#also doesn't help that I was busy at work

[theivorybilledwoodpecker]

The "all is not lost" part is important.

Don't get me wrong; mourn what's been lost. But also focus on what is still there. Learn to appreciate the beauty around you because if you don't, it's really easy to fall into hopelessness and not work to preserve your own community:

Find a park or area of nature near you and start exploring it. Learn about how you can help it and the areas around you.

If you own land and grow plants, try to grow l plants to your area.

If you go on hikes, try carrying little bags to use to pick up litter along the way. Biodegradable bags are best, and most dollar stores sell gardening gloves if you don't want to pick up trash with your hands

Learn about animals in your area. Birds, bugs, mammals. It doesn't reallt matter which you pick because once you start caring about one species, you start to see how others are connected.

Obviously, big businesses are the main culprit. I know people say it's on the people who buy from buisnesses, but people do that because most can't afford to buy from more ecofriendly companies. But that doesn't mean that smaller efforts are meaningless.

[dreamsteddie]

AITA Steddie Au Part Three

Part Two

Hello! Sorry for the delay! This week was very busy with student conferences and my own midterms so I haven't had a lot of time to work on this. This is more of an interlude building up to bigger things, but I hope you enjoy it!

Also! Get in the comments if you have any ideas of an actual name for this series so I can stop calling it AITA Steeddie Au. I can't think of anything good 😓

------

Eddie takes Steve on that second date.

And then a third and a fourth and eventually he stops counting because he's seeing Steve as often as he can between their jobs and other responsibilities. He feels high off it, giddy with possibility and hope for this new thing that he's never had before.

Eddie has done relationships before, a couple of times. A small handful of boys and girls he took out on dates and tried his best to woo all went up in flames one way or another, but none of those relationships left him feeling so gone so fast. He felt like he was always holding himself back from giving himself up completely, too afraid of falling without a safety net to reach for that deep devotion he's always craved.

Steve makes him feel like they're plunging into that unknown together.

Still, no matter how much he's been trying to avoid it, the looming specter of what the hell to do about his friends is looming over his head.

------

"Are you fucking serious right now dude?" Eddie asks, a complicated mix of righteous anger, humiliation for himself and Steve, and complete disbelief at Gareth's unwillingness to back down from this making it increasingly difficult to keep his cool.

"Look man, all I'm saying is that Steve is like, the complete antithesis of literally everything we stand for. He's a nepo baby business major who's never had an original thought in his life! I would know! I've read one of his papers." Gareth says, forced nonchalance coloring his tone and riling Eddie up even more.

He rears up, shoulders pushing back and hands grasping at the air like he could pull down his frustration from the either and condense it into a solid ball he could lob at Garteth's head to finally knock some goddamn sense into his brain.

"Hey, hey, hey. Okay, Eddie, I'm really sorry about this. It was a fucked up idea, I don't know what we were thinking." Jeff interveins before the frustrated banshy noises Eddie is letting out turn into another yelling match that won't get anyone anywhere.

"I think we just got too caught up wanting to help you get out of this rut and it all turned into something completely insane. You don't gotta forgive us Eddie, but if there's anything we can do to try and make up for it, we'll do it. Isn't that right Gareth?" Jeff pointedly asked with a look that says agree with me right now or else.

Gareth doesn't say anything.

The thing about all of this that Eddie just can't wrap his head around is the why. Why would his friends, his sheepies, do something so cruel? He knows none of them have ever looked kindly at people like Steve. Too many traumatizing high school humiliations behind them all to trust when someone who looks so much like all the guys who bullied them in high school tries to reach out, but Gareth and Jeff have never tried something like this. In fact, it's used to be Eddie doing most of the anti-jock revenge planning back in the day, even if nothing ever actually came from it.

He thought, incorrectly it seems, that they had grown out of the worst of it by now. It's been three years since Garteth graduated, and five since Eddie made his final attempt, and leaving their hometown behind did a lot to heal old hurts.

So why this? Why now?

"Is this seriously how it's going to be man? You won't tell me what the fuck any of this was really about and you're not even going to try and apologize? Seriously?" The righteous anger is starting to seep out of him, leaving behind a bone-deep exhaustion.

Gareth just continues to stare at him defiantly, not saying a word.

Eddie pinches his nose and takes a deep breath, "You know what? Fine. Whatever. If this is how it's going to be then I'm out. Jeff, I'll talk to you later, probably not for a little bit though. Gareth?" The other man lifts his head from where he'd been looking down at his shoes. There were tears in his eyes, just a little bit but enough for Eddie to clock it. Face red from some unnamed cocktail of emotions Eddie doesn't have the energy or desire to interrogate right now. "Call me when you're ready to grow the fuck up. I've got a second date to plan."

With that, Eddie turned on his heel and made for the open garage door.

"What about the band, man?!" Gareth called.

Eddie kept walking.

-------

That was over four weeks ago.

He hasn't spoken to Gareth for most of that time. The first couple of days he blew up his phone with angry to half-apologizing texts that Eddie promptly ignored. After the second day, he sent a single text back letting him know he didn't want to talk unless he had a real explanation and apology to give both him and Steve and that he was going to block his number for a little while. He could let Freak know if he was ever ready to talk like adults. Eddie trusted him to tell if Gareth was being genuine.

In other news.

Waking up to strong arms secured around his naked waist is fast becoming Eddie's favorite way to start the day. He and Steve slept together for the first time last week, and since then it's like neither of them can get enough of each other.

"Hey, baby." Steve rasps in his ear, tilting his head down to smear sleepy kisses onto his shoulder. The hand that was resting against his ribs meanders its way down to the trail of hair under his navel, scratching just a little and making Eddie feel like a contented mutt. He's not sure if he should feel horny or like he could sink into the mattress and sleep for another full 8 if Steve keeps holding him like his.

"Mornin' sweetheart." he says deciding that a couple more hours of sleep is definitely the way to go. Steve, it seems, has other idead.

"What you thinkin' about this early in the morning?" He asks, hand continuing to scratch lazily at Eddie's stomach like he's not completely destroying Eddie's will and ability to focus on anything but the warm body behind him.

But it's been a long time coming, and as much as he doesn't want to, Eddie needs to start thinking about what he wants to do about his friends? former friends? estranged family? band and Steve deserves to be a part of the conversation.

Eddie sits up, bringing Steve up with him to rest against the headboard. "I've been thinking about the band. Gareth and Jeff, that is." He pauses, waits for some kind of reaction that doesn't come. Steve looks concerned, but not in the way he thought he would.

"Ok." Steve responds, waiting for more.

"I guess I just don't know what to do." He looks out into the middle distance of Steve's bedroom. Takes in the display of swim, basketball, and baseball trophies displayed proudly on a shelf, catching the early morning light. "I'm still so fucking mad. It's honestly kind of irritating how mad it makes me to think of what they did. It was so fucking stupid."

Steve hums a little, letting Eddie get it out.

"But at the same time I can't help but fucking miss them. Miss the music and the campaigns and everything else." It's honestly been eating him alive, the mix of anger and longing he's been feeling for his friends. The constant longing to go back in time and stop them from concocting this shit show but also, like, stalk Gareth to his 8 AM Business class so he can run into Steve and they can fall in love at first sight or some shit.

Silence.

Steve shifts. Moves so he can look Eddie right in the face. He looks thoughtful in a way that Eddie had to get used to. Sometimes when Steve is thinking hard about something, he scrunches his face in such a way that it makes him look like he's judging you. He isn't, it's just an unfortunate fact of life that his baby has a resting Judgemental Face™.

Steve heaves out a big breath, bringing Eddie back down to earth. "I mean, I don't want to, like, cloud your judgement or whatever but maybe you should try and talk to them one more time. Jeff appologized right?"

And, ok that's definetly not what Eddie was expecting to hear. It must show on his face because Steve is suddenly looking away, embaraced.

"I just..." He trails off, taking his own turn staring out at the dull shine of his old acomplishments. Eddie watches as his face once again turns pensive as he stares harder at the remnents of his high school acheivements.

"I used to be a pretty shitty guy. Did the same kind of shit your buddies did a couple of times." This isn't necessarily news to Eddie. They've talked a little about who Steve was in high school and how much work he put into himself before he decided to go back to college. It's still a bit of a shock to hear, though.

"So I get how someone can make a mistake like that, y'know? So if you want to try and talk it out, I won't be offended. I know we're in this together, now." Peace said, Steve reaches for Eddie's hand and gives it a squeeze.

It hits Eddie again, just how good Steve Harrington is. It hasn't been long, not really, since they got together but they've fallen together so completley, so easily, that it's easy to forget that there's still so much they have to learn, so many layers for Eddie to peal back. Behind every judgemental remark and complaint about the frequent phone calls he gets from chuldren he used to babysit in his hometown is a man who cares deeply and is capable of great forgiveness, even if it hasn't been earned yet.

Eddie squeezes his hand back.

"Are you sure?" Eddie asks.

"Yeah, it's not we have to totally forgive them, right? But I think you need to get a real answer from both of them about why it happened. Maybe you can find a way past it, maybe they'll say something that puts the nail in the coffin." He responds.

Eddie takes a deep breath, and thinks.

Steve is right. Eddie isn't satisfied with any of the answers he got last time, and he knows that there has to be more to the story than "trying to get Eddie out of a rut" and he's not going to be able to put any of this to rest until he understands.

"Ok, yeah. I'll call them." Steve gives him an encouraging smile at that, rubbing the back of Eddie's hand where they haven't let go yet.

"Good, I'm glad. And I can come with you if you want. Hit em from both sides." he says. Eddie think's he'll take him up on that offer, but right now he had more imporant things to do. Namely, tackling his sweet boyfriend onto the mattress and having a mid morning tousle.

"We'll see. Right now I've got more imporant things to do." He says in his best aproximation of a sultry voice. He doesn't know how good it really is, but it seems to work based on the way Steve's eyes get hooded and he looks down at Eddie's mouth.

Gotcha.

Before Steve can lean down and kiss him, Eddie snaps his hands down to his boyfriend's sides in a well executed tickle atack. Steve immedietly jolts and starts howling with laughter, yelling between breaths that Eddie is "a fucking asshole" as he continues his relentless atacks.

Eventually, Steve manages to regain his bearings and go on the offence, turning them over and trapping his boyfriend's hands beneath his knees so he can atack Eddie's equally ticklish sides.

Once the late morning has passes into early noon and they've both settled back into Steve's signifigantly more rumpled be, Eddie takes one more moment to think about the furute to come before he shelves it. He knows that whatever conversation is to come, it won't be easy, and even if things go as smoothly as possible with Gareth and Jeff, things will never be the same between them all.

Looking down at Steve, who is sporting the most outrageous bedhead in human history, laughing at the stream of reals Robin sent him in the middle of the night, he thinks he'll be okay either way.

Tag List

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[hermetiqa]

ㅤ YOUR NEXT ROMANTIC PARTNER

Reminder: it doesn't matter if you saw this reading a day or a week or a month or a year after posting this. My readings are timeless. You'll see this when you're meant to see this and receive your message.

How to pick a pile: close your eyes and take a deep breath before picking a pile. If you feel drawn to more than one pile, it's alright, you may take the piles that you're drawn to. What's important is to take it how it resonates and leave what doesn't.

Note: please feel free to give me a feedback on my asks about the reading! I would highly appreciate it and it'll be a huge help for me to improve as a reader.

