#ai clone review

[johnruiz1]

AI Clone Review — The truth about AI Clone

Introduction

Technological advancements have made it possible for us to turn ourselves into virtual robots. The era of short content has made it imperative for marketers to do less work but still be effective in driving traffic and sales to their products. AI Clone offers the perfect solution to this problem. This article provides an in-depth review of AI Clone, its features, benefits, and how it works.

Overview

Vendor: James Renouf

Product: AI Clone

Launch Date: 2023-Feb-02

Launch Time: 10:00 EST

Front-End Price: $11

Recommendation: Highly Recommend

Home Page: https://aiclones.net/

Refund: 30 Days Money Back Guarantee

Niche: General

What is AI Clone?

AI Clone is a platform that enables you to clone yourself and create traffic machines to make sales and passive income from your own products and affiliate products. The platform uses artificial intelligence to create stunning, high-quality, professional-looking AI video clones within seconds by just typing in a few keywords. You can insert yourself, friends, celebrities, or imaginary people or things into the video, limited only by your imagination.

AI Clone Rating

Easy to use Price Features Quality Support Bonuses

Summary:

Know more about this product here

Pros

100% newbie-friendly and easy to use

Easy to customize

Cloud-based, no downloads or installations needed

No technical skills or experience required

24/7 dedicated customer support

No risk involved

No need for paid traffic investment

No monthly or recurring expenses

No restrictions or limitations

No hassle or worries

No graphic design skills required

Cons

No significant cons found so far.

Features and Benefits AI Clone offers several features and benefits that make it a game-changer in the AI video creation market. Some of them are:

Drive traffic to any offer of your choice

Build a massive audience

Make money by just having people watch your videos

Provide video creation services and make money

Drive traffic to local businesses

Clone yourself or others (real or fictional) to create unique content that people want to see

The market demands AI video, true traffic, and monetization, and AI Clone provides exactly that. The platform is perfect for different types of users, including:

Monetizing quick videos (less than 1 minute long)

Driving real traffic from any niche

Affiliate marketing

Driving traffic to offline businesses

Creating an agency for video creation services

Know more about this product here

How Does AI Clone Work?

AI Clone works by giving it a subject and getting a video dialogue that makes people want to watch your videos. The platform uses your literal voice or the voice of your choice, along with your photo or the photo of your choice, to create the AI clone. All you have to do is tell the AI what you want on video, and the AI Clone will start talking. The platform provides a step-by-step guide on how to use it effectively.

My Experience with AI Clone I have been using AI Clone for a few days, and I must say it’s a fantastic platform. The user interface is intuitive and easy to use, even for someone with no technical skills. The platform does exactly what it promises, and I

conclusion

The product you mentioned has the potential to offer significant benefits and meet the needs of its target audience. With its unique features and capabilities, it stands out as a valuable solution in its market. Therefore, we highly encourage you to take advantage of this opportunity and experience the benefits it can bring. Whether you’re looking to solve a specific problem or simply want to improve your overall experience, this product is a smart choice that is worth considering.

[marketingprofitmedia]

Vocal Clone AI Review – Create Human-Like AI Voices in Any Niche & Any Language Just 1-Click!

Welcome to my Vocal Clone AI Review, This is a genuine user-based Vocal Clone AI review where I will discuss the features, upgrades, demo, price, and bonuses, how Vocal Clone AI can benefit you, and my own personal opinion. 1st-Ever A.I. Voice Cloning Platform Built For Marketers — Clone Your Voice Or Create Custom, Unique AI Voices In Seconds, Make Your Marketing More Engaging, Authentic & Human.

If you’re still using generic AI voices like Amazon Polly, Google TTS, or Azure, then it’s killing your sales, not increasing them. The truth is, everyone is using those same boring voices that scream “unoriginal” and “copied.” Your audience can see right through it. Because they know it’s fake, they don’t like your brand or message. Get ahead of the game and connect with your audience like never before. With Vocal Clone AI, you can easily clone and create human-like voices in just a few seconds. Imagine the impact on your audience when they hear your voice — unique, authentic, and engaging. That’s how you build trust and make a lasting impression. Alternatively, employ a genuine, natural-sounding, indiscernible, and previously unheard AI voice.

Vocal Clone AI Review: What Is Vocal Clone AI?

Vocal Clone AI is a cloud-based software program that allows users to create human-sounding artificial voices. Imagine having your own personal voice assistant that can narrate videos, introduce your podcast, or create engaging social media content. That’s the power of Vocal Clone AI. The software works by analyzing a voice sample (it can be yours or someone else’s) and then uses artificial intelligence to create a near-replica.

You can also choose from a library of pre-built AI voices with different accents and genders. Once you have your voice, you simply type in the script you want it to say, adjust things like speed and pitch, and hit generate. Vocal Clone AI then transforms your text into speech using the chosen voice. This can be a game-changer for content creators, marketers, and anyone who wants to add a professional voiceover to their projects without the hassle and expense of hiring a voice actor. However, it’s important to remember that AI voices, while impressive, might not always sound perfectly human.

Vocal Clone AI Review: Overview

Creator: Yogesh Agarwal

Product: Vocal Clone AI

Date Of Launch: 2024-Jun-25

Time Of Launch: 10:00 EDT

Front-End Price: $17 (One-time payment)

Official Website: Click Here To Access

Niche: Tools And Software

Support: Effective Response

Discount: Get The Best Discount Right Here!

Recommended: Highly Recommended

Bonuses: Huge Bonuses

Skill Level Required: All Levels (Newbie Or Expert)

Discount Code: “VOCAL3” To Get $3 Off Instantly!

Refund: YES, 30 Days Money-Back Guarantee

Vocal Clone AI Review: About Authors

Yogesh Agarwal and his passion for cutting-edge solutions have changed how marketers interact with their audiences. Yogesh, the founder of Vocal Clone AI, created the first AI-powered virtual platform generation tool to let marketers easily generate compelling voice cloning platform.

Yogesh’s platform lets marketers of diverse backgrounds use virtual AI Graphics influencers. His AI knowledge allows him to create easy solutions that require no technical skills, making content creation accessible to everybody.

Some lots of launches, including AI Ebook Suite, Instant AI Biz, AI Fame Rush, AI Platform Creator, VidMonopoly, AI Creative Suite, AI Audio Avataar, Ai Video Tales, BusinessBoxAI, AI Creative Suite, AI Graphics Factory, Viral Faces AI, TubeRushr, Propel AI Kit, AI List Flipper, AI Multi Marketer, AI Smart News, and many others.

Vocal Clone AI Review: Features

100% Cloud Based Software

Clone Yourself & Multiply Your Presence for Unlimited Traffic & Sales!

Move Your Audience to Take Action With Emotion-Driven Voices!

Upgrade Your Content & Captivate Your Audience With Realistic AI Voices!

Transform Text Into Captivating Audio with Advanced AI Technology & Customization Options!

Effortlessly Turn Your Audio into Beautifully Crafted Videos to Attract More Viewers & Buyers!

VSL Script Generator Create Persuasive Video Sales Letters In 1-Click!

Enhance Your Audio & Brand with Customized Background Music!

Give Your Content a Professional Touch & Increase Listener Retention!

AI Image Creator Instantly Create Eye-Catching Images for Your Marketing Content!

AI Video Creator Transforms Your Ideas Into Engaging Videos Without Any Skills!

Combine Multiple Audio Files Into One Seamless Piece & Save Time!

Create Voiceovers in 13 Languages Reach Global Audience With Multilingual Voiceovers!

Vocal Clone AI Review: How Does It Work?

Clone Or Create Custom Natural-Sounding AI Voices That Connects, Engage & SELL For You In Just 3 Simple Steps

STEP #1:

Record/Upload Your 10 Sec Voice OR Choose Any Custom AI Voice From Our Huge Library Of AI Voices.

STEP #2:

Add Your Desired Text, Set Voice Type, Pitch and Speed, Add Music, Merge Voices, Customise & Hit Generate!

STEP #3:

Download Your Unique, Human-Like AI Voice And Skyrocket Your Traffic, Sales, And Audience Engagement.

<<>> GET INSTANT ACCESS TO ”Vocal Clone AI ” NOW <<>>

Vocal Clone AI Review: Can Do For You

Get The 1st Mover Advantage & Dominate: Let others struggle with manual recording while you stay ahead and create unlimited unique voices effortlessly.

Personalize Your Brand: Connect and build trust with your audience using your VOICE or unique AI voices.

Skyrocket Your Conversions: Enhance your marketing content with real, human-like voices to boost conversions and sales.

Expand Your Reach: Create 3–10x more content easily and reach a wider audience across various niches.

Save Time, Money & Effort: No more expensive voiceover fees or time-consuming recording sessions.

User-Friendly Platform: No technical skills are required, just choose a voice, add text, and generate.

Tap Into Unknown And Break Barriers: Reach new markets and niches with AI voices in any niche.

Low 1-time Price During Launch Period Only

FREE Commercial Licence to sell or use on all your client projects and keep 100% of the profits.

Vocal Clone AI Review: Verify User Feedback

Vocal Clone AI Review: Who Should Use It?

Affiliate Marketers

E-commerce Sellers

YouTube Marketers

Social Media Marketers

Bloggers, Website owners

Podcasters

Coaches & Consultants

Authors and Content Creators

Agencies and freelancers

Anyone and everyone

Vocal Clone AI Review: OTO’s And Pricing

Front End Price: Vocal Clone AI ($17.95)

OTO 1: Vocal Clone AI Pro ($37)

OTO 2: Vocal Clone AI DFY Edition ($127)

OTO 3: Vocal Clone AI Viral Faces Edition ($47-$67)

OTO 4: Vocal Clone AI ChatGPT Edition ($47-$67)

OTO 5: Vocal Clone AI Agency Licence ($117-$147)

<<>> GET INSTANT ACCESS TO ”Vocal Clone AI ” NOW <<>>

Vocal Clone AI Review: My Special Unique Bonus Bundle

My Special Unique Bonus Bundle will be visible on your access page as an Affiliate Bonus Button on WarriorPlus immediately after purchase.

And before ending my honest Vocal Clone AI Review, I told you that I would give you my very own unique PFTSES formula for Free.

Vocal Clone AI Review: Free Bonuses

Bonus #1: COMMERCIAL LICENSE (Value $297)

The commercial license allows you to use our videos however you want. You call sell voiceovers and audio content created with VocalClone AI to clients for any price you want. You can sell them on Fiverr, Upwork, Warriorforum, and anywhere.

Bonus #2: LIVE Webclass (Value $297)

Join Our Live Web Class Where We Show You the Fastest, FAIL-PROOF, Plug-n-Play System to Make $10,000 PER MONTH Just by Giving Away FREE Passes! Learn The Exact System with The Step-by-Step Training (Even If You’re a Beginner)

Bonus #3: Audio First Marketing (Value $67)

Audio-first marketing can increase brand awareness quickly. Discover the secrets to reaching and engaging your audience like never before! Learn how to create a personal connection with your customers and boost brand loyalty!

Bonus #4: Personalized Marketing (Value $67)

Personalized marketing works overtime to help you boost engagement and encourage repeat business. Learn how you can implement some of our best strategies, starting today!

Bonus #5: Storytelling Advantage (Value $67)

Find how to craft a compelling story that resonates with your audience and drives them to take action. Learn how to use storytelling to build trust with your audience and create a lasting connection. See how to incorporate storytelling into all aspects of your marketing, including website copy, social media, email marketing, and more!

Bonus #6: The Unshakeable Super Affiliate ($197)

As you start getting traffic with AI Video Tales, use our SECRET affiliate strategies to quickly achieve your 1st $100, $500 and $1000. How to stand out and build a long-term, sustainable, profitable & unshakeable online business with affiliate marketing!

Bonus #7: Free Facebook Traffic Strategies (Value $67)

To successfully drive free traffic from Facebook you have to know what works and what doesn’t. Other marketers have tried driving free traffic from Facebook and failed. You will learn everything that you need to know to use the Facebook platform to generate free traffic.

Vocal Clone AI Review: Money Back Guarantee

There Is No Risk. You Are Covered By Our 30 Days Money Back Guarantee!

Within 30 days of purchasing VocalClone AI, if you’re not entirely happy with your purchase, we’ll return 100% of your money without asking any questions. But we’re certain you’ll like VocalClone AI so much and recognise its worth that you won’t need a refund. There is nothing more equitable than that.

<<>> GET INSTANT ACCESS TO ”Vocal Clone AI ” NOW <<>>

Vocal Clone AI Review: Pros and Cons

Pros:

Cost-effective: Saves money compared to hiring voice actors.

Time-saving: Creates voiceovers quickly without studio recordings.

Scalable: Generates a high volume of voiceovers in different styles.

Customization: Control voice characteristics for a personalized touch.

Variety: Access to a library of pre-built AI voices beyond cloning.

Cons:

You need to be connected to the internet to use this tool.

In fact, I haven’t found any additional Vocal Clone AI issues.

Frequently Asked Questions (FAQ’s)

Q. Do I need to download anything to use VocalClone AI?

No, you don’t have to download anything. VocalClone AI is a cloud-based SaaS (software as a service) product. You can buy now and start using the product right away. All you need is your email ID and password to access it anytime from anywhere with an Internet connection.

Q. Is there a monthly fee?

No, once you buy VocalClone AI, you don’t have to pay a monthly fee. VocalClone AI is a one-time purchase product.

Q. What happens after the launch period?

The price will turn into a MONTHLY SUBSCRIPTION and the low one-time price will never be available again! We encourage you to take action before the launch period ends.

Q. Can I have a refund?

We guarantee that you will get more value from your purchase of VocalClone AI than what you pay us. However, if for some reason the product is not living up to your expectations at any time within 30 days of buying it, we will give you a full refund, no questions asked.

Q. I have ZERO recording, editing or tech skills. Can I still use it?

Yes, of course! VocalClone AI has been created to be used by anyone, regardless of their experience or technical skills. With this powerful AI technology, you can easily create stunning voiceovers just by typing simple texts.

Q. What about the future updates?

You won’t pay a penny extra for future updates. And, you’ll get free lifetime updates to keep your product up-to-date.

Q. Will you add more resources in the future?

Yes, we will keep adding more high-quality resources to keep it updated for you. And it won’t cost you a penny extra.

Q. What if I have other questions?

You can ask us your product related question as well as anything about our company or services by emailing us at https://agarwalinnosoft.com/support

Vocal Clone AI Review: My Recommendation

Vocal Clone AI is a user-friendly and affordable AI voice cloning software that offers a convenient way to create human-sounding voiceovers for various content creation needs. While the generated voices might not always achieve perfect human quality, the software provides a cost-effective and scalable solution for content creators, marketers, and educators. However, it’s important to consider the limitations of the technology, such as potential artificiality in the voice and limited emotional range in the free and basic plans. For those requiring the highest degree of realism and emotional expression, exploring alternatives like Resemble AI might be worthwhile. Ultimately, the choice depends on your specific needs, budget, and desired level of voice customization.

<<>> GET INSTANT ACCESS TO ”Vocal Clone AI ” NOW <<>>

Check Out My Previous Reviews: TubeBuildr AI Review, ClickSchedule Ai Review, PuzzleBooks AI Review, TalkGPT Review, ProfitStays Review, Covert AI Review, VidFusion AI Review, & Dream AI Review.

Thank for reading my Vocal Clone AI Review Review till the end. Hope it will help you to make purchase decision perfectly.

Disclaimer:

This review is based on publicly available information and is not intended as an endorsement or promotion of Vocal Clone AI. Users should conduct their own research and due diligence before making any purchasing decisions.

Note: This is a paid software, however the one-time fee is $17 for lifetime

[gagande]

Purecode | Cloning Objects and Arrays

When it comes to cloning objects or arrays, the spread operator comes to the rescue. It allows us to create a shallow clone of an array by distributing an existing array’s elements into a new array. Remember, it creates only a shallow copy, so nested objects or arrays will still reference their original counterparts.

[jannatuls]

Vocal Clone AI Review | clone ai app, OTO Details

This product is the first AI colon that generates voice-over within seconds and is made for marketers. 

Awarded for its innovative application, it harnesses the power of ChatGPT-4 to clone and narrate any voice or video in over 100 international languages with just a single click.

Turn your words into voice-over within seconds and take your business to the highest growth peak. 

Click Here - Vocal Clone AI

Voice Cloning and Creation: Clone your voice or choose from a vast library of custom AI voices.

Multilingual Capabilities: Support for over 100 international languages.

Customization Options: Adjust voice type, pitch, speed, and add music.

User-Friendly Interface: No technical skills required, simple text-to-speech generation.

Commercial License: Included during the launch period for commercial use.

Cost Efficiency: Save on expensive voiceover fees and time-consuming recording sessions.

Content Enhancement: Enhance marketing content with realistic, human-like voices.

Global Reach: Create content that appeals to a wider audience across various niches.

Advanced AI Technology: Includes pitch, speed, break, say-as, and emphasis customization.

Audio and Video Integration: Merge voices, add background music, and create videos effortlessly. 

Creating a human-like AI voice with Vocal Clone AI involves just three simple steps:

Step 1:

Record or upload a 10-second voice sample or choose a custom AI voice from the extensive library.

Step 2:

Add your desired text, customize the voice settings (type, pitch, speed), add music, and hit generate.

Step 3:

Download your unique, human-like AI voice and use it to enhance your marketing content, boosting traffic, sales, and engagement. 

