#alice blue login

[tfatrading]

Investing in the stock market can be both rewarding and daunting, especially for those who are new to it. With the right guidance, however, investors can navigate the complexities of the market effectively. In 2024, finding the best stock advisory in India is crucial for making informed investment decisions. This article will explore the top stock advisory service providers, the benefits of using their services, and essential stock market tips to enhance your investment strategies.

[hmatrading]

Are you looking for a reliable discount broker in India to kick-start your online trading journey? Look no further than 5paisa! With its user-friendly interface and low brokerage fees, this stockbroker has become a popular choice among investors. But what makes it stand out from other online brokers? In this article, we'll dive into the world of 5paisa and give you an honest review of its account opening charges, trading software, margin exposure and more. So sit tight and get ready to discover why 5paisa is worth considering as your next Demat account provider.

How 5paisa is different from other online brokers?

5paisa is a discount broker that has been gaining popularity in the Indian stock market. But what makes it different from other online brokers? One of the key factors is its low brokerage fees, which are significantly lower than those charged by traditional full-service brokers.

Moreover, 5paisa offers a range of unique features such as free investment advice and research reports. It also provides users with a mobile app that allows for easy trading on-the-go. This feature-rich platform ensures that investors can make informed decisions while executing trades.

Another way in which 5paisa stands out from other online brokers is its fast account opening process. Unlike some competitors, you don't need to fill out physical forms or submit hard copies of documents – everything can be done online within minutes!

Overall, 5paisa's combination of low brokerage fees, innovative features and quick account opening process sets it apart from other online brokers and makes it an excellent choice for both experienced traders and beginners alike.

5paisa Account Opening Charges & AMC

One of the key factors to consider when selecting an online broker is their account opening charges and annual maintenance charges (AMC). 5paisa, being a discount broker in India, has very competitive rates for both.

To open an account with 5paisa, there are no account opening charges. This means that you can start trading immediately without any additional fees. However, there is a refundable deposit of Rs.250 which needs to be paid at the time of account activation.

In terms of AMC, 5paisa offers one of the lowest rates in the industry - only Rs.45 per month! This makes it a great option for those who want to keep their expenses low while still enjoying all the benefits of online trading.

It's important to note that these charges may vary depending on your chosen plan or subscription package with 5paisa. It's always recommended to review and compare different plans before selecting one that suits your trading requirements and budget.

With its affordable rates for account opening and AMC, 5paisa is definitely worth considering as your go-to stockbroker for online trading in India.

5paisa Online Account Opening

5paisa offers a simple and hassle-free online account opening process. With just a few clicks, you can complete the entire process without having to visit any physical branch.

To start the account opening process, all you need is to provide your basic details such as name, mobile number, PAN card number and email ID on their website.

After providing these details, you will receive an OTP which needs to be entered for verification purposes. Once verified, you need to fill in some additional personal and bank details.

You can also choose between the different types of accounts offered by 5paisa based on your investment goals and preferences. They offer three types of accounts - Equity & Derivatives Trading Account (Basic), Commodity Account (MCX) and Demat Account.

Additionally, they have made it easy for investors who already have a demat account with another broker to transfer it seamlessly to 5paisa using their online platform.

The online account opening process provided by 5paisa is quick and user-friendly making it easier for investors looking to open an account with them.

5paisa Trading Software

5paisa offers a user-friendly trading platform that is available as both a mobile app and web-based software. The platform is designed to cater to all types of traders, including beginners and experienced professionals.

One of the key features of the 5paisa trading platform is its advanced charting tools. Traders can access real-time stock market data, technical indicators, and historical charts for better analysis. Additionally, the software allows traders to place orders easily with just a few clicks.

The software also provides extensive research tools such as company reports, news alerts and recommendations from experts. This information assists investors in making informed decisions about their investments.

Another highlight of this trading software is its customizable dashboard which allows users to tailor their interface according to their preferences. Users can add or remove widgets on their dashboard depending on what they want to see at any given time.

The 5paisa trading platform has an excellent security system with multiple layers of protection preventing unauthorized transactions or fraudulent activities.

If you are looking for a reliable online broker in India with an easy-to-use trading platform backed by powerful research tools then 5paisa could be your best choice!

5paisa Pros and Cons

5paisa, like any other online broker in India, has its own set of advantages and disadvantages. Let’s take a look at some of the key pros and cons of using 5paisa for your trading needs.

Pros:

One major advantage of 5paisa is that it offers low brokerage charges compared to traditional brokers. It also provides access to a wide range of financial instruments such as stocks, ETFs, mutual funds, bonds etc., making it easier for traders to diversify their portfolio under one roof.

Another great benefit is its user-friendly mobile app which makes trading accessible on-the-go. Moreover, with a variety of research tools and educational resources available on their website and app, beginners can easily get started with investing.

Cons:

Despite being an affordable option for traders who want lower fees than traditional brokers charge there are some drawbacks such as limited customer support availability outside business hours. Another downside is that you cannot invest in IPOs through this platform which may be limiting if you’re interested in getting involved with new companies early on.

Additionally margin exposure offered by 5 paisa will not always be sufficient for experienced investors who wish to trade larger volumes or complex derivatives products - meaning they may need to consider alternative brokers.

Though the positives outweigh the negatives when considering whether or not 5 Paisa would make an excellent discount broker choice for most Indian investors looking into Demat account opening so long as they aren't too reliant on high levels or customised service offerings from their stockbroker partner.

5paisa Margin Exposure

5paisa offers margin exposure to their clients, which is a great advantage for traders. Margin Exposure means that you can trade with more money than what you have in your account. This allows traders to increase their buying power and make bigger profits.

With 5paisa, the margin exposure varies depending on the stock or commodity being traded and can range from 3 times to up to 20 times. For example, if you have Rs.10,000 in your account and the margin exposure is set at 10 times for a particular stock or commodity, then you can trade up to Rs.1 Lakh.

It's important to note that trading with margin involves risk as losses will also be amplified by the same factor of leverage used in trading. It's essential for traders to manage their risks properly when using margin so as not to fall into significant debt.

Having access to margin exposure through 5paisa is a considerable advantage because it provides an opportunity for traders who don't want to put all their capital at risk while maximizing profit potential through leveraging opportunities available on different trades they intend entering based on market conditions at any given time.

Here are some frequently asked questions about 5paisa:

Q: Is 5paisa a discount broker in India?

A: Yes, it is. It offers low brokerage fees compared to traditional brokers.

Q: What is a Demat account and does 5paisa offer it?

A: A Demat account is an electronic account that holds your shares and securities in digital form. Yes, 5paisa offers Demat accounts along with trading accounts.

Q: What are the brokerage charges of 5paisa?

A: The company charges flat Rs.10 per trade for all segments including equity delivery, intraday, futures and options.

Q: Can I open an online trading account with 5paisa?

A: Absolutely! You can easily open an online trading account on their website or mobile app.

Q: What kind of margin exposure does 5paisa provide for trading?

A: Depending on the segment you're trading in, the margin exposure ranges from two times to ten times your available funds.

If you have any more questions about using this discount stockbroker for your investments needs—don't hesitate to reach out to their customer support team.

Read more - https://hmatrading.in/

Source - https://sites.google.com/view/latest-gold-rate-forecast/5-Paisa-Review

[abhorsenkatiel]

Playlists for Ianthe and Corona that are even more over-thought than usual! I really wanted these two to be a set, even more than the ones I made for Harrow and Gideon.

Song lists under the cut 👇🏻

(Some songs appear on both playlists to reflect certain points in their codependent interwoven narratives. Unfortunately tumblr won't let me represent this visually by formatting the song lists in columns so you get an overbearing explanation of the concept, and this helpful key:

*Both -Ianthe +Corona)

*Marble House, The Knife:

For when you're the worlds most normal sisters ❤

*Freaky Baby, Izzy Camina:

For when you're the most well-adjusted teenage princesses of MTV Cribs House.

-Devil, Slayyyter:

For when you're the smart one.

+Heavy Metal and Reflective, Azealia Banks:

For when you're the hot one.

-LEGEND, Alice Longyu Gao, Alice Glass:

For when you're the greatest necromancer of your generation (in secret).

+Kill V. Maim, Grimes:

For when you're the greatest necromancer of your generation (don't think about it 😘).

-Apex Predator, Otep:

For when you're the Bad Twin.

+Seduce&Destroy, Otep:

For when you're the Worse Twin.

*SUFFER AND SWALLOW, Alice Glass:

For when you won't let them separate you no matter what.

-Belly Of The Beast, Gazelle Twin:

For when you're the greatest necromancer of your generation, and you're finally going to show them all.

+Deep Blue, Ladytron:

For when you were born to be your sister's cavalier, but she won't let you ☹

-This Is My Hand - Clint Mansell Remix, Gazelle Twin:

For when you did what the rest of them couldn't.

+Ready To Lose, The Knife:

For when you get captured by the enemy and pronounced dead on your home planet.

-Phenom, Thao Thao & The Get Down Stay Down:

For when you're finally the main character of your own story and you're going to make it everyone's problem.

+Vi Var Människor Från Början, Makthaverskan:

For when your sister abandoned you and you're a POW and your not-girlfriend is dying ☹

-Wanna Sip, Fever Ray:

For when your new Sister is giving you mixed signals.

+Clique, YONAKA, FEVER 333:

For when they're all finally going to learn to take you seriously.