ㅤ HOME ⋆ MASTERLIST

ㅤ WITCHY SHOP ⋆ TIP JAR

Their characteristics: They're someone who will cause some significant changes in you, especially in your growth as a someone. They will strive and encourage you to be a better person. They might influence you in making significant changes in your own life, such as moving out to new places and trying out new skills and having new experiences. They will encourage you to move on from the past, and I feel like this person will actually make you move on from your rough past. I don't mean this as if they're your rebound or something, it's just that moving on is natural for them and you could be someone who holds grudges deeply. And because of this, your next romantic partner would be someone who would help you move on, in a healthy way. I feel like you'll feel so safe around them to the point that you'll forget what happened to you in the past and just be grateful that you met this person. This person knows how to balance things in their life. They have all the stuff in their life and they're juggling them to balance them. They have these family and personal matters, then financial matters, their other connections (such as their friends), and then you. I can see that despite how busy they are, they still make time for you and they really manage their time very well, and you admire this in them. They could still be young and you could be young as well, or you and them just have this youthful nature in you. They're logical and private, they could be keeping information to themselves. This might result to them being private of your relationship. Your relationship is the private-but-not-a-secret type of thing. I also see that this person has leadership skills in them and they also radiate confidence. It's like when they walk into a room, everyone would turn around and look at them and just admire them and their confidence. They're a passionate person and they'll be very passionate about your relationship, especially towards you.

Signs: Fire signs (Aries, Leo, Sagittarius), workaholic, goal-oriented, ENTJ, INTJ, ESTJ, music/Spotify playlist, meeting online, social media is very important, private, mysterious on social media, dark/red hair, gym, hiking, surfing

Their characteristics: They're workaholic and they're still trying to get their life together. They could be chaotic or going through a lot of chaos when you meet them. They could have this push-and-pull energy when you meet and it might feel like this relationship/connection won't work because of how chaotic this person is. They're going through a lot of stress and they're just starting to face their responsibilities. Then you came along, which could cause them to feel more stressed and overwhelmed about their situation and their own life as a whole. They're still going through a lot of changes in their life when you meet and everything's all over the place in their life. They're going to move out to their new place (like an apartment) which could be near yours, managing their finances, thinking of resigning in their current job and find a new one. They could have a feminine energy, especially when it comes to you. I feel like they're quite in-touch with their emotions, in a way that they actually sit on their emotions and feel them and process them. They don't suppress them. This is why they could be in a lot of stress and be really overwhelmed when they meet you because they want to commit to you but they don't know how to manage everything. They would want to give you everything but they feel like they couldn't and they might get you involved in their chaotic life. It's like they feel that you'll stress over their life as well and they don't want this to happen. I feel like when you meet, you'll feel that instant connection and be passionate with each other the moment you meet. This might be a one night stand when you meet. And because of this, there might be a lot of confusion in the connection because it started in the way that you don't want. Despite that, this is a genuine connection, though it might take you a while to realize that.

Signs: Fixed signs (Taurus, Leo, Scorpio, Aquarius), workaholic, goal-oriented, chaotic energy, new apartment, living in the same town/city, winter-spring season, ISTP, INFJ, INFP, ISFP, downtown aesthetic, blonde/brunette, blue eyes, how to lose a guy in 10 days movie

Their characteristics: You might not be fond of each other when you meet and there might even be some conflicts or disagreements especially during the early stages of your connection (not necessarily a relationship). You might see them as someone arrogant and insensitive of other people's feelings. You might be so annoyed of each other's presence and be defensive whenever someone disagrees with the other. This disagreement might feel like a personal attack even if it's not. You both might be young, you could still be students (especially university students). You might be in competition of each other in class and you might get into debates a lot with each other. I feel like you both will enjoy disagreeing with each other's opinions and answers in class even if you actually agree, just to annoy the other. Your classmates/colleagues could even ship you both and tease you from time to time. You might get into the same group together to work on some project and you'll be stuck with each other for quite a while. During this time, you'll get to know each other and realize they're not really who you think they were. They're actually a soft person and you have a lot of similarities with each other. This project will be the best project in the whole class (whole university even) and you'll want to work with each other again next time. I'm seeing that because of this project and you'll start to work more often for the next projects, your connection will start to get deeper. You'll be connected on an emotional level. You'll go from being enemies/academic rivals to being friends, then best friends, then lovers. From being annoyed of each other's presence to looking for each other's presence and laughter and time together. From hating each other and laughing when the other gets hurt (like falling off a chair) to being protective of each other. From denying the teases of other people about you to just accepting them and acting like couples, just like what they're teasing you about. You'll keep spending a lot of time with each other to the point that you'll study together and even stay up really late just to "study". You'll be very patient with each other now. And the rest is history.

Signs: Aries, Sagittarius, Libra, Virgo, Gemini, ESTP, ISTP, ENTP, enemies to lovers trope, academic rivals to lovers, study dates, coffee dates, group project, university, camping, debates, dark hair, wavy hair, dark academia aesthetic, autumn

[all-purpose-dish-soap]

64 / 4.1k / soap soulmate au, final part

...

"You doing okay?"

Hearing Graves’ voice knocks what little breath you had out of your lungs. It's been months, but that's him. Your old boss. You never thought you'd hear his voice again.

"I've been better," you say finally. "Been awhile."

"Yeah, it has," he says. "Wish you'd've called me to catch up sometime, rather than under the circumstances. You don't sound too banged up. They treat you alright?"

"I'm fine."

"I didn't ask how you feel. I asked if they roughed you up."

You feel your own temper shorten in response. "I need you to call KorTac off."

There's a pause. You can imagine his frowning face, the way he's thinking that one over. "I'll take that under advisement," he finally says, but you can tell he's not going to do what you ask of him. "Puttin' me in a predicament here, kid. You're giving those boys a hard time, and here I thought I was helping you out. Paying your bail, so to speak."

"It’s more complicated than that."

"Always is. Let’s just have you dropped off back on base with us. You can clean yourself up and we’ll talk."

He waits for your crisp yes, sir, but it never comes.

He speaks again. "You got somewhere else to be?"

"I can't go back."

"Can't or won't? You got something you ain't tellin me, soldier?"

"I said I can't go back. And I'm not your soldier anymore. You're not my boss. I don't work for you."

"You know Shadows don't leave one of our own behind. Not to rot in some CIA prison cell. So lose the attitude," he says, voice like iron. "This ain't a good time to play games, kid. You're comin' back with me because I spent a pretty penny on you. You owe me. You have your personal business, fine. Come on back to base and let's talk this out face to face before you go makin' any hasty decisions."

You're so frustrated it's hard to form words. You should be grateful. You know that. Graves doesn’t pretend to care about his men. He cares enough to lead from the front. But you met your soulmate, and you can’t act like it didn't change you. You need to make things right. You also can’t exactly tell Graves you kind of sold him out.

"Hey. Focus up." He doesn't raise his voice to a command. Still, the order is in his voice, and you have been long trained to follow your commander's orders. Then he sighs. "What happened to you, kid?"

"You betrayed the 141. You killed innocent people in Las Almas, looking for them."

You can almost hear his jaw working behind his clenched teeth, the muscles in his face tight. He does not allow this kind of disrespect. "You think I like what I had to do? General Shepherd's orders were clear. We followed them. 141 did not." He huffs out a sigh. "I didn't enjoy it. But that's the job. You of all people know that."

You swallow. "You told us they were our brothers. You killed innocent people, Commander. Johnny said he saw you do it--"

"Johnny?" Grave's voice rises. "You on a first name basis with Soap now?"

"We all know what happened in Las Almas," you retort. Your skin goes hot at the way he says Johnny's name. "I won't work for Shepherd anymore after that. I won't fucking do it."

"Don't pull that with me." The warning is written in his voice. This isn't like you. To the Shadows, you’re calm. Cold. You don't lose your temper. You don't talk back. Especially not to Graves. "You think you can walk away at the drop of a hat just because you don't agree with an order? It doesn't work like that. You follow an order, even if you don't like it, even if it pisses you off. You don't get to decide what you think is right or wrong to carry out. When I give you an order, you follow it. That's your job. Your loyalty is with me. Not with the 141."

"I did my job."

"Then act like it," he snaps. "Stop acting like I'm some evil bastard out here. I made the only choice I could. Task Force 141 was not supposed to be there. They knew my orders, and what did they do? They came after my men, went behind my back, screwed us over. We did what we had to. You wanna be pissed at someone? Be pissed at them."

You glare down at the ice, but say nothing.

"You know I'm right." He knows you. He's getting to you. "And you know what else I find interesting? You don't seem a bit surprised to hear me alive." His voice is too casual and sharp as a knife. "Didn't you get the memo? Did no one forward you my obituary, soldier?"

You stiffen. You're not supposed to know he's alive.

"You're an awful liar. Always have been." He pauses for a long moment. "It ain't easy, surviving against the 141 if they want you dead. You know how I managed it, soldier?"

Yes. "No,” you retort. “And stop calling me that. I'm not your soldier. I don't work for you anymore."

"The hell you aren't. Maybe you're not on the payroll anymore, and maybe you're no longer under my command, but once a Shadow, always a Shadow. That makes you my responsibility. And my goddamn headache." Something shuffles on the other end of the line. "You know exactly what I'm willing to do to keep one of my Shadows safe. But if you're so keen on turning yourself in, fine. I'll have you in front of Shepherd's desk first thing tomorrow. Is that what you want? You know Soap and Ghost put Shadows in the ground that night in Las Almas."

"Shadows tried to put Johnny and Ghost in the ground first."

"This isn't about who shot first. This is about you." His voice is dangerously low, but he keeps his temper in check. Then he huffs a laugh. "You keep callin’ him Johnny. Makes my brain itch." Johnny MacTavish. John MacTavish. Yeah, that's it. "I'll be damned," he mutters.

You touch your exposed soulmark compulsively as if to hide it. Most soldiers hide theirs, but yours has always been tough to cover up. He's seen it more than a few times.

"Got you right out from under my fuckin' nose."

Your stomach tightens. You feel too exposed, like suddenly he’s putting the story together--how 141 got in.

"Shoulda known. Shoulda known. You know the military has a registry for this shit. There are rules. What's wrong with you?"

"I made a mistake," you mutter.

That might be the funniest thing he ever heard. And he's heard some good jokes. "You don't make mistakes, kiddo. You never have. That's not how I trained you." He's right, and you know it. "But hey. Guess it's true what they say about it."

"What?"

"Soulbonds. Make you take your best-laid plans and raze ‘em. Full scorched earth.”

“This isn’t about that. I’m making this decision on my own.”

“You think?” He takes a puff on his cigarette. “I don’t. I don't blame you, either. You sure as hell fought it as best you could. Didn't give in to save your own life. If that's not the soulbond making your decision for you, soldier, I don't know what is."

You look up at the sky. For all the time you spent working with Graves, that past version of you might as well be dead. Maybe that’s the grave you’ve been digging. "I can't work for Shepherd anymore. I won't do it."

"You're a good soldier, 86. You were loyal. I still think you're loyal, even if I'm not who you're loyal to," he finally says. His voice is still calm. It doesn't make you feel any better. "You know if you choose to walk away from this, the next time we meet might well be as enemies."

"Then I guess we won't meet again, sir."

