#all the ''answered'' lead to the same post

[stillness-in-green]

why do you think Deku never tried to talk to Shigaraki? doylist reason is obvious but what's the watsonian reason?

Honestly, this one’s pretty tricky to answer.  It’s very hard to get myself into the headspace of Deku (and the people in his own headspace!)—mainly because I get extremely uncharitable, extremely quickly.  Mainly about Horikoshi, yes, but that does extend to Deku, too, as well as the broader world he lives in.

The brain goes immediately to answers like, “His world is so incredibly slanted towards retributive models of justice that the fact that he even thinks about wanting to know Shigaraki’s motivations makes him a candidate for mad sainthood to the people around him.  The fact that he doesn’t follow that impulse through all the way to actually asking is immaterial; while Villains have to be punished for their actions, for Heroes, it’s the thought that counts.”

See how I’m already drifting back towards meta-narrative analysis at the end there?  Deku brings a lot of that out in me, especially from Villain Hunt onwards.  Like the wooden doll he’s named for, he comes off to me as a vessel for the plot to happen through more than he does a consistently written, well-thought-out character.  Trying to think of him through a purely Watsonian lens—no refences made at all, period, to what I think the story was trying to express or what Horikoshi’s intentions towards that story were—I almost immediately jump the tracks into territory that is all but certainly incompatible with what I was “supposed” to take away from MHA as a story.

But, you did ask, so I’ll follow the thought experiment through.  If I were to try and set down to paper an explanation for Deku’s actions from a purely in-universe stance—say, for writing canon compliant post-series fanfic—what would be my explanation?

(Hit the jump.)

Right off the bat, from a cultural perspective, I think Deku is afraid that if he tries to make excuses for Shigaraki, it would be disrespectful to Shigaraki’s victims.  That’s why you get the heroic characters constant harping on about how they can’t forgive the Villains, even though, as adjuncts to the police, “forgiveness” is utterly immaterial to them doing their jobs.  Too much sympathy for criminals, in some peoples’ eyes, becomes indicative of a lack of proper regard for the victims of crime; this is very much a dynamic in play in Japan’s legal system.[1]  Ochaco initially has the same impulse, where she’s terrified that even thinking about Toga Himiko’s human circumstances puts her in danger of forgetting the suffering Toga and the League brought about.

1: That’s a meta consideration, yes, but one that I think the target audience would understand to be implicit in the canon as written, so I’m treating it as a Watsonian detail.

Ochaco and Deku commiserate and ultimately encourage each other to embrace their desire to understand their respective Villains, which leads to Ochaco talking to Toga at some length!  Ochaco must do this because asking Toga these questions if the only way she has to reach that understanding.  Deku does not have to ask, however, because he has a cheatmode to fall back on: the mindscape shared between All For One and One For All.  If Deku thinks too much open communication with Villains risks dishonoring Shigaraki’s victims, well, he doesn’t have to openly communicate.  He doesn’t have to talk to Shigaraki the person at all.  He just has to find that crying little boy in the mindscape again.

I also think it’s notable that Deku very much does stop talking about wanting to save Shigaraki after he talks to Gran Torino.  From that point on, everything he says about Shigaraki becomes about wanting to understand him instead.  Coupled with the idea that he insists upon not forgiving Shigaraki, I get the sense that what Deku wants is not to help Shigaraki at all, but rather to simply bear witness to his truth.  And even that much feels self-serving to me—as if Deku doesn’t care so much that Shigaraki is in pain, but rather that Shigaraki might have a point, that Shigaraki’s pain might be valid.  Shigaraki having a valid point would destabilize everything Deku believes about Heroes and Hero Society, and Deku has, by that point, seen enough that he’s too upright to look away, to “sweep things back under the rug,” so he has to find out Shigaraki’s story to judge it for himself.

The fact that he feels he has the right to judge Shigaraki’s story speaks to the arrogance of Heroes—the same arrogance that leads them to declare their lack of forgiveness as if it’s in some way relevant to doing the job in front of them—as well as a deeply rooted defensiveness: that they must have, and be perceived as having, the moral high ground over those evil Villains.  I think, for example, of the Flamin’ Sidekickers and their cringingly awkward self-justifications to Dabi about their continued association with Todoroki Enji.  Their reasoning has zero bearing on either Dabi’s pain or their own heroic responsibilities to assist in the arrest of a known murderer/terrorist/arsonist, but they feel the need to spell that reasoning out to the child abuse victim/volatile Villain anyway, seemingly for no in-character reason save to rationalize the deep discomfort that Dabi’s video accusations provoked in them.

Heroes must be seen as morally just—this is the whole basis for the authority they’ve been granted to wield their powers against other people.  Best Jeanist talks about this idea explicitly, as does Police Chief Tsuragamae.  Far more damningly, it’s what led to the HPSC using agents like Lady Nagant and Hawks to quietly dispose of anyone that would present a threat to the public image of Heroes and, by extension, the fragile peace that rests on that public image.

Heroes must be pure and righteous, and Deku is just as apt to believe that as any other Hero—maybe even more apt, given that he’s also had All Might leaning on him about the bearer of One For All being the Pillar and the Symbol of Peace.  All this baggage winds up conflicting, however, with the horror and reflexive need to help Deku feels upon seeing the small, crying child within Shigaraki.

Saving small crying children is the absolute, innermost core of Deku’s personal framing of Heroism—seriously, he says this nearly word-for-word in Chapter 1!—and so, like Shouji says of the heteromorph riot, it isn’t something he can ignore and still call himself a Hero.  He’s unprepared for that personal brand of Heroism to conflict with the demands of professional Heroism, because he never expected to face someone who was both Evil Villain and Crying Child at the same time.  This is what he wrestles with over the course of his time away from UA and why, ultimately, he decides to use the mindscape as a way of resolving the conflict.

(Note again that I'm talking about my fanfic explanation here. Deku's reasoning is much murkier in the canon because of the canon's late turn towards locking us hard out of Deku's personal feelings and thoughts when they're about anything more complex than chain OFA combo moves.)

Remember that Deku begins the Villain Hunt Arc with a tentative desire to “understand Villains” so that he can perhaps use that understanding to avert or at least deescalate conflicts with them—and then the very first Villain he falteringly tries to understand is fucking Muscular, who shuts him down cold.  Deku never tries that hard[2] to understand a Villain again—Lady Nagant dumps her backstory on him with very little prompting from him, he has nothing but ultimatums for Overhaul, he doesn’t seem to ask any of AFO’s other minions any personal questions whatsoever, and with Shigaraki, he goes straight to the mindscape instead of even attempting a dialogue.

2: Insomuch as you could call asking three invasive, judgy questions in the middle of combat and then throwing in the towel “trying hard”.

My take is that Muscular scared him off of trying to verbally uncover the backstories of Villains—even though Shigaraki is ready to all but hand the first Hero to ask an illustrated history of his grievances with Hero Society, Deku can’t trust that anything Shigaraki tells him will be the unvarnished truth.  Unlike Shouto, he has no one to corroborate the truth with, but unlike Uraraka, he doesn’t just have to make the best of it, either.  He can instead utilize the mindscape, an approach that sidesteps all of the issues that a spoken dialogue would entail:

Getting Shigaraki’s truth via the mindscape means he can trust the answers he gets, rather than having to filter those answers through Shigaraki’s warped worldview.  This allows him to honestly evaluate Shigaraki’s perspective, gauging whether Shigaraki has a real point that Deku has any responsibility to address, some injustice that needs to be corrected independently of Shigaraki being held accountable for his crimes.    

Having decided that—for reasons of justice, All Might’s Pillar mentality, and his own peace of mind—he has to know Shigaraki’s truth, Deku comes to feel self-righteously entitled to that truth.  Thus, even though Shigaraki always seemed perfectly willing to share his thoughts in their previous encounters, Deku can’t take the chance that he’ll change his mind and rebuff Deku like Muscular did.  Using the mindscape takes that agency away from Shigaraki, rendering his willingness to share moot.    

No one other than people with access to the shared mindscape can perceive the interactions happening within it.  This means that, no matter what Deku learns or how he reacts to it in the moment, he doesn’t risk being seen as disrespecting Shigaraki’s victims by prioritizing the feelings and perspective of a vicious terrorist.    

Finally, on a tactical note, the encounter Deku has with Shigaraki in the mindscape during the Jakku battle seems to happen nigh instantaneously.  If he can get his answers at the speed of thought, that means he doesn’t have to specifically draw out his battle with Shigaraki until he’s resolved things to his personal satisfaction.  This is ideal, since Shigaraki presents an incredibly dangerous threat to everything and everyone around him, and Deku’s Hero education has repeatedly emphasized the importance of ending battles quickly.

There's just one problem with all this: Deku is assuming access to Shigaraki’s mind.  And why wouldn’t he?  He got in there without even trying last time, after all!  I assume that’s also why he rolls up to the battle with zero plans of any kind: he doesn’t understand how the mechanics of the shared mindscape work and none of the prior bearers can advise him because it’s a brand-new phenomenon for him as the ninth bearer, so they’re just as clueless about it as he is. 

Lacking that knowledge, he opts to simply take it on faith that he’ll be able to access that mental space again, find the crying child in it, and uncover enough about Shigaraki’s history to render his own judgement of it.  He's the Deku who does his best, after all; if it doesn't work, at least he'll know he tried. The good faith attempt, however it turns out, will allow him to satisfy his own sense of justice while not interfering with whatever temporal justice the adult Heroes are planning for Shigaraki—to which Deku fully believes he must be subjected as punishment for his crimes!—be it arrest or an execution broadcast to the entire world.

Unfortunately for Deku, thanks to his being waylaid by Toga, he turns up late to the battle only to find Shigaraki’s psyche sealed up tighter than an All Might-themed wall safe.  Then, since he never had any kind of plan for talking to Shigaraki, and his own ability to plan things is strictly limited to combining quirk abilities on the fly, he has to wing it until Kudou is able to come up with a plan for him.  Naturally, because Kudou is Kudou, and Heroes’ solutions are tailored to Heroes’ strengths, this involves violent psychic assault.  And why not?  It’s not like Deku believes Shigaraki deserves the mercy of a gentler approach.  Just think of all those people he hurt!

