoted entirely to war and control. In Forlorn Hope letter 9, an NCR soldier wrote wrote the following to his boyfriend:

Dearest Andrew, Writing this seems pretty morbid, but tomorrow we march into the no man's land between our camp and Nelson, which is crawling with Legion. The Major insisted I write this damn "if you get this, I'm dead" letter so here it is. What a crock. I have the luck of the devil and your love on my side, so I'll be home soon. Keep the porch light on for me. We'll party in New Vegas when I get back. I love you. —Devin

Devin believed he would prevail over the Legion because his love would keep him safe. He was found dying or dead on the battlefield, the letter was found on his body. In a post-release patch, the injured soldiers were removed from the battlefield for performance reasons, and never re-implemented. Driven largely in reaction to the Legion's hyper-masculine posturing and misogyny, rumors persist across the Mojave that gay male relationships are not only common within the Legion, but condoned. These rumors are repeated commonly in NCR society. A closeted NCR Major mentions that the Legion is "a little more... forgiving" about close male "friendships," speaking in a hushed tone to avoid suspicion. At the same outpost, the player can encounter Cass, a bisexual civilian woman. She may flirt with a male Courier, who may imply they are gay, prompting her to imply gay men are more common in the Legion. Even as gay men fight and die in the name of love under his command, NCR General Oliver may remark to Courier Six at the Second Battle of Hoover Dam: "If you think after all that's happened, I'm going to grab my ankles and take it like the Legion..."

This writing pertains to institutionalized homophobia which manifests in practice though power structures and social interactions without being written into law. Simply put, in his derogatory remark, the general expresses to his army that military surrender is gay, much like their gay enemy. From the brevity and bluntness of this remark, it's clear that this sentiment is already well understood among his ranks. Logically, to project strength in the eyes of such a leader, one might also project homophobia by scrutinizing and harassing one's peers and subordinates. In this atmosphere, the expression of homophobia is not only normalized, but materially incentivized. For the ambitious, it becomes a tool, and a way of casting shame upon rivals. For the closeted, homophobia becomes a survival tactic, hoping to throw scrutiny off oneself. This is why Major Knight is immediately frightened when a male Courier flirts with him. He is so profoundly alienated that he romanticizes life as a gay man under the Legion. The Legion punish homosexuality with death, and yet Knight characterizes them as more "forgiving" than the NCR. Through these apparently disparate events, the audience can trace how a distorted perception of gay people emerges among insecure men in a military environment, and subsequently becomes ingrained in the corresponding civilian culture. At the 188 Trading Post, a lesbian from the Brotherhood of Steel named Veronica also wryly remarks that she believes legionaries have gay sex about as often as straight sex. She also notes that this only applies to men, as women have no rights whatsoever in Legion society. In this aside, she conveys a pre-existing frustration with lesbophobic social norms. Veronica also mentions that the people of her bunker would rather she remain on the surface. The Mojave Brotherhood of Steel has no official policy prohibiting homosexuality, but an implicit attitude among its dominant members that their limited numbers require everyone to have children to avoid extinction. Numerically, this may seem logical on the surface, given their reluctance to recruit outsiders. However, given their tiny population, this is an ineffective countermeasure, as they do not have nearly enough members to maintain genetic diversity for more than a few generations. This approach is not universally supported by all family units within the Brotherhood, but every individual is ultimately at the mercy of the elder. Veronica was in a lesbian relationship, but they were quietly separated by Elder Elijah, due to the dominant culture of enforcing heterosexual pairing among their population.

Caesar's law has not ended homosexuality within his domain. Despite the obvious risks, some legionaries have continued to pursue relationships behind closed doors, especially given their access to slaves. So long as members complete their societal obligations and fulfill the child quotas, they are able to pursue romance with other men in secret. Homosexual relationships in the faction are noted as being relatively equal compared to the average Legion husband and wife, in a "Don't Ask, Don't Tell" sort of open secret policy. Gay legionaries must always make sure to keep their activities hidden. A centurion was once almost caught fraternizing with the teenage boy he had chosen to tend his tent. Despite previous "romantic" intentions, he quickly resolved to dispose of the slave to dispel suspicion. Had they been caught together, the centurion would have been charged with homosexuality and sentenced to death. This story is only known because the enslaved young man, Jimmy, managed to escape execution. Further illustrating the cruelty intrinsic to Legion governance, it's stated that homosexuality was the crime, and not the rape of a young slave; in fact, it seems Jimmy was forced to contribute to the child quota despite being a gay teenager, and the experience left him traumatized. He has resolved to never have sex with another woman, as the very notion triggers memories which fill him with disgust, and (in his own words) makes him feel like a slave all over again. The Strip is indifferent to gay people, viewing them as another opportunity to make caps. Both the Gomorrah and the Atomic Wrangler are interested in maximizing profits, and their prostitution services cater to clients regardless of their orientation. The openly gay Jimmy works at nearby Casa Madrid, but there is some tension among his peers due to his co-worker Maude's blatant homophobia. She supposes he's "okay, for one of those," and if propositioned by a female Courier, Maude will direct them to Sweetie for such "perverted" services. Pretty Sarah must regularly intervene to keep the peace among her staff.

The Followers of the Apocalypse, well-read punks who seek to embody healing through anarchistic values, are not concerned with gender. Most are openly and casually sexually active. Upon meeting Courier Six, Arcade Gannon offhandedly makes his gayness known, unprompted. The audience must face the fact that Arcade's apprehension of the Legion is far from abstract; under Legion law, he would be put to death. One possible ending gives further insight into Caesar's hypocrisy: should the player sell Arcade into slavery and leave Caesar alive, he will keep Arcade as a personal physician and philosophical advisor. They intellectually spar at length, and Caesar grows singularly fond of him. Accordingly, Arcade imitates the historic suicide of Cato the Younger by disemboweling himself. The Legion's remaining medics attempted to save his life, but none were Arcade's equal. Caesar understood his doctor's final gesture of contempt, and mourned him for months.

