#agguire

[reflections-in-a-critical-eye]

Have you seen What’s happening with it ends with us Justin Baldony/Blake Lively/Ryan Reynolds saga? I haven’t read the book, not planning too. I was little bit interested in the movie. Are you planning to watch it? Have there been any stuff like that between costar and cast in a movie before?

Hello, hello @5813!

Yes, I am aware of the supposed feud going on, but I don't have an active interest in it, all I know is from what I see on twitter. From what I can tell, there were creative differences between Baldoni and Lively and it has been reported that there are two cuts of the film: the director's version and one commissioned separately by Lively and her husband. That already sounds like a mess.

Of course people online are taking sides and so far Blake Lively's image doesn't look that good. Weeks ago when Deadpool and Wolverine came out, there was a lot of noise about how Reynolds is not only a bad actor, but an asshole too. Now Lively is getting the same treatment, with a focus on her superficiality on the press tour and pseudo-feminist rhetoric that is not even used to the max for the promotion of the film. Oh, and her getting married on a plantation which does not help her case right now.

I don't plan on watching the film, nor read the book. It is far removed from my taste.

As to similar feuds, oh, there's plenty out there. Especially in Hollywood.

A recent juicy one that actually got me invested was the Don't Worry, Darling drama between Olivia Wilde and Florence Pugh.

I know Polanski and Faye Dunaway didn't get along on the set of Chinatown. Hitchcock made unwanted sexual advances on Tippi Hendren when she filmed The Birds and Marnie.

A really famous one is the feud between Werner Herzog and Klaus Kinski on the set of Agguire, Wrath of God. They had worked together before, but the filming conditions in the jungle and everything else that took place really brought everything to a boiling point. Urban legend or not, it is said that the extras at one point told Herzog that if he wants, they can have Kinski killed. Both of them were mad.

Ooh, Bette Davis and Joan Crawford is one really famous Hollywood feud. I think there's even a tv series about that. They also did Baby Jane together.

[sabrnas]

@.𝖘𝖆𝖇𝖗𝖓𝖆𝖘   […]   an   independent   ,   highly   selective   ,   mutuals   ＊&   18+   only   interpretation   of   𝒔͟𝒂͟𝒃͟𝒓͟𝒊͟𝒏͟𝒂͟   ͟       ⁽    ᵛⁱᶜᵗᵒʳⁱᵃ   ᵈⁱᵃⁿᵃ   ��ᵈʷⁱⁿᵃ       ⁾   𝒔͟𝒑͟𝒆͟𝒍͟𝒍͟𝒎͟𝒂͟𝒏    ̵𝖒̵𝖔̵𝖗̵𝖓̵𝖎̵𝖓̵𝖌̵𝖘̵𝖙̵𝖆̵𝖗̵    of   netflix's   the   chilling   adventures   of   sabrina   (   𝖈𝖆𝖔𝖘   )   ,   removed   from   canon   ＊&   interwoven   into   the   world   ＊&   lore   of   𝖠𝝡𝗘𝙍𐌉Ⲥ𝖠𝖭   𝘏𝝤𝙍𝙍𝝤𝙍   𝗦ꔋ𝝤𝙍𝝪   :   coven/apocalypse―   extremely   anti   r.   agguire   sacasa   ＊&   ry.an   mur.phy   ,   practically   written   as   an   original   character   .   𝖎͟𝖓͟𝖙͟𝖗͟𝖎͟𝖓͟𝖘͟𝖎͟𝖈͟𝖆͟𝖑͟𝖑͟𝖞͟   𝖆͟𝖋͟𝖋͟𝖎͟𝖑͟𝖎͟𝖆͟𝖙͟𝖊͟𝖉͟   𝖜͟𝖎͟𝖙͟𝖍͟   :    @nikohlas    ,    @beloath   (   salem   saberhagen   )   ,   @desensitive    (   rosalind   ❝   roz   ❞   walker   ＊&   amanda   wiccan    )   ,    @nghtmarish    (   frank   morrison   )   ,  @griefkill    ,  @mccklynaive    ,   @tba    . 

