#alien covenant movie review

[superectojazzmage]

Just back from Alien Romulus and hoooo boy oh boy. Review/analysis.

Easily the best Alien movie since the first two, which isn't saying much, yeah, but it is legit a really cool and well-made movie, competing with Late Night With The Devil, Longlegs, and Cuckoo for title of my favorite horror movie this year.

In a lot of ways it's about harvesting the few good ideas from the post-2 movies that were squandered and doing them right, plus getting the series back to it's healthier roots, kinda the movie equivalent of someone doing physical therapy to get back in the saddle after an injury. This means it's not quite brand new ground like some may hope for and I've heard some people feel it gets a little derivative at points because of it. I can kinda agree and certainly understand that criticism, but I feel it does what it's aiming for really well and sets things up for future works to go in even crazier directions. Furthermore, it takes a lot of time to try and weld together the disparate post-2 movies in a way that brings the series back to a little coherency.

The atmosphere is really intense and cool, swinging between lovecraftian dread and build-up and high-energy chaos. The aesthetics and special effects are gorgeous, taking full advantage of the progress that technology has made since 2 plus really digging in to the used cassette future vibe of the older films. The characters are likable and actually intelligent (or at least understandable) in behavior like in the first two movies, so you care about what's happening to them instead of just waiting for them to get munched. The action and kills were really cool and creative, the cinematography in general was off-kilter in an awesome way - there's a definite attempt to make the movie feel claustrophobic and intimate. Fede Alvarez did a fantastic job in general, I'd love to see him do more with the series.

It REALLY cranks up the series' psychosexual, freudian, and sexual assault subtext, arguably to a point where it's just plain text. So if you're sensitive to stuff like that or if this is your first go at Alien, be warned for that.

More specific notes go under the header for spoilers. Highly recommend you go in as blind as you can.

Andy and Rain were wonderful leads, their dynamic was fantastic and Calie Spaeny and David Jonsson both turned in great performances. I direly hope they join the first two films' casts as "major" characters for the series going forward.

The effects to make Daniel Betts look like Ian Holms were quite possibly the one and only time the special effects failed. It looks very wonky, which is sad because Betts does a really good job copying Holms' mannerisms for Ash while still making Rook feel like a distinct character.

In addition to the usual themes of sexual unease, genetics, and parenthood, this movie adds in some really interesting themes of familial legacy, the rise of new generations, foundations, etc.. Andy and Rain are like Romulus and Remus of myth, orphaned and left to fend for themselves but growing into founders of a new age - both in-story with their carrying the XX121 substance and evidence of Weyland-Yutani's misdeeds to Yvaga and out-of-story with them being the protagonists of a new era for Alien. Likewise, the Offspring is the first example of an entirely new species, neither human nor alien but taking from the lineages of both through Kay and Big Chap, a Romulus-like founder of it's breed that will later bear fruit in Resurrection with the Ripley clone and Newborn.

I'm really not kidding when I say above that the psychosexual undercurrents are taken to the extreme here. This movie basically sees the ways the original film subtly pin-pricked at those themes, says "fuck that", and deliberately rubs it in your face in a way designed to make sure you can't ignore it. It wants you to be grossed out and to squirm in your chair and it knows exactly how to make it happen.

Alvarez noted in the lead-up to release that he took a lot of influence from Isolation and you can definitely see that in how he depicts the Xenomorphs and the general aura of the film. He further described it as a kind of halfway point between the first and second movies and you can also see that; it has the Lovecraft-style tension and horror of the first, balanced with the energy and action of the second, and it does a really good job finding a middle ground between Ridley Scott and James Cameron's styles while also doing it's own dance.

I mentioned way back at the start how the movie basically harvests the good ideas from 3, Resurrection, Prometheus, and Covenant and gives them the room they deserve while dumping the bad. It does that in both terms of themes/style and continuity/lore. Concepts that those movies bungled like xeno-human hybridism, the black goo, genetic engineering as a focus, and so on are done here more creatively and competently. Themes that those films tried and failed to tackle are handled with significantly more grace. It has the atmosphere and characterization of 3 but none of it's baggage and needlessly depressive tone. It has the body horror and weirdness of Resurrection without taking it to the zany, embarrassing areas that movie went. The effects and creativity of Prometheus and Covenant without any of their awful writing and clumsy messages. Alvarez takes on kind of an Al Ewing-esque "repairman" writing style here.

The Xenomorphs are absolutely deranged in behavior compared to most portrayals, attacking like either cruel sadists or raging chimps and rarely bothering to take hosts. I'm not sure if such a reading was intended, but I got the vibe that the idea is Xenos raised without a queen or hive grow to be basically sociopathic like how real world predatory animals grown without parental figures become feral and dysfunctional. Which would also explain a lot about how the Xeno in the original movie, Big Chap, acts there.

The Offspring's design is fucking wicked and I love it.

One of my few major criticisms is that Big Chap died off-screen instead of getting more to do. What was the point of having him be alive at the start if he wasn't gonna be used beyond a backstory point to set up the main story?

All in all, a very impressive effort and a great return to form for the series that I recommend highly.

[shyloverrr]

Watched Alien Covenant. I thought it was pretty good!

Spoilers: It was a movie where the villain, who is David, won, which is something that I ALWAYS wanted to happen in a movie! All the events of Alien and beyond, ARE ALL DAVID’S FAULT. He is the TRUE villain.

[captaingimpy]

Alien: Covenant – A Well-Crafted, Yet Predictable Journey - Alien Retrospective Review Part 2

Alien: Covenant, directed by Ridley Scott, is a film that attempts to balance the philosophical ambitions of Prometheus with the horror and suspense that defined the original Alien series. It’s a movie that executes its story with technical precision, delivering stunning visuals and eerie atmosphere, but it ultimately struggles to surprise or fully engage, especially for viewers familiar with its…

[watching-pictures-move]

Movie Review | Alien: Covenant (Scott, 2017)

I've been repeating myself as I've been rewatching some of these movies as they've been so consistent in the things I love about them. This one lacks the industrial analog qualities of the first four movies, and for totally superficial reasons, I don't find the digital displays here as charming as the CRT screens you get in the earlier movies. But at the same time, I still liked the aesthetic here quite a bit, as it reminded me more than anything of mid-2000s sci fi shooters with their clean yet bulky designs. Given that those games would have been influenced by the first two movies, I guess we're just in one big ouroboros of art direction, but this is directed by Ridley Scott, who more than anything knows how to shoot the hell out of this stuff. It's not like we're dealing with, I dunno, Andrzej Bartkowiak's Doom adaptation. There's an actual artist at work here.