Click Here - Vocal Clone AI

[arisudhan]

Vocal Clone AI REVIEW & My Unique Bonuses

### What is Vocal Clone AI?

**Vocal Clone AI** is a cloud-based platform that helps you create realistic AI voices and clone existing ones. Its user-friendly interface allows you to upload or record audio samples, generating digital voice replicas for various uses.

With Vocal Clone AI, you can easily create professional voiceovers. Clone your own voice for brand consistency or pick from a diverse library of AI voices. Simply type your script, adjust settings, and Vocal Clone AI converts it into realistic speech. This tool is perfect for content creators, saving time and money on voice actors.

To Buy it- Click Here 

### Key Features and Benefits of Vocal Clone AI

**Vocal Clone AI** offers powerful AI technology to help you create engaging, high-quality voiceovers. Here are its main features:

- **100% Cloud-Based**: No installation required. Access from anywhere with an internet connection.

- **Voice Cloning**: Clone your voice or any other for consistent branding across your content.

- **Emotion-Driven Voices**: Add emotions like excitement or empathy to your voiceovers for a stronger connection with your audience.

- **Realistic AI Voices**: Generate human-like voices for more relatable and trustworthy content.

- **Text-to-Audio Conversion**: Convert written text into high-quality audio, customizing voice type, pitch, and speed.

- **Audio to Video Conversion**: Merge audio with images or videos to create eye-catching content.

- **VSL Script Generator**: Quickly generate scripts for high-converting videos.

- **Customized Background Music**: Mix AI-generated voices with background music for a professional audio experience.

- **Audio Enhancer**: Improve the quality of your audio files to keep listeners engaged.

- **AI Image Creator**: Create stunning images for your marketing content easily.

- **AI Video Creator**: Transform ideas into engaging videos with AI-generated voiceovers.

- **Merge Multiple Audio Files**: Combine multiple audio files seamlessly for podcasts or audiobooks.

- **Multilingual Voiceovers**: Create voiceovers in 13 languages to reach a global audience.

Supported Languages: English, German, Spanish, French, Hindi, Italian, Japanese, Korean, Polish, Portuguese, Russian, Turkish, and Chinese (Simplified).

<<<< To Get Instant Access it, Visit Official Website >>>

### Overview

- **Creator**: Yogesh Agarwal

- **Launch Date**: June 25, 2024

- **Price**: Starting at $17

- **Type**: Online Software

- **Support**: Effective

- **Recommended**: Highly

- **Discount**: Click Here

- **Refund**: 30-day money-back guarantee

### How It Works

1. **Record or Upload**: Capture a 10-second voice sample or choose from the AI voices library.

2. **Customize and Generate**: Enter your text, adjust voice settings, and add music or merge voices as needed.

3. **Download and Use**: Download your AI-generated voice for your projects.

### Pricing

- **FE**: Vocal Clone AI ($17.95)

- **OTO1**: Pro ($37)

- **OTO2**: DFY Edition ($127)

- **OTO3**: ViralFaces Edition ($47)

- **OTO4**: ChatGPT Edition ($47)

- **OTO5**: Agency Licence ($117)

To Buy it- Click Here 

### Money-Back Guarantee

Vocal Clone AI offers a 30-day money-back guarantee. If you’re not satisfied, get a full refund, no questions asked.

### Pros and Cons

**Pros**:

- User-friendly and cloud-based

- Cost-effective compared to hiring voice actors

- Versatile with multiple voice cloning options and languages

- Accessible from any device with internet

**Cons**:

- Voice cloning quality may vary

- Basic editing features

- Potential privacy concerns

- Limited control over complex emotions

### Who Should Use Vocal Clone AI?

- Affiliate Marketers

- E-commerce Sellers

- YouTube Marketers

- Social Media Marketers

- Bloggers and Website Owners

- Podcasters

- Coaches and Consultants

- Authors and Content Creators

- Agencies and Freelancers

- Anyone needing high-quality voiceovers

### Benefits

- Create unique voices effortlessly

- Personalize your brand with AI-generated voices

- Boost conversions with human-like voices

- Expand your reach with multilingual support

- Save time and money on voiceovers

- No technical skills needed

- Access during the launch period at a low price

- Free commercial license to use in client projects

 NOTE:

I have written "Review writing of Vocal Clone Ai" to help you understand about it clearly. First I have studied about it well then I wrote it to make it easy to understand. I hope you got it well and if you have decided to purchase it, please use my link. I will earn a very small commission.

<<<< To Get Instant Access it, Visit Official Website >>>

Besides I am offering the following Bonuses free of cost from my sides-

Bonuse-1. Video Course - How to add hundred of subscriber of your youtube channel in a week

How To Consistently Add Hundreds Of Subscribers To Your List Every Week!

Any online business will benefit greatly from building an opt-in email list that will read your valuable content, buy your products and services, or buy your affiliate offers.

Slow and steady wins the race and just know that it is feasible to add more than one hundred subscribers to your list on a weekly basis. This is without depending on Search Engine Optimization or any secret formula.

The method also works well when adding numbers in the thousands as well, as you become familiar with it. A major mistake made by internet marketing newbies is their thinking that the number added this week has to exponentially increase the next week. This is a total misconception.

Use the classic model to start small with your plan development, and rise in slow increments with the numbers. It is best to steady build a list, instead of having overwhelming numbers in the beginning of the process.

Keep in mind that the consistent addition to your list on a weekly basis of more than one hundred subscribers will generate one thousand subscribers in just ten weeks.

These one thousand subscribers have the potential of netting you a thousand dollars or more each month...if you maintain your list in a productive manner. This translates into a twelve thousand dollar income from just this one list of subscribers.

The essential component is your squeeze page which will convert your website traffic into your subscribers. If you need some ideas for a squeeze page you can Google ‘squeeze page templates’ and get some ideas.

 Bonuse- 2. Video Course of- 

Master Affiliate Marketing and Make Tons of Money Online!

Affiliate Marketing is where you (the affiliate) generate sales for some other product vendor(s) and in exchange they pay you a commission for each sale that you make.

Some affiliate programs are “continuity” programs in that they require that the customer pay a monthly fee for membership or for use of that product.

There are many advantages why you do affiliate marketing. It is super easy to promote third party products and keep commissions (50%-100%), just need to drive traffic, no headache of product creation, no technical knowledge required, can lead to “high ticket commissions and so much more...

Below are the media that you are about to get inside this product:

·         Cheat Sheet

·         Ebook

·         Mindmap

·         Resources

·         Sales Funnel

·         Site Files

·         Video Series

2. Bonuse-3.  Video course of-

.Learn How to Double your Sales with These Tricks

Many successful digital entrepreneurs have likely already stated this at one point or another, but this is very important, which is why this report will going to say it one more time.

Offer a free sample or some type of trial period. Whatever your specific service is, make sure that you provide one with a seven-day trial that is just one single dollar. This can include a video, a chapter or some type of product that you think will incentivize your custom toward choosing you for a prolonged period of time.

First, the transaction that occurs with one dollar will inspire the buyer to feel a sense of trust. Additionally, this type of transaction removes the buyers feelings of insecurity toward you and your intentions. Overall this proves that you deliver a product that you say you are going to deliver, which is key for people in terms of future business.

Secondly, if the product that you provide is excellent it dramatically increases the chance that sales are enacted in the future.

Dramatically. More often than not a free trial will actually double or even triple the overall conversions of a person making a purchase following that trial.

If this process is performed correctly it can leave a customer very curious to know what is the next step or what the next part of your product contains. That translates in making more sales of the product because they want to see more of it.

Bonus-4. Email management system

List maintenance is one of the most important subjects in online marketing. Your list is your number one and most basic bottom level output for your promotions.

It’s expensive and time consuming to gather, but forms one of the most powerful resources and profit potential you have.

Depending on your business, there are several solutions that might be right for you. With this ebook you will learn the big five solutions to allow you to decide which one is going to make you the most cash.

Topics covered:

·         Understanding List Management

·         Personal List, Affiliate and Ad Content

·         List Building Methods

·         And much more!

Includes audio training!

Special Bonus: 5.

I will provide My targeted 100 Email Lists.

<<<< To Get Instant Access it, Visit Official Website >>>

### Conclusion

Vocal Clone AI is an intuitive, cloud-based platform perfect for beginners and professionals alike. It allows for easy voice cloning and AI voice generation, helping you create compelling content efficiently. With its user-friendly interface and powerful features, Vocal Clone AI is a valuable tool for anyone looking to enhance their audio content creation process.

[reviewrating]

Vocal Clone AI Review – Create Your Own Voice In Any Niche In Second.

 [Insane Hack] ChatGPT 4o App Makes Us $635/Day CLONING ANY VOICE IN SECONDS& Exploiting A "UNKNOWN" Marketing Secret WITHOUT Any Skills, Budget Or Ever Speaking!

Vocal Clone AI Review – Introduction

Welcome to my exploration of Vocal Clone AI Review Post. I am Muhammad Lutfur Azad, and I have meticulously crafted this review of Vocal Clone AI. The mastermind behind this innovative software is Yogesh Agarwal. This is an authentic, user-centric review where I will delve into the myriad features, enhancements, demonstration, pricing, bonuses, the manifold benefits of Vocal Clone AI, and my personal insights.

Introducing the inaugural AI voice cloning platform tailored for marketers – clone your voice or fabricate bespoke, singular AI voices in mere moments, rendering your marketing endeavors more captivating, genuine, and human-like.

Conventional methodologies rely on professional voice actors or celebrities, which can be exorbitant and impractical for many. This is where artificial intelligence intervenes, revolutionizing the manner in which voices are replicated and employed.

VocalClone AI stands at the vanguard of this metamorphosis, offering a cost-effective solution to effortlessly replicate any voice. It’s akin to having a vocal wizard at your command, poised to amplify your marketing content with minimal expenditure. Enchanting, potent, and transformative, VocalClone AI is your gateway to achieving marketing sorcery.

Don’t hesitate—embrace this avant-garde technology today and unlock unprecedented possibilities for your enterprise.

Vocal Clone AI Review – Overview

Creator - Yogesh Agarwal

Product - Vocal Clone AI

Date Of Launch - 2024-Jun-25

Time Of Launch - 10:00 EDT

Front-End Price - $18.24 (One-time payment)

The official Sales page - Click Here To Get Instant Access

Niche - Software

Discount - Use Coupon "VOCAL3" Get $3 OFF Instantly!

Refund - YES, 30 Days Money-Back Guarantee

Vocal Clone AI Review – What Is Vocal Clone AI?

Vocal Clone AI is a cloud-based software that empowers users to fabricate human-like artificial voices. Imagine possessing a personal voice assistant capable of narrating videos, introducing your podcast, or crafting compelling social media content. That encapsulates the essence of Vocal Clone AI. This software scrutinizes a voice sample—whether yours or another’s—and employs artificial intelligence to conjure a nearly identical replica.

Vocal Clone AI denotes the technology that enables users to forge a digital duplicate of their voice, frequently utilized in various domains such as voice banking, voice assistants, and entertainment. This sophisticated AI technology harnesses advanced algorithms to dissect and emulate the unique nuances of an individual's voice, allowing them to generate novel speech content in their own vocal timbre. Vocal Clone AI finds its utility in diverse practical and imaginative applications, from preserving one's voice for future use to creating customized voice experiences.

Vocal Clone AI Review – key Features

100% Cloud Based Software

There is no need for you to install anything. Just sign up and you can access our software from anywhere on earth, as long as there is an internet connection available you are good to go!

Clone Yourself & Multiply Your Presence for Unlimited Traffic & Sales!

With VocalClone AI, you can easily clone your own voice or any other voice and use it in all your marketing content. This means you can create more videos, webinars, podcasts and other content in a fraction of the time it would take to record them manually.

Move Your Audience to Take Action With Emotion-Driven Voices!

Our AI Emotion's voices feature allows you to add emotions like excitement, urgency, or empathy to your voiceovers. This will help you create powerful emotional connections with your audience and persuade them to take any action you want.

Upgrade Your Content & Captivate Your Audience With Realistic AI Voices!

With our latest version of AI voices, you can generate voices that sound just like real humans, making your content more relatable and trustworthy to your audience. This will ultimately result in higher conversions and sales.

Transform Text Into Captivating Audio with Advanced AI Technology & Customization Options!

Our AI Custom TTS feature allows you to easily convert any written text into high-quality audio using advanced Polly and Wavenet technology. You can also customize the voice type, pitch, speed, and more to create the perfect audio for your content.

Effortlessly Turn Your Audio into Beautifully Crafted Videos to Attract More Viewers & Buyers!

With this feature, you can easily merge your audio files with images or videos and create eye-catching content for social media, YouTube, or any other platform. This will help you attract more viewers and potential buyers, resulting in increased traffic and sales.

VSL Script Generator  Create Persuasive Video Sales Letters In 1-Click!

Our VSL Script Generator takes the pain out of writing sales scripts for your videos. With just a few clicks, you can generate high-converting scripts that will help you captivate and convert your audience into paying customers.

Enhance Your Audio & Brand with Customized Background Music!

With this feature, you can easily mix your AI-generated voice with background music to create a branded and professional audio experience for your audience. This will make your content stand out and leave a lasting impression on your audience.

Give Your Content a Professional Touch & Increase Listener Retention!

Our Audio Enhancer feature uses advanced algorithms to enhance the quality of your audio files, making them sound professional and polished. This will help you keep your listeners engaged and significantly improve their retention rate.

AI Image Creator Instantly Create Eye-Catching Images for Your Marketing Content!

With our AI Image Creator, you can easily create stunning images for your marketing content without any design skills or expensive software. This will save you time and money while still creating visually appealing content that will catch the attention of potential customers.

AI Video Creator Transform Your Ideas Into Engaging Videos Without Any Skills!

Our AI Video Creator takes the hassle out of video creation and editing. Simply choose your images, add your AI-generated voiceover, and let our software do the rest. This will help you create professional-looking videos in a fraction of the time it would take to do it manually.

Combine Multiple Audio Files Into One Seamless Piece & Save Time!

With this feature, you can quickly merge multiple audio files into one cohesive and seamless piece. This is perfect for creating longer podcasts, audiobooks, or any other type of audio content. This way, you can save time and effort while creating longer and more engaging content for your audience.

Create Voiceovers in 13 Languages Reach Global Audience With Multilingual Voiceovers!

With VocalClone AI, you can create voiceovers in 13 different languages, making it easy to reach a global audience and expand your marketing efforts. This will open up new opportunities for your business and help you connect with customers from all around the world.

English (en). German (de). Spanish (es), French (fr), Hindi (hin), Italian (it), Japanese (ja), Korean (ko), Polish (pl), Portuguese (pt), Russian (ru), Turkish (tr), Chinese, simplified (zh)... more coming soon.

Vocal Clone AI Review - Can Do For You

Get The 1st Mover Advantage & Dominate: Let others struggle with manual recording while you stay ahead and create unlimited unique voices effortlessly.

​Personalize Your Brand: Connect and build trust with your audience using your OWN VOICE or unique AI voices.

​Skyrocket Your Conversions: Enhance your marketing content with real, human-like voices to boost conversions and sales.

​Expand Your Reach: Create 3-10x more content easily and reach a wider audience across various niches.

Save Time, Money & Effort: No more expensive voiceover fees or time-consuming recording sessions.

​User-Friendly Platform: No technical skills required, just choose a voice, add text, and generate.

​Tap Into Unknown And Break Barriers: Reach new markets and niches with AI voices in any or niche.

​Low 1-time Price During Launch Period Only

​FREE Commercial Licence to sell or use on all your client projects and keep 100% of the profits.

Create video ads with YOUR voice, promoting your latest products and services.

​Create social media posts and videos with personalized voiceovers, attracting new followers and customers.

​Record audiobooks or narrations using your own unique AI-generated voice.

​Create VSLs and sales videos with a personalized touch, boosting conversions and increasing sales.

​Create engaging podcasts, where YOUR voice guides the listeners through valuable content.

Create training videos & tutorials, amplifying your expertise & making lasting impression.

​Use your cloned voice for webinars and live presentations, building trust with potential clients.

​Create content 10x faster and more effectively by using your AI-generated voice for blog posts, emails, and more.

​Turn your OLD written content, blogs, and articles into FRESH new videos, quickly and easily.

​Sell your own custom voiceover services to other businesses and entrepreneurs, creating a new stream of income.

Create 3-10x more content by turning your written content into engaging videos.

​Use it on your Sales Video & VSLs to increase conversions and sales.

​Create engaging Podcasts, where your audience will listen to your OWN voice talking about a specific topic or useful info in any niche.

​Use it for​ stories, posts , videos & Tiktok ads

​Record audio-books or narrations using your own unique AI-generated voice.

Use it on webinars and live presentations to build trust with potential clients.

​Create custom voice overs for your clients' marketing projects, generating a new stream of income.

​Create training videos, demo videos, ​review videos, and more with your own authentic voice.

​Use it in email campaigns to stand out from the sea of text-based emails.

​And so much more! The possibilities are truly endless with VocalClone AI.

Vocal Clone AI Review - My Recommendation

Vocal Clone AI is an accessible and budget-friendly AI voice cloning software that simplifies the creation of human-like voiceovers for diverse content creation purposes. While the resulting voices may not always attain flawless human quality, the software offers a cost-efficient and scalable solution for content creators, marketers, and educators. However, it’s crucial to acknowledge the technology’s limitations, such as potential artificiality in the voice and restricted emotional depth in the free and basic plans. For those seeking the utmost realism and emotional nuance, considering alternatives like Resemble AI might be beneficial. Ultimately, the decision hinges on your specific requirements, budget, and desired level of voice customization.

