#also don't at me if i forgot a character or something remembering the whole show is hard and i was rushing at the end XD

[rin-solo]

You are absolutely correct to point this out. Tagging @glisten-inthedark because this feels like something you'll enjoy. The whole "7 years aren't as long for a god as for a human" thing aside, this just beautifully shows how differently they view each other.

To Odysseus, Poseidon was never more than just another obstacle to getting home. A much more competent, dangerous obstacle than any other, but still just an obstacle that he had no particular or special feelings toward beyond, "I have to avoid this guy." Then he spends 7 years at Calypso's and naturally forgets all about Poseidon because he just doesn't assume that Poseidon would care about him that much either.

... But Poseidon does. And that's the beautiful irony of it all ... To Poseidon, Odysseus is so much more than just a mortal who blinded his son that one time; if the Vengeance saga proves anything, it's this. Think about it—he doesn't mention Polyphemus at all anymore in this saga. Instead, he admits straight out that he's avenging "his reputation"—a fancy way of saying, "I'm hunting you for myself and my own reasons now."

And he does. He waited for him—not because of his son but because of himself. Because he does feel something for Odysseus as a person, be it hatred, indignation, or something entirely else. Whatever it is, it's personal for him, and for him alone.

He cares so much about being the one to kill him that he waits for a decade (even if that's only akin to, like, 10 weeks or something for a god, that's still 10 weeks of camping in front of someone's house to get their attention!) I don't think anyone would shame or fault him for letting Odysseus live anymore either, like I've seen some people say, especially since it was Zeus' decree that Odysseus be released.

No, Poseidon waited for Odysseus because Poseidon wanted to wait for him. Poseidon remembered Odysseus because he was "something" to him, as opposed to Odysseus, who just straight up forgot or assumed he got bored and/or had better things to do with his immortal life (a very fair assumption, honestly.) The fact that Poseidon didn't get bored and didn't have better things to do with his life tells us so much about his character that I could write a whole essay on it ... I've covered parts of it in my Get In The Water analysis and also this lil thing, but I might write a full essay on this someday.

And that's the beautiful, poetic, almost ... tragedy of it all since it's so clearly one-sided: Odysseus feels nothing—no hatred, no attachment, not even enough to consider he might still be after him—whereas Poseidon feels ... everything? A lot, at least.

It's literally a case of "the opposite of love isn't hate (or the other way around, either work); it's indifference." Odysseus is indifferent. But what you, dear god of tides, have is a very serious case of obsession. You might want to—oh, no, he can't hear me; he's passed out on some rock shore, bleeding profusely. We can only hope that being defeated, humiliated, and confronted with his vulnerability in this manner didn't only deepen his obsession. Why do I have a bad, bad feeling about this though ...

My favorite thing in Epic that we don't talk enough about is that during the Circe and Thunder sagas, Odysseus was pretty much aware that Poseidon was after him. But in Vengeance saga, considering his reaction at Poseidon's appearance in "Get in the Water", he kinda thought that Poseidon must've forgotten and let go until that time. BUT HE DIDN'T. THE MAN WAS OBSESSED WITH ODYSSEUS FOR SEVEN YEARS

[someonefantastic]

ANGEL: THE SERIES | 25TH ANNIVERSARY FIRST AIRED OCTOBER 5TH, 1999 ↳ "If nothing we do matters… then all that matters is what we do." (insp)

[simpingforheros]

Bring Me To Life

Pairing: Arkham Knight!Jason Todd x Female! Reader

Summary: Destroy the Batman and get his companion back? Jason almost didn't believe Slade until... Warnings: Usage of female pronouns, Nudity (NO smut), Swearing, Character Death, Angst, Resurrection, Infantization ( I didn't know how to better describe this), Unhealthy relationship dynamics, Kinda Dark/Obsessive! Jason, Mentions Electroshock therapy, Implied Brainwashing, Slade being a creep, Mentions of Drug Abuse, Mentions of Child Neglect, Mentions of Child Homelessness and unsafe situations, SPOILERS for Death in the Family (Comic 1988) and Arkham Knight.

Author's Note: Hiya Everyone, This is the first fanfic I've written in a while and the christianing fic for this account. I may start a casual little series with this, but I don't know yet. Also any comic and game inaccuracies are either because I forgot or I adjusted it to fit the story.

Also while this post is mostly safe for work, MINORS DNF AND PLEASE READ WARNINGS. I DO NOT AUTHORIZE ANYONE TO STEAL MY WORK OR REPOST IT ON OTHER SITES.

+++++++++++++++++++++++++++++++++++++++++++++++++

It was supposed to be him...

Those dark nights he had spent alone on the streets as a child didn't seem so bad looking back on it. Jason understood struggle even when he had lived with his parents who spent grocery money on alcohol and drugs. Living on the streets didn't feel so much worse, especially since he had... "Jason, Mr. Accetta gave me some scraps from dinner rush today! There's even a whole pizza in here!"

Her. His one friend had since he was thrown into this harsh world. She was the only person he knew at the time to never stop smiling or finding a positive outlook on things. He couldn't even remember when they met, but he could hardly remember them being apart.

Whether he was stealing or fighting, she was there as a faithful lookout or a willing accomplice. She taught him how to take tires off of cars like her granddad taught her and he taught her how to throw a punch like his dad used to throw. An unstoppable duo who ran the alley as well as two 11-year-olds could.

The harsh winter nights they spent crowding together were his favorite memories from that time. Even with the bite of Gotham's winds at their toes, his partner would never falter to talk about anything and everything as he listened. She would talk about her dead grandparents a lot and all the stories she had with them before they passed away, but his mind couldn't recall them at all. He just remembers the constant dream that she told him every night.

"One day, Jay, I'm gonna have enough money and get an apartment in Old Gotham..." Jason's nose turns up as he listens to his friend as he bites on his food. "Why Old Gotham? Isn't it just falling apart?"

She giggles as she pulls the oversized coat closer to her shivering body. The jacket was from a relative but the fabric lost those memories as its fibers were now bones. She still had it even after she left the streets...

"Because it's the most beautiful place in the world...I will get an apartment someday and you and I will live there. We can even get like a cat or something."

The familiar burn on Jason's face blooms as he asks, "Why would you want me there?"

"Because it wouldn't be my dream home unless you're there with me."

He wouldn't find out until a few years later that her grandparents used to live in Old Gotham until her grandfather died and her grandmother had to move as she would unknowingly follow her husband not even a year later...

Those nights in the streets melted into nights spent in the warmth of Wayne manor. As the two thieves became kings after a faithful night with the Batmobile, Jason was brought into the world of crime fighting along with his closest friend. As they trained and donned their capes, She would show a new side of herself to Jason. The overly happy young girl from the streets became an anxious teenager as he became angerier.

"Jason..." Her voice woke him up in the darkest of nights. His body ached from the nightly fights from the previous day as he turned to see a familiar sight.

A now 14-year-old Y/N standing in the crack of the door. Her fidgeting figure indicated all he needed to know before he raised his blanket as she scurried to get in the bed. This was a ritual that started when they moved in. Both would grow anxious at night as they went from the open streets to a large, confining manor. Alfred almost had given up on trying to scold the teens as they were found sharing a bed more times than being separated.

As she curled into his side as much as she could without hurting him, he could practically hear her mind tinkering as her E/C eyes stared into his chest.

There wasn't the need to discuss what was on her mind. At least not right now. She was concerned about the growing tension between Bruce and Jason. He was becoming reckless and Bruce was having none of it with her often getting dragged into the middle of the fights.

He hated that he never tried more...

It shouldn't have surprised him when all the conflict had finally caused a break in the family. Especially when Jason began looking for his birth mother. Y/N tried to be supportive of him as he investigated his leads. Those leads eventually led to Jason reuniting with Bruce as he investigated a possible arms trade in Lebanon. The reconciliation and the prospect of finding his mother left him blind to any form of common sense, but what kind of common sense could a fifteen-year-old make in the life they lived?

He should have listened to her concerns when they finally found Sheila Haywood, his real mother. Y/N had a bad feeling from the start but he dismissed her worries. Jason had no clue that the night he was supposed to meet with Sheila was gonna end up being one of the worst nights of his life....

"Jason, maybe you should wait for Bruce to be here so he can come with you." She suggested softly.

His eyes roll as he adjusts his costume. "Because it's none of his business. I'm just meeting with my mom and talking out some stuff..."

He didn't tell her about the blackmailing he witnessed earlier that day between his mother and the Joker. But, he would find out later that she already knew about it through Bruce.

Her hand reaches for his shoulder and pulls him around to face her. "I'm serious. You shouldn't meet with a woman you barely know in some fucking warehouse in the middle of nowhere!"

Jason can remember the hurt he felt when he heard her snap at him, Oh, how angry he got with her when all she wanted was to protect him. He remembers yelling at her the worst thing he thought he could say to her.

Why the fuck did he ever say that to her?

"I'm sorry your parents didn't want anything to fucking do with you, but I'm not gonna let your bitter ass ruin my shot to be with mine."

He remembers the hurt that filled her eyes and the string of regret pooling in his gut. With a fake smile on her face and tears pooling in her eyes, Y/N says softly,

"Okay...I'm sorry," The sharp sting in his neck as she pressed the vial of sedatives Bruce gave her into his veins. "I'm sorry to do this, Jason, but Bruce said you wouldn't go down that easily."

Jason couldn't remember what he said after the spark of betrayal hit him, but he hated himself that the last time he saw those eyes they were clouded with the tears he caused....

"Y/N! Please talk to me!" Jason begs into the coms as he rod on the back of the motorbike with Bruce.

He should have known. Her instincts are never wrong and he doubted her.

When Bruce found him unconscious and told him about how Joker was involved in all of this, Jason should have known that it was all a trap. His mother wasn't a poor blackmailed soul, she was a conniving bitch who profitted.

He also should have known that Y/N was gonna go meet with Sheila instead of him. Where the Joker was waiting for her.

"Y/N, please. Please be okay...." He begged to the coms as he can only think about what he said to her the last time they spoke.

"J...Jason...."

"Y/N!" Relief washed over him like a wave as he heard her voice. Her broken pained moaned of his voice made him sick as he tried to at least rationalized that at least she was alive. "Don't worry, honey. We know where you are and we're coming to help you."

He didn't know that she was laying battered and broken against the locked door as she stared at the bomb that was ticking away on the wall. Her labored breaths blocked out the ticking on the comms as she whispers out.

00:12

"Do you remember the apartment?..."

"What apartment? The one you talked about in the alley? Why are you-?"

She interupts him, he can hear the familiar curl of her smile in her pained voice as she whispered,

"I wanted it to have a window facing the east end...the stars always looked pretty over there..."

00:10

"Y/N, what are you-"

"I wanted one of those Tabby-looking cats like the ones we saw in the alleyway outside of Mr. Accetta's restaurant...Name it Frank after that old Italian fucker...I was hoping we could go back and actually buy dinner in that restaurant someday..."

00:08

"Are you okay? Why are you talking like this? We are almost there. I can see the building! We are almost here. I'M COMING TO SAVE YOU."

Jason's desperation was palpable as he heard his beloved talk like she was on her deathbed. His panic causes Bruce to drive faster as the Batcycle inches closer to the warehouse. "Jason"

00:04

"Jason, I love you...I have since I was 13..." She admits as her voice trembles. "I used to dream we would become the family we always wanted with each other...Thank you for being in my life and I'm sorry I let you down..."

00:03

"Y/N, I -"

00:02

"Wait!"

00:01

"Goodbye, Jason..."

.

.

.

It should have been him who died that night... It was supposed to be him. NOT HER.

Jason blamed himself for her death as soon as he helped pull her broken corpse out of the rubble. He tried to convince himself that it wasn't her. This wasn't his Batgirl. Not his best friend who would run around the manor with him or help him pickpocket pedo freaks on the street. This broken little girl that was in his adoptive father's arms wasn't his first love. She was a bright, kind light who protected her loved ones, not this broken shell who wore her skin...

But, it was her...

He blamed Bruce for it too. He was the one gave her the orders to keep Jason away from the warehouse. He had to have known that she was gonna go instead. Bruce should have known she was because she wanted to be wrong about Sheila so Jason could be happy...

He also blamed the Joker. He wanted that Clown dead... His opportunity presents itself after he tracks Joker down to an abandoned wing of Arkham trying to flee from blowing up a children's hospital.

