#also drafting

[keirahknightley]

Crimson Peak (2015) 🎬 Guillermo del Toro

+ IMDb trivia

[hinamie]

trick or treat!

[hamletthedane]

I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.

What I thought that meant: telling us about unique sculpture materials and paint mixtures.

What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.

What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.

The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.

And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.

But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.

I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.

[larissa-the-scribe]

guys I had this realization the other day that Redwall works really well for reading aloud, and kinda half-remembered something about the author reading to kids? So I looked it up to see if I had made a connection.

And it turns out, yes, actually, because he read aloud to kids at a school for the blind. But all the books they gave him to read were depressing. So he wrote Redwall, a story about heroism and courage and making it through struggles, and filled it with so many sensory, visual details so he could give them something better and I just-- that's so wholesome-- help

[roppiepop]

Who’s coming to the cookout?

[inkskinned]

the thing about some men is that they want you to remember, at all times, that you are underneath them. that with one word or look or "joke", you will stay beneath them. that even "exceptions" to the rule are not true exceptions - the commonly cited statistic that one in eight men believe they could win against serena williams.

women's gymnastics is often not seen as real gymnastics. whatever the fuck non-euclidian horrors rhythmic gymnasts are capable of, it's often tamped down as being not a sport. some of the most dominant athletes in the world are women. nobody watches women's soccer. despite years of dancing and being built like a fucking brick, men always assume they're faster and stronger than i am. you wouldn't like what happens when they are incorrect. once while drunk at a guy's house i won a held-plank challenge by a solid minute. the party was over after that - he became exceedingly violent.

what i mean is that you can be perfect, and they still think you're ... lacking, somehow. i hope you understand i'm trying to express a neutral statement when i say: taylor swift was the possibly the most patriarchy-palatable, straight-down-the-line woman we could churn out. she is white, conventionally attractive, usually pretty mild in personality. say what you will about her (and you should, she's a billionaire, she can handle it), but a few things seem to be true about her: 1. she can write a damn catchy song, and 2. the eras tour truly was a massive commercial success and was also genuinely an impressive feat of human athleticism and performance.

i don't know if she deserves the title of "woman of the year," i'm not debating that in this post. what i am saying is that she was named Woman of The Year, and then an untalented man got onstage at the golden globes and made fun of her for attending her boyfriend's football games. what i am saying is that this woman altered local economies - and her dating life is still being made into a "harmless" punchline. the camera panned, greedy, over to her downing a full glass of champagne. congratulations taylor! you are woman of the year! but you are a woman. even her.

fuck, man. write better material.

a guy gets onstage at a college graduation and despite the fact like half the crowd is made up of women, he spends a significant proportion of it warning these people - who spent possibly hundreds of thousands of dollars on their education - that they were lied to. that the "real" meaning of femininity is motherhood. that they shouldn't rest on the laurels of that education-they-paid-for but instead throw it away to kneel at a man's heel. imagine that. sweating in your godawful polyester gown (that you also had to pay for!), fresh out of 4 years of pushing yourself ever-harder: and some guy you've never met - who knows nothing about you - he reminds you this "win" is a pyrrhic one at best. you really shouldn't consider yourself that extraordinary. you're still a woman, even after years of study.

god forbid you are not a pretty woman, but if you are pretty, you must be dumb. god forbid you are not ablebodied or white or cis or straight or good at swallowing. you must be beneath a man, or else they are not a man. the equation for masculinity seems to just be: that which is not a woman or womanly (god forbid). anything "feminine" is thereby anathema. to engage in "feminine" things such as therapy, getting a hug from a friend, or crying - it is giving up ones manhood. therefore women need to be put in their place to ensure that masculinity is protected.

this is something i have struggled to explain to terfs - they are not doing the work of feminism, but rather the patriarchy. by asserting that women and men must be (on some secret level) oppositional and in conflict, they also assume that being a woman is akin to being another species. but bigotry does not stem from observational truths or clarity - that is what makes it bigotry. there was nothing in my childhood that made me fundamentally different from my brother. we are treated differently nonetheless. to assert there is some biological drive that enforces my gender role is to assert that women have a gendered role. men do not see women as equal to them not because of biological reality - but instead because the core tenant of the patriarchy is that women aren't full, realized people.