And like pretty much all but the latest one of these, this has a great cast of character actors. Katherine Waterston makes for a fine lead, and enough has been said about the duelling Michael Fassbenders playing a flute together, but there are a lot of strong supporting performances here too. Like Billy Crudup, who brings a good amount of texture to his man of religion, or Amy Seimetz, who has less screentime but bracingly evokes her character's distress, and most of all Danny McBride, who I guess I'm used to as comic relief but has some surprisingly emotional scenes and also kicks ass. I always like in these movies when you get someone who kicks ass, and along with Waterston, McBride fills the ass kicking quota in this one pretty ably.

I think with my last viewing I appreciated the gothic horror elements in this more than the Alien movie elements (I think this would make a great double feature with my recent viewing of The Black Hole), but with this rewatch I'm wondering what the hell I was thinking, because the Alien scenes here are visceral in their impact. You have that super tense, slapsticky but in a scary way scene where the characters first encounter the threat. And you get the dual climaxes, one where McBride swerves and dips and flips around the shuttle while Waterston tries surfing with the alien, and another where they try to eject it out the pod bay doors or what have you, both rendered with a good amount of sound and fury, even if technically in space no one can hear you scream.

[i-didnt-hate-it]

Alien Covenant? More like Alien: Rogue One Rain? forest? rocks? walking through shallow water? dying? lil ear-flap hats? checks out. Except Michael Fassbender is the Death Star.

[rye-views]

Alien: Covenant (2017) dir. Ridley Scott. 7.4/10

I wouldn't recommend this movie to my friends. I wouldn't rewatch this movie.

Did we have to eject the dead body into space?

I can't imagine going to another planet and it seeming like Earth.

Ledward's death is a crazy visual. These aliens be killing in a way crazier fashion than I've ever seen in the Alien movies.

Maggie Faris is not allowed on my apocalypse team. David is, and will always be, a lil bitch.

Show me how Walter died.

[noeljpenaflor]

This Alien Covenant (2017) Review is sticky and viscous. But not because of semen.

Click on this face HUGGING LINK!

[transchrisredfield]

guess i better start playing killer again lol. The Alien is gonna be so fucking cool i cant WAIT!!

[subbyfoxelf]

[movie review] alien: covenant (2017)

the origin of humanity is not, in any way, shape, or form, the "only question that matters," nor does it render any other concerns meaningless. weyland (and ridley scott, for that matter) can fuck right off with that bullshit. i would be willing to chalk it up to weyland being one of the series' great villains were it not for the fact that the narrative and thematic intent of the film absolutely bear the importance of his fetish out. we also get an acting captain whose entire character is "christians are so oppressed you guys." ridley, what happened? where did you acquire this ax that you won't stop grinding?

i also just hate, hate, hate revelations that make worlds feel smaller. david did not need to create the xenomorphs. no one needed to create the xenomorphs. this is like george lucas star wars prequels levels of making a rich, interesting world feel tiny. the idea is just so wrongheaded, and it plays precisely into my big picture problem with the film's thematic intent.

when it’s trying to be serious and meaningful, alien: covenant is just intelligent design: the movie. and it just makes me want to strangle myself. (that wouldn't be much fun, though, so you should do it for me. if you’re into that kinda thing.) ridley scott's increasingly aggressive theism is threatening to undo everything that makes this series feel so special. a series that, more than most other scifi series, manages to make space feel huge and terrifying is making it instead feel like everything of consequence that's ever happened out there is part of this very small web of interconnected events involving a very small number of people, and that's just a damn shame. even alien: resurrection didn't really make this universe feel smaller, just dumber.

if we sidestep the film's thematic intent, though, i actually like it quite a bit better than prometheus, and there are so many parts of it that are just terrific taken in isolation. the shower kill is one of the best in a series that's marked by excellent kills, and i really do like the way this world is textured (even though i am just all kinds of annoyed at what that texture is in service of). at the end of the day, it fulfills all of the most basic needs of a scifi/horror and hits quite a few aesthetic marks that go above and beyond those basic needs, and that's not nothing. like, it does need to be acknowledged that this film is fucking gorgeous. it’s worth seeing for that reason alone. and when it lets itself be a dumb horny monster movie for the like 15 minutes it speedruns the plot of alien, it’s quite good on all levels.

b-rank

[victoriadallonfan]

Let's Talk About the Alien vs Predator Films

Talk about wasted potential, am I right?

I'm struggling to format this in an interesting way, since so much has been covered over the past 20 years since the first film was released. You can read my thoughts on Aliens Franchise and the Predator Franchise as well.

Note that it doesn't include Alien: Romulus, but suffice to say it was a good movie!

I think the best place to start is with covering the themes of Alien and Predator, and the history before these films were created (and the failure of Fox).

My fellow AvP enjoyer @agendergorgon has already posted some thoughts on the topic, giving me a lot to think about, so check out their blog too!

For the purposes of this review, I am not going to include Alien 3, Alien: Resurrection, Prometheus, nor Alien: Covenant.... mostly. The AvP films really don't take much of anything beyond the first two films, though I will touch on Prometheus when it comes to religion.

Ditto for the Predator films, but that's because Predator wouldn't get a third film until 2010, 3 years after the AvP duo.

The themes of Alien Franchise:

I'm sure the first thing to come to mind is that the Alien series is about sexual assault, and you'd be correct. The xenomorph is designed to be extremely phallic, the facehuggers quite literally rape their victims, Burke locks his victims (including a child) in a room to be raped, Ash tries to murder Ripley by thrusting a rolled up porn magazine down her throat etc etc.

Some of you might also remember how Aliens was noted by James Cameron to be a criticism of the Vietnam War, Corporate Greed, and the callous arrogance of the US Military. The xenomorphs represented the innumerable "faceless" soldiers that could overwhelm more advanced enemies with ambush tactics and numbers, Burke thinks only in "goddamn percentages" and how this could benefit himself and the company, and the Colonial Marines are not only woefully mismanaged a newly brought on commander but also completely delusional with their own sense of invulnerability, only to break and panic under pressure once they meet a foe who is determined to fight to the death.

(I will NOT be tackling the fucked-upness of comparing people fighting for their independence vs a fucking Xenomorph, because holy fucking shit, it is literally the opposite AND worse counterpart to having the Predators be colonizers)

But, in the broader scope of the series, Alien - and the xenomorph - represent the uncontrollable, unfathomable, unknown. What are they? Why were they there? What are their motives? How did they end up in that ship? Were they built? How do they 'see'? Why did the xenomorph spare Jonesy the Cat? Are they intelligent life? How on earth do they function with their bizarre biology?