-Witch Hunt, Chandler Leighton, DEZI:

For when you're trying to enjoy your Immortal Girlboss Era, but everyone around you is a major downer.

+Call Me A Saint, YONAKA:

For when you deal with your grief by becoming radicalized.

-Outer Science [Remix], shiro-P, JudyPhonic:

For when you get everything you've ever wanted (but it's not how you imagined it).

+Diamond Hard:

For when you're finally the main character of your own story so they better watch out.

*Habitat, Austra:

For when the thing you really want most is your sister.

*Forgiveness, Alice Glass:

For when you know her better than anyone, but also not at all.

*Bonus preteen Tridentarii rancid vibes: Play Destroy, Poppy, Grimes.

[pendrivedatarecovery]

What is UPN (User Principal Name)?

As the name proposes, Pen Drive Data Recovery Chief Name (UPN) is the name of Office 365 client. This is accessible in the organization of email address. Each new client gets an UPN, which is likewise their dynamic registry ID (essential email ID). For instance, a client named Alice turns into a client of Office 365 space "tastyicecream" and both her essential email address and UPN will be alice@tastyicecream.onmicrosoft.com.

Presently, in the event that she moves to another space called info@pendrivedatarecovery, her UPN will be info@pendrivedatarecovery.com.

Notwithstanding, her essential email address will be something very similar: alice@tastyicecream.onmicrosoft.com.

Clients should recollect that in the event of space change, the UPN of a client will change however not their essential email address. Thus, a client's ongoing UPN and essential email address can be something similar or unique.

Parts of Office 365 UPN

A standard UPN comprises of three sections:

Area name (otherwise called UPN postfix)

To expand, we will take the case of alice@tastyicecream.onmicrosoft.com. In this UPN, "Alice" is the username, "@" is separator and "tastyicecream.onmicrosoft.com" is the area name.

What Occurs In the event that Office 365 Clients have Different Essential Email and UPN

As it has been examined before, there can be circumstances when the login UPN and essential email address doesn't coordinate. All things considered, clients might confront challenges getting to various Office 365 applications. Here, we will give a rundown of circumstances when the disarray with respect to UPN might happen:

Office membership based enactment

- The end client needs to give their UPN, and NOT their email address for confirmation.

Skype for Business

- To verify, UPN must be placed.

- However the default Meeting Commencement Convention (Taste) address in MS Office 365 is UPN, clients can change this physically.

Office 365 Online interface

- UPN ought to be utilized to verify instead of email address.

Trade ActiveSync (EAS)

- For this situation, likewise, clients should utilize their UPN. EAS profile's programmed setup expects clients to include on a subsequent screen.

Office Portable Applications

- The end-client ought to give their UPN instead of their email address to get to versatile uses of Office 365.

Instructions to Confirm or Alter Office 365 client UPN

Microsoft Office 365

To Check UPN address present in Office 365 (appointed to each new client naturally), go to Microsoft 365 administrator community. Then click on Clients > Dynamic clients.

Investigate

In the event that Office 365 clients deal with the issue when UPN contains domain.onmicrosoft.com design instead of your space's postfixes (for example my-organization.com), they need to alter UPN address. USB Drive Data Recovery this, take the assistance of Sky blue Dynamic Catalog Module for Windows PowerShell.

To import Purplish blue Dynamic Catalog Module for your PowerShell:

import-module MSOnline

To associate with Office 365 by running this cmdlet:

$msolcred = get-qualification

interface msolservice - qualification $msolcred

To change the UPN address of the client:

Set-MsolUserPrincipalName - UserPrincipalName - NewUserPrincipalName

Microsoft Trade Server

In Return, follow these moves toward check or change an UPN.

1. Send off Dynamic Catalog Clients and PCs on the area regulator (DC) machine. Right-click on the mane of any clients and snap on Properties.

[goldeneyedgirl]

Totally stupid question, and out of the blue one too, but how do you even read jalice fanfiction on twilighted.net?

I, like, registered and all, and yet anytime I find someone’s fic and wanna red it, its says “registered users only” but I have a profile here...like, I want to read this “collection” (I suppose its what it is?) of jalice fanfics called “Eternal Hope: The Alice and Jasper Archive by FrozenSoldier” but I click on a fan fiction and its goes “Register users only”

Im confused, but most of all, really irritated with this piece of mindfuck that is this site.

Short answer: I don't.

Reason 1: the site is a horrible mess. The design of it is ugly and hard to read. The software is super outdated. The graphics have no restrictions (if they were uniform height and width, it would be tolerable) which makes it chaotic and is only there for the egos of the authors.

Login only works 50% of the time and I suspect that the Eternal Hope archive has actually been deleted/taken offline which is why it's inaccessible.

Reason 2: What I have managed to scrounge from it, in the Jasper/Alice corner, is not worth the effort.

I say this with love in my heart and nothing but encouragement for all fic writers no matter your skill or language background. I will treasure fics for a single perfect line, or an outstanding idea, or just the vibe. Anyone who has a fic they aren't sure is 'good enough' to be posted? Just DM me, I will absolutely support the shit out of you and your fic.

But the fics I found on Twilighted were dreadful. They had toxic relationships played off as romance (including but not limited to crimes, violence, and abuse!), they were incredibly OOC, or they were just lazy writing. I can think of one fic I found there (it's been pulled, I'm 90% sure I still have it on my iPad) that was good, but it requires a long-winded explanation (because it's E/B) that I will save for another post.

So yeah, I stick exclusively to FF.Net and AO3, with some look in at Tumblr and Livejournal (most of which has been deleted over the years - very much an unsatisfying crapshoot). Previous investigations suggest that 90% of the Jalice fic that was available on Twilighted was simultaneously posted on FF.Net, so there's very little there that is actually exclusive and worth the hassle.

If it sounds like I am 1100% done with Twilighted, it's because it is. As a design nerd, someone who has been in fandom since childhood, and a writer, that site is a hellscape that I tried to tango with when I first got into Jalice, and I rage-quit after a week.

The best I can offer is to continue to compile the FF.Net Reccs list I've started and if you DM me, I might have something in my archive folder of my own fic that I can offer to tide you over (wow, that sounds super egotistical but like, if you can't find store-bought, homemade is fine. Think of this offer as 'the cake store is giving everyone food poisoning, so I can make you some brownies'.)

[vikingqueer]

music recommendations because i have some thoughts™

i don't wanna be that person who's like "my music taste is so weird lol" but i find that very often most of my friends don't really care for the music i like so i thought i'd just make a long ass post about it on tumblr instead. Fair warning, I'm very passionate about MIKA and The Mechanisms and so this very quickly got VERY long because it is part of my ongoing campaign to convince people to listen to mika and the mechs.

1) MIKA in general, but especially My Name Is Michael Holbrook (2019) and No Place In Heaven (2015) (especially the Deluxe version!!)

MIKA is a kind of British singer (half Lebanese, grew up in France blabla), and you probably know him for Grace Kelly and Relax, Take It Easy from his first album Life In Cartoon Motion from 2007. He writes a lot of FUN music, interspersed with the occasional slightly sadder song, especially when looking at an album like No Place In Heaven, which contains a lot of songs with gay themes, resulting in some songs that are just a little bit ouch. He's originally classically trained and has a frankly RIDICULOUS range and idk he just writes very good pop music. Also I have so much respect for that time he talked about how a lot of pop is very fake, with like expensive cars and stilettos and mini skirts in the snow and said "Because I walk down the street, and I don't see any of that. I see fat women and gay men. I don't know... That's real". He's written 5 albums; My Name Is Michael Holbrook (2019), No Place In Heaven (2015), The Origin Of Love (2012), The Boy Who Knew Too Much (2009), and Life In Cartoon Motion (2007).

For starters, I recommend listening to Last Party, Origin Of Love, Grace Kelly, Blame It On The Girls, Blue, Happy Ending, Pick Up Off The Floor, Last Party, Underwater, Tomorrow and Tiny Love (yes this is a long list but i REALLY love MIKA). If you want a slightly broader palette that's not just my favourites, I recommend the Mika starter pack on spotify.

2) The Mechanisms. I warn you. I am making this a thing. I have been obsessed with the mechs since last march.

Boy, where to start? The Mechanisms were a British 9 member space pirate story-telling cabaret that "died" in January 2020. They rewrite songs to fit retellings of various stories. I don't even know what genre I'd describe them as, but probably folk but steam-punk?? Their 4 "main" albums are concept albums, and I honestly just recommend listening to the from beginning to end in chronological order. A good way to get into the mechs is also to listen to UDAD and then watching the live show on youtube or alternately try giving Death To The Mechanisms a listen, to get good quality live show audio of TBI and various other stuff. Also, it was streamed on YouTube and someone combined the footage with the album audio and it rocks. Really, I think the mechs' best selling points are honestly just their concept albums:

Once Upon a Time (In Space) Their first album from 2012. I'd say this is the most "easily digestible" for the general public, since it's a retelling of various fairytales. So, what if Old King Cole was in fact not merry, but rather a cold-blooded dictator, intent on colonising as much of the galaxy as possible. What if Snow White was a general, looking to avenge what King Cole did to her sister, Rose. What if Cinderella was to be wedded to Rose the day that King Cole attacked in order to kidnap Rose? But y'know, In Space and also like every other mechs album it's a beautiful tragedy. Fave songs are Old King Cole, Pump Shanty, and No Happy Ending.

