#ahn so mi

[dreamsandstars24]

nIGHT HAS COME-EPISODE 7,8,9,10 AND 11 (PART 1)

EPISODE 7 (Up there)

EPISODE 8 UP THRERE - I promise this is not a BL.

[somewhatavidreader]

"Actually I don't know what I really like. But I like everything that you give me."

Ahn Yeon Sun as Lee Re

Park So Mi as Jung One

SHE MAKES MY HEART FLUTTER (2022), dir. Soo Not Sue

[kdram-chjh]

Kmovie: Train to Busan (2016) | dir. by Yeon Sang Ho

Train to busan Gong Yoo and Ma dong seok 💔 sad status #shorts

Watch this video on Youtube: https://www.youtube.com/shorts/NH6XZQdjdOI

[sqjxnnie]

night has come icons

✰ please, like if you save

[gaymer-hag-stan]

Oh my god Sunmi is hanging out with Sohee!!

[rainsrecords]

"do you know why people have different faces?"

"so they can live different lives." "live the life you wish to live, ha-eun. thats my dream"

[trendingdrama]

“ You said the sun can shine brightly because of the shadow.Even though they can't become one,the shadow is always there in the distance, so the sun was never lonely, and is able to shine.Working on the drawing you left behind,I'm always reminded of that.”

소울메이트 / SOULMATE(2023) // Dir. Min Yong Keun  

[offbeatcappuccino]

nothing is more serious in life than female friendships ~ soulmate movie analysis (not spoiler free)

The first scene of Soulmate opens up with an early thirties something Ahn Mi So (Kim Da Mi) carefully observing a hyperrealistic portrait of her. She is informed by the curator of the art gallery that the piece was submitted by an artist named "Ha-Eun" for a contest but they have been unable to track her. Despite the evidence that is provided to suggest that Mi So and the artist are close friends, she denies this claim and states that she can be of no help.

We are then transported to Mi So's childhood and her first day at an elementary school in Jeju. Mi So has a dysfunctional relationship with her mother and is tired of having to constantly move from one place to another due to her mother's financial woes. It is on this day that the young Mi So meets Ko Ha Eun ( Jeon So-Nee) for the first time. After an eventful day of rescuing a kitten from the pouring rain and having dinner with Ha Eun's family, both girls embark on a lifelong friendship.

The two girls grow up together and bond over their mutual dream of painting and traveling the world. However, Mi So and Ha Eun are poles apart from each other. Ha-Eun is reserved and proper and grows up in a stable loving two parent childhood. She aspires to attend college and her father wishes her to become a painter. On the other hand, Mi So is extroverted and wild. She's a free spirit with an estranged mother. She dislikes school and unlike her peers, she attends a trade school by day and works an assortment of part time jobs to support herself. The idyllic friendship and inseparable bond of both girls is disrupted when Ham Jin Woo (played by the ever so handsome Byeon Woo Soek) enters their lives.

As teenagers, Ha Eun develops romantic feelings for Jin Woo. During a soirée, she and Jin Woo confess their attraction for each other during a game of "Go Stop" and they both end up dating. The dynamics between the three individuals is complex and a significant turning point in their relationship is when the three go on a forest hike to a wishing well. Ha Eun bruises her feet during the hike and stays behind as Jin Woo and Mi So continue their journey. At the well, the two unexpectedly share a brief kiss and Jin Woo ends up giving Mi So the necklace he was wearing, which is really an amulet to protect the wearer against misfortune.

Shortly after this trip, Mi So abruptly leaves Jeju for Seoul, leaving Ha Eun heartbroken. As the two girls wave their final farewells, Ha Eun is stunned to find her best friend wearing her boyfriend's necklace. Her grief of Mi So's sudden departure is overcome by a strong sense of betrayal. The rest of the film is a non-linear and sometimes alternate timeline depiction of the two friends as they navigate their relationship with each other and adulthood.

