#also I'm so sorry for not answering this :

[egophiliac]

I got a really tough question.

What’s your favorite Twst event of ALL TIME?

I like Harveston

this truly is the hardest question. :( but after much consideration, I think Endless Halloween Night wins out for me, because it's nonstop Characters Being Silly the whole way through. the whole thing is just lots of these little dorks having the most ridiculous interactions, which is always my favorite! and of course the big twist is SO delightfully stupid and doubles down SO hard that it becomes AMAZING and I 100% unironically adore it. AND it's Halloween! everyone is in their cute little costumes and having a spooky adventure! it's great!

however, I am ALSO a big fan of the Harveston event! how can I not be! everyone is wearing comfy winter outfits and getting along really weirdly well with Epel's grandma and he's getting a little worried about that! my terrible loud son sews a plush squirrel and then gives it a silly little nickname and refuses to leave it behind when it breaks! the ending shot with the sled! I LOVE IT.

obviously we need the best of both worlds now

[tofixtheshadows]

Hello, op! While I do find your reading of Kabru’s self sacrifice and how little he eats really good, im curious why you consider him the deuteragonist? He is a foil to the protagonist yes, but still a supporting character.

I think its pretty clear Marcille is the second most important character in DM, and her story has much more weight than Kabru’s.

Hello! I've mentioned this on my blog before, but I actually consider Marcille and Kabru to both be deuteragonists to Laios's protagonist. I just wasn't talking about Marcille in that post.

Technically this term is meant to be used in playwriting, and the Greek tradition at that, so I'm playing a little loosey goosey with semantics and my argument would sound different if I were writing an academic paper. But this is tumblr dot edu and I'm trying to get a point across on my little blog, and part of the idea of a deuteragonist is that they support the protagonist. "Secondary main character who has their own importance in the narrative while bolstering the protagonist" works well enough for my purposes.

I think Marcille and Kabru are both playing specific and complementary roles to Laios. Marcille is at his side, facilitating the A plot: namely, "save Falin", which requires Marcille's magic, and then Marcille's method of resurrection ropes Thistle in, so the continuation of "save Falin" necessitates confronting the Dungeon Lord and conquering the dungeon (the B plot).

Kabru only intersects with Laios, but he is tied from the beginning to the B plot- and with dragging basically everyone else into it. Actually, the fact that he brings in this extremely loaded B plot despite only having brief face time with the protagonist should be seen as significant. In a sense, Kabru represents the surface world and all its concerns.

Before I talk about that more, I want to continue with the complementary line of thinking and point out that Kabru and Marcille have very similar background motivations.

Laios wants to save his sister first and foremost, and it's only along the way that he starts to consider what he'd do with the responsibility of Dungeon Lord. Coming to the conclusion that he wants to create a home for disparate peoples to live in harmony has connective tissue to both Kabru and Marcille's desires.

Marcille is the only one in their party who starts out with a greater motivation other than saving Falin (Izutsumi is a special case, but she's ultimately along for the ride), one that she keeps hidden for a long time. Because she is a mage, and because she is driven by a very personal tragedy (my dad died; I am terrified of outliving everyone), she is looking for a miracle to bring the different races closer together.

Kabru comes from a background of personal tragedy as well, but it's also a far greater, more political tragedy than just the death of a parent. It is not a coincidence that Kabru is a brown boy from an exploited region that suffered despite and because of military intervention from a first-world power, nor that he was adopted by a white woman whose coddling/dehumanization of him represents the paternalistic oversight of these world powers.

Thus, Kabru's motivations are both personal and political: if they, the short-lived races, can finally access the secrets of the dungeons, then not only can they have agency in stopping tragedies like Utaya's, but it will also give them a greater power of self-determination.

Marcille and Kabru have both correctly identified and set themselves against a problem that is greater than saving the life of one girl, greater even than sealing this one dungeon.

Despite Marcille's hopes, there is no grand magic solution to this. Only small, slow, backbreaking, ordinary solutions, the kind you labor over in kitchens and bedrooms and throne rooms and meeting houses and hearths and negotiation tables. The kind you run a kingdom with.