Blinded by his rage and bloodlust, Jason went in alone and without any communication. Y/N would scold him in her grave as he fell for the trap, sealing him in a cycle of hell for a year.

++++++++++++++++++++++++++++++++++++++++++++++++++++

"What if I could?"

"Do what?"

"Bring her back. Would you be willing to work for Crane if I could bring back the little Batgirl?"

+++++++++++++++++++++++++++++++++++++++++++++++++++

He knew it was bullshit.

Bringing back someone from the dead was impossible.

Jason would have been satisfied if his pseudo-partner/ prisoner, Deathstroke, just told him that he would be able to kill the Batman and wipe the hell hole that is Gotham off the face of the earth. He already dedicated a full year after his escape from Arkham to building his army.

His only regret during this time was not killing Joker himself. Even after all the torture and pain that clown did to him, he regretted not bashing the Joker's skull in after their last encounter as Slade helped him escape. It wouldn't have mattered to him at the time that Slade would have killed him because it wouldn't have been revenge for his own torture.

it would have been for Y/N. For the hell she faced that night. After a few months in Arkham, Jason almost accepted his torture as punishment for not dying that day for her because he experienced everything she felt. Every day he experienced everything she had to feel those short agonizing hours for an entire year. She must have been so scared and Jason couldn't save her.

The only thing that kept him from giving up was the memories he had of her and the burning hatred for those who caused her light to be snuffed out too soon.

He just wanted to feel that warmth again...

++++++++++++++++++++++++++++++++++++++++++++++++++

"If you can do that, then I'll burn the whole world to the ground for that fucking lunatic."

++++++++++++++++++++++++++++++++++++++++++++++++++

"Please Jason. Let us help you!" Barbara Gordan begged from her cell as Jason snaps at her.

"THERE IS NO HELPING! I CAN FIX IT!"

Jason was manic. His men were being tugged around like dog toys by Batman and Slade had left him hours ago to attend some matter he didn't care to ask about. His time was running thin and he knows he needs to end this soon. It didn't help that those he didn't want involved are here as well like Barbara.

"Sir..." A militia soldier says as he nervously walks into the room. HIs men were already aware how stupid it was to come near him when he's in a crazed anger. Jason's head whipped at him like a feral man as he grits out.

"What is it?"

"Deathstroke is here...and he uh..."

Impatience reaches a boiling point as Jason raises his gun and shoots the militia solider in the head as Barbara shrieks. The red puddle of death fills the sterile room with lead as Deathstroke walts in. Jason turns his back towards him as places his helmet back into place.

"My, what a mess you made." Deathstroke mockingly scolds. The hidden smirk almost causes Jason to snap again.

"Where have you been? Batman is out there taking down my tanks faster than my men can repair them. You told m-!"

The Arkham Knight's monologue was intruppted as he turns to scold Slade by his heart dropping to his stomach at the sight before him. He swore that if he didn't hear Barbara's gasp and the whisper of fate's name, he would have woken up back in that dreaded wing of Arkham Asylum.

Slade chuckles as he rattles the chain in his hand as he says coyly, "What? Am I not allowed to go fetch your payment?"

Standing behind Deathstroke was a naked woman. Her tangled up (H/C) hair ran down her shoulders as her wide innocent eyes shined through the now white tendrils framing her face. Her body seemed more mature but all muscle mass she had was faded. Her face seemed aged but he recognized the curve of her nose and those lips he imagined smiling at him through his darkest moments.

"Y/N?" He helplessly calls out to her as he feels himself pulled towards her like a magnet.

If it wasn't for the stark white streak and gnarly, painful-looking scars on her body, Jason would have thought this was Scarecrow's fear toxin. It couldn't be possible, right? She was dead. He knew she was because he held her body. He felt how cold she was and watched how her lifeless eyes looked up to the ash ridden sky.

Those eyes now looked at him with no familiarity, but a childlike wonder as she naively smiles at him.

"How?" Was all the Arkham Knight could muster as he reaches to grab her. To pull her into his arms and never let her leave.

Deathstroke grabs the collar that was wrapped around her neck and yanks her back behind him as she chokes on her breath. He chuckles as he looks back into Jason's voiceless mask.

"The Lazarus Pit brought back her body." He explains as he hauntingly twirls the chain in his hand. "Of course, after you agreed to work with Crane, I brought her back immediately. Unfortunately, the poor thing suffered from Pit Madness."

A cruel smirk appears on Deathstrokes lips as he pushes the girl's hair back to reveal circular scars on her temples. Jason felt rage bubbling up in his throat as he recognized what those scars were.

Prolonged Electroshock Therapy

"You sick!" Before Jason could throw a punch, Slade places his gun on Y/N's forehead as he chuckles. The woman didn't even sense the danger as she continued to observe everyone with a curious eye. Jason immediately backs off as Slade continues.

"Of course. Her treatment did cause her to be cured of the madness but at the cost of her memories. She barely remembers how to take care of herself so you make it like that. Especially when you want to fuck her."

Jason was thankful for his mask as he would have killed him from his glare. To imply that she was just a potential fucktoy made him itch to bury this man in the deepest bowels of hell. As he quietly glares at him, Slade finally offers him the chain. The Arkham Knight accepts the chain as the assassin warns him,

"Now since you got your payment. You better keep your end of the deal..." His voice becomes threatening as he says.

"Because I can easily kill her just as I brought her back.'"

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AN: I was gonna write more, but I got exhausted so this is all I got. Let me know if it's a vibe or not.

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@simpingforheros fanfic. I DO NOT AUTHORIZE THE COPYING, STEALING, OR REPOSTING OF MY WORKS ON OTHER WEBSITES WITHOUT CREDIT.

[adhdtsukasa]

tsukasa tenma has ADHD!! except it's an actual analysis because 1. look at my url 2. i'm mentally unwell (and i started to love tsukasa mostly because i immediately recognized my ADHD traits in him). which is a thing i should probably leave for ADHD awareness month, HOWEVER!! it was my birthday yesterday and i wanted to spoil myself (i just kinda overlooked how much time writing it from scratch would take me, so i'm a bit late with it). and i reaaally don't wanna wait until november when i finally wrote it down because i'm so HYPED because i was preparing for it like what? two years? somewhere around it. and that's a LONG time.

please keep in mind that i'm no psychologist, psychiatrist nor a neurologist and while i do use some sources (cannot really confirm if they are true, though... because i forgot to write credits down... so i'm really sorry for that), most of this analysis was just based off on my personal experiences with the disorder (and i don't really have the full professional knowledge of what i struggle with i'm just a Boy). i mean, i am analyzing a character from a hatsune miku game. i think i'm already putting way too many effort than i should.

also the examples of tsukasa's behavior here are not all of the things, because i wrote down only the things i remember off from the top of my head. sorry, guys. my hyperactive ass is not sitting thru all the stories again just to get my crumbs, unfortunately.

anyways, with this a little bit unprofessional and messy introduction, let's get it started!

1. THE MAIN PART OF THIS WHOLE THING, AKA HOW THE ADHD SYMPTOMS CORRESPOND TO TSUKASA'S BEHAVIOR

i wanted to write it down in my own words, but i think the screen above has summed it up perfectly; there are some established symptoms of ADHD, but to be an ADHDer you don't have to experience them all. and this is going to explain why i'm gonna show a lot of these symptoms later, yet gonna connect only some of them with tsukasa. it's only these i have evidence for, and yet i think they're good enough to point at tsukasa and already say woah! an ADHDer!!

in short, there are three types of ADHD: hyperactive, inattentive (ADD) and combined. the combined one is the most common iirc, so that's also what i'm going to focus on today. especially since for a rep of the other types, i could say that shizuku's a rather great representation of ADD — but that's not the point of my ted talk today, so i'm not going to go into the detail about it. i'm sure some momojan or shizuku oshi would do better than me in this field, so i'm leaving it to the experts.

these are the symptoms that i managed to gather — the first two screens being about the symptoms viewed in children, the last one being about the symptoms viewed in adults. "in which one of them tsukasa belongs to?" that's a good question, because i actually don't know. calling a high schooler a child doesn't sit quite right with me, yet a freshly turned 17/18-years-old is not exactly an adult, either (although most of the symptoms i'm analyzing come from these that are viewed in adults). and while i do think tsukasa has more of the symptoms viewed in adults, we're gonna analyse them all! because i'm putting my all into this.

FORGETFULNESS

i believe there's not much left to say, as this is the most obvious one and everyone already knows that. even though it's not touched that much anymore for some reason, tsukasa's forgetfulness is his very apparent trait. it varies in severity a lot of times: from him basically forgetting both his childhood and true feelings in the main story to him, for example, forgetting his own phone and lunch (in the same day!!) in hinamatsuri. even saki in the same event, while they were arguing, called him a "big, dumb forgetter" and assumed that he forgot what happened the day he brought her the hinamatsuri dolls to hospital. while forgetting basically half of your life is not exactly normal and can be a sign of something bigger, like dissociative amnesia, his forgetting of just the ordinary things and it happening a lot definitely still fits this trait.

EXCESSIVE TALKING/PHYSICAL MOVEMENT

while this is something that you'd rather connect to emu (and for a good reason), it's not like tsukasa is completely devoid of it either; he talks a lot. he moves a lot. it's not on emu's level of hyperactivity, but it's also not "a lot" that's taken as a social norm, based on how the people around him react. he's putting the 1 in oddball 1 2, after all.

in holy night or some side stories connected to it (it might be meiko's side story? but i'm not exactly sure) it was also said that tsukasa moves in his sleep a lot to this point that his parents have to leave his christmas presents under his door instead of next to his bed.

oh, and he also talks to himself a lot. even in class, which was confirmed in chapter 6 of dazzling (or maybe even earlier, it's just the one moment that i remember). (but i'll get to this moment later on)

he says his long monologues, he strikes his poses at every occasion — and while i don't think that's the first thing you think of when you have "excessive talking/movement" in mind, for me it sure does count as it.

LITTLE OR NO SENSE OF DANGER

this point can seem rather weird, because "isn't tsukasa always riddiculed at rui's weird inventions"? well, yeah, he is, that is not a thing to deny. but he also agrees to try out most of them, if not all, if it's for the sake of the show. he's aware of what can happen, but he also doesn't back away if it means that he'll be one step closer to achieving his dream of stardom.

does it count as "little sense of danger"? well, i'm actually not sure, for me it doesn't, but maybe for someone it does. i'd say that's a rather weak point, but i wanted to include the explanation for the counterpoint of it — that's why i even mentioned it in the first place. i don't have a lot to say about this tbh.

update: oh, actually no, wait, i just remembered. remember how tsukasa in phoenix decided to not eat anything for three days just to be able to resonate with rio, while also having to do straining exercise on top of that? you certainly cannot say that's a safe thing to do, but he still went along with that in order to get the role. it makes me come to a conclusion that tsukasa actually has a sense of danger, but sometimes chooses to willingly ignore it if only it makes him get closer to fulfilling his dream. i think it's coming close enough to the little/no sense of danger to be actually considered an ADHD trait.

DIFFICULTY KEEPING QUIET

while i'm not sure if what i'm going to talk about is a difficulty keeping quiet in a traditional sense of way, it definitely counts as it, somehow: tsukasa is loud. like, really loud. and that's another obvious fact both for us and for characters in-universe, especially when thinking of tsukasa shiho's first thought is that he's kinda noisy, which can be seen in the "a friend's brother" 1koma. (and probably a lot of other cases. free shiho.)

tsukasa doesn't seem to realize that he's way louder than he should be and that him being loud is his first impression in most of the cases, though, or at least i don't remember any moment where it happens (and it's a possibility. then that's on me, i guess.). and yeah, i know what's the reason for it, obviously — he's supposed to be a comic relief character. because wansho's stories are mostly supposed to make you smile, as this is what wansho's aspiration is. however, as much as being intended to make the viewer laugh it wouldn't be, it still is a part of tsukasa's character, and a rather important one on top of that. his constant loudness is something that's definitely not considered normal by the society and could very well fit into this symptom.

and since i promised to elaborate on the mentioned before scene from dazzling chapter 6: when tsukasa talks to himself in class, it always ends up to be loud. and it already happened a few times.

(tl by tsukasa's #3 fan on youtube because i don't have proseka on my phone wah)

if it's not a difficulty keeping quiet, then i don't know what is. bro can scream up to 120dB as measured by robonene for god's sake.