At its core, the relationship between Mi So, Ha Eun, and Jin Woo is essentially a love triangle, but its far more complicated than the two girls both being in love with same guy. I believe that both girls are physically attracted to Jin Woo, but they are actually truly in love with each other. What drives the conflict in their relationship is not only how far they drift from each other when their realities do not align with their ideals, but also the mutual possessiveness for each other. One scene that strongly propels this narrative is when the two reunite in their mid-late twenties. During a coincidental run-in with Jin Woo, Mi So discovers that her boyfriend/boss unalived himself and wasted all of their money before his death. Heartbroken and bankrupt, Mi So ends up living with Jin Woo and the two rekindle their "attraction" for each other. When Ha-Eun catches them living together, she angrily locks Jin Woo out of his apartment and confronts a drunken Mi Soo in the bathroom. Initially, it seems like Ha Eun is upset that her best friend and lover are having an affair. But, we realize that its so much more than that when Ha Eun emotionally confesses that before any men came into their lives, she was the one who loved Ha Eun. Ha Eun loves Mi So so much that it was absolutely devastating for her that she was kept in the dark and replaced by Jin Woo during a critical period of Mi So's life.

Though Soulmate has a fairly simple premise and short runtime , analyzing and discussing the film can be an arduous task because of its unconventional approach to storytelling and the many layers that are interspersed within it. However, if there was something that captivated my attention, it was the role of art in the film and the larger role it plays in shaping the protagonists' behavior. Both women are artists, but their styles are vastly different. Ha Eun relishes in hyperrealism and looks at it as a form of emotional truth seeking. We see this first during her first date with Jin Woo when she tells him that she has to draw him in order to confirm her feelings. Additionally, when she discovers that Jin Woo does not view her artistic passions as more than a hobby, she realizes that marrying him will also result in her being detached from reality, particularly her true identity. It was perhaps the first wake up call of many that ultimately led her to leaving him at the altar later in the movie.

On the other hand, like Mi So, her artistic style is eccentric and fantastical. Her work is more abstract and likened to that of Picasso with her often opting to offer more distorted versions of her subjects instead of making them appear as real as possible. Mi So adopts a similar approach to life as we see her often resorting to fabricating her life rather than telling those around her what her true circumstances her. As a young adult, Mi So sends optimistic and exciting life updates to Ha Eun in the form of letters but fails to include the mundanity and difficulty of her working an assortment of part time jobs or that the boyfriend she left to Seoul with ended up cheating on her. For me, it was even questionable if she truly traveled to Europe and that the gifts she brought were from there ( but I could have truly misunderstood this). Mi So's fabrications take a life of their own after she adopts Ha-Eun and Jin Woo's daughter after Ha-Eun's death from childbirth. This is seen in not only how the screenplay shifts from alternate timelines- one that is fake and one that is real, but also in how Mi Soo hides Ha Eun's death from the rest of the world not only by hiding the fact that she died but also by completing Ha-Eun's half finished portrait and submitting the very work she was questioned about in the first scene under her friend's name.

I don't think its far to brand Mi So as a liar and a con-artist, but I think her actions reflect her desperately clinging to and nurturing the existence of Ha-Eun even if she may no longer be physically present. It made me really think about who a soulmate really is and how the souls are always interconnected even when their bodies may not- much like the reference made in the film to how a shadow is always present when the sun is around.

Soulmate is one of those films that feels like art that needs to be treasured in a museum. It's meant to move its viewers rather than entertain them.

[dreamsandstars24]

Night has come- Episode 5 and 6 (INCLUDES SPOILERS)(WARNING: LOOOOOONNNGGG RANT AHEAD)

AGAIN, this post includes spoilers (All my posts do) so if you haven't seen this episode, I recommend not to read this post.

However, if you want to know just how bad your mind will be mess up, you are welcome to stay.

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First of all

I had this very interesting post that I was about to post in which I explained how the girl with the ax in the intro was Lee Yoon Seo, and now I see that it was a good idea not to post it because it would have made me look stupid considering what happened at the end of episode six.

So, that saved me.

EPISODE 5:

A FREAKING ROLLERCOASTER.

It was kind of obvious that Park Woo Ram was Mafia but the way it was delivered? that was unexpected. But let's not jump ahead of the whole kidnapping/dividing thing, because WE NEED TO TALK ABOUT IT.

I, for once, knew Go Kyung Jun was going to be a pain in the butt but I will not take away the credit for his intelligence.

Like, the way he was right about who was the mafia? That was detective work right there. The way he delivered the confession? I won't lie, torture is a good way to make someone confess to something you had no part of but Woo Ram was mafia.