Now, is this all heckin’ uncharitable?  Does it paint Deku as well-intended but blindly self-righteous and ethically timid? Oh, for sure.  And I do think there was a point at which Deku wanted to save Shigaraki in a truer sense—indeed, he’s quite plain-spoken about it in the OFA Mental Conference in the aftermath of the first war!  However, it’s absolutely within his established characterization to run into things that make him uneasy and take the first out an authority figure offers him that spares him the work of demolishing and rebuilding his entire world view.  Look no further than the aftermath of the mall scene. You can draw a straight line from Deku taking Tsukauchi's out (that Shigaraki is just a sore loser) to him also taking Gran's (that killing Shigaraki could be a way of saving him).

That’s the mentality I would lean on to explain Deku’s anemic efforts to truly save Shigaraki in the end: an inherent desire to help people that has been hamstrung by a learned dehumanization of Villains, a repeated emphasis on swift, unthinking action as a Heroic virtue, a culture that regards sympathy for those involved in a crime as a zero sum game, and, last but not least, a psychological complex about the basic nature of Heroism rooted in his fraught childhood.

Deku says he’ll “never forget” Shigaraki. If it were me writing the sequel, “never forgetting” would look an awful lot like, “Following a particularly frustrating day of the Pro Hero grind, Midoriya Izuku opens his eyes at 4AM one cold winter night in his early-40s with the horrible, inescapable realization that what he did as a teenager to a deeply victimized young man barely older than he was himself back then was fucked up in ways he can never repair or take back.  And further that now, not only is he going to have to spend the rest of his life trying to make up for that act, it’s going to be much, much harder than it would have been back then, specifically because he did what he did back then and let the world get away with calling it heroism.”

Thanks for the ask, anon! I hope you find the answer interesting and at least somewhat believable, for all that it certainly isn't tonally in-line with the story's portrayal of its much-lauded protagonist.

   

(P.S. On top of convincing both All Might and Deku to not pursue saving Shigaraki in any concrete sense, Gran Torino also takes partial credit for Nana's decision to abandon Kotarou. Torino Sorahiko might actually be the all-time world champion of convincing OFA bearers that preserving One For All is worth abandoning children to their grim fates. Give him a hand, everyone. What a great and admirable Hero who absolutely deserved to survive all the way to the end of the story and who definitely is not a symbol of all the most jaded and cynical priorities of the old order.)

[melaniepilled]

the storyline is brilliant. (most) characters are well-developed. the animation is gorgeous. the soundtrack, though a bit on the nose, is pretty cool. HOWEVER:

what's with the copaganda? like come on, lesbian cop? all those corny scenes trying to make the viewer empathise with this cop or that cop? i dont need to see the poor fate of a cop's daughter to know cops are human beings with loved ones. that's nowhere near the point. it's disrespectful as hell to pair scenes of, idk, a cop's suffering with a zaunite's suffering to be like: we're all the same, guys! no, you're not 😭

all that shit with marcus was so annoying like they want us to think he had some noble motive for his corruption. lmao? like, sure, at the end his kid's life was threatened by silco but what about before those five minutes? didn't he team up with silco of his own accord for YEARS?

idk, man, i think the showmakers could've made the point of "silco threatened this cop into doing this woo scary" without all that corny sad music and 1000 scenes of poor helpless enforcer marcus. I DON'T CARE omfg.

now back to the lesbian cop. GIRL was that necessary? seriously, the best queer rep you can imagine is a female cop? argh. ew. be for real.

any way, who even is caitlyn kirraman? noble girl felt caged by noble expectations blah blah blah overused trope blah blah. she wanted to 'see' the real world and the best she could do was join the Brutal Oppression Force to get some hands-on action in harming the real world? huh?

on one hand, i can believe an almost-princess wouldn't know the reality of this oppression but man. come on. it's so cliche. sheltered rich kid joins a police or police-adjacent service with pure intentions only to learn the service is only at the disposal of the elite? jeez, never heard that one before.

AND she could have been mildly tolerated is she wasn't so intent on throwing her power and status around. and for what? pumping the undercity with toxic gas to faciliate her witch hunt?

annoying. negative rizz. could have done way better. every time caitlyn kirraman appears on screen i have to stifle a groan of frustration.

and what's with the uniform? the rest of the character designs were so good you can almost forget it's arcane League of Legends and then there's ... this.

anyways, i want to complain about one more character before i can move on to other things.

this mf. he's so blank. no personality. switches his motives every episode. i don't even think he's meant to be a real character. what's his deal? characterless mf sorry i dont even have anything to say forget it

overall, the way arcane tries to equate the harm done by this or that zaunite to the harm done by topside is ... suspicious, to say the least. i DO think zaunites have a right to take up arms against topside and i feel no sympathy for poor helpless enforcers or noble councillors. womp womp

anyhoo. on to the good shit. arcane is like 20% action and 80% political intrigue and if i had known that i would have watched it ages ago. nevertheless, all the side characters and sub-plots are highly entertaining and if not for them arcane would be nothing.

characters i liked!

jinx and vi are ⭐⭐⭐⭐⭐ that's sisterhood for ya.

viktor my man. he was sexier when he was dying.

ekko my cutie patootie

silco is a weirdo and an edgelord that being said he is pretty interesting

sevika. so hot. answer my calls sevika please

let's talk about my fav girl now

MEL MEDARDA. soft-hearted girlboss fighting her warmongering mother. do i think she's selfish and does not care about her 'people' as much as she says? yes. but she does have principles. also, i have no idea what her sub-plot is going to lead to. it's cool. she's cool. love to see a beautiful girl suffer xoxo

that's all i will say for now. this post is already super duper long. i havent even talked about jinx and vi. meow. bbye.

[the-great-papyru]

been thinking about how going through and getting used to the resets would genuinely limit flowey’s ability to do… well, basic things. like form conversations.

think about it. he’s scripted everything. and he’s had all the time in the world to work on scripts, too.

what if he hears someone talk, and through unrelated circumstances they say something they usually say in another, unrelated scenario. like… i dunno, when toriel gets killed in a certain way, she’ll say something along the lines of “how could anyone do something like this?” and flowey’s prone to responding with “oh, you haven’t even SEEN what i’ve done to papyrus!” because he knows if he does she’ll remember papyrus’ name and, if he times it right, warn sans, and that has a snowball affect that leads to his run being much more interesting.

and then toriel says the line post-pacifist for whatever reason (maybe she’s reading the news) and absentmindedly flowey immediately responds with his usual reply.

he gets several strong looks, and papyrus checks his back to make sure flowey didn’t attach a sticky note with the words “kick me” on it again.

or, okay, he’s used to thinking through responses until he finds the perfect one. sans gives him a “heya” and he spends 2 minutes trying to figure out what he means by that greeting, what he knows (flowey’s been struggling maintaining his pre-prepared facial expressions lately for some reason, no idea why) and how to respond in a way that doesn’t let on that he knows sans knows, but also let him know that he’s not letting down his guard, not to mention figuring out what face to say it with… by then, of course, sans has muttered a brief “uh. okay then” and walked away. and flowey can’t just reload to finally let loose his carefully crafted reply like he’s used to, either.

he honestly probably finds it easiest to talk to frisk. he doesn’t have a running tally of their likes and dislikes. so he doesn’t have enough to base lines on, and he’ll sometimes even end up saying the first thing that comes to his mind. crazy.

also. i don’t know about you, but when i get multiple choices in a video game i often choose the clearly “wrong” answer just to see what people say. you can’t progress after choosing it, anyway, so there’s no real loss.

i wonder if flowey has that same mentality. it might do a lot more than make people angry, though. like… let’s say toriel asks him “what would you like to eat for dinner today?” and he goes with eggplant parmigiana, he hates eggplant parmigiana it’s gross and chewy and obviously the wrong answer. and he just wants to see what she’ll say before he reloads and chooses the right answer (snails). he realizes too late what he just did.

so yeah, flowey would really struggle with talking, i think. it’d be a learning curve for sure. he’ll figure it out, of course, but it’ll take a while.

[nalyra-dreaming]

Hi Nalyra, how are you? I hope you’re having a great day.

I only joined the iwtv fandom after s2 aired and I’m so happy I found it. I am however very confused by the level of Lestat hate though. I understand that 1x05 was a big deal for the fandom. What I don’t understand is how they’re still holding onto that but can ignore everything Armand stands for and has done. The Lestat hate also spills over into downplaying Sam’s performance which is maddening. I should’ve know, I’ve been on this hell site for way too long. The obsession with Armand in this fandom is just so huge (He killed Claudia, brainwashed and emotionally manipulated Louis for 80 years, no?) I don’t mean that I want everyone to hate Armand. I just feel like I missed something joining the fandom so late. (I’m strictly talking show here)

I thought I’d ask your insight cause I love reading your answers and take on things.

Hey nonny,

so... the way I see it, the very long hiatus between s1 and s2 made parts of the fandom believe that Lestat is the "big bad abuser white demon™"... because 1x05 and the "we had to kill Lestat" is what stuck in people's brains, and was left to fester for almost two years. People who doubted the tale were accused of being racists and abuse apologists, people who pointed out that Loumand might not be the big true romance the same.

The official podcast host called Armand "so much more healthy" for Louis, and some people took that for the truth, and not for the opinion of someone (who had also obviously not read the books). They literally ignore what Armand did for decades, choosing to go on and on about the big bad abuser, and "patriarchal domination", as they have been fed by the tale, never ever taking the step back to look at the tale, and that we know that it has been tinkered with, as Assad called it.

Hating Lestat was seen as the morally correct response, and certain people reflected that belief unto other fans, accusing them of what they faulted the fictional characters for.

This need to morally justify liking or watching is relatively recent in fandom and it is extremely futile for the VC and therefore IWTV.