IRRITABILITY/QUICK TEMPER

again, this is something that was more apparent with early game tsukasa, maybe he just got medicated. idk man. but even if it happened three, almost four years ago, it still happened, i don't make the rules. back in the early game, tsukasa was really easily losing his temper and getting annoyed, mad even — i mean, that was the whole point of the main story argument: tsukasa's first response to nene accidentally messing up their show, which was not even her fault, was to shout at her. and while this was obviously very important thing to him and being upset at this is a rather understandable reaction, taking this as far as screaming at a poor girl for not being to face the audience because of her anxiety is not something a person who can control their anger would do.

it could be also easily seen by his reaction to emu and rui's antics back in the early game, which were often stained with irritation.

another example is his hinamatsuri argument with saki, where, despite loving her so much, he still got slightly mad at her for not liking the new dolls he bought her. he started to regret his harsh words and actions soon enough, obviously, but it doesn't change the fact that it was rather easy for him to get him across.

INABILITY TO DEAL WITH STRESS

if i'm not mistaken, tsukasa has once said something along the lines of "is it anxiety? there's no way a star like me would feel anxiety" — but i cannot recall for the love of my life in which story it appeared, so i don't want to take it as a face value when i don't have a solid proof for it.

other than this vague mention of "something that's in the story but i don't remember where", i'll admit, i don't really have anything backing me up for this tbf. i mean, i guess maybe tsukasa doing his best to appear strong as a child to not worry his parents could work? because the stress of saki being in the hospital definitely was also present here, although i just see this more as a coping mechanism for his situation than a reaction to stress, so that's not a solid evidence either.

so, yeah. take this one with a grain of salt, actually.

from the symptoms that weren't listed here, i remember reading something about people with ADHD enjoying to show off more, which is certainly what tsukasa does often — and while it actually applies to me too, it wasn't on an english site so i didn't screenshot it and i cannot really find it anywhere in english... so even though i treat it just like my whole argument for the inability to deal with stress, i thought it's just worth mentioning.

however, there is obviously one more thing...

HYPERFIXATION/SPECIAL INTEREST

obviously, i'm talking about acting here: for tsukasa, acting aligns with all these criterias. it is his deep passion; it is something highly engaging for him; it is sometimes all-consuming for him; he tunes out the world around him when he thinks about how can he possibly improve his acting (see: the dazzling moment i showed earlier. yeah, i like to use it as a backing point a lot, as you can see.); and it is something that is his life-long interest.

is it his special interest or his hyperfixation, though? well, it's hard to tell...? because while according to screen two, spinterest revolves around a topic and hyperfixation revolves around an activity, so it would qualify what tsukasa feels towards acting as a hyperfixation, it's still kinda hard for me to call it so because of its length. yes, screen three clearly says that hyperfixation can last years, but they mostly revolve around shorter periods of time, after all (my longest hyperfixation was just a year long, for example). i think it's up to you to determine whether you'd call tsukasa's love for acting a hyperfixation or a special interest, but it's something from these two most certainly.

i'm also a big fan of the headcanon that tsukasa's other spinterest is kaito ww it's in no way a canon evidence (unfortunately!), but kaito's 1* side story, where tsukasa and emu are watching kaito's show and tsukasa is explaining to her why kaito's wearing a scarf somewhat implies that tsukasa knew a thing or two about kaito before the main story. and i'm all for it. colopale let tsukasa be a kaito fanboy pleaseee.

2. I REALLY LIKE ANALYZING SONGS, IF YOU CAN'T TELL

those who have already read a few of my things probably know what i love to do the most — analyzing songs!! so i wouldn't be myself if i just left tsukasa's commisions without analyzing them under the angle of neurodivergence, especially since the sole reason i became obsessed with the thought of ADHD tsukasa was that one sekahaji line (there's too much noise, so much noise and it keeps getting worse you will always be famous).

of course, remember that only the world hasn't even started yet should be taken as a canon value! producers are often given space to do whatever they want in the lyrics of the songs they are commissioned for, so they're not canonical in any way. i think it's still fun to look at their lyrics and ramble about them for a bit, though. i've already got too carried away anyways.

won't be posting photos of the lyrics since i'd hit the images limit, but you can check them yourself — all the translations i'm taking, as always, from the vocaloid lyrics wiki. (since filament fever has two tls on there, i want to clarify that i've only looked at and considered in my analysis the official english one, because it's, well, official.)

THE WORLD HASN'T EVEN STARTED YET

besides the mentioned earlier there's too much noise, so much noise and it keeps getting worse, which i think of as a representation of overstimulation (since i used to see people asking "oh but why tsukasa has something about there being too much noise in a song made out of his feelings when he's such a loud person himself". because he likes the noise he makes, not the overwhelming, overstimulating noise from the outside!!), sekahaji also has a rather good amount of quotes that could be read as something connected to neurodivergence (based on the fact that it's not supposed to be a song about this topic): the main theme of these are procrastination, which can be seen in let's cross the end of all of this, partying forever and the world hasn't even started yet line itself. the thought of the world not even starting implies that there's still a lot of time left to do something, while "partying forever" can refer to deciding to give up on doing the things you should do and going to drown in something that indulges only you and yourself for the rest of eternity. while procrastination is not counted as an official ADHD symptom, it's a trait that people with the disorder very often have (for reasons obvious).

other lines, which i couldn't entirely fit into a box of a certain symptom, are there's too much conflict, so much conflict and it keeps growing (a parallel line to the noise one, so it means something! right) and let's break the plans for a harmonious future. in my personal interpretation, they both can be viewed as your typical neurodivergent struggle in a neurotypical society — "too much conflict" refering to an internal struggle of not being completely normal, while the "harmonious future" that's going to get broken are just the social norms that are going to be broken because of an off-putting, neurodivergent behavior. something that some neurotypical people dooon't really like.

TONDEMO-WONDERZ

since i've just talked about breaking the social norms, "why?!" and "do it like this!!" aren't like you, huh? line from tondemo-wonderz is going to go first, because it revolves around the same topic. it's the same case: it's about (subconscious, not intentional) fighting what's accepted by the society by just being yourself — because you're neurodivergent, you're different.

from the other lines in tondemo-wonderz, i have only one and it's take an eraser to your memories?!, which is pretty much self explanatory. as always, a mention of forgetting something in tsukasa's commision. who would've thought.

88 SHOOTING STARS

another self explanatory line that i have written down as first: it's okay if you only remember a little part of it sometimes. another mention of tsukasa forgor™, and while it corresponds with what happened in dazzling, it's still a line mentioning forgetfulness — so it's worth mentioning.

aren't we just inevitably going around in circles? and it's okay if you take a rest for a little bit sometimes can be interpreted as another mention of procrastination and while it's not that apparent as it was with sekahaji, because going in circles can refer to something else and taking a rest sometimes is not a bad thing at all, i still wanted to mention them here. for the record.

you ought to slip and fall in panic in the final moment is connected to a symptom that i showed, yet didn't elaborate on it (because i didn't have anything to work with) — making careless mistakes. the same case, yet with another symptom goes with is this not enough yet again? is this not how it's supposed to be? couldn't we go even further than this?, which can be seen as a reflection of unability to listen to instructions. a bit of reaching with this one (like this whole part damn), but as i said earlier: for the record, i'm leaving it here. to show that i had some intense thoughts.

tbf, when i think about it now, maybe the mentioned earlier "why?!" and "do it like this!!" aren't like you [...] could very well fit this symptom too.

MR SHOWTIME

mr showtime you will always be famous, because this is a song that gave me a looot of things to work with. i was so flabbergasted when i read these lyrics for the first time. tsukasa tenma why are you like this. /aff

there are a lot of lines hinting being easily distracted, and these are basically the very first ones, too: you know what? i just can't make up my mind, it's so messed up that i can't put my thoughts together and a merry-go-round (my thought process) goes round and round are all about it. like you cannot deny it this time, if it's not about being unable to stay focused then i really don't know what is [insert the tsukasa don't look away stamp here because i love it and it's my biggest motivation to actually focus whenever i do something]. the more i mess around and waste time, the more i become hungry / and i can't handle it can be seen as about procrastination again, and even not "can be seen", it's literally being frustrated at yourself for wasting time, that's the sole outcome of a procrastination!! being bothered by feeling anxious, meanwhile, is resonating with the inability to deal with stress once again.

also jumping the gun. driving in a zigzag manner can actually connected with the little to no sense of danger. because, as far as i'm aware, driving in a zigzag manner is certainly not a safe activity. don't do it at home.

from the symptoms that i haven't yet mentioned to this point, am i taking a long way? am i making a fruitless effort? can be reflecting difficulty organizing tasks — since the poor planning of your activities can make you take a long way and can make you do a fruitless effort. then, where's the fun in taking shortcuts all the time? can be read along the lines of something coming close to extreme impatience and while a person that's extremely impatient would actually enjoy taking the shortcuts to get closer to their goal or destination, said impatience can be also connected with the desire for something interesting to happen. a task can make you impatient not because it's long, but because it's simply boring — avoiding shortcuts can make it less boring, even if it extends its duration. with this explanation, it makes the unexpectedness (unexpected program) is the best part of the show (my life) perfectly fit into this category, even though i wouldn't call this line a sign of impatience on its own.

i have some issues with i'm pathetic. i can't satisfy myself, because... at first i thought of connecting it with either mood swings or inability to deal with stress, however i'm not sure if that's really it. i'm pretty sure it connects to neurodivergence in some way, but i just can't put my finger on it, so... i'm just leaving it here for the record, once again.

oh, and there's also i got lost in the world (stage) and / the end credits rolled (the curtain fell), which also is pretty much summing up the experience of being neurodivergent in the neurotypical society. in the middle of trying to stay true to yourself and having to mask just to be accepted, it's easy to get lost — and once you do so, there's no going back. the curtain falls.

to end this part of the analysis, i'd show the lyrics from filament fever and sekai wo terasu tetrad here. i won't do this, however, and the reason for it is fairly simple — they don't give me much material to work with and i'm not really surprised, because mr showtime has succesfully sucked all of the neurodivergent coded lyrics into itself. there just won't be another song like mr showtime, i fear.

i can just say that in filament fever there is running away from the flow of time — which got me thinking of either procrastination and unability to stick to time-consuming tasks, with the former being more plausible as a potential interpretation... but that would be it.

3. NAKAYAMA IS A METAPHOR FOR NEURODIVERGENT MASKING AND IT'S THE STUPIDEST THING I'VE EVER SAID BUT YOU HAVE TO HEAR ME OUT ON THIS

listen, i know how it sounds.

i'm not actually a fan of trying to fit every thing a character does into a box of a metaphor, symbol or allegory, i really am not. i think some things should just stay as simple as they are, but this thought has been bothering me ever since i've first seen spoilers of what's happening in a story where you're the star for the very first time. i'm in no way saying it has any canonical meaning, but i just thought it would be fun to include. because maaaybe someone sees my vision.

for those who haven't seen tsukasa4 yet or want to have a recap of what has happened in it: the whole event story revolves around tsukasa trying to grasp his role (as always). wxs got recommended to shunmei-za by shousuke and went there to practice their acting skills, immediately getting thrown onto the preparation for their next performance. tsukasa, however, is not a lead this time — he got the role of a supporting character and has got basically three lines to say on stage total. since tsukasa's used to playing lead roles, he obviously has issues with grasping the role — it's hard to use method acting in regards of a character that says three sentences total and nothing more. with help of bakuno reki, one of the actors in shunmei-za, and the rest of wxs, he manages to create a portrayal of nakayama that would make him "come to life" and "be a protagonist of his own story", something that would make it easier for him to get into role, however...

he gets a little bit too carried away with his acting during the actual performance.

and this is not something that would ruin the whole play, obviously, he's just a supporting character, the less invested audience would probably forgot about his impact on the story after five minutes of his last appearance — but he still made a slip-up. he still resonated with his role, but didn't achieve the utmost perfection. he still did well acting, after all, he managed to receive praise from the director in the end... but it's still a very apparent mistake that was made.