There is a reason why Dungeon Meshi ends with Marcille and Kabru on either side of Laios's throne.

Okay: back to Kabru (under the cut).

I've talked about this a little before, but I'll reiterate here: I consider Kabru to be the counterweight to the back half of the story. In a very literal sense too, as he pulls the focus up from the depths to the surface not once, but twice. Dungeon Meshi builds itself on the premise that the traditional "dungeon" must function as an actual ecosystem, and the monsters in it are biological actors in that ecosystem and not merely magical obstacles independent of their environment. The first couple dozen chapters are focused on this. Like regular animals, monsters have needs and instincts and unique behaviors, and they can be killed and consumed as part of a food chain.

And then Kabru comes along and he reminds us that humans are also part of their own special ecosystem, with their own needs and instincts and unique behaviors, and that beyond the biological drive of the literal food chain there are also complex social issues influencing these behaviors (like capitalism). Tansu's visit with the governor introduced us to these ideas, but Kabru is the one who carries them.

The way he and his party break down Laios's party also serves an important function. I think most readers are so busy being shocked that Kabru is "so wrong" about our goofy boy Laios that they don't realize that he isn't actually wrong about anything (he's only missing the context of what drives Laios, which he admits to and is part of the reason why he pursues him). We've gotten only Laios's view of things so far, and Laios is pretty tunnel-visioned. The narrative, through Kabru, is telling the reader this is how our protagonist actually comes across to his community.

We like Laios because we are following his story from his inner circle. We know he's naive and struggles with people but that he has a good heart and is ultimately just a big silly guy who won't harm anybody if he can help it. But we only know that because we're seeing him with his inner circle, in his environment. Outside of the dungeon, Laios is anti-social to the point of rudeness; he misreads situations and misjudges people, he acts in ways that cause friction, and he accidentally aligns himself with people who make his whole enterprise look suspicious: a prominent half-foot community leader, a mysterious foreigner literally surrounded by spies, the disgraced daughter of a criminal who now has to shoulder the burden of her father's reputation, and an elf in a land where there are no elves. And they seem to be very good at what they're doing. Yet this whole time, Laios acts as if he doesn't care about profit or taking the kingdom, the only logical reasons why anyone on the Island would gather up such a party and throw themselves into this death pit day after day.

Yeah of course Kabru finds this suspicious and interesting. Of course people don't know what to make of Laios. This all reiterates the question that Zon the orc already raised: What will you do, Laios, if you defeat the Mad Mage? If you gain control of all of this? Can you be a leader? Laios himself doesn't know yet.

This is all necessary context for our protagonist and the journey he has to go on, and it's fittingly brought up by the most socially adept character, who is so concerned with human ecosystems and the bigger picture of the dungeon. There is a reason why Kabru, as a character, is connected to large webs of people as he moves throughout the narrative: his own party, Toshiro's party, the Canaries, the denizens of the first floor of the dungeon.

Kabru is responsible for bringing Toshiro down to Laios's party. Toshiro is not a big mover and shaker in the story itself, but his confrontation with Laios is a huge part of Laios's character arc. His detour down to the lower levels also allows Izutsumi to escape and join Laios's party later.

We also have this very important moment:

It shows the first inkling- to the audience, to Kabru, and to Laios himself- that Laios is willing to do a painful, necessary thing to protect other people, that he won't just allow them to become collateral for his sister/monsters. That he can listen, and that he can assess a situation beyond his personal feelings. Again, fittingly, big-picture-thinker Kabru is the catalyst for this.

And then, not content to leave him as merely a device for Laios's character growth, the focus slingshots back up to the surface, and we follow Kabru.

The Canaries were going to go into the dungeon soon anyway, and they were always going to stir up the crowd in order to lure Thistle to them. Unless Thistle had given up right then and managed to slip away, the story could have very easily ended here:

Falin, immobilized and surrounded by Canaries, would have certainly been killed, and there would have been no way to ever resurrect her. Thistle would have been neutralized. The dungeon would have been taken by the elves, and anyone they could get their hands on would have been imprisoned at best. And maybe the dungeon would have been managed safely ... or maybe something would have gone wrong, and more lives would have been lost. Remember: the Canaries arrived in Utaya one year before the tragedy.