Click Here For more info Vocal Clone AI <<<

[tsreviews]

Vocal Clone AI Review: Clone Your Voice Instantly

Vocal Clone AI Review : Key Features and Benefits

Voice Cloning Made Easy:

-With Vocal Clone AI, you can effortlessly clone your voice using advanced A.I. technology. Say goodbye to generic voiceovers and hello to authenticity.

Engage and Sell Like Never Before:

-Create realistic and captivating voiceovers for all your marketing content. From social media posts to ads, videos, and podcasts, Vocal Clone AI ensures your message stands out.

Unlimited Voice Clones:

-No more limitations! Generate as many unique voice clones as you need for various projects.

Highest Clarity of Voices:

-Crystal-clear audio quality ensures your content sounds professional and compelling.

Customization Options:

-Tailor your voice clones to match your brand’s personality and style.

Effortless Content Transformation:

-Convert text into beautifully crafted audio with just a few clicks.

Video Creation Made Simple:

-Turn your audio into engaging videos that attract viewers and boost conversions.

Multilingual Voiceovers:

- Reach a global audience by adding voiceovers in multiple languages.

Additional Upgrades (OTOs):

-Explore advanced features like unlimited voice length, script generation, and more.

>>>>>Learn More About This Product

[vtechiereview]

Vocal Clone AI Review: Your Questions Answered About AI Voice Cloning

Have questions about Vocal Clone AI and its potential to transform your audio content creation? This review provides clear answers! We address common concerns regarding pricing, voice quality, and ease of use.

Explore the included bonuses and the valuable commercial license to see if this software can unlock new possibilities for your projects.

Discover if Vocal Clone AI can streamline your workflow and help you create realistic-sounding voices for your marketing materials, educational modules, and creative endeavors.

Features and Benefits: Unleash the Power of Vocal Cloning

Vocal Clone AI boasts a robust feature set designed to simplify the voice cloning process and deliver exceptional results. Here are some of the highlights:

Effortless Voice Cloning: Create realistic replicas of your own voice or any other voice with minimal effort. Simply upload a sample or record directly within the software.

Customizable Voices: Fine-tune the generated voice to match your specific needs. Adjust pitch, speed, and even infuse emotion (like excitement or empathy) for a truly impactful experience.

Pre-Made Voice Library: Expand your creative horizons with a library of pre-recorded, high-quality AI voices in various languages.

Text-to-Speech Functionality: Transform written content into engaging audio narratives using Vocal Clone AI's text-to-speech engine.

Cloud-Based Platform: Enjoy the flexibility of accessing and using Vocal Clone AI from any device with an internet connection – no downloads required.

Seamless Integration: Easily integrate generated voices into your existing workflow with compatible video editing software and other creative tools.

The benefits of utilizing Vocal Clone AI are numerous. Here's what you can achieve:

Boost Brand Recognition: Develop a consistent and recognizable voice for your brand, strengthening audience connection and recall.

Enhance Content Engagement: Captivate viewers and listeners with dynamic, human-sounding voiceovers that elevate your content.

Save Time and Money: Eliminate the need for expensive voiceover artists or tedious recording sessions. Generate high-quality audio in minutes.

Increase Accessibility: Make your content accessible to a wider audience by providing audio versions powered by Vocal Clone AI.

Unleash Creativity: Experiment with diverse voices and styles to create truly unique and impactful communication experiences.

How Does Vocal Clone AI Work?

The magic of Vocal Clone AI lies in its advanced AI technology. Here's a simplified breakdown of the process:

Provide a Voice Sample: Upload a high-quality audio clip of the desired voice (yours or another) or choose from the pre-made voice library.

AI Analyzes the Sample: Vocal Clone AI's sophisticated algorithms analyze the sample, identifying vocal characteristics and nuances.

Voice is Replicated: Based on the analysis, the AI generates a realistic replica of the voice, ready for customization.

Refine and Generate: Adjust pitch, speed, and emotion to tailor the voice to your specific needs. Once satisfied, generate the final audio file for use in your projects.

Who Can Benefit from Vocal Clone AI?

Vocal Clone AI caters to a wide range of users, including:

Content Creators: YouTubers, podcasters, and anyone creating video content can leverage Vocal Clone AI to add a professional voiceover touch.

Marketers and Businesses: Develop engaging audio ads, product demos, and explainer videos with the power of AI-generated voices.

Educators and Trainers: Create dynamic and interactive eLearning modules and training materials with customized voices.

Accessibility Advocates: Make educational and informational content more accessible by generating audio versions with Vocal Clone AI.

Authors and Writers: Bring audio books to life with realistic voice narration.

Vocal Clone AI Demo Video

Watch the demo video and start your clone voice and share with the world.

Bonus: Vocal Clone AI Review

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Pricing: Vocal Clone AI Review

Unlock the Power of Voice Cloning at a Discount!

The introductory price for Vocal Clone AI is ending soon!

Head over to their official website to see the current offer and claim your access to this powerful tool.

For a limited time, you can get Vocal Clone AI, all included bonuses, and a valuable commercial license for a low one-time price.

This is the perfect chance to explore voice cloning and its exciting possibilities.

Pros and Cons: Vocal Clone AI Review

Pros:

Easy to Use: A user-friendly interface makes Vocal Clone AI accessible to both tech-savvy and novice users.

High-Quality Audio: Vocal Clone AI generates realistic and natural-sounding voices that can be indistinguishable from human recordings in some cases.

Customization Options: Fine-tune voices to match your project's needs with adjustable pitch, speed, and emotion.

Cost-Effective: The one-time fee structure eliminates ongoing costs associated with traditional voiceover services.

Time-Saving: Generate high-quality audio in minutes, eliminating the need for lengthy recording sessions.

Cloud-Based Platform: Enjoy the flexibility of using Vocal Clone AI from any device with an internet connection.

Cons:

New Technology: As with any new technology, Vocal Clone AI is still under development. While results are impressive, there's always room for improvement.

Limited Control over Nuances: While offering customization options, capturing the full spectrum of human vocal nuances might be challenging for the AI currently.

Internet Dependency: A reliable internet connection is necessary for using the cloud-based platform.

Potential Ethical Concerns: The potential for misuse of voice cloning technology raises ethical considerations.

Conclusion: Should You Use Vocal Clone AI?

Vocal Clone AI presents a compelling solution for anyone looking to create professional-sounding voiceovers without breaking the bank.

Its user-friendly interface, high-quality audio generation, and customization options make it a valuable asset for content creators, marketers, educators, and more.

Vocal Clone AI is definitely worth exploring. With its intuitive interface and impressive capabilities, it has the potential to revolutionize the way we create and consume audio content.

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FAQ Section: Vocal Clone AI Review

Q: How realistic do the generated voices sound?

A: Vocal Clone AI generates high-quality audio that can be very realistic, especially for short clips. However, capturing the full range of human vocal subtleties is still under development.

Q: Is there a free trial available?

A: Availability of a free trial can change. It's recommended to check the official Vocal Clone AI website for the latest information on pricing and trial offers.

Q: Can I use the for commercial purposes?

A: Vocal Clone AI typically grants users a license to use the generated voices for commercial purposes. However, it's always best to check the platform's terms of service for specific details.

Q: Does Vocal Clone AI offer customer support?

A: Most AI software providers offer some form of customer support, either through email, live chat, or knowledge base articles. Check the official website for details on Vocal Clone AI's customer support options.

Don't miss out on this limited-time opportunity!

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Is Vocal Clone AI Worth the Hype? Our Review Investigates

Is Vocal Clone AI a game-changer for voiceovers and content creation, or just empty promises?

Our comprehensive review investigates its functionalities, exploring voice cloning accuracy, supported features, and potential drawbacks.

We delve into how Vocal Clone AI can be used for marketing, education, and various creative projects. Learn if this software offers the features and value you need to elevate your content creation process.

Find out if Vocal Clone AI can be your secret weapon for creating engaging voiceovers and personalized learning experiences.

What We'll Cover in This Review

Features and Benefits of Vocal Clone AI

How Does Vocal Clone AI Work?

Who Can Benefit from Using Vocal Clone AI?

Vocal Clone AI Demo Video

Bonus Features: Vocal Clone AI Review

Pricing: Vocal Clone AI Review

Pros and Cons of Vocal Clone AI Review

Conclusion: Is Vocal Clone AI Worth It?

Vocal Clone AI Review: FAQ’s

Features and Benefits of Vocal Clone AI

Vocal Clone AI boasts several features designed to simplify voiceover creation:

Clone Your Own Voice: The core functionality allows users to create a clone of their voice by uploading a short audio sample. This can be particularly useful for branding and content consistency.

Extensive Pre-made Voice Library: In addition to voice cloning, Vocal Clone AI offers a library of pre-made AI voices in various languages and accents. This provides versatility for different project needs.

Text-to-Speech Functionality: Simply type your script, and Vocal Clone AI will convert it to speech using either your cloned voice or a pre-made voice.

Voice Customization: Fine-tune the generated voice by adjusting parameters like pitch, speed, and emotion (with AI Emotion voices).

Background Music Integration: Add background music to enhance the overall production quality of your voiceovers.

Cloud-Based Platform: No software installation is required. Access Vocal Clone AI from any device with an internet connection.

Potential Benefits of Using Vocal Clone AI:

Save Time and Money: Eliminate the need for hiring professional voiceover artists or spending hours recording yourself.

Increased Content Creation: Create more content at a faster pace with the ease of text-to-speech functionality.

Brand Consistency: Maintain a consistent brand voice across all your content with your own voice clone.

Accessibility: Offer content in multiple languages and accents to reach a wider audience.

Emotional Connection: Infuse emotion into your voiceovers to engage listeners on a deeper level (with AI Emotion voices).

How Does Vocal Clone AI Work?

The core functionality of Vocal Clone AI relies on artificial intelligence. Here is the simple step to start your work instantly:

Voice Training: You upload a short audio sample of your voice (30-40 seconds) or choose a pre-made voice from the library.

AI Analysis: Vocal Clone AI uses AI algorithms to analyze your voice, capturing its unique characteristics like pitch, intonation, and timbre.

Voice Synthesis: Based on the analysis, the software synthesizes a new voice that closely resembles your original voice or the chosen pre-made voice.

Text-to-Speech Conversion: Enter your script, and Vocal Clone AI will convert it into speech using the generated voice.

Who Can Benefit from Using Vocal Clone AI?

Vocal Clone AI can be a valuable tool for a variety of creators and professionals:

YouTubers and Video Creators: Enhance your videos with professional-sounding voiceovers without breaking the bank.

Podcasters: Create high-quality intros, outros, and narration for your podcast.

eLearning Developers: Bring your eLearning modules to life with engaging voiceovers.

Marketers and Entrepreneurs: Generate voiceovers for explainer videos, advertisements, and sales presentations.

Content Creators: Create audiobooks, tutorials, and other audio content with ease.

Anyone Who Needs Voiceovers: If you need voiceovers for personal or professional projects, Vocal Clone AI can be a convenient solution.

Vocal Clone AI Demo Video

Watch the demo video and share your voice to world.

Bonus Features: Vocal Clone AI Review

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Bonus #1: Commercial License - Unlock Your Inner Creator (Value: $297)

Don't just use [product name], own it! This commercial license lets you transform our videos into your next big income stream. Create voiceovers, audio courses, anything you can imagine! Sell them on Fiverr, Upwork, or anywhere your creativity takes you.

Bonus #2: Live Webclass: The Fast Track to $10k (Value: $297)

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Bonus #4: Personalized Marketing Powerhouse: Speak Directly to Your Audience (Value: $67)

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Bonus #7: Free Facebook Traffic Blueprint (Value: $67)

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Bonus #8: Free Instagram Growth Machine (Value: $67)

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What makes your business unique? Learn how to create a winning Unique Selling Proposition (USP) that sets you apart from the competition. Discover what makes customers choose you and keep them coming back for more.

Don't miss out on this limited-time blitz!

Secure your copy of Vocal Clone AI and claim these incredible bonuses to supercharge your online success!

Pricing: Vocal Clone AI Review

Time Running Out on Vocal Clone AI's Launch Price!

Don't let this incredible offer slip away.

Head to the official website now to see the current introductory pricing for Vocal Clone AI.

This low one-time fee includes access to the software, all bonus materials, and a valuable commercial license.

But hurry, this offer won't last forever! Secure your spot and unlock the power of voice cloning today.

Pros and Cons of Vocal Clone AI Review

Pros:

Easy to Use: The cloud-based platform is user-friendly, even for those with no technical experience.

Cost-Effective: Compared to hiring professional voice actors, Vocal Clone AI offers a cost-effective solution.

Time-Saving: Create voiceovers quickly and efficiently with text-to-speech functionality.

Voice Variety: Access a library of pre-made voices in addition to voice cloning capabilities.

Cons:

Voice Quality: While generally good, the quality of cloned voices may not perfectly match the original, especially with short training samples.

Limited Customization: Customization options beyond basic parameters like pitch and speed might be limited.

Upsells: Additional features like extended character generation and advanced voices require upsells.

New Technology: As with any new technology, Vocal Clone AI is still under development, and functionalities may continue to evolve.

Conclusion: Is Vocal Clone AI Worth It?

Whether Vocal Clone AI is worth it depends on your specific needs and expectations.

If you need high-quality, nuanced voiceovers for professional projects, you might be better served by hiring a professional voice actor.

However, for those seeking a convenient and affordable way to create basic voiceovers for personal or non-critical projects, Vocal Clone AI can be a valuable tool.

Here are some additional factors to consider:

Budget: If you're on a tight budget, the one-time fee of Vocal Clone AI is attractive.

Project Requirements: For simple projects that don't require perfect voice replication, Vocal Clone AI might suffice.

Technical Expertise: The user-friendly interface makes Vocal Clone AI accessible to those with no technical background.

Overall, Vocal Clone AI is a promising tool with the potential to democratize voiceover creation. While the technology might not be perfect yet, it offers a convenient and affordable solution for many content creators.

Don't miss out on this limited-time blitz!

Secure your copy of Vocal Clone AI and claim these incredible bonuses to supercharge your online success!

Vocal Clone AI Review:  FAQ’s

Q: Can Vocal Clone AI clone any voice?

A: Vocal Clone AI aims to clone your voice based on a provided audio sample. The quality of the clone depends on the quality and length of the sample.

Q: Is Vocal Clone AI free?

A: No, Vocal Clone AI offers a one-time payment option with additional features available through upsells.

Q: Do I need to install software to use Vocal Clone AI?

A: No, Vocal Clone AI is a cloud-based platform accessible from any device with an internet connection.

Q: What are the limitations of Vocal Clone AI?

A: The main limitations include potentially imperfect voice cloning, limited customization options, and the need for upsells for advanced features.

We hope this comprehensive Vocal Clone AI review has helped you decide if this software is the right fit for your needs.

Don't miss out on this limited-time blitz!

Secure your copy of Vocal Clone AI and claim these incredible bonuses to supercharge your online success!

[atechiereview]

Boost Engagement with AI-Generated Voices: Vocal Clone AI Review

Struggling to stand out from the crowd with your voiceovers and content?

This Vocal Clone AI review investigates its ability to generate realistic human-like voices and analyzes its potential to boost audience engagement. We assess its ease of use, pricing structure, and the included commercial license.

Discover how Vocal Clone AI can help you create captivating voiceovers for your projects, from YouTube videos to podcasts and eLearning materials.

Find out if this software offers the features and value you need to connect with your audience on a deeper level.

What We'll Cover in This Review

In this in-depth Vocal Clone AI review, we'll explore everything you need to know before you buy. We'll delve into the features and benefits, how the software works, who can benefit from it the most, and the pricing structure.

We'll also discuss the pros and cons, answer frequently asked questions, and provide a final verdict to help you decide if Vocal Clone AI is the right fit for your needs.

Features and Benefits of Vocal Clone AI Review

Vocal Clone AI boasts a variety of features designed to streamline voice-over creation:

Voice Cloning: The core functionality allows you to create a clone of your own voice by uploading a short audio sample.

Text-to-Speech (TTS) Library: If cloning isn't your preference, Vocal Clone AI offers a library of pre-recorded TTS voices in various languages and accents.

Voice Customization: Fine-tune your voice clone or pre-recorded voice by adjusting pitch, speed, and emotion (advertised feature).

Cloud-Based Platform: No downloads are required, access Vocal Clone AI from any device with an internet connection.

Background Music Integration: Enhance your audio by adding background music to your voice-overs.

Benefits of Using Vocal Clone AI Review

Here's how Vocal Clone AI can potentially benefit you:

Save Time and Money: Eliminate the need for hiring voice actors or recording sessions.

Increase Content Creation: Produce more voice-overs for your projects without scheduling limitations.

Brand Consistency: Maintain a consistent voice for your brand across all content types.

Personalization: Add a personal touch to your content with your own voice clone.

Accessibility: The cloud-based platform makes it easy to use from anywhere.

How Does Vocal Clone AI Work?

Using Vocal Clone AI is a straightforward process:

Sign Up: Create a free account or choose a paid subscription plan.

Clone Your Voice (Optional): Upload a 30-40 second audio sample of your voice for cloning.

Choose a TTS Voice (Optional): If not cloning, select a pre-recorded voice from the library.

Enter Your Text: Type the script you want the voice to read.

Customize (Optional): Adjust voice settings like pitch, speed, and emotion (advertised feature).