(tl, once again, by the awesome tsukasa's #3 fan)

and that's where the nakayama masking metaphor theory (it's not even a theory but it sounds cooler this way) comes in.

nakayama is supposed to be just a man. from what we know about him, he's in his late twenties and works as an editor — and even though tsukasa makes up a whole backstory for him later on, he's still supposed to be ordinary. nothing special. he's coming nowhere near the other roles that tsukasa has played, he's not on the same level as miles, torpe and rio. and while you could possibly consider torpe and rio as rather ordinary, they still had something interesting to happen to them, the main reason why they were lead roles for their respective plays. in the tsukasa4 play, nakayama has nothing like that. he's literally just a guy, he's normal. and "normal" is a keyword here.

tsukasa did everything he could to fit into nakayama's role. he followed the script, he took the advice from a more talented and professional actor that is bakuno, he didn't do any mistakes during his preparations — and yet he still managed to mess up in the end. why?, besides of the fact that he just let himself become one with nakayama during the performance and it resulted in a supporting character outshining the lead?

if we take as a fact that tsukasa is, in fact, neurodivergent, it would make sense that he's having troubles with playing a normal person — because he's not exactly normal either. and this would very well work out as a metaphor of masking; even when you try your best, even when you mask yourself perfectly, you can still make slip-ups. you can still accidentally drop the act in middle of something that absolutely required it, or, similiar to what tsukasa did, can accidentally overdo it and end up perceived as even more weird than you'd be without masking. something something i got lost in the world and the end credits rolled. rings a bell?

and i'm not saying that tsukasa has a problem with masking, because he doesn't. he tries his best to pass as a normal member of society, but he also makes no effort in actively masking his weirdness (or else he wouldn't be a part of oddball one two). however, if you want to neurodivergent code your character, it would make sense to include a possibility of it in some way, right? especially since wxs stories' already had the theme of dealing with being perceived as weird (eg. rui's whole backstory, obviously). even if it's not affecting tsukasa directly, i think it would be cool to include something that indicates this issue's existence in his story and, in a way, his struggles.

however, as i said earlier, this is a very stupid thought and that's why i left it for the very end. i don't actually think that how tsukasa played nakayama was supposed to be a metaphor for masking, it's just a pure coincidence that it could be interpreted like that when you think about it too much.

aaand with this, we've finally come to an end!! (finally. i'm so exhausted.) i don't have anything more to say about this topic. maybe i'll retweet it with some more evidence in the future if we ever get more ADHDkasa content. for now, it would be all!

is tsukasa actually intentionally written as an ADHDer? Who Knows! there's a possibility that he is, but even if he's not, he's still one in my heart. regardless of the status of his possible neurodivergence, analyzing his behavior in this light was still very fun! and maybe i even converted someone into the ADHDkasa hell.

feel free to add something if you want to, and feel free to correct me if i got some things wrong! i still hope that even though of how messy this whole thing is written, i did tsukasa justice and didn't accidentally say too much nonsense lmao

...i hate ending analyses.

[oshinohoshi]

Oshi no Ko chapter 166 thoughts - the end of all things

So uh... the only positive thing I can say here besides the beautiful Ai art is that I felt sad reading the page where Miyako was hugging Ruby. Everything else left me completely empty

This chapter is either:

A) A self-aware ending meant to show that life is suffering and the idol industry will suck out your soul if you let it

B) Outsourced to someone who skimmed OnK for 30 seconds on Wikipedia before putting pen to paper

It has to be A, right? You can't tell me that the same author wrote both of these pages without the right being ironic

But I don't think so because big brained Akane is the one clumsily narrating this crappy montage masquerading as a real ending

Aqua died for nothing. His sister is now a soulless cog in the idol machine

Ruby is mimicking Ai's speech - "Lies are an outstanding kind of love... We pile on the lies and no matter how hard things get, we sing and act happy onstage. It's a fun job!" But she forgot the rest of it: "Only, I'd like the 'being happy' part to be real. Nobody notices, but we have hearts and lives of our own. Happiness as a mother. Happiness as an idol. Normally you'd have to pick one, but I want both. Ai Hoshino is a greedy girl"

Ai wasn't only a misunderstood girl who worked hard to please her fans. That was a big part of her story but she also broke the rules to create her own family, her own happiness

Ruby, on the other hand, seems to have no real desires anymore, she's just following a path she believes her mother and Aqua paved for her. Never mind that Aqua only wanted it in the end because she wanted it and Ai just wanted her kids to be happy

You can tell that Akasaka is patting himself on the back for making a cyclical narrative where Ruby becomes Ai 2.0 by being commodified, scrutinized, and idolized like Ai was

But it's such a flimsy parallel when it comes to the theme of lies because lying to hide your grief =/= "lies are love" which was the only way Ai knew how to frame her genuine desire to love

And Ai's "I love you" to her kids was true whereas Ruby has swallowed her own lie that being an idol is fun even when you're just doing it to outrun your pain

What this chapter showed us is that the meaning of Ruby's life is to be Ruby of B Komachi and she was put on Earth to sing pop songs. Because that's what Ai did, right? If I remember correctly, her final words were "I'm so glad I got to be an idol #blessed"

My God was the Dome concert soulless. Miyako and Ichigo crying happy tears is a punch to the gut. Doesn't Miyako know her daughter is still hurting?

The last scene is so fucking depressing

Ruby, are you okay? Blink twice if you still remember your life outside the idol industry!

The last two pages work really well as horror. She has a brilliant smile but you can tell that she's dead inside. She's got more merch on her table than photos. Why doesn't she have a corkboard of family photos? Although I more or less have this Ai plushie and it's pretty cute so I'll give this a pass because it's hilarious

I guess the takeaway here is to live for others and life is painful so just grin and bear it. Oh yeah, and inspire other young women to join an industry where they get to act happy and lose their humanity. Cool

I mean I get that it's supposed to be about moving on with your life even while grieving and that's a good message, sure, but Aka's insistence on using the word "lies" multiple times as if saying it makes it make sense ruins the whole thing

The most insane part is that this chapter is a wholehearted endorsement of the lies sold by the entertainment/idol industry

I haven't even said anything about anyone besides Ruby because what's the point? Aka didn't have time to do justice to any of the characters I grew to love

It's clear something went wrong with the timeline of wrapping up OnK. No artist wants to execute a final chapter like this. I'm convinced the film reel edges are Aka and Mengo's way of telling the reader, "we know this is a shitty clips show so don't @ us on Twitter about it"

But it's so much worse than that. Aka really decided to tear to shreds everything he worked so hard on for 4 years. Damn

This is my favorite manga and I'll always love that it gave me Ai, my most beloved character of all time, but this leaves an extremely bitter aftertaste. It's really hard to believe that the same person who wrote vol 1 wrote this.

OnK has been pretty important to me. Reading weekly, chatting with fans, and reaching dangerous levels of Ai brain rot has actually been a helpful distraction. TBH I've been a little too invested in it but sometimes you need escapism. So it's crazy that I'm kind of glad it's over.

But this is why fanfic, fanart, and your own headcanons exist. In another universe, this manga wrapped up beautifully and I was depressed for weeks because I couldn't look forward to it anymore. In this universe, at least we're all suffering together here at the end of all things.

And at least the little Hoshino family is still adorable. Too bad Ai is dead, Aqua is dead, and Ruby desperately needs grief counseling. But NEVER MIND. Look at Ai's smile and the twins' faces. This was the Oshi no Ko I really loved.

[cybertron-after-dark]

I was gonna ask a question but i honestly forgot it 😅 so just tell me something you want to rant about

If you do happen to remember what you were gonna ask feel free to do so, do not worry about spamming my inbox bc I live for that shit.

As for the rant

Transformers Rescue Bots had some of the best, kindest, and most respectful representation of neurodivergence I have ever seen in media and I'm tired of pretending it didn't.

While there are obvious complaints to be made about neurodivergent traits (especially autistic traits) usually being portrayed in media by inhuman characters like aliens or robots, this being a case of both, I feel like thats a pretty negligible sin given just how human the show makes the robots feel. (Also it was like 2011 and we were STRUGGLING for any scraps of rep anyway)

But like. The behaviors all these robots exhibit are all shit that I do that was always deemed unacceptable when I was a kid and seeing it portrayed with the level of kindness and gentleness they do in that show has me fuckin crying a little man. I wish I had actually watched it when I was younger and it was first airing because maybe if I did I would've had an easier time explaining what the hell was going on with my brain a LOT sooner.

Blades being anxious, overly sensitive, and WHOLEHEARTEDLY queer (which they had the absolute unparalleled balls to just casually confirm by having him swoon over "hunky vampires" in one episode and NOBODY commented on it. Fucking iconic) and getting so so deeply invested in the shows and movies he loves that he acts out the roles with enough passion to steel his nerves and completely flourish.

Boulder getting really confused at concepts that are basic and intuitive for most people, but still being so fucking intelligent, and never being made to feel stupid for the mix-ups, as well as just being so wholely, unabashedly in love with the planet he's found himself on, even if he doesn't understand all of it (Also apologizing to inanimate objects when he knocks them over 😭)

Chase being obsessed with rules and law because he NEEDS the structure to not fall apart at the seams, even feeling the need to fabricate a minor crime to justify using the emergency line to get a hold of the firehouse when he can't find the other bots. As well as just fully not understanding comedy (BUT TRYING HIS DAMNEDEST), taking things super literally, and having a lot of trouble with tone and expressions (even though you know just how deeply he feels All The Time).

Heatwave being desperate for attention and recognition, but completely allergic to asking for it. And honestly allergic to showing any genuine emotional responses other than aggression. The constant sarcasm and sass and defensiveness that he POORLY maintains because everyone knows that underneath that tough guy front is the loneliest robot on earth that wants to be loved SO bad but would rather jump into unicron's mouth than voice it because if he lets his guard down who knows what will happen to him or the people he cares about.

Just. All of it man. Seeing them exhibiting all these behaviors and quirks that all too often get met with poor reactions from people who don't want to deal with what they don't really get, but here they're met with patience and understanding?? It's got me fucked up. They get to be functional adults that struggle with what they have going on but still push through. They get to have unconditionally loving relationships with people that treat them with respect. And that's the kind of shit that gives me a lot of hope for folks like me because maybe some neurotypical kids that watched it picked up on what's helpful when their friend who acts like one of the bots is going through it. And maybe some neurodivergent kids watched it too and for the first time they just felt SEEN.

Okay rant over, I'm gonna go cry over some plastic robots 👍

[froschli96]

You know what, fuck it, I have to speak my truth! (this is gonna be a rant, so anyone who actually likes assassin's creed revelations and/or the secret crusade, be warned or maybe don't read this at all)

remember how altaïr talks to king richard at the end of ac1, and richard is like "[humans] come into the world kicking and screaming, violent and unstable. it is what we are. we cannot help ourselves."? and how altaïr answers "no. we are what we choose to be." and how that ACTUALLY has meaning bc he himself was "violent and unstable" at the beginning of the game but he has learned and is now CHOOSING to be a better person who cares about others and humanity at large? remember how his calmness and gentleness was something that he ACQUIRED over the course of the story?

and remember how in revelations they then suddenly had a PRE-AC1 altaïr say about the first of his targets "no man should pass from this world without knowing some kindness." and be all wise and calm and collected during a nice little chat with al mualim, who suddenly acts all fatherly? (like, this is suddenly supposed to be a positive relationship? what??)

also, during the confession the target says to altair: "you put too much faith in the hearts of men, altaïr. [...] humans are weak, base, and petty." and altaïr answers: "no. our creed is evidence to the contrary." KJASJFJDKL???? like, it’s almost insulting how close this exchange is to the one with richard. you know, the one that was actually earned after a whole game of character development. like WTF??? cool congrats now that development means nothing. like, apparently that was just altaïr reverting BACK to being the exemplary assassin who understands and believes in the creed that he was apparently just born as. (i also hate how having a young inexperienced altaïr saying this implies that altaïr's faith in humanity is a sign of naivete instead of a sign of the wisdom he has gained after being confronted with counter arguments for a whole game, and also something that distinguishes the assassins from the templars who use humanity's supposed wickedness to justify controlling them like in AC1, but whatever)

altaïr’s development in AC1 mattered BECAUSE he is not NATURALLY a good person, it actually said something about humanity's capacity for both bad AND good and how humans don't have to be forced to be good through mind control bc they can by their own free will choose to be better when taught how and when allowed the freedom to grow. but no. apparently altaïr has just always been calm, wise and gentle. and he just sort of forgot about that during AC1 bc…. ? bc of adha?? bc of abbas???

oh don’t get me started on the whole abbas thing. (it doesnt even make sense that abbas is so hung up about his father and "his family’s honor", like what about the whole point of al mualim not allowing parents to be close to their children bc it would make them weak? like, my dude, you’re not supposed to HAVE any family aside from the brotherhood)

they used the throwaway character that had like 5 lines and made him into altaïr’s main antagonist in revelations… like, abbas wasn’t supposed to be this ONE dude who had personal beef with altaïr, he was just supposed to show how while altaïr’s revered by many, a lot of his brothers also hate him, bc 1) altaïr is a shitty person at this point and 2) bc there’s no real feeling of community and family in this version of the brotherhood, but just a pervasive sense of competition and jealousy — these assassins don’t care about their goal of safeguarding humanity bc they’re too hung up on petty squabbles and divided by rivalries (you know, the things that made malik hate altaïr even before solomon’s temple and that he overcomes in the end which enables him to forgive and to reconcile with altaïr so they can work together and stop al mualim? (you ever just think about "we are one. as we share the glory of our victories, so too should we share the pain of our defeat. in this way we grow closer. we grow stronger." and cry? bc i do. all the time. malik, the man that you are))

and now abbas is altaïr’s childhood best friend turned lifelong enemy?? like, bowden bent over backwards to come up with an explanation for why altaïr is an arrogant ass at the beginning of AC1, when the explanation is right there: he was raised to kill without asking questions and was constantly praised for how good he is at murder, which resulted in him becoming arrogant and disregarding human life. like, it doesn’t have to be some shakespearean family feud type shit. and guess what, this "simple" explanation actually plays into the story’s themes, who’da thunk!