They‘re all terrible and monsters by our standards.

Giving a more nuanced portrait of Lestat as built on the books brought me a lot of hate and accusations on my fics.

Certain parts of the fandom have also convinced themselves that the show is not at all based on the books, despite the show returning to all emotional main points, and the writers and creators posting their tagged books for all to see.

They have convinced themselves that Lestat, the main character of the VC, will not be that, but will be the abuser throughout, portrayed to be the antagonist.

To be honest, I wish them good luck.

You... are coming in to a more complete picture, and S3 will then add more to it still.

And I'm glad for it!

I am glad that the fans coming in after s2 might be more... chill about some things, because some things have already been clarified.

I hope they are.

I‘m glad you enjoy it here 🥰

I would advise to block freely, and to ... keep the long hiatus in mind, and where this came from, maybe. It might be easier to understand.

As it is, and going by the s3 trailer, and what the writers posted, and what has been stated already.... well, they are keeping quite close to the books.

And with that the very thing Rolin Jones has already stated will happen - namely Lestat taking (quote!) “the show hostage“ - and (quote!!) “setting the story straight“.

Sam and Jacob are co-leads after all, the show built on Loustat.

Some people seem to love to forget that.

[frost-queen]

Autumn walks (Reader x Ken)

Requested by anon Forever tag:@missmelodramatic, @alex–awesome–22, @ellie-does-the-posts, @floatlosers, @merlieve , @queen-of-books , @glimmering-darling-dolly , @denkisclown , @wildieflower , @meyocoko , @justanothercoco, @subjecta13-thefangirl , @m-rae23 , @harleyquinnswifeyfrfr , @swampything07, @melsunshine , @panhoeofmanyfandoms , @venomsvl , @the-uncoordinated-house-cat , @rosecentury , @imagines-by-her, @evilcr0ne , @vviolynn , @niktwazny303 , @avada-kedavra-bitch-187 , @erikasurfer @slythetic , @p0nycurtis, @eliscannotdance

Summary: Reader and Ken enjoy a nice walk out with their new born twins. Along the way, you meet your friends whom you'll share a nice drink with later.

It felt like you were overstimulating. Trying to find the time to find your scarf while your two newborns were crying in their stroller. – “Boys please…” – you said trying to manage between them. Shushing them whilst trying to hurry up and get ready.

Ken emerged into the hallway, hunching a bit down at the stroller. – “Boys, mommy needs a moment.” – he told the babies. Ken looked briefly up to you, throwing you a wink. You thanked him by blowing him a kiss.

Finally you could get yourself ready to face the cold autumn weather. Ken was entertaining the babies by waving at them and doing a silly dance. You found your scarf, wrapping it around your neck.

“All done.” – you said with a loud breath after taking your handbag. Ken straightened his posture, looking lovingly back at you. Wrapping your arms around you as he greeted you with a kiss on the cheek. His gaze then went down to your scarf, adjusting it slightly for you.

“What would I do without you.” – you chuckled out. Ken touched your chin with a warm smile. – “No, what would I without you.” – he corrected, feeling like he needed you more in his life than you needed him. Shaking your head, you disagreed.

Moving your arms around him. – “I need you very much Ken.” – you answered before kissing him. Ken kissed you lovingly back, enjoying every second your lips touched.

The sound of the babies made you pull away. – “Ready?” – you asked as Ken took your hand. – “As long as it’s with you.” – he replied. You gave him a playful shove, letting go of his hand. Ken went to the door, opening it for you.

You grabbed one stroller, leading it outside. Ken then took the other stroller to head out. He closed the door behind him. Taking a deep breath at the autumn weather. You adjusted quick the blanket in the stroller so your son would be warm.

Ken did the same, having watched you and copying you. He was new to this whole father thing, so he wanted to do it right. Learning and copying from you. He trusted your every judgement without question.

Pushing the strollers forwards, you went for a walk. Leaving your mansion behind you. Orange leaves carried away by the wind. Twirling and dancing in the air before they touched ground. Ken and you had decided to go for a walk with your sons.

Knowing the fresh air would do everyone good. You needed to get out of the house once in a while. Ken started humming a song. Glancing your way almost every minute. The most purest of smiles on his lips. Never a pout. His eyes shining brightly with the love for you.

You smiled back at him as it made him eager to kiss you. He snuck in a quick kiss, almost making the strollers bump into each other. – “Eyes forwards Ken.” – you laughed out. – “Yes, Y/n.” – he answered with admiration in his voice.

Ken and you neared the park, leading the strollers inside. Peeking over the stroller, you saw your son move his hands up to you. Smiling as it made you smile in return. – “The weather is nice.” – you said out loud as it wasn’t too hot, not too cold. – “Just perfect… like you.” – Ken answered making you snort loud.

“Stop.” – you laughed teasingly. Ken chuckling as he couldn’t help it. Each moment he looked upon you, he seemed to fall harder in love. He wasn’t sure it was even possible, but here he was loving you each day even more.

You stopped seeing your son had thrown his huggy away. The little stuffed rabbit. You knelt down to pick it up, hearing a sudden voice call out. – “Ken! Y/n!” – clearly a man called out. It made you squeeze the rabbit just a bit tighter.

Trying to look behind the stroller who was approaching. Blinking cooly, you slowly got up. Seeing it was one of Ken’s friends. Ken hugged him tightly. He then turned to you. Feeling a bit shy, you let him hug you, still holding onto the stuffed rabbit.

“Taking the kids out?” – he asked as you felt your son had taken a hold of your jacket, tugging at it. Kneeling a bit down to him, you gave him the rabbit back.

Ken had hummed loud. – “Care to join us?”- you suggested. He nodded. – “Good, then you can take the stroller so I can hold hands with my Y/n.” – Ken replied happily standing by your side. His friend laughed loud. One would compare him to a big bear. All cuddly and warm. He happily grabbed the stroller. Ken took the other stroller with you.

Walking close to each other as that was the way he liked it. Some people sat on the benches as you all greeted them. Going further through the forest, you encountered more friends. Along them your best friend.

They all joined the walk. Chatting loudly and enjoying the weather. A large orange leave came falling down, landing right in the big bear’s face. He pulled the leave down, laughing loud. Everyone laughed along at how funny that was.

The weather was getting a bit colder as you all decided to head for a little café. Warming up inside with a hot cup of cocoa. One of your sons sat on your lap. The other one on your best friends lap. All of you laughing and chatting pleasantly like one big family. For you couldn’t wish for any better one.

----------------------------------------

Read more of my fics on my Masterlists!

[giddythekitty]

A little speculation of mine regarding shifting

Disclaimer: Everything I say in this post is only what I think might be blocking some of us in shifting to not-parallels. Take it as you wish but don’t come for me because I warned you.

So, shifting.

We already know social media is an issue, lots of people talked about it before. But I kinda want to dive a little deeper.

Because yeah, social media(including Tumblr) does affect you, but why?(and also a few secondary causes)

Burnout

Usually(me personally) I spend a lot of time doomscrolling on Tiktok or here on Tumblr and looking at things about my s/o or my cc or a friend there or the likes. While it’s not exactly a bad thing to look for ‘motivation’ per se, it kills some intention to shift to that reality because you have a small substitute for it here.

2. AI chatbots

Remember, your subconscious can’t tell the difference between what you see and what you tell it you see. Same goes for conversations or movies or books. Maybe even dreams. It doesn’t differentiate between a real conversation and one with a chatbot, so again, some of that intention is killed.

3. Daydreaming/‘roleplaying’

Am I saying either of those are bad things? No. Am I saying they are absolutely terrible for you if you want to shift? No again. What I’m saying is if you do it too much it might also affect your intention and/or motivation to shift. If you need an example, I’ll give one. I like to listen to music a lot, because it’s a coping mechanism and an escape from ‘the real world’. Usually many of these songs are accompanied by scenes I make up in my head and most of the ones I personally have are related to who I am in one DR but talking to some characters from a different place. Like a crossover of the sorts. There is not a single day where I haven’t listened to at least one song.

4. Looking at other shifters for help

So many shifters have said it before and by god am I tired of saying it too, but shifting is a path of self discovery. Like a puzzle. You’re given the pieces and the final image, but you’re the one who has to put them together, not someone else for you. You already have all you need, wasting time looking for answers to questions like ‘why am I not shifting’ or ‘what else do I have to do to shift’ can become hurtful. Sure, advice from time to time is helpful, but constantly doing it won’t get you anywhere.

Your mom didn’t spoon feed you your entire life, did she? She showed you how to do it yourself when you were old enough to learn, and you had to practice on your own and build up strength in your little toddler hands how to hold a spoon properly so you can eat.

So what do all these have in common and to do with shifting?

Simple: Intention and Motivation. Your will to get there.

Now I’m not saying to stop them all together, but I am saying that they should be cut off— rationed if you will— significantly if it means those of us with said issue want to get rid of it.

Again, it kills the intention to shift. Your conscious can’t tell the difference between what’s real and what’s fake, so it always thinks seeing an edit of your favorite person is really similar to seeing them IRL. From my point of view(mine personally), intention isn’t always there.

Let’s give another example and pretend intention is sugar. Sweetness in general. If you have it sometimes, you’re fine. Maybe you want more, but it’s okay. If you take it in big quantities though, it can become an addiction and lead to diabetes or an insulinic shock.

Now pretend all those things I counted out above as the sugar. You take too much and you might end up hurting yourself at some point or just staying at the same level. Spending all day doomscrolling, looking at other peoole for help, chatting with ais and so on, all while having the ‘it’ll help me shift tonight’ mindset won’t get you too far because you’re just exhausting yourself.

And no one’s saying the change has to be instant. You can’t stop an addiction immediately because it’ll just hurt you more, but you can slowly lessen the dose until it’s minimal or nonexistent. At the end of the day you’re only helping yourself, and what’s a thousand years to an eternity of bliss?