He says nothing. Then he lets out a long huff. You really are going to do him dirty. You can hear his scowl. "That's a damn shame, kid. But you have more of a spine than I gave you credit for," he says. There's a tone of reluctant respect to it. That's as close as you're going to get to a compliment from him now. "You're a loose end, then. You'd best stay well out of the way. Mine and Shepherd's. I hope you're not making the wrong choice, 86," he says quietly. "I really hope you're not."

"It’s out of your hands now. And pay KorTac," you add. "Pay my squad. They did their job."

That makes him scoff. "Now why would I do that? You might be a traitor, but you're still my investment. You were worth more on my payroll than theirs, and that’s a fact I intend to maintain."

"You owe me," you remind him.

"Don't push your luck," he warns. "You're an asset. You don’t get the privileges of rank anymore. But, well..." He sighs. You imagine him with his heels kicked back on his desk, cigarette in hand. "I’ll tell you what. I’m in a charitable mood. I'll pay them off. I'm a man of my word when the time comes to pay off my debts. Hell, I’ll even throw in a tip for a job well done." Despite the annoyance in his voice, you don't doubt he'll do just that. "But that doesn’t mean I trust you anymore. I trusted you once, and you went rogue. I let you go now, that means I expect you to keep my secrets. Don't you go singing if Shepherd puts you in a chair. You got that?"

You glance up out of the corner of your eye at Soap, whose hands are still clenched in tight fists at his sides. "If Shepherd puts me in a chair, he's the one who's gonna sing. Not me."

Graves chuckles. "You're a good soldier, 86, but you can't take on an old war dog like Shepherd. Leave that to someone more qualified."

"Like who? You?"

"As I said, you best steer clear. I don't want to hear your name again." His voice hardens, and you hear your old commander again. "Good luck, kid. You'll need it. And give Soap hell."

You toss the phone back to Horangi. He listens to what Graves has to say. Then, eyes meeting yours for a moment, he wordlessly moves out away from the river, leaving you weary with relief. It's over. Finally.

Soap watches him disappear into the trees. Then, he looks back at you, alone and shivering on the ice. You look half-dead, bleeding, and your lips are near blue. He wants to make his way to you, but the ice is scarcely holding you. It won't hold him, too.

"Oi," Soap calls. His voice is rough with anxiety. "Get over here. You're gonnae freeze to death even if you don't fall through."

You blink up at him. Standing in the rising sun the way he is now, he looks like someone’s guardian angel. Yours? You'd like very much to be wrapped in his wings.

You make your way over to the bank, but the rocky ledge up is slippery and icy. Behind you, between the ice where you're standing and the bank, there's a yawning gap. To your left, there's a bridge, but snow has already melted off the surface of the ice, and it looks thin. "There's no way up," you call. "But downriver..."

"No’ a chance in hell I’m going to let you try to cross that," Soap says as he approaches the edge. "You'll be swept away and drown, hen. You're not in any condition to swim, and even if you were, that river's too bloody fast to risk it."

"Then what do you suggest?"

His eyes sweep over the river once more. It's wide; too wide to attempt a jump across. The ice has fallen in, leaving it almost impossible to make it to the bank. It isn't safe. The longer you stand there, the more the ice cracks under you. He admires your guts for putting yourself on the line like that to get back to him, but damn you. His blood pressure has never been higher.

Soap throws off his pack and slings his gear onto the bank. "I'll pull you up."

"But..."

"But nothing." With the adrenaline still pumping through his system, Soap thinks nothing of the risk of the bank collapsing under you both with his added weight. The only thing on his mind is getting you back in one piece. "We both know damn well, if I was the one on the ice now, you'd already be down there trying to help me, so for once, just shut up and let me help you."

Can't argue with that.

He pulls out an ice hook--mountaineering equipment; he was prepared to climb this mission, luckily--and offers it to you.

You toss the grenade as far as you can in the opposite direction. Then you raise your hands to grasp the rope. He's holding the sharp end and giving you the handle. You try to keep hold, but as he lifts, your bloodied hands slip just as the grenade explodes nearby, too close, spiderwebbing the ice with a final crack.

You land hard, break through, and disappear under the freezing water.

Soap has never known panic faster than when he sees you go under.

He dives after you. He has to get you back to the surface before whatever air you had in your lungs gives out. Your survival is his survival.

He finds you in the rushing black abyss when your fingers hook around his sleeve. Wrapping his hands around your arms, Soap anchors you to his chest.

You come to in his arms. You're colder than you ever have been in your life. Your fingertips tingle in pain and numbness. He's carrying you ashore somehow--far downriver, thinner ice--and he ducks into an old cabin with you in his arms.

Soap kicks the door shut behind him and moves into the cabin to set you on the floor, propping your back against the wall. His hands work fast as he pulls out his knife to cut away your soaked thermal clothes and gear. You dip in and out of consciousness until he wads up a fistful of gauze and packs it into your side wound. The sudden pain chokes you. Then a wave of nausea washes over you. You’d like nothing more than to tell him where precisely he can shove that gauze, but you’re too lightheaded.

"You with me, hen?" His gruff voice wavers. "I need you to stay awake."

He gathers you up in his arms and lifts you into his lap. It's a tight fit, wedged underneath the frosty window and between a table and an upturned stool. You register the warmth of his skin on yours and dimly realize he's stripped both of you almost bare, huddling around you to prevent hypothermia.

You soak up Soap’s body heat instantly. He's a furnace, and he needs to be, given the state you're in. He tucks you as close as he can. You're both shivering, but he doesn't care. He can be cold as long as you're warm. His broad body shields you from the drafts leaking into the decrepit cabin.

"No, no, eyes open." He tilts your face up as your eyes flutter. "Don't go passin' out on me."

You gaze up at him in your stupor. Maybe it's the blood loss, but even through your own pain and frustration, he's the most gorgeous thing you've ever seen.

"You have really odd eyes," you mutter. "Like blueberry soft serve."

Oh, you're definitely delirious. Maybe concussed.

But he can't deny the look you're giving him right now makes his stomach flip. The sight of you in his lap, your frost-scorched fingers wrapped idly around his ID tag and staring up at him like he's just pulled the moon out of the sky for you... it's the first time he’s seen you with your guard down.

He swallows and keeps you pressed against his skin. There’s a lot of blood. He can’t tell what’s yours and what isn’t. "You're in no shape to flatter me."

You hum, your fingers dabbing idly at a smear of blood on his chest.

He doesn't move to stop you. Instead, his eyes flick down to your hand. Your fingers leave a trail of sparks over everywhere you touch.

With a soft sigh, Soap catches your wrist. "Quit it, hen."

"Quit what?"

"Teasin'. Makin' me wish you'd put those hands to other uses," he says, voice quiet and rough. It's just you and him in the little cabin. The world is far away. His thumb rubs against the inside of your wrist, trying to bring some warmth back into your skin. "You're in no shape to be feelin' me up, either."

Your head lolls against his shoulder. "Maybe it's the perfect time. Maybe we won't get another time."

Hearing you say that twists his insides into knots. He leans down to rest his forehead against yours. "Maybe you just need to shut up and let me take care of you. Don't talk like that." His voice leaves no room for argument. He tightens his grip on you, pressing you closer as if he can somehow press that into your skin by sheer will alone. "There'll be plenty of times for you to get your hands on me."

"Mm." You tuck into him tighter. You'd be mortified with yourself if you weren't half-dead from blood loss. "Sorry."

He exhales into your hair, pressing chaste kisses there.

You're practically in his lap, the two of you tangled into each other from head to foot in the space under the window. He's surrounded by the smell of you. It's a soothing presence in all that surrounds him.

He shouldn't want to touch you, shouldn't want to take advantage of your weakness--but the thought of having you so open and wanting, of you willingly in his arms, makes something in him ache. Makes the selfish parts of him scream.

"You're a pain in my arse," he says. He focuses on taking inventory of your wounds, brushing over your arms with his touch to assess the damage. "You gonnae bleed out on me?"

You shiver a little as he drags you closer by your bare thigh. "Wouldn't be the worst way to go."

"Oi," he snaps in warning. He slides his hand up your side, checking for bleeding. It’s just as much a caress over your bare skin. He has to ignore how his skin tingles every time the curve of your body slides against his in that tantalizing way. Something in his lower belly tightens. "You don't get to tap out after makin' me go through all this trouble for you. You're livin' through tonight or else."

"Or else what?"

"Or else." He moves his hand up to the base of your throat, his large, calloused fingers wrapping around your neck and tilting your chin up to look at him. He fixes his blue eyes on yours to take in the dazed expression on your face. "I'll drag your arse out of hell and tan it until you can't sit right."

You're too weary to laugh, but you rest your scuffed cheek on his thumb, and it pushes your lips into a smirk. "All for me?"

"Aye. Hell of a lot more trouble than your pretty face should be worth."

You pull free and rest your head on his shoulder again. "Where do you live?"

"Glasgow," he says. "Not sure I should be tellin' you that."

You trace his chest around the chain of his ID tag. So many muscles. "Probably not."

"And what about you? Do I get to know?"

"No. Maybe. If we get out of here."

"Yeah? Well, you're not goin' anywhere with this wound. Bleedin' out, nearly froze to death, and still mouthin' off. No idea how to shut up and be good." He looks down at the injury, assessing how bad it really is in the dim light of the cabin. "You lost a lot of blood. I bet you feel tired." He brushes your hair off your face. "Stay awake a bit longer. The boys'll be here soon."

"I shouldn't," you mutter.

Soap doesn't miss the slurring of your words. He knew the blood loss would affect you, but he was hoping for more time before he had to really worry. "Shouldn't stay? Too late to get away from me now," he says, trying to keep his tone casual. Your skin is too cold for comfort. The gauze in your wound soaking through with blood can't mean anything good. "I don’t trust you as far as I can throw you. Sure as hell not letting you out of my sight. You've got a lot to repay me for."

You try to keep your eyes open. Every blink is more sluggish than the last. "Like what?"

"Runnin' away and makin' me chase after you, for one. Puttin' yourself in the line of fire for me, second. Takin' a swim in a frozen river. Scared me to death." He presses his lips to the crown of your head, a gentle, chaste touch at odds with the possessive, dominating instinct he can feel creeping into his thoughts. You're vulnerable right now, something he should never want, but part of him wonders if he’d ever have caught up with you without this. "Aye, you owe me. First thing we do once you're patched up? We have a long talk. We have a whole hell of a lot we need to say to one another. And you'll answer every question I ask you."

"I dunno if you'll like the stuff I say," you mutter.

"Hardly matters. You’re plenty keen on spittin’ fire at me as it is. No reason you can’t keep tellin’ me everything I don’t want tae hear."

Another shiver wracks your body.

Soap rubs your arms. "You gotta give your word you stay awake for me, aye? Stay here."

His radio beeps nearby. You huff. "Fine."

"Fine." He leans over to grab his radio and tries to keep an arm around your shoulders to keep you warm as he does. He keeps you cradled against his chest as he responds to Price.

"Soap here."

You don't hear the conversation. Instead, you listen to Soap's voice vibrate through his chest. He speaks to Price in hushed tones, talking about your condition and the team's ETA.

Price has a laundry list of questions, but Soap manages to wrangle them into holding off until they have everyone back on base. No sense exhausting you on a mission that's already been a shitshow. Finally, they're done. Soap lets the radio go to focus entirely on you again. "Still with me?"

"How long do we have?"