(like, abbas might not have been a "fleshed out" character in AC1, but he had a specific function and now that function is gone. mr bowden, mr mcdevitt, you know characters are allowed to simply exist to tell us something about their worlds and the systems they live in and sometimes that’s more important and also more interesting than having every single character have a detailed backstory to explain all their behaviors, right?)

with all of this revelations loses all nuance in regards to the levantine brotherhood and also the creed in general. like, altaïr being a master assassin at the beginning despite being a terrible person and not actually understanding the creed is a criticism of the brotherhood and the creed itself. like, it said something about the order that someone like altaïr was able to get that high in rank, simply bc he's good at killing, which also tells us what is considered important in the al mualim era assassin order. when you make altaïr’s arrogance the result of his personal conflicts instead of how we was raised by a brotherhood that only valued one's ability to kill, you lose that characterization of the assassin order itself!

and by suddenly making al mualim a semi good "father figure" you also downplay his manipulation of not only altaïr but all those under his care. (altaïr says something about al mualim being "as a father" to him exactly twice in the codex, but he doesn’t mean by that that he WAS a father to him, what he means is that he was the CLOSEST THING he had bc HE DID NOT HAVE PARENTS, not because his mother died in childbirth and his father was executed when he was young btw, BUT BECAUSE IT WASN’T ALLOWED, like his parents actually lived but weren’t allowed to be close to him, he says he came to view al mualim’s "weak and dishonest" love as enough and even better BECAUSE HE HAD NOTHING ELSE, BECAUSE AL MUALIM ISOLATED HIS ASSASSINS FROM THEIR FAMILIES. al mualim "loved" him bc he was good at killing people for him! hm, i wonder if this could be trying to say anything about cults and indoctrination and the inherent contradiction in fighting for peace and free will by taking children away from their parents and raising them to become killers?? like, altaïr wasn't ~the special orphan boy~ taken in by al mualim bc his father died a hero's death, it was "the way of the order" to have al mualim be the closest thing to a parental figure for everyone to ensure absolute loyalty! altaïr saying al mualim was like his father is not supposed to make you go "oh, he must have actually been a good guy for altaïr to consider him a father", it should make you go "oh that's kinda fucked up that he considers the dude who made him into a killing machine and who manipulated him a sort of father figure"!)

and then in revelations they suddenly portray that relationship as positive and healthy??? like, it would be one thing to give it some nuance by delving into the psychology behind al mualim’s "love" and maybe showing how al mualim did care about altair in a complicated, fraught sort of way (like, you know, there’s a lot of interesting things you could say about al mualim at several points addressing altaïr as "my child" in AC1 and how that parallels Garnier referring to the people he drugged and abused as his "children", and what that says about how the templars view the people who they say they want to save and in whose best interests they supposedly act (in any case, al mualim doesn’t use that phrase because he has any real parental feelings but rather to patronize and to invalidate any objections, like in a "mother knows best" way))

but they even fucking DARE to parallel that relationship with that of altaïr and darim in revelations, by having the reflection in the puddle of darim hugging altaïr showing altaïr hugging al mualim…. like their relationship wasn’t inherently abusive but just tragically cut short because al mualim was just "corrupted by the apple"… like WHAT???? so it’s not the very real problems like grooming, manipulation and indoctrination and the hierarchical structure of the brotherhood itself (all of which are antithetical to the assassin ideology), it was just the evil apple all along. great. that’s DEFINITELY a lot more interesting.

god im sorry i really dont want to spread negativity but this is driving me INSANE. like, somebody please tell me im not crazy bc i feel like somehow most of the fandom is in agreement that revelations and the secret crusade have better storytelling and characterization than ac1.

SPEAKING OF WHICH, can we talk about how, even IF we completely ignore AC1 and treat revelations altaïr as his own character…. the narrative still doesn’t really work?

basically, the whole point of his story in rev is that "he gave his whole life to the brotherhood", this obsession led to him not using his time with his family which has him ending up dying alone in a dark library and this in turn makes ezio reevaluate his life choices…. except. he doesn’t? neglect? his family? or whatever? like, his devotion to the assassins is sort of painted as this tragic flaw that leads to a lonely death bc it supposedly comes at the cost of his family, but… his wife has joined the assassins, (at least) one of his sons is in the brotherhood and even when he goes to protect the assassins against the mongols, he takes his family with him (except for the son who stays behind bc he has a family of his own and who, ironically, ends up dying bc of that)… like, you can’t describe altaïr as a good husband and father in the database and have his son tell him that "everything that is good in me began with you, father" when they say goodbye, and then want to make us believe that he put his family behind the brotherhood and that that is a character flaw that leads to his tragedy.

because you HAVE to have a character’s tragedy be the result of a character flaw. like. that is how tragedies work. otherwise it just becomes tragedy for the sake of tragedy which is… boring bc it has no purpose. and we know it is SUPPOSED to have purpose bc ezIO FUCKING QUITS BEING AN ASSASSIN AFTER WITNESSING IT!

it’s like they want to have their cake and eat it, too — they didn’t want to actually make altaïr a bad husband/father, but still wanted to make his life a tragedy where he loses his family which is why instead they outsource all responsibility to abbas who now has to be the reason for ALL the deaths.

like, they try to make at least maria’s death kind of sort of the result of altaïr’s rashness or whatever but like… these guys KILLED THEIR SON and TOLD HIM THAT ALTAÏR HAD ORDERED HIS DEATH. like, altaïr losing it in response to that is not rash, it’s fucking logical and justified! if anything the scene made me angry at maria for trying to stop him. like, GIRL, he was YOUR son too??? but god forbid we give female characters actual real emotions, she has to fill the role of "voice of reason who dies for altaïr’s man pain" i fucking guess.

like, it’s this weird mix where his tragedy is simultaneously painted as his own fault but also not really bc abbas is the one responsible for all the shit that happens. it just… it just doesn’t really go together.

the only way to make his story make sense narratively and to give it actual purpose is by looking at it in the context of ezio’s story, bc the things he sees in altaïr’s memories are supposed to be a revelation (ha!) to ezio specifically. and i guess that’s maybe the crux of it all — altaïr’s story in revelations was conceived of first and foremost to support ezio’s story and development. which is probably also why many people maybe don’t notice bc, having skipped ac1 and started with ac2, the majority of people mostly care only about ezio and only really appreciate altaïr’s story in as far as it serves to push ezio forward. (tho i’ve also seen a few people say that ezio is also written kind of weird in rev, but i’ve never really been an ezio girly myself so i can’t speak to the truth of that)

like, altaïr dying alone in the library doesn’t really have to make sense for his character, i guess, bc it’s only really supposed to be a cautionary tale for ezio.

so, i guess, for once, they actually had a MAN dying for another man’s character development, which is pretty woke actually. ubisoft, i take everything back jksdsfjhgdsahfhsdhfghfdsgjhsdgjh

[chaifootsteps]

College Anon back after so long. Got swamped with, well, college and every time I came in, your ask box was closed haha! Forgot most of my criticisms because these shows are forgettable so sorry if this is disjointed.

Anyways, WHAT THE FUCK. The new episode is SOOOO bad. The jokes are bad apart from a few at the end, the plot is nonsensical and shouldn't have happened right now, the song is TERRIBLE. I made a whole rant in the YouTube comment section because I was genuinely so disappointed.

I had found Full Moon quite good from what I remember because, to me, it was so obviously pro-Blitzø and a turning point for Stolas... Yeah. I should have known I was wrong.

As for the HH leaks, I only watched episode 2. I'm disappointed that Lute is yet another female character centered around a man. I don't like that she's also in love with Adam. It feels like there's too much emphasis on romance instead of friendships and further entangles her with Adam, therefore taking away her agency.

Pentious... I love him! I LOVE that his story is about inaction. It's a great message but his inaction was so heinous that it justifies him being sent to Hell unlike Chidi from The Good Place who showed that they needed a Purgatory for neutral people. Pentious here NEEDED to go to Hell for what he allowed to happen.

I also think this explains perfectly why it's him and not Angel. Because let's be honest, Angel doesn't deserve to go up there. His crimes on Earth and in Hell are a lot harder, if not impossible, to redeem. Him becoming a victim does not take away from the hurt he and his family caused. He could help raise the fact that being sexual isn't a crime and that Hell pushes people to get worse, with punishment unfitting for their wrongdoings. But unlike Sir Pentious, he wasn't a good person and actively harmed people. It wasn't that he was pushed to it when he was a decent person before, he simply got worse and had his remorse disappeared. In the end, it makes the fact that Charlie chose HIM to represent her goal of redemption laughable because Pentious is, he was always so obviously The One. It makes Angel's jealousy and insecurity tragic, which I wish they would explore, because he was right. He SHOULD BE. He likely won't reach redemption or not as easily. Pentious was the one to help Charlie's dreams come true and bring change, help making the afterlife better. And, my God, that would be SUCH a good concept and arc for Angel, especially when he's in a toxic, messy, and deeply abusive relationship, in a job he loves and hates, struggling to make new friendships work as a new him.

I know none of what they set up will be used or used well but the premise is good and so when they introduce these things, it makes the episode good. It's just that what comes next isn't. Pentious crying at the end of the episode is heartbreaking. The jokes land (love Abel! Great foil to Adam, I wish they introduced Cain for funsies. Saint Peter (iirc) is also pretty funny. I like that Sera is the only competent person in the room, it explains a lot (esp when you could infer that Adam nudged her in the worst direction possible) and just works), the songs are nice, the visuals are promising. The story is meh but it IS character-driven and that's working.

That said, of course it's gross to use a real life situation as backstory even though it's become akin to a legend/myth. I think they should have had something similar, maybe inspired or a clear reference to it, but not the actual deal. People died! Thousands lived in fear! A little bit of respect please!

Also, I still hope that Adam is brought back for REAL. NOT shoved in as fanservice as I bet happened but as a genuine foil to Pentious and the idea of redemption. Something to keep angels accountable, something that proves God gives a fuck. Let there be an actual cycle. We KNOW angels can fall. Between Lucifer and the Cherubs, we have ample proof. C'mon this would give Vaggie an arc, development and a backstory. Adam is a genuinely funny character with lots of potential, his VA is AMAZING and his music genre slaps. Bring him back you cowards!

Last note: it feels like the songs are FINALLY finished. Unlike Season 1, it doesn't feel like a draft or like they're missing instruments or an entire part (often a bridge). I might be biased because I don't care about ballads and Lute's song shares a rock-ish sound with Adam, whose songs were the best of the soundtrack, but it feels like there's some improvement here.

If your ask box is still open, I might send what I commented on the lastest HB episode because I feel like it's a decent critic but whatever. Been a while, hope you're doing well and that you aren't as harassed as before by the shitty fandom Viv is cultivating!

Ahh, I apologize for the frequently closed ask box! I hate the thought of people coming in with something to say and being met with that, but as of this moment, it's pushing 1,000. But I'm happy to report that the Viv standom's been mostly leaving me alone!