I know this is long, but I feel it needs to be put out there. This feels like important information/advice/take it as you will, and let me know if you have questions and I’ll make sure to answer/clarify them.

Happy shifting and take a break if you need to.

[lynxfrost13]

Maybe I’ll finally Wanze post soon

[miutonium]

Its 4 am, I should be sleeping but why is it that I just have the urge to draw and ship her with a pathetic nerd gf??

[coulsonlives]

I just had to share this video because holy shit, it hits the nail right on the head! So well spoken. This stuff needs to be circulated more, esp with the growing number of people thinking they have this because of misinformation, or just outright faking it.

[rubberbandballqueen]

i wish there were more weird little girls at work. i keep telling my coworkers "oh yeah i was just like them when i was little hahaha" in regards to excitable boys with impulse issues, but when the other day i was thinking "oh yeah there's Always going to be that one girl hanging out with the guys instead of other girls" i surveyed the room and realized we have never had any such thing, at least while i've been working here. which, granted, has only been two years, but it's still kind of surprising to me

[exeggcute]

none of this is new info, but you know I have the "loves to write lists and compile links" disposition, so I thought it might be helpful to share some of the tips I've seen about how to make sure you're sharing legitimate palestinian evacuation fundraisers and bundle all those tips into a single handy reference post.

this is a spreadsheet of legitimate ("vetted") fundraisers on tumblr.

this post explains how the people who maintain this spreadsheet confirm the legitimacy of each fundraiser they add.

this podcast episode ("yousef and the fourth move") explains why evacuation fundraisers are often organized by people who don't live in gaza and/or who may not be immediate relatives of the people trying to evacuate. it's part three of a series about a man named yousef and his family; parts one and two aren't required listening for part three to make sense, but if you have a few hours to spare then I wholeheartedly recommend listening to all of them.

this is the process that I personally have been using to check whether a particular fundraiser has been vetted:

spreadsheet method

open the vetted fundraisers spreadsheet.

inside this spreadsheet, open the "find..." menu. on a windows computer, this shortcut is ctrl+F. on a mac, this shortcut is cmd+F. on a mobile device, click the three dots menu in the upper right corner of your screen, then select Find and replace.

search for the last name of the person or family in the fundraiser. you may get several results because last names obviously aren't unique; keep hitting "next" until you've looked at all the results.

if you find an entry in the spreadsheet that has the exact same name and whose gofundme link leads to the same fundraiser associated with the blog, it's legitimate. if you don't find an entry in the spreadsheet that matches the blog's fundraiser, that does not mean it's a scam. try the next method below!

tumblr search method

copy the username of the tumblr who originally posted the fundraiser and/or sent you a message asking you to boost the fundraiser. (for example, username123)

paste this username into tumblr's search bar.

for best results, click the All types drop-down menu, then select Text. since the search page is often dominated by asks sent by username123 (which people then answer and tag with their username), this helps narrow things down a bit.

look to see if any people who are not username123 have made posts confirming that username123 is legitimate. this includes people who've reblogged fundraisers and added notes, people who've compiled masterlists, and people sharing hyperlinks to other posts confirming a fundraiser's legitimacy. if the message seems to be "yep, looks legit," then it's safe to assume it's legit.

this is not a comprehensive list, but here are some of the usernames I've seen associated with "yep, looks legit"-type posts and who I've come to trust by association. (disclaimers: I am not mutuals with any of the users, and not all of them do the vetting firsthand, but the ones who don't vet posts themselves still seem to be careful about what they share and therefore are a good lead to follow. also, don't bug these people to vet fundraisers for you unless they've specifically indicated that they're open to that.)

90-ghost

el-shab-hussein

nabulsi

appsa

northgazaupdates

retvolution

communistchilchuck

neptunerings

a-shade-of-blue

shimamitsu

neither of these methods yielded anything definitive; what now?

it may just be too early to tell. unless a trusted source has shared overwhelming evidence that a particular fundraiser is a scam (which seems to be a very very rare occurrence), the best thing you can do is ignore it. don't report their blog as spam, because there's a good chance it's a legitimate fundraiser who just hasn't been vetted yet.

[thatneoncrisis]

Actually I want to touch on this bc it is brought up by a few people, thinking the narration , specifically gideons, would not mention characters with dark skin and bring that aspect of them up bc it's so common while white people are New and Interesting

This contrasts with the common Fandom habit of drawing harrow as significantly lighter than Gideon, and tamsyn herself says

I envision her as mixed Māori, darker-skinned than Harrow.

If anything, Gideon would note those with a similar complexion to her own as a point of commonality, something a lot of poc do. We have no word on what crux, aiglemene, the great aunts or ortus look like but given his mother being from the eighth I can tentatively assume that ortus is at least mixed if not entirely white. on top that its stated that ninth often took in pilgrims, with one of harrows great grandparents being a transplant from another house which is interesting

"She was named for her father, who was named for his mother, who was named for some unsmiling extramural penitent sworn into the silent marriage bed of the Locked Tomb. This had been common. Drearburh had never practiced Resurrection purity."

Another point I want to get to is like. "Everyone knows what maori people look like" which is... I can see what you're saying but I wouldn't put it like that. Like one they're not all even maori, just Polynesian and two maori people can vary wildly. There's no specific skintone or facial feature that makes someone maori, especially after ten thousand years have passed. Even if harrow was as dark as Gideon I'd imagine she'd still look different from someone like Jeannemary, who is not a necromancer and didn't grow up in a dark hole. I don't think it should be a non factor just because the main character is also dark-skinned and it especially shouldn't be clarified in book three of a series

i wrote a big long essay talking about tlt and how it engages with describing the skintones of brown characters its under a read more bc it is so long.

I already left a long comment about this on someone else post but I wish I could study tazmuirs odd little habit of dancing around the fact that Gideon and Harrow are women of color when she describes them, and how this kind of extends to other brown characters

We get a million descriptions for how sickly pale ianthe Silas and cytherea are, what a lovely golden tan corona has, the odd tannish yellow hue of colum, all imagined by her, in her own words, to be white. Then when it comes to Marta and Judith they're called dark like Once in the text. I don't think it's even mentioned for Jeannemary and magnus in the entirety of gtn though I will gladly stand corrected if I missed something. It's such a non factor for them, which normally I would overlook if it wasn't for the aforementioned specificity of how white characters are described on Top of one of the major themes of the book being how John, a Maori man, resurrected a largely Polynesian population and then proceed to rule them using the exact same methods that actively colonized new zealand. Like I just think it's really interesting that in many ways, the story is about two young Maori women completely stripped of cultural heritage, they can't even speak te reo maori they cannot even conceptualize the scale of that kind of loss. Theyve been to earth once and during her brief time there Gideon literally died on it's soil it feels so poignant

Back to them specifically being Not Pale, this is not me saying they would be "less" maori if they were light-skinned that's total bullshit and the entire paradigm exists as a product of European bullshit. My fascination is more with the fact that tamsyn has clearly thought of them as midtoned to dark skinned. I'm going to be really generous and disregard the Tommy Arnold covers- he is a talented artist but he's not the author and Taz stated in an interview that she didn't envision Gideon with an undercut either so he clearly has little liberties he can take and I'm fine with that get your coin dude. For these two I'm going to have to focus on Nona the Ninth, bc for the entirety of gtn, harrow is described as grey, and while I understand that's bc she's constantly under a mountain of white and black facepaint, we basically never get an objective description for either of them. Gideon stand out features are her build, hair and eyes, like a lot of characters, but it could have been pretty easy to throw in a line about how she seems less desaturated than what one might expect from a ninth cavalier, like a rich warm brown, possibly hinting to other characters that she isn't a ninth native

Htn also gives very little to work with, again harrows primary colors are the blacks whites and greys of facepaint and her hair and the reds of constantly sweating blood. The character who's darker skintone is Most remarked upon (also one of the few ever constantly headcanoned) as black, is g1deon. I've actually spoken to a few people about this and there seems to be some actual Mandela effect shit going on where people remember Taz saying he's black despite me never once finding evidence for this. However, this is not a case where I'd be overjoyed to be proven wrong, because g1deon being the one black guy in this entire cast, the one who's dark skintone is commented on the most, being the guy who barely speaks, tries killing harrow with a spear 14 times and then dies offscreen. Not good. Bad, actually

Finally onto ntn, in the beginning chapters Nona remarks her (harrows) skintone is the color of an egg carton. I assume she means the light tan, desaturated brown of the cardboard used in certain cartons, which is fitting for harrow, girls lived in an ice cave for 17 years. This is basically the only word we get on it. I believe a few times the text will say something about pyrrha's (g1deon's) brown Everything; brown skin, russet brown hair, rich brown eyes. that character gets to be viewed and constantly affirmed as a brown character in teh way gideon and harrow arent, it kind of others pyrrha. to contrast camillas hands are called tanned way at the beginning while recording nona's dream, then at the way end it says, "Her face still looked grey beneath its nice normal olive," olive being used to describe her once before in gtn as far as i can see. pyrrha's (g1deon's) skintone is one of her most notable features, its brought up to a noticeable agree the text wants you to keep it in your mind when you think of the saint of duty; "Most of Pyrrha was the colours of the building site: deep dried-out browns, dusty hunks of clay, rusted metal." "Pyrrha wouldn’t burn any colour other than her deep cool brown." "Nona took the water from Pyrrha’s brown, work-chapped hand and even sipped it" "Pyrrha had carried Camilla to bed in her big brown arms like Cam weighed nothing" "Pyrrha said, “Thanks, Nums,” and drained the whole thing. Nona,fascinated, watched the brown column of her throat move as she swallowed." its just notable to me when alternatively with nona you'll get a line like "Camilla didn’t say anything to that either, only rubbed her wrists where the tape had been. Nona’s skin was already back to its nice normal colour." like just the vagueness in nice normal color, we get one line about what shes supposed to look like in the beginning and thats it

towards the end during the broadcast, nona gets her first clear look at kiriona, described as: "warm-coloured skin that should have been a similar brown hue to Nona’s, except that there was something wrong with it." break out the champagne its official