We don't get any real answers to these questions in the original films. The whole point of these movies is that there are things that mankind does not understand, and the horrors of space are vast. And equally terrifying is the arrogance of man (and synth kind) to think they can harness this horror for profit at the expense of human lives.

The themes of the Predator Franchise:

There's been tons of articles on how Predator is either a reconstruction or deconstruction (depending on who you ask) of the 80's action hero flick. A team of muscle laden, big gun toting, sweaty men spouting off one-liners as they mow down their enemies in a secret CIA led operation during the Cold War, interrupted by the presence of an intergalactic hunter than treats these badasses like mere toys. The massive Arnold Schwarzenegger is smacked out like a mouse facing off against a particularly cruel cat, needing to rely on tricks - not his brawns or guns - to stay alive and eventually defeat the Predator.

Others might point to its related take down of machismo. The opening scene is rife with characters testing each other's physical strength against each other such as with Dillon and Dutch, Ventura and Dutch have a small face-off in the helicopter as they try to make a pecking order, Ventura makes a whole speech about being a "sexual tyrannosaurus" and then mocked about sticking a gun up his "sore-ass", Hawkins repeatedly tries to make pussy and sex jokes, and they end up with a single woman in the group who is treated more like an object and baggage than a person for much of the movie. All of these men are emasculated by the Predator, some of them not even lasting a single second to its predations (both in tech and physicality), all of them losing any sense of quips and confidence, and the sole woman of the group survives because she didn't fit the movie's (and Predator's) mold of "tough as nails". When Arnold/Dutch is rescued by helicopter, it's not a cheerful one; he's haunted by what he endured and remains silent as the film pans into his thousand-yard stare.

All of this applies to Predator 2 as well, amping up the violence, dick measuring, and rules of the Predator targeting anyone who thinks they are tough shit for carrying a gun or knife. Even Danny Glover's victory is bittersweet, because he is now left in the middle of dozens of officer deaths, and entire subway car filled with corpses, and an antique flintlock pistol that promises the return of the Predators to Earth.

In a much broader sense, the Predator films are about the oversaturation of violence and lack of care for human life. Predator 1's main plot before he arrives is the CIA using Green Berets and then Dutch's special ops team to clean up their dirty work, giving them false information and not even reporting the Berets being MIA in furtherance of their Cold War goals (slaughtering guerrillas who were working with Soviet Russia). In Predator 2, the police are seen as being ineffective because they trample on each other's jurisdiction, with the Federal task force being willing to kill their own cops to keep the Predator existence a secret and letting it hunt people down for a better chance at capture and experimentation.

The Predator creatures are the epitome of such greed and arrogance. They are the General Zaroffs of The Most Dangerous Game, taken to a new height by showing that human lives literally mean nothing to them beyond a trophy hunt. They care nothing about our social lives, our politics, our loved ones, because for them this is nothing more than the equivalent of posh British Elite going on a Fox Hunt: cruel and sadistic, just to placate their egos. They will violate the corpses of the dead and taunt those in mourning, for the thrill of the game. And in that sense, the Predators are very human antagonists: they are not unfathomable nor are their goals beyond our understanding. The horror of the Predators is that they are creatures we can understand, communicate with, and even see similarities in their culture to ours... and that culture is putting us on a trophy rack alongside other skulls of creatures they felt a thrill to hunt.

So, did the Alien vs Predator films cover even half of these topics?

Well... kinda? Just... not well.

Not well at all.

The Build Up

Alien and Predator have a connected history dating back to the creation of the Predator itself. Stan Winston was on a flight with James Cameron some time after the famous director had finished with Aliens, and the director made a comment about wanting to see a monster with mandibles, which eventually led to the creature we know and love today.

Predator's debut on screen was also often compared to Aliens due to the superficially similar premise of a team of commandos going on a mission and fighting an unknown alien threat.

Despite what some people think, the AvP series wasn't started by the films.

Yes, there was a particularly memorable scene in Predator 2, where the City Hunter is admiring his trophy room and a xenomorph skull can be seen mounted on the wall (though, fun fact, it's actually an inaccurate depiction as xenomorph skulls look more humanoid facing), but that wasn't the first time the duo met in media.

And I'm not referring to the 1993 Arcade Game either (since that only came out a year after Predator 2).

The Alien vs Predator comic first appeared in 1989. And there were publications continuing ever since.

Think about that going forward. There was 25 years of content to choose from, storylines they could adapt, interesting forays into the cosmology and interactions between Yaujta, Xenomorphs, and Humanity.

The movies used exactly none of it (barring 1 thing: the Predalien).

Alien vs Predator (2004)

The plot of this movie is that Weyland-Yutani corporation detects a heat bloom under the ice in Antartica that reveals an underground pyramid, and in a race against his competitors, Weyland rounds up a team of elite experts led by Lex Woods to investigate the ruins (and find that the Predators have left them a convenient tunnel to enter the deep ice). Only to find out that this was a trap, as the pyramid comes to life activates a Xenomorph Queen, unleashing a brood of facehuggers on the helpless crew, all the while the Predators hunt them down. After a spectacular shitshow and release of the Xenomorph Queen, Lex and the last Predator (Scar) have to reluctantly team up to escape the pyramid and blow up the xenomorphs, ending in a final battle with the Xenomorph Queen. Scar perishes in the fight, but Lex manages to send the Queen into the depth of the artic ocean, and is rewarded by the watching Eldar Predator with a spear for her troubles. A post-credit scene reveals that Scar had a chest-burster inside of him, birthing the Predalien!

Rewatching this movie, I'm surprised at how good it looks. The opening scene of the satellite in space, several shots of the ship (and spaceship), the frozen tundra, the set pieces like the Xenomorph Queen Prison, and the CGI!

The CGI! Of 2004! I was shocked that they looked so good for something that is 20 years old now, but they did really well for themselves.

But it was the practical effects that blew me away the most. The shifting Pyramid is absolutely iconic and the abandoned whaling station is suitably creepy. The face-huggers look amazing and the xenomorphs are just *chefs kiss*. It's so funny seeing these Xenomorph effects compared to that of Alien:Covenant, and seeing how much work bodysuit and puppetry can do to make a monster look so much more terrifying than a CGI creature.