we are told from a very young age to excuse misbehavior as a single man's choice - not all men. it is not all men, just that one guy. all women are gold-digging bitches who belong in the kitchen - but if a man is mean, bigoted, or violent to you, it's just that particular guy, and that means nothing about men-as-a-whole. it is only one guy who got mad when you gently rejected him. it is only one guy who warns her this trophy is heavy, are you sure you can hold it? it is only one guy who smashes her face into the cake. it is only one guy talking into a mic about hating our bodily autonomy.

i have just found that they often wait until the moment we actually seem to be upstaging them. you sit in a meeting where you're presenting your own findings and he says get me a coffee? or you run to the end of the marathon and are about to finish first and he pushes your kids out in front of you. you win the chess game and they make some comment akin to well, you're ugly away. we can be the billionaire and get the dream life and finally fucking do it and yet! still! they have this strange, visceral urge to say well actually, if you think you're so great -

it's not one just one guy. it's one in eight.

[heritageposts]

What does life in North Korea look like outside of Pyongyang? 🇰🇵

Hey, I'm back again with a very scary "tankie" post that asks you to think of North Koreans as people, and to consider their country not as a cartoonish dystopia, but as a nation that, like any other place on earth, has culture, traditions, and history.

Below is a collection of pictures from various cities and places in North Korea, along with a brief dive into some of the historical events that informs life in the so-called "hermit kingdom."

Warning: very long post

Kaesong, the historic city

Beginning this post with Kaesong, one of the oldest cities in Korea. It's also one of the few major cities in the DPRK (i.e. "North Korea") that was not completely destroyed during the Korean war.

Every single city you'll see from this point on were victims of intense aerial bombardments from the U.S. and its allies, and had to be either partially or completely rebuilt after the war.

From 1951 to 1953, during what has now become known as the "forgotten war" in the West, the U.S. dropped 635,000 tons of bombs over Korea — most of it in the North, and on civilian population centers. An additional 32,000 tons of napalm was also deployed, engulfing whole cities in fire and inflicting people with horrific burns:

For such a simple thing to make, napalm had horrific human consequences. A bit of liquid fire, a sort of jellied gasoline, napalm clung to human skin on contact and melted off the flesh. Witnesses to napalm's impact described eyelids so burned they could not be shut and flesh that looked like "swollen, raw meat." - PBS

Ever wondered why North Koreans seem to hate the U.S so much? Well...

Keep in mind that only a few years prior to this, the U.S. had, as the first and only country in the world, used the atomic bomb as a weapon of war. Consider, too, the proximity between Japan and Korea — both geographically and as an "Other" in the Western imagination.

As the war dragged on, and it became clear the U.S. and its allies would not "win" in any conventional sense, the fear that the U.S. would resort to nuclear weapons again loomed large, adding another frightening dimension to the war that can probably go a long way in explaining the DPRK's later obsession with acquiring their own nuclear bomb.

But even without the use of nuclear weapons, the indiscriminate attack on civilians, particularly from U.S. saturation bombings, was still horrific:

"The number of Korean dead, injured or missing by war’s end approached three million, ten percent of the overall population. The majority of those killed were in the North, which had half of the population of the South; although the DPRK does not have official figures, possibly twelve to fifteen percent of the population was killed in the war, a figure close to or surpassing the proportion of Soviet citizens killed in World War II" - Charles K. Armstrong

On top of the loss of life, there's also the material damage. By the end of the war, the U.S. Air Force had, by its own estimations, destroyed somewhere around 85% of all buildings in the DPRK, leaving most cities in complete ruin. There are even stories of U.S. bombers dropping their loads into the ocean because they couldn't find any visible targets to bomb.

What you'll see below of Kaesong, then, provides both a rare glimpse of what life in North Korea looked like before the war, and a reminder of what was destroyed.