Obviously, dying takes some color from you. If anything, gideons desaturation should make them More comparable given the egg carton comment and harrows general state of constant anemia. Has Nona gotten darker during her time on new rho? Was Gideon lighter than the cover led us to believe? We don't know. We well never know, which is odd, bc these books fucking love purple prose about people's appearances. We have like seven different synonyms for the shade of ianthes hair. New words for black have to be invented in order to convey harrows eyes which are Black, not the dark muddy brown of someone like ortus. It's less that I'm bothered by the text not hyperfocusing on their skin and more it picking and choosing when it will laser focus on a detail like that, and how often it's skipped over to the point that I like, constantly see people draw harrow as incredibly pale, which is very different from being light-skinned

Finally, I know people can dismiss this as like an audience interpretation thing. I know I actively draw harrow darker than Gideon which I know isn't canon. But this is less about Fandom response to the text and more the text itself and how it's like. Afraid to say brown. near the end of ntn i found One instance of it referring to gideons "slim brown hand" on nonas cheek and that is direct as it gets. even her other like, strongly non european traits are sort of danced around. her nose is "a nose that was the complete opposite of Nona’s nose, one that put her in mind of those big poison desert cats Born in the Morning was crazy about." a very fanciful description, you have to infer that nona means that its probably flat and wide, also giving us the information that harrows is most likely narrow and straight, possibly downturned. im not opposed to this, especially given the character talking about her is nona, but then you get the following paragraph:

"Her skin was very much dead-person skin, ashen and tinted the wrong colour around the nostrils and the mouth. But even if she hadn’t been dead, Nona was critical. Her eyelashes were very dark, but short and curly, whereas Nona thought all eyelashes should be long and straight (her own eyelashes were long and straight). The corpse had too much mouth and a dimple (nobody in her home had a dimple). You could not, at least, see the veins in her eyelids, which were heavy and cold and deep-set. But Nona thought it was going to be a shame to go from being so lovely as she was to being so—redheaded."

its a very frank description. dimple, curly lashes, red head, dead skin, probably a wide mouth. her nose is contrasted against nonas nose, which is also never directly described, and then compared to a fantasy animal we have never heard of until right now

kicks rocks. there isnt a point to this. the series is almost over, there is zero reason to like, knock on taz's door and ask why she did this or that. it doesnt stop me from loving the series, and the insinuation that noticing this means i must dislike the series is frankly insane (real thing that happened). if someone got the impression that harrow was white given how shes described i wouldnt blame them honestly, its most apparent she isnt in the third book (with the cover art being incredibly ambiguous) and a single blog post from taz mentioning shes maori, immediately followed by an "oh i dont care how you see the characters" addendum, which i think is like. an odd thing to tack on bc them descended from kiwis is like, very integral to the story, and gideon being the daughter of the maori man who took everything from her she didnt even know she could have and the (presumably, given her name and a very brief description) maori woman fighting to get that world back its like. damn. it feels a little important. that the audience knows theyre maori. like a little. it feels intertwined with the whole thing about john using european standards of imperialism and general aesthetics to hurt his own kid. actually.

[whocaresstillthelouvre]

Harvest Moon

Rating: Explicit. 18+ (Minors DNI) Pairing: Jackson Joel Miller x Female Reader Word Count: 3,100 Summary: It's Joel's birthday and you're going to make sure he has a good one. Warnings: smut, fluff, dancing in the kitchen to neil young, unprotected p in v, public-ish sex (but under a blanket), talking to neighbors while sitting on joel miller's cock, apocalypse birth control (pulling out), fingering, riding, joel has a filthy mouth, no use of y/n, not beta read.

A/N: I spent most of tonight adding 2,500 words to this barely written piece. Now it's two hours past my bedtime, but HAPPY BIRTHDAY JOEL MILLER!!! This can absolutely be read as a standalone, but, this is yet another singular smut entry for my Elks babies. This was originally going to be posted as a birthday celebration chapter for that, but I really wanted to give Joel his gift on his actual birthday. Happy birthday you gorgeous old man, you. Hope you like the porn I wrote about you. ❤️🥴

Masterlist

🌕🌕🌕🌕

You’ve been looking for the CD since you learned of Joel’s love of the song. Tommy did it, he actually did it. Somehow by some miracle he found the CD. 

“Not a problem,” he gives you that same shy Miller lopsided grin. “Milt had it. Told me to tell you it’s yours to keep… said he owes you since you were his daughter’s favorite teacher ‘n all.”

“Thanks Tommy,” you say, barely being able to contain your excitement, “this is going to be amazing.”

“Of course. Should be thanking you really,” he shrugs. “It’s about time he had a good birthday.”

—

Joel said he’d be helping fix one of the greenhouses today, but you’re still scared to ruin the surprise as you unlock his door. 

“Joel?” you yell out into the quiet, seemingly empty house. 

No answer. Perfect.

Quick steps lead you to his CD player, the same one he first showed you how much he cared for you with. Now, it’s your turn to show him just how much he means to you. The disc tray opens and you place the CD into the system, you can’t wait to surprise him. 

—

“More coffee?” you ask, holding up the percolator.

He nods and smiles, happily sitting at the table full from the steak, potatoes, and cornbread you made him. He had insisted on sharing the meat, but you refused, happy to let him enjoy the first taste of steak in over twenty years.

Your friend Helen got her boyfriend Greg to cut a small filet of steak from the newly butchered cow. She handed it to you with a knowing smile. It’s nice to see everyone accept yours and Joel’s relationship. 

You lean over his lap, and top his coffee cup off. 

“Have I ever told you how much I love seeing you in a dress? Can’t believe you got yourself all dolled up for me.” He surprises you by pulling you onto his lap. 

“Careful!” you shriek, quickly placing the carafe on the table. “Yes, you have… many times. That's why I wore it.”

“Hmph,” he hums happily, burying his face into the crook of your neck, his arms wrapping securely around you. “Thank you for dinner–and everything sweetheart.” He presses a soft kiss to your skin. 

“That’s not all,” you giggle as he nips at a sensitive spot under your chin. 

He chuckles, his breath warm against your skin. “You’re so good to me.” 

You clutch his chin tilting his head up to meet your eyes. “You deserve a happy birthday.” His big brown eyes search yours, like he’s forcing himself to believe it. “Joel, you do.” 

He rests his forehead against yours. “I love you,” he sighs warmly.

“I love you too. Now, I have something else for you,” you slip off his lap and head towards your backpack. “It’s something small, I promise.”

You return with a bundle of fabric held behind your back. 

“Remember when you tore your favorite flannel and you tossed it in the rag bag?”

You place the flannel in his hands.

“Well, a certain girl named Ellie grabbed it for me. I mended it, reinforced the buttons, and sewed up a couple holes. It’s not perfect, but it’s fixed.”

He holds the flannel up and inspects it. “This is–wow–this–I can’t believe it.” He looks up at you, his eyes wide with adoration. “I was wearing this that first day I saw you, y’know? This is so sweet sweetheart, thank you.” 

He likes it, you thank your lucky stars. Your handsome Joel, here with you on his birthday, allowing himself to be taken care of. 

You know the story of his birthday, you’ve retold the tale to yourself every night as you anticipated this day. Afraid to upset him, afraid to cross a line, but all you’ve wanted to do is give him the world he so deserves. 

It wasn’t just you who thought of him today. It’s Tommy finding the CD. It’s Helen getting you the steak. It’s Ellie grabbing the flannel from the rag bag. He deserves all of it. 

“You’re welcome,” you say with a kiss to his forehead. “Now, put it on. I have one more surprise.”

He slips the flannel on as you head to the living room. The CD waits in the stereo. You turn it on.

The soft guitar and brushes of a drum fills the air as you turn the volume up.  

Joel’s huge smile greets you when you walk back into the kitchen.

“You– how?” he asks, unbelieving. 

“Asked Tommy and he found it for me. Milt had his greatest hits. Now,” you reach your hand out to him, “may I have this dance birthday boy?”

He chuckles and takes your hand, pulling you into him. The two of you sway along to the music, his strong arms enveloping you as your cheek rests against his warm chest. You can hear the steady thump of his heart beneath your ear. Your hands slip around his broad back, one of them trailing up to play with the soft curls at the nape of his neck. He sighs deeply before placing a tender kiss against the top of your head. 

“This is my favorite song,” he murmurs.

The sun has long since set, the singular lamp above the sink casts a warm dark amber glow across the kitchen Your shadows dance across the walls as you sway. He smells of coffee and sweet corn bread, like home and comfort. 

He starts to hum then softly sing along. His deep voice reverberates through your ear, pressed against his heart. 

“Because I’m still in love with you,  I wanna see you dance again,  Because I’m still in love with you,  On this harvest moon”

You can hear the contentment in his voice as he holds you closer. Moving in synchronicity with each other, gently stepping across the small kitchen as the harmonica solo plays. If you could stay in this moment forever you would.

You tilt your head up, and his eyes meet yours. The smile he gives lights his face. Lines crinkling at the corner of his eyes, dimple sitting deep on his cheek, mustache curving with his plush upturned lips. He serenades you with the same lyrics as before, looking deep in your eyes. 

“Because I’m still in love with you,  I wanna see you dance again,  Because I’m still in love with you,  On this harvest moon”  

His lips meet yours, thanking you with a gentle kiss. The man you love and adore, feels good on his birthday all because of you. 

The song plays on repeat, the two of you dance together, Joel gently hums and sings along as the harvest moon rises above the mountains. 

You gently pull away, unclasping his arms from around you.

“Come on birthday boy,” you say with a playful smile, “let’s go watch the stars.” 

—

You and Joel sit beneath a large plaid comforter on his porch. The early fall breeze that rolls down the mountainside leaves a chill in the air. The night sky is lit bright with the orange full moon. Most of Jackson is at the Harvest Moon Festival tonight, you can just make out the distant sounds of laughter and music flowing through the air from the main street on his porch. Ellie was especially thrilled about the teen sleepover happening at the Bison tonight, giving you both this rare moment of solitude in his backyard. She told Joel she knew he was in good hands with you for his birthday. 