"Shouldn't be too much longer," he says. He checks your side again. The coldness of the air has soaked into the wet gauze. You shiver again. It makes something in him ache. "ETA's about ten minutes out."

You pull his lips down to yours and kiss him.

He's surprised, but he doesn't pull back--not from you. He lets you kiss him. Your taste seeps into his brain and turns all rational thought to white noise. One hand cups your jaw with a surprising gentleness, and the other slides behind your waist to keep you against his body. He's gentle--you need to be handled with care right now.

He pulls back before he loses himself in the desire to deepen the kiss. His eyes search your face, his forehead pressed against yours, his breath hot against your lips.

"You're lucky you're injured," he murmurs. "Or you'd be in a very different kind of trouble right now."

You shiver, but not with the cold. Just that one kiss has you feeling much warmer. You touch your name where it's written on his arm. Then you curl your fingers around the back of his neck and pull yourself closer. "Hold onto that thought for later," you murmur. "Give me something to wait for."

Then you kiss him again.

...

← previous part / [part 13] / epilogue →

part 1 / more Soap / masterlist

thank you <3

[amoebab22]

I completely agree with this. I feel like this is one of the worst parts about Veilguard. My Inky is in the South, and while I firmly believe Orlais is the devil, it's very weird that Tevinter is just super chill about my elf Rook when my elf Inky had constant micro-aggressions as well as just out and out slurs hurled at her. Also I'm going on a rant about Mythal.

SPOILERS BELOW

Bellara also seems to just...kind of ignore that I'm an elf? Davrin makes more sense. He left his clan and joined the Wardens because he just didn't really vibe with the Dalish. He'd think of himself as a Warden first, I think. Wardens don't seem to give much of a shit about your race or religion or sexuality or whatever. In The Calling, they canonically don't give a fuck about the gay couple in their little group, or that Fiona is a mage and an elf. Absolutely irrelevant. So Davrin could start to fall into that mindset because frankly, it's a nice way to live. It's just not real outside the Wardens.

So when Bellara is like oh my god our gods are evil and Davrin is like eh, fuck 'em, that's actually about the most realistic reaction we've got re: elves. Davrin is just out here like yo I'm a little busy saving the world fuck them gods. Love Davrin.

Also, in Inquisition, there's concern that knowing Corypheus's artifact is Elvhen will cause violence against elves. So knowing it's the Elvhen gods causing all of this? The consequences of that, even if an elf Rook saves the world, should be looming for a Shadow Dragon in particular. Clearly Inquisitor Ameridan's race did nothing for the elves of Orlais. It was covered up over time. His sacrifice meant nothing to the humans. This should make Solas's plans to restore the elves much, much more tempting.

The way the Crows were presented REALLY bothered me as well as someone who romanced Zev. The Crows *tortured* him, sexually assaulted him, made him feel worthless, because it was seen as necessary. Sure, Lucanis being blood family might give him a very different perspective and experience, but Jacobus is just allowed to be a Crow and start his own house when he wouldn't kill? I mean, I totally agree that prolonged, public shaming and imprisonment is worse for this individual, but like.... That's not how the Crows work. They kill stuff for money. Sure, they run Antiva and would be pretty pissed off about the Antaam taking their territory I'm sure, and they might work with Rook since Rook helped Lucanis and he's a big deal to the First Talon. But like... It should be a hard choice to work with them for Shadow Dragon Rook, because SLAVERY.

I feel like the pullback on slavery is to make Solas's actions seem more ambiguous, and to make it seem like there was some equal power between him and Mythal. But I have a very hard time believing he was never Mythal's slave. Also, a spirit of BENEVOLENCE? Get ABSOLUTELY fucked. She was fine with SLAVERY. Thought she could just slowly phase it out, maybe. Yeah, no .

Because here's the thing: slavery is evil. Whatever you have to do to stop slavery, short of participating or killing slaves, is pretty easy to justify. Maybe I'm just John Brown-pilled from living in Kansas a good chunk of my life, but killing slavers and slave owners and freeing slaves is MORALLY CORRECT. FULL STOP. A "kind" master is still a master. Sure, you can give them a chance to free their slaves and make reparations first, but waiting to vote slavery out didn't work. The US had to go to war. Haiti had to rebel (and give basically all its GDP to France for like two hundred years. Fuck Orlais AND France).

The only reason my Inky was able to befriend Dorian, at first, was their shared trauma in going to the future. That changes people (that whole quest fucked me up the first time I did it) and I think my elf Inky was looking for reasons to trust Dorian and ignore the system he participated in. She didn't have to see it so it seemed less real. He's an altus so he doesn't own the estate. He seems open to other opinions! And some part of him knows it's wrong, or he wouldn't be so awkward upon talking to Inky the first time.

But Solas's inherent and never fully overcome distrust of Dorian isn't wrong. Solas needs to see action; words aren't enough. I don't blame him.

This is the same softening we saw of the Templars in DA2 and Inquisition, but if you read The Stolen Throne and The Calling and play DAO, it's very clear that mages are oppressed by the Chantry and live in horrible conditions. The ones in Lake Calenhad are described as pale and kinda sickly looking (or something like that) because they don't get any fucking sunlight. Fiona is happy to go to the circle at first because she was a SLAVE in Orlais (Honestly Loghain's hatred of Orlais is justified even though his actions aren't). If you decide to allow the right of annulment or whatever in DAO, Zevran calls it genocide. Zevran isn't one to mince words. He doesn't pretend he isn't a killer or that he wasn't tortured.

My Inky and my Rook are both 'no gods no masters' types, which is why I think clan Lavellan sent their First on a risky mission supposedly by herself (got real sick of her shit lol). As a result, she heavily sympathizes with Solas's cause, and would have happily joined him in bringing down the Veil if he'd just agreed to spend time making sure as few people died as possible, particularly after she meets the Avvar and sees how spirits really are. She knows Solas better than anyone, and even without a full explanation, she'd know that his reasons for doing this were morally right. He freed her people. He never meant to hurt them. He can't live with his guilt. Inky (who in my game was more like 30 because I don't think she could have made decisions or led on her own at 20, nor would she have been a studied enough mage) wants freedom for everyone. She's chaotic good.

Rook is a Shadow Dragon who killed slavers a little too hard for an organization dedicated to killing slavers (based Rook). They're also chaotic good, and a bit of an idiot, bless them, who kinda sees everything as a nail because they have a hammer. They see slavery, they fight it. Fuck the consequences. Solas did the same.

So why is Rook not bringing up slavery a lot? Why is Rook only finding out that Solas freed slaves on the regular at the beginning of the game? Did Varric just decide that wasn't worth bringing up to a person whose entire life revolves around ending slavery? Why is Rook not having an existential crisis after talking to Solas and finding out the truth of his past in his memories?

Look, all I'm saying is that I don't understand why more people aren't angry with Mythal and why no one is talking about slavery and racism. The whole point of fantasy and sci-fi, and the point of Dragon Age, is to critique modern society through thinly veiled references. That's why people get so passionate about Star Trek. And yeah, yes, it's necessarily going to make a piece of media more niche, or people are going to bitch about it (especially gamer bros my dude calm down, sorry something is very briefly not about you), but it makes a game *good* and lasting

BG3 did a good job of exploring the themes of trauma and power imbalance, and while some characters I think needed more fleshing out (Wyll my beloved, I owe you a lengthy fanfic for the injustice done to you), it was particularly powerful in Astarion. The people are ready for real exploration of real issues. We always have been. Backing off was a mistake.

ANYWAY I have feelings and none of my friends share my special interest. Here you go.

Why Fenris could Never Cameo in Dragon Age: The Veilguard

In the run up to Dragon age: The Veilguard, I was almost certain that Fenris would be our main legacy character from previous games. Not only has he been central in the comics released between DAI and DATV, he is an escaped Tevinter slave who's plot revolved around magisters, magic and the structural prejudices surrounding elves in Thedas. Not only that, but he's canonically in Tevinter killing slavers currently so he's geographically in the right place for us to meet him.

About halfway through the game though, it was clear to me: Fenris could never cameo in The Veilguard. Because he'd break it.

How the Veilguard treats Thedas is...odd to me, to say the least. I will be writing another post about how much I adored the expanded big lore in this game (the titans, ancient elves were spirits, where the blight came from etc.) and yet while these large lore expansions worked for me, the actual culture of modern Thedas is entirely softened, its sharp edges filed down until it's a sanitised fantasy world devoid of what made the franchise so vibrant and compelling in the first place.

So let's start with Fenris and slavery. In all three games, the reality of slavery is pushing at the corners of the world. In DAO Loghain allows Tevinter Magisters to enslave elves in order to raise money for his war effort. In DA2 Fenris is fighting to be free from slavers who will not leave him be, let alone the reminders that the city was built by slaves which are everywhere. In DAI one of the two possible mini-bosses is Calpurnia who was a slave, and characters such as Gatt and Dorian both show us how much slavery is tied into Tevinters culture and success.

But DATV the first game actually set in Tevinter where we get to see the famed Minrathous...it's like the game purposefully wants to avoid the issue. I can feel it tilting the camera away to not allow me to see. Slavery is mentioned, but never talked about in depth or as a specifically ELVEN problem in Tevinter. This might have been done to be less problematic, it feels ignored.

We are in DOCK TOWN. We are at the DOCKS. You would think that slaves from all over Thedas who are being smuggled and bought by various groups would be everywhere. You would think that the injustice in dock town would be partly built on the back of ships we've seen in the comics crammed with elves in chains. This is the world Dragon age set up for us. And yet...nothing. zilch. A tiny easily skippable side quest where we free a couple of venatori slaves, but only one of whom is an elf.

None of our Tevinter characters seem to have been influenced by their culture even a little bit when it comes to how they view elves; there is no moment when Neve fucks up and says something prejudiced, no moment when Bellara or Davrin are distrustful of her for being a Tevinter mage.

The same goes for Zevran; a character who epitomised the issues with the crows. The crows have consistently been characterised as very morally dubious assassins who kill for the highest bidder and who buy children on the slave market and torture them as they grow in order to assure that they reach maturity able to withstand torture without giving away a client's name. Zevran is very explicit about the fact that if you fail a contract your life is forefit.

Nobody responds particularly to you if you're an elf. Nobody trusts rook less for it in Tevinter. Nobody treats Rook any differently. Even DAI had better mechanics for this; with nobles in Orlais less likely to trust you as an elf.

Considering one of the main plot points of this game and what makes Solas sympathetic is the fact that he was fighting against the slavery of ancient elves...you'd think the game might want to mirror that in modern Thedas. It might want to show us how characters fighting to end slavery in Tevinter are similar to Solas and how the society Solas fought against was similar to the one that characters we love such as Fenris have fought against in modern Thedas. Maybe we'd want to explore how in a world of slavery like this, how could the answer NOT be to tear it all down? Maybe we should have that option at the end of the game so it really can chose whether we agree with Solas and his plans or not.

Adding Fenris to this game would entirely break the game because Fenris refuses to allow you to look away from this horror. He is a sympathetic character who had to learn to trust mages again because of course he didn't trust them. Of course he didn't. Fenris wouldn't allow the camera to shift focus because he's literally covered in the lyrium scars that show how slaves are used as experiments in Tevinter. Fenris WOULD question Neve on how she feels about elves and slaves. Fenris WOULD have things to say about Lucanis and the crows (let alone the fact Lucanis is an abomonation). So he could never be in this game; he'd drop a bomb on it's carefully constructed blinders to the very society its supposed to be set in.