These are excellent thoughts, definitely agree on the music -- it seems to be a pretty prevailing opinion -- and I hope you're doing well too!

[yuri-is-online]

TD anon here, I do feel you on the "torture" scene with Taiga, I didn't want my last ask getting any longer lmao.

While the scene definitely made me squeal, for me personally it was undercut by the emotionally charged scene that happened immediately after with Romeo lmao. It's exactly how I felt with Frostheim too, being excited over the dance with Jin, and then immediately after we get the cigarette kiss scene with Jin and Tohma LOL. But it only makes sense, MC has only just showed up at the school, not enough time to bond, and honestly with these kinds of joseimuke games I don't have much expectations of interactions between the cast and MC so in TD she's already much more involved with the whole comic thing anyways.

Eating the Like Dove raw... was really a raw scene lol. He seems to be attracted to blood for some reason? Since he paused when MC's cut started bleeding, I think he was about to lick the blood tbh.

And yeah I do wonder if his shoddy memory has anything to do with his deal's cost. Another vibe theory time, I feel like his fear of the Like Dove might've been... ingrained in him somehow? Maybe he had a run-in before but can't remember it. The reason why I think this is because when MC met him alone, when she reminded him that she was the Honor student, his response was "Oh no wonder I didn't kill you on the spot", he literally forgot about her but his body/instinct made him aware she's someone he's not supposed to kill.... if that makes sense?

He feels like an even bigger enigma than Towa, I'm curious to know what's going on in his head in the moments he goes eerily quiet. Not to mention he's the poster boy of the game, has to be a reason. Luca feels more in line to be the poster boy but it's Taiga...

I enjoyed Haru's drunk spiel about how helpful MC is lol. Also my eyes going wide when Rui said he wants to know what she's made of too... what does that mean....... I need more Rui content, I love his blatant flirtations lol. I got a campus event with Rui, Haru and Romeo in the bar before I even read the chapter, their unexpected friendship is very cute ngl.

(sorry in case this is sent repeatedly, smth wrong with my net atm)

Generally speaking I have found tumblr doesn't post or send things twice but it sure as hell reblogs them with the same tags 42 times making me look like some sort of freak

for me personally it was undercut by the emotionally charged scene that happened immediately after

Yeah I get this. The cigarette kiss with Tohma and Jin took me off guard, but that was mostly because I thought this was an otome game? Come to think of it I don't think we've had confirmation of the whole joseimuke v otome game thing beyond the existence of the like dove and individual character affinity... Well and that when this was announced it was supposed to be an otome game. I know that the otome games subreddit has been having some, shall we say spirited? Discussions lately about how players feel about ros getting into relationships with each other. The general opinion was that a lot of times the ro x ro relationships feel more fleshed out that the ro x mc ones, and I agree. I actually stopped writing something I wanted to be an otome game because the story started shaping up to be more about the mc's mentor than them, and I personally do not think that is very fun. People do like laid back mcs, they do not like mcs who have no place in the narrative, and some writers aren't good at balancing that. TDB mc is doing pretty well when it comes to interactions with the main cast compared to something like Twisted Wonderland if what you want is explicit romance, so far it feels like Season 1 of og Obey Me! from what I remember of that game, so we'll see.

I didn't get the same level of intimacy from Romeo and Taiga as I did Jin and Tohma? But I think that's because in both cases I thought the like dove had appeared before Romeo got there and was talking to Taiga and the second scene made me think Taiga was angry at him for interrupting his "fun." Whatever that "fun" was going to wind up being because yeeeeeah he seems like he has a blood kink of some sort. I think he was going to suck on it and bite her a bit, but licking seems like a logical first step and less influenced by what's wrong with me. Like I said over here the scene with the Like Dove fascinates me... it says more about Taiga than any other character in the game that we get to see the dove twice and that when given the chance he shoots and eats it... if that isn't a metaphor for denial and emotional repression then I am not sure what is.

he literally forgot about her but his body/instinct made him aware she's someone he's not supposed to kill…. if that makes sense?

YES. I wanted to talk about this but it sort of got into conspiracy theory territory and my answer was getting long. I don't know if anyone remembers, but waaaay back in Book 1 when mc tries to escape the school she isn't able to get anyone's attention. It's like they don't see her, is that because of her curse or is it because of preventative measures put in place by the school? I want to lean towards the latter because it makes more sense BUT I also want to be delusional and say that it's part of mc's curse. There's something about Taiga's instinctual fear of the Like Dove and his comments to the mc that make me think his body knows her but his paranoia and memory issues keep him from knowing it.

This is just me writing fan fic... but Taiga is technically the first ghoul you meet. He is the poster boy of the game, he is the first person to bring mc into the main loop and tell her there's a spy. I want so badly for him to have known her at some point but to have been robbed of his memories... Romeo seems to think he is trying to forget stuff on purpose "gone off the deep end" and "escape reality" are both things he says to describe him though granted that last one was due to a misunderstanding about what Taiga was trying to do with the anomaly. Something real bad happened last year, something I feel like Taiga doesn't want to acknowledge unless he can get revenge on whoever caused it. I mentioned in another post, but I sort of want MC to have something to do with Clementia and that's why she's there at the dorm beyond it just being empty due to the clash. (I do get why Luca isn't the poster boy; he's not a dorm captain and those seem to be what the game wants to push. well them and towa lol)

Haru and Rui

Rui is a bar tender who is described as being "popular with the female students" probably because of how flirty he is ha. I love his dynamic with Haru and Romeo, just a barman and his two favorite customers shooting the shit and trying to relax. Rui is cursed to kill whoever he touches, so I think he wants to talk with MC more because he can relate to her in a very unique way. And he got gate kept from doing so by Haku in book one so he's extra curious now. I have his SR so I'll put him on my homescreen for a bit and see what voice lines I can shake out of him. For the little bit I did have him there he called him and mc "curse twins" which I thought was very cute. In a dark sort of way. The entire section at the Obscuary bar endeared me to all three of those idiots.

But especially Haru. He called Peekaboo his child this chapter too ;-; he's such a good dad. I wonder if he is going to show up next books at all? Or if it's going to be like the previous books and we'll instead see Taiga and maaaaybe Towa? Since he's friends with Zenji. Nothing to do but wait for May 0-0

[iheartchv]

Sunny Day Jack x Reader:

I Never Forgot

What if you were one of the few people who remembered vividly about Sunny Day Jack... even after the whole show seemed to have been forgotten?

☀️Rating: Fluffy

🌈 Part 2 | 🌈 Part 3

❤💛💙❤💛💙❤💛💙❤💛💙❤💛💙❤

As a child growing up, you watched The SunnyTime Crew Show. You were 3 or 4 years old then, and you would watch every episode whenever they came out. Sure, there were plenty of interesting characters, but one that stood out to you was Sunny Day Jack. The blue haired clown was your favorite, the best friend you always wanted, and you wanted to meet him in person. At the time, money was tight, so that was one crushed childhood dream. The other was when there were no more episodes of The SunnyTime Crew Show being released. You had asked but no answers were given. You cried that one night (a few days after the incident); you felt like you had lost a best friend, and all the drawings and paintings you did hurt your little heart that you put them away in a box of memories. Jack was gone, but not forgotten...

❤💛💙❤💛💙❤💛💙❤💛💙❤💛💙

❤💛💙PRESENT DAY ❤💛💙

You're now at a threft shop, looking for clothes that wouldn't remind you of your ex, Ian. As you picked up some random stuff that fell over, you didn't notice a VCR tape that fell in your basket. As you were checking out, you were about to object to buying it, but decided that it wasn't worth 25 cents over. What could've been on the tape?On it was written '84- Incident'. Bells went off in your head seeing the year... A memory or something was trying to resurface... Borrowing a VCR player, you popped in the tape.

The static on the TV continued for a moment until you heard... a voice... saying,"Hello?" Bells went off in your head again as you stared at the static screen. That voice... it sounded familiar. Just then a shape formed through the jagged lines of the TV screen. It looked... human... And it was coming closer.

"Who... are you?" The voice said. Your heart started to beat faster. You felt like you were in a horror movie. You wanted to back up and run away, but you were frozen with fear. Your chest tightened as your flight or fight response kicked in. "You seem nice... Do you want to be my friend?"

The figure then... came through the screen as if it was climbing through a window. You wanted to scream but it was stuck in your throat. You choked on it. The figure then stood... they were tall. The scream then finally made its way out of your lungs as you bumped into the coffee table.

"Oh, gosh. Are you okay? I didn't mean to scare you, Sunspot." the figure said in a concerned tone.

Sunspot? You remembered... him always calling you Sunspot... As your eyes adjusted to the dimness of your living room, you could see that he (you assumed) had... blue hair? You also caught glimpses of his primary colored clothes... A memory was triggered. Everything was put together like a puzzle. No... this couldn't be?

"Jack... Sunny Day Jack?"

"You... know me?" He looked surprised.

"Yeah... I used to watch your show all the time as a kid. But... how... why...?" You had so many questions that you wanted answered. You were a ball of wound up emotions right now. You didn't know what to feel right now.

Jack cleared his throat, trying to change the subject to something simpler. "I'm sorry for bring rude, but I didn't get your name..." he said with a small chuckle and a smile.

"It's... y/n."

"Y/n. That's a nice name. Do you want to be my new best friend, Sunspot?"

He reached his hand out toward you for a handshake. At this moment, you strangely felt like a kid again. You were meeting Sunny Day Jack... in person (or the closest thing, at least). His cheery voice drew you in, like it did those many years ago. You took his hand in a firm handshake. "Sure." That was the last thing you remember before blacking out.

Been working on this idea for a couple of days, and I plan on writing a few more parts to this c: I also don't know if anything like this has already been written, but here it is nonetheless. I really hope you all in the SDJ fandom enjoys~☁️🌈☀️

[alan-william]

⧼Puzzle Park : Smg4⧽

-What would have happened if Smg4 had lost to Mr Puzzle?-

It's pretty easy to figure out that He and Mario would probably always have been brainwashed, like others, but knowing our Smg4, memories of the past would still remain.

💣-Smg3. 🧢-Smg4.

The usual show, as always, Saiko was on stage performing her number, Smg4 was standing next to her in the shadow watching all this, he was the organizer and saw that everything went as it should. After Saiko's act, that was the last Smg4 came out of the semblance of a tent and took off his hat with a heavy sigh.

Smg3 came up behind him and put his hand on his shoulder, which made Smg4 twitch and look at Smg4

🧢- ah! It's you..

💣- who else..Why are you so tense? I've been like this all day

🧢- oh, there's nothing! It's just that I've been busy all day, so I look like this..

💣- don't lie to me..knowing you, you would have fallen asleep on the 2nd performance a long time ago..

Smg4 understood that there was little to hide from Smg3 and sighing, he looked up, it was evening outside, and many visits could take a very long time

🧢- I don't know Smg3..I feel in the morning that I forgot something important, but that I don't remember...

🧢- you know, something that was inside of me and it was removed, I feel like..not whole or something..

Smg3 looked at him, understanding what he meant, but remained silent

💣- maybe it's better not to forget your head with this yet? You know Mr. Puzzle yourself, if something goes wrong, it will be worse for us..

Smg4 sighs and puts on his hat, straightening it

🧢- I think you're right

Smg3 seeing Smg4 leave sighs and rubs his eyes

💣 - Smg4... you haven't forgotten..It was stolen from you..

Smg4 is the main one on the show and not the current, everyone leaves him to consult, and at night he walks and thinks about his own, he still regrets that he did not win the puzzle, sometimes because of the scar on his neck, he may stumble and fall silent for a couple of minutes, but his voice will return. Along the way, he also goes to celinder, with a cane and in a blue tuxedo with long sleeves, and who would hide the scar on his eye, he draws different pictures there, but it's always just a big blue star. In total, he is called Mr. Show, and his friends call him Smg4, he gets along very well with Smg3 on the stock that when he had mosquitoes, Smg3 always calmed him down.

He rarely sleeps at night because of mosquitoes, but if he sleeps, it is most often with birushas or with a mask over his eyes

Character: Smg4

Other names: Mr. Show

[bomberqueen17]

aight poll results

Huh I haven't really done a poll before, I kind of thought there'd be somewhere you could like, see the results. But no. I just have to scroll back and find the post. And since I made it not rebloggable I can't reblog it either, LOL.

So anyway. It's not quite-quite closed but there's more votes in it than I thought there would be, and I'm going to discuss it behind this lil cut here.

