#album release tour 2024

[yoda-bor]

Jure giving a little kiss to Jan during Stéphanie, this is so cute 🥰

[8iunie]

Dom Omladine | Belgrade, Serbia | 27.11.2024

[damiannasworld]

PAPI 🥵🔥 & PUPPY 🐶💗

Jere's picture @omppupiiras

Bojan's picture @i-wasnt-ready-for-this

[dailyjance]

9th best underrated jance moment in 2024 - yearning in everybody's waiting in the album release tour

sources: [one] [two]

[timberlakegallery]

Justin Timberlake's 'EVERYTHING I THOUGHT IT WAS' Album Release Party at Dan Tana.

[thesecretbits]

My only prediction for SKZ this year is that the special album will be another SKZ-Replay album. They released 9 original SKZ-Records in 2023 and are doing another 8 in 2024. That's enough for an album. And the fact that they added the SKZ-Records to the Step Out 2024 video, which they don't usually do, they'll probably add the solo songs from the tour, and we get another 25 song SKZ-Replay album.

And that's all the predicting I'm doing.

[hootenanie]

made for class. really proud of how this came out!

[kingofmyborrowedheart]

Taylor’s going to drop TS11 purely so she doesn’t have to play “Mary’s Song” as a surprise song on this tour.

[hiphopvibe1]

Future reveals tracklist for “Mixtape Pluto”

Continue reading Future reveals tracklist for “Mixtape Pluto”

[goldenmusicmoments]

A Chaotic Dive Into Fletcher's Sophomore Record In The Search Of The Antidote:

Fletcher releases her sophomore album In Search Of The Antidote. It comes two years after her stellar debut Girl Of My Dreams. She’s a greatly talented pop artist that dives deep into her life and who she in order to seek inspiration for the songs she writes. She’s raw and unfiltered, which really makes her standout and you find yourself intrigued by all that she has to say. Here again she doesn’t hold back. So get ready to go on this chaotic journey.

Maybe I Am - An opener that starts of with a tender strum of the guitar, however her vocal delivery and the lyrics have a very opposing feel. You get a sense of moodiness as she’s hearing all this outside noise and she brushes it off by saying maybe she is all the things she’s being called. She doesn’t seem to be fazed by the opinions of others. The chorus lifts with its dreamy heavy production and you find yourself completely immersed in it. She calms it down for the last couple of seconds pointing towards her feeling tired of it all. A start that indicates that we are going to be in for quite the rollercoaster of emotions.

Doing Better - The instrumentation from the start gets you tapping your feet to its beat. She’s letting it be known that she is doing better, however she finds that better feels worse. Which could be because of her ex still lingering in her mind to some extent. She sings about all the positive things she’s done since. However she makes it clear that all the success she’s had, hasn’t resolved all her issues. This drum heavy track has this badass vibe, however still retains a hint of vulnerability.

Ego Talking - Fletcher seems okay on the surface as she’s happy for her ex-partner to move on and have the time of their life. However internally her ego persuades her that regardless of who they are with, the love they share will never be as great as the one she shared with them. The first verse and pre-chorus are both tame with a light guitar carrying the production. When the chorus hits the production and her vocals soar, then for the next verse and pre-chorus though it calms down there is more to it than the first. Her use of ‘right’ in the pre-chorus and chorus seems to be her looking for reassurance that she’s not replaceable. She lets it be known at the end, that she’ll forever be theirs. Its the common occurrence of the difficulty in letting go of a significant love.

Lead Me On - Here the first verse has this dreamy feel to it and then the pace lifts following the first chorus. The drums take centre stage and the electric guitar is threaded throughout this rockstar moment. This will be such an electrifying song to experience live. Just before the bridge she takes it up a notch vocally, as she showcases how far her range can extend. She’s wanting them to give her even a little bit of attention and she’d be content with that, as she sings “So why don’t you just lead me on? ‘Cause something is better than nothing at all”. She really doesn’t want to let go as she tries to cling on to whatever she can, even if it may not necessarily be idealistic for her.

Two Things Can Be True - Fletcher wants to be delusional, as she wants to believe that the person of interest can still love her whilst loving someone else. The bass driven production remains steady and then lifts at the bridge. She brings it back down just before the song comes to an end. The production makes you feel as though you are in the middle of a car race, in a way playing to the topic at hand, where she seems to be competing with her ex’s new partner.

Eras Of Us - On this nostalgic track she’s looking through memories from the relationship alongside wondering what the other is up to. She throws in the title of her debut album which is a pretty cool moment in the track. She’s stuck in the past and is finding it hard to let go of the shared memories. The track finds connection with Taylor Swift’s The Era’s Tour, which when in attendance she ran into her ex-love. Like Taylor, Fletcher is going over all the memories (‘eras’). The production gradually builds as the song progresses with the drums coming in after the first chorus. The bridge feels chaotic as you feel the need to scream those lyrics alongside her and then she tones it down before closing the track.

Attached To You - Instantly gets you nodding your head to the beat. Fletcher really is opening herself up and highlighting how she is when it comes to being in and out of a relationship. She seems to ruin things on purpose out of the fear that things may end up being perfect. Here she’s afraid of becoming attached so she’s doing everything she can to prevent that from occurring as a way to protect herself. You are fully immersed in this track as its production makes it feel like it takes up the space around you and the infectious hook has you singing along to it from the get go. The verses are laid back and the production lifts for the chorus.