Ulysses Dies at Dawn You guessed it, it's a story about Odysseus, or Ulysses because I guess Ulysses is easier to rhyme or fit in the meter or something, idk. Ulysses is a war hero of unknown gender who is said to keep something that could take down the corrupt Olympians, meanest families in the City, in a vault to which only they know the passcode. Oedipus, Heracles, Orpheus, and Ariadne have been hired by Hades, who happens to be The Mechs' quartermaster Ashes O'Reilly, to get into Ulysses' vault. I didn't care much for udad at first, but honestly it's got some real bangers and the story is really good. UDAD weirdly stands out as the only of the concept albums to not feature any gay relationships, per se. Fave songs are Riddle of the Sphinx, Favoured Son, and Underworld Blues.

High Noon over Camelot This is my favourite mehcs album. So basically, this is Arthurian legend, but it's a space western and Jonny D'Ville does a bad southern accent. This is the story of the cowboy lovers Arther, Lancelot, and Guinevere searching for the Galfridian Restricted Acces Interface Login, or GRAIL, in order to stop their world from falling into the sun. Meanwhile, Mordred and Gawaine are ruling Camelot, and Mordred has convinced Gawaine to try to establish peace with the Saxons by whom Mordred was raised, but Gawaine hates viciously. If you love getting your heart broken and songs by a fucking off the rails batshit preacher I HIGHLY recommend hnoc. Fave songs are Gunfight at the Dolorous Guard, Blood and Whiskey, and Once and Future King. Honorary mention for Hellfire because it awakens something animalistic in me.

The Bifrost Incident TBI is the frankly only good adaptation of norse mythology I've ever known of, and I say that as Dane who was literally forced to learn things about norse mythology in school because it's my heritage or whatever. I've been listening to TBI a lot lately because it's VERY good. It's definitely the most refined of the mechs' albums (because it's the newest) but also I just love a little bit of cosmic horror. 80 years ago, Odin, the All-Mother, ruler of Asgaard, launched a train through the wormhole Bifrost that would reduce the travel between Asgaard and Midgaard from 3 months to 3 days, but things didn't go quite as planned. Lyfrassir Edda of the New Midgaard Transport Police is trying to solve the case of why suddenly the train has arrived 80 years late; to figure out whether it was accident or maybe it was sabotaged by Loki, who was allegedly sentence to death her murder of Baldur, by the Midgaardian resistance led by Loki's wife Sigyn, or maybe by Thor, who was to take over after Odin, and who holds quite the grudge because he used to be a friend of Loki's. You might've heard the song Thor from this album, it's apparently quite popular. Fave songs are Loki, Ragnarok III: Strange Meeting, and Ragnarok V: End of The Line. Yet again an honorary mention: Red Signal because while Lovecraft was a bitch, his invocations are fucking RAW.

Basically, the Mechanisms do all of their performances in character as captain first mate Jonny D'Ville, quartermaster Ashes O'Reilly, pilot DrumBot Brian, master-at-arms Gunpowder Tim, science officer Raphaella la Cognizi, doctor Baron Marius Von Raum (neither a baron, nor a doctor), archivist Ivy Alexandria, engineer Nastya Rasputina, and The Toy Soldier, who is, as usual, present. You can find very obscure lore about the crew of the Aurora here, tidbits on Tales To Be Told and TTBT Vol. 2, such as One Eyed Jacks, The Ignominious Demise of Dr. Pilchard, Gunpowder Tim vs. The Moon Kaiser, Lucky Sevens, and Lost in the Cosmos.

If you feel like listening to a full 40-50 minute album to find out if you like a band is a bit much, I recommend listening to one of the mini stories Alice, Swan Song, or Frankenstein, which are about 12, 5 and 9:30 minutes respectively.

3) The Amazing Devil You know that guy who played Jaskier in the Witcher? I got into The Amazing Devil from spotify recommending them because I listened to the mechs, and apparently Joey Batey from The Amazing Devil is the same Joey Batey who was in the Witcher. Both him and Madeleine Hyland are VERY talented singers and songwriters and their second album The Horror and the Wild makes me go out into the forest and SCREAM. I listened to it on repeat for like a month straight. I guess they'd also be considered folk, but like. New Folk. Also yes, this is another British artist, I don't know why I'm like this. I've never really gotten that into their first album, Love Run, but King slaps. As I understand there's this whole lore about the Blue Furious Boy and Scarlet Scarlet, Joey and Madeleine respectively, but unlike the Mechanisms it's actually possible to find out things about the actual real people and harder to find the obscure lore? I'm open for people to please help me. Fave songs are The Horror and the Wild, Farewell Wanderlust, and That Unwanted Animal, which is literally a third of their second album, but again. I haven't really listened to Love Run that much, and I just LOVE the harmonies on THATW. (also im gay and dramatic leave me alone)

4) dodie I have so much love for this woman. Like many others, I first knew dodie as doddleoddle on youtube. I think I first stumbled across her in probably 2015, because I distinctly already knew her before she released her first EP Sick of Losing Soulmates in 2016. I think I watched probably every video she's ever made in the span of a few weeks. I just loved her quiet sound and was absolutely HOOKED. Also she's actually the reason I got into MIKA originally, so thanks for that. Dodie just realeased her first album Build A Problem (in addition to her three EP's; the one mentioned above, You, and Human) and it slaps. Yes dodie is also British Fave songs are probably Monster, Rainbow, and In The Middle.

5) Cladia Boleyn Unfortunately, Claudia Boleyn only has three singles and that's it. She's been making content on youtube for quite a while, and that's how I first discovered her. I don't know what genre her music is, but I like it. The songs are Celesta, George, and Mother Maiden Crone, of which the latter is my favourite. I'm not saying Claudia Boleyn invented women in 2017 when she released Mother Maiden Crone, but she did. Also you guessed it, Claudia Boleyn is British.

6) Hozier I'm not about to tell you about Hozier. You know who he is. Listen to Nina Cried Power, Angel Of Small Death & The Codeine Scene, and Shrike. Also Hozier isn't stricly British in that he is definitely from A British Isle, but Ireland is not part of the UK. Give me a break.

7) Oh Land Oh Land IS DANISH. I like her early music best, because I'm not that into the electronic sound. I guess Oh Land is just you regular old pop, but with the occasional weird vibe? Oddly enough, I like her first album Fauna best. Unfortunately I haven't really listened to her newest album Family Tree much, but it seems good? Fave songs are Frostbite, Love You Better and Family Tree. I cried on the bus, first time I listened to the Danish version of Love You Better, Elsker Dig Mer because my mother tongue always just hits harder. Also Frostbite is Oh Land doing a duet with herself which is pretty cool.

8) Oysterband This is a live recommendation. I mean they're a decent folk band and all, but they're a fucking experience live. If you like folk and you ever get the opportunity to see Oysterband live, do it. Unfortunately, yes. They are British. Either way, they are incredible on a scene and I think they deserve a mention for that.

9) Ben Platt Honestly don't know much about this guy, but he's not British and he was in Dear Evan Hansen. He released an album in 2019, Sing To Me Instead, and I just think it's a good album, there isn't really not much more to it. Fave songs are Grow As We Go, Bad Habit, and In Case You Don't Live Forever.

and thats all for now. this has been a ramble. shout out to you if you actually read all of this, especially the mechs part.

[dearaliceliddel]

Picrew is  here

1. Alias / Name: D, Spoop, Splat, Cryptid 2. Birthday: Christmas, Dec 25th 3. Zodiac Sign:  Sagittarius-Capricorn cusp 4. Height: Heckin oof 5. Hobbies: Gaming, Writing, Reading, Memes, Shitposting, 3D modeling, a metric fuckton of lore research, mythology studies, history study... Help me I’m in too much. 6. Favorite Color: Purples, Greens, Blacks, Blues 7. Favorite Book: Utopia, Poes Collections, Frankenstein, Dracula, Various Comics and Mangas, Alice In Wonderland books or stories, Sherlock Holmes, Arsene Lupin, Nancy Drew, the list goes on. 8. Last Song: “In True Style” by Wantaways (Samurai Jack Fan Song) . Currently listening too Ronin Japanese Beats 9. Last Film / Show: Last show is Warrior from HBO with Samurai Jack on its heels, And last movie was Mortal Kombat Scorpions Revenge 10. Recent Reads: Of Tea And Chess by @teaandchess which is very good I highly recommend. Along with the rest of the series. 11. Inspiration: For this blog and Alice, a shit ton of Wonderland aesthetics, and anything to do with the original ‘American McGee’s Alice’ and ‘Madness Returns’. Alongside SyFy ALICE (and wishing there were more blogs for it), and most fantasy genre. This muse is always quite easy for me to fall into so almost anything can spark inspiration. But most fantasy and books is high on that list.  12. Story Behind URL: Considering how often I have heard the phrase ‘Dear Alice’ and variations of it, I used that. I once had a blog before this one but lost the login. I use ‘dearaliceliddel’, because it is iconic and rolls off the tongue nicely. The last name Liddell is purposefully misspelled for the URL to be easier identified as me.  13. Fun Fact About Me: I’m an absolute mess of a human being just trying to vibe my way through life. Even if being struck my lightning twice and walking away from it SHOULD tell me that I maybe need to stay in doors. I’ve survived a stupid amount of things outside my control, how am I existing.