I know a lot of people didn't like the Predator's bulky appearance in this movie, but honestly... I dig it? It makes sense that not all Predators are literally built the same, and that the ones who would choose to go hunting in the artic would be the bigger ones who could hold more body heat. And the movie does a really great fucking job of making these Predators look badass and distinct from each other, with Celtic having the coolest mask of the whole group.

And the way the movie is shot is really fantastic! There are a lot of wide and tracking shots where the movie lets the atmosphere do the work instead of badgering us with words, taking its time to build up tension and soak up the visuals. One of my favorites shots they did was slow roam through the Predator ship as the systems come to life and we get to see holograms come on-line, feeding information directly into their masks. Equally good was when the Xenomorph Queen is awakened to cackling electricity and ominous lighting, showing us how vast this chamber is and how huge this Queen is in comparison to the one Ripley faces.

The same goes for most of the actions scenes, with a decent amount of cool slow-mo shots for things like Face-huggles launching themselves, Predators leaping across chasms, and showing Scar's impressive athleticism when he leaps 10 meters into the air and stabs a spear through the Queens skull.

And I can always rewatch the first time Alien Meets Predator Fight. God, that score! The music is just so damn good!!! You really feel like you are watching two massive horrors from space finally finding themselves sharing a space together.

Honestly, the Predators using the Xenomorphs as some kind of fucked up exotic pet for hunting trials and training fits the lore PERFECTLY. It’s actually a literal fox hunt not just metaphorical (and of course, in typical Alien fashion, it all went to shit).

Aliens vs Predator: Requiem (2007)

"Wait, Ridtom/VictoriaDallonFan, are you about to say something nice about AvP:R?!"

Well, after turning up the brightness and hanging blankets over my windows and then watching the movie underneath more blankets... yes!

For one thing, the Alien and Predator effects are spectacular! Some of the best work I've seen in the franchises! The fight scenes are creative and use really cool set-pieces like the sewer and power plant, where we get to see Wolf (the name of the Predator of this movie) absolutely kick ass and slaughter his way through hordes of Xenomorphs. Not that the xenos are left in the dust, as they get plenty of murders on screen and even outsmart Wolf on occasion.

I actually like the Predalien design and the idea that it’s more intelligent than the average Xeno, including holding personal grudges and understanding Predator behavior.

And the Predator tech is really cool too! We got laser grids, land mines, power fists, converting the plasma caster into a plasma pistol And I love the moment where Wolf kidnaps one of the human protags to use as live bait. Such a dick thing to do but so in-character.

Even the bits we get of Wolf mourning his fellow dead hunters was a neat addition.

And to be honest, I didn’t mind the idea of seeing an actual xenomorph infestation in real time, in a small town. I think that sort of setting would be really fun for a one-shot story.

And… that’s it. That’s all the good stuff.

What Went Wrong?

I compiled a list of sources where I got a lot of information on the AvP production: Source 1, Source 2, Source 3, Source 4

Note that a lot of these are 20 years old so I apologize for the outdated and honestly abhorrent word use that some articles and videos may use. And another apology for using the Xenopedia wiki, it was just a good shorthand for other information.

In short: Fox fucking sucks. They will absolutely self-sabotage themselves in order to make a (perceived) profit. Tom Rothman is the most well known (and he’s gone to Sony as of now), but Fox has had a looong history of being stingy and terrified of any risks for their films.

The sheer amount of drama involving Alien 3 and Alien Resurrection is an insane rollercoaster.

AvP removed pretty much any sense of horror and purposely had the design of the Predators to be more “human” and “heroic” (hence the weird human eyes and bulky physique), with a PG-13 rating for more audience numbers. While the human characters aren’t bad, they are not unique or even memorable (barring the fandom romantic tension between Lexi and the final Predator). Also, it was very weird that the Predators couldn’t kill a single Xenomorph, meanwhile the Colonial Marines couldn’t trip without blasting apart swarms of them. It felt like they really wanted to save money on the film in that regard.

AvP:R was even worse, with it being filmed with such a lack of lighting that people could not actually see any of the movie, and even modern advancements in color grading make it a strain. The human characters are awful, just absolutely boring and unremarkable beyond being veiled callbacks to characters from Alien, and we get a bunch of stupid Dawson’s Creek drama involving teenagers who look like they are 30 years old fighting over a girl who has no personality because she was written to just be “hot girl”.

If the story had focused entirely on the wife coming home from the war and dealing with the fact that her own daughter doesn’t feel close or comfortable with her after years of being gone, there could have been focus and themes and yadda yadda yadda.

Also, while this movie at least has horror aspects, did we REALLY need to see the Xenomorphs eating the fetuses and belly bursting out of still screaming mothers? Like, there is horror and then there is just being gross.

Final Thoughts

I often wonder if AvP took the wind out of the sails of Prometheus. Both play with the idea of humans worshiping aliens as gods, because Ancient Aliens is fucking everywhere, but it’s really hard to take Prometheus seriously when you remember AvP did basically the same setup (with arguably smarter characters).

And these movies have really soiled the idea of the AvP franchise barring the video games and comics. There’s apparently an AvP anime locked up in Disney Vaults and so far, both franchises have kept their respectful distances from each other.

However, with the recent successes of Alien: Romulus and Prey, there’s been a bit of a stir with some comments hinting at a potential AvP future.

Who knows. It’s been 17 years, perhaps 3rd time is the charm.

[archibaldtuttle]

Alien : Romulus - a 7/10 reason to stop making Alien films

This review will be spoiler-free

When I came out of the theater yesterday, after having gone through a viewing of Alien Romulus, I caught myself agreeing with my friends - this was pretty good!

And I am beyond poisoned about the Alien franchise since Ridley Scott got his grubby paws all over it with Prometheus. The only reason I made the effort to move my ass to the theater to see this one was because he wasn't directing (and also I didn't have to pay for it) (thanks sib).

I knew Alvarez from two of his previous films, the 2013 remake of Evil Dead and Don't Breathe. I am pretty mixed on both - they demonstrate solid filmmaking abilities and (in the case of Evil Dead), a deep respect for franchises he's adding to. However they are also a little heavy on the jumpscares for my taste, and in the case of Don't Breathe I just can't praise the film without having to mention that the third act twist is gross in an entirely unnecessary, shock-value way, that does nothing for the film thematically.

That did give me some hope for Romulus however, because that third act twist told me Alvarez likes talking about rape and impregnation. And contrary to Don't Breathe... that's right at home in Alien.

