which sans aus do i think would believe in climate change challenge GO
horror: really sans (and by extension any classic variant) would believe in climate change due to being former scientists. like what type of scientist DOESN'T believe in climate change. so horror would believe in climate change but he'd be really damn pessimistic about it (because he's an asshole!) like he genuinely wouldn't care at all. sometimes on bad days he purposely litters. on really hot/cold days as a result of climate change he'd complain and start considering bring environmentally friendly. but he never does. horror wouldn't care at all
killer: he would believe in climate change but he similarly to horror wouldn't care. because he simply has more important things to care about (kities :3 nightmare :3) he thinks those things are somehow above climate change (dumbass!!!! nightmare would melt like wax because of climate change) but when faced with the reality that things are actually being affected by climate he'd be like damn.... this shit id actually happening and i'm contributing to it.... but then he'd immediately move on and get back to more important business
dust: climate change believer but he just does not care. like he tries not to be wasteful and litter and he probably properly uses a recycling bin but in the end he doesn't really give a shit if his efforts are really helping. also he kinda forgets sometimes and that's really not helping the globe. dust would bring it up in fights that he recycles and then people (horror an killer) would shit on him for A. being a pretentious stuck up dick who thinks hes better than everyone for being environmental and B. because he's a goddamn hypocrite that doesn't even stick to his own recycling goals. goddamn asshole
nightmare: he's smart enough to know that climate change does exist but he purposely pretends that it isn't real to piss people off (and get those delicious delicious negative emotions :3) and he'd do it so confidently and he'd belittle you so much that either you get so pissed off and irritated at him or you start questioning yourself and if climate change actually IS real? he'd make up fake sources for climate change being fake and site the mtt as his source because they used to be scientists 💀💀
ink: this fella doesn't even know what day of the week it is do you think they would remember climate change??? absolutely not. anyways ink probably has it scrawled down on his scarf: CLIMATE CHANFE EXISTS. IT WILL KILL THE CREATORS/CREATIONS. but then he still doesn't manage to remember it!!!! but if they could genuinely remember everyday i think ink would try to use less earth harmful stuff for his art and try to be environmentally friendly. key word TRY. this is the guy that goes around teleporting and fighting with ink they would litter the substance everywhere
dream: he really really struggled with grappling with the concept that YES climate change exists. YES there is enough trash out there to kill the earth. YES there is not much he can do about it. like every moral dilemma question about climate change was asked by dream (to swap) and he's very upset about climate change prior to maturing. but after maturing he knows that he can't do much to help climate change but he is FERVENTLY environmentally friendly and tries to remind everyone around him to help the earth (without shoving it down their throats because he's nice like that). if dream had the time he would probably start a nonprofit for helping the earth. he would start a nonprofit for everything actually. modern au dream where he has several nonprofit organizations to help various causes. someone out there's gonna love this idea
swap: he does. i think he would make a joke about it at first when being asked like CLIMATE'S CHANGING? I HOPE HER NEW OUTFIT LOOKS GREAT! or some dumbass fucking joke like that but this guy is even more environmentally friendly than dream. he goes to RALLIES for the environment. he would use environmentally friendly soaps and even fucking kitchen utensils. this guy is just here for saving the earth. he wants to really really believe that big corporations don't mean bad with pollution but he knows. theres no convincing himself that big corp wants to save the earth. even someone like swap who always has hope can't convince himself of that shit
cross: he would obviously believe in climate change. i actually don't know if theres someone here that i don't thinm believes in climate change yet. anyways cross would and he'd recycle regularly and try to be good at it. but accidents happen and he messed up his recycling sometimes and then he feels bad for it because the goddamn earth is gonna die if he doesn't at least contribute his part. cross is baffled by people who don't believe in it the same way i am at flat earthers. like HELLOthe rising temperatures are right there!!!!
error: doesn't care. he lives in the antivoid climate change doesn't effect him. also it would just make his job easier :3 error LAUGHS in the face of rising temperatures
now you may ask why did you decide to post this. but what you should really be asking is why not shouldn't i have posted this. the question was clearly on everyone's minds. i was just the only one brave enough to step up and determine if these fictional characters would care about our world melting to death (OBVIOUSLY)
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Bleach’s Issue with Queer characters (3/3)
So then there’s Giselle (and to a less canon extent Shutara) who I think Kubo erroneously categorizes as similar to both eachother and to the above gay men stereotypes. And I think understanding Kubo’s approach to Giselle hinges on what he set up (but didn’t follow through on) with Shutara.