Tagged by: @reanimatedmuses  Tagging: @geekyghostbuster @nerv0usm3chanic @sonxflight @sasorikigai @iamyourdarksyde @plague-on-the-run @hattermadthe @jcinthedance @sleightlyoffhand​ 

[victorluvsalice]

Happy Valicetine’s Day, everyone! :D And look at me, bringing you a whole five Valicetines to add to the collection I’ve built up over the years. :D We have four standard Sims 4 Newcrest Adventure-themed Valicetines -- this year themed around that Sulani vacation they went on with their kids -- and one classic photo mashup that was kind of inspired by the fact that a) I didn’t want to stop making Valicetines and b) the picture I’m using is the one that I’m use as my new computer’s “login screen” picture. XD Hope you enjoy -- text, as usual, is below!

1. (Top left corner; Victor and Alice kissing in the water) Being with you always makes me feel like I’m in paradise. Blurry, blurry paradise. Happy Valicetine’s Day!

2. (Top right corner; Victor suave-kissing Alice while glowing blue) I’m possessed by love for you! (Well, okay, by this island spirit, but love is definitely involved.) Happy Valicetine’s Day! 

3. (Bottom left corner, Victor and Alice fishing together) Doesn’t matter if the fish here aren’t biting -- you’re still my greatest catch. Happy Valicetine’s Day! 

4. (Bottom right corner, Victor and Alice having caught some fish together) No matter what we hook here, you’ll always be my biggest catch. (Nice clownfish, though!) Happy Valicetine’s Day! 

5. (Bottom large, Victor rubbing the back of his neck as Alice looks at him) Give me a minute, Valentine -- talking to you always makes me shy. Happy Valicetine’s Day!

[hmatrading]

What is the best way to earn money in the stock market?

Become informed: Understand the basics of investing, how the stock market operates, and keep up with current market developments. Learn about financial statements, valuation criteria, and investing approaches.

Research and analyze: Do extensive research on the businesses you are interested in before making an investment. Check out their management team, competitive advantages, market trends, and financial health. Analyse past performance and assess potential for future growth.

Diversify your portfolio: Don’t put all your financial eggs in one basket by diversifying your assets. Make investments in a variety of sectors, businesses, and asset types. Spreading out the risk this way aids in risk reduction and may ultimately increase profits.

Invest for the long term: Long-term investing is advised since it can be dangerous to try to time the market or engage in short-term trading. Focus on long-term investments instead, which will enable you to weather market turbulence and gain from compounding gains over time.

Dollar-cost averaging: Instead of attempting to timing the market, think about investing a certain sum of money at regular periods (for example, monthly). This tactic lessens the effects of short-term market volatility and may eventually result in a reduced average cost per share.

Set realistic expectations: Be reasonable in your expectations; gains are never assured and the stock market can be erratic. Stay away from going after rapid earnings or falling for get-rich-quick schemes and be reasonable in your expectations.

Take expert advice into account: If you don’t have the time or knowledge to handle your finances, you might choose to talk to a financial adviser or use robo-advisory services. Based on your financial objectives and level of risk tolerance, they can offer tailored advice.

Keep in mind that there are dangers involved with investing in the stock market. It’s crucial to conduct your own research and make selections that are appropriate for your financial condition and risk tolerance.

Read more — https://hmatrading.in/free-stock-advisory/

[outfitandtrend]

[ad_1] Anne Hathaway made a dazzling entrance at the Cannes Film Festival on May 19 while promoting her new film, "Armageddon Time." Hathaway, accompanied by her husband, Adam Shulman, arrived dressed in a custom Armani Privé dress embellished with white sequins. The "WeCrashed" star paired the two-piece dress with a silky shawl that doubled as a train as it trailed behind her, rivaling the red carpet itself. Hathaway styled the strapless look with silver slingback heels and Bulgari jewelry, including a Mediterranean Reverie necklace inlaid with a massive, 100,000-carat sapphire à la Kate Winslet's prized jewel in "Titanic," aka The Heart of the Ocean. "A red carpet exclusive," the brand wrote on Instagram. "All eyes turn towards the Mediterranean Reverie necklace, a stunning piece from the new Bulgari Eden The Garden of Wonders High Jewelry collection. Showcasing the enchanting splendor of a unique stone — 107,15 dazzling carats of royal blue cushion-cut sapphire from Sri Lanka — this extravagant creation will premiere in Cannes this evening." Simplistic yet elegant, the look is just one of many examples of Hathaway's fashion versatility. Preceding the festival, she teased a new style direction in a three-piece Christopher John Rogers suit covered in rainbow polka-dots while promoting "WeCrashed." At the global premiere of the Apple TV+ series in March, Hathaway made another style statement in a structural David Koma dress that featured a thigh-high slit and an asymmetrical cutout across her bodice. Ensuring the necklace was on full display as she waved to the cameras, Hathaway — who's played all manners of royalty, from the White Queen in "Alice in Wonderland" to Princess Mia Thermopolis in "The Princess Diaries" — evoked an undeniable air of regency on Thursday. See her ethereal red carpet ensemble at the Cannes Film Festival ahead. window.fbAsyncInit = function() FB.init( appId : '175338224756', status : true, // check login status xfbml : true, // parse XFBML version : 'v8.0' ); ONSUGAR.Event.fire('fb:loaded'); ; // Load the SDK Asynchronously (function(d) var id = 'facebook-jssdk'; if (d.getElementById(id)) return; if (typeof scriptsList !== "undefined") scriptsList.push('src': 'https://connect.facebook.net/en_US/sdk.js', 'attrs': 'id':id, 'async': true); (document)); [ad_2] Source link

[sasbuzz-blog]

A day of science and Español

The SAS pod had a stellar morning.  They have defiantly hit their stride with login and attentive interaction. Teacher Vickie had the children take turns with Spanish books while the others were silent reading.

This afternoon, we had 45 minutes of solid Spanish class.  This was a bit stressful as there are so many levels of comprehension. 

* I am working with local ELL specialists to figure out how this will look moving forward.

We did our alphabet flashcards and word association. This is an area all of the students could use some extra time on, so we will continue this. We then had a read aloud and followed it up with a short Spanish video. 

Then onto science! I started a light and color project today with the students. 

I asked them these questions: 

Why is the sky blue?

What are all of the colors in a prism?

What are primary colors?

Does black reflect or absorb light? What about white? 

We watched a Bill Nye The Science guy to front load them with information. We then did a paper where they recalled facts from the video and drew a picture of the place they saw the most color ever. 

Raleigh said it was staring into a disco ball at a party.

Alice said it was at the top of The Eagle Cap Mountains.

Emmie said a butterfly.

Elsa said a rainbow.

Everett said when he made tie dye.

Once the weather is safe, we will be making tie dye!

 han acertado con el inicio de sesión y la interacción atenta. La maestra Vickie hizo que los niños se turnaran con los libros en español mientras los demás leían en silencio.

Esta tarde, tuvimos 45 minutos de sólida clase de español. Esto fue un poco estresante porque hay muchos niveles de comprensión.

* Estoy trabajando con especialistas locales de ELL para averiguar cómo se verá esto en el futuro.

Hicimos nuestras flashcards del alfabeto y asociación de palabras. Esta es un área en la que todos los estudiantes podrían usar algo de tiempo adicional, así que continuaremos con esto. Luego leímos en voz alta y seguimos con un breve video en español.

¡Luego a la ciencia! Hoy comencé un proyecto de luz y color con los estudiantes.

Les hice estas preguntas:

¿Porque el cielo es azul?

¿Cuáles son todos los colores de un prisma?

¿Qué son los colores primarios?

¿El negro refleja o absorbe la luz? ¿Y el blanco?

Vimos a un tipo de Bill Nye The Science para cargarlos con información. Luego hicimos un artículo en el que recordaron hechos del video y dibujaron un dibujo del lugar donde vieron más color.

Raleigh dijo que estaba mirando una bola de discoteca en una fiesta.

Alice dijo que estaba en la cima de las montañas Eagle Cap.

Emmie dijo una mariposa.

Elsa dijo un arco iris.

Everett dijo cuando hizo tie-dye.

Una vez que el clima sea seguro, ¡estaremos haciendo tie-dye

[wingedashley]

Falling for you

(Notes: This fic is 4K words long. Shoutout to @myrastuff for helping with editing, and for creating this superhero AU in the first place.)

Alice Song woke to the soft beeping of her watch’s alarm.

She took a deep, shuddering breath and blinked the sleep out of her eyes. She’d fallen asleep resting her head against the window by her seat, and on any other day the view would’ve taken her breath away. Cruising 85 kilometers above the ground, the shuttle just barely skimmed the edges of outer space. So close to the Kármán line, the upper half of the sky was black as night despite the harsh glare of the sun. She could see the curvature of the Earth dipping into every horizon.

But today wasn’t about sightseeing. She had a job to do.

She shifted in her seat, straightening her back as she stretched her arms and legs. The shuttle’s interior was dark and quiet, sparse but still surprisingly cosy. Her mid-flight nap hadn’t left her cramped and sore like on a regular airplane, where the upholstered seats weren’t designer-made for style and comfort. The soft hum of the shuttle’s engines reverberated through the small space, its automated lights still calibrated for broad daylight. She smiled. That’s what you got for flying without a human pilot, she supposed.

As she stretched, a holographic window opened up a few feet from her face, projected from the shuttle’s ceiling. The plane’s soft spoken AI chimed through the speakers.