And yet, in DATV, the crows are presented as...a found family of misfits and orphans? The politician who opposes the crows having absolute power in Antiva is framed as a comically evil idiot who doesn't understand that the crows are ontologically good. Yet...they're NOT. Crows in this game act more like a secret rebel group than an assassin organisation. We see no crow taking contracts with the VERY RICH venatori magisters despite being hired killers. We see crows just refuse to kill people despite having a contract because 'its crueler to leave them alive'. The crows don't feel like the crows here, they feel like a softened version of a cool assassin group who are cool because they wear black and purple.

Our pirate group are also sanitised; the Lords of Fortune are good pirates who only steal treasure that's not culturally significant. Theyve clearly read the modern critiques of the British Museum and have decided to explicitly stop anyone levelling similar critiques at them. There is no faction of the Lords of Fortune who aren't like this, no internal arguments about it. Everyone just. Agrees. And is able to accurately tell what a cultural artifact is vs. what treasure that you can have yourself is. Rather than showing us why a pirate stealing cultural artifacts might be bad (like in da2 where such a situation literally causes a coup and a war) it just tells us it's bad. But also pirates are cool so we still want them in our world.

This issue seaps into Thedas and drains it of any of the interesting complexity and ability to SAY anything that this franchise had before this game. It becomes a game about telling and not showing rather than the other way around. The games have ALWAYS asked questions about oppressive structural systems and their interplay with society, religion and culture and how these things can affect even the most well meaning character. Dragon age at its best IS a game about society and how society functions both for and against it's characters and what happens to societies built on cruelty and indifference. The best bad guys dragon age has given us are those who are bad because they embody these systems or have been shaped by them. Our main characters have had to wrestle with questions surrounding how to exist in these systems, fight against them, learn and grow.

Yet every group you come across in DATV is sanitised and cleaned up to the point of being as non problematic as humanly possible. None of our cast of characters have to wrestle with where they came from or the world that shaped them. None of them have to confront their own biases. They start the game perfectly non-problematic and end it that way too.

And this just...isn't what Dragon Age has been in the past. It isn't why I love the franchise. The whole game just felt, in a way, hollow. And this was a CHOICE and it is why the legacy characters are few and far between. Too many dragon age characters are just too...angry and complex for this game. You can feel them pulling their punches on this one. I have to imagine they did this because they didn't want to be criticised or have too much controversy? But I think it honestly goes far too much in the other direction and just makes it bland.

I can't imagine what I say here will be unique, but it is the basis for a LOT of my other thoughts on this game so I wanted to get it out of the way first. The softened Thedas and characters make this game by far the weakest in the franchise.

[azen13]

[Not really sure if this counts as a request but here we go] Who’s your favourite male yandere(s) from genshin? And could you talk about why?

Ah I love this question! Thank you so much for asking. I've been really busy with college lately so I haven't gotten a chance to write recently, but after this week I should be finished with a lot of tests until finals. Just to clear things up, I absolutely accept questions like this! I feel like I haven't really shared a lot about myself as a person so I'm hoping to do more of that in the future.

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CW: Yandere Themes, Spoilers for Wriothesley's Story Quest

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I'd say I have four yanderes who I really like, and then a few who I like but I'm not obsessed with. Those four being Alhaitham, Neuvillette, Wriothesley, and Zhongli. Beyond the fact that I just like them as characters (and I'm gay asf lol) they're the most interesting yanderes to me, in part because of how much power they have in their societies.

Alhaitham is really interesting to me because there's this personal conflict between his values and beliefs and the idea of falling in an obsessive love. Alhaitham is inherently self-centered, not narcissistically so, but to the point where he prioritizes and values his time alone. In doing so though, he's also extremely lonely. I think a lot on how Alhaitham would react to someone who's able to match his sharpened blade of wit with one of their own, how he might exchange parries and blows with that person and find himself needing to understand the nature of their mind. I also think about how he'd react to someone who struggles with taking care of themself, or overworking: how he'd try to get you to stop doing so much and trying to please everyone. If his lover can keep up with his intelligence, he treats the romance like a game of chess, lining up his pieces to topple over the defenses surrounding your heart. His possession of you is slow and methodical, like vines growing on walls, slowly creeping over every inch. If his lover's wisdom is spent in other areas, then he's quick to snatch them up and take them home. While I think he's quick to get you under his control, it's harder for him to make them fall in love and surrender to his calculating embrace.

Neuvillette brings a really interesting element that I like to think about when I'm writing for him: immortality. He's a dragon who's lived for centuries, and that element of the slow passage of time is really fun to both write and think about. I really like to think of Neuvillette as a really, really soft yandere; he's seen humanity at its worst, and doesn't want you, the beautiful thing you are, to be tainted by all of its ugliness. Besides, he just can't help himself, what with his draconic instincts.

Out of the four, Wriothesley is the character I'd say I have the hardest time writing for because it's harder for me to explain why he feels the way he does. The working justification I have is that being betrayed by his adoptive family and living his whole life in Meropide made him incredibly lonely and developed a lot of abandonment issues that remained unearthed for years, as he didn't really make many close friends in Meropide. Then you come along though, and for once, Wriothesley has something good, something he doesn't want to give up. He's definitely one of the hardest yanderes to escape, what with Meropide being a literal prison. I think he definitely takes extra precautions when it comes to you, though, because he's so scared of losing them. Beneath his gruff exterior, there's a heart of gold, a man who only craves your complete affection and attention.

And then there's Zhongli, who was actually the character who got me into writing Yanderes. The thing about Zhongli is that as a yandere, you're practically powerless, unless you're on a similar or higher level of power/divinity to him. Even if you exceed his power, you're still going to have a very difficult time escaping his control. With how long he's lived and how much he's seen, he knows the only way to guarantee your safety is to isolate you from Teyvat entirely. Zhongli has no qualms about doing this, regardless of how much you might protest. Because when you've lost everything but Zhongli, you'll eventually—and inevitably—crumble into his arms. Only then will Zhongli put you back together, shaping you to be his perfect lover. Zhongli's greatest power as a yandere is his patience.

[rubywithecat]

Tokyo Revengers men telling you all the tea back

A:N: I just thought it’s cute when men shared back teas they heard of, back to their gfs so, here we go!

Chifuyu

-He has a lot of tea.

-He would share all about it to you back, when you would cook for dinner and he's just yapping beside you as he helps you.

-His teas are the best and you would enjoy listening it and yap back.

-It would be your little dinner activity.

Kakucho

-He hears teas against his will.

-He would secretly judge in his mind and share back with you during at night when relaxing after a long day.

-He doesn't talk tea with anyone but you because he knows he can trust you and only very comfortable with you.

Ran

-That man have very hot teas to share with you back.

-He would come to you randomly when he remembers the tea.

-He would mimic the tone or gesture, totally demonstrating exactly how the person sounded or acted and you can't help but laugh at it but thought he's cute.

Rindou

-He would share tea as if it isn't big deal.

-He would share any time he want and sometimes might even carelessly share the tea even if the ingredient is present (he doesn't know).

-As much as you love hearing his teas, you have to remind him to only share at home.

-It's not like he's a big gossip but he just want you to know as soon as he heard it.

Hanma

-He enjoys more listening the teas you share than sharing the teas.

-He mostly doesn't have tea cuz he's just minding his own business (time skip Hanma)

-He would listen carefully when you share him cuz he just love you yapping as he do work at home at night even tho he's not that much interested in the ingredients business.

Mikey

-He also doesn't have much tea or he might even forget even if someone told him the tea.

-But, if he would remember, he would share with you while he talks about his day back at you as its part of your usual little midnight conversation.

——

(A:N: Hi! Hope you enjoy this, luvs. Plz like, comment and share if you love this as it would mean a lot to me <33 Thanks a lot!)

——

[heylittleriotact]

*throws some teabags in a cute teapot shaped like a skull*

The same jackass son decided he was important and busy enough to require a personal assistant because apparently locking himself in an arrangement office and stuffing his face with mints while he surfed the internet every day was taking a deep toll on him.

So one day, his dad (who ran the firm for over forty years and still worked there because he was deeply and intensely passionate about the work) literally tagged his son on the Teams group chat to tell him that the Catholic Women's League sent an email saying they had been trying to get a hold of him to no avail, and he was under the impression he'd hired an assistant so that things like this wouldn't get missed anymore, and that perhaps in the future it would be good for any incoming calls for him to be routed directly to the assistant so that this doesn't happen again, and then went on to imply that his post-arrangement follow up with families is garbage too and that maybe she could help with that as well. He ended the message with with "Hopefully it would help with organizing."

This man could have sent an email. But no. He chose to drag his son for all to see on Teams knowing that the rest of us would never stop laughing about it, and it was such a deliberately crafted act of bitchy pettiness that I ✨NEVER✨ would have expected from this farm-boy in his late 70s who was also one of the most intensely kind and compassionate humans I've ever met.

Gossipy. Tea-Spilling. Petty. Bitches.

All of us.

My analysis of Emmrich is that when the team goes out drinking he mostly sits watching them gossip while he drinks fancy wine and the others think he'll just sort of sit and quitely relax until, several glasses in, he opens with "May I say something unkind?" and then proceeds to drop tea so scalding it could boil an ocean

[lullabyalikpoptarot]

Jeon Jungkook Perspective Reading

Disclaimer: No facts here, just a messenger of the cards and my interpretation of what I get.

Now, on to the next member of BTS for this reading. His energy can be a bit messy for me, so let's see if we go deeper into who he is. So, the song he gave me was Goriila by Bruno Mars, that is a pretty sexual song, so I was like, nah, give me something deeper and got Sexy Back by Justin Timberlake and Sexual Healing by Marvin Gaye and gave up. Dude likes sex, just saying it and the sexual appeal, but he may also enjoy the intimacy of it with a romantic partner. He may not just be into sex with anyone, maybe with his particular person, anyway, let's see if we get something more in the cards.

Ugh, I am not liking what I am getting here, crap. So, we start with Temple of My body, this is giving me sexualized energy. Now, we know how sexualized he is, but do we know how sexualized, if you catch my drift. I can't move past the first card, because I am creeped out by this energy. I hate that I am getting this energy. Ya'll I want to cry, anyway, I really don't want to beat around the bush with this one. I am so scared to say this, but I just keep hearing Justin Bieber in my head if you know his story, then you know. Now, he is a fan of him, but I don't think that is why his name keeps popping up. The Temple of my Body card has the number 2, which reminds me of the 2 of Wands and I am getting sexual favors from that. Now, with the next card triumph of lies, lies wins over, everything around him is a lie, or they sell a story about him, or they sell him lies. Now, with the Sacrifice card, I mean, hello, sacrifice, being a sacrifice. Or having to sacrifice himself. With Black Flower Fragrance, he is hardened, this may have led him to dark places or opened up a void and darkness in him. I am sorry, but this is pissing me off. I really hate what I am getting, and I hope to god, I am wrong here. This could explain his messy ass energy. His story reminds me of Justin Bieber legit, it is his story all over again. I hate that these readings goes how I expect it to go. I knew I was in trouble when that first card came out. Anyway, this could also be a reason for his sexual nature, victims tend to be hypersexual. Allegedly, no facts here. But I call it how I see; I am not sugarcoating anything. Okay, I need to pull out the Conscious healing deck, because he needs healing energy.