This is a huge moment that changes Laios's life forever, and he doesn't even know it. Kabru single-handedly keeps the story on course by sabotaging the Canaries, and he does it not just for Laios's sake, but for everyone's sake. For his friends and companions in the dungeon and everyone else outside it. Laios is a part of his motivation, a key player in Kabru's hopes, but Kabru has his own desires, his own agenda. He's trying to change the world. In a way, he succeeds. And while the Canaries might wish it were otherwise, as an entity in the narrative they are always anchored to Kabru's character. The two forces collide because of Kabru. The unsealing of the Winged Lion and Marcille's emergency ascension to Dungeon Lord happen indirectly because of Kabru.

While I have talked so much already that I don't want to give a detailed breakdown of it, I do want to mention Kabru's unique interiority as a character. That is to say: we see the inside of Kabru's head more than anyone else. Every character in the main ensemble gets their own moments of inner monologues or fifteen minutes in the limelight, but for Kabru, it's constant. He's always thinking, talking, narrating. His POV chapters always stand out for how first-person they feel compared to most others.

Notably, the only other character I could compare that to is Marcille, specifically during the dungeon rabbit debacle and her ascension afterward, which is when she really takes center stage as a character.

I hope I've explained my reasoning without becoming too insufferable.

To cap off my thoughts with a nod to my original post, I cannot stress enough how significant it is, thematically, that Kabru's relationship with food is the inverse of Laios's. It isn't just that Laios is the main character in a story about cooking monsters and Kabru happens to be his monster-hating foil. The artistic choice to deny the reader the visual of this character ever enjoying food, and only ever putting it in his mouth in situations where it hurts him, in a manga that gives so much attention to eating and the pleasures of meals, cannot be understated.

[poorly-drawn-mdzs]

Don't Lose Your Head.

[First] Prev <–-> Next

[911bts]

My bad - One more thing to cover.

8x05 ratings - demo 0.31, viewership 3.977

Yes, that is super low for 911 standards. So was last week.

As I previously said, a highly anticipated Young Sheldon spinoff started airing same night, same time two weeks ago. That show blew up largely because of that relationship that this spinoff is based around. The Young Sheldon series finale had 9 million live viewers (unheard of these days).

It's the nature of the industry. A lot of people have probably switched to watching that show live and recording 911 or watching it on Hulu.

There's also sports programs airing over top of regularly scheduled programing in some areas so that doesn't help.

ABC cares about streaming numbers enough that I doubt it'll massively impact 9-1-1 in their eyes. They'd move 9-1-1 to a new night (or time) before they'd cancel it.

[north-noire]

if they are men, what are we then? a bunch of daisies? (scrapbook art)

[bananielle]

having to be very quiet while with leehan in your room because you don’t wanna get caught… he was acting all cute and innocent like a puppy when he greeted your parents before going up to your room.. but the second the door to your room is closed shut & locked, it’s like he has put down that cute and bubbly mask down in a split second…

omg nonnie...this is so yummy <3

leehan is on his very best behaviour in front of your parents. he's so sweet and lovely and polite, always saying the right things. being a cute, giggly mess, promising them that he's always taking such good care of you. little did you know that he was referring to a completely different kind of care that you and your parents were thinking of.

as soon as the door closes behind him his pretty hands are all over you. he cups your face and kisses you deeply, wasting no time in letting his tongue tangle with yours. his hands roam all over your body, pulling you closer to him until it practically hurts. he's grabbing your ass and tits, sucking on your bottom lip, biting the sweet spot on your neck...anything to elicit filthy moans from you. he wants to see you fail to be quiet as he touches you.

the moment you both break apart for air, leehan would be speaking to you softly but lowly, with that pretty deep voice of his (i hate him). "need you to be quiet for me, pretty. don't want your parents to find out how good i'm taking care of you, do we?" leehan is always sweet and loving, but in these situations he finds so much pleasure in being a tease and seeing you struggle. he'd spend the rest of the night between your legs with a sickly sweet smirk on his face as threatens to deny your orgasm if you moan too loudly.

once he's done eating you out like his life depended on it, he's fucking you into oblivion. his body is pressed right against yours, one hand over your mouth as he coos and giggles at your inability to keep quiet. "shh, pretty. don't you want to cum?"