THE TORTURE:

I am sure Kyung Jun is a citizen. I have no proof but I have zero doubts. But, I do think that he'll be able to kill somebody if it means protecting himself or someone he cares about.

As it was shown in episode 5, he tortured Woo Ram to get a confession out of him, and as an avid reader of mafia romances -and currently writing my own, if I may say- the way he managed the torture was exceptional.

Tumblr don't flag me, but a girl has to admit when torture is on point, and this one was. It wasn't the physical torture that surprised me but the psychological. The way he would smile in a clear way that showed he didn't care about making somebody suffer was the CHERRY IN TOP OF THE ICE.

(And if I may mention, he is very cute.)

However, every bad character has a soft side and as we saw when he locked himself in the canteen, he started crying because he caused someone to die, and he tortured someone and everybody hates him so that ought to hurt.

THE SECRET PATHWAY:

When I tell you my mouth went

I have a feeling

AND THIS IS A VERY IMPORTANT FEELING

That the ghost is trying to help Yoon Seo, as a matter of fact, I don't even think Woo Seok is dead but I'll dive into that theory later.

What I mean by the ghost trying to help Yoon Seo, I mean that the ghost seems to be leaving clues for her to find. Why is the ghost doing this? I don't know but I'm sure they are connected somehow.

When Yoon Seo found the secret room, I have to admit I was a bit disappointed in how she didn't stay longer to investigate.

Girl reads crime and mystery novels, and she just looked for a bit and left.

If that had been me? I would have looked through the freaking cameras in the room to try and find out who was the mafia (We know who is the mafia, we are expecting the results) but she just left, so that was a bit disappointing.

I feel the ghost is making every clue obvious for her to find because she is not looking properly. You would expect her to be more invested into the whole thing but as of right now the only thing she has found was how the second body didn't had defense marks and the black light used to look at the door.

The door was obvious, it was not as if someone could break a door open like that with the power of hate.

However, everything else has been the ghost doing. Finding the entry to the secret hall? The ghost pushed the boxes.

The picture? The ghost had to put a light on it so she would actually find it interesting.

The exit? Again, the ghost had to say "Girl, it's this way" and I find that hilarious.

The ghost is carrying the show.

THE GAME:

This game is cheating in the most awful way possible. Like, it is legal for someone to not vote! But the game changed the rules and now they either vote or die.

As I approach the ending, I am allowed to touch the rules of the game.

Everybody must vote. As we saw in episode 3, the consequences are catastrophic. Great way to get rid of most of the cast.

The game must take place inside the designated zone. I am not a tech wizard but there must be some kind of sensor that alerts whoever is controlling this game when someone steps out, right?

If two people have the same amount of votes, then the voting has to be repeated and if it happens again, then they all die.

The third one was genius. Like, I can't find any crack in the rules and that is amazing and frustrating.

and finally,

what we were all expecting,

Woo Seok dying:

This was sad, and it probably hurt me more than it hurt Yoon Seo

BUT

I don't think he is dead

Like, sure. His head did the ringing of possession and his eyes went white but I don't think he died.

I think he is alive

I think he is not a mafia

I think he is controlling the game

GOSH, IT FEELS GOOD TO SAY IT.

Why do I think he is not dead?

All the other deaths have been very gruesome

(This is just an example, I won't put all of them)

Even the ones with the pillow and the curtain were gruesome and awful but Woo Seok?

Look at that

His head is not even underwater,

his body is not belly down

he is just there

floating,

like a water lili

He looks like a model.

So I don't think he is dead

Him dying defies the purpose of the whole show

He wants to protect Yoon Seo and dying won't grant him that

Now, if he is actually dead then that was a stupid move from the producers but I'm sure we'll get our plot twist.

KIM SO MI:

We all knew she was mafia.

We all know she wants to survive

But she is a psycho

Like, real psycho

Why all of them thought that leaving the ax out while there is a killer on the loose was a good idea, I don't know, but she has it and she has a victim in mind.

The end of episode six clearly shows her about to slice Yoon Seo open, but the the screen goes dark and she screams

And I don't think it was a scream of "Getting ready to kill you in the most awful way possible" but I think it was a scream of "Something is awful and I am about to die."

