#all of the stuff they write and post about is almost exclusively made up fanon

[charmac]

omg your tags on that headcanon post resonate so much with me. i love reading fsnficiton but it is very obviously whether someone is writing about the source material or playing dolls (which is an analogy i ALSO use look at us. look at us.) and while. full respect to playing dolls that shit ruled as kids still rules now probably like have fun and be yourself godspeed but it is always weirdly dissonant for those two things to coexist without clear distinction from each other. all this to say i AGREE

"it is always weirdly dissonant for those two things to coexist without clear distinction from each other," is exactly the point here for real.

There's nothing bad about taking characters and doing whatever you want with them and having fun, because you can make some really great and creative things that way. It's when people fail to be able to recognise that what they're doing is completely removed from canon that it gets frustrating, especially for anything still actively being made..

Because new canon content is 9/10 times gonna build off previous canon, and there are a lot of fandoms nowadays that exist heavily in the level 3 and beyond space of headcanons that continually act like new, official content not being fanon-compliant is disappointing or problematic, and that people who like the canon content and want to discuss it are somehow the ones that don't belong in the fandom.

Honestly at this point it's often hard to tell if people who complain endlessly about the canon of the thing they're a fan of is due to an actual inability to recognise when popular headcanons are a 3 or 4 or if there's a genuine chunk of people in fandoms who legit dislike their source material and got into the material and/or a character exclusively due to fanon creations and ideas

[karliahs]

For DVD commentary, can you do walk a mile? Starting from "He considers leaving the room altogether," and ending at "There are drawings too, every now and then, detailed ones that are better than anything Hitoshi could do."

ooh, an old one! interesting to look back on because the decisions i made in that fic were long enough ago now that it feels like someone else made them

fun fact: i wrote this fic on a train, or specifically on two trains and in a coffee shop, because i accidentally got on a train that went an hour in the wrong direction before it stopped. and then spent an hour waiting in a coffee shop for a train that would go back the right way, and then for a couple of hours on a train going back.

and so while i was doing all that waiting, i wrote this fic on my phone (insane to me now). i think i may have typed a bit of it on a laptop when i got home finally, and i also think i may have posted it that same day??? kind of wild looking back on how blasé i used to be about some stuff (i would never dream of posting something now without days of editing)

i was also writing shinsou exclusively from sports festival and fanon. joint training arc wasn't in the anime yet at that time, and i was anime-only back then. so i'd probably write him differently now, but also if i'm gonna say that i should put my money where my mouth is and actually do that!

anyway!!! the passage:

He considers leaving the room altogether, roaming some dream version of the dorms, but he's still not convinced things aren't about to disintegrate the way they so often do when he manages to sleep, familiar landscapes draining away like sand, floors he's walked a thousand times suddenly giving way, dark things rising up out of the shadows.  Those dreams are worst when they're in places he knows, leaving him uneasy for days afterwards in whatever place they've decided to ruin this time. Better to stay in his invented version of Midoriya's room, even if it makes him feel bitter, and then bitter at his own bitterness. He's your classmate now, Hitoshi reminds himself. The scales are still vastly unbalanced, but for once he's moving in the right direction. 

...it is very difficult to not mentally line-edit this as i'm reading it. anyway. that thing where dreams will ruin stuff is deeply annoying. it happens to me more often with people than with places, but it is so frustrating to be like well i feel weird talking to this person now because my brain decided to write a play where we had an argument or something. projecting my annoyance with that onto Probable Sleep Issues guy

i do think bitter about your own bitterness could be a fun thing to play with more. like, the very fact that you're envying someone reminds you how far apart you are, which just drives more envy and frustration. also the dramatic irony of shinsou not understanding that midoriya also feels so behind and like he has such a shaky claim to this world is delightful and frustrating to me in almost equal measure (i need. them to be friends)

He tries to distract himself by snooping, unsure who he’ll really be learning more about. Mostly he gets the impression of an overwhelming amount of stuff. Hitoshi knows his own attitude to possessions isn’t exactly typical. He’d moved so often growing up that he’d started to take a kind of spiteful satisfaction in adding more and more of his things to the ‘give away’ pile with each move, insisting his parents couldn’t make him pack anything he didn’t want, looking around at his sparse, personality-less room and feeling like one thing was within his control.  It was partly why he hadn’t wanted anyone in his UA dorm room - he had school supplies tucked away in drawers, the bare minimum of clothes secluded in closets, and that was mostly it. Even with books, which he loved, he’d gotten used to getting from libraries rather than keeping any. He had plain black sheets on the bed.  The thought of changing things, of adding more stuff, even when he was in theory going to be in the same place for the next two and half years, made him feel twitchy and strange.

this is fun to look back on, because i don't think back in 2020 i had really acknowledged the ways in which i am weird about Stuff. not in this way exactly - none of my living spaces could be described as minimalist - but i have a real hatred of clutter (it feels like it's sending my brain notifications all the time and i can't make it stop), and a weird guilt thing about having too many things or having to get rid of things (i got offered a free book the other week and was filled with a weird panic at the idea of bringing something into my space without having thought carefully about whether it has a place there. like the "now i gotta be responsible for this water bottle" tweet but with every possession in my home. makes me feel, one might say, twitchy and strange)

anyway, as usual this isn't so much a fixed headcanon for shinsou as a thing i felt like exploring. one of the ways people try to gain a sense of control, especially for children and teenagers who control so few things. shinsou as a book-lover is a pretty consistent fond headcanon of mine (i like the light novel bit where he's baffled by people doing anything but studying on the weekends. books are a good hobby for a studious little guy, plus escapism, plus the lonely kid tradition of hiding away with a book)

His imagined version of Midoriya’s room is the opposite extreme. Every wall is adorned with posters, every surface covered with mostly All Might themed memorabilia, but also books, lamps, trinkets. He inspects dream-Midoriya’s book collection, finding a surprising amount of nonfiction, and also an intriguing stack of worn notebooks, at least a dozen. He snags one from the pile at random and flips it open. It takes him a while to make out the small, messy handwriting, and even longer to start drawing meaning from the scribbled, lengthy notes, written in a way that suggests the writer wasn’t trying to make them comprehensible for anyone except his future self. For the most part, the notebook is full of narrative regarding current active pro heroes - descriptions of fights witnessed in person or from internet footage; analysis of techniques, costumes, approach to publicity and interviews, varying between the kinds of paragraphs that wouldn’t seem out of place in a school essay to more personal, over-excited commentary. There are drawings too, every now and then, detailed ones that are better than anything Hitoshi could do.

midoriya, on the other hand, strikes me much more as a primarily nonfic reader than a fiction one. frenzied researcher vibes

anyway, midoriya's notebooks my beloved <3 them being revealed to various people is a v common trope in bnha fic, often with people marveling at the quality of analysis in them. and i'm fond of that! i think he is very good at analysing situations and this was obvs a learned skill. love when people appreciate my boy. but i also think he's an excited little fanboy, and a young teenager who has no real access to the world he's writing about, and also is writing for himself with no expectation of it needing to be comprehensible to anyone else. so i more imagine them as a fun mishmash of analysis and excitement, like real fan spaces

and as is referenced in the parts of the fic that follow on from this, i'm kind of less interested in the notebooks' quality than in them as like...an artifact of long-term loneliness. not having friends at a formative age will fuck you up, because humans are fundamentally social creatures who develop a sense of their own identity through interactions with others. so when those interactions are absent are largely negative, people can end up with thoughts kind of stoppered up inside themselves with nowhere to go. and i thought about that a lot with izuku, who has no one to share his love of heroes with

okay that's a sad note to end on again, oops, but this was fun to look back on, ty!!