And he is–or at least you’re in his good hands. 

“Oh, god,” you softly whisper into the night, you’re so tense from keeping yourself quiet. The stars are a little harder to see tonight thanks to the ambient glow of the bright moon, and yet you see stars whenever you squeeze your eyes shut while fighting the urge to moan. Joel’s deft, large thumb rubs circles against your clit while you ride two of his thick fingers. 

He’s driving you crazy like this. His large body and the blanket wrapped around you, overheating all of your senses in this chilly night. You’re completely covered, nobody would know that your legs are spread wide, one draped over his thick thigh while his hand is stuffed up your dress making you quake as he finger fucks you.

“Easy now, easy now,” he says nuzzling against your neck, his large nose charting a course across the sensitive skin. “Gotta remember where we are. You're the sweet, innocent teacher 'n librarian here. Lotta people look up to you, can’t have them knowin’ what my girl really likes when she’s with me.” Your hips slow their movement, he makes up for it by pumping you harder. “See, I can help, just gotta let me know you want it baby.” 

“Want to take–neyugh–care of you,” struggles out of your mouth. 

“You’re taking care of me right now, sweetheart, touching you is my favorite thing to do.” 

“Want to go inside… w-want to–want–to, want to feel you in my mouth,” you grip the straining bulge underneath the fly of his jeans. 

“Not yet,” he sighs deeply when you squeeze harder. “Like seeing your skin glow in the moonlight. What you’re doin’ now is enough, want to enjoy my night with you.”

Your hold tightens around his cock as you fight harder to suppress the urge to scream into the night. His fingers angle up hitting your most sensitive spot and you feel like you could explode. You’ll be the fireworks to celebrate Joel’s birthday. A whimper is fought by biting your lip, it’s so hard to not scream. His brown eyes look almost black in the low light as he watches you struggle and blink rapidly. 

“Shh baby, you’re doing so good, bein’ so quiet, don’t ruin it now. If anybody was out right now they could walk right on by and they’d have no idea what I’m doing to you under here.”

You’ve never done anything like this, so out in the open. Jackson is a peaceful town full of law abiding citizens, and right now you’re sitting on the back of the porch of Joel’s house getting felt up by him. 

“Joel… I–I’m gonna—”

“Cum for me baby.” His hot breath hits your lips before sealing his mouth against yours. Your cunt spasms against his thick fingers, you feel set alight by your orgasm, overheated and burning. Maybe you’re glowing just as bright as the moon. His tongue dances with yours, swallowing all of your gasps and cries. You’re sure at this point, anybody that walked by would know exactly what was happening between the two of you. You don’t care, all you want is to feel Joel’s cock inside you.

“Want you, Joel, want you so bad,” you mew as his fingers rub against your sensitive folds. 

“Okay baby, okay.” His fingers slip from your warmth before he brings his soaked digits to his lips. His eyes flutter shut when he tastes you. 

“Sweeter than birthday cake,” he declares before raising his hips and pulling his jeans down with a grunt. “Come here. Come sit on me.”

Your legs spread wide as you straddle his large lap with your back pressed against the warmth of his chest. He grips himself and moves the half hard heft of his cock against your soaked core, swirling his tip back and forth across your clit. 

“Tell me you want my cock,” he whispers against your neck, licking a line up to your ear. “Tell me baby.”

“I-I want your cock–I need your cock Joel,” you beg. 

“I know you do darling,” he chuckles deeply, lining himself up to your entrance.

The sounds of the festival go silent and the bright orange moon fades as you slowly sink down on his cock. Taking all of him, thick and throbbing into your tight cunt. 

“That’s my good girl,” he grits. “Your sweet pussy is taking me so well, isn’t she?”

Clutching your bottom lip tightly between your teeth, you try to fight the moan his words bring up.

“Oh, you must like that. You’re squeezin’ me so hard sweetheart.” 

You set a pace, riding him gently under the moonlight, his fingers gripping your hips tight. 

His hot breaths hit the back of your neck as your back molds even tighter to his front. His hand snakes down to rub your clit, small circles making your body meld even more against him.. The rhythm of his fingers and cock spearing you pulls another orgasm down from the ethers of space. Shivering, sweating, and stuttering Joel’s name, you’re trying to be good for him, trying to not scream into the night. 

“That’s my girl, grippin’ my cock so good, cummin’ all over me. Getting yourself nice and slippery so I can fuck you real good, huh?” 

“Mmf,” is the only response you can muster. Your cunt flutters around him, and he doesn’t relent, slowly fucking into you while his finger pulses against your clit. 

The sound of two people conversing approaches. Your movements come to a halt, Joel stays still, his finger still resting against your sensitive bundle of nerves and his cock sitting deep inside you. Hank and Billie, the nice couple that lives three houses down from Joel, walk past the porch. Both look over and wave a greeting. Fuck.

“Beautiful moon, isn’t it?” Hank says with a smile. 

“Quite.” Joel responds. The rumble of his loud voice radiates through you.  

“You guys get any barbecue tonight?” Hank asks. “It was really go–”

“We stayed in,” Joel gruffly responds. He subtly knocks his hips into you causing a wave of sensation to hit against your already cock-drunk pussy.

Your nostrils flare with a deep exhale.  

“Oh, well, there will probably be leftovers tomorrow,” Billie offers. “Tell them I sent you and they’ll give you the good stuff.”

“Thanks Billie,” you breathlessly reply, wishing on every star you’ve seen behind your eyelids, they’ll leave. “We appreciate it.”

“Best be getting home,” Hank says, grabbing Billie’s hand. “We both had a bit too much to drink!” 

Oh thank god.

“Enjoy your night,” Joel says plainly as he starts to slowly rock into you once they turn away. 

To the eyes of your neighbors, you and Joel just look like a normal couple enjoying the night sky cuddled together under a blanket… little do they know he’s filling you with his thick cock under the shield. 

“That was close,” he whispers against your ear before nipping it. 

Your giggle is cut off by a moan when he fucks into you harder. 

“Guess we shouldn’t take our time, don’t want to get caught, now do we?” he asks. 

“We can just–nyuh–go inside,” you plead, wanting to be able to moan and scream Joel’s name in the comfort of his home. 

“Gimme one more baby, gimme one more,” he grunts against your neck. “And then I’ll take you into my home and fuck you.”

His hips pound against your body, his thrusts bucking into your core harder. “That’s it baby, you really want me to take you in and lay you down ‘n fuck you, don’t you?” 

“Mmhmm,” you moan, your stomach tightening and thighs trembling as the universe splinters around you. Your orgasm rockets through your body. Color turns to black and white, noise falls silent. All that exists is Joel Miller and his big cock shattering you into a million pieces like your own personal big bang on the back of his porch. 

“Good girl,” he groans, “let’s take this party inside.”

—

The plaid comforter is laid out on the kitchen floor. Your wobbly legs move your still blissed-out body to Joel’s stereo, starting “Harvest Moon” on repeat all over again. 

You lean against the kitchen entrance, admiring Joel as he rests atop the blanket, naked and supporting himself on his elbows. No man over fifty should ever look as good as him. Broad shoulders frame his strong arms, his chest has a smattering of dark hair that trails down to the slight bulge of his stomach. His cock rests in between his legs, still hard and shining with your slick. He’s so gorgeous, and he’s all yours. 

“Come here sweetheart,” his voice is gruffer. “Lay down next to me.”

His dick twitches as you walk to the blanket and settle beside him. 

He moves over you, covering you with his warmth as he engulfs himself in your slick heat. Your legs instinctually wrap around his waist allowing him to take more. 

“Joel,” you moan. The angle allows his cock to push farther in and your walls to tighten harder against him. 

“Ooh, you’re so fucking wet, you hear that?” he asks incredulously. The squelch of your pussy soundtracks along to the song quietly playing in the background. “Sounds so fucking good baby.” 

He gasps when buries himself to the hilt, soaking the curly hairs around the base of him with your wet.

Your body trembles as your hips meet his, his cock sliding in and out of your cunt at a brutal pace. 

He takes no time to own you now behind the walls of his home. Your hands clutch at his wide back, sobs and screams of his name echoing out into the air as Neil Young softly sings in the background. 

You’re so full of him. His body surrounding you, his lips against yours, his cock pounding into your accepting cunt, his name chanting out of your mouth. 

“You want it baby?” he growls against your neck, his cock pumping in and out of your hole at a speed no man over fifty should be able to ever reach. “You want my cum?” 

“C-cum Joel,” you cry, tears sprouting from your eyes as your fourth orgasm launches through you. 

He gasps your name, pulling out of your tremorous pussy and shooting thick white ropes of cum across your pussy and stomach. 

His sweat is slick against your overheated body, you’re a mess of sweat, orgasm, and love. 

He kisses you, his tongue licking against yours before he rolls off you. His chest rising and falling as he catches his breath. “Fuck,” he pants, stretching his limbs out. “Gonna feel this tomorrow.” 

“Well, you are another year older, old man,” you tease, curling up next to him. 

“Yeah,” he turns his head to look at you. “I guess I am,” he sighs. “Thank you for–my birthday and–all of this. I can never put into words how much it all means to me.” 

“So I guess you’re still in love with me?” you tease.

“Always. Especially on this harvest moon,” he returns your smile. 

---

Tagging a couple people who had asked about this piece earlier this month: @almostfoxglove, @sawymredfox, @burntheedges, and @littlemisspascal 🩷🌝

[currently-becoming-potatoes]

List of words for the computer:

LONG POST- more under the cut

STANFORD- Pulls up a file on Stanford Pines, written by an unknown scientist. It discusses his extra finger and praises his intelligence, as well as calling him the “next evolution in the human species”.

BILL CIPHER- Takes you to the Wikipedia page for the Eye of Providence. Also took me to a Sesame Street video about a Jazzy Triangle and a Square. Not sure what prompted the change.