Crush - Here she looks back on the relationship reminiscing on the intensity of their love, though it wasn’t exactly healthy, the high is something you end up missing. The duality to the use of the word ‘crush’ is cleverly done. As at one point she’s wanting to know whether the other will crush her in the heat of their intimate moments and then at the end stating that letting go will do the same. She really pulls the production completely back for the verses, in the first chorus there is a slight rise and then it remains steady. Then lifts a little more during the second chorus. The drums soaring in tune with when she sings the word ‘crush’ really boosts its impact.

Pretending - The moody bass that feels right in your face instantly draws you in. It gives you this feeling of being on edge and then the chorus soars. The vocalisation that forms part of the chorus really takes over and you give yourself to the track. Here she sings about imagining the two together and what could be if they were. In the second verse she feels the pain that comes with the realisation that things just aren’t any longer working, but for now she’s wanting to go on pretending. It clearly isn’t an ideal headspace to be in, as it can end up consuming you. Her vocal delivery paired with the production gives you this feel of desperation to hold on.

Joyride - The moody guitar, that later fades into the back as the drums take centre stage, gets you into this vast feeling track. Here she seems to be singing about two people that aren’t exactly good for each other, however they want to give things a go. 

Antidote - This closer is the perfect end to the record as it’s her in search for healing. She wants to find an antidote that will help her deal with all that she’s been struggling with. The antidote here seems to be a person. She’s done caring about any of the outside noise and she knows that this particular person will be there for her in her moments of need. The songs feel in a way plays to the meaning behind the lyrics. It has a hint of soul to it in the way that her vocals are during the chorus. It makes you as the listener feel like you are being uplifted into a more positive space. The instrumentation during the bridge feels bright adding to the tracks hope driven nature.

The album is overall a short but impactful record. Its moody and gives of such rockstar vibes. She has such a powerful vocal delivery that adds to the rock feel. You find yourself captivated from start to finish. With the album mainly focusing on dealing with the demise of a relationship, the struggles of letting go and the search for healing. Her personal approach to songwriting allows for her music to resonate with you. Fletcher is definitely an artist worth checking out and one that deserves so much more recognition.

[yoda-bor]

[8iunie]

Dom Omladine | Belgrade, Serbia | 27.11.2024

[damiannasworld]

He's so adorable for this. 🥺

Flucc, Vienna 09.12.24

🎥 marvelthings_

[dailyjance]

6th best jance moment of 2024 - umazane misli shenanigans

sources: [video] [vita photo]

honorary mentions: göteborg 16.03, helsinki night 2 03.03, hamburg 19.03, köln 24.03, deichbrand 20.07

[surrenderonvinyl]

i feel like harry is coming back soon but i fear it hasn’t been long enough for him to make the cunty glam rock album that i want hs4 to be

[tswiftupdatess]

Taylor Swift talking about working on The Eras Tour, re-recording, performing with a broken heart and the joy and safety the Tour brings to fans at The Eras Tour Book:

“I'll never forget the call when I explained my idea of the concept for The Eras Tour to my team. At the time, I was working on the Midnights album and if we were to do what I've always done, I would've embarked on planning The Midnights Tour. But there's nothing I hate more than doing what I've always done.

“We're going to call it The Eras Tour and each album will have its own chapter, it's own world.” I told them that I want to fully commit to each era, musically, stylistically and aesthetically. They should feel like time capsules. If we do this right, I said, we can celebrate and honor both new fans and fans who have been here from day one.

It had been 6 years sice I'd toured. In those 6 years, a lot had transpired for me creatively. I release Lover, folklore, evermore, and eventually Midnights. In another real of my priorities was my passion project: re-recording my first 6 albums that were sold away from me by my former record label. Reclaiming my past made me fall back in love with it. Revisiting that past work made me want to honor it and honor what the fans had done for me with the Taylor's Version albums. And so the new albums and my re-records left me with the dilemma: HOW on Earth are we going to play all of this music live? I decided to create the longest, most ambitious show I'd ever even attempted. Averaging at 3 hours and 15 minutes, with 45 songs played. My goal was for every fan to leave that show knowing I gave them absolutely everything I had. I made a promise to myself to be physically and mentally tougher than I ever had been before. To be more disciplined and commited to my health, fitness, and stamina. Thankfully, I'm surrounded by my incredible crew, band, singers, and dancers who all matched my dedication to the massive scale and challenges of this show. We would go on to play this show in the pouring rain, in the blazing heat, in the thickest humidity, in the wildest winds, and in the bitter cold. We would do it if we were sick or exhausted or injured. We would do it with a broken heart. We do this because we love having the rare opportunity to create happiness and wonder up on that stage. We do it because we know it takes time and effort and money and energy to plan out coming to a concert. We do it because every friendship bracelet traded has the potential to become a new friend, and you never know what dreams can be sparked if we succeed in painting a dreamscape in every city we visit. We do it because people need an escape from how brutal life can be, and it is the honor of a lifetime to be that for them, if only for a night. And although we are all on our own in this big scary life, somehow it doesn't feel that way when we're singing the same words as 80,000 other people wearing glittery face paint. We do it because life comes in waves, in phases, in brilliant flurries of magical moments, and all of these things come together to create…Eras.

Here is the official retrospective of the most wondrouds tour of my life, my beloved Eras Tour.

See you next era..”

(November 29, 2024)