[tunglo]

I felt this response in my marrow because, well, it’s one thing to say we write for ourselves, the truth is that we wouldn’t be posting it for all to see if we didn’t hope for some kind of response. This is kind of rambling, but I just wanted to share some thoughts and maybe some hope that though it’s tough, you can work past that fear of ‘nobody will like this, why bother in the first place?’

Because these days I care about it a lot less. I write a lot of prompt fic and, yeah, it sucks not to get any feedback for a particular fill, but overall I take a lot of enjoyment in twisting it to fit my particular headcanons/characterisation, etc, and generally creating more stuff that is exactly to my own taste. And that’s not to say I’m not easily swayed by feedback. If someone explicitly asks for more of something that wasn’t my fave, chances are I’ll try and prioritise it in the quest for validation/engagement - but I still write the other things too, albeit more slowly.

I think what helped me get to this point was the few years I spent focusing almost exclusively on exchanges. And what helped the most was ironically the ones I least liked doing. The sign-ups where you match on a fandom/ship but then hate all their prompts with that instinctive ‘did we even consume the same media!?’ zeal. Because the whole point of those was writing for someone else’s enjoyment and... ultimately I didn’t like it. I produced fic that the recipient liked, some that even went down well with wider fandom, but to me those fics always felt weak and wanting. Artificial, I guess. The fic I was most proud of / wanted to reread, etc, ended up being the stuff where I actively went with what felt ‘right’ to me, not what I knew the fandom would most appreciate. (e.g. a happy ending would be most instantly gratifying, but prompter said they were okay with whatever was written and I knew the fic would have more lasting impact without it.)

It eventually put me in a position where a fic being popular wasn’t the most important reason for writing it, and that lead me to just producing what I liked rather than what I knew would be a hit with fandom. (and, imo, better writing because of it) e.g. I was really into Reed900 and DBH fandom for a while, which is pretty much all fanon, but when I started writing I just did not like any of the popular takes. So I ignored them and wrote the kitschy robot romance I wanted... those fics eventually became some of the most popular for the ship, but it took a long time to gather that momentum and I could never have sustained it without caring about me foremost and prevailing fannish trends second. 

Same with my current obikin obsession. I know my approach to the ship isn’t yours - actively hating on Anakin is like 90% of my enjoyment at any given moment of writing, lol - but I also knew going in that ‘repressed virginal space monks + disregard for established fanon’ would not be the most popular combo. I’m super lucky to have found a regular readership and a few likeminded people now to exchange thoughts/squee with but, again, it took time to get there. A few years back I would definitely have struggled to get over the disappointment of certain fics falling flat while more obviously fan service ones picked up feedback. But now my major driver is ‘I want more fic with this premise and characterisation’ instead of ‘I want to my fic to be popular’, and it is genuinely liberating.

It’s also helped me in other ways - like the fear of blocking and muting popular people in the fandom whose takes I find irritating or whatever lest it impact on the reception of my fic, for example. Just generally centering my enjoyment of my hobby, rather than what other people think of me and my output has made such a big difference to me. In the past I’d be so afraid of offending someone, or being cancelled, or a myriad other things. Now I’m much more confident in basically stating: this is what I like, if you have a problem with it go elsewhere.

So, yeah, the transformation is not 100% complete or perfect. I still get downers over response to particular fics, irrational jealousy that somebody’s else’s similar take was more popular, and indignant outrage that people genuinely can’t see my vision on all aspects of fanon is superior (/sarcasm!), but I have managed to find a better balance between writing what I want and seeking fandom’s approval. I hope one day you’ll find that too. xx

Hi, so I don't know want to come across as rude, but where are you getting this impression that the popular obikin fandom trend for Anakin is for him to be a himbo disaster? Like yes, I've definitely seen that in the fandom, but I wouldn't say the majority take that view. Mostly I see the fandom writing him as possessive, competent, angry, volatile, and complex. I see both 'popular' and 'non popular' writers writing him with a mixture of these characteristics, and I think it's a bit offensive that you're saying popular writers in the fandom tend to only write him in one way, because I don't see that at all and I check the ao3 tag everyday.

I also find it quite rude that you seem to think that the less 'popular' writers and their work are any less loved in the fandom. I still love, read, rec and talk about these fics, and it is the community's responsibility as a whole to spread the love for those fics. So why not rec some yourself? Why not write something that may not necessarily be 'popular' by fandom standards and you may find a handful of people who agree with you and you'll make some great friends? Why not build your catalogue of your preferred characterisation and maybe it'll become the norm? Why not do any of these things instead of disregarding and disrespecting the hundreds of writers who do do those things, and do it because they love obikin and not because they want to be popular.

TBH, anon, I don't advise my way of thinking for anyone else. It's mine and probably a product of my own anxiety, and I wouldn't encourage anyone to share in it.

I also find it quite rude that you seem to think that the less 'popular' writers and their work are any less loved in the fandom.

This is just how I think of stats. I honestly don't know how else to think of them. Like, if I have an Obikin memory loss fic fic that gets twenty kudos, but there's another Obikin memory loss fic with two thousand kudos, the only objective conclusion to me is that this other fic is more loved than mine. Now, there might be another reason for that: the other author might be a better writer, or maybe their fic leaned into the trope more in a way the audience preferred, or maybe they used more popular characterization. But to me, it's a no-brainer in this situation that the more popular fic is more loved by fandom.

But this mindset is only something I apply to myself. I'm never going to look at someone else's work and go, "Wow, twenty kudos, clearly no one loves you." And I would encourage anyone else to back away from that kind of thinking, because believe me, it's not helpful.

Why not write something that may not necessarily be 'popular' by fandom standards and you may find a handful of people who agree with you and you'll make some great friends? Why not build your catalogue of your preferred characterisation and maybe it'll become the norm?

Honestly, anon, because I think I'll fail. I'd love to have people to brainstorm competent!Anakin Obikin stories with, or to be able to jump into a chat about what your favorite rarely-mentioned talent of Anakin's is from either Legends or canon. But so many times before, in both different fandoms and in this one, I set out to write a fic I thought for sure people would enjoy and that I'd find a friendship or two through it, only for it to bomb and no one to want to acknowledge it. And I was just left mortified by my failure and never wanting to repeat the experience.

And I know this is a me issue, to an extent. I know it's not normal to have so much anxiety over fic writing, but I don't know what to do. I constantly feel like I'm doomed to fail whenever I start a new fic, because I know I'm not good at giving the fandom what it wants, and I know that I'll see that reflected in my stats and then have to face how much fandom doesn't want me writing the ideas I want to write most. I write for fandom fic exchanges, and I see certain requests by the same people popping up over and over in different in exchanges, asking for Obikin or another pairing or a gen prompt. And each time, I so badly want to write the prompt or pairing for them, and sometimes start fics to give to the person requesting that pairing, but then I always chicken out because I'm too worried that my fic will disappoint them and that I'll have to see another fic fail.

I don't know what to do to put an end to this way of thinking/acting. Every New Year, my resolution is to write more, to increase my fic output, but I can never convince myself that anyone truly wants to see fics by me, so I'm just left paralyzed about wanting to write but knowing I'll inevitably write the wrong thing. And then I get nothing accomplished. I feel resigned that the same thing is going to happen this year, and I don't know how to prevent it.

I still love, read, rec and talk about these fics, and it is the community's responsibility as a whole to spread the love for those fics.

And I thank you for it, nonny. Sincerely and without snark. I wish more people in fandom were like you and willing to give fics a chance even if they're not popular or already being recced all over the place. I genuinely appreciate you for what you're doing.