I think the ghost showed up, or the doctor/police stopped her

It may be hopeful thinking, but I think she is dead

like, really dead.

Yoon Seo can't die. She is the main character and even though kdrama writers and producers are fond of killing the main characters (we all know what I mean) killing Yoon Seo would be a stupid move.

Yoon Seo remains alive, So Mi? I'm not sure.

Now, this is not a point but just some questions and theories I have.

Why is Oh Jung Won so protective of Yoon Seo? I mean, I would also defend my best friend with my life but the way Jung Won is so protective makes me think there is something else happening here.

Jin Da Beom. He is one of the main characters. Why is he a main character acting like an extra? This is annoying me.

This may be random, and this is me being crazy but I am SO SURE that if Kyung Jun and Yoon Seo joined forces, they would find the mafia.

Besides, the way he only stops when she speaks? I may romanticizing stuff but you don't join kdrama land while being sane.

You are welcome to call me out in something I may have mistaken, and you are welcome to share your theories with me too!

Until next episode.

[pursemongerstuff]

I’m getting real pick-me girl vibes from Mi-gyeong. She comes off as friendly and generous but when you look at her actions as a whole she’s really sus and manipulative. 

She definitely seems like the ultimate frenemy. Part of me thinks the reason she befriended Su-young was because she wanted to be part of the “pretty girl” clique. If people were going to compare the two, Mi-gyeong knows she will come out better because of her background. From her perspective she might think she is being genuine in having Su-yeong a friend but the way she is constantly but subtly reminding Su-yeong of her wealth is telling. 

Casually giving her a Dior bag  seems nice but someone with money should know that it can make the recipient feel bad. The most interesting thing was the painting. It feels as if she is saying, I can afford what you want easily but to me it’s only worth being in the bathroom. 

It was weird that she asked Su-yeong to ride with her to the mountain and then asked Sang-su to drive them both.

But I think she wants to remind Su-yeong’s that they are together because she thinks Sang-su is interested in her. She's too smart to be so oblivious to how awkward the people arond her are.

The most significant thing to me was when she was meeting with her mom at the bank.

Her mom told Mi-gyeong she was taking credit for Su-yeong’s work and she denied it. Mi-gyeong felt ownership over and entitled to take credit for the project. She only admitted this only privately to her mom because publicly she was very apologetic to Su-yeong. She wants to keep her nice girl image up.

Mi-gyeong seems genuine in her pursuit of Sang-su but she really pushes his boundaries and comes off as really needy and clingy. 

The timing of the selfie and subsequent kiss was deliberate. She knew two of their co-workers were coming back their way and chose that moment to take a selfie and kiss him. She wants their relationship exposed so he will feel pressured into staying with her and Su-yeong will always be reminded that they are together. 

I could be totally wrong about her character and part of me hopes I am. 

[adamwatchesmovies]

Train to Busan (2016)

Train to Busan makes great use of the familiar elements of a zombie movie by centering its plot on a single location and injecting societal commentary into its plot. While this 2016 horror film does not reinvent the wheel, what it does, it does well.

Seo Seok-woo (Gong Yoo), the divorced, workaholic absentee father of Su-an (Kim Su-an), agrees to bring his daughter to Busan so she can visit her mother. Onboard the train, a young woman suddenly bites one of the attendants. Soon, an infectious disease has reduced most of the passengers to gnashing ghouls. Those who remain must work together to survive.

After introducing Seok-woo and Su-an at their home, nearly all of the story takes place inside the titular train to Busan. We get a couple of stops along the way but these are at a train station and at a terminal, which are extensions of the train itself. On top of the usual fears of having to face possessed loved ones and rampant infection, we also deal with claustrophobia. The space inside the train is already small and it keeps getting smaller. When someone becomes infected, everyone rushes to the next compartment and blocks the entrance. The safe space has shrunk. Sometimes, people are forced to hide in the tiny bathrooms, holding the door shut as best they can while fingernails scrape the other side. The limited space and ressources requires ingenuity - both from the characters and the filmmakers. This is one of those movies where you can tell writer Park Joo-suk sat down and wrote every aspect of the train he could use. Tunnels, the bathrooms, luggage, doors, passengers, etc. You feel a certain satisfaction whenever he ticks off one of these boxes - you were just wondering how the characters would deal with X. They need to use their wits to survive and you’re glad to see that they’re all pretty sharp.