Okay, what I am getting is there is patterns, cycles, maybe coping strategies that he may need to release. I see the circle on this one card, and I see things spiraling or a continuous loop for him, a lack of conclusion for him. I mean, I totally get it, very hard to heal from things like that, and face it. If that is what he went through. But this is telling him he needs to move forward. There is a lack of confidence he does have, a sense he isn't good enough or worthy. He may just see himself as a pretty face, or sexy body, that is all people may want for him, so he may see himself as that. He may feel people may not care about what he thinks, and by people, I mean the higher powers. People in control. This makes me sad. It seems there is a bubble, a protective shield he has built, which makes sense, so he makes it hard for people to come close to him, which once again, makes sense. It is like he built a safety net for himself. He should work on clearing away anything in his life he doesn't need, be it people, things, habits or situations. I am looking at this card and what I feel he should do is go on some retreat, in nature, away from all the bullshit and business of his life, that is what he needs, now would he get that, probably not, he makes too much money for these clowns for them to let him do that, but I feel that can help him heal.

So, what I find interesting is that he got similar cards to Wonyoung with this deck, who may have experienced things similar to him, so that intrigues me. These cards are saying that he can rise above whatever has happened if he allows kindness in. If he can allow himself to connect with his spirituality and tap into his feminine energy. To allow his creativity and passion to drive him in a positive direction. There is an opportunity for him to find love and a happy ending if he allows someone in. There is growth and abundance for him. He should work on communicating from the heart and show love towards himself and others. There is abundance for him. It could be an abundance of love, happiness, or success, whatever that could mean for him.

I feel these cards here are telling him to connect with his spirituality. I feel connecting with a higher power would be significant/beneficial for him. He would need to do some introspection and reflection and also learn to allow his intuition to guide him more and learn to listen to it, but there is this guard he has, this hostile energy, vengeful, aggressive energy he holds on to. He feels he needs to be on defense. To protect himself. All understandable, but it does halt him from healing. There is still anger and frustration within him. He should work on healing his heart, being more emotionally open and to not be too in his head and too analytical. I feel this is regards to his relationships. There could be opportunities for love with him, but he tends to overanalyze things and things don't move forward.

There is this need for him to find himself, to love and accept himself. But there is a need for closure for him to be able to find that peace within him. When he is able to find that closure and to close that chapter. He will be able to find strength. To gain his power back. This is a time for him to transform himself. To become a better version of himself. To break out of the cocoon they created for him. There is a lot of stress and tension built within him. He may need to practice breath work to help him through this process. There is this need for him to control others, the narrative, this may be in relationships. As he may not have much control in other matters of his life, or even body. He may need the control in his relationships to balance that. But that creates problems in his relationships. I can see him being clingy as well, and that can be a problem as well.

Alright, let's finalize this with Tarot. Interest combo of cards, so these cards give me an indication of someone speaking out and wanting to make changes, so he may do that. He may speak out about the struggles of the industry. With the Queen of Swords, he tends to be good at detaching from his emotions, people can do that once traumatized, but some people are just this way. I am just getting from this card and the King of Wands, is sharing information, speaking up, not sure where this is coming from, or if he will, but his energy wants to share, to speak to the masses and share his story. Not sure, he would tell the full story though. I am just getting there could be something he says that may change things. He is the type that wants to confront things and create some sort of movement. But he is also bold and willing to face any challenges that come his way. Loving this ending energy. Now, he does have this energy, but these cards could indicate it is something he should do, but may not do, because there are insecurities that may hold him back.

Okay, why I love these reading is because it helps me understand the idol so much more, but the first part was difficult as it always tends to be. But he comes off as a bad ass in the end. It just gives me more of an understanding to why they behave the way they do in my shorter readings.

[thebreakfastgenie]

The social and cultural sacrifices were enough to have continued ruining my life five years later, but I'm glad to know I needed to materially sacrifice myself too, to be a really virtuous person. And I didn't even order delivery!

Suffering is not a virtue. I'm not Catholic. I'm sorry you're struggling so much. You're not the only one. It's hard! It's harder because we haven't been able to go through this together as a people.

I mentioned the social and cultural sacrifices because I think they're significant and should be taken seriously. Too often they're not, honestly. A lot of people suffered and are still struggling. That is a very real consequence of the pandemic and I wish we could talk about that without getting bogged down in arguments about whether lockdowns were a good idea because half this country still thinks the other half was just being dramatic. I'm speaking from an American perspective because I'm American and my post was about America and the effects of the pandemic on specifically American society. I do not mean to ignore that COVID is a global issue.

I wasn't calling anyone virtuous or not. When I talked about material sacrifices, I was thinking about WWII rationing. It was sold to the public as virtue by the propaganda, Do Your Part For The War Effort, but the reality was that there was simply not enough material to continue supplying civilians with what they were used to having available during peacetime and wage the war. If we could have avoided those sacrifices we would have. In 2020, the nature of the crisis as well as the sheer wealth of the United States, meant that material sacrifices were very limited, which made it possible for some people to have a fairly sheltered and privileged experience of the pandemic. It's a good thing, for Americans anyway, that we were able to get through COVID with minimal material sacrifices! I just think it contributed to the collective amnesia about the recent crisis we weathered.

Of course, in order to maintain the supply chain, a lot of people have to continue working under harrowing conditions. That's why they were called essential workers. A lot of Americans are fairly willfully oblivious to how much they benefitted from this labor. These are the people who post about how much they miss staying home and baking bread all day. I've been commenting on this because I think there is a connection between this phenomenon and voting patterns in 2024.

There's also nothing inherently wrong with ordering delivery. My issue is with the very recent expectation of cheap, frequent delivery. You can press a button on your phone and have a hot meal of your choice arrive at your door within an hour. That's a science fiction concept. It simply doesn't exist at low prices without an underpaid labor force and that labor force is wholly invisible to a lot of people. The role of the pandemic in this is that the pandemic helped normalize that expectation because we were dependent on delivery and curbside pickup, not just for restaurant meals but even for essentials. We were also encouraged to order delivery from restaurants as an alternative to eating out, partly because people were throwing a fit about it, partly to encourage some level of social interaction and joy under stressful conditions, and partly to help small businesses stay open. I'm not even morally judging people for spending too much money on delivery, your budgeting decisions are yours, as long as they're honest and clear-eyed about it. It's the entitlement that's the problem because cheap delivery doesn't exist without underpaid labor. And also because people are mad about prices being high and willing to vote for fascists about it.

[olderthannetfic]

https://www.tumblr.com/olderthannetfic/767420735500271616/so-the-thing-with-content-is-that-is-literally?source=share

The thing that makes the jellyfish hat content is that it is an object containing paper mache, fabric, cardboard, and the assorted accoutrements of jellyfish hat-making (the optional but popular add-ons go listed here in your head).

and implies that the container is more relevant in this specific context than the thing contained

No. that's not an implication. That's a thing you're making up in order to have an excuse to get angry about someone using a word you don't like, but it's not true. If I say, "I dumped open the contents of the box onto the floor", it is very easily discerned by most readers I am looking for something specific that is within the contents of that box. It is insanity to insist that the word content = the container being the most important thing on Earth. If I write "he opened the small box, revealing its' content: a single, small wedding ring" and you think the box is the focus, I just flat-out don't know what to tell you.

Setting that aside: holy shit, please calm down. I'm a bit busy with organizing resources for my local trans community at the moment but I promise you, there are worse problems than someone using a word you don't like. There was an election this year - don't know if you noticed - that impacts real people. Looking at all your anon and off-anon replies, the thing I keep thinking is, "Holy shit, who fucking cares? There are actual issues going on in the world right now!"

The fact that something I sent in during a ten minute snack break at work and quickly forgot about lives rent-free in your head to this degree days after it was said is highly, highly concerning. I cannot convey enough to you how much I did not mean to set off an episode in you, and at the same time, I am also very genuine when I say this may be a hill you're willing to die on, but it's not a hill I'm willing to kill you on. I kill people on important hills and jellyfish hats ain't it, chief.

It's wild to spend my time IRL trying to help people figure out what to do if our state makes it illegal for them to get HRT in-state and then pull up my phone and see someone this pressed about the word "content". Surely your life also has an important issue you could spend time on? No one is having a particularly good time right now. Maybe focus on a thing with literally any relevance to your quality of life whatsoever? I know that sounds glib. However, having had manic episodes where one thing someone said to me sent me over the edge, I'm not being glib. I really mean it when I say that redirecting your focus onto something important helps snap you out of it. It's how I got myself out of it before I was able to get medicated for my Bipolar Disorder. I take zero joy in seeing someone forth at the mouth because one person said one word and that made them spiral. I really do apologize, and I can see that this panic is a very real, valid emotion on your end. But 'valid' here is used only in the sense of 'I believe you when you say you feel panicked', not 'the panic is a logical, proportionate response to the trigger'. (As a side note, after this many anon and off-anon messages indicating fixation and extreme emotional overinvestment, I don't want anyone saying I misused the word trigger. This is not a proportionate response to someone using one word you dislike.)

The jellyfish hat contains materials needed to construct a hat. It doesn't need ads or legal agreements in order to contain cardboard, paper mache, etc. You are trying to make a mountain out of a molehill. Likely, you are taking your anger at something that actually matters and redirecting it onto this, a thing that does not matter. I'm not saying that in judgment - we all do it - but I am not going to be replying to this further. You may have a desire to use other people's words as an excuse to spiral but you'll have to find someone else to use the reason you're losing your shit.

The hat contains the materials needed to construct a hat. It's not that deep.

--

[askthefamous8]

Even if I haven't been very active lately, 9 years is still pretty significant- happy birthday to the blog!

So like Percy up there I'm gonna do so dome reflecting. This blog's where I've often done that for some reason, but here's the tl'dr for blog related stuff.

• I would like to keep drawing stuff but feeling generally unsure in myself, and I'm wondering if all the years of fandom harrassment have caught up with me • I have one big project in mind, I've been dipping my toe into what I'd need to do it. No spoilers but it was one of the first things I played around with this series, so do with that what you will • If I can keep myself drawing, I want to use more of the original source material since I'm struggling with original ideas. So stuff like redraws, hOpEfULlY even animatics, just like what originally got me so into trains yknow? Because that's fun and sparks joy. And that always goes down a treat with you guys so bonus • As always I appreciate you guys not coming after me for being so inconsistent

The rest of this is me doing what Percy's doing in the drawing and reflecting, as there is indeed much 2 think about. It's also a little sad and venty so, there's your warning there.

.

Ok so obviously a busy year, we moved into our new house that we actually own, I spent most of the year planning our wedding, and then got married. Big stuff. Also! I came off antidepressants in the summer. I've been on them for...basically as long as this blog, 6 months after I started it I think. Which also means I'd been on antidepressants my entire adult life. Feels like a big deal and I guess I'm still adjusting.