So what about the film then? It's good. Solid premise, I like that we're finally, finally, seven films in, seeing the planet-side society that births all those rundown spaceships. Good pair of main characters with on one side a demonstrably resourceful Rain and on the other a very nuanced look at the franchise's synthetics with Andy. The others are more forgettable but I can't blame that too much on the film - they're well characterized in a few short scenes and that's all I can expect really. The build-up is solid, the various ticking clocks and sources of tensions well established.

What I find particularly notable is the really good setpieces and the use of facehuggers in a way I've wanted to see for a long time. Very good physical effects supplemented by good to ok-ish CGI. The writing is very heavy-handed - I wish more people looked at what O'Bannon did with exposition before they write their own Alien scripts. I do give credit to Alvarez and his co-writer Sayagues for the cool concepts explored and the way they thread Andy's character exploration through them.

The editing is mostly blameless - I wouldn't call it great or even that good, especially with how hectic it gets during some more action-ey scenes, but you can tell Roberts isn't specialized or even used to horror films. I guess he took from his experience on Pressure which would explain a lot... The score is really good, one of the highlights of the film in my opinion - I've liked almost all I've heard from Wallfisch so I wasn't surprised to find out he did this one.

So why did I give this review a very baitey title. It became clear as I was watching the fourth, then the inevitable fifth act unfold, that we were, collectively, scraping the barrel on what can be done with Alien. Prometheus and Covenant, beyond the fact that they were garbage movies, were already trying desperately to find new things to do with the concept. Romulus succeeded, for the most part, in finding new ways to twist it into something interesting, something we hadn't seen before (or at least not entirely). And I'm pretty sure that's it.

I don't want more directors to spend months racking their brains to try and find three or more scene setups that haven't already been done in seven main films, two AVP films and countless video games, in order to string them together into a coherent 2 and a half hour flick. I don't think it's impossible, Alvarez clearly demonstrated that he could do it and I'm pretty sure other people could. But why waste so much time, talent and energy on a series that objectively does not need expanding upon?

I know why, it's because the current studio system is allergic to anything that doesn't have brand recognition. But I think it's sad. And I think it would be a lot more gracious to put an end to a franchise after a pretty good film that did all it could to honor its predecessors rather than try to keep squeezing more out of it until it turns into the horror version of Star Wars.

[aen-hen-ichaer]

just saw romulus im so so normal about it NO IM NOT. GOD IM NOT IM GNAWING AT THE BARS OF MY ENCLOSURE GAAAUUGH

my thoughts + spoilers under the cut :3

• giger would be so proud of this film. so yonic. so phallic. my god. Every vagina shaped thing gave way to the most sinister form of life. Every penis shaped thing was violently penetrating. Super duper leans into the original underlying themes of SA. got under my skin like crazy

• this film combined all my favourite elements of alien (slow burn immersive horror), aliens (great action) and resurrection (human/xeno hybrid) I literally cannot fault it at all

•the offspring (babymorph as me and my bf dubbed it) BAD BAD SO BAD THROWING UP IN MY MOUTH I was legit shaking and had tears in my eyes I have never been so close to screaming in a cinema. 1000/10 creature design. I knew something horrific and fucked up was gonna happen after the pregnancy reveal but JESUS

• Andy's actor was AMAZZINNNGG. The way he played "regular" Andy vs "evil fuckass weyland-yutani synth" was seamless and perfect and he was my fav character

• Ian Holm's cameo felt...... weird. I generally don't like dead actors being reanimated in cgi anyway even with the consent of the family yadda yadda but... blegh. The cgi felt a little dodgy on his face as well but tbh the glitchy jilted nature of it really added to him being a damaged synth LOL

• references were v cute. might be ott to some but I liked it

•PRACTICAL EFFECTS MY BELOVED. BIG SCARY ASS PUPPETS MY BELOVED. GOO AND SLIME MY BELOVED

• the whole birth scene shook me to my coooorrree. As someone who wants to be pregnant and give birth nothing has gotten so under my skin like that before. The ides of doing your best to nurture what will be your child only for this fucking horror to come out of you.... oh my god......... AND LACTATING THE GOO?? ARE YOU FR????????

• mostly smart characters in this movie which I appreciate! the whole zero g acid blood vortex scene was very funsies

• great score. Calls back to the original but not too much

• PERFECT set design. Felt like watching alien isolation as a movie

• I love that they went back to a more analog clicky buttons/flicky switches aesthetic, the holograms and touchscreens of prometheus and covenant never felt right

• the black goo as an almost intelligent substance is so so fun. It "speeds up evolution" but it's smart enough not to destroy its host outright. The offspring was gestated in an egg sac containing fucking acid BUT it didn't hurt kay (until she birthed it and it no longer needed her)

• also the offspring not growing its xeno tail until it consumed the last of the goo from kay? Very nice touch

• JUST. PREGNANCY AS A GROUNDWORK FOR HORROR. SO UNDERUTILISED. SO EFFECTIVE.

• this films chest burster scene... dare I say....scarier than the original. Watching her ribs crack with the xray machine.... YUCKY

• me and my bf has settled to calling the black goo Promethean Fire. This isn't part of the review I just like that hehe

• when I heard the name Romulus I mentioned to my bf about Romulus and Remus being raised by wolves and I was like "what if this is the start of the crossbreeds like in resurrection?" AND I WAS FUCKING RIGHT BITCH!!!!!!!!!!

•Sound design was excellent, the thumping huge heavy footprints of the xeno felt sososososososo good with the cinema surround sound auugghhg

ANYWAY I FUCKING LOVED THIS MOVIE. If u wanna share any thoughts pls do in insane about this :)

[eddiescorner]

Alien: Romulus Review

It's ok.

A decent thriller set in the Alien universe. Which make it WAY better than bad films like "Prometheus" or the pile of hot garbage that was "Alien: Covenant".

If you have seen the movie "Don't Breathe" from the same director, this is basically the same plot, only in space and with a xenomorph as the antagonist.

Fans of the videogame "Alien: isolation" will be happy, the whole aesthetic of the game is crearly a huge influence in the set designs, the way the small corridors are iluminated and the camera angles. Even some elevators, ventilator shafts and control panels are exact copies from those in the game.

A highlight among the actors is David Jonsson, who is really good playing an android with two very different personalities

There are some very forced references to the rest of the franchise, including someone saying the famous "stay away from her, you bitch" line.

But at least the alien is scary again.

[electronickingdomfox]

"The Prometheus Design" review

Novel from 1982, by Sondra Marshak & Myrna Culbreath. I didn't like any novel by these authors, and this one is just as bad. The writing seems less messy though, except at the very end, when they start with the philosophical, unintelligible discourses. But otherwise, it's pretty much in line with the old Bantam books. There are also continous references and throwbacks to the old episodes, despite the novel being set post-TMP, which gives the impression of a lack of fresh ideas. The previous Pocket novel ("The Covenant of the Crown") captured much better the feel of the older, more mature characters from the movies.