I’ve mentioned before, but I’m pretty certain think Shutara Senjumaru is meant to be a kabuki onnagata*. Not in-world, mind you; I don’t think she is somehow employed as an actor in a literal kabuki theater. (i would hope that was obvious, but one can never be too sure...) Just like Tier Harribel isn’t literally a light skinned, dark haired person doing gyaru/ganguro fashion, her presumably naturally tan skin and blonde hair is based on the general aesthetic. Shutara likewise is channeling distinct look and feel that draws from a mix of oiran, geisha, and kabuki aesthetics. (granted all three are closely related in influencing one another’s aesthetics in the first place)
But while the look and even the demeanor tend to play all three ways, I think the particular fixation on clothes, costuming, and the somewhat adjacent theme of “disguise” that Kubo has shown to put emphasis on in this kinds of situations, as well as the fact that he gave her a distinctly masculine name, Senjuumaru, point to her being some form of queer, albeit something Kubo seems to pretty clearly lack the understanding to better articulate himself. Is she a trans woman? Gender fluid? A male identifying transvestite? There’s not enough real material for us to draw that particular line, but I don’t think it’s a stretch to conclude that she’s not a cis woman.
*Kabuki is traditionally an all-male theater form, and “onnagata” refers to actors who specialize in playing women roles. Generally all actors train in the delineated masculine and feminine styles, but an actor’s career sticks to just one or the other...
...There is a whole big thing about how cultural institutions like kabuki and takarazuka theaters’ creation of socially acceptable and even celebrated, public and professional genderqueer spaces creates a myriad of gender dynamics that just don’t exist in the West, and it’s something that has made the attempt to adopt a globalized understanding of queer identity a little trickier in Japan:
In the West the gender binary was rigidly enforced such that to explore alternatives was basically uncharted territory (that’s an oversimplification, but you know what I mean; There’s a lack of contiguity with those who came before) but with japan there were already nonbinary spaces in place, and the lines around those don’t neatly line up with the ethnocentric western ideas some people try to pigeonhole those into. In general, it gets dangerously close to just flat up colonizer rhetoric.
(forgive the outdated reference image, but honestly I don’t know what even counts as a recognizable example of a “““trap”” character these days. And I use that term with GREAT reluctance, but I want to differentiate the exploitative cliche usage of a trans caricature from any actual representational trans character.)
Anyway... That all just leaves Giselle. And let’s be real, there’s no excuse for this one. Maybe that seems like a weird anticlimactic place to take this series of posts... like, after all this, maybe it feels like I should’ve had some equally obtuse logic to explain this one away as a matter of escalation or as a Rule of Threes. But no, not really. I just think it’s a little unreasonable to treat the massive screwup that was Giselle’s portrayal as part of some sort of bigger ongoing trend, when it’s really more of an unrelated outlier in a bigger umbrella subject.
She is in fact a bad case of the long standing anime/manga fetishization of transwomen as a concept, as a spectacle to be gawked at and made the butt of jokes or to be included specifically as an anomaly. And in Giselle’s case her specific depiction as a depraved, physically/sexually abusive villain on top of that is an explicitly toxic combination.
In spite of that, I still don’t think Kubo actually meant for it to reflect poorly (not that that matters or diminishes its harmfulness) I think he genuinely just has no real grasp of what that kind of characterization means. I say that largely because of the way he treats a lot of her role in the plot. Not that she’s integral to moving it forward, but that she occupies space and survives in the plot as long as she does, even when she could've been conveniently (and frankly more neatly) written out;
He seems to like drawing her and gives her a range of expressions and gestures (something he doesn't afford all his characters, even some of his major ones)
He likes to expand on her powers and gimmicks beyond what was necessary if he'd been aiming for minimum effort
He even paired her off against his personal favorite character, Mayuri.
Point being, Kubo seems to personally like Giselle as a character, but he took a horrible insensitive and ignorant path in writing her character.
But an undeniable fact is, she’s not alone as this kind of villain, she’s just the only one that happens to be trans.* Mayuri himself, Aaroniero, Szayelaporro, Zomarri (just a little bit), Tousen (at the very end), Tsukishima, As Nodt, Gremmy (a little), and Askin all to some degree dip into this shtick Kubo does where his villains aren’t just sadistic but ecstatically so, to the point of intoxicated, gleeful derangement. Yet in spite of that, those characters are all usually meant to be “cool,” not detestable.
Remember, Mayuri was initially written as, hands down, the most despicable characters in Bleach —he was abusive and sadistic, misogynistic, actually physically grotesque, predatory, dishonorable sneaky & underhanded, complicit in a genocide, just in general a clearly communicated mad scientist villain, and he was all of this in direct and deliberate contrast to Uryuu’s chivalrous personality type(already established in his defending Orihime from Jiroubou) as well as Nemu’s noble stoic subservient victimhood— and yet he’s also Kubo’s favorite character in the series. Kubo doesn’t actually write Giselle any particularly worse than the others, BUT he also doesn’t disassociate her being trans from her being villainous, and again, even incidentally, that manages to perpetuate a harmful narrative in the overall.
*(Actually, I’ve kinda touched on it before but I sort of suspect Mayuri could be trans, in which case; OOPS, that makes two, and that doesn’t make it better....)
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there is something kind of funny about corporations trying to turn Lord of the Rings into a massive multimedia brand and just constantly failing
like it should be the prime example that, just because a story works as a book/movie, that doesn't mean it deserves to be expanded on
but people keep throwing money at it and can’t comprehend why everyone hates their soulless, cash grab spinoffs to try and turn it into another Brand to be Consumed
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