You can also tell care was put in the writing by the number of well-rounded characters. Not everyone gets equal amounts of screentime but you get to know many passengers. They’re not just bodies waiting to get infected. There’s character development and growth. You understand what makes these people tick. This is also where the movie injects some commentary about our society (or Korea’s, I guess). If there’s an antagonist - besides the zombies - it’s a rich businessman called Yon-suk (Kim Eui-sung). You can see he might represent Seok-woo's future. Both are well-paid tie-wearing men who are all about their jobs, and nothing else. Both are disconnected from the world, as evidenced by their treatment of the other passengers. Unlike the altruistic blue-collar Yoon Sang-hwa (Ma Dong-seok), they hesitate to help anyone. With his relation to his daughter already strained, you can picture Seok-woo becoming exactly like the older man - and you hate that guy. He’s a worm but he’s also got power. The attendants and the train’s captain all turn to him - the rich guy - rather than the common people when a crisis arises. They don't realize he only cares about himself. Everyone is scared but his fear threatens to doom everyone. We’re used to this idea that “the worst monsters are the people” in zombie movies so it doesn’t feel out of place, and it gives you something to think about too.

The picture maintains a steady level of suspense throughout. Whenever you get a reprieve, it’s either to set up somethig even bigger or allow you to get to know the characters. Now that you care about them that much more, the stakes feel bigger than before. The body count grows, the number of people shrinks, those who remain you’re even more determined to see survive. Best of all, you’re not sure who will make will live and who won't.

Train To Busan is one of the better zombie films in recent years. It’s got the right amount of gore and suspense to keep horror fanatics happy and it shows restraint when needed to make it nice and accessible to the rest too. (Original Korean with English subtitles, April 2, 2021)

[kdram-chjh]

Kdrama: The Good Bad Mother (2023)

Suddenly she became a grandma 🤗 💞 The Good Bad Mother kdrama #shorts #thegoodbadmother

Watch this video on Youtube: https://www.youtube.com/shorts/RuJh-wknBS4 

[gaymer-hag-stan]

On the 22nd of September, sixteen years ago, Wonder Girls released their first EP, "The Wonder Years - Trilogy."

"The Wonder Years - Trilogy" features the hit single "Nobody," which became one of their most iconic songs and helped popularize K-pop internationally. The album blends retro pop and Motown-inspired sounds with catchy hooks and choreography, marking a significant moment in the group's rise to fame. It is part of the "Wonder Years" series and solidified Wonder Girls' status as one of the leading K-pop acts of their time.

[anditendshowyoudexpect]

haha i've just recognized the king's concubine

srsly tho these royals are so useless

[namjhyun]

DRAMA REVIEW | Not Others (2023)

This drama was a pleasant surprise. It's not that common to see a kdrama that has as leads a single mother and her grown daughter, mostly because of the stigma this kind of family stills carries in South Korea.

Thankfully, Not Others manages to not make it all about the stigma of teen pregnancy or single motherhood, it finds a good balance between every day life events, criminal investigation and rom-com. Particularly because Mom and Daughter are so unbothered by it that they carry on with a "it sounds like a you problem" when someone points out they are, within their society, wildly unconventional.

At the heart of it, there's a story of two women making their way in the world through hardships, love and growing pains. About how it's possible to choose your family and make that unit be whatever you want, not what it's expected.

My favourite part of this drama was the performances. Jeon Hye Jin and Soo-young shine as the outspoken Mother-Daughter duo. Their characters are kind, smart and brave about their life choices. They have great chemistry with each other and make you feel everything.

The rest of the cast delivers solid support. Kim Hye Eun plays the rich, cool aunt and she's a hoot in every scene she's in. Park Sung-hoon in a great counterpart for Soo-young and Ahn Jae Wook delivers as the lovable fool supporting whatever his ladies wish for.

There's also a murder mystery surrounding the central story that manages to keep it all very centered and makes all the characters interact with each other making their world better developed.

Don't miss out on this found family! Their affection it's the real deal.

[urlittlebeyond]

"Nobody loves you like I do"