Another big thing, but sad, is that my dog died about two weeks ago. If you follow me on twitter you'll have seen her but she did make an appearance here a few Halloweens ago

I got her when she was 13 and had her 8 years after that. So that's been difficult. Unrelated to that (probably), but I just feel...really mediocre. And before you point out the obvious, this has been present even before I came off antidepressants. But yeah just... mediocrity. In myself as a person, how I look, what I draw, my whole life really (barring my marriage thankfully). What have I achieved? I'm 26, I'm not working, I don't feel well, my art isn't good (I don't think so anyway- like yeah it's technically fine I guess but it's not, and has never been, very stand-out or impressive). And lately art doesn't bring me the same joy it once did, and I'm wondering if all the years of harrassment from this fandom (mostly the twitter side, tumblr's been pretty good to me) has finally caught up with me and put me off the whole thing. Or worse, that I just don't have as much of an interest in it anymore. I don't think I'll ever be like "ok yep I'm officially done with this blog" because I'm so stubborn but idk. I want to make things and be creative, I want to make more train art, but it doesn't feel the same. I don't know what's wrong. What do you listen to? What you want vs what you feel? I still enjoy train stuff, I love going to Awdry Ex every year. It's been like this for awhile. It's not even like I have a strong feeling of what I'd rather be doing as far as careers go. And even if I did, oh yeah I'm sure my two degrees in animation will be very relevant in another field (sarcasm). I feel adrift. My sails are open but there is just no wind. Planning my wedding gave me something to do and work on and just, feel useful but now that that's over I feel lost again. Losing my dog, who had become the center of my life because of how vulnerable she had become, hasn't helped.

On the more creative side of things, I also don't really know what to do with this blog's story either. The show's ended as far as most people are concerned, and I kiiinda wrote myself into a corner because once Thomas turns 18 he's going to leave for university, and that sets off this whole arc with James but basically the problem is it involves characters leaving and for some reason that feels like a no-no here. Don't get me started on the timeline lol. But Thomas works on a railway on Sodor, that's how it has to be...right? I guess I'm sort of at a crossroads of, ok do I want this to be close to the source material, and thus easily digestible to newcombers? Or do I want to make it more and more my thing and distanced from the source material? I doubt there's many new people coming since the series ended. And even then, there's a lot more humanization artists around now than when I started, so it's not like I'm filling a niche anymore. Just to be clear it's fine and also good that there's more humanization artists, variety is good, I just don't feel as "needed" anymore (which is 100% in my head and not an actual role that belongs to me or something). I started this blog when I was 17, so my interests and what I relate to have changed obviously. The character designs certainly have. It's never followed a super rigid story plan, but the core of it has always been the central cast doing things on Sodor. I however have always had a scene/project/animatic/whatEver in mind for when this 'series' would '''officially''' ''''end''''. But then what comes after that? I've always tried to run this blog like they are Real People that You interact with. But in real life there is no ending to the story, there's always more stuff to come. You get married, and it's wonderful, and then life goes on. The credits never roll. So maybe that's what I'm having trouble coping with...the progression of time. Ah, my old nemesis. I've always had trouble with letting go of things. There's nothing to say that I couldn't still draw stuff after the series "ends". I guess any story after Thomas leaves could be like... a sequel series or a spin off or something. Spin-off of a spin-off. Famous 8 All Grown Up. Famous 8 Qurter Life Crisis. Who knows. I certainly don't.

I've also been really into an original project unrelated to this but those don't get as much attention and while I'd like to do something with it one day, I don't feel very confident in being able to make that happen right now. But you know... as far my as art not being super spectacular goes... I think my individual talent has always been is my ideas, like the writing side of things. And then brought to life with my art, which normally isn't anything to write home about but is good enough to convey the idea and be not-awful to look at, lifts both of them beyond what they were individually. Maybe that's what I should focus on. Maybe that's wishful thinking.

So....idk. Idk what I'm doing but I'm trying to be gentle on myself and just let myself continue to drift, to heal from this heavy loss, and then in the New Year I'll try and pick myself up. Then there will be no more big once-in-a-lifetime events coming up, no more just-moved-into-a-house-and-oh-no-there's-a-bunch-of-things-that-need-attention-NOW scenarios, and no more big holidays for awhile. I guess we'll see.

If you read all of this I am so sorry but also thank you for reading my ramblings. And thank you for being around, whether that's been for a few months or for several years, but especially if it's been several years

[spicedwatermel0n]

Young adult designs

Finally redesigned them!!! I wasn't really comfortable with keeping my late teen designs and young adult designs looking mostly the same aside from a few minor details so this is to fix that!! I've said I was gonna do this for a while lmfao... Anyways this look will span from 21 to 30 in which they undergo changes that I may not post rn? Adult and early teens are both sort of untouched designs. I have the looks in mind, but they're not really heavy on plot so... They haven't been drawn out. But I will post middle aged designs!! Now for obligatory "what are they like"

Nigel: looks pretty dead beat. He lost his arm in a mission for the KND some time ago. He's difficult to find, as he doesn't really... Live anywhere. If you need him, just wish for him. He'll probably arrive... Or not, because he's not a mind reader. He's starting to get into minor conflicts with the police. No one knows anything more about him, and that's probably his goal.

Hoagie: went cold turkey on EVERYTHING when he got his apartment. He's too busy fooling around with Wally or working to do anything bad to himself... He works a pretty rough 7-5 at a store where he does whatever they ask him to. Stock shelves, mop the floors, deal with customers... But it keeps a roof over his head, so he does it. He tends to wear a basic company uniform to work, that he absolutely DESPISES. Once he's home, he usually gets into something feminine. His job sometimes requires him to work extra hours or stay a bit longer to finish something. He holds internal anger for it, because he just wants to get home and smother Wally with love, but he does it because he DOES get paid for overtime. That's the least he could ask for, really.

Kuki: working a 9-5. She plans on getting to college to become a lawyer at some point. No one knows what exactly her job is. It's not her fault, she just doesn't care for it enough to remember. She got top surgery at 22 after working her ass off for the money she'd need. Don't tell anyone, but Hoagie helped a little. Also, she has her own apartment, too. It's really fancy and decked out, but she lives alone. She likes it that way. After years of living with her parents, she needs alone time all the time, unless she actively decides to invite someone over.

Wally: also went cold turkey on everything when he moved into the apartment. He's taking college classes at UVA to become a pediatrician. It's not quite Harvard, but it's damn near close. He's actually pretty dedicated to it. ADHD medication is the sole reason he can be so dedicated. He tends to wear somewhat feminine attire, as he's learning to understand that he doesn't have to conform to how society believes the genders should dress, and isn't any less of a boy just because he wants to wear feminine clothing.

Abby: going to an unknown college for her therapist degree. She doesn't tell anyone because she worries they may show up there to bother her, or something along those lines. She's often very busy studying, and if she isn't, she's doing volunteer work. She lives with her parents still. Chronically tired, just like, a little bit more than before. She has stopped caring about what she wears and just puts on whatever the hell works. She visits Kuki whenever she needs socialization or love.

Additional piece: the layout of Hoagie and Wally's apartment. This was for my own reference but I'd figure I'd post it

[tokiogoull]

Some adult!byler headcanons that may have some projecting but who cares, this is my blog I do whatever tf I want:

- Mike can't handle spicy foods, but Will loves them. (When they graduate and move to the big city, they have access to more cultural dishes. Will tries Korean food and loves it)

- Will collects random stuff he sees in public bc it has a cool drawing/art on them. Business cards, pamphlets, package designs, flyers....they pile up in the junk drawer and it annoys Mike to no end.

- Mike is twitchy, and bc of that he is an avid leg shaker. In public Will sometimes has to put his hand on Mike's thigh to get him to chill down for a minute.

- Back to food: While Will likes Korean food, Mike likes Puerto Rican.

- Mike is messier than Will, obviously. Mike has a bad habit of leaving ADHD doom piles in random places of their apartment.

- They're both bad texters, often accidentally leaving people on read.

-They're also stereotypically Gen X and love using "..." to end their texts. (If they have kids, this annoys them)

- Since they're Gen X, they also use Facebook and will send each other cringey Gen X memes and FB shorts to each other.

- Mike is more adventurous while Will is more partial to sticking with what he knows. They balance each other out with this.

- As they get older, Will joins their local art league and often times drags Mike to random gallery openings.

- Will picks up photography bc it reminds him of Jonathan, but it also helps him gather reference images for his art.

-Once again, if they have kids, Will annoys them during family trips to stop and "at least take a photo" but he does this multiple times (their kids hate taking pictures, but gives in).

-Mike badly sings while driving, it helps him focus and get rid of driving anxiety.

- In their retirement, Will converts a room into his own art studio and spends most of his days painting and experimenting with mixed media.

- Retirement hc pt. 2: They take a lot of trips bc Mike hates staying in one place for too long, he's more prone to cabin fever.

- Will cleans, while Mike cooks. Originally Mike was a terrible cook, but was determined to become better bc he felt like he wasn't carrying enough weight when it came to upkeeping their place.

- Mike easily falls for infomercials, they get random packages delivered all the time bc of it. Will has to keep reminding Mike that most of this stuff is useless.

-Mike kills the bugs. If Mike isn't around, Will silently freaks out and watches the bug so it doesn't sneak away while he waits for Mike to come kill it.

- When gay marriage was legalized, Mike wanted a more extravagant wedding. Will wanted it to be more lowkey. They had to compromise.

-They took each others last name, they go by Byers-Wheeler. Even though they think it sounds terrible, they still love it bc it shows that they're each other's.

-When they buy a house, they both decorate they inside and it looks very eclectic and nerdy. But they often neglect the outside bc neither wants to mow or plant anything.

-Mike grows up to be copywriter for work, but writes his own stuff on the side. Will becomes a designer for work, but freelances illustration and paints in his own time. They went in this direction as they felt like they would have more stable jobs, and to not come to hate their true passions in the long run.

Gonna write more later but more married or as parents. It was fun to write the parent ones lol

[thegeminisage]

lucanis/rook good. lucanis/neve good. lucanis/davrin DEFINITELY good. but i think we are sleeping on lucanis/harding. here's a link to some of their banter, though i'm not sure it's everything in the game.

harding starts the game casually threatening lucanis (like davrin) with her very fancy demon-killing arrow. and yet, aside from the one line where he points out that she only has the ONE arrow, instead of getting bitchy with her the way he does with davrin, lucanis seems to respect her bravery. he notes in another cutscene (i'll get to it later) that her being so small physically might have made it easier for other people to intimidate her when she was young, so it's possibly he was making incorrect assumptions about her based on her size and easy-going nature, and is surprised to find she's made out of pretty tough stuff after all, despite of those things

she then throws him totally off-guard by assuring him she isn't brave at all, but terrified of him (or spite), and she knows that if he does lose control, it won't even be his fault - but she'll put him down no matter how scared she is. lucanis's reaction to this is to first try to laugh it off as brutal honesty, and then grow sober and TELL HER TO KEEP HER BOW CLOSE? one little shred of sympathy and kindness totally obliterated whatever combative sarcasm he was gearing up to give her with that "only one arrow" business.

later, lucanis urges her to watch their enemies rather than him - he's genuinely concerned that she's so scared of him and distracted by him she's going to get herself hurt.

lucanis, who canonically doesn't sleep and gets lots of bad dreams, talks through all of harding's dreams with her - from the silly and mundane to the genuinely terrifying - and goes out of his way to buy her spearmint to help with her nightmares. like he cares SO MUCH

after weisshaupt (on my playthrough, anyway) we learn that harding has since GIVEN her demon-killing arrow to him to prove to him she trusts him, and he wants to give it back to prove that he trusts her. it's genuinely very sweet

also after weisshaupt, harding comforts lucanis and tries to get him to stop torturing himself over his missed shot at ghilan'nain. she's not alone in doing this, but it's still good

COFFEE SCENE. not only does this scene prove lucanis pays close attention to harding, he looks at her with so much fondness here...and after this scene, their party banter involves her working through what he's pointed out about her. his dialogue implies that she shouldn't change to appease other people - because he cares about her well-being AND because he thinks she's great just the way she is.