“Incoming call from-”

“Put her through.”

It would take a few seconds for the call to connect, enough time to freshen up. After all, it wouldn’t help to give Juliet the wrong impression. With practiced ease, she detached her brain’s chronology from the rest of her body and compressed it, accelerating her mind’s eye in tandem to gloss over the span. She blinked, and blinked again.

By the time Juliet’s office sprang into view before her, she’d been awake for hours.

By the time Dr. Juliet Godsmith extricated herself from the ongoing soiree, the sun had started to set on the horizon. She breathed a sigh of relief as she stalked through the labyrinthine halls of the company office towards her private lab, the click-clack of her cane slowly drowning out the sounds of laughter and music from somewhere behind her.

Of all the times for a crisis like this to happen, it had to happen now. She should have been handling this herself; her mistake, her neck on the line to fix it. But that would put the whole company on the line in the process, and probably end up getting her killed as the icing on that cake. It had to be Song, fighting her battles and saving the day. A proper superhero, for all she seemed set on denying it. Her plan was ludicrous, but it was the best one that either of them had.

By the time she made it to her office she was already breathing heavily, exhaling sharply as the door slid closed with deceptive softness. “Security level to maximum, Aurora,” she spoke to the AI as she settled herself in, resting her cane against the desk as a dozen holographic displays opened in a panoramic array before her. “Run this operation on the burner rig, I want all records wiped as clean as we can get them.”

“Yes, doctor Godsmith.” The AI affirmed it had completed the action with a short, mechanical chirp.

The overhead lights came on gradually, replacing the dimming daylight from the floor-to-ceiling one-way windows with her own perfectly replicated blend of artificial sun. The tender reds and oranges of twilight mixed with the artificial afternoon to cast her office in a riot of warm colours. All of which stood in remarkable contrast to the shadowy shuttle camera feed projected onto the central display before her.

Song was brooding in the passenger seat. Piercing blue eyes glared out at the sky below, her pitch black hair blending into the darkness behind her. Gone was her cocksure grin, the happy spark behind a perennial smile. For all her too-young-to-die posturing, she looked very… mortal. Juliet sighed.

“Aurora, add reminder for tomorrow, 9 am. Review personal privacy filters on camera AI, update recognition algorithm.”

“Yes, doctor Godsmith.”

She closed the feed with a wave of her hand, leaning back into the oversized office chair. Song did this every few weeks, there was no need to feel this nervous.

If she had any more time… well, it didn’t matter. There wasn’t any time left at all.

She opened a call to the shuttle, clasping her hands before her and leaning forward on her elbows. She smiled, and it didn’t feel all that fake at all.

Juliet’s face popped onto the stream, all prim and cunning and perfect. She was wearing a full-length sequined gown, and a smug little half-smile that told Alice she’d invented something that would disrupt another million-dollar industry… or impressed another supermodel.

Let’s not think about that.

“Party went well, I take it?” said Alice.

“Is going well, I hope. We’d better make this fast, or they’ll be fresh out of hors d’oeuvres before I get back.” Juliet’s smile widened into a grin as she leaned back in her throne-like chair, tapping on a keyboard off screen. “Are you ready?”

“Born ready.” Alice grinned. She stood from her seat, stepping closer to the open space by the bay doors to begin her warm up routine. The holographic window followed her… not that she minded. It wasn’t every day that she got to do calisthenics in a skin-tight plugsuit, let alone in front of little miss Stark herself.

Juliet, for her part, seemed far more interested in some readouts floating in her side screens. Poo. “On an unrelated note, I took your request for swim goggles and whipped up something a bit more… fashionable.”

Alice could hear the clack of manicured nails on a keyboard as a hidden compartment opened in the wall with a pneumatic hiss. It was a visor, a single ear-to-ear screen designed to fit across the bridge of her nose, between two large over-the-ear headphone pieces held together by a strap. Same colour and size as the one Juliet wore, except for the ear covers. Fashionable, indeed. She lifted it from the compartment, pulling it over her head to adjust it in place on her face. She smiled, it still had that heady newly-replicated smell.

Whipped up indeed.

Juliet piped up, directly in her ears this time. “If you do find a way to break this one, could you try to bring it back in one piece? I could use the test data. It’s hard enough building a sensor suite that can survive the G forces you put out, let alone one that can wirelessly communicate through all your… temporal folding.”

Alice had to laugh. Juliet always made it sound so frightfully gauche. The visor’s insides lit up after a quick boot sequence, mapping an augmented reality display into the shuttle around her. Her eyes flicked across the visual keyboard as she filled in her login details.

“And what about my… other request?”

With the clack of a keyboard through the visor comm, a second compartment (how many did this damn shuttle have?) opened behind her. Alice turned to look at it, and stopped. She stepped up to it with more than a little trepidation, before pulling out a device she’d only seen on TV. Modelled in museums.

“Really, I should be making you something custom-fitted, but it’s been years since I played with this sort of tech and I was having difficulty with the…” Juliet cut herself off ahead of the technical explanation, conscious of the time. “Anyways, it was easier to convince a few world governments and one admiral that they owed me a favour. I hope you don’t mind something secondhand.”

It was a smooth disc of chrome, with a series of glowing blue rings embedded inside. Like a comic-book arc reactor. Leather straps hung from its sides, a surprisingly oldschool harness for such an incredible piece of technology. Courtesy of its last user, she supposed.

The visor mistook her hesitance for confusion, and layered diagnostic data over the machine:

97% MATCH CERTAINTY: Prototype Soltech egomorphic field reservoir. Last seen…

She dismissed the window. Impulse’s field projector, custom built by Dr. Godsmith herself. She squelched the automatic pang of jealousy.

The device was synonymous with the late superhero, and ever since she’d inherited his powers she’d always wondered when she’d get her hands on something like it. Even now, held at arm’s length, she could feel her field slipping and sinking into the device. Filling and feeling it out like it was meeting an old friend.

She shivered.

“It’s… thank you, Juliet,” she muttered, before slipping it onto her back and tightening the straps around her chest. Impulse always wore the damn thing on his chest, and it certainly made for a pretty striking heroic silhouette. But for the next 30 minutes, the less blinking lights she had pointing forward, the better.

Besides, it clearly wasn’t designed to fit across breasts.

It normally took a bit of effort to stretch her field to something new and foreign on her person. It was still licking at her visor, assimilating the device over long minutes. But the ring pulled at her, drawing her aura into it like a black hole, twisting and coiling it around its core. She stepped up to the starboard bay doors, stretching her face in a mock yawn as she tested the airtight seal around the visor’s screen.

“Song…” The inventor’s voice wavered for a moment, until she restarted with more conviction. “Alice. You know you don’t have to do this alone. It’s the best plan we have now, but that doesn’t mean it’s the optimal solution. We can figure something else out, I’ll handle any fallout. I’ve dealt with worse.”

Alice looked down at her feet, and saw the Earth projected below the shuttle’s floor on her aug display. Drexler’s lab was marked on the ground below, to her left, along with the curving ballistic trajectory of her projected route onto the site.

“Me going in alone gives you the highest plausible deniability, and I can improvise a high speed exit strategy without worrying about anyone else slowing me down. Going now means we can solve this before it becomes an international crisis.”

Alice looked forward, staring through the doors at the void beyond. She grimaced.

“And of course you’ve dealt with worse. We wouldn’t have powers if we hadn’t dealt with worse…” Her voice faltered. “… It doesn’t change a damn thing.”

I couldn’t be there for you then. But I sure as hell can be there for you now.

She could practically hear Juliet smile.

“Fine.” said Juliet. “Though I have to ask, when did you become an expert in breaking into secure military facilities?”

“Since when did you start building tech that could end the world if it fell into the wrong hands?”

“Mmm, touché.”

They faded into a companionable silence, the visor’s clock ticking down the final few seconds before the shuttle arrived at the drop window. She briefly considered leaving her now-obsolete watch behind, but decided against it. As much as she’d fought to not do the jump in a bloody space suit to keep her weight down, a few grams wouldn’t kill her.

And, well… she ran a thumb over its screen nervously. The thought of being without a working timepiece was too difficult to bear. Never again.

“Alright,” Juliet’s voice through the visor broke the silence, “it’s showtime.”

The bay doors flashed green as they waited for Alice’s signal. She checked her harness, flexed her fingers in her suit. Her visor was comfortably saturated in her field at this point, and it had completed the software handshake with the projector on her back. Which, in turn, had finished absorbing as much of her field as it was able. Ideally, optimally, she’d want to hyperventilate before this next bit… but it really wasn’t all that necessary.

Besides, in the off chance that she actually died, she really didn’t want that to be Juliet’s final memories of her. She smirked.

Taking a few deep breaths, she hit the bay door controls. She made sure to exhale sharply as the shuttle’s interior explosively decompressed. As much as she’d have loved to hold her breath, the vacuum would’ve ripped it right out of her chest anyway. She felt her saliva bubble away as the insides of her mouth froze.

To her pleasant surprise, her ears didn’t so much as pop. Thank you, Juliet.

She stepped forward, to the lip of the void. She felt her lungs and heart slow, her power deftly scaling back the speed of her metabolic processes in tandem with her mammalian diving reflex. Her eyes drooped, arms spread wide by her side, as she fell forward into the cold sky beyond.

Juliet tapped her fingers against the desk in nervous anticipation. Now began the wait.