[yourfavouritetragedy]

I was adding onto the DSMP Actor AU post, but it turned into Wilbur musician AU, haha rip me, and I only know SBI anyways so here’s a separate post. (It goes back to actor AU at the end.) It’s hypothetically still in the same universe though, and obviously inspired by it. If anything’s phrased weirdly, it’s cuz this was originally an addition to that. 

tbh I kinda adhered to their IRL careers too much compared to the OP but whatever it’s fine. 

Also frick the “Dream SMP” for not having a better title lmaooo

Wilbur is an indie artist really on the come up

Your City Gave Me Asthma was pretty good for a first release, popular with both new fans and fans of his acting.

He had starred in a short mystery/thriller-ish series that started off disguised as a normal sitcom: Chilly in Lincolnshire {Editor Wilbur ARG}

It had a prominent release because of Jack Massey’s involvement and previous fame, but production was abruptly scrapped before it tied everything up with a bow on top, so to speak. It’s still unclear if this was actually planned in order to tell the story the way they way wanted. 

Even before that, critics had mixed reviews, either applauding the storytelling and acting or calling it “irrationally confusing, an amateurish attempt to box unconventional storytelling into a conventional medium.”

Also SootHouse was a sitcom that achieved a cult following during the two seasons it ran before cancellation. Either you’re a fan or you’re never heard of it, and people constantly forget Wilbur was in it. 

(He was a few other old shows on his resume too. Wilbur always focuses on the newest project, so everyone always forgets about what he was in before.) 

Maybe I Was Boring EP was initially just bonus tracks on his website, but his fans liked it so much he gave it a wider release

In between, he had a few comedy songs go viral on youtube. Everybody was so confused when they realized it was the same Wilbur as musician/actor Wilbur. He laughed about it in an interview, saying “How many Wilburs do you know?” 

That’s when it came out that “Wilbur Soot” was actually a stage name. (”Ha, fair, only one.” “Make that zero-- my name’s not really Wilbur.”)

He kinda disappeared after that?? Didn’t do anything, really inactive on social media. It was semi-confirmed that he was both working on his mental health and prepping some stuff (music, auditions).

But anyways he just released a series of singles, combined into Digital Love {E-girl trilogy}-- he’s transformed his image yet again, but this time he does take ownership of all his past ventures.

The release of Digital Love bridges the end of SMP Earth and the beginning Dream SMP. 

But before that there was MCC and the other stuff.

They are shows where celebrities team up do stuff-- you know the type 

but Minecraft Monday is still inexplicably Minecraft Monday. Some Youtuber just managed to get all these up and coming celebrities to play a Minecraft tournament. 

And that’s where the Sleepy Bois (minus Tommy) met IRL so that’s where they meet here. 

SMP Earth, like Minecraft Manhunts, is also a former show they were on. I’m going to call it World Domination. Don’t @ me; I know that’s trash lol. 

They and the Dream Team met up because of their shared fanbases and were even talking a crossover, but it didn’t really work that well for the stories so they scrapped it

They make a non-canon cross over episode anyways {no IRL equivalent, I think}

Everybody loves the cons. Everytime there’s a con, five friendships are made and eight ideas are created. 

Techno backstory time

He’s done a lot of long running, though not exactly popular, serials and sitcoms: Blitz, Survival Games, and Sky Wars. 

Winstreak: 1000 {Bed Wars 1000 winstreak} was so popular they made a second season, but it never got as big as the first. He worked nearly exclusively with Hypixel Studios. 

He was doing lots of random content for their new Sky World universe {Skyblock} -- the small studio was big on experimentation -- , when a fictional documentary, The Great Potato War, went proper viral. 

They made two sequels WHILE he was doing those celebrity team challenge shows and then World Domination, and they were actually good sequels.

Got a reputation for being shallow and a sell-out, but he makes a joke of it so much he gets away with it and constantly self-promos.

Also a kinda scary to work with for the first time because of how single-minded he can get, but once you realize how socially awkward he is it’s okay.  

Now that’s he’s in a lot of stuff with worldbuilding, he practically has the wikis memorized. 

Tommy mainly did limited series and movies before World Domination, where he met the SBI.

He’d had been a fan of Wilbur for a while, and was super star-struck at first, but got over it really quickly in his Tommy style

He still is a total fanboy at concerts and whenever a new music video drops. “I’m friends with the guy! I know him, Wilbur Soot!” “Tommy, you’re famous too.” “Yeah, cuz I’m practically in the video!” “No--” 

Wilbur takes Tommy to one of his concerts and he’s so hyped the entire time, especially to go behind the scenes and on the stage. 

Sometimes he gets stressed about the pressure of being a child star, but Techno, Philza, and Wilbur promise to stand by him and they make him feel protected 

One time Wilbur’s drunk and almost hands Tommy a drink before swearing and going, “You’re a bloody child! You can’t have that! God, what would Philza think?” Tommy’s not sure whether to be relieved or disappointed. 

Philza laughs at the story and actually lets Tommy try a little in a more controlled, responsible situation. Tommy texts his mum first, and then hates the drink anyways. (”This is rubbish! I am a man, but I’m not drinking this!” Techno: “Alcohol is disappointing. I drink orphan’s tears instead.” “Techno WHAT--”)

Philza had been the star of a zombie apocalypse show: Golden Core 

He did canonically die to a child zombie in the movie version. Yes, they made a movie version of the TV show, because the Golden Core franchise actually has had many other shows {other hardcore series}. 

Everybody tries to get the child zombie props near him because of that (they’re puppets)

He’s done a lot of other things, like in the original actor AU post, but none of them came close in popularity. 

He gives the rest of the SBI the knowledge he’s gained from being in the biz for so long. 

There’s also a running joke about SBI meaning “Spy Boys Incorporated” and them starring in a comedy spy movie

The fans would very much actually like this to happen. There’s so many fanons for it (maybe I’ll write one....) 

Back to the DSMP. Maybe I’ll call it Dreamland or smth. 

Wilbur constantly asks Tommy if he’s okay after any difficult scenes

Especially when they were hanging out together a lot in the exile arc.

All the brother scenes were cut because Wilbur kept breaking down and crying in them.

Sometimes people actually ask Techno and Tommy if they’re actually brothers. Tommy tries to go along with it half the time on the basis of “it’s be funny,” so there’s a subset of casual fans that genuinely don’t know. 

After Alivebur was killed off, Wilbur was going to leave the show to concentrate on his music

But he missed the SMP and hanging so much that he just showed up on set one day saying “I’m a ghost now,” and everyone just rolled with it

Alivebur was so popular that, seeing that Wilbur was willing, they decided to bring him back for Season 3. He’s been avoiding doing heavy scenes, but he still seems really invested and like he wants to come back to the show.

Wilbur talks with Techno about writing and lore a lot

it’s one the few times Wilbur actually seems like the older one

Wilbur attempted to get a D&D group going in the cast, but the show was already close enough, with the amount of improvisation they can get by with

Tommy’s Pigstep cover happened, but the background was Philza clapping barely in time with just Wilbur on bass instead (and of course Techno’s “BAHP”s)

It was a charity stream. They had put on their costumes (clothes only) for a previous goal. 

This one was simply called “We rap.”

Some people were almost disappointed that Tommy was the only one actually rapping, but he was so funny it made up for it. 

Okay I spent the whole morning on this and it got way too long but I think I’m finally out of ideas. sorry haha hope you enjoyed! ^_^

[project-pnf-404]

Checkpoint and important updates 2!!: Electric boogaloo!!