[ejoym]

the way you draw bhaal …. hubba HUBBAAAAA

So, I'm guessing this is either a mistype or you might be confusing me with someone else because I haven't drawn Bhaal...

...UNTIL NOW.

"Bhaal" Reynolds.

[paintpanic]

Res AU Joronia drawings. Character rambling and bonus doodles under cut.

This AU takes place a good while after the events of Triple Deluxe happened. Since then, Taranza's mostly recovered mentally from everything. He was able to move on from his grief and (somewhat) forgive himself. Now that Joronia's in his life again, seemingly back to her former self, some of those wounds he'd thought were fully healed have started to ache again. He still feels ultimately guilty for what happened to her.

He's thrilled that Joronia's been given a second chance at life, but is somewhat wary deep down. This feels to good to be true, that she's just back with seemingly no strings attached. The other shoe could drop any day now, and he could lose her all over again. Fearing this, he wants to make the most out of what could be a short time to be together again with his friend.

Joronia senses that there's a distance between the two of them now that wasn't there before. It shouldn't be surprising; he's probably still hurt from what she did. Other people definitely are. She's determined, though, to work hard to make it up to everyone she's hurt, and to prove to them (and herself) that she's not really like that, that she's capable of being better.

The Mirror's influence twisted her mind and her perception of reality. It made her feel like she was inadequate, and that everyone else were enemies to be subjugated. Now, she's supposed to be normal and better, but she still feels like there's something wrong with her head. She still doesn't feel good enough, and it still feels like everyone hates her. It's hard to trust herself. She's not sure if it's some lingering effect of the Mirror, or if there's just something inherently wrong with her now. She's scared.

She's afraid that something will happen, that she'll revert to how she was as Queen, and that she'll hurt Taranza again. Someone who'd always helped her, who'd stuck with her even when she was absolutely horrible to him, and who's kindness she's relying on again now, staying at his home as she worked on getting her life back together. She's a burden on him, and she always has been. She hates it.

Still, her deepest, most selfish wish is that they could be real friends again.

---

These two need to have a long, honest discussion about their feelings toward each other and themselves. Both of them are absolutely terrified about that prospect, though, because they each think that the other secretly resents them to some degree. If they actually talked through it, they'd quickly realize that they both want the same thing.

[luna-loveboop]

Luna, my dear sweet friend, can I pick your brain?

Lofty gave me a veeerrry good scenario for a Time vs Sky conflict, but I'd love to hear your thoughts on what that could look like? I picked 2 very mature characters and now I have to make them brawl lolol

I think the best route (for me at least) wouldn't involve the master sword or Hylia. So this would be a personality conflict. I don't wanna spoil the scenario she gave me, so I thought I'd ask for your general opinion on what you think would make them fight, personality wise🥰

Feel free to delete if you don't care to go over this, but I thought I'd ask cus you're really good at going in depth with character analysis❤️

BYE FRIEND😀 also I hope you're doing well and you're amazing and wonderful❤️❤️❤️❤️❤️

YES ok so personality conflicts between Sky and Time. There's... a lot to look at there lol.

So I'm just gonna look at each of their personalities +flaws, and then how they interact :))

Soo for Time

Time is dad. He's older and more experienced- and he's still a stubborn gremlin like all of them. He's patient with them but also stern- he cares very deeply about all the boys and Sky is no exception

I don't doubt for a second Time wants to be just as close to Sky as the others

One of Times biggest flaws is the idea of a closed mindset. Which makes sense, since we know Time's ending as the hero's shade- he spends years in that mindset of regret. Time has these thoughts of being too old to change (<no), and allows himself to keep holding onto bitterness, especially about the sword. Which he has good reason to be a grumpy old man already, with the mental and physical age difference, but still

Time is obviously capable of changing his mind- as Wind took a challenge to prove

But overall Time is still. He's not super expressive, my man likes to just be. He wants to be still and live, and hero as needed, and not be a super crazy hero, but just a chill dude with malon.