At Song’s altitude, she’d take almost 10 minutes to reach the lab. Her desk’s holographics were dominated by a volumetric display of the atmosphere between the shuttle and the landing zone, Song just a blip on a parabolic track. A side screen showed a camera feed of her receding further and further away from the shuttle.

Juliet clenched her teeth. Any lower, and the spaceplane would drop out of the ionosphere and risk detection. Song was plummeting into this absurd, half-formed plan at terminal velocity, completely alone.

She glanced at another side screen, the internal feed from Song’s visor. It depicted a sharp cross section of the girl’s face: her unfocused blue eyes. Her fingers tapped harder, she bit her lip.

Sod it.

“Aurora, hook me into the company satellite mainframe.” It barely took her a minute to coordinate every Solnet satellite in the hemisphere to train their sensors on the girl. Her windows shifted as a new volumetric display took center stage, a perfectly triangulated 3D reconstruction of Song in free fall. She’d have to scrub a lot of mainframes after this whole mess was over.

She looked… angelic.

Without an atmosphere in the way, the sun burned bright on her skin. Her hair floated in a soft wave behind her, utterly ethereal. And oh god, her in that suit… Juliet tore her eyes away, flushed. Form fitting, ideal for speed, of course Song would insist on it. Impulse always had, and Juliet was starting to realize what his legions of fans had seen in the damned thing. Thank you, aerodynamics.

Wait.

She snapped her focus back to the visor’s screen. Song’s eyes weren’t unfocused anymore. They were tracking something on the ground below with the focus of a hawk.

“What do you see?”

Juliet’s voice felt tinny and distant in Alice’s ears. She scanned the ground again, straining her eyes through her torpor.

Shit.

In lieu of trying to type out a text message with her eyes, she fragmented a new timestream for her visor and carefully decelerated it. Show, don’t tell: the slower anything moved in relation to normal time, the faster the subjective frequency of any waves. All she had to do was pull the visor’s cameras down the EM spectrum juust far enough to-

“Oh,” said the voice in her ear.

Song’s eyes were incredible, even by metahuman standards. They were one of the many adaptations her body had been pushed through to adopt Impulse’s powers. She could see radiation ranging from gamma rays all the way down to, say, radio waves.

There were three radar installations below her, ringing Drexler’s lab. Scratch that, four. She could maybe risk falling past one. But with that many triangulating together, probably on high alert, she didn’t stand a chance. And that wasn’t even the worst part.

“They’re SAM sites. Surface to air missiles. You could probably take one direct hit with that projector online, but you can’t take four.” A pause, an intake of breath, “I’m pulling the plug. We’re aborting the mission.”

Juliet sounded panicked. Which made sense, there wasn’t really an exit strategy for this leg of the mission. If Alice had to guess, Juliet would force the shuttle out of its thermosphere cover and probably risk the world’s most one-sided dogfight to buy her a few minutes.

Alice grimaced. Not if she had something to say about it.

She splayed her arms and legs out in a spread eagle, before reaching out to the field enveloping her body to clock it down.

Time slowed. Every nerve, every atom throttling to a crawl. The world around her exploded into blinding blues and purples as high frequency light overloaded her sluggish retinas. She felt warm, the air spiking in subjective heat and pressure to her slowed skin. She felt her stomach sink as her drop to Earth suddenly accelerated. A kinematic illusion, her brain playing catch up with her subjectively faster trajectory.

But for all the things that sped up around her, gravity did not.

The earth spun beneath her, far faster than it ever should. But she still fell with the force, and speed, of a single G, relative to her own pocket of time. Her visor struggled for a long second to recalculate her new trajectory… one that plateaued over the lab to land in the ocean well beyond it. Her face broke into a smug grin with the sharp intake of breath from the other end of the com.

“Well then. That’s a neat trick. Didn’t realize you could slow your fall like that.” Alice listened in a happy daze; Juliet’s voice was wonderfully, gloriously, legible. No speed up at all. Somehow, the inventor had built a machine that could package her voice perfectly across compressed time. She always hated having to keep her auditory nerves running at a different rate than the rest of her, it was such a debilitating experience.

With the boosted atmospheric pressure, she decided to finally open her mouth and inhale a few, deep breaths. Some of that daze was feeling a bit too literal.

Juliet was speaking again. Blinking the fog away from her mind, she tried to pick up the thread of the conversation she’d lost. Audio compensation or not, there was no fixing the fact that Juliet was literally in a faster timestream than her. Her messages came thick and fast. Something about the view being spectacular?

“- will bring the shuttle around and pick you up from your new landing zone. I trust that you can swim.”

She almost rolled her eyes, until Juliet paused, left her hanging on her words like she hung in the air. Even with her mind running a bit faster than the rest of her body, a second of silence was a worryingly long gap in realtime.

“…Don’t worry about Drexler, or the transponder. Don’t worry about diplomatic incidents. Just come back safe, Song.”

Practically a whisper, it almost felt like an admission. To what, she didn’t dare guess. She had to focus on what came next. Slowing down was always the easy part.

She’d been tracking the sweeps of the radar beams, putting together a map of how they intersected, the transient gaps and windows. But everything moved so dizzyingly fast, her crawling nerves struggling to keep up with the shifting sensor net.

She felt her mind fragment, executive functions slowing further and further as her planning functions endlessly accelerated. Her vision narrowed. Blood rushed to her head. Tinnitus keened in her ears. A dull pain settled between her eyes-

There.

Like a bolt of lightning down her cortical stack, she felt the raw certainty of a route found, a plan committed. Her mind telescoped back in on itself as she heard her lungs draw a deep, shuddering breath. She was drifting right above the installation, the SAM sites forming a perfect ring of interlocking death.

What immortal hand or eye, could frame thy fearful symmetry?

“… Song?” Juliet was talking to her. “Song? The visor doesn’t have much of a biometric suite, but your-”

Tyger Tyger, Juliet.

For a single dizzying moment, everything clicked into place. Alice reached the laboratory’s zenith. The radar beams finished sweeping directly over the installation, to return to scanning their surroundings.

She let go of her power.

Her body snapped back to real time, the world dropping back to chilly normality as every particle in her body sprung back into action. And then she kept on pushing, driving her temporal momentum forward as she clocked her entire self up.

The world was dark, redshifting into a red and black hellscape. The world was cold, chilling to near absolute zero.

The world was still.

She couldn’t breath, the air frozen in time around her. She couldn’t see the SAMs, her eyes shifting frantically to adapt to the grim red sun. She hung in the sky, frozen for a gut wrenching moment, her momentum reduced to negligibility.

And then she fell.

She pulled her arms and legs tight against her sides as she picked up speed, dropping like a javelin through the frozen sky. Her power was red lightning in her veins. The world was a shrinking cage of radio waves, flanked on all sides by the invisible eyes of an angry god. She felt herself break the sound barrier, stabbing out of the stratosphere like an orbital strike.

A dozen seconds into her breakneck descent, she heard Juliet’s delayed gasp in her ears. She laughed with aching lungs.

Welcome to my wonderland.

The laboratory grew in her vision as she felt the shockwave of compressed air stretching against her finally ignite. Fire scorched her sight, seared the caked frost from her visor. Countless warning windows exploded across the edges of her vision, which she ignored for the only readout that mattered: altitude.

500 meters from the ground and dropping, she decided to prime the projector, slid her eyes across the ring’s controls, and-

ERROR: RADIO BLACKOUT. Potential causes: active jamming, spacecraft re-entry, ionospheric anomalies…

No. No no no.

The emergency release. She’d seen it in the museum, briefly noted it when she picked the thing up on the shuttle. Teeth clenched, she whipped her left arm behind her back to grab for the switch.

Her arm had only extended from her profile for a microsecond, but a microsecond was all that the angry sky needed. The sudden asymmetry to her profile whipped her into a tailspin. The burning, freezing night spun her end-on-end as she flailed for the release.

So that’s why Impulse always wore this thing on his chest.

The altimeter kept draining.

In a handful of terrifying moments, she found the latch, grabbing and holding on to it for dear life. With a silent scream, she clocked up as hard as she could with every iota of power she had left, and clocked her mind further still.

5 meters

The world collapsed into darkness, her eyes failing her completely, her breakneck fall suddenly slowing to a lethargic sink. She couldn’t tell up from down. It felt familiar… like diving.

Like drowning.

3 meters

She screwed her eyes shut and pulsed her senses through her field. It caressed the edges of her temporal bubble, tracing a thousand soft fingers against walls of frozen sky.

With a slow spin she righted herself, orienting against her wake. She extended her feet to help cushion the landing. She splayed her right hand before her, fingers outstretched.

(1 meter)

Her fingers and feet touched the roof of the laboratory. They sank into the concrete like it was dust in the wind.

Two knuckles deep, she flicked the switch.

The field stored in the projector blasted through her body like a shockwave, pumping down her legs and arms to dig deep into the concrete. She felt her power stretch across the rooftop, licking down at the load bearing supports. The effect was immediate, the concrete hardening and absorbing the shock of her descent. Dust became rubber as her momentum scattered into her field.

And like a wire snapping, she whipped back to realtime.

The world gasped back into light and warmth as she slammed into the flexing rooftop. Her fragmented mind was still a step ahead of her body, watching with dispassionate curiosity as the shockwave rippled away through the ground beneath her.