Heyo guys!! Long time no talk. So, I’ve got some cool update stuff to show you guys. I’ve been doing a lot of blog “housekeeping” since the end of the last event. (don’t worry it hopefully won’t be boring update stuff lmao as it includes some new supplementary content). So, first and foremost, thanks to the inspiration from @koppais-smallest-nerd I’d like to let you guys know that I am now adding screen reader access to all future posts!!! This one included. At the bottom of each post under the, “read more”, image descriptions for all images will be added! Screen reader accessibility will also be added to all previous asks on the blog. However, getting through all of them will take a tiny bit. As, of this update, the first 4 asks have had image descriptions added. As well as all the supplementary content in between where applicable.

I’d also like to show you guys some supplementary content for the blog. Between these dashed lines are in character day 1 log entries written by the rest of the crew. 

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I originally wasn’t sure if I wanted to put these extra day 1 logs on the main blog or not. But, I’ve decided that all supplementary content that may be story related will remain on the main blog for the foreseeable future, while BTS content will end up on PNF-404-Plus.

That being said since the end of the 1st event and my time away from the blog a lot has been going on when it comes to the blog.

For one the entire desktop version of the blog has had a large overhaul. A new theme has been added to the main page.

But, not only that but new side pages with supplementary content have been added!! This includes an event list, a bio page for the crew members of the S.S Drake, a Piklopedia page for the new Piklopedia, and a music page to top it all off!!

The Event List will show each new event as they are added! You can click on the current known events to go directly to all posts tagged with that event tag. Speaking of which all Event 01 posts have now had their tags updated with the Event 01 tag making it much easier to navigate.

The new Crew Members page has bios for all the members currently on the mission or known in the story so far! These Bios are pretty in line with cannon with some fanon, and light headcanon added  in for good measure. I recommend taking a look as it does have some interesting info in there. Also quick note: all of these bios are written as if it is prior to the beginning of the blog.

Then there’s the Piklopedia!! Here you can read each of their findings as they explore PNF-404! Currently the findings will be on each area they explore (not each creature they find) as they haven’t found any new creatures yet. There is also a map of places they’ve discovered and more!

Lastly, a new music page has been added. On this page, I’ve created event-inspired music playlists. Some of the songs have been mentioned in the past. But, here you can listen to them all in one place and see which songs are for which part of the events. As well there’s a secret songs playlist. This playlist has nothing to do with the blog directly but is filled with music given to me by people I’ve met from this community while I’ve been here!! Currently, there are 5 songs there, however, there will be more added in the future! What makes it secret is that you won’t know who gave me the song XD. (well unless you’re the one who gave me the song lmao) who knows if you’ve ever shared music with me before you may find your song there!! (There is also one song I’m sharing with you guys in there too so have fun figuring that out lmao. )

As well the table of contents has been once again updated with a lot of this new stuff as well as some other new information!! As for mobile users as of now, all of this is on separate Tumblr pages. However, in the near future, I will be uploading much of this stuff , such as the Piklopedia entries and Crew Bio’s, as individual posts! However, in the meantime, if you feel like you can always check out these pages on your phone browser instead if you’re a mobile-exclusive user. (Though some pages don’t look as good on phone)

Welp, I think that’s it as far as updates go!! I should be back with brand new ask posts soon (likely within the next week or so!) so keep a look out!! I’ll see ya guys again soon and thanks for reading!!!

{{ Screen reader image description is under “read more”}}

In the first image,  Alph’s Day 1 Log entry is shown. His log says, “To think I thought the first day would go well. Then again I didn’t think I would get sucked out of the ship either so maybe I should stop being so surprised. At the very least Louie and I were able to find our way back despite some obstacles and I was able to fix the ship in time. Though if it weren’t for Chunks we would have never found the pikmin we did. That little guy sure saved the day. 

However, Then there's what happened to Brittany… To see her in a situation like that... I can’t even bear to think about it. Tomorrow I will be checking over the entirety of the Drake to make sure a crash like that doesn't happen again. I can't help but think that the crash was due to me overlooking something during maintenance... However, The only thing I can do now is to make sure something like this never happens again for all our sake, especially Brittanys’. “ It is then sighed by Alph

In the second Image Charlies Day 1 Log entry can be read it says, “I should have been on top of things. As this crew’s captain, everything that went wrong was under my watch and things should have gone much smoother. That being said I am very glad that all of my crew have made it out alive. Though I am still worried about Brittany. If only I was able to keep her safe…

 But, at this point, we all must press forward. We have a task to complete and after seeing how devastated some areas are, we must get to the bottom of what’s wrong with PNF-404. Nothing will get in my way, not with my steely fists that is!!” It is then signed by  Charlie

In the third image Louies’ day 1 log entry can be seen it says, 

“

Going back to the pikmin planet wasn’t at the top of my list of things I thought I’d be doing anytime soon. Yet somehow I find myself back here and stranded again…. At least I wasn’t fully alone this time…

Alph and I eventually found a pikmin that we later named Chunks. He sure acts differently in comparison to any other Pikmin I’ve seen before. But, even still, if it weren’t for Chunks, we wouldn’t have been able to help Brittany or find any other pikmin for that matter. So, we should thank him for that.” It is then signed by Louie

In the fourth image the updated version of the Project: PNF-404 Tumblr is shown. It now has a bright cyan futuristic aesthetic to it. In the fifth image a picture of the new events page, listing all the past and future events planned so far is shown. It has 1 known event Titled Event 01. The other 3 are titled Event unknown. In the sixth image, the new crew members’ character page is shown. A picture of Olimar is shown along with a description of his traits and a biography. It reads as follows, 

CAPTAIN OLIMAR

AGE 38

ALIAS(ES)Olimar

SPECIES Hocotatian

GENDER Male

TITLE(S) Employee of Hocotate Freight, Xenobiologist

AFFILIATION Hocotate Freight, Planet Hocotate Government

Fatherly, well-meaning, and resourceful, for an almost 40 year old Hocotatian he has a lot of bravery and guts. Olimar first and foremost loves his family and cares deeply for others around him. A Hardworking employee of Hocotate Freight and family man, Olimar tends to try and stay level-headed while looking out for others.

Having been one of the first to visit the Pikmin planet Olimar has extensive knowledge of the planet's life. Lucky for him he just so happens to have gone to college for xenobiology. Many of his findings can be found within his many log entries known as the Piklopedia.

But, for as much as Olimar tends to be on top of things, his trips to the pikmin planet have had him face many dangers and life-threatening events. Though these issues are not something he brings up…

In the seventh image, The new Piklopidea page is shown, In one section it displays a map of PNF-404 with 2 marked locations. The first of which is highlighted in blue is named the “Silent Stream” the second, is highlighted in orange, Its title is “Glacial Gardens”. To the right of that is a description introduction for the Piklopedia. It says” To help ensure the progress and success of this mission all crew members must write down their findings in this log. Overview: 

CAPTAIN Olimar: Writes In-depth biological analysis of fauna and how the ecosystem affects said fauna.

LOUIE: Writes about Recipes and ingredients that can be found in each area. ALPH: Looks at the area with the eyes of an engineer. He uses this insight to discuss the benefits and flaws of what he’s analyzing. BRITTANY: Uses her botanist skills to look into the flora of the area along with talking about the aesthetics of things and adding in her own general opinions.

CAPTAIN CHARLIE: Writes about combat strategy and how one can use the environment in an area for a tactical advantage.

To the left is a map showing the current locations discovered by the crew. The one highlighted in orange has yet to be explored.