The plot involves aliens that are experimenting with humans to prove the point of "The Enemy Within": that the strive for greatness in humans comes hand in hand with their most violent impulses. This is what the novel calls "the Prometheus Design". And even if I can see the theme of reaching for greatness and surpassing the gods in the Prometheus myth, I fail to see what it has to do with "aggression" (after all, it's not Prometheus or the humans who are aggressive in the myth; it was the gods who punished the titan). Whatever, guess the authors liked the ring of it.

The main problem is the characterization. Kirk is again this submissive wimp, while Spock is this over-powered, authoritarian (and pretty obnoxious) character. And the plot device by which Kirk is stripped of command, so it's transferred to Spock, is just ludicrous. It's obvious the authors wanted so bad to push a dom/sub dynamic into their relationship, which is, in my opinion, completely antithetical to Kirk and Spock's friendship. Vulcans are again the coolest in the galaxy; humans suck again. In fact, the way Vulcans are portrayed as supremacists that look with such contempt at humans, I don't understand why they joined the Federation in the first place... What happened with IDIC, and Spock's gentle, understanding nature? I don't know. As for McCoy? Well, I guess he trails behind Kirk and Spock...

Spoilers under the cut:

The Enterprise is investigating a series of riots and disappearances in the planet Helvan, when the landing party (Kirk, McCoy and a few others) are approached by a different kind of aliens (named the no-mouths because... they have no mouths). The no-mouths extend their finger-tentacles and probe their victims all over (WHAT!!?). And afterwards, the victims fall unconscious and have lapses of memory, associated with feelings of rage and shame.

Back in the ship, Kirk has a couple of nightmares after the encounter (though in general, he's not any worse than other times when the ship fell under alien influences). Nonetheless, a Vulcan Admiral called Sevaj (who is like the most badass, awesome Vulcan ever) comes onboard and seizes command of the Enterprise and the mission, just like that. Sevaj determines that Kirk is unfit for command, and that all humans who were approached by the aliens are also unfit. But not Vulcans, of course: they're immune to the effect (proof? he gives none, might as well have pulled this out his ass). So the only choice for Kirk is relinquish command to Spock, which he does immediately, since he lacks any backbone in this novel. You may wonder what kind of Captain is Spock. After his encounter with V'Ger, and his understanding of "this simple feeling", and the importance of emotions, and all that, he should have mellowed a little, right? Wrong! As soon as Spock seizes power, he becomes a complete fascist, falls into full "Vulcan command-mode" (WHAT!!?), and starts treating Kirk like crap, suddenly addressing him just as "Mr. Kirk". Okay, let me make an aside: this is NOT how things work. For starters, it should have been McCoy the one who can determine whether the Captain is fit or not for command, not some random dude, awesome Admiral or not. And if unfit, Kirk could have been confined to sickbay, or his quarters, or if truly problematic, to the brig. But that doesn't mean he's suddenly stripped of rank, and can be ordered around, and even punished!, by someone with a lower rank, like Spock.

Nonsense aside, Sevaj explains that the sudden riots, disappearances and accelerated development, that are observed in Helvan and other planets, are all related with some mysterious aliens that are experimenting with aggression in living beings (the so-called "Prometheus Design"). And these experiments will soon destroy the galaxy if they're not stopped. Thus, the Enterprise has to return to Helvan. At this point, the novel spends a good while describing Kirk playing chess with Spock and Sevaj (but he sucks at chess because he's dumb human, and we learn that Spock let him win all those past times). And then Kirk engages in some sort of homoerotic combat/dance with Sevaj (and he also sucks at it, because he's weak human). I don't know, there are lots of invented Vulcan shenanigans and mumbo-jumbo in this part. After one of these training sessions, Spock is changing clothes inside a replicator machine, that creates and destroys clothes around one's body (WHAT!!?), when the machine malfunctions and almost kills him. And Spock is left naked, just so you know. There are several more murder attempts on Spock and Sevaj, and Kirk is the principal suspect, because of the alien influence. Though to be honest, the two Vulcans are so obnoxious, that I'd suspect anyone in the crew as the murderer...

Back in Helvan, Sevaj and Spock beam down alone to learn more about the no-mouths. Despite their superiority, they're captured immediately and strapped to experimental tables to be dissected (and Spock is naked again). So Kirk, McCoy, Uhura and Chekov go to the rescue, and manage to capture one of the no-mouths to interrogate him. Needless to say, Kirk gets zero gratitude from the Vulcans, and instead is threatened with more punishment for not following orders blindly (sigh).

Kirk must be addicted to punishment, though, because he disobeys again when he interrogates the no-mouth. From him, he learns that these creatures are simply following orders from other, higher beings: the true designers of the experiment. Kirk is also shown the path to these new aliens' lair.

In the last part, Kirk, Spock, McCoy and Sevaj go find the designers to make them see reason. They're captured, Kirk has sex with one of the female designers because reasons, and kisses other female designer for reasons too. Also, the designers turn Spock and Sevaj into giants, and force them to fight to the death... while half naked. The aliens explain why their experiment is so important to avoid the destruction of their own race. Well, I say "explain", but in the end I didn't understand much of their reasons. Finally, the heroes convince them to stop their experiments through some "power of friendship" speech, so the aliens leave. The End.

And I'm sorry if this review seems disjointed, but this novel left my brain pretty disjointed too.

Spirk Meter: 9/10*. Kirk and Spock share a permanent mind-bond. At one point, Spock refers to Kirk as t'hy'la (and the novel clarifies that he's using the term with multiple meanings). There are constant comments about how strong and special is Kirk and Spock's "friendship", even suggesting that the aliens chose them as experiment subjects because of their unique link... And I'm probably forgetting some examples; it's more like a continous obsession with each other. I'm not giving it a 10, though, because other novels are more sincere and open, just plainly call love "love", and are not afraid to show it. Here instead, I get an impression of "denying the obvious". Like, there's an effort to hide the homoerotic intent behind Kirk and Spock's strained relationship, and Kirk's sudden womanizer tendencies towards the end.

There's a bit of Spones too, when Spock treats McCoy's wounds while caged, and eases his pain with a mind-link. But let's be honest, McCoy is more like a pet here.