Time is patient and stern and calm and good. He is also closed and stubborn. That's all good, but it doesn't always work the best with Sky.

So Sky.

I literally love this ask because I could rant forever about his flaws to talk about them more (no one kill me).

Sky very highly values being a hero as part of who he is- in contrast to time who literally just doesn't want to.

I see so much of Sky's patience. And with good reason- with others Sky is endlessly patient and calm in resolving conflict. He's emotionally intuitive and intelligent and awesome

But Sky is also I think extremely impatient. With himself, and with things around him that aren't going well.

He wants answers and he wants them now, which is kind of scary from him. I see a lot about Skys temper, but I don't want to forget how much of that is from impatience- not knowing how to handle things going slow.

Because things moving fast and violently is how it needs to be right? *cough cough IMPA

For all sky is extremely patient with others feelings, he is one of the most impatient people with himself and his circumstances. Which a lot of comes from immaturity, which is my next point-

Sky is. A monster with pranks. I don't even know why it took me so long to realise this was Sky-

Saying 'I know we should help but this is too funny'. Twilight and wild are looking disturbed and like they want to help, and Sky and legend are just cold-blooded leaving four struggling for his shield and taking bets. He's very immature, and furthermore, he doesn't really respect Time as an authority as much in the face of pranking/joking

Bro is not remorseful at all I swear-

I also think 'nice hair' Sky is a little... idk judgy? With people he doesn't get along with as well. Like Hyrule. (Wait I haven't yet I gotta rant on that sometime sorry- but yeah he and Hyrule don't vibe well)

Sky can also be unrestrained with his words and snark- his words can practically be a prank in itself 'nice hair' 'am I late?'. I think sometimes he toes the line with pranks and joking around (like that one quest where you could break Peatrices heart?), and same with his words. Overall he's a snarky and sharper person- and being able to pull off good pranks and jokes isn't inherently a bad thing- he's smart. He's a kind person too, but I think sometimes his words and actions can be too sharp.

I think Jojo also said in the post with their ages that she made him slightly younger because of his immaturity compared to twilight. Do with that what you will

So point is, Sky has flaws that are mildly subtle but still prominent, like his impatience with himself and situations, his immaturity with joking and temper and words, and I hc he's a slightly judgy person. 'Nice costume' to Zelda like SKY but I swear I love him. Don't kill me for discussing flaws please I have a dog

So how this comes together with between him and Time is pretty cool-

Skys impatient, and Time has a resistance to change in his mindset- which means that as far as the sword, Sky wants change now, he wants validation and Time to not hate it. Time does not care about this because the sword hurt him and he's spent years hating it.

But with situations and stuff, especially with the entrance arc, we can see Sky being very impatient after Twi's injury- from what I can tell he wants to rip dinks throat out. But it's still subtle- what's not as subtle is how much Time wants to slow down. He wants to hold them back and protect them, and Sky is impatient in a frustrating situation. I could honestly see Sky wanting to run after the shadow on his own right now (sorry, I've been rereading elastic heart). Sometimes patient + wanting to hurry up doesn't work well.

If you think about it in relation to their journeys it makes sense that they are portrayed this way. Skys journey was about rushing and trying to hurry up. Times journeys were horrifying, with this insane feeling of running out of time.. but he could still turn back said time.

I can't even count the number of people I've seen say they tried to rush through the eldin temple as fast as possible on reruns- after Impa telling him it was too late trying to run as fast as possible even knowing it wouldn't change anything. That translates into skys character, and it must be insanely frustrating for him.

They are both heros. Time's journey was about saving the world and Sky's was about trying to kill a god. It's a big disconnect between them- one is patient and one is not, one doesn't want to be a hero and one's life is being a hero dating a goddess. One lightheartedly jokes and one throws a love letter down the toilet (SKY), one is older and one is immature. Yet on the surface Time wears a scowl and Sky is as soft as can be.