New Vegas ventures further into themes of healing from the trauma of sexual violence, from the perspective of a lesbian character. Corporal Betsy, an NCR sharpshooter, is a rape survivor, and suffers with PTSD from the incident. Her unprocessed trauma has manifested as a maladaptive tendency to aggressively and explicitly proposition the women she encounters, in an effort to reassert a sense of control. This defensive hypersexual impulse has negatively impacted her ability to connect with other women. A male superior officer notes that her behavior is inappropriate for anyone of her stature, but abstains from disciplining her out of sincere concern for her mental health. The Courier can help her begin to recognize these problems, and convince her to seek treatment from Doctor Usanagi at the New Vegas medical clinic, which proves helpful to her as she processes and heals from her trauma.

In Old World Blues, the Think Tank are five floating brains in jars who express themselves by waving robotic arms bearing screens depicting facial features. Before the War, they were federal scientists who committed crimes against humanity in the name of weapons development. Each is stuck in some sort of neuro-bionic feedback loop which prevents them from moving forward with their projects, mentally binding them to their central laboratory. Walking through their homes at Higgs Village, it's clear each was deeply neurotic before they were transformed into floating brains. Now without bodies, they attempt to maintain the illusion that they are exempt from sexuality as purely mental beings, but each displays obvious interest in the human form. They have codified this shaming with the term "formography." Most of the men are obsessively defensive over their complete disinterest in penises, which they talk about constantly. However, the shameless Dr. Dala shows overwhelming interest in observing and recording any and all human functions. Already androgynous in her pre-War life, Dala has taken to self-identifying as a "gender neutral entity" (though she is not known to use they/them pronouns). Regardless of the Courier's gender, they may coquettishly scratch themselves, clear their throat, and stretch in front of Dala until her biomed gel decoagulates. Dr. 8 also responds positively to graphic masturbation advice from Couriers of either gender. The X-8 research facility is ostensibly a massive immersive shrine to Doctor Borous's hatred of Richie "Ball-Lover" Marcus, a long-dead child who bullied Borous centuries ago. He also clings to his resentment of one Betsy Bright, who refused to attend a dance with him, supposedly so she could "go smoke with RICHIE MARCUS." Clearly arrested in development, Borous has literally built a temple to the fantasy of torturing his adolescent romantic rival and feeding him to dogs. His frozen, static characterization of the jock Richie Marcus as a "pinko-commie" who "likes balls" reflects the shallowness, pettiness, and overall misanthropy underlying his patriotic identity. It remains apparent throughout Old World Blues that the Think Tank are all chronically sexually repressed, which is inseparable from the values of the violent and judgmental pre-War culture which created them. With time and isolation, this ingrained repression has manifested as various intense and deranged psychosexual behaviors, including rage-fueled homophobia, voyeurism, and the obsessive performance of puritanical pretense.

____

“Although I’ve been out for a very long time, I made a conscious effort to be out with relation to this project, as I wanted to be visible as a lesbian in the game industry. New Vegas itself is, I think, one of (if not the) best games out there in how we treat homosexuality – and all of that is very intentional.”

“If my work on FNV, if my being out has helped even one gay person, then I have succeeded.” — Tess “Obsidian’s Gay Cowgirl” Treadwell

____

written (with help from other editors) for fallout.fandom.com/wiki/LGBT_representation_in_the_Fallout_series criticism welcome

[insertdisc5]

✨ The In Stars and Time Spoiler Q&A ✨

it's time. MASSIVE IN STARS AND TIME SPOILERS UNDER THE CUT. IT'S GONNA BE SO LONG. LET'S GO

I hope you are aware of The Secret Final Boss because I'm also gonna spoil the crab out of that. If you haven't,

1. Did you know the events for interacting with your souvenirs are randomized for some of them, and also change depending on how far you are in the game.

2. Did you know there's a way to show souvenirs to a certain character.

3. Did you know you can go back to Dormont during the Epilogue.

Figure that out, and come back here! Or watch a let's play online. You can also do that.

I will also try to adopt a ~mysterious cool voice with no exclamation points~ for Effect. Come with me on this journey.

Now. Questions time!

✨ Will you ever make a sequel to ISAT, or make a game in the same universe?

Nah. This was always intended to be The Story. This is your turn to imagine things now.

✨ But so what happened to the Country? What was its name? What about the wishes? What about the colors? What did Siffrin say as an openphrase to open the door to the King's room? What about--

I will not answer those. It's your turn.

✨ BUT THE COUNTRY AND THE COLORS AND THE WISHES

Ok fine. Here are some facts that I alluded to in-game, that I am confirming now.

-The Country disappearing and the events that made colors go away are not related.

-The colors disappeared a loooong time ago, which is why knowing they even existed is a relatively new find.

-A wish made everyone forget the Country.

I will ALSO say that ISAT's map operates on Final Fantasy/General Fantasy rules (i.e. in-universe locations are based off of real ones when it comes to culture, but are not one to one parallels, especially for geography), so no, the Country isn't based on the UK oh my god please do not say that to me again or im deleting ISAT out of your computers and putting legos at the foot of your bed. It's based on another place. You can figure it out, I believe in you.

✨ But why won't you give more info on what happened :(

Can you imagine if I did answer. Wouldn't that be a bummer, whatever my answer was. Sometimes things need to stay a mystery. And also, I don't want to answer <3

✨ Does the world Loop came from still exist after they left? Or is this a get mystery'd situation?

There is only One Timeline and it's the timeline that goes from the prologue to ISAT. Every timeline that gets rewound does not exist anymore, and that includes the prologue's timeline.

✨ What's the deal with Siffrin's dream at the start?

It's Siffrin's dream, but that doesn't mean our Siffrin is the main star.

✨ Is [specific missable game moment] canon?

Every moment that you personally experience in the game is canon.

✨ Is there a reason Siffrin remembers their name but the King doesn't?