STANLEY PINES: Takes you to a list of EBay listings for brass knuckles.

FIDDLEFORD: Takes you to the music video for Cotton Eye Joe by Rednex.

SHERMIE: Nothing. I sure do wish we got some lore about Grandpa Pines.

GRAVITY FALLS: The text on the computer reads “never heard of it” and the red light on the bottom turns green.

ALEX HIRSCH: Leads to Google Images for “flannel”. Huh.

WEIRDMAGEDDON: Pulls up an article from the Gravity Falls Gossiper about how nothing happened at all and there was no apocalypse.

DISNEY: Screen reads “rat.gif censored for your protection”

SOOS: Leads to a page of writing from Soos himself, referencing many things (including Tad Strange being gay and madly in love with Woodpecker Guy. Love wins!!!)

DIPPER: Leads to a creepy yellow parchment with a message from Bill Cipher himself trying to trick Dipper into blinding himself by staring at the sun for 13 hours straight! Silly! (Also if you keep clicking on it, the page gets darker and blurrier until it implies we've gone blind)

MABEL: Causes stickers to appear on every available surface. Clicking it enough times leads to message “lab now fully Mabelized”.

WENDY: Leads to a note from Wendy that mentions a way to ward off evil triangles written in the bottom corner of the book.

GIDEON: Makes a web recording of Gideon scatting play. It ends with “I love you forever Mabel”. Please shut the fuck up you little creep.

TAD STRANGE: Plays a video of bread with smooth jazz in the background.

TOBY DETERMINED: Leads to a Google search for a restraining order. Holyyyyy shittttttt

WHO ARE YOU: “I could ask you the same question”

SEASON 3: “Season Two”. I guess that’s that lol

This was about all I could find. Please reblog with anything else you can discover! Thank you, fellow Gravity Falls enjoyers!

And make sure to give some love to all the wonderful folks down in the comments! Many of these answers and tips come from what they've found. I can't list everyone, unfortunately- I didn't expect this post to get popular- but, to everyone who's helped out, THANK YOU.

FURTHER EDITS:

BLIND EYE: Pulls up an optometrist’s eye exam. Each line reads “WKHBOOVHH”. Too lazy to translate atm.

PIÑATA: Bill Cipher getting beaten to death /hj

MASON: A note from Dipper listing several anagrams of Gravity Falls characters’ names. You can check in the comments for the answers.

AXOLOTL: “You ask alotl questions”. Thanks for the pun, Alex, but I’m kind of losing my mind rn

MYSTERY SHACK: Leads to a Google search for Confusion Hill, the real-life Mystery Shack!

MYSTERY: “?”

MONSTER: Leads to several YouTube videos for “There’s a Monster at the End of this Book.”

VALLIS CINERIS: Leads to an analog-horror-esque video of Baby Bill and his parents, who have been blotted out by static, and a voice repeating “WHY DID YOU DO IT” over and over again until you stop the video.

PORTAL: “Portal.exe has been deleted. I bet you could build a new one.”

GIFFANY: You need to put it in multiple times. Several warnings about breaching firewall, followed by a message from GIFFANY saying “SOOS! I still love you!” or smth like that, and then GIFFANY herself briefly appearing onscreen. Trying again after that summons her more. Also lets you download some ZIP files.

DORITO: Summons an image of a spinning Dorito, followed by the most cursed image of Bill Cipher I have ever seen.

GOD: A short video of an axolotl in a tank with a Bill Cipher statue plays. This is Alex’s axolotl, shown in the Book of Bill countdown.

REALITY: “Is an illusion”

FILBRICK: “I’m not impressed”

CARYN: “I knew you were gonna write that”

GLASS SHARD BEACH: Leads to an image of the New Jersey Hell Hole.

ANY CUSS WORD: Pulls up a paper reading “NOT S&P APPROVED. WASH YOUR MOUTH OUT WITH SOAP” with an image of soap below.

MATPAT: Leads to a video of MatPat next to a conspiracy board, holding the Book of Bill. He tells us we’re on our own.

BABBA: Plays an audio recording of Dipper singing BABBA. Not Disco Girl, a different song.

CRAZ: Leads to the Jem and the Holograms theme.

XYLER: See above.

AD ASTRA PER ASPERA: Shows us two new journal pages from Ford and Mabel, studying the Cipher statue. They’re definitely worth the read, I teared up looking at them.

ANSWER: “Question”

QUESTION: “Answer”

SEASON ONE: “Season -1: Antigravity Falls”

SEASON TWO: “Season 1” …maybe scratch what I said about Season 3. Or don’t. Things are starting to damage my brain.

CURSED (got from @slimslamflimflam decoding the candle! Thanks!): Shows two pages talking about the dangers of drawing triangles, with the bottom of the second page showing several drawings of Bill and the words “HE IS COMING, RUN”

THE UNIVERSE: “Hologram”

RIZZ: “Life privileges revoked. Now releasing poison gas.” This response is repeated if you type in SKIBIDI or FORTNITE.

BABY: Shows an ultrasound of a fetus Bill Cipher, captioned “Look at what’s growing inside you! See you in nine months, papa!”

JOURNAL 3: “The Journal for Me”

PACIFICA: Leads to a note from Pacifica calling Bill Cipher “ick” and telling us to follow her on social media under “Platinum Paz”

PLATINUM PAZ: Pulls up an image of Northwest Manor with the llama symbol overlaid and a “NW” logo beneath. There's also a short story beneath!

LOVE: Leads to an audiobook of “The Love Triangle”. Need to read later.

BLENDIN: “The time agent lost and presumed incompetent”. Uh…?

SCARY: Leads to another audiobook of a cheesy Goosebumps-esque horror novel written by Bill himself, apparently.

DIVORCE: Shows you the logo of the bar Bill went to after his fight with Ford… Billford bitter exes confirmed

ROBBIE: Leads to the cringiest messages ever. He’s such a failure I love him

CONSPIRACY: Leads to a video of a man losing his mind over the countdown counting up. I feel so seen. (I have been informed that his name is Charlie Day, he's an actor from It's Always Sunny in Philadelphia and that one meme, he had a quote on the back of the Book of Bill, thanks to everyone who explained that to me, I'm sorry, I'm uncultured)

RAT: “Thurburt’s number?”

BLANCHIN: Leads to a YouTube video on how to blanch vegetables.

TJ ECKLEBURG: “Never mention that name again.”

NOTHING: “Something”

SOMETHING: “Nothing”

BURNSIDE: “Burned inside.” Well… at least we know what happened…

WADDLES: Leads to the pig placement network!

THERAPRISM: Pulls up a sign from the theraprism regarding an emergency situation. The code reads "THE OLD ONE".

SHAPE: Pulls up an article on Plato, triangles, and Ancient Greece. This article is presumably written by Bill.

LLIB and BILL: THIS leads to the Sesame Street video every time.

WEIRD: Shows a video of a frightened Weird Al panicking about being trapped in a computer. Sorry, man...

CLONE: Pulls up an image of Paper Jam Dipper, a warning about not getting him too close to liquids, and an option to print.

TRIANGLE: ")" or "Tri harder."

THEYLLSEE: "Is seeing believing?"

DEER TEETH: "For you, kid!"

LIFE: "Life: 72% complete. Now loading: death."

DEATH: "Life's goth cousin."

PINES: "A good family tree."

OWL TROWEL: A slab of hieroglyphs, translating to an ancient ad for an owl trowel.

SCALENE: "Life form not found." EUCLID has the same outcome.

WELL WELL WELL BEING: Some assorted notes from Bill's Theraprism file. These include his greatest love and fear, his art therapy notes, and notes on his phobias. Three clicks is required to read them all.

BOO BERRY: Offers a poem on the meaning of life! Wow! I feel so enlightened!

LOVE YA BRO: Shows us a doodle from Stan of one of his and Ford's Sea Grunks adventures, and another code on the back. It translates to "Kings of New Jersey." I've been told it lets you download the code as a font.

SORRY: Reveals the repaired Backupsmore photo, with a note from Fiddleford about his and Ford's growing friendship. Fiddauthor fans, we are eating well tonight!

HORROR: Pulls up an image and report on The Always Garden, which is essentially a cheap Italian restaurant hidden in the backrooms.

HOLOGRAM: "Universe."

NAITSUAF: Pulls up a page that looks like it would be from the Book of Bill, in which Bill tries to convince us to sell us his soul. Clicking "ARE YOU READY?" pulls up a contract where we can sell our soul to Bill (with an alarming amount of coded fine print. Will need to translate later). You can print this document out, back out, or sign it right there on the web. Hitting "SIGN" causes the words "PLEASURE DOING BUSINESS WITH YOU!" to appear, and the document to close. In other words, I no longer have a soul.

IMSTILLONYOURMIND: Plays a recording of the ocean, with Stan faintly talking in the background. Poor Ford ain't quite over the divorce yet...

HOTXOLOTL: Pulls up a "MOST WANTED" doc on the henchmaniacs.

SEVENEYES: Pulls up a faded polaroid of The Oracle with text on the back that reads "LEAVE HIM. Escape to dimension *blurred out*. It's against the rules but it's the only reality where you'll be safe from him." The code at the bottom (once again decoded by the powerhouse that is @slimslamflimflam) reads "Set a course for Dimension: R34LITY." Is another Cipher Hunt in the makes? Only time will tell, hehehe.

JUST FIT IN: Plays an old commercial with a few moments of speech in the glitches at the end.

EVEN HIS LIES ARE LIES: Shows a transcript from a therapy session at the Theraprism. Bill discusses his relationship with Ford and cuts off the session when someone brings up his parents.

NOT A PHASE: Shows a Google search for "black hair dye stained an entire bathroom."

PAPER IS BOOK SKIN: Instantly downloads a page of fleshy pink paper with the word "ENJOY" written on it!

SHAVE YOUR GRANDMA: Pulls up a few more pages about the human life cycle.