They are so very different in so many ways, but so much alike- they are both heros, they both want to be young and playful at heart. They both really like stabbing things and setting them on fire. And also saving the world.

They are also both extremely mature in ways beyond their years and endlessly kind.

I love them so much.

I wasn't sure to say this in the post bc the ask is about personalities, but I feel like another major issue between them could be whatever happened with Time and timelines and the triforce. Obviously the timeline is messed up. I also have not played times games... but I think in timeline talk one he mentioned the triforce of courage ended up broken? I can see Sky not taking well to all of that.

Soooo in terms of personality conflicts that would make them. Fight? Yikes what are you planning Oma, I would say there's several possible triggers outside of the master sword and Hylia (which I think is wise of you to avoid btw)

I think that Skys impatience contrasting with Time's fixed mindsets can have issues. But the way Sky has shown no acknowledgment of Time when he's tried to stop the boys goofing off w/ pranking can also be a trigger- as well as that sharp and sometimes insensitive snarkiness in Skys words we all know and love. They have. A lot of issues. lol.

Yeah! I uhh hope that helped and was relevant or made sense at all- I swear I love these guys. These two are fun to look at because outside of the obvious stressor of the sword they have a lot of other issues as well. They have differences in thinking and personality that can lead to a lot of tension between them.

Thank you for the ask and I can't wait to see what you come up with

The art and comics is by Jojo @linkeduniverse au :D

Thank you for listening to my rant, and here's one of my favourite pictures of these guys

Simply majestic <3

:)

@skyloftian-nutcase

[canisalbus]

I really appriciate how often Machete is depicted struggling and feeling like a burden, while still being loved and supported by Vasco. It gives the top tier angst of "i'm not good enough, I'm not worth it" but you frame it in such a way where it's clear that's just how he *feels* and is not how things really are, but also it's so nice to see someone who struggles quite often in a loving and unique relationship that suits them. The narrative of not being able to love or be loved unless you're consistently healthy is really tiring lol.

.

[arttsuka]

larry: "hey, you two could help us out a bit? some archaeologist friends found an ancient roman scroll and they think it might be revolutionary for historical knowledge! perhaps you could translate?"

octavius: (squinting) "hmmm...it seems to say, we would like to reach out to you regarding your chariot's extended warranty--"

Reality is often disappointing

[gotchibam]

Hey guys, I'm very sorry for the sudden hiatus… had to stay away from social media for a while to take time for myself since I've been feeling really anxious and overwhelmed about a lot of things lately.

I'm sorry to my commissioners as well for not updating… I know the least I could do was to update you all but it's been really difficult for me the past few months so even the smallest of tasks seem a lot more harder for me.

Hopefully I'll be able to get back into the swing of things soon. For now I'll try my best to continue working on the comms & doodles again. Thank you sm for continuing to support me, I really appreciate it a lot 🙏🙏🙏

[onesidedradiostatic]

Not an embarrassing confession submission, but, you know when people try to propose by hiding the engagement ring in a romantic dinner, and the other person accidentally eats the ring.

Pretty sure Alastor has eaten. Like. At least two before Vox quietly crossed that off the idea board.

(prev)

LMAOOOOO HELP???? that's so stupid I'm crying WHAT

[it-came-autumnally]

Why did nobody tell me that the plot for Tsukasa4 was so funny. "Tsukasa your acting is mid unless you're in hysterics. please go try to be normal" (cue 2 weeks of Tsukasa failing until he realizes the answer is to work with another guy to write a fanfic backstory for his side character with 3 lines. and even then he tries too hard and accidentally fails to keep his side character a side character)

[couthbbg]

– Chen Chen // x . x . x . x . x . x . x

[its-a-me-mango]

So, I saw the post where Telly happened to break their screen. And am now morbidly, sincerely curious if they would also in turn freak out if they saw their father's Screen/PV get broken or damaged? Like when 4 decided to just blast him off into outer space Team Rocket style and he breaks, would Telly freak out to that as well? [Btw, love your art and OC's :D]

Oh 100% Telly would freak out, if my dad showed up like that I would also be freaking the fuck out over it. They'd get scared and upset by it every time it happens because that shit looks like it hurted.