What makes you think Siffrin does?

✨ At the very very end of the game, if you look out the window behind the Head Housemaiden, Sif mentions seeing an island in the distance. Is that his country?

It is. It's always been there, for the whole game. You can see it in the distance, too.

✨ Who was the King, before?

He was just a guy!

✨ With the King left remembering in the end, does that in any way change the redaction effect for other people in the world going forward?

That's a fun idea. Maybe!

✨ One thing that never really clicked for me is: Is the sweet smell Time Craft or Wish Craft? Or is the sweet smell TIme Craft and specifically the burnt sugar smell is Wish Craft? Other way around? Does this question even matter since without Wish Craft you can't attain Time Craft in the first place? (To me, yes.)

Wish Craft smells sweet. Time Craft doesn't have a smell per se, but it does do something.

✨ Does Mirabelle retain her immunity to being frozen in time after the events of the game or does it go away after the Head Housemaiden is saved? Or does it persist for a while and eventually fade away?

I imagine the immunity slowly faded away. But no one's left to do Time Craft, so it's a moot point anyway.

✨ How was Odile able to stop Siffrin from looping back during the fight against Siffrin?

In the Discord channel I stated that it's because "she's just that cool", but really, she does have access to some skills that heighten the efficacity of Rock/Paper/Scissors attacks, so it's not too much of a stretch to imagine she could lower the efficacity of Time Craft as well. In this last loop, while listening to Loop and observing, she could figure out Siffrin was looping way earlier than she could in even the Sus Quest, so she made plans. She is Very Smart <3

✨ Will you ever share everyone's full names?

That's artbook content <3

✨ In the ending, what happened to Siffrin's hat?

Flew away. It's gone now.

✨ Looking back at the original comics, and seeing how comic!sif has both eyes at the start of their loops, but in ending sequences is shown with his eye patch...did you ever consider making that concept of sif losing their eye a part of the main loop in either of your games? and if so, was there any reason why you decided against it?

Early on, I did think about making that whole event an event that happens during the loops, but quickly let that go since 1. it would be a pain to write and code (two different sets of Siffrin portraits!) and 2. if it happened, the player might want to look for a way to NOT make that happen and so 3. it would be a pain to write and code

✨ How was Siffrin's homelife before?

Pretty good!

✨ How old were Nille and Bonnie when they ran away? How old was Sif when their home got zapped?

Both were teens.

✨ How old IS everyone?

Siffrin is mid-late 20s. Mirabelle and Isabeau are early-mid 20s, with Isabeau being slightly older. Bonnie is a preteen. Odile is Too Old For This. Petronille, Bonnie's sister, is late teens-early 20s. You can ignore whatever I said in the prologue's artbook, whoever wrote this was Wrong!!!!!!!!!!

✨ Regarding the book that talks about someone who crafted a copy of themself using wish craft: is that meant to imply someone we know is the author (and/or the copy), or is it not directly related to any of em? or is it a "who knows ;)" situation where we can just speculate and theorize either way?

Please check the book again during Act 5! This applies to most items/map events by the way, like the pendant. You can check those during Act 5 and 6 for some fun new dialogue!

✨ Why are Siffrin's clothes so warm looking?

The Country got cold at night.

✨ What's up with Siffrin's pins?

They're made out of a special material. And also, they make Siffrin look cool <3

✨ I want to know the story behind Loop’s different eye shades!

They're blind in one eye. Also, fun foreshadowing <3

✨ What determines whether someone is paper/rock/scissors craft? Is it assigned naturally at birth or something else (and how do you find out)? Does it make you more inclined to use that specific craft or is anyone generally free to use whatever craft they want?

Astrology rules, It Just Is A Thing. Being Rock Type means it is way easier for you to do Rock Craft, but that doesn't mean you can't learn other types of craft, although it's way harder. Doing Craft of your type is instinct, doing Craft of another type would take some time and resarch.

✨What crimes has Odile committed before. I need to know.

Odile just smiles.

✨ Why did the King specifically target the House of Dormont?

I had a reason in mind, but adding it to the game would've added a layer of Explanation that really didn't need to be there. It's just a nice House.

✨ Who was Odile's hatecrush...

Dunno. It's your turn.

✨ What is loop's body situation. like is the surface of their "skin" solid? they did poke siffrin that one time, and we know they aren't cold, but...

I have some idea. But it's your turn!

✨ Would Sif still have looped if they hadn't made the wish he made in the beginning? As in, would Vaugarde's combined wish have made him loop until managing to beat the King?

No. But without time powers, you can imagine what would've happened next.

✨ During the Loop Hangout, how did the rest of the team make it all the way to The King? What about during Act 5?

During the Loop Hangout: with difficulty. During Act 5: Loop was there to guide them.

✨ Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they'd like to be perceived? or 3. time lops stole he from they they :(

Mostly that first one. But all three of those reasons have a bit of truth to them.

✨ Who cooked crab in the House of Change???

This is a very funny question! I've never thought about it. It's your turn.

✨ What are the Orbs that open the gate? Did the King create the Gate or was it there before?

(did not think about the orbs or the gate beyond "plot that proves there was a journey before") Stop Asking Questions,,,, It's your turn,,,,,,

✨ Bonnie's dialogue is *extremely* accurate to how overexcited kids talk, which is really rare to see. Was that something that took a lot of effort to achieve, or did it come naturally to you?

Thank you <3 I'm just that good. Really, Bonnie is an adult with no filter, and less general knowledge. I'm very glad I managed to write Bonnie well, especially since. I haven't talked to a kid. Since I was one myself

✨ The Spoilery Concept Art. Blease

oh yeah. here have it all. this is what I gave Mimi to do the animated trailer!

✨ So. What's everyone's favorite shade.