[Image ID: a screenshot of poll results showing 14.5% for the sweet summer children era, 85.5% for the older sea-dogs, 55 votes cast, almost four hours left in the poll.]

After making this poll I went back to my Just Write Some Scenes approach and noodled around some more. My first attempt had been to come up with this whole elaborate Save The World plot, and then try to introduce the crew to each other right at the start of it, and after tripping over that and falling flat on my face, that's when I reconsidered and made the poll. Mostly I just. Need other people to remind me that I'm not alone in the wilderness here, LOL. And you know the quite-contrary "I need advice but mostly so I can identify that when someone tells me to do the thing I don't wanna, that means there's a thing I didn't want to do, which means there is a thing I DO want to do, and now I can narrow down what it is" impulse, yes?

But it's gratifying to find that I've voted with the majority here.

So my main consideration here is that while I cannot really reuse any of the scenes I wrote as fanfic, I can absolutely carry over every bit of the character dynamics. The canon events, I can't translate. The fanfic character work, yes. (What that means to you, dear readers, is that I thus can totally just publish the fanfic at some point LOL, so I'll... try to do that if I can ever manage to become sane about it.)

I don't know that I've fully explained, here-- I fully have a 125,000-word fanfic already complete for this fandom. Like, it is 125,000 words long, and goes from before Master and Commander to... I'm at about the middle of Ionian Mission. That's book nine. And it's all the gapfills and everything from Tom's POV. And I have a few more scenes I'm still writing, but what I have is quite a novel already.

If I took the characters from their Master & Commander Book 1 era and file the serial numbers off and try to instead give them this plot, then I have to cram in every bit of the getting-to-know-you shit, and also worldbuild the whole setting, and then also have them save the world. It's not that I can't do this, but I have this huge shortcut where I've already been working with these guys (and you know how fanfic works, I've subtly warped them from canon because these are side characters the canon author did not devote all that much time to. There are several times when Mowett did something in the first book and by the eleventh or twelfth, Stephen firmly remembers it as something Pullings did, and the narrative treats him as correct, and I genuinely think that O'Brian forgot, unless he was trying to make a point about Stephen's memory issues that he then didn't entirely follow through on. It happens more than once. Also there are a number of occasions when the narrative asserts that Mowett was present for books when he was not; he does not appear in book 3 for example, but is afterward treated as though he'd been there. "They've been together since their youth!" they haven't been in the same hemisphere in six years. Anyway.)

I've been working with these guys for the length of a novel already. So what I can do, and what I think I'm going to do, is that I'm going to just pretend that I've already rewritten a serial-numbers-filed-off version of the first volume, and dive in at circa the book 5 section of the fic, and insert this adventure at that point. Which gives me a certain rank for each character-- Pullings and Mowett would be lieutenants with some seniority, Babbington would be a newly-made lieutenant, Aubrey has moderate seniority, his relationship with Maturin is fairly mature and has weathered some storms and come out well, he's rescued Maturin from torture, Maturin is slightly washed-up with the intelligence people and is addicted to drugs but recovering-- and from the fanfic side (spoilers for the as-yet-unedited-and-unpublished fic!), I've established Pullings in his marriage, given him his checkered career (Indiamen and transports), he has two children, and also he and James and Mrs. Pullings have worked through a bunch of their shit and figured out that they should all have a threesome sometime. But, crucially, they have not had this threesome yet.

So it's like-- a ton of deep character work, that I can just plunk us into.

(I haven't figured out a new naming structure yet so I haven't find-replaced and I'm just writing with the old names, which is hilarious the more I diverge from canon.)

It's not that I don't want to tell that first story, of them all meeting up initially, but I think it would be easier to go back and write a prequel after having done the Big World-Saving Plot.

Anyway-- some serial-number-filing notes here:

Aubrey is going to be a woman because then if I write her exactly the same it comes across wildly differently and I am absolutely dying to see what effect it has. Translating Jack's particular confused helplessness around women makes this new Aubrey into an extremely awkward lesbian and I love it. (Still fat, crucially. Still six feet tall. She might not be blonde, though, depending what I do with racial dynamics in this 'verse. Doesn't matter, as calling a woman Goldilocks is less hilarious than a man.)

Maturin is still a dude. They still have absolutely zero sexual chemistry, but profound deep interpersonal love. (This is bookverse, guys. Sorry the gay movie version is great but that's just not where I'm going here.)

Instead of having a lower-class accent and antecedents, I'm translating Tom into being somehow visibly biracial, which can give the same impediment to his being taken seriously for promotion as in canon, but also lets me tie this into the other books I've started in the land-based part of this verse. His mother is descended from mainland mammoth-herders, and I haven't decided what visual characteristics that gives him but it's enough that he gets called racial slurs occasionally. As in canon, Aubrey doesn't particularly notice these things, and cares only that he is competent.

Babbington is a trans dude so I have to figure out how that works in the worldbuilding but this is an extremely useful thing to have and will illuminate all kinds of awesome things for me. As a bonus, it can just be background established fact in the first book I write, and can be a plot point in the prequel if I do come up with anything cool in the worldbuilding, but if not it can just be a like low-key background thing in the prequel too. Who knows! It gives me a ton of material either way. Has potential to establish vivid character dynamics in a minimum of words, I think.

I was trying to solarpunk-ize solid-shot cast-iron cannons and seem to have independently mentally invented electromagnetic rail guns, so I have to research that somewhat but I think I have some good worldbuilding foundations based off that. !!! Exciting. I especially love the idea that the ships can collect and store potential energy that they can use either for propelling the ship without wind, or for firing guns, and so manoevering with sails still carries enormous tactical value because if you can get in position to fire your shots without having expended your generated power, you'll have much more success in battle; conversely, if you realize you're in a poor tactical position, instead of throwing your guns over the side as in the napoleonic era so you can flee faster, you simply empty your power generation banks into your propulsion to get the fuck out of there. And it makes it more solarpunk post-collapse-friendly by having tactics that can prioritize things other than massive loss of life, which doesn't hold with the dynamics of precarious population levels in the other books in this 'verse. Life was cheap in Europe in the 1800s but that doesn't work here. I love the idea of the "battles" being almost entirely manoevering, and it being plain impossible to have just yardarm-to-yardarm prolonged hammering except by rare circumstance.

So anyway that's where I'm at. So far. Stay tuned i guess? Thanks for reading this far, anyone who does. <3

[bonefall]

Do you have a family tree for DOTC and the ancient tribes around the lake with Hollyleaf/Fallenleaf?

I don't yet. When I finish up my re-read, I'm going to gather ALL of the DOTC cats and start dividing them up into the three cultural groups. After getting them all in bundles, I'm going to whip them up into proper family trees.

If you're asking about canon's family tree... I can make it if you'd like, but I'd just be showing you the ticking timebomb of genetic diversity they set up for themselves. It's all Quiet Rainkin and random forest cats, most introduced after book 3. None of the other settlers had grandchildren and the living children have no mates.

Sun Shadow died.

Lightning Tail died and Acorn Fur was forced into a vow of chastity

None of Turtle Tail's kits have kits; one is in a vow of chastity

There's nothing to "preserve" about the canon tree, unfortunately. It's not really a "tree," it's more like a couple of bubbles with a ton of dead women floating around outside.

For funsies, let me try and remember all the "bubbles" off the top of my head, plus when the characters were introduced

Ravenstar x Juniper Branch (Book 6)

Milkweed x Leaf (Book 5, Book 2, plus existing kits with an unknown mate)

Misty (Book 2; kits have no kits.)

Shadowkin: Tall, Moon, Sun (1, 1, 5, extinct)

Jackdaw's Cry x Hawk Swoop (extinct)

Turtle Tail x Tom the Wifebeater (endangered)

Riverstar x Finch Song (Book 1, super edition)

Wind Runner x Gorse Fur (Moth Flight and Dust Muzzle are born in book 3)

Willow Tail (introduced with a sibling in book 4; extinct)

Shaded Moss was the father of Rainswept Flower (extinct)

Fox and Petal were siblings (Petal raised Misty's children)

I forgot the name of Drizzle's mom and sibling (book 6)

I think there's also a cat called Apple Bottom Jeans or something in Thunderstar's Echo who has a litter, but I can't remember her mate without google. There were also some litters born in Riverstar's Home I can't remember. I barely remember the side books, were there any others born in Shadowstar's Life...?

Here's all the pairings in the Quiet Rainkin family, as contrast;

Quiet Rain x Unknown (4 kits)

Clear Sky x Bright Stream (Died pregnant; gave birth to 2 dead angel fetus children in heaven)

Clear Sky x Storm (Thunder was the only survivor of 3)

Clear Sky x Star Flower (two litters; the first was 3 iirc, the second unknown)

Jagged Peak x Holly (3 kits)

Gray Wing x Slate (3 kits iirc)

Thunder x Violet Dawn (4 kits)

So... bottom line is, something like 50% of births were coming out of the Quiet Rainkin family, and they account for something like 30% of cats with existing family at all.

Personally, I think that's awful in a prequel arc that's supposed to be about ancestors. So I'm going to be making whole families for BB.

[justheretoposttrash]

day 12 of the final endhawks: endhawkspocalypse:

the adhd side of my brain has taken over and decided that consistency can No Longer Happen, so i've decided to make this my last day of posting, at least when it comes to sequential daily posts. i'm still unhinged-ly working on endhawks-related things for the foreseeable future though, and always happy to talk about the ship!

here's a final hodgepodge of thoughts!

part 1 - more ch430 positives

the continued use of a ranked *number system* in particular is silly imo (ig the masses do love a catchy numbered list). but at the very least, i gotta appreciate that the main characters didn't get top rankings straight outta school--when i think about how old they are post-timeskip compared to hawks, especially! bbygirl got #2 at 22 but was child-soldiered into it and was absolutely breaking his proverbial back. it's really not an aspirational thing to beat, and it's not something the main characters have to achieve to be "cool" or fulfilled narratively. they focused on their happiness, instead--shoto on finding his own identity and balancing his life thanks to his support system, bakugo on getting his boyfriend/whatever/queerplatonic-died-in-each-others'-arms-on-a-battlefield-in-a-past-life-and-now-they-keep-reincarnating-together soul-partners/rival back at his side so they can keep pushing each other, etc.! mirio's ascent notwithstanding, it's a healthy nugget from the final chap.

another cute thing from 430 is when hawks jokes that nagant is a villain. this joke has layers to it, considering both had to take on the villain label because of the commission, also contributing to their respective traumas under the commission. (they both even had someone cradle them in their arms shouting that they were still a hero despite them being at their low points--and physically very crispy. one of those someones being hawks himself, ofc.)

next, i gotta appreciate how unfettered hawks's facial expressions have become (also, his under-eyes are already thicker and darker, bro needs to sleep 😭) compared to how subdued they were in the twice fight (and to be clear, his expressions still screamed volumes then. i love how they're drawn to convey so much nuance in his emotions). once he was cut free from the commission, he stopped putting on a smile while doing hero work (there wasn't much to smile about post-raid, but pre-raid i'd argue things were bleak for him already, so at least he doesn't feel the need to put on as many airs). he also started actively sweating and showing fear, but without losing more genuine displays of confidence and happiness. (all this makes me very curious if his speech patterns have also changed in the original japanese to any extent compared to how they were at his introduction)

part 2 - dabi=endhawks truther?!?! *not clickbait*

i remember it being kinda hilarious that dabi tossed out hawks's history as an extra "fuck you" to endeavor, but i forgot how direct he is about his intentions.

he's just like, "yeah, i specifically wanted to drag hawks (and reveal his betrayal and hopefully shake your faith in him) to hurt you, dad. even though you two have hung out, like, maybe twice (may he rest in peace) in your whole lives. trust me, i knew this would be devastating for you. don't ask me how i know." like. touya my man. what are you doing. also thank you. almost makes the angst-lover in me wish he'd added a "don't worry about hawks, dad. you'll be joining him soon" right before attacking him with prominence burn to twist the knife, though understandably that would've convoluted the spotlight when the focus was meant to be on family and the touya reveal. but goddamn, just imagine.

he basically did the exact same thing to hawks by telling him his identity. in revealing a name that could only hold any significance to hawks through its relation to endeavor and what touya's existence implies about him, touya wielded a secret from endeavor's past to psychologically hurt hawks and shake his faith. it's just wild that he did it to both of them, pulled off flawlessly and with maximum drama, in rapid succession. legendary.