*A 10 in this scale is the most obvious spirk moments in TOS. Think of the back massage, "You make me believe in miracles", or "Amok Time" for example.

[capsarcastica]

Alien: Romulus Review

The longer the movie goes on, the worse it gets. It has promise, and the trailers certainly sold it. But it reminds me of the two worst Alien movies. Like Alien Resurrection, it's technically well done and has all the elements that should work but don't. Like Aliens vs. Predator: Requiem, it's a collection of remade scenes from better Alien movies that comes across like a well-made fan film.

There is stuff to like. The visuals are amazing. The shots of space are the best in the series. There's a lot of extra attention paid to the ship drifting through space, the station, and the planetary rings. The sets are gorgeous, perfectly capturing the classic look and feel of the original film using old school tech. The practical alien effects mostly look good. It balances that fine line between audiences already knowing what they look like and keeping them mysterious and creepy.

Between this and 2022's Prey, it's disappointing that Disney's 20th Century Studios is just rehashing the original stories rather than give something new. Almost everything has a sense of been there, done that. The story is basically the same as the original. If it ain't broke, don't fix it. But this feels more like rehashing rather than homage. It's like a Greatest Hits collection by a cover band. It works, but why bother when the original stuff is so readily available and done so much better. They even threw in the "Get away from her…" line from Aliens. Throwbacks worked in the cheesy AvP movies but not in something trying to be serious.

There's really only two truly original moments worth noting. The first is when the characters try to get through a room full of facehuggers without being noticed. The reasoning behind this is dubious at best, but it is suspenseful. Except for the fact that the facehuggers look like the kind of animatronics that would appear in a Disneyland line queue. The other is the Zero-G sequence. I wish this had more than just the act one set up and third act pay off, since it's really an inventive idea. It throws the aliens off giving the characters an advantage, and getting through a tunnel filled with floating acid would be suspenseful. Except that the CGI in this one scene looks really fake.

I do like how they connected the events of Prometheus and Alien: Covenant to the original Alien. Given the lackluster reception to the last two, it would've been easy to just ignore them and move on. This at least provides some closure on Ridley Scott's last two for those who did like them. And it connects to why the company wants the alien beyond just a bioweapon.

There's only one character that's interesting, Andy the defective android. He starts off mentally handicapped who is nice but is upgraded with the local science officer's chip making him effective yet part of the corporate machine. It's an interesting dynamic having the characters decide between the good but broken and the evil but effective versions. Rain is the main character, but the blandest heroine this series has produced. She's literally only there cause the others need Andy. The rest are basically characters straight out of an 80s slasher film. The dull heroic type, the jerk who just makes things worse, the pregnant girl who has no personality, and the Asian cannon fodder girl. The first three did a good job developing the cast so it was shocking when one died. But here it's pretty obvious who isn't making it.

The biggest problem with the cast is that none of them are really believable. The series, aside from AVP:R, has always featured more mature characters who generally made smart decisions. It's hard to buy this cast as a bunch of grizzled miners who have worked 1400+ hours. And they make really dumb Friday the 13th level decisions. Like in the finale when Rain goes back into the alien nest just to save someone who should be dead when she was in the clear. It's trying to have its Aliens finale without understanding what went into it. The actors are serviceable, but never portray the sheer terror that's needed for this series.

The legacy character cameo is, like the movie, technically well done but a terrible bit of story. Resurrecting Ian Holm seems like an interesting idea, and would have if it had been just a cameo. But he becomes central to the plot and is featured far too much. Beyond nostalgia bait, there's no reason not to just use another actor to be an entirely new android. The animatronics used for the puppet looks really good, and Daniel Betts does a near perfect job recreating the voice. It's like the Dr. Loomis cameo in Halloween Kills.

Then there's the other legacy cameo, the original alien. This has the unfortunate side effect of rendering everything Ripley did pointless. It then raises a bunch of questions the movie doesn't bother to address. Why is the Nostromo still so intact? How did the alien go from being vaporized in the shuttle's engines to being cocooned? How did the station get eggs from a single drone? Why is there now a pupae stage? How long is the development cycle? Stuff like this makes it seem like the script was a collection of moments that where later tied together.

And finally there's the horrible ending. It's the ending that really makes or breaks a film. For all the grief fans give Alien 3, it's hard not to find the last scene poignant with Ripley giving her life to end the alien threat once and for all. Instead of doing anything interesting, this film goes for a nearly beat-for-beat remake of the finale to Alien Resurrection. The absolute worst of the series. The one that fans remember more for Sigourney Weaver making a basketball shot than anything else in the film. They could have stole an ending from literally anything. But they chose to give us another alien-human hybrid that is just as dumb and somehow looks even worse.

I was really looking forward to this. Fede Alvarez's Evil Dead is an amazing reboot and I was hoping this would follow suit. But like James Mangold's Indiana Jones, there's just something lost when a great director tries to make lightning strike twice under Disney's leadership.

[reliquiaen]

i've slept on it. here's my alien romulus review

Alien Romulus

Starting with the callbacks and references to other movies, I have to say: I don’t tend to enjoy that, personally. It makes it feel like the movie wasn’t confident in itself enough to be able to stand on its own and the references often come across as a crutch. That said, the only reference in Romulus that felt gratuitous to me was when Andy saved Rain and said “stay away from her, you bitch”, but that moment was cool enough, and I liked Andy enough, that I just enjoyed it. Plus it’s a cool line and David Jonsson’s delivery was perfectly in character so it came off more fun than insecure.

The set design was very visually similar to Alien and Alien: Isolation and the opening scene with the ship coming online was, if not a shot-for-shot recreation, a clear reference to the opening of Alien. This could’ve felt like a bad way to start the movie – being too similar to something else runs the risk of failing to establish its own identity – but frankly, it was so nice to see the same chunky tech tying everything together, and it utilised the atmosphere super well to set up that creeping, slow terror, especially with the combination of close-up shots on the computer screen and the wide, empty shots of space – it perfectly juxtaposed the two scariest parts of the Alien franchise: the claustrophobic interiors where anything can be hiding, and the vast uncaring space outside. A lot of the shots inside the Romulus station were clearly inspired by the game Isolation, too, but not to the movie’s detriment. Isolation was fucking terrifying  and the movie capitalised on that nicely. There was a shot looking down an escalator that launched me back to playing Isolation and the fear of not knowing what was around the corner, or up the hallway, or in the next room and the movie used these hallway shots to the same effect.