Generate Voice-Over: Click a button to generate your realistic voice-over.

Download or Share: Download the audio file or share it directly to your project.

Who Can Use Vocal Clone AI?

This software can be valuable for a range of users:

Content Creators: YouTubers, podcasters, and social media creators can leverage Vocal Clone AI for intros, outros, and voice-overs.

Businesses: Create professional-sounding explainer videos, eLearning modules, and marketing materials.

Educators: Generate engaging audio for presentations and educational content.

Anyone Needing a Voice-Over: From creating audiobooks to presentations, Vocal Clone AI offers a solution.

Vocal Clone AI Demo Video

Watch the quick demo video and you can create your own voice instantly.

Bonus: Vocal Clone AI Review

Limited-Time Bonus Bonanza:

Supercharge Your Online Business with Vocal Clone AI!

There's more to success than just Vocal Clone AI. That's why I'm giving you a treasure trove of 10 EXCLUSIVE bonuses to skyrocket your results! But these bonuses vanish after launch, so act fast and claim your edge!

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Pricing: Vocal Clone AI Review

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Pros and Cons of Vocal Clone AI Review

Pros:

Easy to use: Cloud-based platform with a user-friendly interface.

Cost-effective: Potentially cheaper than hiring voice actors, especially for frequent use.

Time-saving: Generate voice-overs quickly without recording sessions.

Voice customization: Ability to fine-tune voice characteristics for a natural sound (advertised feature).

Text-to-speech library: Offers pre-recorded voices if cloning isn't needed.

Cons:

Limited information: Details about creators, pricing specifics, and free trial availability might be scarce.

Voice cloning quality: Reviews suggest the quality might not match more advanced voice cloning software.

Limited voice customization: The extent of voice emotion control (advertised feature) might be unclear.

Upsells: Potential for additional costs through upsells for desired features.

Security concerns: Uploading voice samples raises questions about data privacy.

Conclusion: Is Vocal Clone AI Right for You?

Vocal Clone AI offers a user-friendly platform for creating voice-overs. However, due to limited information about features, pricing, and potential quality limitations, careful consideration is advised.

Facts to Consider:

Your budget: Consider the one-time fee and potential upsell costs.

Your needs: Does basic voice cloning or TTS suffice, or do you require advanced features?

Audio quality expectations: Research user reviews to understand the realistic voice quality.

If you prioritize ease of use and affordability for basic voice-over needs, Vocal Clone AI might be worth a try, especially if a money-back guarantee is available.

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FAQ’s: Vocal Clone AI Review

Q: Is Vocal Clone AI safe to use?

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Q: Does Vocal Clone AI work on mobile devices?

A: As a cloud-based platform, Vocal Clone AI should be accessible from any device with an internet connection, including mobile devices.

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[advtechie]

Considering Vocal Clone AI for Realistic AI Voices? 2024

Uncertain if Vocal Clone AI can truly replicate human voices? This in-depth review analyzes its features, pricing, and capabilities.

We explore its ability to generate realistic voiceovers, audiobooks, and captivating eLearning modules.

Discover how Vocal Clone AI allows you to customize voices, leverage multiple languages, and unlock bonus content.

Learn if this software can elevate your content and grab your audience's attention – all before you commit!

What We'll Cover:

Introduction: Who created Vocal Clone AI and what does it do?

Features & Benefits: Exploring the power of Vocal Clone AI

How it Works: A step-by-step guide to creating your AI voice

Who Can Use Vocal Clone AI?

Vocal Clone AI Demo Video

Bonus Offers: Vocal Clone AI Review

Pricing: Vocal Clone AI Review

Pros & Cons: Vocal Clone AI Review

Conclusion: Is Vocal Clone AI right for you?

FAQ Section: Vocal Clone AI Review

What Vocal Clone AI Offers

The platform boasts a cloud-based interface, eliminating downloads and allowing you to access it from any device with an internet connection.

Vocal Clone AI empowers you to:

Effortlessly Clone Your Voice: Replicate your own voice for consistent branding across videos, podcasts, and presentations.

Craft Custom AI Voices: Create unique AI voices from scratch, selecting from various accents, emotions, and tones.

Pre-Made Voice Library: Access a library of pre-recorded, high-quality AI voices for immediate use.

Text-to-Speech Functionality: Convert written text into realistic speech using either your cloned voice or pre-made voices.

Edit & Customize: Fine-tune voice parameters like pitch, speed, and emphasis for a nuanced and personalized touch.

Integrate Background Music: Enhance your voiceovers with royalty-free background music for a complete audio experience.

How Vocal Clone AI Works: A Simple 3-Step Process

Vocal Clone AI takes the complexity out of voice cloning. Here's how it works:

Create an Account: Sign up for a free Vocal Clone AI account and familiarize yourself with the interface.

Choose Your Voice Source: Decide if you want to clone your voice (upload a sample) or use a pre-made voice from the library.

Craft Your Content: Type your script or upload a text file. Fine-tune voice parameters, add background music (optional), and generate your AI voiceover.

Who Can Benefit from Vocal Clone AI?

Vocal Clone AI caters to a wide range of users, including:

Content Creators: YouTubers, podcasters, and social media influencers can create engaging voiceovers and breathe life into their content.

Marketers & Businesses: Generate persuasive and impactful voiceovers for ads, presentations, and training materials.

Educators & Trainers: Develop interactive e-learning modules and captivating video lessons with customized voices.

Accessibility Advocates: Create voiceovers for visually impaired users or those with reading difficulties.

Individuals with Busy Schedules: Save time and effort by generating high-quality voiceovers quickly and efficiently.

Vocal Clone AI Demo Video

Watch the demo video and start your voice instantly.

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Pricing: Vocal Clone AI Review

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Pros & Cons: Vocal Clone AI Review

Pros:

Easy to Use: The cloud-based interface makes Vocal Clone AI accessible to everyone, regardless of technical expertise.

Realistic AI Voices: The platform generates high-quality, human-like voices that can significantly enhance your content.

Cost-Effective: Compared to hiring professional voice actors, Vocal Clone AI offers a budget-friendly solution.

Time-Saving: Quickly generate voiceovers without the need for recording sessions or post-production editing.

Customization Options: Fine-tune voice parameters to achieve the perfect tone and style for your needs.

Cons:

Limited Free Plan: The free plan has restricted features and may not be suitable for heavy users.

New Technology: As with any new technology, Vocal Clone AI is constantly evolving, and the voice quality might not always be perfect.

Ethical Considerations: Voice cloning technology raises ethical concerns regarding potential misuse.

Conclusion: Is Vocal Clone AI Right for You?

Vocal Clone AI empowers you to create realistic, engaging voiceovers that can elevate your content and grab your audience's attention.

Whether you're a content creator, marketer, or educator, Vocal Clone AI offers a user-friendly and cost-effective solution to enhance your audio productions.

Here's a quick breakdown to help you decide:

Go for it if: You create audio content regularly, prioritize convenience, and value budget-friendly solutions.

Consider alternatives if: You need the absolute highest fidelity voice cloning available (technology is constantly improving), or have ethical concerns about potential misuse.

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FAQ Section: Vocal Clone AI Review

Q: How realistic are the AI-generated voices?

A: Vocal Clone AI strives to create high-quality, human-like voices. The accuracy depends on the quality of your voice sample (if cloning) and the platform's ongoing development.

Q: Can I use the AI voices for commercial purposes?

A: This depends on your chosen plan. Some plans offer limited commercial usage, while others grant full rights.

Q: Does Vocal Clone AI offer customer support?

A: Yes, Vocal Clone AI offers customer support through their website, typically via email or ticketing system.

Q: Are there any security concerns with using Vocal Clone AI? A: Vocal Clone AI claims to prioritize user data security. It's always recommended to review their privacy policy before using any online service.

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[horsegirlz]

Reviewing Horse Picrews - Part 1

Check out: Part 2 here, Part 3 here

A brief review of every horse Picrew dollmaker I could find! (The small exception being any generic MLP G4 pony makers.)

I'll be trying to create an either sunbleached black / seal brown / liver chestnut horse in each one (my favourite coats), as well as one or two more exciting horse designs, showcasing the options.

(These Picrews are created by people in their free time without getting paid, so let's remember that and respect the artists!) ------------------------------------------------------------

⬆️ Horse Designer by shadowscar00 Rating: 🥕🥕🥕⚫⚫ 3/5 carrots + tasty apples 🍎🍏 A neat little horse maker! Decent variety to create different realistic coats, and some fantasy colour options too. Enjoyable and cute.

⬆️ 🐴horsesona maker🐴 by thereisteainmyshoes Rating: 🥕🥕🥕🥕🥕 5/5 carrots + gold star ⭐ This one has amazing variety. Horse expressions, colours and styles, accessories and details, backgrounds and bonus effects. Really great for both cute regular horsies and humanoid ones. My only minor criticism is that the brown nose and brown mane colours don't have a match... other than that I love it.

⬆️ Equine Creator Vol. 1 by The.LastValkyrie Rating: 🥕🥕🥕🥕⚫ 4/5 carrots + epic flames 🔥🔥🔥 There's a ton of options here, both realistic and fantasy! The reason it's not a full 5/5 is because the experience is a bit confusing, it doesn't use the built-in colour option system and the thumbnails can be hard to understand. But if you fiddle with it for a bit you can make very cool horses.

⬆️ Horse Maker by TTMVStaff Rating: 🥕🥕🥕⚫⚫ 3/5 carrots + shiny sparkle ✨ This is apparently a maker for an RP called Through The Misty Valley. There's a decent amount of realistic options, definitely enough to make a pretty horse! This one is also a little confusing with thumbnails and not using the built-in colour system. The backgrounds look suspiciously like AI imo.

⬆️ Foal maker by TTMVStaff Rating: 🥕🥕🥕⚫⚫ 3/5 carrots + baby bonus 🍼💘 Pretty much same as above but foal version. The backgrounds again look suspiciously like AI. But, the foals are pretty cute and there are decent customisation options for realistic coats! (The "free lineart" credit in these makes me think the lineart artist may not have had anything to do with the Picrews, as a note.)

⬆️ Handheld Horse Production Farm by 木兎 Rating: 🥕🥕🥕🥕⚫ 4/5 carrots + sweet pudding 🍮 Make a little horse that you could hold in your hand! There aren't a ton of options here, but the horses are very cute and huggable. This one also doesn't use the built-in colour system, but the thumbnails are easy enough to grasp quickly, so it wasn't a problem.

⬆️ Horse OC maker by BeelYourself (Picrew user PorcelainBee) Rating: 🥕🥕🥕⚫⚫ 3/5 carrots + fun lollipop 🍭 Many realistic options for coat colour and details. There's only one option for mane and tail style, and no accessories or backgrounds, and it was a bit confusing that thumbnails use words instead of images (as a visual person - and it makes it less accessible for different languages). But, the horses look cool!

⬆️ 46-style Favourite Horse Maker by n046 Rating: 🥕🥕🥕🥕⚫ 4/5 carrots + teddybear 🧸 This one is adorable, another one where the design makes up for the slight lack of options for coat details and such. It doesn't use the built-in colour system, but was easy enough to use. I want to hug them.

⬆️ Stick Ponies by Sodateru Rating: 🥕🥕⚫⚫⚫ 2/5 carrots + pens and crayons ✏️🖍️ The creator's note says that it's mostly a Twilight Sparkle clone maker right now, which is pretty true based on there only being one mane and tail style. But there are lots of colours to choose from and different hair colour effects, so you can still make a cute little stick pony.

⬆️ Race Horse Maker by Ninjinfactory Rating: 🥕🥕⚫⚫⚫ 2/5 carrots + a nice flower 🌼 It's a pretty simple one, not that many options to choose from, but the expressions are charming so it's still a cute horse. It also doesn't make use of the built-in colour system and the thumbnails could be hard to see, but since there weren't that many options, it was still easy to use.

⬆️ Wasteland Pony Dress Up Game by uhohkiya Rating: 🥕🥕⚫⚫⚫ 2/5 carrots + crispy bacon 🥓 I'm not sure if this is for a fandom or the creator's original setting, but you get to pick a few options for dressing up 3 different horses, like the simpler kind of old character dressup games. The horses are cute, but there isn't much to customise.

⬆️ Anthro Pony Maker by BabyBunnyBab Rating: 🥕🥕🥕⚫⚫ 3/5 carrots + waffles 🧇 It's hard to make a regular-looking horse in this one, but if you want to make a colourful anthro horse with fangs, you're in the right place! It partially doesn't and partially does use the built-in colour system, but the thumbnails were easy to understand. There are some minor artefacts around the edge of the feathering. But, overall it's a cute anthro with a decent amount of options.

⬆️ Supported Horse Icon Maker☆ by Riu (in the sense, the horse you're supporting in races / being a fan of) Rating: 🥕🥕🥕🥕⚫ 4/5 carrots + a little treat 🍬 There aren't that many options, but the design is really cute. For the purpose of representing the race horse you're backing, it has what you need. It's always interesting seeing how much of Japanese horse culture has to do with racing rather than other equestrianism.

⬆️ Horsemaker by Hajen14 (@hajen14 on Tumblr!) Rating: 🥕🥕🥕🥕🥕 5/5 carrots + strawberry cake 🍰 This is the first one where I really felt I was making a seal brown horse. There aren't any accessories or extras, but the extensive coat patterns and colours, and mane and tail options, is more than enough to stand on its own. If you want to design a realistic horse coat with a lot of detail options, this one is for you!

[jcmarchi]

OpenAI launches Sora: AI video generator now public

New Post has been published on https://thedigitalinsider.com/openai-launches-sora-ai-video-generator-now-public/

OpenAI launches Sora: AI video generator now public

OpenAI has made its artificial intelligence video generator, Sora, available to the general public in the US, following an initial limited release to certain artists, filmmakers, and safety testers.

Introduced in February, the tool faced overwhelming demand on its launch day, temporarily halting new sign-ups due to high website traffic.

Changing video creation with text-to-video creation

The text-to-video generator enables the creation of video clips from written prompts. OpenAI’s website showcases an example: a serene depiction of woolly mammoths traversing a desert landscape.

In a recent blog post, OpenAI expressed its aspiration for Sora to foster innovative creativity and narrative expansion through advanced video storytelling.

The company, also behind the widely used ChatGPT, continues to expand its repertoire in generative AI, including voice cloning and integrating its image generator, Dall-E, with ChatGPT.

Supported by Microsoft, OpenAI is now a leading force in the AI sector, with a valuation nearing $160 billion.

Before public access, technology reviewer Marques Brownlee previewed Sora, finding it simultaneously unsettling and impressive. He noted particular prowess in rendering landscapes despite some inaccuracies in physical representation. Early access filmmakers reported occasional odd visual errors.

What you can expect with Sora

Output options. Generate videos up to 20 seconds long in various aspect ratios. The new ‘Turbo’ model speeds up generation times significantly.

Web platform. Organize and view your creations, explore prompts from other users, and discover featured content for inspiration.

Creative tools. Leverage advanced tools like Remix for scene editing, Storyboard for stitching multiple outputs, Blend, Loop, and Style presets to enhance your creations.

Availability. Sora is now accessible to ChatGPT subscribers. For $200/month, the Pro plan unlocks unlimited generations, higher resolution outputs, and watermark removal.

Content restrictions. OpenAI is limiting uploads involving real people, minors, or copyrighted materials. Initially, only a select group of users will have permission to upload real people as input.

Territorial rollout. Due to regulatory concerns, the rollout will exclude the EU, UK, and other specific regions.

Navigating regulations and controversies

It maintains restricted access in those regions as OpenAI navigates regulatory landscapes, including the UK’s Online Safety Act, the EU’s Digital Services Act, and GDPR.

Controversies have also surfaced, such as a temporary shutdown caused by artists exploiting a loophole to protest against potential negative impacts on their professions. These artists accused OpenAI of glossing over these concerns by leveraging their creativity to enhance the product’s image.

Despite advancements, generative AI technologies like Sora are susceptible to generating erroneous or plagiarized content. This has raised alarms about potential misuse for creating deceptive media, including deepfakes.

OpenAI has committed to taking precautions with Sora, including restrictions on depicting specific individuals and explicit content. These measures aim to mitigate misuse while providing access to subscribers in the US and several other countries, excluding the UK and Europe.

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[deadcactuswalking]

Every UK Christmas #1 Ranked & Reviewed

The Official Charts Company – my second favourite national institution behind being miserable – claims that the biggest annual chart race for Christmas number-one started in 1952, and that’s a bit of a retcon. Sure, that’s when what is largely recognised as the predecessor to the modern chart started publishing but realistically, there wasn’t an actual Christmas song on top that week until 1955, and there only became a coherent and fully realised, modernised idea of what the chart is and means years later… kind of, you could argue it will never reach that, but pedanticism be damned, it really started in the 70s. This was when glam rock bands started releasing Christmas singles. Why glam rock bands, you ask? I’d say it’s the most glam rock thing to do, releasing a flashy novelty Christmas single and running up the charts every year, and really, when it comes to iconic Christmas songs in the UK specifically, most of our homegrown ones come from this decade onwards. So does that mean I’m ignoring those pre-Slade? No, I just like proving OCC wrong. The sales on Christmas Day rarely count for the #1 anyway, it’s all fake, nothing’s real, and no one cares. I’m cactus, I write REVIEWING THE CHARTS, a show about the UK Singles Chart, every week, and this is a special episode about the holliest hits, the jolliest jingles, the merriest melodies, and really, the only time people outside of BTS stans care about the charts or still buy singles. This is:

Every UK Christmas #1 Ranked from Worst to Best

content warning: language, UK politics, discussion of sex, death, drugs and tragedy (merry Christmas)

Now, ground rules: I’m basing my list off of OCC’s official list which is copied on Wikipedia and Spotify if you don’t want to use their… questionable site. Secondly, I’m not going to do a full grand review of every song, there’s 72 of the bastards, so this’ll more like a brief rundown of my opinions and what the hit represents – some of these I’ll have nothing to say about, some of these are fantastic pieces of music, and whilst the worst should be obvious, some of where the better songs land could be a bit of a surprise. There’s a whole compost heap of novelty garbage though so prepare for that, and yes, I am fully aware that this will be outdated within weeks, but that’s part of the fun in just how fast the chart moves and okay, I’m coping that all this work is going to be overshadowed by some AI clone of Michael Bublé making a Christmas remix of KSI’s “Thick of It” in a fortnight. Regardless, without further ado, what’s my least favourite Christmas #1 of all time?