LIES: Pulls up an image of "The Game of Lies" board game, with a long stretch of text from (I assume) Bill, ending with "LIE UNTIL YOU ARE NOT LYING ANYMORE." Someone has some issues...

SAY BAAAA: Pulls up a neat little rhyme about being Bill Cipher's obedient flock of sheep. The code at the end translates to "Black Sheep."

ONE EYED KING: Plays a video of a hypnotist's spiral, with Bill proclaiming "YOU WANT TO PLEDGE YOUR SOUL TO BILL CIPHER" in the background. There is also morse code that translates to "NAITSUAF", leading to a previous discovery- the soul contract.

TANTRUM: Pulls up a transcript of a spat between Bill and Time Baby.

TITANS BLOOD: "HOOT HOOT! Password please!"

CURSE WITTEBANE: Pulls up an image of a Bill Cipher ouija board.

FORDTRAMARINE: Pulls up several rejected files from Ford trying to convince us Fordtramarine exists.

SUCK IT MERLIN: Pulls up a tapestry of Bill riding a unicorn. The code at the top reads "DAY MARE VS NIGHTMARE."

HEY NERD: Plays a commercial advertising things such as a Bill Cipher calendar, the Scrubba-Bill, a severed hand, and the entire Cygnus-XIII galaxy. Half of the image can be found in the Book of Bill.

DESTRUCTION IS THE FORM OF CREATION: Pulls up a frantic page of notes from post-portal-shit Fiddleford. A sticky note at the bottom has a code that reads "Unreality."

RUBBERHOSE: Plays "The World is Small Ever After for All."

IRREGULAR: Shows us Bill's mugshot in color. The code below reads "No prison or attention span can hold him."

UNREALITY: Offers a guide by Bill on how to become immortal.

GUN: "Oh yes oh yes oh yes they both."

ABUELITA: Leads to a video on vacuuming the walls.

YES: "What's McGucket's favorite soda?"

NO: "Your loss..."

REPEATEDLY CLICKING STAN: This stuff deserves a section of its own, away from the OG Stan stuff. It takes you through several Ebay listings on various Stan-ish items until you get to a page written by Bill about Stan's secret shames. "Ex-wives" further confirms our theory on Stan and Eda's relationship, as well as revealing many other bits of lore. "Fears" is somewhat goofy to be honest. "Secret Shames" reveals that Stan is a fanfiction writer and that his mother is the only member of his family who truly loves him outside of Ford and the kids. "Unreported Crimes" is somewhat goofy as well. "Failed Products" basically confirms that Stan is that world's Alex. "Lowest Moments" is genuinely depressing, and "Darkest Thought". Well. I'm not spoiling it lol. And the bit on "How He Beat Me" causes Bill to get more and more frantic/angry the more you click it! Comedy GOLD!

DIPPY FRESH: Leads to a Reddit post of the Burger King Kids Club.

MEOW: Leads to a TikTok of a man playing the Gravity Falls theme on that cap keyboard.

HELP ME: Pulls up another video of Alex's axolotl and the tiny statue. Rip Bill ig :/

R34LITY: Pulls up several photos of the henchmaniacs in live-action, captioned "They found a new home."

JOURNAL 1: "The journal of fun."

JOURNAL 2: "The journal for you."

FBI: "Your webcam is on. We are watching."

BURNED INSIDE: Shows an image of a charred Oregon Parks badge and nametag on the ground.

HECTORING: Plays a silly little country song!

OROBOROUS: Pulls up two journal pages about Fiddleford buying Ford an axolotl to keep him company, and Bill subsequently telling Ford to get rid of him. There's also some code on the first page that reads "CHONKY BOY." Ford, you wonderful dork.

[jaylalolz]

hi! can i request more jealous/possessive nicholas? perhaps with some making up?🥹

ty!!!

❛ 𝐂𝐑𝐎𝐒𝐒𝐄𝐃 𝐋𝐈𝐍𝐄𝐒 ❜ . . . nicholas chavez

SUMMARY, Nicholas and his girlfriend get into a heated argument after he ignores her all night while out with friends, leading her to turn off her location and go out.

A/N, thanks for requesting!! hope u like it

WARNINGS, none

Nicholas knew he had messed up the second he walked through the door. His phone had been blowing up with unread messages, but he had ignored them—too caught up in the chaos of the night with his friends. She was sitting on the couch, arms crossed, glaring at him like she had been waiting for this confrontation all night.

“You couldn’t send one text?” she snapped as soon as he stepped inside, her voice sharp. “Not one?”

Nicholas sighed, running a hand through his messy hair. “I told you I was going out with the guys. What’s the big deal?”

“The big deal is you disappeared! You didn’t answer my calls, didn’t respond to any of my texts. Do you know how that looks? Like you couldn’t care less.” Her eyes flashed with anger, and Nicholas could feel his own frustration rising.

“I was just out having a good time. Why are you blowing this up into something bigger than it is?”

“Because you don’t get it!” She stood up, her voice getting louder. “You always do this. You vanish with your friends and act like I don’t exist for the whole night. It’s like I’m not even on your radar when you’re with them.”

Nicholas clenched his fists, feeling cornered. “I wasn’t ignoring you. I just… didn’t think it was that big of a deal to be off my phone for a few hours.”

“A few hours? Nicholas, it was the entire night! I was worried about you!”

She turned away, grabbing her bag and phone from the counter. Nicholas could see her fingers tapping at her screen, and his stomach twisted when he realized what she was doing.

“Seriously?” he asked, watching as she turned off her location. “You’re pulling this again?”

“If you can’t bother to text me back, then you don’t get to know where I am,” she said coolly, her eyes daring him to say something. Without another word, she stormed out of the apartment, leaving him standing there, frustrated and angry.

Hours passed, and Nicholas was left stewing, replaying the argument over and over. She had every right to be pissed, but the way she just shut him out like that, like he didn’t matter… it made his blood boil. He picked up his phone to check if she’d cooled off yet, but instead, he saw it—a new Instagram story.

She was at the club. Smiling. Laughing. And there, standing next to her, was some guy.

Nicholas’s heart pounded in his chest as he grabbed his keys and headed out the door. He knew where she was. He wasn’t about to sit there while some random guy made her laugh like nothing had happened.

When he got to the club, it didn’t take long to spot her. She was leaning against the bar, talking to the same guy from her story. Nicholas’s jaw tightened, his hands clenching into fists at his sides. She was doing this on purpose. She knew he’d see it, knew it would set him off.

Without a second thought, Nicholas pushed through the crowd, his eyes locked on her. He reached her in a few quick strides, his hand gripping her arm, pulling her away from the guy before either of them knew what was happening.

“Nick, what the hell?” she protested, but he didn’t stop. He dragged her through the crowd, ignoring her complaints until they were outside in the humid night air. He didn’t let go until they reached his car, opening the passenger door with more force than necessary.

“Get in,” he said, his voice low and dangerous.

She hesitated, eyes flashing with defiance, but she got into the car, slamming the door behind her. Nicholas got in on the driver’s side, gripping the steering wheel to calm the storm inside him before turning to face her.

“You think that was funny?” he growled, his voice barely controlled. “Turning off your location and posting that story, letting me see you with him?”

She glared at him, her arms crossed. “Maybe now you know how it feels when you disappear on me for a whole night.”

“That’s what this is about? Payback?” His voice rose, his anger spilling over. “I was out with my friends, but you—what? You run off to the club, posting stories, talking to random guys just to piss me off?”

“I wasn’t trying to piss you off, Nicholas,” she shot back, her voice sharp. “But maybe I wanted you to notice. Maybe I wanted you to feel what I felt when you ignored me all night.”

“Well, congratulations. You got my attention,” he said through gritted teeth, his eyes dark with frustration. “I don’t like seeing you with other guys.”

“Maybe if you actually paid attention to me, I wouldn’t have to find someone else to talk to.”

Nicholas’s temper flared, and without thinking, he reached out, pulling her closer, his grip firm but not rough. “You don’t need anyone else,” he said, his voice low and possessive. “I don’t want you talking to anyone but me.”

Her breath hitched, their faces inches apart now, the tension between them thick and charged. She tried to stay angry, but there was something about the way he was looking at her, the raw intensity in his eyes, that made her pulse quicken.

“You don’t get to ignore me and then act like you own me,” she said, her voice faltering slightly, though the fire in her eyes hadn’t dimmed.

“I do own you,” Nicholas growled, his hand still gripping her waist. “You’re mine.”

For a moment, the air between them was heavy with everything they hadn’t said. The anger, the frustration, the possessiveness—it all tangled together in the space between their heated breaths.

She opened her mouth to argue, but before she could, Nicholas’s lips crashed against hers, silencing whatever protest was about to leave her mouth. She resisted for half a second, but then she gave in, kissing him back with the same intensity, the same fire.

The kiss was rough, desperate, fueled by all the emotions they had been keeping bottled up. When they finally pulled apart, their foreheads resting against each other, they were both breathing hard, the anger between them replaced by something rawer, something deeper.

“I hate it when you shut me out,” Nicholas murmured, his voice softer now, though still laced with possessiveness. “I hate it when you go to someone else.”

“I only do it because I’m scared you don’t care,” she whispered, her fingers brushing his jaw, softer than before.

“I care,” he said firmly. “More than you know.”

They sat in silence for a moment, the tension easing as they held each other. Eventually, she sighed, resting her head on his shoulder.

“I don’t want anyone else but you,” she admitted softly.

Nicholas pulled her closer, kissing the top of her head. “Good. Because you’re mine.”

They stayed like that for a while, their earlier argument forgotten, replaced by the certainty that, no matter how much they fought, they always found their way back to each other.

[drop-dead-dropout]

and even then, that won't help if you're institutionalized as a minor.

You wanna actually help institutionalized mentally ill people? Get them legal help. Post their rights on the walls. Give them access to phones and lawyers. “My small business sells cutsie scrubs for inpatients!!!” literally nobody cares what they are wearing in the fucking hospital but you Becca. shut the fuck up