Ian Holm’s cameo was fun. The special effects and CGI were not. Obviously they couldn’t get him back (rest in peace), and they wanted to use the same android model for effect, and it worked! But yeah, yikes, the CGI was bad, especially at first. You can say the slippery way his face looked like his skin was sliding around was an artistic choice to show how damaged the android’s body was but I don’t believe that for a second. What I will say is that they used this new android, Rook, really well. His explanation for what happened to the xenomorph they found (and I have no idea how that xenomorph was within the wreckage of the Nostromo when Ripley ejected it from the Narcissus pretty far away from the Nostromo and also after it had self-destructed but whatever) and, importantly, WHY THEY WANTED IT. Oh my god, the vague “they want it for the military uses” is super annoying and that was the only logic we’ve ever gotten about why Weyland-Yutani was so interested in the alien in like forty years. But the set-up and pay-off of this reveal was beautiful. We saw in the opening scenes of the movie that life on other worlds was hard and dangerous and thousands die and people are exploited and it’s horrible. And then giving Weyland-Yutani this “we actually want to help people adapt to harsher environments” as a perfectly noble goal that got twisted by capitalism, but this movie is set like… in the in-between. Before the capitalist dogs ruin the science. This movie is the beat before the fall and that’s… so great. So different.

This reveal did two things very nicely: it tied together the stupid and ridiculous genealogy crap from Prometheus and Covenant (I don’t like those movies and I won’t pretend to) with the other, better movies. If we disregard David’s attempts at playing god (and believe me, I do my best at this every day) then this whole ordeal with the alien was simply that they are highly adaptive due to the black goo (chemical [stupid designation here] – 15) and the company wants to use that to help humanity (be easier to exploit) survive in space. Makes sense! Alien mutations are a nasty by-product, unfortunately, just need to perfect the science.

The main thing that bothered me with this movie was the… white man alien at the end. It was very inspired by the Newborn in Resurrection which I also did not like. (I enjoyed the CONCEPT of the Newborn, but the visuals were just… not great to my mind, not even in the satisfying body horror kind of way, either, just… kind of ugh and meh and wtf did you do to his nose?) This was the same but reversed: a human gives birth to a part-xeno-part-human child and faces the consequences. (And why did Kay even inject herself anyway, she was going into cryo she didn’t need it, she’s just fucking stupid.) Given what happened to the rat in that box, I was expecting (and hoping) Kay would have some sort of horrendous lumpy mutation burst out of her skin and ruin her but leave her alive in this Scorn kind of way (trapped in a fleshy and dysfunctional body, aware but unable to do anything, knowing you did this to yourself and also that you have no way to revert it, perhaps even hurting those close to you and having to watch that happen, helpless to stop it). But no. Birthing an acidic vag-pod was… fun and distressing, obviously, but I didn’t find the slenderman looking white-boy very scary at all. It landed squarely in the uncanny valley, for sure, but idk the design just didn’t do it for me. And I understand the fun part of this: the horror of childbirth (Kay had a lot of that going on, after watching Navarro give birth from her chest and DIE, she was not having a very nice pre-childbirth experience), the visceral rejection she felt, the child eating the mother, that was all very nice, very intense, loved it. (I’m one of those weirdoes who thinks that the predalien turning that lady’s pregnancy into alien: quintuplets was extremely fun and I’ve always wanted to see that expanded upon.) But Kay herself didn’t seem to have any adverse reaction to being injected with the goo, only her baby. I wanted her to have a negative reaction, I wanted Rain to have to face her down, I wanted a little of that ‘Romulus killed his brother to found Rome’ energy here. (And it would’ve tied in nicely with what Rook said about humans having too many emotions and not wanting to believe the best choice is to kill someone. Make Rain face that herself!!)

Otherwise this movie was a fucking masterclass and I enjoyed every second. The visuals, the sound design, the practical effects, the – and I cannot stress this enough – the CAMERWORK. The slow rolls of the camera to mimic the zero gravity? The close-ups on the horribleness so we definitely don’t miss a second of what’s going on? Outstanding. The grungy, drippy, dampness of everything was 10/10, the alien having a vaginal-themed chrysalis (thank you, I’ve waited years for this moment), the cattle prod going into it and coming out melted? Yes, oh my god, yes. The tail spine emerging slowly? And piercing back? OH MY GOD, YES!

The inherent horror of watching your brother become a monster and having to save him from himself? Andy’s part in this movie was so fucking stellar I’m in love with it. David Jonsson absolutely stole the show for me. The symbolism of it all; if you drink from the capitalist wellspring, you become a monster who doesn’t care about anyone, not even those who you counted as family. The moment when he clapped his hand over his ear to stop Rain from removing the chip? How many people have to deal with family members who have drunk the Kool-Aid and won’t hear different? This was that on screen.

And I have to say, this was the best cast of characters an Alien movie has had in… idk a while. They actually felt like distinct people with some personality which was refreshing considering Covenant had a bland bunch of faceless people I couldn’t tell apart and didn’t care about anyway. This movie knocked that one out of the water, it’s really a night-and-day comparison. Even though none of the characters in Romulus had super-fleshed out backstories, they were all going through something and had distinct arcs: Rain and Andy struggling to get off-world and not end up like their parents, Kay’s pregnancy being a secret, Bjorn losing his mum to Android Logic™, Tyler feeling like he has the burden of keeping them all alive and together and failing. Navarro died first, she had the least characterisation, and I don’t mind that, but she at least had on-screen presence and was memorable for what happened. Her last words “don’t let me die” whispered in such a pitiful way because she knows she’s going to die but that’s not really what she’s asking, she doesn’t want to be forgotten. Like. That’s heartbreaking. And she WAS memorable because of it, not just as the pilot or the one who did the cool thing with the xray light.

The zero-grav scene where Rain shot all the xenos in the hallway was extremely fun and novel and NEW, having to navigate through a maze of acid blood wasn’t just a cool visual, it tied nicely into the themes: they were navigating the metaphorical acid maze that Weyland-Yutani left behind. And oh, the continual conflict of going back for someone versus saving yourself? That was good. Bjorn leaving everyone else behind to save Navarro, Tyler watching Kay get alien-napped and then going back for her later, Rain going back for Andy directly into the alien nest. Bravo.  

Overall, I had a blast with this movie, it was really good. Definitely the best Alien movie in a long time. I felt it missed a few opportunities, especially at the end, I appreciate the effect they were going for with the Offspring creature but it felt like a miss to me when they could’ve done something fun with turning Kay into a monster and continuing the thread about humans trying to save each other. Maybe the Offspring will grow on me with a rewatch, like how the Newborn did, but eh. Was a good movie regardless.