FINALLY the question. Plus I can say shade names now. White = darkless, Black = lightless. Light and Dark is like light grey/ dark grey. Oh my god I'm checking my notes and I wrote a small event I never used about hair dye colors like "midnight dark", "tomato grey", "snow light" past me that's so fucking funny

Anyway, Siffrin loves darkless, Mirabelle is more of a light shade lover, Isabeau loves that lightless (BECAUSE ITS FASHIONABLE OK), Odile likes darker shades, and Bonnie also loves that lightless (BECAUSE ITS AS DARK AS MY SOUL OK)

✨ Are there any bugs you found during developments that you've made into features?

Two! The first one was the ability to ask Loop to just silently hang out during Act 4. I messed up the code and the game softlocked there, with Siffrin and Loop sitting there silently. I thought it was very sweet. They deserve a little quiet time.

The second was in Act 5 - the House map had a lot of issues with the Act 5 map bringing you back to the normal House map. So one of the testers got brought to the normal House map and didn't notice, and interacted with the Mirror on Floor 3, and it gave them the normal interaction with everyone seeing the mirror and taking a picture, and when they went to look at the picture in their inventory, it gave them the actual Act 5 picture. A little bit after they realized the game bugged out, and told me about it, and begged me to keep that in because they were very unsettled by it. So here it is! Beforehand, it was just Siffrin silently taking a picture, so I'm glad I changed it.

✨ Did you ever have emotional difficulty writing the more sensitive parts of the script, like Siffrin’s intrusive/negative thoughts, for one reason or another? Moreover, did you worry the script may be darker than your initial vision for it anticipated?

Not really. The Mirabelle and Odile hangout scenes were the hardest scenes by far because I really wanted to get them right, but everything else was about the same amount of difficulty. And actually, I wanted to go a little bit darker for the script, but I was worried it was going to be too dark... When it comes to the dagger event, I had a whole tangent about Siffrin thinking about the best way to strike, so to speak, but I deleted it because it was getting A Little Too Detailed. T rating come back to me

✨ For the questions you WON'T answer, did you have your own answers while making the game? Or were they left blank?

Some of them I do, some of them I don't!

✨ I loved this game and I want to replay it but I don't want Siffrin to go through everything again!

Here's a little fun fact I decided: if you hit the credits, you helped a Siffrin escape. If you start a new game, you are creating a new Siffrin that you can emotionally tortu-IIIIIIII MEAN, a new Siffrin that you can help. Do not worry about your Siffrins they are fine

✨ A lot of those answers ended up being "It's your turn", huh.

Yea <3 The answers to some of those questions ARE there if you look. Some just aren't. But you can imagine whatever you want. It's your turn! I finished the game! I'm done working! It's your turn!!!

✨ I loved ISAT and it made me feel so many feelings!

Thank you so much. I'm sorry if you sent a message or ask and I didn't answer it. I read every single one and cherish it! Thank you for playing and thank you for writing me a message!!!!! When I get a little down I look at all of those and I feel better. Thank you. I'm sorry I can't answer them all.

✨ What will you work on next?

I have a project I'm currently in the preproduction stages of. I don't want to talk about it until I feel like I have some stuff to show. Plus I still have to make the ISAT artbook and some other stuff, so it won't be for a while. Nonetheless, I hope you will enjoy it!!!

[cheeseceli]

You speak another language

Pairing: Ot8!skz × Gn!Reader

Genre: fluff, reaction

Warnings: mention of food at Lee Know and Felix's, I think that's it?

Request: how do you think ot8 would react to the reader speaking in their native language? Especially if it's not korean/english?

A/n: It's embarrassing the amount of time I took to write this one💀 the worst part is that I actually spent every week tryna find the best way of putting all my ideas together. Hope you like it anyways!

Bang Chan

‌Would have a pet name for you in your mother tongue

‌ Like idk if you speak spanish his nickname for you would be "mi amor"

‌Finds it really attractive btw

‌When you're speaking your mother tongue he sees just how much comfortable you are

‌You literally shine in his eyes

‌He'd just be staring at you with heart eyes

‌And if you're learning Korean or English he'd be more than glad to help you overcome your difficulties with the language

‌Would be your personal professor fr

‌Speaks slower around you so you can understand everything, and wouldn't mind repeating himself at all

‌He knows that the language barrier can be a bit intimidating and that it can make you afraid of opening up completely

‌But he'd be so reassuring all the time

‌Really tries his best to comfort you when you need it and it doesn't matter the language, he makes is clear that he loves and will be with you all the time

Lee Know

‌If you had a hard time speaking Korean but still tried your best to communicate with him and his parents in Korean, he'd fall DEEP in love with you

‌He gives me major "I don't understand but I love you" vibes ngl

‌lmao he'd learn the bad words before anything else

‌If you're speaking your mother tongue when in the phone he'd try to guess what you're saying

‌Genuinely doesn't know what's going but he's invested

‌And he repeats some words after you say it

‌Not in a mocking way, he just finds it cool how the word sounds and keep repeating it to himself

‌Like if you speak french he'd be like "bonjour. Bonjour? Bonjour"

‌It's endearing

‌But yeah you'll have to translate everything to him later

‌He wants to know about the tea

‌Cooks your hometown dishes for you!!