The final image shows the new music page! 6 playlists can be selected on the left each having 5 songs. To the right is an image of the event 01 cover art. With (from left to right), Brittnay, Charlie, Olimar, Louie, and Alph all looking up with a distressed expression on their faces. 

END ID

[asterekmess]

1-11 Scott/Posey Stans always try to deflect criticism of the way Scott McCall is written in Teen Wolf by claiming that ANY attempt by a fan, a viewer, or a critic of holding Scott to a level of behavior that one would expect of a character who is a main and the self-proclaimed hero of the show is “racism”. Except that their accusations don’t make any sense whatsoever, because Scott’s canonical shitty actions and behavior don’t stem from his race (or canonical lack of thereof.)

Okay hun, this is a doozy, so I’m putting it under a Read More.

2-11 Scott McCall is mean. He’s mean to Stiles, he’s mean to Allison, he’s mean to Derek, he’s mean to Peter, he’s mean to Cora, he’s mean to Lydia, he’s mean to Jackson, he’s mean to Erica, he’s mean to Isaac, he’s mean to Malia, he’s mean to Malia, he’s mean to Kira, he’s mean to Liam, he’s mean to Chris, and he’s even mean to Theo (“You are barely even human!”) Scott McCall is deliberately rude to the Hales, Boyd, Ethan, Danny, Hayden, Jiang, Tierney, and Melissa.

3-11 Scott McCall deliberately USES, INSULTS, HUMILIATES and DEHUMANIZES people in ways that demonstrate that he is fully aware of what he’s doing. Scott McCall deliberately disregards other people’s needs in order to fulfill his own. Tyler Posey being half Mexican doesn’t change the fact that his fictional character Scott McCall is a whiny coward and an abusive piece of trash,

4-11 and that his so called ‘defense squad’ enjoys the power fantasy that Scott can be cruel, can lie, can assault, can lash out, can violate other people’s boundaries, bodily autonomy and consent, can commit premeditated murder, can break the law without impunity, can dehumanize, can gaslight and victim blame his friends to his heart’s content and no one should ever hold it against him

5-11 In both the production and in some Scott supremacist fanfics, there’s often the premise that people are evil and in the wrong if they call Scott out on his bullshit or hold his toxic behavior against him. Take Season 1. As much as the Scott McCall defense squad brigade love framing Stiles and Derek getting shit done and prioritizing people’s life over Scott’s jealous fits and temper tantrums as the height of depravity

6-11 Scott/Posey Stans consciously and steadfastly ignore all the cruel things that Scott says and does throughout the seasons, such as “How much Adderall have you had today?” OR “What are you trying to do?! I just made first line! I got a date with a girl who I can't believe wants to go out with me and everything in my life is perfect! Why are you trying to ruin it?!” OR “The hunters had a reason to slaughter your entire family and pack”

7-11 (As an aside, it’s amazing to me how Fanon rewrites Scott as this brilliant thinker and strategist and mastermind who is so much smarter and better than everyone else in every way even though Canon Scott spends the entirety of Teen Wolf doing absolutely nothing except get his ass handed to him by everyone, whining about wanting to be popular/get his dick wet/play lacrosse, screaming at his friends and girlfriends, being utterly useless when left to his own devices,

8-11 and planning to bite Stiles against his will because he doesn’t know what to do. But I digress.) Or take Season 5. In the rain argument in Lies of Omission (5x09), Scott McCall’s hypocritical, dehumanizing speech to Stiles is one of the meanest, cruelest, most disgusting manipulations I have ever seen a television character deliver to another television character they supposedly cared about. It’s victim blaming and gaslighting at its vilest.

9-11 And, of course, the Scott McCall defense squad focuses exclusively on the idea that Stiles didn’t behave “the right way” in that scene (AKA taking Scott’s bullshit without clapping back like Scott wanted and demanded), and cannot entertain for one moment the idea that Scott provoked that response by dehumanizing Stiles and by accusing Stiles of being a violent, dangerous, inhuman monster and serial killer based on Theo’s words alone.

10-11 After all, it’s part of their power fantasy. Scott being “abandoned” and “mistreated” by his “ungrateful” friends serves another type of fantasy: the poor oppressed martyr. It doesn’t matter why Scott is abandoned or who is leaving Scott, it’s all about Scott McCall’s right to own people and demand his friends’ love, friendship, loyalty, sympathy, forgiveness, obedience and devotion without having to account for his own abusive behavior.

11-11 And that’s Scott Stans’ point: Only Scott McCall Is Important and Damn Derek/Stiles/Liam/Other Teen Wolf character for having a life and motivations that don’t revolve around Scott! To them (and to Canon Scott), the pack exists not to serve all its members, but to serve and validate Scott McWhinyCall. Because, after all, that’s what antis want for themselves – validation in the face of shortcomings and bad behavior.

Wow, that was a lot of anger. Do you feel any better after venting that? I really hope so, it honestly looks p cathartic. Okay, I apologize in advance if I don’t come across as quite so passionate, I’m kinda bleh today and I already used up all my righteous fury in an earlier post, so I’ll do my best.

I honestly understand the worry about people disliking Scott as having racist motivations. As I said in another post, there aren’t a lot of Latino (wait, I read somewhere to use latine? Should I use that instead? I’ll use that, someone correct me if I’m wrong. The thing also said latinx was not great bc of pronunciation issues? I’m not educated enough on this. Halp, please.) Latine protagonist characters in popular television, especially for teen dramas like Teen Wolf. Intentional or not, written into the show or not, Scott is half-latine. His mother is a latine woman. We don’t see them speak spanish or take part in any specific cultural traditions, but that doesn’t make him white. Yes, his character was written for a white guy, but Tyler Posey is the one who got the part and we can’t strip him of his heritage just because the show originally meant for Scott to be white. My husband is almost always mistaken for white, even though he’s also half-latine, but that doesn’t make him any less latine. There’s little enough representation as it is, and if we start being picky about whether characters were ‘intended’ or ‘written’ as POC, everything will just fall to shit. Plus, as a white person, I have literally no rights to decide that Scott’s white. I’m cool with that. Would prefer to just stay in my lane, if I’m honest. With Scott established as being a POC, it’s totally reasonable for other POC and fans of Scott to be worried that those of us who don’t like him have that opinion because of either passive or active racism. There are a lot of occasions where Protags of Color were either liked less, or actively disliked for just being ‘not white.’ It also doesn’t help that Scott is one of very few “good” Characters of Color in TW (whether we agree or not, he is presented as a ‘good guy’). We have Boyd, who dies in 3A and doesn’t get much character developement in the meantime, and Kira, who sticks around for a while, then has to leave because of ‘losing control’ which is apparently a very common stereotype for POC, especially within Fantasy or Supernatural settings. Other than them, the other POC are either bad guys or just morally dubious. I’m not sure where Deaton falls on the scale either. I understand it being frustrating to some people for us to take one of the few “good’ characters and see him/describe him as a villain. It’s important for white people, and honestly, anyone not latine (because even POC can be racist against people who aren’t their race) to be self-aware and analyze the various reasons why we dislike Scott and make sure that we aren’t accidentally being passively racist. Just because we’re sure we aren’t, doesn’t mean we shouldn’t double check. And if we find we are, then it’s up to us to correct that mindset and educate ourselves. There is no shame in learning that you have not great habits or mindsets and working to fix them. That’s how growth works. It’s equally important that when we’re writing fic, we watch how we portray him and the other POC in the show. I’m not saying we can’t write Scott bashing fic. Fuck knows that I’ve written plenty of Bad Friend Scott McCall fic, and I don’t intend to stop. But we still need to be self-critical and make sure that we’re not writing Scott (or the others, please assume from here on out I’m saying Scott and the others) into racist stereotypes. We shouldn’t reduce him to just a “Yes” man, or make him constantly submissive, or constantly vicious and angry and mean for no reason. It’s one thing to write him as doing something bad or cruel and making it realistic for the story. It’s quite another to have him just randomly pop in to say “fuck you” and hit someone (I’m not referencing something specific here, I’m just saying dumb stuff). Honestly, I don’t know enough about this and I’m not really entitled to go into too much more detail. Instead, I’d recommend that even if you don’t think you’re hating Scott for racist reasons, still read This Post about racism in fandom/fanfic. When I read it, it was both reassuring and intimidating. I have anxiety, so I’m usually worried about doing things for ‘the wrong reason’ even when that’s not actually my reason for doing the thing. Reading this gave me a clearer view of my own thoughts, and it honestly made me feel a little more comfortable with my own mentality because it gave me a structure to think about and consider when I’m worried that I’m doing something racist. It’s worth the read. I’d also like to reiterate the suggestion on that post, to check out the blog Writing with Color, which is a great resource for writing Characters of Color. It doesn’t have as many resources for fanfiction writing and the grey area involved in writing characters that your reader already knows, but their ask box is closed at the moment, so maybe when it opens again someone’ll send in an ask about it (If I actually remember to, I’ll do it myself, but that’s unlikely, so if one of you feels so inspired, please do so and help a fic writer out!)