…It’s LadBaby. Why wouldn’t it be? I mean, come on.

#72 – “Food Aid” – LadBaby (2022)

#71 – “Sausage Rolls for Everyone” – LadBaby, Ed Sheeran and Elton John (2021)

#70 – “Don’t Stop Me Eatin’” – LadBaby (2020)

#69 – “I Love Sausage Rolls” – LadBaby (2019)

#68 – “We Built This City” – LadBaby (2018)

Okay, I may be a bit biased. After all, I have been writing this blog since 2018 and I’ve had one year – just the one that passed – where LadBaby doesn’t plague the Christmas chart with a one-week wonder, novelty charity song about sausage rolls. He’s dead-set on doing it, and whilst it’s all ostensibly to fight poverty, I’m not convinced it’s actually doing much to help – after all, the government needs to be involved in that and I’m not sure this Nottingham YouTuber duo of Mark and Roxanne Hoyle really have it in them to make a protest song considering how they’ve been dodging The Kunts for all these years… and you know, the time they got the Christmas #1 with a parody of “Do They Know it’s Christmas?”, one of the most insufferable and tone-deaf attempts at charity to ever have hit the charts. LadBaby had a five-year consecutive run at the charts, I’ve reviewed every single one of these on the weekly series, and with every passing year, the songs they derived from got worse, the sausage roll parodies became more of a stretch, the charity felt a whole lot less sincere, and worst of all, they became more insensitive. “Food Aid” and “Sausage Rolls for Everyone” are impressive feats – having a charity single lack that much human compassion is something only Band Aid had done before. And speaking of:

#67 – “Do They Know it’s Christmas?” – Band Aid 20 (2004)

#66 – “Do They Know it’s Christmas?” – Band Aid II (1989)

#65 – “Do They Know it’s Christmas?” – Band Aid (1984)

These are probably worse in every way compared to LadBaby, but listen, I have a personal vendetta to fulfil. This disgusting, neo-colonial pity jam has had three renditions hit #1 – thank God its failure of a 2010s reboot hit #1 a different week – and they’re also in reverse chronological order, largely because the attempts at modernizing what are gross reminders of the past get even more desperate and embarrassing, like the rap verse in the 2004 version. Also, I kind of like the synthpop chimes in the original (the best-selling single of all time bar “Candle in the Wind 1997” [#1, obviously] has to have some appeal) but regardless, this really deserves to be the selection of songs we have at the bottom… and the wonderful thing is, I don’t really have to elaborate further! I’ve written about all of the LadBaby songs at length from 2018 onwards during the Christmas episodes, and in 2022, I had the opportunity to knock out why I hate Band Aid so much too. If you’re really craving a takedown of LadBaby and Band Aid, feel free to read that episode, I’m proud of it. It gets Biblical. But for today, just know that “Do They Know it’s Christmas?” is one of my least favourite songs of all time – maybe I’ll write about the absolute worst one day – and LadBaby… well, maybe in a few years’ time, I’ll have warmed on the guy, he is just a “humble” fellow and his wife making sausage roll songs. The wounds are just too recent for me not to put him at the absolute bottom of the list… and hey, Bob Geldof, if you’re reading, which I know you’re not: Tonight, thank God it’s them, instead of you.

Since I don’t really want to validate these as songs, I will give their respective #2s for that year as an arguably healthier alternative. In 1984, #2 was a song that we’ll see later on, but in 1989, it was “Let’s Party” by Jive Bunny and the Mastermixers – that in itself is a fascinating deep dive into British novelty – and in 2004, it was Ronan Keating’s duet version of Yusuf Islam’s “Father and Son”, a song I love but not particularly that version. As for the streak of LadBaby #2s… check the backlog of this very blog. Now for a pedophile.

#64 – “Two Little Boys” – Rolf Harris (1969)

Don’t really think I have to explain this one. At least it’s not racist, I guess, but Jesus Christ. I mean, it’s truly inoffensive outside of context, even if a bit rote and boring; at least it’s mixed okay but it’s truly a novelty track in execution despite the fact that the song is real, predates Mr. Harris and is largely about war. It became popular during the 1900s and could be potent in its paralleling of childhood play to the battlefield… if maybe he didn’t spend five years in prison for fucking kids. Separate the art from the artist, sure, but we should have separated this guy from minors. Now for the lesser evil, Simon Cowell.

From 2005 to 2008 and then for a few non-consecutive years afterwards, Cowell’s The X Factor singing competition show had a stronghold on the Christmas #1 and whilst sappy ballads, bad covers and tired gimmicks had all hit the top of the Christmas tree before, there was something so disposable about these covers, mostly at a miserable pace and produced to be the most milquetoast pieces of music on any given chart week. They don’t vary wildly in quality, or even sonically, so once again, we have a bit of a one-fell-swoop situation. I can’t even get mad at the singers, they’re new, they were exploited by the show and just wanted a chance at fame, with most failing to really capture the country’s attention past their 15 minutes and that makes me genuinely sad for these guys, many of which were forgotten soon after they competed on the show. How many of the royalties they took home is also into question considering the skeevy Sycopath in charge of their careers, but I hope they made the most out of it by doing tons of coke and playing blackjack with hookers. This’ll be our last batch before I start giving the songs actually fair shakes, so let’s run through with a small opinion and once again, the Christmas #2 that year to give a healthy alternative:

#63 – “Mr Blobby” – Mr Blobby (1993)

No, not you yet, Blobbers, you’ll have your turn.

#63 – “Skyscraper” – Sam Bailey (2013)

I don’t even like the original, man. Pharrell Williams’ “Happy” was #2, so… yikes.

#62 – “Hallelujah” – Alexandra Burke (2008)

What may get lost in all the cover versions is that there’s something truly undeniable and powerful about Leonard Cohen’s “Hallelujah” (#36, 2008). Speaking of the truly undeniable, this is oversung slop, and the late Jeff Buckley’s version hit #2 in protest.

#61 – “When We Collide” – Matt Cardle (2010)

I genuinely love the original version by Biffy Clyro, and he was pretty cool and understanding about how people will always prefer “Many of Horror” (#8, 2010) to his renamed, recycled rendition. One thing about a lot of these covers people neglect is how close some of them were to the original release, it felt like piggybacking and especially with this version, which to me, just saps the soul of the original. It’s competent but this is probably my favourite original song when it comes to these covers, so there’s an irrational distaste I have, even if sonically, I think I prefer it to other winners’ singles. Rihanna’s “What’s My Name?” featuring BBL Drizzy was #2.

#60 – “When You Believe” – Leon Jackson (2007)

This is a complete snore. There’s a lot to dig into when it comes to these singing competition shows, how the contestants were treated and how much of a media phenomenon they became, but consuming that sheer amount of 2000s cringe would kill me so leave it to some twink video essayist. Katie Melua’s virtual duet version of “What a Wonderful World” with Eva Cassidy, itself a strange novelty, was #2.

#59 – “A Moment Like This” – Leona Lewis (2006)

This is a cover of another singing competition-winning track from stateside, that being Kelly Clarkson on American Idol, and that’s just… really singing the quiet part out loud, isn’t it? Take That’s “Patience” was #2.

#58 – “Something I Need” – Ben Haenow (2014)

The mixing’s strange on this one, but I actually really like his voice and heard some good stuff from him back in 2015 so I bumped this one a bit higher. It also made use of the natural melodrama for a good stomp-clap rock tune so there’s some actual grit to this one… barely, but hey, it’s the little things. Mark Ronson’s “Uptown Funk!” featuring Bruno Mars was #2.

#57 – “That’s My Goal” – Shayne Ward (2005)

I’ll give this one props: it was the first winners’ single to hit #1 and it’s pretty easily the best. It’s still a soppy bore sung boringly, but it’s an original song – one he didn’t write, sure, but not a butchering of a better version, and it’s probably one of the least oversung and melodramatic. It’s catchy as all Hell and I’m even slightly nostalgic for it, so I’ll give it considerable praise for just being a step above the rest of its shoddy competition. Nizlopi’s “JCB Song”, a personal favourite of mine, was #2. Unfortunately, though these three plagues on the Christmas chart are the most prevalent, there’s still a series of saccharine charity bullshit from the 2010s that needs to be covered here, and it’s a bit tricky to discuss in general because there is, either hypothetically, in practice or both, a great outcome to the single’s releases, and there’s less publicised controversy than Band Aid and LadBaby, but they still don’t form particularly good musical experiences, in fact, most of them are still awful, and this three aren’t any different.

#56 – “Wherever You Are” – Military Wives featuring Gareth Malone (2011)

Choirmaster Gareth Malone, for his BBC television series, accumulated a choir of women who were wives and girlfriends of military personnel serving abroad, trained them to sing and release this single with both his name and the poppy plastered over it. Remembrance Day and the romanticisation of war by British institutions that enforces it has always given me an indescribable ick that no matter of choral vapidity will save, and the treatment of this single as simultaneously a serious and heartwarming contender for showing the UK’s appreciation of its soldiers sent to die in unnecessary wars, but also a novelty from a television show that had to be campaigned for to get a sole week at the top, really cements that – it may actually be the anecdote I use to express my issues with the commemoration from now on. Also, it does beg the question: Remembrance Day is in November, if you really cared about the cause, wouldn’t you make the timeline align at least?

#55 – “He Ain’t Heavy, He’s My Brother” – The Justice Collective (2012)

This is neither nor the time nor place to discuss either this original song, its main conceit in the title and how powerful it truly is, its religious connections, its backstory regarding its co-writer dying during its creation and its rich history of covers, or the tragedy of the Hillsborough disaster, in which due to negligence, 94 football fans died at a 1989 match’s crowd crush. It is to this day a heavy and sensitive topic, particularly in Liverpool, and I am far from an expert on the details to this case or even the song, which I suppose should be my forte but it feels way out of my depth to comment that much further. I’d love to read an essay or any kind of deep-dive one day about why this song in particular relates to football fans and why it was chosen because whilst I can assume a lot of thematic links, I simply cannot be an authority on this subject, and I shouldn’t be taken as an authority on any of this but even with research, it is plunging me into history and culture I don’t think is fit for me to comment on. For a summary of this release, it is another terrible celebrity all-star cover, this particular disaster’s Band Aid, and it is of little value sonically when compared to the Hollies’ brilliant 1969 rendition (#3) with Sir Elton John on piano. I do, however, respect that this blossomed from genuine disappointment and rage towards a series of domestic UK travesties – the idea for it emerged from a concert against The Sun newspaper during the News International trial, again, that is a huge can of worms – as well as a shared brotherhood that in other renditions, has made for powerful music. It still reeks of self-serving achievement given the all-star cast and the novelty factor, but this is the constant dichotomy of these kind of charity records, one which I covered in-depth in the aforementioned LadBaby episode.

#54 – “A Bridge Over You” – The Lewisham and Greenwich NHS Choir (2015)

Another, more indirect product of Gareth Malone, this one’s difficult to find a reason to dislike on a more principled basis other than my dislike for how the music is overly sentimental, kind of lazy in its arrangement, and produced in a muddy, distracting way that at its best emphasises the choir over their backing and at worst forms them into an amorphous blob with guitars and particularly rough drums that don’t really mesh. The campaign seems more genuine, started by a junior doctor to raise money for the constantly-undermined National Health Service of this country, but then again, I fail to see how the UK buying this single guarantees government-provided benefits or rids the plague of privatisation, it – like all novelty charity records – serves in some way to deflect, even if this is less obviously so, hence why it’s the highest entry. The government supported it by lifting tax, but had little involvement in the song, and there are no big names here in what was initially released independently in 2013, but what may soil it is the involvement of an NHS communications manager Joe Blunden, which at least to me raises some genuine concerns about how he could better channel these issues and the depressing reality that this is probably the best way he could do so. Also, I like the organs and I suppose mashing up “A Bridge Over Troubled Water” by Simon & Garfunkel (#1, 1970) with Coldplay’s “Fix You” (#4, 2005) is smoother here than it is tacky, and I’m just glad we can finally move onto some genuinely fun and interesting songs and trends, that I don’t have to mumble and grumble through.

#53 – “Mr Blobby” – Mr Blobby (1993)

What charity did you raise funds for? Blobsted? Blobbyline? The Blobby Heart Foundation? Get out of here. Now, with that out of the way, here is what may be my first hot take of the list.

#53 – “Lonely this Christmas” – Mud (1974)

One major part of my rationale for this list will be my memories watching Christmas music videos on those UK music channels that barely exist anymore, but I imagine still get most of their traction and viewers – if any at all – at Christmas time, wherein they can act as a holiday playlist, though with five minutes of ads after three songs and a not particularly varied selection. At least a decade ago, the presentation of these channels was something worth mentioning, one I remember being Noddy Holder – who we’ll get to – presenting his favourite Christmas singles and the effort, whilst not immense, was something, definitely more than you’ll get on anything more algorithmic nowadays. The worst part, of course, of a Christmas music video compilation will be the slow, boring performance videos of ballads, and this particular one by glam rock band Mud has always rubbed me the wrong way. The tacky festive affects and meek spoken word section are the icing on a really gross cake, one that serves as a pastiche of Elvis Presley, basically a note-for-note impression and therefore a mockery of the art of just making a damn good Christmas song, which Elvis, for all the fair criticisms, had done and will appear in this list. This is a (seemingly) sincerely longing and borderline begging song for a lover to return for Christmas, and it does so little to enforce the parodic elements that it becomes a painful slog with no reason to hear it: it’s not funny, it’s not sincere and honestly, it’s not even well-performed. I might actually hate listening to it more than the X Factor stuff.

#52 – “Long Haired Lover from Liverpool” – Donny Osmond (1972)

No, I think I’ll decline on the offer of you being my long-haired lover from Liverpool, Jimmy. Firstly, you’re from California, secondly, you’re nine years old, thirdly, your hair isn’t even long. Jokes aside, I’ve always found this one mostly just inappropriate. Sonically, it’s chintzy but fine, I’m just bothered by Little Jimmy Osmond talking about being a puppet for his “sunshine daisy from LA” who makes all the other flowers cry from her beauty. Even without the fact that he’s a child, it seems like the roles are a bit reversed in the song and like a weird choice for him to sing, just opportunistically chosen to capitalise on how popular and “cute” the Osmonds were at this point in time.

#51 – “Mad World” (2003) – Michael Andrews featuring Gary Jules

The washed-up, sugarcoated, whitened cover of a good, more interesting song has always been a thing, but this feels like the most immediate precursor to its most recent manifestation: the stripped-back piano cover by a relative nobody of a recognisable song to advertise some kind of product. Anyone who has watched British television adverts probably has an idea of what I mean, and it’s got to be a thing at least elsewhere in the Anglosphere. Hell, Calum Scott’s “Dancing on My Own” (#2, 2016) is a great example, I’m sure that’s recent enough for people to remember. The deal with this one is that Andrews composed the music for the film Donnie Darko in 2001, and its cult success led to a DVD release and two years later, this cover of the Tears for Fears track from 1983 (#3) with vocals from Jules hit #1. It’s stripped back and minimal, but suffers largely from the unsubtle and cumbersome vocal performance – I have no idea if this gains some extra potency in the context of the film but as a standalone single, it exacerbates the flaws of the song’s writing by stripping some of its layers and other than the honest performance, does little to cover it or preferably, find value in another aspect of the song – Demi Lovato took a similarly stripped down approach in her 2021 rendition but the fuzzier cinematics of the second half are a great build-up and Lovato’s vocals impress me much more than Jules, so it’s not the “overly serious piano version” trend just being written off as inherently bad here. It’s just not my particular favourite version of the song, and I’m glad that we’ve finally gotten around to one where my only problem is that the actual audio recording itself is one I find mediocre. Speaking of…

#50 – “I Love You” – Cliff Richard and the Shadows (1960)

A lot of the much, much older songs, especially those pre-Beatles, were new to me but I could find charm in them, a delightful energy or at the very least, a sweet brevity. Cliff’s “I Love You” is a strikingly basic and boring composition that, at two minutes, feels extensively longer thanks to the draining void of non-personality that is our lead vocalist, a constant fixture of the charts for a few decades and who we will be seeing again.

#49 – “There’s No One Quite Like Grandma” – St Winifred’s School Choir (1980)

God, I hate children’s choirs. This has had practically no unironic staying power, but prevented the actually resonant and annually played “Stop the Cavalry” by Jona Lewie (#3, 1980-1) from hitting its peak, and then this school choir chiming about their old nan would be replaced by the then-recently shot dead John Lennon. Imagine there’s no grandma, it’s easy if you try.