Changbin

‌ If you have a foreign accent when speaking Korean or English he finds it adorable

‌ And he also finds your mother tongue adorable

‌ It doesn't matter if you speak one of the sexiest languages in the world

‌ This man finds it adorable

‌Eventually learns your language

‌He'll take classes, buy text books and everything

‌He truly believe that learning how to communicate with you (in every language for that matter) is like a "boyfriend duty"

‌So he'll be more than happy to learn

‌Tries to show his affection in ways that are not spoken as well so you both could surpass the language barrier

‌He'll get you flowers, gifts, would take you to amazing places, would have the best dates with you and everything you can ever think of

‌You'd have the best memories ever with him and no word would need to be said

Hyunjin

‌ Would ask you to teach him some pet names and sweet phrases in your language

‌ And would 100% say "I love you" in your mother tongue in certain moments

‌ Like in more intimate moments that he wants you to truly understand how much he loves you

‌ Would love if you replied with saying "I love you" in Korean

‌If you have a different accent than him when speaking Korean/English he might start speaking like you

‌yk when you get someone's accent just by living next to them

‌That's him

‌He finds it fancy

‌And when the boys tease him for this he might get shy but he's also so proud? Like "yeah I got it from my s/o :D"

‌Writes a letter to you once he finds confidence in speaking your language. It might have some mistakes here and there but it was so sweet, and the intention behind it was so lovely, that you couldn't help but tear up a bit when you read it for the first time

Han

‌Loves your culture so much

‌He'd ask you to show songs and movies and things like that in your language

‌Like if you're Indian he'd ask you to show him some Bollywood movies

‌He'd try to guess what they are saying and it's a whole game for him

‌He's there for the vibes honestly

‌But I think he'd end up learning a thing or two and later would like to learn the whole thing

‌Would incorporate your mother tongue in his songwriting I'm 100% sure

‌And!! would ask for songs recommendations so he could sing to you when you least expect it

‌Learns two words in your mother tongue, probably uses them in the wrong way, thinks he is fluent.

‌But he also knows a lot of slangs in your language, it's kinda surprising ngl

‌He'd occasionally drop a random slang in your language when talking to the kids and everyone would be like ???

‌"what did you say?"

Felix

‌ Learns your language to surprise you

‌ Like every time there is a break when he's practicing he'd open duolingo

‌(He'd have a hella long strike, 100 days in a row or smth)

‌When you're speaking on the phone with someone he tries to listen to it as a listening exercise

‌Is smiling to himself throughout the period of the call and when you ask the reason why he just brushes it off

‌Cooks your hometown dishes for you pt. 2!!

‌But seriously tho

‌He knows it's hard to be far from home, especially by yourself

‌So he really tries to make you feel at home

‌He will cook your nationals dishes, will sing songs in your language, will encourage you to speak in your mother tongue around him etc

‌:(

‌Also, 2 kids 1 room flashback

‌He likes to have meaningful conversations with you where he tells you how much he loves and appreciates you

‌Unlike Hyunjin, he'd say everything in English because it feels more genuine for him, as it's his first language

‌So if you're replying to him in your language, he'd feel SO happy

‌He thinks this is like a proof that everything you're saying comes from a deep place somehow. It makes him fall in love once again

Seungmin

‌ Wants to learn your language the moment you guys get in a serious relationship

‌ Besides wanting to be able to talk to you in your own comfort zone

‌He'd want to be able to talk to your friends and family who speaks your mother tongue

‌ Like the first time he sees your parents he'd be ready to talk to them

‌i'm so down bad for this man it's not even funny anymore

‌anyways

‌Would take you everywhere in Korea so he could show you a bit of his home (would tell stories about the places so excitedly)

‌And would love if he had the opportunity to go to your country

‌Would love it even more if you showed the place around to him and explained a bit about everything you know

‌If in the first stages of the relationship there is a language barrier, he'd plan dates that don't involve a lot of talking

‌Like he'd take you to concerts and karaokes

‌music is universal after all isn't it?

‌He always give his 100% into the relationship it's so cute

I.N

‌ Finds it really attractive pt2

‌ He loves your accent

‌ And he loves your mother tongue as well

‌ He could spend a whole day just listening to you speak, even if he doesn't understand a single word

‌ And if you're learning Korean, he'd love to see your progress and to see you getting more comfortable while speaking it

‌ I also see two possible scenarios:

‌ One, he'd wake up one day really determined to learn your language and wouldn't stop until he does

‌ Two, he'd never stop and actually learn it, but he'd end up catching up with some things you say and show to him. So in the end he'd know the basics and some essential phrases

‌I believe he'd genuinely enjoy to learn about your culture

‌Like, whenever a cultural shock comes up, he'd be invested in understanding it?

‌Of course sometimes there would be misunderstandings, but I truly think he would try to see the positive view rather than seeing only the cultural crash

‌He might even learn a thing or two and get your culture's habits

Feedback is very much appreciated!!

Dividers by @cafekitsune

[starcurtain]

Female Guidance in Aventurine's Life

One thing I haven't seen discussed in much depth yet, but which I think is especially interesting, is the consistency of female guidance in Aventurine's life: Every single person who we have seen on screen offering Aventurine assistance or making a positive difference in his life is female (with one exception, yes, I'll get there).

Under the read more cause it's longggg:

Before even diving into his family, let's just get the obvious out of the way: Aventurine is, at least supposedly, blessed by a goddess. The very origin of his good fortune--be it actual blessing or curse--comes from the literal "mother goddess" who watches over him. This is one of the only instances in Star Rail where a god character is specifically given a gender, and Gaiathra is not ever ambiguous. She is the classic female fertility goddess with all the trappings of other famous triple goddess figures of the real world. Aventurine's personal belief in the goddess may be shaky, but he nevertheless continues to treasure his people's faith. Thus, at the core, we can say Aventurine is a character who is guarded by the most quintessential mother figure possible.

Now, with the most obvious out of the way:

We know that Aventurine's father died before Aventurine was even born, and therefore he would not have any memories of his father, leaving him to be raised by his mother and sister.

Both women clearly made an enormous and lasting impression on Aventurine; they haunt every single one of his memories of Sigonia and are the key elements of the family Aventurine longs to return to. While he flirts with the concept of death as a way to see his family members again, it was also his mother and sister who instilled in him any sense of self-worth and meaning to his existence, the only things keeping him from giving up on living. His mother believed him to be blessed; his sister insisted to his face that not even the only remaining remnant of their mother had any value in comparison to his life.

It is for his sister that Aventurine first begins expressing a self-sacrificial nature, and from his sister that this self-sacrifice is reinforced when she uses herself as a shield to help him escape massacre at the hands of the Katicans.