It rippled up her body too, her bones and limbs twisting and warping far beyond their breaking points, held together by the aftershocks of her field. The wave rippled through her skull and she struggled to hold onto consciousness, shivering as it passed up through her hair.

And then, finally, it was over.

Her brain crashed back into realtime all at once, following the rest of her. For the first time in far too long, she was all in one piece; even the minor instinctive temporal eddies that wormed their way through her metabolism had all collapsed in sheer exhaustion.

It was a surprisingly nice day out. The sun was high in the sky, and all she could hear was birdsong from the nearby forest. No surface to air missiles, no foxy geniuses, nothing. Only the soft chime of her visor rebooting broke her from her reverie. She laughed, gasping for breath, and rose from her three-point landing.

Cheeks flushed, flakes of cement scattering from the grooves she’d dug into the ground, Alice stood tall, turning back to look up at the sky and straight into the eyes of her audience.

She winked.

[vividlyinlovewithotome]

Play both games to get this lovely prizes!

Login to both Lost Alice and Modern Cinderella in commemoration of Hansel Bernet and Jacob Taylor's route release. This will end on February 25, 2018.

Prizes to obtain are:

Lost Alice:

Chessmen

Fairy-tale like Bedroom Background (Blue)

Modern Cinderella:

Eat-Me Cookie Sign

Romantic Night Tea Party Background

**Login for three days on the same device to acquire them.

[entergamingxp]

Alicization Lycoris New Artwork, Gameplay Revealed

June 16, 2020 2:15 AM EST

Sword Art Online: Alicization Lycoris: all the new details revealed on the latest live stream with Reki Kawahara and Producer Yousuke Futami.

As you already know, a new Sword Art Online stream was held on June 13, where we most notably learned Lisbeth, Silica, Leafa and Sinon will all be playable in Alicization Lycoris. Now, we have up and running for you a full summary of the stream, with more gameplay, and new comments from Producer Yousuke Futami.

Producer Yousuke Futami explained there are some differences with how Lisbeth, Silica, Leafa and Sinon will appear in the game story-wise compared to the anime/novel. In Alicization Lycoris, the story diverges from the first Alicization anime season at episode 24. That’s long before the point when the four girls join Underworld. In the game though, they will still join the story nonetheless.  Moreover, the girls won’t be using the goddesses-based super accounts they login with in the anime/novel. Hence why their designs are different in Alicization Lycoris. Asuna has a different design than her goddess Stacia version, Sinon looks different than her goddess Solus version, etc.

Sinon uses bows, Leafa uses one-handed swords, Silica uses daggers, ans Lisbesth uses one-handed clubs. The text description mentions how the four girls decided to dive in Underworld after hearing from Yui that Kirito and Asuna were in danger.

Yousuke Futami also explained why Silica has a blue/purple outfit: because her usual red colors would feel redundant with Medina, who also has a red outfit. He added Silica also has yellow or blue outfits in other games, and doesn’t always wears red in the first place.

Next, we saw more character episode excerpts gameplay. These are scenes following the previous excerpts that were uploaded on the Sword Art Online games official Twitter. There’s one with Asuna, Eugeo, Eldrie, and Ronie. Watch them at the 1:26:26 timestamp linked below.

Longer versions of these excepts will soon be published on the SAO games official Twitter. The longer version of the Asuna one has already been published:

【SAOAL】本日から4日間お届け！ 生放送で発表したキャラクターエピソードのロングVer.を公開！

第1弾は『アスナ』 大人になったキリトに寂しさを感じるアスナと、甘えたいキリト…。

明日は『ユージオ』を公開予定。

⇓最新CMはこちら⇓https://t.co/owwWcJ2Taz#SAO #sao_anime #SAOAL #アリリコ pic.twitter.com/8PRFrs7RiQ

— ソードアート・オンライン ゲーム公式情報 (@sao_gameinfo) June 15, 2020

Asuna’s feeling lonely that Kirito already spent at least two years in Underworld and started becoming more of an adult. She wants to pamper him and hugs him.

Next on the stream, we saw a few seconds more of gameplay. A dialogue scene where Kirito ends up accidentally eavesdropping on Alice, Asuna, Lisbeth, and Sinon chatting about him. You can watch that below at the 1:32:40 timestamp.

These are the kind of comedic event scenes past SAO games had, and Producer Futami said Alicization Lycoris will have similar scenes.

Next up, the Abec illustration for the box of the game’s limited edition in Japan was revealed. It’s pretty cool. You can watch an unboxing at the 1:35:13 timestamp below.

The final SAOAL gameplay footage shown on stream featured multiple characters wearing the fan designed costumes from the costume contest.

The black hood costume Sinon is wearing was shown for the first time. It’ll be included with the game’s Premium Pass in Japan.

As a side note, the stream also featured SAO author Reki Kawahara, SAO editor Kazuma Miki, OP singer ReoNa and Kirito’s seiyuu Yoshitsugu Matsuoka. They all shared some fun comments:

Matsuoka recently got into FFXIV again thanks to some newly found free time staying at home. He played for the first time in 6 years. He also commented on the Dengeki Online Shop limited edition with the Asuna and Alice sheet drawn by Yumiko Yamamoto, claiming he likes Alice’s thighs the most.

ReoNa’s favorite character used to be Sinon, but she likes Eugeo now since when Alicization started. She likes how Eugeo complements Kirito’s personality and stays by his side. Matsuoka jokingly said she needs his approval to get Eugeo. These days while staying at home she spends a lot of time sleeping.

Two new trailers have been published by Bandai Namco America too. The first one is the same one as the one revealing Lisbeth and co but with English subtitles for the theme song. The second one goes over character customization, crafting, and relationships.

We have yet to see the game’s final trailer and the actual opening animation sequence too. As Producer Futami confirmed on stream, the footage shown in the theme song trailer/character trailer isn’t the opening sequence.

SAO console games sales have topped 5.6 million units in the world.  If you’d like to learn more on Sword Art Online: Alicization Lycoris, you can check out: the latest gameplay with Lisbeth, Silica, Leafa, Sinon, the game’s original story and characters, the battle system, the planned DLCs, even more gameplay, the return of bed scenes, and more comments from Producer Futami, including the game’s length and regarding a Switch version.

Sword Art Online: Alicization Lycoris recently went gold. The game will launch July 9 in Japan and July 10 worldwide, on PC via Steam, PS4, and Xbox One. You can preorder it on Amazon to support us.

The rest of the game part of the stream focused on news and in-game events for mobile games Sword Art Online Integral Factor, Memory Defrag, and Alicization Rising Steel:

This post contains affiliate links where DualShockers gets a small commission on sales. Any and all support helps keep DualShockers as a standalone, independent platform for less-mainstream opinions and news coverage.

Source: Dengek Online, Bandai Namco

June 16, 2020 2:15 AM EST

from EnterGamingXP https://entergamingxp.com/2020/06/alicization-lycoris-new-artwork-gameplay-revealed/?utm_source=rss&utm_medium=rss&utm_campaign=alicization-lycoris-new-artwork-gameplay-revealed

[warninggraphiccontent]

10 January 2020

Happy New Year!

Is it now too late to wish people happy new year? Hope you've had a good start to 2020 nevertheless.

2020 started with a couple of interesting data-related stories. First, there was the accidental posting of personal addresses as part of the New Year Honours list (useful thread from Owen Boswarva here). I think it underlines that for all the (sensible) discussion of data strategy, data ethics and everything else, there are a lot of practical questions - not least how you turn all of that strategy and ethics into something practical for those on the frontline of using and publishing data. One hopes it won't be used as an excuse for less data being published in the future.

And second, there was of course That Dominic Cummings Blogpost And Job Advert. On the data side of things, my main takeaways from Jeni's excellent post were that this can't be whizz-bang-buzzword-bingo for Number 10 projects and that government needs to fix the plumbing as it goes along, and that it isn't just about the data, which can never tell you everything (see also Hannah Fry's take on that). There's much more on what it means for the civil service, etc, from Gus O'Donnell, Matt Jukes, Mark O'Neill, Jill, Josh at Apolitical, Rachel Wolf, Stephen Bush, Giles, Jonathan Portes, Cath, Charlotte Pickles and Tom Chivers.

I had hoped to write something a bit more coherent beyond a bunch of links on all of that, but the team and I are currently putting the finishing touches to Whitehall Monitor 2020, our annual look at the size, shape and performance of Whitehall. We've got a great launch event lined up for lunchtime on Tuesday 21 January - the invitation will go live here later today.

There's no Speed Data on this week's Inside Briefing podcast (I'll be back next week), but catch up on the most recent sonifications here.

And finally, it was brilliant to see something we did a few years ago - on government organograms - come back around: some lovely visualisations by Peter Cook of government organograms.