NOT ONLY THAT, but harding realizes lucanis's evaluation was so keen because he himself is a little bit of a people-pleaser - and with that observation, once again manages to catch him off-guard. she surprises him throughout their relationship

one of my favorite bits with them is comparing notes on their various magical situations. both of them are firmly non-mages who have been unwillingly saddled with magical or magic-adjacent abilities. lucanis is the first to figure out why constantly using magic always makes her hungry (from experience) and he can also relate to being completely freaked out the first time her magical abilities manifested.

near the end of the game, lucanis admits that harding's reputation with the bow is more than earned, and even expresses interest in working with her in the future, after the war against the gods has ended, for an absurd amount of coin. i've seen people point to this banter as proof that lucanis doesn't know the value of money ("it's a banana, michael, how much could it cost? ten dollars?"), but he does his own shopping - he absolutely does know the value of money, he just ALSO places a high value on harding's skills and trustworthiness. i would dare to venture he is smitten!

also, this. OWWW MY HEART

[virtualvault]

Finish What I Started

Pairing: Miguel O'Hara  x f!reader

Summary: After being called away while he's between your thighs, Miguel comes back to finish what he started.

Warnings: SMUT, NSFW, 18+ ONLY, brief angst, oral(f receiving), fingering, brief somno, kissing, dirty talk, pet names( baby, good girl), kissing, unprotected p in v, creampie. Let me know if I missed anything

WC: 2.3k

A/N: I know reader starts off sad but don't worry, Miguel fixes it with his dick lol I was determined to make Miguel his regular dirty self, but spice it up with a bit of angst. Also, no explicit consent for somno given by reader beforehand, but I wrote it as if there is general consent within the relationship to do so. As always, feedback is encouraged and appreciated!!

For the past few months Miguel has been gone more than usual. He's home a few days then called away again and it's starting to weigh on you. He's just returned from a week away and he's finally back. He was taking care of some 'business', which he of course doesn't tell you anything about. You know it's for your own good, but sometimes it would be nice for him to open up a bit about his work. At least vent to you. You know he's under an extreme amount of stress and it would do him some good to open up about it.

But of course, he tells you he doesn't want to burden you, even though you've told him a thousand times that it wouldn't. He does have his own way of communicating, though. It's just usually through actions instead of words. Like when he holds you close and locks you into a needy kiss and you can feel the desperation and all his pent-up emotion. It lets you know he's back where he wants to be. Home with you.

Which is where you are right now. He kisses down your stomach, taking his time not only to savor you, but show you how much he's missed you. He makes it to your folds and places a few light kisses there before diving in. You let out a long sigh, reveling in the feeling you haven't gotten to indulge in for what feels like forever. He never fails to take your breath away, though. The way his tongue glides against you and prods at your entrance. You wrap your fingers in his hair, lightly dragging your fingers across his scalp and he leans closer into you, and he groans.

His hand comes up to join his mouth, and just before he can push a finger in, you hear it. That dreaded sound. A high-pitched ring accompanied by a buzz, letting you know he has to leaves you. Again. You try to put things into perspective any time he gets called away and try to find the restraint to not get on your knees and beg him not to go. You know he helps people, and he puts his life on the line for the greater good, but you can't help the sadness that blooms in your chest each time.

He doesn't say anything, just pulls his mouth from you and rests his head on your thigh, letting out an exasperated sigh. A pathetic whine falls from you lips in return. You cradle his head in your hands and hold it against you, silently pleading with him to stay. He gently pries your hands off and kisses each wrist before sitting up and tapping his watch, answering the distress call. He shares a few quick, and quiet, words with someone before leaning back down to you.

"Baby-" he starts. "I know," you respond, sounding dejected, and he looks back at you apologetically. He knows he asks a lot of you. You live your life around his work and are always left waiting for him to return. The unpredictability and the time away are a lot to deal with. You do it happily because you love him, but he knows it takes a toll on you. It takes a toll on him too, and he finds it harder and harder to leave you every time.

 He kisses your forehead and lifts your chin to meet his eyes. "I'll be back as soon as I can. I promise." He pulls you in for a kiss, then makes his way to the door.

You hear it close and are immediately overwhelmed by the emptiness. It's dark and the silence is deafening. You look over to his side of the bed and pull his pillow into your arms. Usually, you'd at least give yourself a pitiful orgasm to let out a little of the sexual frustration he left you with alongside the emotional, but you don't have it in you. You roll over and hold the pillow close. You can smell him on it and the comforting scent lulls you to sleep.

Miguel returns in the dead of night, and he shuts the door softly behind himself to avoid waking you. He was only gone a few hours, which is something of a rare occurrence. Turns out he just had to assist in a little damage control and then he was racing back home to you. Part of him was hoping you'd still be awake, but he knows that'd be unfair to expect of you. It breaks his heart to think of you curled up in bed, sad and alone, waiting up for him.

He walks into the bedroom, and he's met with a wonderful sight. There is a feeling burning hot within him at the sight of your exposed backside. He ripped the pleasure from you upon his departure and is determined to give you what you deserve. He wants to express how grateful he is that you stay by his side, giving so much to him and the relationship. That you are the most important thing to him and that he cherishes you above all else. These are things he makes an effort to tell you all the time, but right now he wants to show you.

You wake up to a pulsing heat in your core. You're on your stomach, one leg hiked up, and Miguel's pillow still held against you. Your eyes flutter open, and you attempt to roll over, but two pairs of hands hold you in place.  You let out a soft moan and you shake your head, clearing the last bit of haze as you become fully conscious. That's when you feel it. Miguel's tongue firmly, yet slowly, rolling against your exposed nub.

"Miguel?" There's a slight drowsiness to your voice. It doesn’t last long as you exclaim his name at full volume when he slips a finger inside you. "I'm here, baby." He lifts his head long enough to offer you the reassurance and flip you over, then he resumes his position between your thighs. He slips two fingers in this time. You gasp and you grab the pillow beneath your head.

"You're home," you pant out and he chuckles. "Yes. I am. There's nowhere else I'd rather be."

He brings his thumb up to your clit while he speaks to you and rubs in slow, teasing circles. "I left you all desperate for me. That wasn't very nice, was it?" He asks and you quickly shake your head 'no' as you tilt your hips up and start grinding your hips in time with his movements. "Did you touch yourself when I left?"

Again, you shake your head and let out a ragged "No," and he cocks his eyebrow. "Why not?" He asks. You don't answer as he starts moving his fingers faster and biting across the flesh of your thighs. "I bought you that wonderful little toy to keep you company when I'm away." You blush as you think about the vibrator sitting in your nightstand. It was a very thoughtful gift, and you do get a lot of use out of it, but there's no substitution for the real thing.

 "It's not the same," you moan. He lets out a pleased hum at your answer. "I want your fingers…your mouth… your cock." Your last word is punctuated by a whine as he probes deeper inside you. He groans and you see him grind his hips into the mattress. "Well, I'm happy to give it all to you, baby." He places his tongue back on your clit and before you know it, you're cumming around his fingers.

"That's it, good girl. God fucking girl," he praises, admiring the way your arousal gushes out of you and down his hand. When he slips them out of you, you pull his fingers up and into your mouth. His breath hitches as your tongue slides along each digit. When he looks up at you, you can see the desire dancing in his eyes. His kisses up your stomach, across your breast, and up your neck until his face is hovering over yours.

"That's two out of three. You gonna give me your cock?" You speak in a teasing tone, but you're dying to feel him inside you.

He chuckles. "Happily."

He sheds his clothes and settles between your thighs. "How do you want it, sweetheart? On your back? Stomach?" He asks, wanting to give it to you exactly how you want it. "Um…" you take a second to think and realize what you really want. "I want to feel your arms around me while you fuck me," you respond, looking up at him through your lashes. He nods and moves your body into position. He puts his arms under you and flips the both of you over. He plants his feet onto the mattress and wraps his arm around your waist, using it to move slide you up and down his length, effectively coating him in your slick. The friction feels wonderful, and you gasp when his tip catches on your clit.

 Once he feels he's properly lubricated, he slowly guides himself inside you. You both breath out a sigh of relief at the feeling you've both been waiting so long for. He's got one arm around your waist while the other goes to cradle the back of your head and he pulls you into a heated kiss. Your shared longing and need are apparent in your movements. You slide your tongues over each other's messily and only pull apart when you become desperate for air. Then, urgent with need, you begin grinding yourself down on to him, earning a throaty moan from the man below you.

"I've made you wait long enough, haven't I?" You nod and nip at his lower lip. "Please, Miguel. I need it so bad."

He starts slow, stretching you out deliciously and you melt around him. You drop your head to his shoulder and nuzzle into his neck as he picks up the pace. His deep, steady strokes cause pleasure to ripple over your body. You can hear his ragged breathing and the noise of your skin slapping together and it adds to the warmth building in your belly. You begin placing sloppy kisses on his neck and nipping at the flesh. That always drives him crazy, and he holds you tighter against him. He grips the back of your neck and starts pulling you down to meet his thrusts.

"Oh, god baby, you're gripping me so tight," he groans, speaking against the crown of your head. He breathes in deeply, relishing in your scent. You whine into his shoulder as you feel him fucking you at just the right angle. Pleasure pulses through your veins and you can tell you're close. So can he.

"Let go, baby. Make a mess on my cock. Wanna feel you squeeze me." You keen at his words as they vibrate against you, and it has you tumbling over the edge. He grits his teeth as your walls quiver around him and you babble out thank-yous and sweet nothings while you ride out your high.

Before you can fully come down, he rolls you over and before you know it, he's rutting into you again. He pushes your legs up by the back of your thighs and admires the way his shaft disappears inside you. "You take it so well. This pussy was made for me, wasn't it?" He brings his thumb down to circle your clit and you writhe under him.

"C'mon, say it." he brings his other hand to the back of your head and angles so you're looking at him.

"This pussy was made for you. I was made for you" you say, raggedly. He moans at your confession before wrapping his arms around you once more. You're completely enveloped by him now. By his body, his scent, and his sounds. It overwhelms your senses int the best way and you can tell you're about to succumb to the pleasure again. You wrap your arms around his shoulder, holding him to you, and run a hand through his hair. You give it a tug each time he hits that soft spot inside you and he groans at the feeling.

You gasp with each measured thrust, although they're getting sloppier, and you can tell he's close too. You'd love to cum with him, so you contract around him again and again. Now he's the one whining into your shoulder.

"I'm never leaving again. I wanna stay buried inside this pussy forever," he admits, breathily. He voice is barely above a whisper, and you think he's saying that not only to you but himself as well. You know he will inevitably leave again, but he speaks with such passion. So, you both let yourselves believe, even for just this moment, that it's true. When the words leave his mouth, you allow yourself to let go.

You arch your back and drag your nails across his skin as you let the ecstasy wash over you. It pushes him to his own release, and he presses his lips to your forehead, and you feel him twitch inside you. You pulse around him, and he stills as he spills himself inside you with a strangled moan.

He pulls away and cradles your face, looking deep into your eyes. "I know I'll have to leave again, but I will always come back to you. Always." He vows.

"And I'll always be here when you do. Always," you reply, then seal your promise with a kiss.