Now. I cannot speak for every single fan of TW who is anti-Scott in some way. Obviously not. But, I can speak for myself and for the experiences I’ve had within the fandom. My issues with Scott are many and complex and a lot of it is intrinsically connected to issues with the writing of the show in general and with the creators and the calls they made. In all the conversations that I’ve had with other fans, I’ve never seen anyone list Scott’s race as a problem. I’ve never seen anyone talk about how they wished he were more submissive or more obedient. Maybe that he would listen to actual adults once in a while, but not that he be unreasonably obedient of white characters. I’m not all-knowing on the subject of racist stereotypes, but nearly every complaint I’ve seen was based on details from the show and specific moments and dialogue, not just a general disgust with his existence. Furthermore, for all the anger I see directed at those of us that prefer Stiles, Derek, or even Peter, I’ve also never talked to anyone who liked those characters who wasn’t willing to admit that there were plenty of points in canon where they fucked up or did something wrong. Again, I don’t know everyone in fandom, so maybe there are people who won’t admit those things, but they aren’t in the majority.

I personally hate the way I see Scott treat people in the show. I hate the really vicious things he says and does and the chronic lack of self-awareness or growth. Even worse, the way the show excuses his behavior, be it intentional or not, has soured a lot of other parts of the show. The clearly impulsive moments that could easily be excused by him being a really stressed out teenager make me a lot more frustrated than they would, had I not known that he would never get better. That he would never stop saying things like that. I can’t even make myself enjoy the genuinely sweet moments with him and Allison or him and his mom, etc. I might hate that he left Stiles’ messages unanswered and skipped an entire day of school during a crisis to hang out with Allison, but I would’ve liked to enjoy their banter, the soft moments between them that are actually really nice. I can’t though, because so many other things about his character have ruined that for me.

It isn’t okay to attack people for disliking a character and throw around such charged words like “racist” and “abuse-apologist” or anything else. First off, this is fiction, and we all need to keep that in mind. These are not real people we’re talking about. Secondly, calling someone racist because they disagree with you (unless they are actively saying/doing something actually racist) isn’t okay and it isn’t an adult way to deal with things. Someone not liking a character doesn’t automatically make them racist. Someone happening to prefer a white character over a Character of Color doesn’t automatically make them racist. Sure, they might have passively racist motivations that even they don’t realize. But it is not up to strangers to come yell and call names without proof. There are plenty of reasons that have nothing to do with race (Not saying “i don’t see race.” I’m saying “Not About Race”) that I like Stiles over Scott, ranging from the fact that he’s physically more my type, to sharing a neurological condition with him, to just preferring Dylan O’Brien as an actor because he makes me fucking cry every time he cries on screen. What’s important is that we self analyze and check ourselves and our opinions to make sure that we aren’t falling into the racist habit of disliking Characters of Color for no real reason. But that isn’t something that other people can do for us, and it’s not their place to tell us what we think. Calling a stranger racist for saying they hate Scott’s behavior in the show doesn’t do anything for racial equality. It just makes people stop listening to the word ‘racist.’

There are times I seriously get frustrated with TW to the point of considering not watching anymore. Of closing my blog and stopping reading fanfic entirely because every single time I read a fic where Scott’s a ‘good guy’ or a ‘good alpha’ or where Derek is glad to be a beta again because he likes following Alpha Scott, I get squicked so badly I have to click out and just sit there for a second to settle. I can’t disentangle the things he does/says in the show from the fic.And I’ve written Good Friend Scott McCall fics. I have multiple wips where he’s either a decent person or he grows from being a dick to being a decent person. With my own work, I know that there’s an awareness to his behavior in the show and an active intent to rewrite/fix his behavior so that he is a nice person. With other people’s works, I don’t have a guarantee (unless it’s mentioned in tags or author’s notes, and I don’t expect people to have to explain themselves that way), and it personally makes me uncomfortable to read something when I don’t know if the writer actually sees Scott that way. It’s a personal preference, and one that I stick to pretty strictly.

Scott brings me no joy, and with him as the main character, I’ve come perilously close to cutting myself off from the most welcoming, loving fandom I’ve ever been a part of (except the Merlin fandom, but I don’t blame anyone who can’t compete with them. They’re fucking magical.). But I’m still here. I still love, if not the reality of the show, then all the potential I see in it when I watch. I love watching Derek and Stiles interact with each other and with the other side characters. I love seeing the glimpses of Boyd that we get, the tiny scenes of Erica, the snarky moments with Isaac. I even like Kira, though I haven’t seen a whole lot of the show where she’s in it/genuinely can’t remember it (I can’t even remember how far I’ve seen total, but I don’t think it was past S4, and I haven’t seen past S2 in months and months) and she spends most of her scenes with Scott, which just....kind of ruins the scenes for me.

That’s the glory of fandom though, of media in general. I don’t have to like Scott. I can love Derek and Stiles instead and I can choose not to read fics where Scott is a major player or an Alpha at all. I can read fics where Kira’s part of the pack without Scott ever getting involved, and see her interact with everyone else. Or fics where Boyd never dies and watch him bake or read or play lacrosse with the pack. I can curate my own experience, whether that means blocking tags or users or filtering fics, or just straight up skipping certain scenes/episodes of the show itself. I cope with my frustrations by coming on this blog and ranting about it. Yeah, this is a public space, but it’s also a space people choose to view. If they don’t like my opinions, they can block me or unfollow me or all of the above. They don’t have to read it, just like I don’t have to read any of their pro-scott stuff. I also read fic that does explore how Scott’s behavior is problematic and cruel sometimes. Fic that either erases him or turns him into the villain, I find fun and interesting and the relationship between him and Stiles cracking into pieces is something I find extremely cathartic, so I read it pretty much every chance I get (though, i’m so picky about fics I read, you’ve no idea). I also write fic. I write the most mushy, self-indulgent sterek fic and Stiles-centric fic and and Scott bashing fic that I can possibly write. It’s a joy and a therapy all its own. Fuck, I’m rewriting the entirety of canon for fuck’s sake and I’ve made so many changes that at this point I honestly have issues remembering what happens in the show, bc I rewrote the damn thing.