Kaesong's main street, pictured below.

Due the stifling sanctions imposed on the DPRK—which has, in various forms and intensities, been in effect since the 1950s—car ownership is still low throughout the country, with most people getting around either by walking or biking, or by bus or train for longer distances.

Kaesong, which is regarded as an educational center, is also notable for its many Koryŏ-era monuments. A group of twelve such sites were granted UNESCO world heritage status in 2013.

Included is the Hyonjongnung Royal Tomb, a 14th-century mausoleum located just outside the city of Kaesong.

One of the statues guarding the tomb.

Before moving on the other cities, I also wanted to showcase one more of the DPRK's historical sites: Pohyonsa, a thousand-year-old Buddhist temple complex located in the Myohyang Mountains.

Like many of DPRK's historic sites, the temple complex suffered extensive damage during the Korean war, with the U.S. led bombings destroying over half of its 24 pre-war buildings.

The complex has since been restored and is in use today both as a residence for Buddhist monks, and as a historic site open to visitors.

Hamhung, the second largest city in the DPRK.

A coastal city located in the South Hamgyŏng Province. It has long served as a major industrial hub in the DPRK, and has one of the largest and busiest ports in the country.

Hamhung, like most of the coastal cities in the DPRK, was hit particularly hard during the war. Through relentless aerial bombardments, the US and its allies destroyed somewhere around 80-90% percent of all buildings, roads, and other infrastructure in the city.

Now, more than seventy years later, unexploded bombs, mortars and pieces of live ammunition are still being unearthed by the thousands in the area. As recently as 2016, one of North Korea's bomb squads—there's one in every province, faced with the same cleanup task—retrieved 370 unexploded mortar rounds... from an elementary school playground.

Experts in the DPRK estimate it will probably take over a hundred years to clean up all the unexploded ordnance—and that's just in and around Hamhung.

Hamhung's fertilizer plant, the biggest in North Korea.

When the war broke out, Hamhung was home to the largest nitrogen fertilizer plant in Asia. Since its product could be used in the creation of explosives, the existence of the plant is considered to have made Hamhung a target for U.S. aggression (though it's worth repeating that the U.S. carried out saturation bombings of most population centers in the country, irrespective of any so-called 'military value').

The plant was immediately rebuilt after the war, and—beyond its practical use—serves now as a monument of resistance to U.S. imperialism, and as a functional and symbolic site of self-reliance.

Chongjin, the third largest city in the DPRK.

Another coastal city and industrial hub. It underwent a massive development prior to the Korean war, housing around 300,000 people by the time the war broke out.

By 1953, the U.S. had destroyed most of Chongjin's industry, bombed its harbors, and killed one third of the population.

Wonsan, a rebuilt seaside city.

The city of Wonsan is a vital link between the DPRK's east and west coasts, and acts today as both a popular holiday destination for North Koreans, and as a central location for the country's growing tourism industry.

Considered a strategically important location during the war, Wonsan is notable for having endured one of the longest naval blockades in modern history, lasting a total of 861 days.

By the end of the war, the U.S. estimated that they had destroyed around 80% of the city.

Masikryong Ski Resort, located close to Wonsan. It opened to the public in 2014 and is the first, I believe, that was built with foreign tourists in mind.

Sariwon, another rebuilt city

One of the worst hit cities during the Korean War, with an estimated destruction level of 95%.

I've written about its Wikipedia page here before, which used to mockingly describe its 'folk customs street'—a project built to preserve old Korean traditions and customs—as an "inaccurate romanticized recreation of an ancient Korean street."

No mention, of course, of the destruction caused by the US-led aerial bombings, or any historical context at all that could possibly even hint at why the preservation of old traditions might be particularly important for the city.

Life outside of the towns and cities

In the rural parts of the DPRK, life primarily revolves around agriculture. As the sanctions they're under make it difficult to acquire fuel, farming in the DPRK relies heavily on manual labour, which again, to avoid food shortages, requires that a large portion of the labour force resides in the countryside.