#48 – “What Do You Want to Make Those Eyes at Me For?” – Emile Ford and the Checkmates (1959)

I feel a bit bad placing this so low because the late Emile Ford, a Saint Lucian singer, sounded like a fine enough guy who made some genuinely important steps in sound engineering, and it is impressive to have such a big hit with your debut track without much name recognition – I’m sure Ford didn’t mind that despite not having the lasting recognisability other singers from the 50s have, he could still be in the history books for technically bagging a “Christmas number one”, though before it really mattered. It is just the song itself, particularly its lyrics, are dated and uncomfortable with their approach to flirting with women, and this is likely because it comes from a 1916 Broadway play, so I assume it makes more sense within that. Regardless, it’s definitely more successful and known as a standalone hit by Emile Ford, and it’s not a particularly good one at that.

#47 – “Mistletoe and Wine” – Cliff Richard (1988)

This was the rare occasion of a Christmas #1 to be announced after the day itself, I’m pretty sure the only one but there’s no 100% way to check that. It was announced a day late on Boxing Day because Christmas Day fell on the Sunday, the day charts would be revealed in that time, and being late enough to respect tradition – despite a Christmas chart being fully acceptable Christmas programming to me – whilst also late enough to leap over the point of why anyone cares about what you’re releasing and promoting in the first place… feels pretty representative of anyone still listening to Sir Cliff Richard in 1988.

#46 – “Saviour’s Day” – Cliff Richard (1990)

Or 1990, for that matter. This one’s actually worse, I just wanted to get the joke off.

#45 – “Mary’s Boy Child / Oh My Lord” – Boney M. (1978)

Disco group Boney M. deliver a bit of a medley here, an original song tacked onto a song we will  see in like five minutes. There are very few explicitly religious songs on this list despite the theme of Christmas, and this is mostly for the best within the context of this list as a lot of religious content will fail to resonate with me, especially something this flatly commercialised. A disco nativity scene is a fun novelty idea for a satire, maybe, but played completely straight, it’s just overly blatant and I don’t find much fun in it. It’s important to note that the forward slash here references the fact that it is a mashup, not two separate songs, which is not the case for…

#44 – “Mull of Kintyre” / “Girls’ School” – Wings (1977)

…okay, Paul. I have very little to say about this snooze of a release so I should take the opportunity to explain double A-sides, which seem like quite an outdated concept now but were quite common when physical singles were the main form of consumption. We’ll see one of the first important double A-sides later on, also involving the Beatles coincidentally, but the technique has existed since at least 1949 and all that it means is there is no designated B-side. Rather, both tracks on the record could be potential hits, no one side should be prioritised over the other. There are four of these in our list of Christmas #1s, and I’ll be counting them all as one entry.

#43 – “Moon River” – Danny Williams (1961)

I’ve never really been a fan of “Moon River” as a song, possibly because I’ve never seen Breakfast at Tiffany’s. It’s a sweet song, but a slow one that would require a lot from its performer to ultimately sell me on, and during 1961, so many different versions of the Henry Mancini-written track (#44, 1962) were released at pretty much the same time, very few of them were going to shake up the popular arrangement, and hence, we’re left with Danny Williams who is… fine? The problem here is that the song fails to have that floaty immersion that comes with its nostalgia, and the recording feels weirdly heavy for what should be easy listening. Hell, if anything, that main choral vocal sounds haunting against the strings and Williams takes up so much of the mix, it’s really a rough two and a half minutes. Williams was sometimes called Britain’s answer to Johnny Mathis and we will see him very soon with his awkward cover track.

#42 – “Answer Me” – Frankie Laine (1953)

Much like “Moon River”, there was heavy competition on the charts in regards to what version of this particular song would chart the highest, with the two that really went head-to-head being Frankie Laine and David Whitfield, a real US versus UK competition for the chart-topper and ultimately, both went #1, though the song had to be modified for its religious lyrics because, hilariously, something this inoffensive and dull was banned by the BBC.

#41 – “Mr Blobby” – Mr Blobby (1993)

No, Mr Blobby, not the Big Blobby Corporation. Please leave, sir.

#41 – “Stay Another Day” – East 17 (1994)

This is an interesting one, and I think boy band East 17 are nearly synonymous now with this single rather than any of their other releases, which really shows you how the Christmas canon can create classics and crush catalogues. For a while, I have been somewhat captivated by this song, somehow? There is a resonance to the song’s content, one often misinterpreted as a breakup song but actually about member Tony Mortimer’s brother committing suicide. Definitely written to possess a double meaning, however, the delivery of it is sold so sincerely in spite of the rougher nasal textures of the lead vocal take that it adds that detail of personal imperfection and helplessness in preventing that death from happening. The problem is the schmaltz of the arrangement (at least until the climax) and how tedious the chorus can be turn it into as much of a bore as it could potentially demonstrate the excruciating experience of losing a loved one and having nothing to do about it but feel guilt for how you could have helped… which is all cheapened anyway by the sleigh bells added lucratively for the Christmas market. There is something to a predominantly drumless track with the constant, echoed “Stay now…” mantra but I don’t think I’m exactly there yet. Check back in five months, and I’ll have been able to separate it from years of it being a downer on the Christmas music channels, it might genuinely be in my top 10 by then because it’s this close to clicking. For now… it doesn’t reach me like it should.

#40 – “Mary’s Boy Child” – Harry Belafonte (1957)

A good performance from a legendary singer and man I really respect cannot make “Mary’s Boy Child” work for me, it’s still a remarkably dull song about Jesus. This does not take away from Belafonte’s appearance on The Muppet Show, which is kino.

#39 – “Let’s Have Another Party” – Winifred Atwell (1954)

Pianist Atwell performed this little ragtime medley of several tunes and became the first black artist to ever hit #1 on the UK Singles Chart. She’s the only female instrumentalist to have ever done so. There is probably something to be said about how her voice is silent here, and she performs through the piano, and what that could have meant in the 50s, but at the end of the day, it’s a tremendous feat for what is essentially a novelty medley, one that I don’t really get the appeal of today which should be expected. The version on streaming combines the first part on the A-side with the B-side, which is simply a second part, a continuance to the medley, so you could argue that this is a double A-side in nature too. The second half is a bit slower and easier to listen to, but both sides remind me of Cooking Mama for the Nintendo DS and the first struck me as some goofy Looney Tunes bullshit amidst all the easy listening at the start of the list. There is a really weird surf guitar line in the second part that I can only describe as a hilariously unnecessary noise.

#38 – “When a Child is Born (Soleado)” – Johnny Mathis (1976)

“Soleado” is a composition by Italian musician Ciro Dammicco, with American singer Johnny Mathis recording an English version that isn’t explicitly making reference to Christmas but is pretty blatantly about the birth of Christ. It’s mostly a sentimental ballad but it stands out particularly because of a confusing spoken-word piece in the bridge where he decides to question what race Jesus is and if we’ll really ever know: “Waiting for one child – black, white, yellow, no one knows”. I understand that this is probably an attempt at saying Jesus is all races or of ambiguous race so that he will heal suffering regardless of the believers’ ethnicity, but it is still ridiculous to apply 1970s attitudes of race to a historical figure and also, remarkably out of place in this song.

#37 – “Rockabye” – Clean Bandit featuring Sean Paul and Anne-Marie (2016)

This is not a Christmas song, this is “Rockabye” by Clean Bandit and Sean Paul. Come on, it’s tropical house! The song was written by Ina Wroldsen who was swapped out for Anne-Marie at the last minute, despite the band’s insistence on Wroldsen as the vocalist. You can figure this out without searching anything because when Sean Paul shouts Anne-Marie out on the intro, it is clearly punched in from a different take and has an audibly different mix. Yup. Next.

#36 – “Save Your Love” – Reneé and Renato (1982)

This is a song performed by a duo of Hilary Lester (“Reneé”) and Renato Pagliari. “Reneé” did not even appear in the video, she was replaced with a model, and that makes the trivia that it’s supposedly the first fully independent single to reach #1 a bit sourer of a fun fact. It was written behind the guy behind a TV robot called “Metal Mickey”, so that’s about how seriously I’m taking this bilingual schmaltz.

#35 – “Somethin’ Stupid” – Robbie Williams and Nicole Kidman (2001)

Most famously sung by Frank and Nancy Sinatra in 1967 (#1), this version by Robbie Williams who, if you don’t know and you’re reading a UK chart blog, I’m slightly confused, alongside Australian actress Nicole Kidman, is completely fine. The orchestra could be better implemented or not included at all, because the more lowkey Latin flavour to the duet is pretty cute, but that’s about all I have to say, it’s not really tied to Christmas or the grand scheme of music history in any way.

#34 – “Here in My Heart” – Al Martino (1952)

Well, here we have it: one of the most important songs in British pop music history, purely because it was the first single to ever hit #1 on what is largely considered the predecessor to the modern UK Singles Chart. The late Al Martino himself is American and was very successful stateside, so I’m not sure how much he would have cared exactly, but this performance is intense, very unsubtly so, and that drama of the chorus is something to behold… but it also really relegates all of its energy to that spot. Overall, it’s not the most interesting of songs to start the journey with but considering how convincingly dramatic it is, it’s a great way to begin any listening of UK #1s. Not only does this song commence the first ever singles chart, it’s the first Christmas #1 and for my sake, the first song on this list that I actually kind of like, meaning that yes, a good 36 of these were at least decent songs. I’m probably just being generous but even then, this really wasn’t as gruelling as it could have been.

#33 – “Earth Song” – Michael Jackson (1995)

It only comes to me now that I've pretty much never had to talk about Michael Jackson in-depth for my entire time writing this blog, and I'm not exactly starting now given that this is a series of mostly brief rundowns, and MJ only appears this once. I should say that whilst the song is somewhat enjoyable and I respect it to some degree, it is still in the awkward, self-serving call to action as John Lennon's “Happy Xmas (War is Over)” (#2, 1980). I loathe that song, but I can still appreciate the self-reflective angle that it tries to go for, which is lost by Michael Jackson in his screams to pay attention to the natural world’s suffering thanks to the sheer immensity and grandiose gospel build-up that means the song perpetually looks outwards, potentially not even forwards. This is alongside a vocal performance from MJ that to me is really hard to listen to – in fact, this whole six-minute adventure, and its powerful music video, is just... difficult to grapple with for me and the more I think about it, that might be the best way to call attention to the injustices of the world. I still can't listen to the song and enjoy it fully, but there are three things I love here that allow its higher placement: the key change, Guy Pratt’s bass in the second half and of course, the strained hook of cathartic “woo!”s at the tail-end.

#32 – “Green, Green Grass of Home” – Tom Jones (1966)

1966 feels a bit late for this kind of song but you have to remember that the charts aren’t nicely split into before and after certain artists, songs or events – trends bleed in and out all the time. Regardless of when it hit #1, it feels a bit pre-destined to. It’s a pleasant enough cover of a song that had been big in the US the year prior, and Tom Jones, impressed with Jerry Lee Lewis’ version, gave it a try. It’s more impressive that Jones is still a relatively active and recognisable figure in British pop music after all this time. I remember his most recent album even gathering some critical appraisal.

#31 – “Mr Blobby” – Mr Blobby (1993)

Sigh. I own this on vinyl.

#30 – “Goodbye” – Spice Girls (1998)

In the mid-90s, girl group phenomenon the Spice Girls had three consecutive Christmas #1s with slower, more sentimental tracks, which makes sense, and I actually have them in reverse chronological order here, because they got worse every year, though you’ll see I actually like the other two quite a lot. This one was reworked to be about Geri Halliwell leaving the group, and it sounds as exhausted as the girls were at this point, this is a great soundtrack to running out of steam. Oh, and ladies and gentlemen, here’s Conway Twitty:

#29 – “It’s Only Make Believe” – Conway Twitty (1958)

This was then-unknown Conway Twitty’s first real hit, and though not really a country song, more of a slowed-down rock ballad with some doo-wop to it, I get why he crossed over and I also kind of get this one. Late in his life, my dad had a thing for old, sad country songs and this hits what I imagine is the spot those tracks hit for him, it’s alright.

#28 – “I Have a Dream” / “Seasons in the Sun” – Westlife (1999)

Irish boy band Westlife are an act I almost expected to show up more than once here, so it’s just my luck in predictions that they actually do have two songs but only show up once. These two songs are quite syrupy renditions of older tracks with real cheap synth affects, especially in the first song, but are actually inoffensive and have a little 90s cheese charm to them. The synths in their version of ABBA’s “I Have a Dream” (#2, 1979) aren’t too far from Mario Kart 64 and coincidentally, my dad really loved “Seasons in the Sun”, originally a #1 hit for Terry Jacks in 1973. I know that it’s often considered a historically bad pop song, but I’ve always thought the structure was pretty sweet and this Westlife version is particularly funny because when they sing “it’s hard to die”, a funny echo effect means you hear “die…” fade out for the rest of the measure, which like “Stay Another Day”, is an oddly morbid moment for this boy band schlock.

#27 / #26 – “Bohemian Rhapsody” – Queen (1975, 1991)

It’s fine. Bit slow to start. Something about doing the fandango, killing a man. Freddie Mercury was really a bisexual Pooh Shiesty if you think about it. This is the only song to have the same recording hit #1 on Christmas twice though, the second, after Freddie had died, was a double A-side paired with the boring trite ballad “These Are the Days of Our Lives” which I’m sorry, is just insufferable. “Bohemian Rhapsody” is fine enough and I respect its ambition, even if overstated given what advances in music had already been made by the mid-70s, but that garbage actually takes it down further. I’m sure it was potent when the man had just passed but “Days of Our Lives” is some soppy adult contemporary bullshit compositionally, it feels as long as two Bohemian Rhapsodies, and neither are the Muppets version. Enough has been said over the years about how “Bohemian Rhapsody” stretched what could be considered a hit single, and the impact it has had on music videos, but this is not a discussion of the visual history of pop music, and I’m not one to ignore how progressive and interesting acts big as the Beatles (or the Beatles themselves, who we will get to in due time) had made pop rock long before Queen… this is a ranking of Christmas songs according to my own taste and in my opinion, this is simply a cool song tied temporarily, but integrally for this blog, to a shit one, and there are dozens of tracks that say more about either themselves, the music industry, the country that took it to #1 or the festive season as a whole.

#25 – “I Feel Fine” – The Beatles (1964)

Before the Spice Girls came the Spice Boys, the Liverpudlians who notched three consecutive Christmas #1s in the mid-60s and a fourth one afterwards, with this being our first one to cover and as you can tell, my personal least favourite. It’s difficult to say that the Beatles have any singles that aren’t iconic, let alone #1 hits, but I doubt that these singles, apart from one which we’ll discuss way later on, are in that top 10. “I Feel Fine” is compositionally fairly similar to songs I prefer from them we’ll see later, but it’s much less interesting in comparison to those thanks to being a tad undercooked. Like a lot of early Beatles, it’s a very simple song but the lack of a really impassioned vocal performance or strong enough hook to counter the chorus just leaves it sounding a tad incomplete. I do like hearing an early example of guitar feedback in pop music, though.

#24 – “Another Brick in the Wall (Part 2)” – Pink Floyd (1979)

What a great, charming Christmas single, right? “Another Brick in the Wall”? Part of why this is so low actually originates from how it fails to be a Christmas single, or really a single overall, and that it never intended to be. This is a good song, but one born from contempt for how lead lyricist Roger Waters was taught as a child and his experience with the education system, featuring a school choir that would ironically not be the same choir hitting #1 on Christmas the year after. Even elements of its murky sound are born from guitarist David Gilmour's contempt for disco but ultimately open-minded attempt for them to embody elements of it into their sound thanks to their producer Bob Ezrin. It feels really weird to place this high on a list when the idea of it hitting #1 at Christmas isn't just not part of the appeal and the story, but directly opposed to both and not in such a radical way that it acts as protest - it's still a disco song with a children's choir by one of the biggest rock bands on Earth. Speaking of, i'm also torn on the song itself – that guitar solo is incredible but as an edited-down “part two” single, it's incomplete by design, and doesn't function as a standalone piece as well as it should. Also, God, I hate children’s choir.

#23 – “Mr Blobby” – Mr Blobby (1993)

We don’t need no Blobbyvision. We don’t need no Blob control.

#23 – “Perfect” – Ed Sheeran (2017)

Well, I do suppose this fits, it just feels a bit too modern for this list, like “Rockabye”, and not having any direct Christmas references doesn’t help. I will say that I find this a perfectly sweet, charming song in its original form and it’s largely bogged down on this list because of versions that weren’t officially credited by the Official Charts Company that week but definitely contributed to the song’s success, those being the overblown duets with Beyoncé and Andrea Bocelli.

#22 – “I Will Always Love You” – Whitney Houston (1992)

Many Christmas #1s that aren’t explicitly related to the holiday season still have the air of December surrounding them in some way, whether it be slight musical details like in “Stay Another Day”, a wintry music video and cover art like “Perfect”, or even just the novelty factor of it ever hitting #1 like “Another Brick in the Wall”, “Mad World”, “Let’s Have Another Party” and many others we’ve seen and will see later. “I Will Always Love You”, however, was a US-born phenomenon, where this trophy barely matters, and the massive, all-encompassing belt of a song is predestined to be huge. I’m not too big on what is a generally good song because I have to be in the mood for it but it obviously works and never needed any holiday sentiment or novelty factor. Like “Earth Song” which, to be fair, even MJ had to consciously pull on heartstrings to get himself to the top, this is just too big to ignore and unlike “Earth Song”, it’s a listenable length.