At the same time, Scott fans are gonna write their power fantasies. They’re gonna write anti-Stiles stuff and anti-Derek stuff, and whatever else tickles their fancy. They’re gonna make their own rant posts and gifsets. And to be quite honest, I don’t give a single flying fuck. I already have those tags filtered out on Ao3. I don’t follow any pro-scott tumblrs. That shit doesn’t show up for me most of the time, unless it’s not tagged properly, and even then I just click out, take a second, and move on.

No one is required to like or dislike specific characters, and it’s unfair of anyone to tell us otherwise. Fandom is built on choice. The choice to disagree with canon, or to re-envision it altogether, or to love it entirely. No one can take that away from you. So long as you aren’t hurting anybody, just keep doing you, friend. I’m here for you to vent to when it gets to be too much.

<3

[bigskydreaming]

How stuff is framed is really critical. Been meaning to mention this for awhile:

I’ve made a number of posts criticizing fandom’s tendency to write Dick as not being able to cook, having terrible fashion sense, living like a slob, etc - as being infantilizing and a means to make him a punchline and devalue his character and potential contributions to a story. 

And instead I frequently point out that Dick does know how to cook in canon, his civilian ID has been a famous socialite and even model at times so he definitely knows how to dress and most of the fashion taste jokes stem from his circus-themed costumes where fashion isn’t the point, and I talk about how he’s one of the most competent strategists and organized team leaders in comics, so the idea that he can’t clean up after himself is suspect.

I get a LOT of notes on those posts, in comments and tags, that are like “well I have a high IQ and loads of credentials, etc, but I also have depression and related mental illnesses so even though I’m very competent in a lot of ways, I live like a slob, etc, they’re not mutually exclusive.”

I want to be totally clear, these notes are absolutely 100% right, they’re NOT mutually exclusive, I myself am very competent in a ton of ways but when executive dysfunction shows up and is like hello my old friend, I am here to crash on your couch indefinitely, like....lol. Y’know? This is totally true, and my apologies for not wording those posts more specifically.

However, I do want to point out that this ignores the crux of the issue....which is not whether or not someone can be hyper-competent and still a walking disaster in other areas of their life. Its the way all these mentions of his supposed lack of life skills are framed. 

And they’re not framed in a complimentary or sympathetic way, is the thing.

They’re almost always always at his expense, a dig at him in some way, his family shaking their heads at him in despair, an out and out joke about how incapable he is in specific ways, etc.

Which means that even if you go with the take that these are characteristics he might have or manifest at times as a symptom of his likely depression, PTSD, etc....

All you’re really doing is swapping out one problem for outright ableism....with all those things still being jokes or digs at his expense....only now with the addition that oh yeah, he’s this way specifically because of mental illness so its like hahaha, look how funny it is that Dick’s mental illnesses fuck with his life in these ways.

That...is not an improvement.

The issue has never been these characteristics or depictions themselves, or the lack of possible explanations for them existing or them being entirely implausible.

Its that regardless of the how or why, their only seeming purpose for existing in fanon or being emphasized off of a few occasional pages here and there...

Is to, once again, be at his expense in some way. Infantilize him in specific ways no one attempts with other members of the Batfam who are likely all struggling with similar mental health issues at any given time themselves....but are not repeatedly held up for mockery as being unable to feed themselves anything but cereal or Alfred’s cooking, unable to dress themselves without being an embarrassment to be seen with in public, unable to clean up after themselves with their family or friends expressing disgust at their living habits instead of say, sympathy that when out of uniform, they have trouble with mundane tasks because all of their energy is going into their night life instead.

That’s the point of all those posts, and my grievance with the emphasis on these supposed traits of Dick’s.

[republicstandard]

New Frontiers of Social Justice

“The enemy of subversive thought is not suppression, but publication: truth has no need to fear the light of day; fallacies wither under it. The unpopular views of today are the commonplaces of tomorrow, and in any case the wise man wants to hear both sides of every question.”-Sir Stanley Unwin

Not long ago, while visiting a friend, I was in a city where one of the major hospitals runs these ads placed on the side of public transportation saying something to the effect of, “We care for all patients” against a rainbow flag backdrop. This is textbook virtue-signaling. Does the Hippocratic Oath not state that you must care for all patients to the best of your ability anyway? What does the implied “inclusiveness” of gender have to do with it? I suppose there’s some wiggle room; after all, you’re also not meant to perform abortions, but like the Constitution, the Hippocratic Oath is a “living document” I guess. The torturing of language has become so commonplace at this point that people are becoming immune to it, but we need to be very careful not to cede any linguistic territory to the Left. This is one of their key strategies, and if it sounds like I’m talking about a war, well…just look at the kind of language they use: “ally,” “combat,” “agent,” “coalition,” “collusion,” etc.

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MSNBC host Joy Reid thinks rural Americans are a “core threat” to democracy. I’m not sure how much of that is posturing, but according to University of Wyoming professors Keonghee Tao Han and Jacqueline Leonard in the article “Why Diversity Matters in Rural America,” published by the Urban Review, “women faculty of color” in particular need to bring the joys of diversity to the last vestiges of America not touched by it through the Trojan Horse of the academy, where not only more faculty (especially women) of color must be employed, but a whole “support team” of people of color must be hired and trained in order to combat “racism” and “bigotry.” The authors summarize their work as follows:

Using critical race theory as an analytical framework to examine White privilege and institutional racism, two teacher educators, in a rural predominantly White university tell counterstories about teaching for social justice in literacy and mathematics education courses… We, women faculty of color, challenge Whiteness and institutional racism with the hopes of: (1) promoting social justice teaching in order to globally prepare (pre-and-in-service) teachers and educational leaders to motivate and empower ALL students to learn; (2) dismantling racism to promote better wellbeing for women faculty of color; and (3) moving educational communities at large closer toward equitable education, which is a fundamental civil right.

This article is a perfect snapshot of where the minds of academia and the “intellectual elites” of this country are. It’s all there: the feminist critique, the inherent racism of (white, rural) homogeneity, the Marxist twist in the form of “equitable education,” the appeals to open borders and globalism, and finally, the self-contained world of academia that continues to perpetuate “knowledge” based on subjective experience and a perversion of formerly respected disciplines. This self-justifying twaddle exists in a “safe space” un-encroached upon by logic, reason, or reality. It’s so easy to write this dross; I could pump this stuff out at a staggering clip. It’s comically easy. Virtually none of it requires any research, and what little there is is either taken out of context, willfully misrepresented, or refers to the similarly-constructed and equally intellectually bankrupt “work” of race and gender “theorists.” Good ideas are good ideas, I don’t care where they come from. There aren’t any here, but there is plenty of Frankfurt School post-modernism and its attendant corollaries such as post-colonialism and gender theory to make up for the lack of original thought. The few definite claims made in this article, after the requisite hemming and hawing about “problematizing” this-and-that, are patently absurd and most are downright harmful.

No terms in the article are precisely defined, the basic framework operates from, as Peter Boghossian has helpfully illustrated, “manufactured epistemology,” and the conflation of a university in rural America with rural America is very disingenuous as they are not even remotely the same thing. And there are questions, so many unanswered questions: What does “challenging whiteness” entail outside of simply existing as a minority in Wyoming and a slew of “raising awareness”-style vagaries? What are some concrete examples of institutional racism? Why do the students need to be “globally prepared”? Why is Han, an “Asian-American,” considered to be a “woman of color” when Northeast Asians otherwise fail to register on the oppression hierarchy? Additionally, I fail to see the pertinence of privilege and racism to literacy and mathematics education, or what the connection is between racism and womanhood, or what, indeed, is meant by “equitable education.”