Unlike what many may think, the reliance on manual labour in farming is a relatively "new" development. Up until the crisis of the 1990s, the DPRK was a highly industrialized nation, with a modernized agricultural system and a high urbanization rate. But, as the access to cheap fuel from the USSR and China disappeared, and the sanctions placed upon them by Western nations heavily restricted their ability to import fuel from other sources, having a fuel-dependent agricultural industry became a recipe for disaster, and required an immediate and brutal restructuring.

For a more detailed breakdown of what lead to the crisis in the 90s, and how it reshaped the DPRKs approach to agriculture, check out this article by Zhun Xu.

Some typical newly built rural housing, surrounded by farmland.

Tumblr only allows 20 pictures per post, but if you want to see more pictures of life outside Pyongyang, check out this imgur album.

[chrisrin]

all my behind-the-scenes concept work and such for the HGCZ! i had a blast working on it all.

check out my finished piece here, and check out @hotguycomiczine for the full zine!

[lazylittledragon]

you know when you hesitate to commit another crime and the camera cuts back and he’s just there with the wettest eyes

[wtfforged]

my campaign hiatus has gone on for too long so to cope ive combined my interests at their maximum potency and had some dnd-strawhats thoughts

thoughts in depth under read more... :)!

this is SO self indulgent. their designs literally did not change. but i am a firm believer that dnd doesnt have to be european high fantasy. and also one piece literally IS fantasy. no changes are necessary to fit into dnd. ive already imagined plenty of campaign/oneshot ideas inspired by one piece. so this was basically just an exercise of trying to replicate their canon abilities in dnd 5e as much as possible without totally homebrewing everything. well. aside from luffy. you just cant take away or change his stretching.

LUFFY: (human monk. drunken master subclass. outlander)

the only plain human of the crew to balance out with the fact that he still has rubber powers. obviously a monk. but drunken master subclass specifically because i think the flavor(not the fact that its about being a drunkard) and abilities both fit him really well. this line in the subclass' flavortext especially fits him: "A drunken master often enjoys playing the fool to bring gladness to the despondent or to demonstrate humility to the arrogant, but when battle is joined, the drunken master can be a maddening, masterful foe."

ZORO: (tiefling fighter. samurai subclass. bounty hunter)

a fighter with the samurai subclass is so very incredibly obvious... but i actually had a lot of fun geeking out while comparing the abilities to what he can do in canon; Fighting Spirit, Rapid Strike, and Strength Before Death especially! tiefling is also pretty on the nose for his demon pirate hunter shtick and asura form, but i thought he'd be really human-passing for a tiefling and theorized about his tail getting cut off at some point or another before joining the strawhats. initially wasnt gonna give him a feat, but i gave sanji a feat so i thought itd be unfair to not give him one as well, so sentinel fits the bill pretty well i think!

NAMI: (tabaxi rogue. arcane trickster subclass. criminal)

cat burglar -> full grown literal humanoid cat. this one is INCREDIBLY self indulgent... i love... cats... theres nothing deeper to this and no other reasoning. i took cat burglar and ran with it. can you tell that i love izutsumi dungeon meshi? rogue for the aforementioned burglar-ing as well, and the arcane trickster subclass for when she picks up climatact! the mage hand will be very useful for her pickpocketing. in the future as she levels up with timeskip, i can totally see her multiclassing into wizard as well! weather wizard!

USOPP: (lightfoot halfling artificer. artillerist subclass. urchin)

I HAD SO MUCH FUN THINKING ABOUT HIS CHARACTER SHEET. halfling's Naturally Stealthy ability lets him hide behind his crewmates since theyre (almost) all bigger than him, so its perfect for hiding behind zoro or sanji all the time. Lucky is also perfect for him, and I think Brave fits pretty well too when he puts on the sogeking mask. artillerist artificer is also very fun! tinkering and making magic items for his crew, and i think Eldritch Canon or Arcane Firearm could both be easily reflavored as kabuto or any of his inventions. for emphasizing his sniper-ness, the spell sniper feat was also necessary. i think hes my favorite of all the concepts. big ears and long nose combo is so cute to me.