It is also from his sister that Aventurine learns many of the deeply meaningful actions he holds onto to the present day, despite having been so far removed from his own culture.

Conversely, every one of Aventurine's early negative experiences on screen appear to have been driven (at least primarily) by men.

Although the Katican tribe of course would have both men and women, the tribal societies on Sigonia appear to be on the fairly traditional side, with Aventurine's mother staying at the camp with her child while his father was the one to go out and hunt for offerings for Gaiathra. This is also supported by Aventurine asking Jade to take him to her "chief" later on. Therefore, it is likely (although of course not guaranteed) that a majority of the Katicans' army was male, and that Aventurine's early experiences with outsiders consisted almost entirely of indiscriminate pillaging and massacre at the hands of what the Avgin viewed as savage, invading warriors. In separate instances, Aventurine was traumatized by these warrior figures three times--first with the loss of his father, then his mother, and then finally his sister.

And even their hope, supposed to come in the form of the "men in black" from the IPC, completely abandoned them, leaving Aventurine once again betrayed by masculine figures that were supposed to be there to protect him. Led by Oswaldo Schneider, another cruel male authority figure, the Marketing Department of the IPC permitted the wholesale slaughter of Aventurine's people--something which we know Aventurine is now aware of.

Then, of course, the next piece of Aventurine's backstory we're given is his male slave master. I don't really need to say anything about this, do I? This man violated Aventurine's human dignity and bodily autonomy, and forced Aventurine's hand in a life or death battle for which Aventurine still punishes himself mentally, even years in the future.

In part to escape the difficulty of his situation and rise to a position where he would have enough resources to--he thought--help his people, Aventurine joins up with the IPC. But when he attempts to make contact with a powerful man in the organization, Diamond, he is instead met by a woman, Jade, who against Aventurine's own expectations determines that she will raise Aventurine up (or use him as a tool, depending on how you currently choose to interpret Jade's motivations), granting him wealth and status beyond his imagination.

(And this line in particular is interesting, because you can take it one of two ways: 1) Aventurine comes from a patriarchal planet that traditionally put men into positions of power [thereby making his own slavery an emasculating act, aligning him further with disenfranchised women]; thus, he is making the assumption that to get anywhere in this organization, he will need to work with a man; or 2) He actually was counting on Jade taking his bet and helping him right from the beginning, because Aventurine perceives women as inherently more likely to protect and aid him than men would be.)

In the end, Jade does exactly as she claims she will, launching Aventurine into a position of power while also closing golden handcuffs around his wrists. She positions herself not only as his supervisor, but as his advocate and ally. She entrusts him with her Cornerstone, a sign of significant faith in his abilities. She even seems to be keenly aware of his bias towards the mother figure, referring to him as "child" in their conversations.

Whether this is genuine or a manipulation tactic can certainly be debated (and I'm not inclined to think at this point that Jade is a genuinely good role model or selflessly supportive person in Aventurine's life), but whatever the case, women are the only people Aventurine even remotely considers to be "in his corner."

We see this even earlier, in Aventurine's call to Topaz. Like with the example of his mother and sister, Aventurine trusts in Topaz's ability implicitly, and considers her above anyone else when it comes to completing the mission in Penacony.

Although of course we don't know if Aventurine has any other friends or allies among the Strategic Investment Department, it seems very likely that Topaz, yet another woman, is the one he is closest with. At the very least, she is the only IPC character (so far) that Aventurine has a complimentary voice line for, one that shows his respect for her talent:

Over and over again, the story aligns Aventurine with female figures in positions of authority, and demonstrates that he is comfortable (although maybe not too comfortable, in the case of Jade) with relying on them and trusting their judgment, just as he did with his mother and sister.

And this pretty much goes off the charts in Penacony, where Aventurine has more involvement with the female cast than virtually any other non-female character (even the Trailblazer!). We set the pattern off right away, with Aventurine immediately being placed into a negotiation situation with Himeko, respecting her role as the Express's leader and working to get himself aligned with the Express by acquiescing to her request for support.

Then there's the fact that Aventurine is the one who finds Robin's body, an event which, although he didn't let it show too much, was almost certainly traumatic for him, given the violent death of his own sister.

Next, twice in Penacony's story, we see Aventurine seek out Sparkle for information. He may not personally like her and her comments may be both racist and dehumanizing, but Aventurine does rely on her--being the only character explicitly seeking her aid, which no one else in Penacony seems to want.

In 2.0...

And in 2.1.

Now, say it with me, guys: Aventurine built an entire portion of his grand plan around the idea that if he looked pathetic enough, a female character would absolutely come and help him. And sure enough, the women come through for him, always! Sparkle gives him the exact last clue he needs to confirm his belief that he could use "Death" to reach the true Penacony, sealing the deal for the rest of his plan.

His plan which also hinged significantly on Black Swan's involvement too, another woman that he views as, if not trustworthy, then at least intelligent and hyper-competent.

Contrast all this, of course, with the treatment Aventurine receives at the hands of Sunday, the lone opposing male character he faces in Penacony.

Sparkle implies that Sunday would humiliate Aventurine in an unmistakably sexual and degrading way, and Sunday himself professes this same desire to see Aventurine humiliated.

Then we're "treated" to the moment in which Sunday uses the Harmony's (or perhaps actually the Order's?) power against Aventurine, in a scene which is supposed to reflect an interrogation but is also, very clearly, another nonconsensual violation of Aventurine's bodily autonomy and dignity by a man. While ostensibly seeking confirmation of the Cornerstone ruse, Sunday instead subjects Aventurine to unnecessary questions about his past on Sigonia, which recall and force Aventurine to re-endure memories of his trauma.

Even if this is what Aventurine prepared himself for and planned to have happen, the pain he experiences is very real, and he suffers both the physical and emotional consequences of Sunday's assault all the way up to his "Death" and possibly even beyond.

(Also, Sunday fans please don't get too up in arms with me for this; I also like Sunday! It's okay for characters to be morally grey!)