After reading it in its entirety, and having had to translate it from “academia-ese,” I can confirm that the proposal is, effectively, to use the academy to ferry more diversity into the few remaining pockets of America that are “suffering” from homogeneity, areas that would not otherwise be “enriched” without the academy (or the Section 8 voucher program that has destroyed places like Ferguson, Missouri, by displacing whites with a more “urban” demographic). The two professors do not explain to us why diversity is a good thing—in fact, people in homogeneous areas look far more kindly on the concept of diversity than do people that actually experience diversity on a regular basis. Diversity atomizes communities and erodes trust, health, and well-being in affected areas. Like so much else that suffices for “research” in the “soft sciences” and humanities in the modern academy, this article is almost entirely self-referential and provides the reader with nothing of substance, nothing that could credibly be deemed an argument in the proper sense of the word, and little beyond the hectoring self-righteousness of two people who believe their race imbues them with some kind of inherent superiority over the stump-toothed rednecks they look down their noses at.

As one example of what I’m talking about, many of critical race theory’s earliest touch-stones include the subjective observations of authors (not researchers, not scientists) such as Zora Neal Hurston, James Baldwin, and Toni Morrison, post-modernists like Frantz Fanon and Edward Said (the founding father of post-colonialism), and the mixed-race W.E.B. DuBois who is, to use the One Drop Rule the Left strictly adheres to, ��African-American.” The “lens” used by Han and Leonard also includes an interrogation of “whiteness,” commonly placed under the critical race theory scholastic sub-heading, Critical Whiteness Studies. As Barbara Applebaum informs us:

“Critical Whiteness Studies is a growing body of scholarship whose aim is to reveal the invisible structures that produce and reproduce white supremacy and privilege.”

Invisible structures. Got that?

Applebaum also says, “For generations, scholars of color, among them Ralph Ellison, James Baldwin (my note: not scholars), and Franz Fanon, have maintained that whiteness lies at the center of the problem of racism” (how exactly is never illuminated with specifics). I wonder if, as “scholars of color,” writing, by the way, during a radically different period in terms of race relations—ie, Jim Crow and the last vestiges of colonialism—they might have drawn conclusions based on their “lived experiences” that may not still be relevant today? I’ve noticed basically every “scholar” of race in contemporary society, when not “de-constructing” “implicit bias” or “invisible structures of ‘racism,’” always dwells incessantly on historical events, events oftentimes beyond any living person’s existence, before ultimately trying to conflate past injustices such as slavery with perceived contemporary injustices by using weasel phrases like “the legacy of which is still with us today,” “the likes of which still exists, albeit in a different form,” or some other imprecise cop-out. Again, no contemporary or non-subjective evidence is ever provided, save fictionalized narratives such as the Michael Brown “incident,” and no argument, other than impossibly broad phrases like “systemic racism” or “invisible structures” (I just love that one), is formulated. Without any kind of specificity, it is impossible to take this kind of “scholarship” seriously.

The basis for “systemic oppression” has now become so broad that, according to Lorraine Code, “Knowing is a political activity.” In Margaret Mead’s terms, “Ignorance excludes groups and individuals from the future by trapping them in co-generational struggles that are prolonged by inherited Western colonialism and enduring political paradigms of what the future should be rather than what can evolve if all voices contribute.” Foucault seemed to believe that there were no absolutes, and that it wasn’t merely a question of knowledge versus ignorance, but of “multiple knowledges.” More on Foucault in a bit. For Kristie Dotson:

Epistemic oppression refers to persistent epistemic exclusion that hinders one’s contribution to knowledge production. The tendency to shy away from using the term “epistemic oppression” may follow from an assumption that epistemic forms of oppression are generally reducible to social and political forms of oppression. While I agree that many exclusions that compromise one’s ability to contribute to the production of knowledge can be reducible to social and political forms of oppression, there still exists distinctly irreducible forms of epistemic oppression.

We are now literally in the realm of the intangible. First “invisible structures,” and now “epistemic oppression.” Epistemic advantage, the inverse of the force of exclusionary knowledge production, is defined by Uma Narayan as “[the oppressed] having knowledge of the practices of both their own contexts and those of their oppressors.” Knowledge production, having received its Marxist bath, becomes another frontier from which to combat “exclusionary practices.” Vanderbilt professor Jose Medina expands:

Foucaultian genealogy offers a critical approach to practices of remembering and forgetting which is crucial for resisting oppression and dominant ideologies. For this argument I focus on the concepts of counter-history and counter-memory that Foucault developed in the 1970’s. In the first section I analyze how the Foucaultian approach puts practices of remembering and forgetting in the context of power relations, focusing not only on what is remembered and forgotten, but how, by whom, and with what effects. I highlight the critical possibilities for resistance that this approach opens up, and I illustrate them with Ladelle McWhorter’s genealogy of racism in Anglo-America.

What he’s referring to is what McWhorter has to say about the most tolerant and open cultural inheritance in human history:

By foregrounding historical material that hegemonic histories and official policies have de-emphasized or dismissed, they [the genealogical researchers] have created an erudite account of scientific racism and eugenics, and in so doing they have critiqued received views and called into question some aspects of the epistemologies that support them.

Though the Left is convinced the study of genetic differences will lead to eugenic policies, which inevitably lead to genocide, they somehow support Planned Parenthood, founded by eugenicist Margaret Sanger. There’s an abortion clinic in practically every inner-city neighborhood. The Left throws their entire weight behind Planned Parenthood and demands federal funding for an organization that specializes in terminating, at a disproportionate clip, the identity voting blocs so coveted by the Democratic Party. Since half of all black babies end up aborted, tell me again how black lives matter, Leftists. Where the Left does not support eugenic policies, they implement ones that are decidedly dysgenic, as the welfare state incentivizes certain partner selection that ultimately has deleterious effects on the gene pool, and the onerous taxes foisted on the middle class renders procreation a luxury. What epistemology are they talking about, the one propped up by the entire academic establishment for disciplines like theirs that are wholly illegitimate? Medina informs us:

“In the 1975-76 lectures, ‘Society Must Be Defended,’ Foucault draws a contrast between ‘the genealogy of knowledges’ and any kind of linear intellectual history such as the history of the sciences: whereas the latter is located at ‘the cognition-truth axis,’ ‘the genealogy of knowledges is located on a different axis, namely the discourse-power axis or, if you like, the discursive practice—clash of power axis.’”

I touched on this a while ago in my articles on Rome, but it warrants further discussion here. Foucault is situating this entirely new paradigm of “knowledge” completely outside of cognition and truth. It is fundamentally anti-intellectual and based on pure subjectivity. The “experiential quality” of “the oppressed” becomes the basis for “legitimate” scholarship. As the Combahee River Collective puts it:

“We have spent a great deal of energy delving into the cultural and experiential nature of our oppression out of necessity because none of these matters have ever been looked at before. No one has ever mentioned the multilayered text of black women’s lives.”

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What does that mean? We can see the impact that Foucault and his ilk’s “counter-histories” have had on the educational experience of every American under the age of forty; the primary events in American history were portrayed as Columbus’s legacy of subjugation and destruction of the native peoples of the “New World,” the Civil War (which was, we are taught only about slavery), large-scale immigration via Ellis Island, and the Civil Rights Movement. The little we learn about the Founding Fathers is that they were slave-holders and their legacy is a racist, oppressive country.

For their crimes, as determined by today’s Cult-Marxists, this legacy must be completely dismantled, and this dismantling must include the United States of America itself.

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