SANJI: (half-elf monk. drunken master subclass. guild artisan (cook!))

race was mostly based on vibes i wont lie. squints. and that vinsmoke balogna or whatever too ig. but mostly vibes. along with the idea that i think a dwarf zeff raising him would be really funny and cute. monk is also obvious, and same subclass as luffy for mostly the same reasons. though the flavor fits him much less, i think the abilities still fit him perfectly, and this blurb specifically; "Your martial arts technique mixes combat training with the precision of a dancer." i really wanted to give him a different subclass from luffy, but i dislike all the other monk subclasses a lot and i found none of them fit him as well anyways, so to try and give them SOME differences, i gave him the crusher feat.

CHOPPER: (awakened deer(shifter statblock) cleric. life subclass. hermit)

this ones definitely a mouthful im sorry. awakened deer for obvious reasons, but due to magic instead of devil fruit stuff. when i was struggling with his race, i looked a lot at shifter because of his forms, but it occurred to me that itd be super cool if he could shift between all of the different shifter options instead of being stuck with just one to replicate his rumble balls. something like heavy point/guard point=beasthide, horn point/arm point(?maybe?)=longtooth, walk point/jumping point=swiftstride, and brain point=wildhunt. hed definitely need some kind of nerf though to balance out that homebrew... and cleric for class. duh.

ROBIN: (high elf wizard. order of scribes subclass. criminal)

robin is definitely the one i struggled the most with just because of her class. elf came pretty easily- shes very elegant and i think shed look cute with super long ears- and i landed on high elf instead of wood elf for the int-based abilities. i was really on the fence between sorcerer and wizard for her because i knew shed be a full spellcaster, but i didnt feel that any of the subclasses really fit her. i ended up going with wizard for order of the scribes since it focuses on texts and knowing everything. but also because robin with a flying talking sentient book would be crazy cool. it could also be similar to how she spawns mouths and eyes places to talk to or watch people. my "fuck it, why not. this would be rad. its my house" mindset kicked in with her i will admit. also the One with the Word ability made me cackle out loud when i read it. thats the funniest ability ever. anyways, i cant really think of a way to replicate her powers, but maybe we could just reflavor a bunch of spells to be her limbs or clutch; hold person, maximillian's earthen grasp, or evard's black tentacles. thatd probably work okay, and theres a handful of spells to replicate her ability to spawn eyes or mouths. unrelated, but i imagine nico olvia to be a drow. why? her hair is white. i am a simple man!

[stackthedeck]

They’re narrative foils they might as well fuck nasty about it

[sunlit-mess]

taking off my anxiety over a license exam ☠️

[arhvste]

“this is killing me.” kuroo mumbled as he tossed his phone to his side. “just trust me bro,” his best friend-turned roommate bokuto grinned. “this works everytime for me i swear!”

kuroo sighed before grabbing phone again to refresh his instagram story views once more. several people had already viewed the post-gym mirror selfie he’d taken in attempts to garner attention from one particular follower of his; you. “maybe it’s too cringe…” he muttered while over analysing the photo that had already gained a couple of likes within the twenty minutes it had already been up for. “nah.” bokuto reassured him and pat his friend on the shoulder. “you look sexy.” kuroo stared back at the two-toned haired boy. “… thanks bro.”

this isn’t something kuroo would typically post but times were tough and he was desperate. he’d seen you around campus but luck was not on his side when it came to scheduling and the two of you barely had class time together. yet the little class time you did share, kuroo hung onto it tightly and would let scenes of these weekly one hour classes replay in his head more often than he’d like to admit.