I think there's one other interesting example I would bring up here too, and that's Aventurine's conscious decision to weaponize his own masculinity against the Trailblazer. Through the 2.0 and 2.1 Trailblaze missions, Aventurine deliberately acts in an off-putting manner to the Astral Express crew, particularly the Trailblazer, in order to build up to the 2.1 climax where the Trailblazer is supposed to view him as an unrepentant villain and attack him without hesitation.

In order to achieve this uncomfortable, villainous effect, what does Aventurine do? Exactly what other men have done to him.

This is especially apparent if you're playing Stelle because of the ingrained societal taboo of a man entering a woman's personal space without consent, but even as Caelus, it is very clear that Aventurine is leveraging behaviors typically used to show dominance: In a complete 180 to all Aventurine's other body language in the game (normally quite withdrawn, frequently in defensive postures with his arms crossed or hand behind his back, almost always standing several feet away from other people), Aventurine violates the Trailblazer's personal bubble, looming over them (Caelus was sitting in this cutscene, lol), forcing eye contact, and commanding the space while informing them that they will have no choice.

For someone who was hunted, enslaved, had his movements restricted with chains, and due to his own slight stature has very likely been towered over by others who were intentionally asserting their power over him all his life, it is clear that Aventurine associates dominant, typically more masculine-coded physically-imposing behaviors with discomfort and even villainy.

Any girl who has ever had a man loom over her like this will realize very quickly: Aventurine wanted to make himself scary so he made himself act more like a bad man.

(Yes of course I know "not all men." I'm not saying every man behaves in this domineering way or that women cannot be domineering too, obviously, just that Aventurine had a very specific image in mind when constructing a "villainous persona," and the physically controlling tactics most typically used by aggressive men toward women was his immediate go-to.)

But where does that leave Dr. Ratio, the one male character actually on Aventurine's side?

Frankly, I don't want to derail my post about how intensely Hoyo chose to hammer on the message of "Women will protect you" in Aventurine's story with a discussion about a mlm ship, but the take-away here is going to lead in that direction anyway--so yes, Dr. Ratio is the exception.

What is interesting is that he does not come across as an exception at first, and in fact initially appears as another male character being rude and dismissive to Aventurine. Like, there are still people out there calling Ratio an unrepentant racist for this one.

Of course, it's later clarified that this is an act--likely even these insults were scripted specifically to give Sunday's spying ears the "insight" he needed to exploit Aventurine during the interrogation.

But even though it is an act, Aventurine still has noticeable trouble putting his faith in Ratio. He does genuinely doubt him a few times, despite knowing that they are working together to fool the Family.

Even his voice line about Ratio confirms that he doesn't think Ratio particularly cares for him; rather, he thinks Ratio simply tolerates him because he's slightly less unintelligent than those around them.

Ultimately, the entire act with Ratio ends up being a mirror of the real scenarios Aventurine has been experiencing with men his whole life (at least as far as we are shown his life). Men abandon him to fend for himself (unwillingly, like his father, or willingly, like Diamond leaving Aventurine to deal with Penacony alone on the inside). Ratio keeps leaving Aventurine completely alone. Men attempt to humiliate him and violate his boundaries (like Sunday and his slave master). Ratio insults Aventurine's appearance and intelligence repeatedly. Men betray him (like Oswaldo Schneider and his men leaving the Avgin to die). Ratio "betrays" him.

I'm not saying when Aventurine devised the plan for their act, he consciously drew up a list of all the ways men had hurt him in the past and had Ratio re-enact them one by one, but like... that's what happened, whether or not Aventurine intended it.

And okay, the shrinking scene in Dewlight Pavilion was just for fun and probably only slightly fetishy, the devs promise; yes, it was supposed to be a joke! ...But it's also not a mistake that this is yet another instance of a male character in a glaringly metaphorical position of power over Aventurine. Aventurine's tiny in this scene! He's completely vulnerable! He's in a dangerous position and the male character could very much hurt him in this moment.

But Ratio doesn't. (In fact, his line here is supposed to be sarcastic, very ha ha--but also, what is Ratio really saying? "I won't do anything to you without your express consent." What a good guy.)

Virtually everything negative that we see in 2.1 is Ratio doing these things as an act at Aventurine's own request. He doesn't actually disdain Aventurine; his own voiceline about Aventurine reinforces that he sees Aventurine as talented and intelligent.

Whatever you think he was apologizing for in their early scene, he's the only person we're ever shown in-game apologizing to Aventurine at all.

He worked hard to "betray" Aventurine but only as he was instructed to do, and immediately checks in on Aventurine's well-being afterward, even urging him to give up the plan if it becomes too much to handle.

And then, of course, there's the note: "Do stay alive. I wish you the best of luck."

After this point, it cannot be denied that Ratio is unequivocally on Aventurine's side, wants to help him, and is not doing so out of any sense of self-gain but largely because he is a good person who simply cares about Aventurine's fate. By the end of 2.1, it can no longer be doubted that Ratio is the exception to the "gender rule" of Aventurine's life, which--the story shows us again and again--was that guidance, protection, and care for Aventurine come from women, while men repeatedly represent dismissal, betrayal, or pain.

Ratio is, at least as far as Aventurine's story shows us, the proof that men can be good, that things are not as black and white in Aventurine's life as they might appear, and that--if you do choose to ship him with or see Aventurine as attracted to men--his attraction could be validated (and potentially reciprocated) by a male figure who would not bring additional harm to Aventurine's life. Aventurine makes the final decision to live after seeing Ratio's note--the exception to the rule ultimately proves to be the last piece needed to keep him alive.

But I promised I wasn't going to derail my own post about w o m e n, so let me get to the final point, and the one I really wanted to talk about: Although Ratio gets virtually all the credit for "saving" Aventurine in the fandom, Aventurine was actually saved by, you guessed it, another woman.