See you next week

Gavin

Today's (bumper edition of) links:

Graphic content

Looking back, and looking forward

The list of 2019 visualization lists (Maarten Lambrechts)

Ten charts that tell the story of 2019* (FT)

A year in Graphic detail (The Economist)

Some Of Our Best Work From 2019 (FiveThirtyEight)

The 56 Best — And Weirdest — Charts We Made In 2019 (FiveThirtyEight)

Everyone from the @PostGraphics team is sharing their favorite projects from 2019 (Washington Post)

The Year in Graphics (Bloomberg)

The Year in Graphics: 2019* (Wall Street Journal)

2019 Was the Year Data Visualization Hit the Mainstream (Nightingale)

What markets and models expect in 2020* (The Economist)

Environment and energy

Sizing up Australia’s bushfires (Reuters Graphics)

See Where Australia’s Deadly Wildfires Are Burning* (New York Times)

Visual guide: see how Australia’s bushfires are raging across the country (The Guardian)

UNEP: 1.5C climate target ‘slipping out of reach’ (Carbon Brief)

Temperature anomalies 1880-2017 by country (Antti Lipponen)

Electric insights (Drax, via Marcus)

Climate Impact by Area (electricityMap, via Marcus)

Boom in global sand trade fuels fears over conservation* (FT)

#GE2019

How the voters voted in the 2019 election (Ipsos MORI)

Land, people and political maps (Alasdair Rae)

Mapping the 2019 UK General Election (Geographical)

Labour's secret list of target seats for the election (Sunday Times)

Cabinet reshuffle - sonification (me for IfG)

Cabinet reshuffles since 1997 - sonification (me for IfG)

The government majority, explained (Ketaki for IfG - with GIF)

USA

Why The Democrats Have Shifted Left Over The Last 30 Years (FiveThirtyEight)

The Opportunity Atlas (US Census Bureau, Harvard University, and Brown University)

How the opioid epidemic evolved* (Washington Post)

Impeachment of the tweeter-in-chief (Dueling Data)

Making-of

Here’s where the US government is using facial recognition technology to surveil Americans (Recode)

Who Will Win The 2020 Democratic Nomination? (FiveThirtyEight)

Chinese Restaurants Are Closing. That’s a Good Thing, the Owners Say.* (The Upshot)

Donald Trump sees sharp increase in support for economic policies* (FT)

A new study suggests that street gangs inflict broad economic harm* (The Economist)

Nearly a quarter of Americans have never experienced the U.S. in a time of peace* (Washington Post)

UK

Civil service staff numbers (Institute for Government)

Organograms (Peter Cook)

Never ever: Exploring the increase in people who’ve never had a paid job (Resolution Foundation)

Tackling the under-supply of housing in England (House of Commons Library via Jon Stone, via Marcus)

I've coloured the roads of some urban areas by their name. (Giuseppe, via Pritesh)

Everything else

La géolocalisation des comptes Twitter selon les @ des titres de la #pqr (Jose Biosca)

Violence in the Syrian “safe zone” (Reuters)

What a Decade of Netflix Did to Hollywood* (Bloomberg)

Most-often mentioned foreign country in New York Times headlines vs Le Monde (via Alexandre Afonso)

Meta data

Looking back, and looking forward

Stats that then! A look back at 2019 (ONS)

Statistics of the Year 2019: Winners announced (Royal Statistical Society)

Statistics of the Decade 2010-2019 (Royal Statistical Society)

Don’t glaze over. This statistic holds the key to UK prosperity (The Guardian)

Stark statistics make clear why so many are feeling worse off* (Paul Johnson in The Times)

Checking Stats of the Year 2019 (Anthony B. Masters)

Podcast: GDS in 2019 (GDS)

Data and Justice in 2019 — Who can afford big tech, and who can live without it? (Global Data Justice)

10 Storytellers Who Informed Our Outlook on Tech in 2019 (Omidyar Network)

Announcing the 2019 Data Literacy Award Winners

The 100 Worst Ed-Tech Debacles of the Decade (Audrey Watters)

The 2020 digital government wishlist (NS Tech)

The 2020 vision for open government* (Apolitical)

The 14 most important design ideas of the decade, according to the experts (Fast Company)

A decade of revolt (Vox)

Informing the election: 2019 (ONS)

In 2020, let’s stop AI ethics-washing and actually do something* (MIT Technology Review)

Why ‘data provenance’ will be the new media-transparency issue in 2020 (Digiday)

Data regulator hones in on TikTok as it makes child safety top priority for 2020 (ITV News)

Too big to fail? Tech's decade of scale and impunity (The Guardian)

The Decade in Advertising: Targeted ads exploded, and the damage has been devastating (Slate)

The decade tech lost its way* (New York Times)

The Old Internet Died And We Watched And Did Nothing (BuzzFeed)

The Architects of Our Digital Hellscape Are Very Sorry* (Wired)

Alienated, Alone And Angry: What The Digital Revolution Really Did To Us (BuzzFeed)

Time to seize the data opportunity (Hetan Shah for Bright Blue)

Science: what breakthroughs will the 2020s bring?* (FT)

Personal data

Matt Hancock Still Doesn’t Tell You How Your Data Is Used – December 2019 (medConfidential)

New Year Honours - data breach (Owen Boswarva)

New Year honours data breach may lead to less government transparency (New Scientist)

Fresh Cambridge Analytica leak ‘shows global manipulation is out of control’ (The Observer)

Administrative Data: Misuse vs. Missed Use (ADR UK)

GDPR Enforcement Tracker (CMS)

GDPR is working exactly as everyone who knew the first thing about ads thought it would (Antonio Garcia Martinez)

Implementing a 21st century approach to digital identity (Jerry Fishenden for Computer Weekly)

Personal Data Is Valuable. Give Pricing Power to the People* (Wired)

AI

AI 'outperforms' doctors diagnosing breast cancer (BBC News)

Artificial intelligence needs global ground rules* (FT)

A HEALTHY USE OF AI? (RSA, via Martin)

THE INVENTION OF “ETHICAL AI": How Big Tech Manipulates Academia to Avoid Regulation (The Intercept)

Lack of guidance leaves public services in limbo on AI, says watchdog (The Guardian)

Big tech

Tech Nations: Welcome to Apple* (Tortoise)

'I want this book to be politically useful’: the explosive memoir exposing Silicon Valley (The Guardian, via Alice)

Tech Giants Are Engaged in a New Scramble for Africa (World Politics Review)

China's Tech Landscape: A Primer (Institute for Global Change)

UK government

Whitehall Reimagined (Policy Exchange)

Give chief information digital officer teeth, thinktank recommends (UKAuthority)

NHS gets £40m to cut login times on its IT systems (The Guardian)

Jeni Tennison on Amazon’s access to the NHS website – how has it come to this? (ODI)

Visa applications: Home Office refuses to reveal 'high risk' countries (The Guardian)

EU

UK at ‘end of queue’ for data deal with Brussels* (FT)

Critique (@Cybermatron)

‘We have a huge problem’: European tech regulator despairs over lack of enforcement (Politico)

When Europe enforced its privacy law in May 2018, we set out to examine how it would work (Nicholas Vinocur)

EU competition chief struggles to tame 'dark side' of big tech despite record fines (Sky News)

It's fascinating to see UK DP professionals who still haven't processed what the election means (Tim Turner)

How to talk about data

Community Data Dialogues (Sunlight Foundation)

How to explain to CEOs why fixing the plumbing matters (Eddie Copeland)

Openness

Farewell and Thanks from the Web Integrity Project (Sunlight Foundation)

Seeing Transparency More Clearly (Public Administration Review)

Everything else

What hath digital good intentions wrought (Sam Smith)

The greatest trick technology companies ever played was persuading society to surveil itself* (New York Times)

Data journalism is helping restore faith in media in South Korea (NHK)

Royal Institution Christmas Lectures 2019: The Hidden Power Of Maths (Hannah Fry for the BBC)

Can technology plan economies and destroy democracy?* (The Economist)

Why Irish data centre boom is complicating climate efforts (The Guardian)

Data and bus franchising in Greater Manchester (Tom Forth)

The Exit Poll, BBC Election Night and systemic media bias (LSE British Politics and Policy)

The Right Frame (Anthony B. Masters)

Opportunities

Here's why you should apply for a job in our data visualisation team (ONS, via Rob Fry)

JOB: Band A - Senior Policy Advisor (Open Innovation Team)

JOB: Director of Skunkworks (NHSX)

JOBS (Centre for Data Ethics and Innovation)

JOB: Project manager, MyData Europe 2020

JOB: DATA JOURNALIST, SCIENCE & RESEARCH (World Resources Institute)

JOB: Algorithms Management and Policy Officer (City of New York, via Marcus)

EVENT: Is it ethical to use predictive analytics in children's social care? (What Works for Children's Social Care)

And finally...

Happy new year!

Britain’s best of 2019 (YouGov)

Almost half of people stick to a New Year’s resolution* (The Economist)

Sport and leisure

Beethoven's Fifth (Literland)

The Gambler Who Cracked the Horse-Racing Code* (Bloomberg)

The all-time top flight table for English football... (SPORTbible)

Cool accidental data visualization of missed shots on the goal at an ice skating rink (Rachel Tatman, via Nick)

Food glorious food

Greggs vs Pret (FT via Tim Bale)

The Peri Reverend... (Fergus Butler-Gallie, via Tim)

The world in proportion to sheep (Amazing Maps)

Everything else

RAIL MAP online

What’s in a Font?: Ideological Perceptions of Typography (Communication Studies, via Haydon)

'I am going to say quiet words in your face just like I did with Trump': a conversation with the Zuckerbot (The Guardian)

I’ve found the master plan of every academic! (Stephen Aguilar)

168 ways survey respondents spelled @PeteButtigieg (Kevin Quealy)

"The length of the working day. Yesterday. Today. Tomorrow. The USSR will have the shortest working day in the world and the shortest working week" (@sovietvisuals)

Alternatives to SI units for describing data size (Alastair Rushworth, via Sukh)

This “Event Risk Radar” is a bad idea* (FT Alphaville)