#21 – “Return to Sender” – Elvis Presley (1962)

Looking at this list chronologically, this is just about where the idea of what we now see as modern pop and rock music emerges, primarily because of Elvis himself, who found this song a diamond in the rough for his comeback film Girls! Girls! Girls!, the other material for which he found quite dull to record. Despite having nothing to do with Christmas at all, the horns and jaunty rhythm definitely sound like it, and it’s great to hear such a youthful Elvis performance, but other than that, it is pretty simple and non-descript. The first Christmas #1 on the Irish charts, given the theme of returning love letters, you could even see this as a predecessor to a certain other Christmas song much later down the line.

#20 – “Merry Christmas Everyone” – Shakin’ Stevens (1985)

Sure, this is schmaltz, but undeniable schmaltz, and nostalgia may blind me here but I can’t imagine disliking this song for any reason other than it being a tad too long given it’s aping 50s and 60s rock and roll that wouldn’t let it drag on further than it does. Otherwise, sure, it’s a list of clichés, but it’s delivered with such a childlike grin I can’t help but admit Shakin’ Stevens has me on this one. I know, I know, higher than the Beatles.

#19 – “Ernie (The Fastest Milkman in the West)” – Benny Hill (1971)

I know, I know, the takes keep getting worse. Listen, this won an Ivor Novello Award for songwriting, I’m not joking. Prominent comedian Benny Hill released this ribald novelty single to great success in 1971, and yes, there are more sex jokes than a 2000s teen comedy, but it goes to such weird and uncomfortable places with its food-related innuendo that you have to admire how committed Hill is to the bit. The instrumental’s chugging military percussion, string swell and choral refrain also let the stakes get bizarrely high, to the point where Ernie is murdered in a duel with a bread delivery man, and his ghost haunts his wife. The bridge wherein the song basically just comes to a drumless halt, and Hill fills in that void by delivering possibly the worst obituary ever spoken, always gets me, in part because of how stupid the name Ernie is. The first line in the bridge is “Ernie was only 52, he didn’t want to die” and the next line about him delivering milk in Heaven just barely doesn’t make Hill crack up trying to deliver it. Its style and structure is a send-up of old cowboy-story songs from the 50s and 60s, particularly ones with stories of death and consisting largely of spoken-word sections; it immediately reminded me of John Leyton’s death disc “Johnny Remember Me”, similarly about a haunting, that hit #1 in 1961. That is one of my personal favourites #1s ever, so it should be of no surprise that this, despite its content, won me over.

#18 – “Merry Xmas Everybody” – Slade (1973)

For all intents and purposes, this is the Christmas #1. It kickstarted the competitive release of Christmas songs by pop acts, it’s the third song chronologically on this list to be actually about Christmas and the first in over a decade, and even then, it references the “old songs” being the best, defining how this list is constantly looking backwards, much like Britain as a whole. It’s also funny that despite that reference, this is absolutely the first song on this list to remain as part of the semi-official Christmas canon that returns to the chart annually. Overthinking this staple of a song seems borderline blasphemous, even if it’s so basic and laddish that it can be a bit of a slog, but glam rock band Slade’s lead vocalist Noddy Holder screaming in declaration that it’s “CHRIIIIISSTMAAAAASS” may be synonymous with the British holiday experience, or at least once was. The trend of Christmas songs returning to the chart each year started with this song being reissued in the 1980s, which makes sense considering how big parts of this song sound, particularly that 60s rock and roll guitar (very back in style in that decade), and the layered group vocal of the chorus. It’s stupid, it’s worse than its closest competitor from Wizzard that year, “I Wish it Could Be Christmas Everyday” (#4, 1973-4), but it’s still such an inescapable classic to this day. It may be the first and last Christmas song I’ve ever heard and will hear, it really is that embedded into UK culture. Thankfully, though, we’re able to keep it relatively short with the next few entries.

#17 – “Can We Fix It?” – Bob the Builder (2000)

I may prefer Bob’s construction-themed re-write of “Mambo No. 5” (the 9/11 #1 – I’m not joking), but novelty aside, the 2-step rhythm helps this stand out. This clears the fucking Tweenies, those creepy Teletubbies and especially that narc bitch Fireman Sam.

#16 – “I Hear You Knocking” – Dave Edmunds (1970)

Originally recorded in Smiley Lewis in 1955, “I Hear You Knocking” makes absolutely zero sense as a Christmas single, in fact “I hear you knocking but you can’t come in” may be the antithesis of nice, warm family time. The conclusion of a long trend of blues songs using similar language, this bitter track was reinterpreted into a borderline experimental blues rock jam by Welshman Dave Edmunds after finding out that the song he wanted to cover was already taken. He heard Lewis’ recording, realised the backing beat was identical, and recorded this distorted, nasal slice of vengeance over it, with mechanical, scraping drums – especially in the right channel for whatever reason – and a layering of droopy guitars that strip the song back considerably but add a unique character through Edmunds, who sounds pridefully pissed off, but still takes time in the break to ad-lib some of his favourite rock & roll pioneers and R&B stars of the 50s, all the way back in the mix too. As a whole piece, it’s really simple and casual as a blues stomper but not only is that refrain insanely catchy, but combine it with that overly loud crashing cymbal splitting the mix, Edmunds’ whooping and “I’m not mad, I’m disappointed”-sounding guitars and it goes relentlessly hard. A fantastic song, one that John Lennon famously insisted on in interviews, including the last one he ever did, but perhaps not a merry jingle and more of a pub pleaser.

#15 – “Sound of the Underground” – Girls Aloud (2002)

This has been talked to death already like many other songs here, but there really is a loveable appeal to “Sound of the Underground”, combing that slick surf guitar with a drum and bass rumble to make something that popular music was immediately familiar with, but the manufactured pop music regime that pumped out boy band and girl group hits would have otherwise passed on immediately if it weren’t just that sticky of a hook. Technically, however, this would be the first instance of reality television plaguing the Christmas chart, as the top three that year, including Girls Aloud, was dominated by Popstars contestants – at least in this case the song was great, but for the purpose of this particular list, an awkward legacy to hold.

#14 – “Just Walkin’ in the Rain” – Johnnie Ray (1956)

This loveably nonchalant song was first written in 1952 by two prisoners in Tennessee, with rock and roll precursor and 50s teen sensation Johnnie Ray performing its best-known rendition. Apparently, he didn’t even like the song, but you’d never know, and this has everything I love about traditional pop and R&B: a gimmicky lead hook with the fuzzy whistling, a basic but sticky refrain, a melodrama leading to dangerous levels of oversinging that clips and distorts slightly in the mix. If it were less of a moaner lyrically, it could probably be higher, but he really sells the despair of being a prisoner and how society treats those who have broken the law, even for petty crimes. The group doo-wop backing vocals act as looming over Ray in a really melancholy track, I do recommend checking this out because it may be the least famous of the Christmas #1s overall, and deserves a lot more attention.

#13 – “Mr Blobby” – Mr Blobby (1993)

OCC’s playlist of Christmas #1s is not perfect by any means but it does contain, in some capacity, every single entry to hit #1 on Christmas, except for two. The first is the 1989 re-recording of “Do They Know it’s Christmas?”, though two other versions of the song are included for the original and 2000s revival, so the song is still very much there. The second, and the only song completely, thoroughly excluded, entirely non-present, is this one. “Mr Blobby” by Mr Blobby. OCC makes no reference to this exclusion on Spotify, stating that it contains all the winners from 1952 to now, except it just doesn’t. The official page for the Christmas #1 on the Official Charts Company website does not mention the Blobster in its text and silently, probably hesitantly includes him in the list table for historical purposes, without noting that their “complete” playlist of “every” number-one denies our Blobby boy his rightful position as a chart record-holder. What may hurt the most is that there is one tacit acknowledgement of Blobby in that article: OCC mentions that “cartoon characters”, plural, have held the top spot, meaning that they either acknowledge Blobby as a cartoon alongside Bob, which is a fair enough assessment considering his design and animated appearances, or they’re referring to a Claymation music video we’ll discuss later on, which would be… potentially accurate but bizarrely insensitive, much like the exclusion of Blobberson from a conversation he statistically and historically deserves a place in. You deny the Blob of his divine right, you run the risk of execution, and we wouldn’t want anything bad to happen to the poor OCC interns, would we? So, I propose that when you update the page this year, to include 2024’s Christmas #1, you simply add a short passage acknowledging that not only did Mr Blobby achieve this feat but that as a company and national institution, you have been ignorant of if not actively opposed to this chart success, therefore refusing to celebrate the peak of Blobbymania. Surveys show that 80% of the British public still identify as Blobby fans and what do you mean I need to shut up and talk about the Spice Girls?

#13 – “Too Much” – Spice Girls (1997)

I do really enjoy many parts of this song, and would probably call it a great track, but there are parts that really hamper it from being perfect. The track is about equal treatment in a relationship, wherein it’d be too hard to let go completely but still needing their partner to be a better partner overall, not just a satisfactory lover and a genuine friend whom she can console in. I love that independent sentiment of demanding more from this guy, and the powerful line of “What part of no don’t you understand? I want a man, not a boy who thinks he can”, delivered by Mel C, belted right after the second chorus amidst a blast of horns, before fading (quite literally) into the brief sax solo, and returning with the same lyric to lead into the final hook, is a great moment! Hell, the song may be one of the best examples of their form of “girl power”, looking for small victories in a patriarchal world, but that moment in the bridge I just mentioned is also emblematic of a larger problem I have with the song, being that it was recorded hastily between filming their tie-in movie Spiceworld and therefore so much of it was tied together in post-production. Given how empty the verses feel, how the song just trails off and the lack of truly impressive solo parts other than the one I just mentioned, you can really tell – it’s still a great track, but one that deserved more time and a better process to elevate it even higher.

#12 – “Christmas Alphabet” – Dickie Valentine (1955)

This is a strange one, and also a relatively simple one, but I may have found a hidden gem with this one. The first Christmas #1 to actually be about Christmas, it’s so lovingly sincere in its attempt to make an acrostic children’s poem with the word “Christmas”, and to hear the choir singing not just every letter but at some point even specifying “Capital C” is really delightful. It sounds built for a stop-motion special, the intro particularly, but largely predates them, whilst still wrapping up its twinkly two minutes in a lovingly warm bow. Thank God Michael Bublé hasn’t found this one yet because Valentine’s version may not be the most impressive vocal or extensive composition but is simply a nice, pleasant tune that goes into adorable territory with the whole “Christmas Alphabet” gimmick. The dumb smile on my face is worth all the places I put it over genuine classics. How does this not return every year?

#11 – “Day Tripper” / “We Can Work it Out” – The Beatles (1965)

We have our final double A-side and second Beatles entry, with the next few coming really soon. I do like both of these songs a lot, but given how much analysis of the Beatles there is, for every angle of their discography, I’ll keep it brief, and none of these are or could even attempt to function as Christmas songs. The band promoted this single using performance videos, influencing the modern concept of music videos which would later become very important for several Christmas #1s long after, like “Bohemian Rhapsody”, “Earth Song” and another we’ll see right near the end. It’s a really effective double A-side too, as they are simple, soul-influencd rock tunes that play with their constant intensity in different ways. “Day Tripper” has a raw group vocal but a tight, one-chord riff and apparently, this particular version was chosen because it was the one take that didn’t break down entirely. “We Can Work it Out”, far from the drug-influenced lyrics of its counterpart, and probably my favourite of the two, is a personal song about an ongoing breakup of a close relationship, with a much gentler acoustic, jangly folk stroll as McCartney carols on optimistically that the relationship can be salvaged, with the desperate chorus repeating that title as a mantra until it quite frankly devolves into Lennon’s deathly waltz contemplating on mortality that itself derails with Ringo’s drum crashes before picking back up again. The intensity is instead spread out into the song’s enemy-of-momentum, stop-and-start structure in contrast to “Day Tripper” but both paint an image of guys drifting away from compassion and desperately wanting their perspective known and prioritised. Not my all-time favourites from them, well, “We Can Work it Out” might be close, but still great songs and possibly the best use of the double A-side on this list.

#10 – “Hello, Goodbye” – The Beatles (1967)

Straight into more Beatles, and despite being much later into their career, fully in their more complex and progressive, psychedelic years, it refuses to venture outside of its traditional pop qualities, in a demonstration of refrain to experiment that you wouldn’t get from the Beatles this late usually. To be fair, its B-side is “I Am the Walrus”, so perhaps a more conventional track was needed, yet in its constant repetition of the confused duality, becomes quite experimental as it has to rely on flooding the mix with instruments that carry and more often distract from the guys’ hurried abstractism, whether that be the array of strings, stray guitar slide or the rising guitar progression in the right channel – I wouldn’t be surprised if “Telephone Line” by the Electric Light Orchestra (#8, 1977) cribbed that from this, the two sound very similar, and it’s even more obvious when the Beatles have a layered harmony vocal to that guitar’s melody. Ringo has one of his more impressively chaotic drum parts on this during what I can only describe as a breakdown alongside a rawer, barely-verbal vocal rant, and the song in its very last moments decides to implode into a scattered military band rhythm with ad-libbing in abundance, which I’m disappointed fades out. Derivative it may be, and lyrically, it’s practically nothing, but it does act as a good send-off for the Beatles’ final Christmas #1 together as it has the simple and basic idea of their older tracks, but the complex, surreal approach to building off of it as their later albums. “Hello, Goodbye”, in all its whimsy, is like one of those older compositions through the dizzying lens of psychedelia, eventually becoming a cacophony that only the Beatles could really take to the top of the charts.

#9 – “Lily the Pink” – The Scaffold (1968)

There are three picks in this top 10 that would probably strike you as a bit odd, or even goofy novelty choices, and I’m not really going to sit here and defend them as anything else… okay, well, I will later on, but this one is definitely pure novelty and I have no real idea why this music hall pub sing-a-long resonated with me nearly as much as it did. The Scaffold was a silly Liverpool comedy troupe of entertainers, one of which, Mike McGear, was Paul McCartney’s brother, who released a few novelty singles, this being their most successful. I did listen to another, and it actually caught me so off-guard and made me laugh really loud when they interrupted their bizarre “Thank U Very Much” (#4, 1968) by abruptly bursting into singing the national anthem. Otherwise, I had never heard of The Scaffold before this list, and I’d never heard of this song or its subject, Lydia Pinkham, who in the 1800s marketed a herbal remedy for menstruation and menopause called “women’s tonic”, which sought to cure “hysteria” and “women’s weakness”. Mostly dismissed by medical experts, her “vegetable compound” did relieve stress even if not provably curing anything, and stayed on the market due to frivolous advertising and filling a void in the market for women who were struggling with periods and the menopause, with the adverts even claiming that the remedy made them better wives and mothers.

“Lily the Pink”, a variation of an American folk song, takes this to ridiculous proportions, with the Scaffold lads listing, over a percussive, military-esque rhythm, ludicrous responses to mundane problems that are all traced back to Lily the Pink’s medicinal compound. A song gaining this much cultural space in the UK is interesting to me, as it’s a North American folk song that probably reached Brits through the army, as it was reportedly sung on Pennsylvania universities as early as 1902, and brought to prisoner-of-war camps by Canadian soldiers. Nearly a full century after Pinkham first established her remedy in response to economic ruin, The Scaffold fuse the melody with then-topical pop culture reference (now flying right past me, though they do reference the Hollies – weird band to come up twice) and a uniquely British humour. If you have large ears, you drink the compound and you can fly, which doesn’t solve your problem, just makes you Dumbo. Similarly, the compound puts a guy who wouldn’t eat his meals in a wheelchair, strengthens the delusions of a senile Ebenezer, turned a stammerer mute, gave an old woman with arthritis just… more legs, and performed what I can only describe as instant hormone therapy to a girl with freckles. It’s such a dumb joke but it allows for enough absurdity alongside the drinking song chorus that it really chuckled me, I like thinking of all these case studies they bring up that clearly contrast with the falsified advertisements they sing about in the hook, declaring Pinkham “the saviour of the human race”. Much like “Ernie” after it, this also has a sudden switch in the bridge to a more barebones, piano backing as Lily the Pink, in regret for making bizarre inhuman creations out of mundane, everyday problems like Auntie Milly-Pede and Old Ebenezer, Emperor of Rome, drinks herself to death. It took me aback in the first listen when they go for a bizarre choral switch and even outline that when she got to Heaven, she brought her bloody compound with her, and after an exhaustingly-held build-up, we crash right back into the chorus because the angels in Heaven have problems her remedy can supposedly solve too. It strays away from the ribald or offensive nature of the military songs into a sanitised but delightfully surreal and jaunty bop that I know is a bizarre song to place this high, but it’s basically a cartoon in song form so me personally ranking it highly should not be a surprise.

#8 – “Don’t You Want Me” – The Human League (1981)

This and the next song are obviously classics, ranking highly thanks to being undeniable songs, but they also don’t need much further explanation, and feel almost like obvious picks. “Don’t You Want Me” by Sheffield synthpop act The Human League has one of the greatest choruses ever written, plainly, and a dominating synth buzz to accommodate it. It didn’t need anything else to go #1 but the deadpan delivery of the back-and-forth narrative in the verses, with both vocalists not particularly impressing anyone, and so much of the song being in a staccato rhythm you could basically speak outside of the most integral parts (namely, the “oh-oh-oh-oh”), makes it a prime karaoke classic that has sustained itself through the test of time. This is all in spite of frontman Philip Oakey thinking the song was a piece of filler that fans would be ripped off if they bought it unless it was attached with a cool poster. He was so tremendously wrong about that but the man put out “Together in Electric Dreams” with Giorgio Moroder (#3, 1984) so he can say whatever he wants.