anyway, ppl tend to portray dabi as an endhawks anti, when funnily he's kinda more on the side of enjoying the fact they have a connection--granted, mainly as a thing to leverage to hurt them, bc he fuckin despises them (and granted, hatred in dabi's eyes is a complicated thing)--but still! he ain't in denial about endeavor's and hawks's relationship, he's an og! he's first in line! this makes his daddy issue allegations so much worse, but he doesn't care! and honestly i owe my life to him for his service in unearthing the truth; he's doing canon, in-text work to forcefeed the public endhawks crumbs that they didn't even want, and he deserves our utmost respect 🫡🫡🫡🫡🫡

part 3 - our hero academia ft. protective enji

my mind was too wrapped up in The Plot to notice the subtleties of when Press Conference Lady yells at endeavor post-raid--for one thing, i realize on a second read that she's actually kinda yelling at hawks. so much of the emphasis is on endeavor's past actions that i didn't pick up on a few key details. for one, when hawks discusses his murder of jin, the visual centers endeavor's reaction, solemn but accepting/calm.

secondly, Press Con Lady speaks up right after hawks is done talking. thirdly, what she describes--not looking sorry, empty-seeming apologies, incompetence in the face of villains--apply as criticisms equally to hawks as they do to endeavor (notably not to jeanist, as he doesn't have a past or scandalous behavior to answer for).

it's also at this time that endeavor looks more angry (just look at his frown in the panel above!) and actually gives some pricklier-sounding pushback, when before he was mainly resolved and remorseful.

notably, he's translated as saying "we" and "our". ofc he's paying respect to his colleagues at large as well, but considering Press Con's criticisms are pointed most specifically and apply most to hawks and himself, he's strongly implying and acknowledging the pain that hawks has been through.

as he goes on to speak, the word choice shifts away from "us" and "we" to "me" as he claims responsibility for what happens next and urges peoples' slings and arrows to aim at him alone--again, for the sake of his colleagues and family at large, but particularly for hawks in this moment.

the undercurrents are so understated in this scene, but the degree to which endeavor shifts the language and focus away from hawks and onto himself is profound. throughout mha, we've got plenty of thought bubbles showing how hawks feels about endeavor in outright terms, but not as many from endeavor about hawks, especially after all their dirty laundry gets aired out. but even without thought bubbles, how he feels about hawks even at the worst of times becomes perfectly clear.

(god they drive me insane lmao)

[bluejay-the-geek]

DC characters/moments as Tortured Poets Department songs/lyrics bc i have a light concussion and am very bored (in the album's chronological order)

(disclaimer before someone is triggered- some of the lyrics are taken out of context or interpreted differently than what they actually mean. this is just for fun don't come for me. also this gets pretty angsty towards the end so proceed with caution)

"I was supposed to be sent away, But they forgot to come and get me"- tim drake very obviously bc neglecting parents/boarding school

"I love you, it's ruining my life"- early harleen quinzel about joker

"My Boy Only Breaks His Favorite Toys"- the whole song is just harley quinn idc (pre-harlivy of course)

"Now I'm down bad, cryin' at the gym"- nightwing def cried at the gym at some point

"I stopped tryna make him laugh, stopped tryna drill the safe"- dick grayson about bruce after moving out of wayne manor

"You swore that you loved me, but where were the clues? I died on the altar waitin' for the proof, You sacrificed us to the gods of your bluest days"- remember the whole selena leaving bruce at the alter thing? yeah

"I'd rather burn my whole life down, Than listen to one more second of all this bitchin' and moanin', I'll tell you something 'bout my good name, It's mine alone to disgrace"- I'm just getting red hood vibes from this no specific reason

"Now, pretty baby, I'm runnin' back home to you, Fresh out the slammer, I know who my first call will be to"- almost every gotham rouge to batman right after escaping arkham/prison. especially joker, catwoman and riddler lol

"At the park where we used to sit on children's swings, Wearing imaginary rings"- this one specific panel of tim and steph

"And this city reeks of driving myself crazy"- everyone who's ever been to gotham

"All my girls got their lace and their crimes, And your cheating husband disappeared, well, No one asks any questions here"- it's giving gotham city sirens

"Am I allowed to cry?"- maybe it's just me but i thought about clark kent discovering he had different biological parents and grieving about them even though the parents that actually raised him are alive and well

"So I leap from the gallows and I levitate down your street, Crash the party like a record scratch as I scream, "Who's afraid of little old me?", You should be" red hood's debut

"The scandal was contained, The bullet had just grazed, At all costs, keep your good name, You don't get to tell me you feel bad"- jason todd about the whole making batman choose between him and joker at the end of under the red hood

"You wouldn't last an hour in the asylum where they raised me"- this is 100% Bane bc he was born and grew up in prison for a crime he didn't even do!! also cassandra cain and damian wayne

(^this is actually the lyric that inspired this entire post lol)

"You caged me and then you called me crazy, I am what I am 'cause you trained me, So who's afraid of me? Who's afraid of little old me?"- kind of a stretch but remember that time they put jason in arkham?

I Can Fix Him (No Really I Can)- again the whole song is harley about joker

"Your arson's match, your somber eyes, And I'll still see it until I die, You're the loss of my life"- bruce about jason. out of all the robins that died, jason's death hit him the hardest. even now when bruce sees red hood, he still sees that happy little kid that he lost

"I can read your mind, "She's having the time of her life", There in her glittering prime, The lights refract sequin stars off her silhouette every night, I can show you lies"- bc we all know Nightwing is always dying on the inside, and it was very true in the discowing era bc it was right after he left the manor

"'Cause I'm a real tough kid, I can handle my shit"- jason pre-bruce

"I'm so obsessed with him, but he avoids me like the plague"- ok so we got joker about batman, cupid about green arrow, hush about bruce wayne... and a bunch of others but it's too many to write lol

"And you deserve prison, but you won't get time"- fucking tarantula that bitch

"The smallest man who ever lived"- the atom! not any of the messages in the song tho ofc he's just very small

"What if I told you I'm back? The hospital was a drag, Worst sleep that I ever had, I circled you on a map ,I haven't come around in so long, But I'm coming back so strong"- joker to batman after escaping arkham again

"I haven't come around in so long, But I'm making a comeback to where I belong"- jason coming back to protect crime alley after being away from gotham for years after his resurrection

"Even if it's handcuffed, I'm leavin' here with you"- batman and catwoman<3

I Hate It Here- imagine the whole song as homeless jason todd taking shelter in the library💔

"I built a legacy that you can't undo, But when I count the scars, there's a moment of truth, That there wouldn't be this if there hadn't been you"- bruce built a legacy as batman, and created a huge family he loves, and it hurts to think about but he wouldn't have any of it if joe chill hadn't murdered his parents

"Please, I've been on my knees, Change the prophecy, Don't want money, Just someone who wants my company"- kid bruce grew up all alone in a huge mansion, but he'd give all his billions away in a heartbeat if he could change his parent's fate

"So, they killed Cassandra first 'cause she feared the worst"- ok so you might think i chose cassandra cain for this only bc of the name, BUT- cass notices things others don't (like cassandra the prophet...), bc of her skills and abilities she is feared the most (Ik the song said "she feared" not "she is feared" but idc lol). like if someone knew so much about you just by looking you'd think she's some kind of a witch too

Peter- picture this: jason had a childhood friend back at crime alley. he left to live in wayne manor and become robin, and said goodbye to his old friend, promising they'd reunite again in the future. 3 years pass and his friend reads an article about jason's death. now listen to the song and try not to cry (if someone writes that fic send me the link IMMEDIATELY this has been haunting me) here's the link to the song with lyrics bc ik you're too lazy to look it up. also jason's middle name is peter:)

"Splendidly selfish, charmingly helpless, Excellent fun 'til you get to know her"- brucie wayne vs batman

"Started with a kiss, "Oh, we must stop meeting like this" But it always ends up with a town car speeding, Out the drive one evening"- catwoman and batman of course<3 the town car is the batmobile speeding out the batcave to catch catwoman (to arrest her or make out with her? probs both)

Robin- ofc we have to go robins for robin! imo that's bruce to dick and jason's robins, and dick to damian when he was his robin. dick and jason- despite the hard times they went through that led to them becoming robins, they were still mostly happy curious kids that run around covered in mud while bruce tried (unsuccessfully) to maintain the innocence they had left. as for damian- it's more of a stretch than the other 2 bc he had no childlike innocence before robin, but dick tried his hardest to extract the child that was hidden inside the ruthless assassin the league created, finally allowing him to experience normal kid things. idk

"He said, "I'm not a donor but, I'd give you my heart if you needed it", She rolled her eyes and said, "You're a professional""-to me this is clark kent completely in love and lois with her sass

"And at last, She knew what the agony had been for"- almost every hero. they suffer, they sacrifice, they fight, and sometimes they want to give up- but at the end of the day, they save lives, so it's all worth it

and that's it folks! feel free to add more/share your insights!!

sorry for any spelling/grammer mistakes, English isn't my first language plus like the title said i had a minor head injury a few days ago and I'm tired soI'm not proofreading this bc I'm going to sleep rn goodnight to all✌️

[iwasbored777]

I know I already posted something like this but I wanted to be more clear and I gotta say it again: the writers completely effed up Peter and Gwen in ATSV and it wasn't Peter and Gwen to blame at all.

(Sorry if I made any grammar mistakes, I write English for years but some mistakes still happen)

Ok, with Gwen, I know she didn't have a choice and blah blah blah but it's heartbreaking to see how much people loved her and now I see such horrible posts about her (some are so unhinged) that it makes me wonder what the writers were thinking when they did what they did with her character. After so much time has passed since the movie was released all I hear is "Gwen is a traitor". I rarely see a person clever enough to explain the situation and many people don't care enough to explain or understand. They love what happened because they hate the idea of her ending up with Miles anyway so this is perfect for them. I swear I had no idea what they're gonna do, I thought she's going to be with Miles and on his side the whole time. And while I know that she's so much more than a love interest and she deserves to be more, in the first movie she was only the love interest and that's exactly how people see her now and will always see her like this. According to the audience she exists only to please Miles, she has no room to have a story of her own, which is why her storyline in this movie was kinda disappointing even to me who really loves her.

But Peter also... At least Gwen has a reason and he just doesn't. You can't tell me that a guy with a character development so great from the first movie, the guy who loves this kid and who started his own family because of Miles, who was depressed and desperate when he lost someone he loves, would tell the same kid he apparently loves "you know it's ok if your father dies bad things happen lol". It's crazy. And him receiving the hate that Gwen receives too, people going from loving him so much to hating him because the writers forgot how much they tried to develop him and Gwen, how amazing their team was in the first movie, and then destroying their dynamic for the sake of drama because they needed a conflict but the first movie was so perfect the only way to create it was to mess it up.

Yeah sure they'll be friends later, yeah Miles and Gwen will end up together, I don't have a problem with it because I love Peter and Gwen and I still ship Gwen and Miles and I don't want anyone who hates them with passion to show up here and tell me about how much they hate them. But they already ruined the relationships and the angst will always be remembered. Fandom is so goddamn toxic that they will keep hating on them, using any racist and misogynistic expression they can think of, and to be honest the movies aren't as enjoyable to me as they were at first because the reaction of majority of the audience made me realize how bad you gotta ruin your characters for fans to go from loving them to hating them so so much. Now every time I see news about BTSV I'm not looking forward to it that much because the story is already effed up. You can fix it but you can't erase what happened. The ending can be satisfying but the journey is not, at least to me.

And it's a shame that no one is talking about this, all haters (and there's so many of them) act like Peter and Gwen are characters capable of making decisions for themselves when they're just products of their writers. But, no. The writers are praised everywhere while Peter and Gwen apparently suck because their characters are ruined by someone who's controlling them against their will. The kinda got the similar treatment to Wanda in MCU, whom I also adore, she had character development and learned how to move on in WandaVision only to go through the exact same thing all over again in Multiverse of Madness because they didn't know what to do with her now.

I don't hate these movies, especially ITSV cuz it's a masterpiece, but I'm just so sad with how the story turned out. I will watch BTSV and I will make tons of posts about it just the same, and I won't make hate posts about this movie, that's for sure. I just wanted to say this. I look forward to hearing your opinions in the comments, as long as they're respectful to the characters. Basically I already said all I had to say here.