Not going to lie, the reason I started this post was specifically because I wanted to talk about how Acheron and Aventurine's dynamic was completely unexpected but actually fits flawlessly with the theme of feminine guidance in Aventurine's story.

Despite the fact that Aventurine made Acheron's life much harder and actively used her as a chip in his grand gamble, she doesn't blame or chastise him for those actions. Although she expresses some incredulity that Aventurine is actually that lucky, she then turns around and congratulations him for his ingenuity, immediately supporting him despite the fact that they don't even truly know each other.

Then it gets even more interesting. Acheron, who frequently hits her companions with deep and sometimes very emotionally fraught questions, asks Aventurine: "Have you never wavered?"

We as players know for a fact that Aventurine is constantly wavering, constantly doubting himself, his luck, and whether he'll even live--or even wants to live--to see tomorrow. But we also know that Aventurine is not forthcoming about those truths, refusing to express them to anyone, even himself. The only way we hear those dark truths is through his "future" self (who by the way, is once again another male figure cutting Aventurine down--of course it's himself but it's also, from the player's perspective, once again reinforcing the message that he isn't going to find safety or kindness in an adult male presence). Aventurine almost constantly deflects and diverts when his emotions or struggles are brought to the fore (unless he's divulging them for the specific purpose of allowing someone else to weaponize them). "I'm fine," he says, like a lying liar who lies.

But he doesn't lie to Acheron.

He chooses to be completely candid with her, to lance open the deepest wound of his life--that he can win and win and win and still have lost everything. The glitz and the glamour has all been stripped away here, at the end of everything, and Aventurine finally feels safe enough to admit that he fears he has absolutely nothing in his life worth living for.

And then, we get this direct parallel: Aventurine looks to Acheron, the woman now before him, for guidance, for explanation, exactly as he looked to his sister in the past.

He needs help, he needs answers, and he is continually seeking that help from the female figures in his life, whose support and kindness echo the lost care of his mother and sister.

"Go where you should be," Acheron tells Aventurine, guiding him across the river of death just as his sister insisted that he flee through the rain toward life.

Look guys, Acheron's even the one who reminds Aventurine to look at Ratio's note in the first place because apparently being an emanator of Nihility gives you x-ray vision, but my girl just gets no credit at all for being Aventurine's real savior, come on now!! Yes, Ratio's note was the final reminder Aventurine needed that someone would be waiting for him on the other side, but Aventurine would never have even gotten to the point of being willing to read that note if Acheron hadn't stepped in and provided him an answer to his question.

She feeds him back his own answer: "Why does life slumber? To rehearse the death for which we are not currently prepared." It is Acheron who reminds Aventurine that giving into the Nihility is pointless, and that rather than simply embracing a meaningless death, it is up to humanity itself to find and make meaning by living. It's this, not Ratio's note, that Aventurine gives as his reason for choosing to go on when asked by his own younger self. It's Acheron's words that finally give Aventurine an answer--why do we live just to die? Because there are people we can still make proud. Because when we go into death, we should do so with our heads held high, having achieved our own sense of purpose in this life.

Ratio gave Aventurine a promise: Someone is waiting for you to come back.

But Acheron gave Aventurine a reason: If life is inherently meaningless, doesn't that just mean you are free to give it meaning yourself?

She saved him, as women have been saving him all his life.

Anyway, this has already been horrendously long, but really what I wanted to say is that I think it is absolutely fascinating how consistent Aventurine's writing is when it comes to portraying where his support comes from and who he seeks guidance from. (Psst, just in case you still haven't figured it out, it's women!) In virtually every instance we are shown, we see the message reinforced that women are Aventurine's greatest allies and role models, while male figures are continually positioned to intentionally or unintentionally let him down and cause him distress.

"But women playing the supporting role to a male character is nothing new, Star, why are you so excited by this?"

Because the role women are playing in Aventurine's life is not the subservient supporter and emotional crutch role that female characters all too often play to male counterparts. None of the women in Penacony or Aventurine's past were there to do the emotional labor for him, to be a trophy or prize, or to cater to his needs. They don't exist solely to help him fulfill his character motivations; they aren't following him around waiting for his next request as their only role in the plot.

Instead, with Aventurine's story, we almost have an inversion of gender roles, where the male character eschews the stereotypical "men are leaders, fighters, and stoic heroes" archetype. Instead, no matter how hard he tries to hide it and keep a stiff upper lip, it is clear from 2.0-2.1's story that Aventurine is a deeply insecure, lonely, and explicitly traumatized survivor of genocide, slavery, and exploitation. Unlike most male characters, who are very rarely portrayed as genuine victims--because come on, shouldn't men be strong enough to fight back? Shouldn't men be able to shrug it off when they are hurt, emotionally or physically? (Of course I'm rolling my eyes here!)--Aventurine is belittled, humiliated, emasculated, and victimized on-screen, roles almost exclusively reserved for women, for whom surviving victimization in fiction is seen as noble.

Meanwhile, the women in Aventurine's life take on the roles traditionally given to male characters. They're both emotionally and physically his protectors. Aventurine's sister gave her life to guard his safety; Acheron ensured he could safely pass beyond the river of Nihility into the Primordial Dreamscape. They give him the tools necessary to succeed where he could not succeed on his own. His plan could never have gotten off the ground without Topaz and Jade entrusting their Cornerstones to him. The knowledge and capabilities of the women around him--not their "feminine charms"--are what allow them to help keep Aventurine on the right path even though he does waver. Even women who disrespect him, like Sparkle, still play a positive role in his life, able to provide him insight gained with their own intellect and talents.

When he has no one to rely on and doesn't know what to do, Aventurine is able to continually turn to the women around him, asking for and receiving not servitude or fawning, but their genuine wisdom and guidance.

tl;dr: If nobody else has him, Aventurine knows this random woman he met two minutes ago on the street will have him, because the women in his life literally never let him down.

(It's just so, so good, and ultimately, it should be very clear why Aventurine's story is as popular with women as it is! A+, Hoyo!)