“i feel like a modern jay gatsby,” the ex volleyball captain huffed. “my selfie is the equivalent of the wild parties he’d throw in hopes to get daisy’s attention except i don’t want to post every night, i’ve already made myself cringe with this one post.” bokuto stared back at his friend blankly. “yeah… whatever that means.” kuroo frowned back “it’s a classic, you should know what i mean!”

how much longer was he going to have to wait? bokuto had promised him quick results with this method and so far he’d felt deceived and lied to. if talking to you when he got the chance wasn’t enough to get a conversation going outside the classroom, then social media seemed like the next best attempt to start interacting more.

what were you doing? why weren’t you viewing his story? could you even see his story? did he accidentally block you?

these questions ran through his mind as he quickly rushed to check to make sure he hadn’t for some reason blocked you from seeing his story. he half wished he did because then at least he’d know what on earth was taking you so damn long to see the photo he was increasingly starting to hate more the longer it was posted.

“this is stupid.” he stated as he faced bokuto who had zero concerns in his method in gaining someone’s attention. “it works you just have to wait, trust me.”

kuroo frowned as the little red hearts of others who weren’t you fluttered from the bottom corner of the photo. “look!” his best friend grinned as he leaned over kuroo’s shoulder and pointed to the screen of his phone. “you’re getting likes on it!”

“what’s the point if they’re not likes from the person i posted this for in the first place.” kuroo grumbled back in response. he couldn’t believe he’d been subjected to such an attempt to gain some attention from you. it was ridiculous.

it had been about forty five minutes since he’d posted it and he was slowly losing his mind. sure, the post was going to be up for twenty four hours (if he didn’t give into the voices in his head telling him to delete it) so forty five minutes was nothing, but the minutes were beginning to feel like hours and he was dying inside. why weren’t you viewing it already and what could possibly be keeping you off your phone right now?

“this is stupid.” he decided as notifications from his old team mates started to flash up on his screen. the last thing he needed was lev replying with ‘looksmaxing’ to a post that was secretly dedicated to you. “no, it’s barely been up!” bokuto whined. “you look hot so you should get some replies anyway what’s the big deal?”

pinching the bridge of his nose, kuroo huffed. “the big deal is the person i posted this for hasn’t replied!” what was the point in making sure to go to the gym during a rest day just to take this photo if he wasn’t going to at least make his existence more known to you? he’d even worked his legs enough to the point of managing to achieve the sweaty but sexy look. the muscles in his legs were dying, but his dignity sure as hell wouldn’t.

the college student opened up his phone with the intention to end the mental war inside his head once and for all by deleting the post altogether. bokuto watched his friend in defeat but his eyes flashed. “yes they did!” he yelled and pointed to the screen as your name flashed at the top of his screen.

kuroo’s heart jumped at the sight of your profile picture he’d made a daily routine of staring at and the now blue dot indicating a message from your profile in his inbox. to think he was going to delete this post just a second too, what were the chances?

psyching himself up, kuroo took a few quiet deep breathes before letting the time next to your message pass for a few minutes. he wasn’t an instagram warrior by any means, but he knew enough about general rules in order to not look desperate online.

bokuto watched over his friends shoulders as the two stared in anticipation awaiting the message kuroo had been dying for. this was it. leg day two times in a row was gruelling and he’d regret it for the next few days but it would have been worth it. the countless messages from his old teammates mocking his attempts at a thirst trap could be looked past now that you had finally given into the bait he’d so carefully laid. this is what he’d been waiting for. days of preparing and deciding how to gain your attention had finally paid off and he was about to reap the rewards he’d sown.

clicking the message with baited breath, his heart raced as bokuto’s grip of his shoulder tightened. finally.

‘the label on your shirt is sticking out, make sure to cut it’

“a wins a win.” bokuto filled the silence between the pair as kuroo stared at his phone with a blank expression. “… a wins a win…”

[toruskiii]

Hey (slides you random tweets/posts that reminds me of them)

Aventurine

Blade

Moze

Jiaoqiu

Sunday

Jing Yuan

Caelus

Boothill

Dr ratio

Argenti

Dan Heng

Gepard

I WANTED TO ADD MORE BUT SCREW PIC LIMIT

[soldierkitten]

tilly the god au ep 1 (part 2 of 4)

starting stuff / prev / next

[lunamothghost]

karaoke night at the fairy fort but only with britney songs

basically I saw this mashup on yt and felt like I had to draw it,, ren and lizzie duet irl when