#7 – “I Want to Hold Your Hand” – The Beatles (1963)

…Obviously, right? One of my personal favourite Beatles songs, there’s something irresistible about the jovial riffs and innocuous pleading of wanting to hold this girl’s hand, delivering that proposition as if it were the most consequential decision of their entire lives. There’s not much else to say, it’s pure bubblegum, but it’s damn good and definitely a classic.

#6 – “2 Become 1” – Spice Girls (1996)

I know, I know, I know how bad this looks. This over every Beatles song, and I’d love to tell you that it was close and despite how “I Want to Hold Your Hand” is very much one of my favourite #1s of all time… it really wasn’t close, I adore “2 Become 1”. I am a sucker for 90s adult contemporary, and this is fully in Babyface territory, so that could be why, but mostly I just think this one of the smoothest sex jams that has hit the charts, and like a lot of the best sex songs, ends up being about much more. Namely, this song has some wider depths to it, especially in the context of it being a Christmas song, as a general call for togetherness. Sure, the chorus is about making love, but it ends by asking you to set your spirit free, after verses begging you to free your mind of doubt, allowing yourself to become one with someone in a more spiritual way that I find intriguing as something they included. It doesn’t make the song more wholesome, necessarily, but it does take the sexual angle and expands it into a more constant connection that really speaks to me. “It’s the only way to be” – the song sees human collaboration, love and togetherness as some kind of ultimate goal and accomplishment that I find genuinely compelling.

Of course, that’s not the main purpose of the song, and it’s not to green-screen yourself into a New York timelapse either, it’s a gorgeous R&B song with every trademark of the genre in this era: the delicate percs in the drum loops, the constant underlying strings that swell in blissfully at the needed moments, stray Latin-flavoured guitar, and a mix that uses all available space, especially with layered vocal harmonies and riffing. One of the first songs to come from the girls, you can tell that the vocals are limited but, especially in the intimate verses, that’s for the best as you can hear the charm of these five young women coming into pop music with all the energy they did, even in what would otherwise be a laidback smooth jam. I particularly love the pre-chorus, where Baby Spice – sorry, Emma Bunton – tempts their partner but in a fun-loving way, like stop dilly-dallying, be smart, put a condom on and come closer. She even asks the mocking question of “Are you as good as I remember?”, but aside from Bunton and their general chemistry as a group, the other stars are Mel B, repeating that spiritual mantra through to the song’s end and Victoria Beckham, handling the first half of both verses with a cute, intimate delivery that fits like a glove on this cascading glade of an instrumental. Perhaps not explicitly a Christmas song but one that fits its ethos in part and absolutely, through all its glistens and twinkles, fits the sound.

#5 – “Only You” – The Flying Pickets (1983)

Bit of a weird one, and one I’m not 100% about putting this high, partly because Margaret Thatcher loved it, showing that music can bring us together, I suppose, but that doesn’t mean she’s not in Hell, just that her playlist wasn’t all trash. I do like the original version by Yazoo, which is decidedly similar and the song feels built for a male vocalist given how it was written by Vince Clarke and originally sang by the deep, bluesy Alison Moyet. The cute, synthy and simple track is full of bleep-bloops and a nuanced set of lyrics interpreted to be about Clarke’s split from Depeche Mode but out of context, are more like a half-whispered request for a lover to always be with them in spite of the distance they’ve had to hold and will have to if the recipient of the song isn’t as dedicated, which makes enough sense for a primitive synthpop already reliant on the powerful vocal, but would make even more sense if every part of the song was just a bloke.

Yazoo’s version was simply released too late (or too early?) to be a Christmas #1, peaking at #2 in May of 1982, but a cappella group The Flying Pickets took the mantle of releasing what is already a nostalgic song with plenty of twinkling instrumentation into its deserved spot of the holiday chart-topper. Further layers of vocal harmony are added to make this a really unique single of the 1980s, one that plays with the complexities of layering vocal take upon vocal take to simulate a song structurally, with each “bah” of the main backing arranged not only in perfect, intricate order but spread across all channels to make an immersive mix that, for 1983, strikes me as genuinely impressive, and it really doesn’t sound like a miraculous take either given all th affects like the intrusive sci-fi synth-bloops that commences the song after a faded rise into phased harmony. The first a cappella song to hit #1 ever, it’s an unusual one at that, feeling like a haunting church choir but also like it could have soundtracked Yoshi’s Island for the SNES. The devotion of the lyrics becomes a lot more tangible when the lead vocal is struggling to stand out amidst a sea of other voices he occasionally phases into, and that 80s production turns a cappella versions into something borderline surreal with the new “ba-da-da” refrains similarly skating across the mix hitting against a choral wave and powered by a finger-snap with so much echo that it flutters as a snip rather than a snip, gathering about as much strength as a fly against a window or a piece of paper thrown away. The sheer amount of vocals, presumably pitch-shifted in the rising bridge, is stressful, it’s more effective than the more mechanical synth production of the Yazoo version at making you feel just how intense this long-distance relationship has proven to be, but also how intense the vocalist’s personal love is in spite of it, travelling across a never-ending hallway of ghostly vocal channels. Much like “Lily the Pink”, I definitely did not come into this project looking to rank this one very high, but I think this is beautiful and, whilst most songs in this top five emerge from the same decade, it still deserves its spot here.

#4 – “Last Christmas” – Wham! (2023)

No, that’s not a typo. The Wham! classic only reached #1 last year, this being the #2 I teased from back at the start as I was discussing Band Aid. This is also the highest-ranking Christmas song on the list! Much like “Another Brick in the Wall” or “I Want to Hold Your Hand”, I won’t waste your time discussing the ins and outs of what may be one of the most famous and recognisable songs ever written and released, but I do have a unique angle here at least, because despite being about Christmas, explicitly, and having Christmas in the title and lyrics constantly, with gift-giving as a prominent conceit, I struggle to say “Last Christmas” embodies the warmth of Christmas. In fact, part of why I think it has become so popular in its resurgence post-George Michael’s passing, especially in the US where it wasn’t that big initially, is because of how cold and angry it can be, the kind of Christmas song that isn’t saccharine and ages well once the childlike joy of the festivity is gone.

Rather than anything all too jolly, “Last Christmas” is a scathing indictment of an ex-lover as not valuable and a waste of time. We may be forgetting when we sentimentalise this song that it is one of the bitterest post-breakup piss-offs in pop music history: “I wasted my time and effort with you, but now I see you don’t value me, so next year, I’ll run off and give my love to someone who’s actually worth any of my time”. The verses mostly describe, passive-aggressively, George Michael trying to avoid an ex-lover, and given he is the sole writer and producer of the song, you can tell this was cathartic for him, it really couldn’t have been anyone other than him selling this song. Sure, the 80s synthpop textures would have had a similar balance between the cold wintry outside and the gathering-around-the-fireplace warmth, especially with the sleigh bells, but the delivery of the lyrics may be the most integral part of this song: genuinely every single inflection in the verses is perfect. The switch between drawing out the notes of “Once bitten and twice shy” versus the staccato delivery of “You still catch my eye”, the whispered “Happy Christmas” in the first verse building up into a half-belt, the comical aside of “it’s been a year, it doesn’t surprise me”. He finds a new way to emphasise the drama and betrayal of “You gave it away!” in the backing vocals each chorus, the layering of the vocals in the second verse getting so intense that its residue crosses over into where the next line would be, making it so that him finding a new love actually comes with the literal passage of time, it’s brilliant. The change of “You gave it away” in one of the final choruses to “You gave me away” is what takes it over that last hump: it’s not about Christmas, it’s about humans valuing each others’ time and effort, and the pain, even in this decorative synthpop sound, is audible. The attention to detail with the vocals following the narrative is really something that I had to notice after years of listening to the song and it clicked with me why and how it worked all these years without getting old: it’s really a universal feeling of wanting to be cared about that can never disappear once the naïve wonders of the holiday do. If there’s a sentiment that always follows Christmas, regardless of age, it’s the knowledge that people, in spite of everything, do love you. Both that sentiment of unconditional love and attention to detail, as well as nearly everything else considering it’s another 80s pop duo, carries on into our next song, the highest song on this list to have reached #1 in its year of release.

#3 – “Always on My Mind” – Pet Shop Boys (1987)

My favourite Pet Shop Boys song is “Suburbia”, but this is a close second, and it may take a while to explain why. This song originates from Wayne Carson, who had the song in writing development Hell for a good amount of time, with the three exhausted songwriters eventually all finishing it but initially, to no success. Carson has said to the Los Angeles Times that he was a burden in the recording studio constantly working on it, with the song’s main conceit being: “It’s sort of like all guys who screw up and would love nothing better than to pick up the phone and call their wives and say, 'Listen, honey, I could have done better, but I want you to know that you were always on my mind.'” Originally a country ballad, the song’s backstory is from when Carson had to phone his wife that he needed to be in Memphis for longer than he was intending to, and how “irate” she was about that, and there’s something really heartbreaking about the distance there: Carson gives this excuse that is intended to reassure her – “I was thinking about you all the time” – when it’s his presence that actually matters. He can phone in and say that all he likes, but he’s still not there and since he’s so far away from her, he can’t exactly understand how much that matters and how meaningless of a statement that is. In 1972, the song would eventually find its hit-making vocalist in Elvis Presley (#9, 1973), and then this cover version has a perfect storm leading up to it.

Elvis’ version never hit #1 in the UK but, thanks I’m sure in part to the Pet Shop Boys’ version, it is Britain’s favourite song of his, according to ITV’s 2013 poll. The admiration for this song runs deep, partly because it’s simply been performed incredibly well three separate times by big-name artists and I would like to say partly because of how each performance exacerbates the labour that was involved in making the song. Willie Nelson won a GRAMMY with his version (#49, 1982) and deservedly so, his version is probably my favourite of the sentimental country versions, and was produced by Chips Moman himself, who owned the studio Carson was staying at a decade earlier trying to finish the song. In 1987, ITV commemorated 10 years since Elvis had died with a television special featuring covers of songs he made famous by then-contemporary acts, with one of those being the Pet Shop Boys – the reception was so positive that it was released as a single and edged out The Pogues’ “Fairytale of New York” (#2, 1987-8) for the top spot. If that did hit #1, it would be right above this one, by the way, look at that Christmas top 10 if you get the chance, it is unbelievably stacked.

This new hi-NRG version from the Boys is my favourite, and that comes mostly from the loose interpretation of it as a synth-heavy dance track that chugs along with the beeping drum rhythm and overwhelming synth horns that crash into the mix. To do electronic sound design this immersive and detailed before widely available DAWs, again, strikes me as genuinely impressive, and Neil Tennant turns the guilty admissions of Carson, Elvis and Nelson before him into flailing desperacy – he longs to reassure that he was always thinking about his partner that he could have treated the way they deserved, but the driving synthpop backing beat is actively taking him away, driving him off in a car that eventually fades out alongside the entire mix, accentuating just how likely that sentiment is to be caught on deaf ears. It’s a risky choice to update the song this drastically but it elevates it to such a grand electronic statement of unmet promises and may be the best send-off to the big 80s sound on that ethos alone. This is not really a Christmas song in any way, and no, neither are the two upcoming songs, which I say despite the first one being quite literally the year before.

#2 – “Reet Petite” – Jackie Wilson (1986)

Jackie Wilson was a wild guy. He was an ex-boxer by his teenage years, first married at 17, had a shit-ton of kids, got shot in the stomach by a crazed fan and/or ex-girlfriend depending on whose story you believe, and evaded more taxes than Jimmy Carr. His performances were a frenzied workout sesh that in the 1960s, probably felt like you were watching time speed up in front of you, he was truly one of the first to live the stereotypical “rockstar” lifestyle. He was the nightcore version of himself, and by Christmas 1986, he had been dead for two years, having long been incapacitated since he collapsed on stage in 1975. So how’d it go #1 in that year’s Christmas season?

Firstly, it’s timeless, and Wilson’s role in popular music is probably a lot more important than is given credit. Not only was he a genuine menace on and off stage in a way the tabloids post-Beatles would have a field day with, but this song funded one of the most important moments in popular music: the Motown moment. Originally released in 1957, you can accredit some of (also an ex-boxer) Berry Gordy’s cash and cred to him co-writing this song, and many others of Wilson’s catalogue, back when he started in the industry. Sure, there would be songs more seminal and integral to the Motown story, but this was the first ever successful single Gordy wrote: it kickstarted the venture that would lead to some of the most important pop, R&B and soul releases in the history of pop music, and soundtracked the civil rights era, allowing for further integration of black art into the industry and popular zeitgeist. I’m not saying Jackie Wilson started all that, or that this silly song about a girl is why Michael Jackson exists, but I really think we should give “Reet Petite” its flowers for that, and also maybe the fact that it’s a massive banger! At less than three minutes, it wastes no time with its lovestruck nonsense lyrics closer to jazz scatting and sound effects than what Motown would eventually be known for, as well as the dynamics of this racket of a song. 1957? I would have a Goddamn heart attack if I was a record executive hearing this in 1957, with those blaring horn stabs and pointless doo-wop harmonies that seem to be there to bring the chaos down to earth but actually just make it more of a cacophony. He rolls his R’s like he’s the Eisenhower-era Desiigner (could be related for all we know, he got around), and his performance is not crazed as much as it’s just infatuated, full of hooks and gut reactions to seeing what must have been the cutest girl of all time if it made him sing like this. Oh, and it hit #1 in 1986. Let’s explain that one.

So BBC Two had a documentary series called Arena – still has, apparently – but I’m not familiar with it outside of the fact that it had a sequence by Giblets that featured this song. It must have been a weird tone shift because high-art documentaries seem to be that show’s bread and butter, and this was a grotesque Claymation music video for a dusty, greased-up wolf-with-eyes-bulging-out-of-his-head tune by a dead guy from 1957. It ends up portraying the guy as a baby, going completely weak and head over heels for said finest girl you ever want to meet, and yeah, exemplifies the song’s character perfectly. The single got reissued posthumously and it hit #1 because this was basically a viral, fan-made animated music video in 1986, that is insane. The amount of tiny little influential and ahead of its time details that exist about this song, its story, its rise to #1, should be something of legend but I don’t see it discussed nearly enough. I want to change that.

So that was a long ramble. It’s not as long a ramble as I’m going to grant the #1, because it should be obvious. There’s been some trash heaps here – culturally degrading charity singles, manufactured trite, songs that just don’t work for me personally – but also some absolute all-timers, from iconic songs reigning as classics that I don’t fully get the appeal of to some of the most influential and undeniable records ever written and released. And Hell, one man’s trash is another man’s treasure, you can have tons of disagreements with my list placing, and I fully expect that, music is wonderful like that. I don’t think there’ll be anyone who does not understand where I’m coming from with this one, though. Say it with me: Motherfucker.

#1 – “Killing in the Name” – Rage Against the Machine (2009)

Everyone knows the story by now, right? It’s almost cliché. Jon Morter, who is a genuinely interesting anti-corporate campaigner, was sick of those X Factor tracks hitting #1, and so was his wife – LadBaby, eat your heart out – so the couple made a Facebook page campaigning for another, less politically correct, less radio-friendly track to hit #1. So we sent one of the greatest middle fingers to authority and police brutality of all time to #1 years after it first peaked at #25 in 1993. Even better, Simon Cowell himself disproved of the campaign… and it gathered even more support as a result. Rock legends got behind them, it gathered more support. Rage go on BBC Radio to perform the track, Zack de la Rocha says “fuck” damn near 20 times, it gathers even more support. It eventually sold 500,000 downloads, with thousands of proceeds from the campaign going to homeless shelters. But I bet you don’t hear Tom Morello and Jon Morter doing soft-ball interviews bragging about their achievements on the radio, desperately keeping the charity in their mouths so it doesn’t seem like they’re gleefully parading in the fame. They let the moment happen, and it was a kickass moment. Why didn’t we send rap metal to the top every year? “Sabotage” (#19, 1994) the next year, “Break Stuff” the year after, it would have been special, guys. I’m just saying.

Ultimately, I don’t have to explain “Killing in the Name” to you – you’ve probably heard it, and you haven’t, just listen to it and you’ll get why it’s up here. You may think it’s silly, immature or even cynical to put a song that spits in the face of what a Christmas #1 has evolved to mean at the top of this list. Understand, however, that if anything, that’s what makes it so great: strip away your connotations of what a Christmas #1 should be or sound like, or Hell, what a #1 hit in general should be willing to tackle, and just focus on what it is: the song people are listening to. The song the public like the most at any given time. Isn’t it incredible that we all collectively seized control of what we earn from capitalism, we seized control of the shape an abusive web of industries takes to convince us there’s any real value to it, we seized control of the industry, to completely reject it, even if just for one week? But hey, if you’re still not convinced and think I should have put Westlife up here instead… fuck you. I won’t do what you tell me. Jedward were on the side of the people! Thanks for reading, long live Cola Boyy, and I’ll see you in the next episode!

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Just kidding.

#1 – “Mr Blobby” – Mr Blobby (1993)

Blobby supremacy, everyone! One nation under Blobby. Praise Blob. Glory to our gracious Blob. Blob Save the King… who is also Blobby. Merry Christmas.

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