ˡ   ˡ   ˡ   ˡ    [   ⁰¹   ].   carrd   (   coming   soon   )    [   ⁰²   ].   aes   sideblog   (   coming   soon   )    [   ⁰³   ].   pinboard＊&   playlist    [   ⁰⁴   ].   promo   .

⭑   ⛧   𓉸ྀི    𝙰   𝚂𝚃𝚄𝙳𝚈   𝙸𝙽   :    as   clever   as   the   devil   ＊&   twice   as   pretty   ,   back   from   the   dead   ,   being   a   part   of   two   worlds   ,   the   go   getter   girl   ,   the   spoiled   sweet   ,   the   femme   fatale   ,   going   to   the   ends   of   the   earth   to   bring   back   your   love   ,   class   princess   ,   girly   girl   with   a   tomboy   streak   ,   witchy   woman   ,   half   angel   half   hell   ,   ＊&   more   tba   .

[fififeelsmellow]

Ok a little pearl next door ep 5 review:

I'm so glad Karleen told pearl about herself and her problem and the fact that pearl finally acknowledged Alex.

Karleen deserves her happiness and a chance too ( even tho I'm a pearlex stan)

And Fonzy omg FONZY he deserves to be with someone who likes him and allow him to just be himself instead of his bro persona ( I think they're going to make the BRO dude have a little chance or we are getting a love rival)

Now on to things that I will 😤😤

- the random Karleen insta story thirst trap😤😤 ma'am this is a Wendy's

-Alex Aguirre

-Alex Aguirres arms 😤😤

-Karleen being an absolute babie🥺🥺

[scarlet--wiccan]

AKIHIRO & SOMNUS in Man of His Dreams; illust. Agguire

fan edit & recolor

[mildblack12]

La Liga Akan Bergulir Lagi, Seminggu Digelar 2 Kali

La Liga Akan Bergulir Lagi, Seminggu Digelar 2 Kali

Liga Spanyol Akan Bergulir Lagi, Seminggu Digelar 2 Kali – Menyusul keputusan DFL yang telah memutuskan untuk menggelar lagi sisa lanjutan Liga Bundesliga, begitu juga Liga Spanyol yang akan digelar lagi tanggal 20 Juni. Federasi Liga Spanyol memutuskan untuk menggulirkan liga bergengsi itu 2 kali seminggu. Bocoran itu disampaikan oleh pelatih Leganes, Javier Agguirre. Agen Bola Tepercaya.

K…

[buiiltforsin]

( PINNED POST. ↴ )

mun info: she/her. 28 years old. GMT-4. 

this blog is a sideblog. (can’t follow you from here, but i want to interact with you. through IM’s, asks, whichever! or even follow you from my main.)

this blog is also a very, smut heavy blog. ( Discord is absolutely available if you’re most comfortable with that, just IM me for details. ♡)

i don’t have a rules page besides the mandatory (and usual ) applies: 

↳ given the fact this blog is smut heavy, please be at least  21+ years old  to interact.  

↳ no godmodding, don’t be a dick, the usual ones, etc. 

↳ i reserve the right to modify & update my rules at any time (if you have any questions, please ask, i’ll be happy to answer!)

( LINKS TBA. ↴ )

plot wishlist. / starters. / ask memes. / - / desires / muse list  ( below ↴ )

until i decide to not be lazy, under the cut is my muse list  ♡ , there could be more added if people want to see more faces  ↴

(disclaimer: ALL faces are over 21 years old and are all pansexual ♡ (aka give me all the DIFFERENT (f/f, f/m, f/nb ships!) !):

( MUSE LIST.  ↴ )

sloane wyndham (victoria konefal fc) / TA, first year PHD candidate, exotic worker / 22-25 years old / adventurous, passionate - harsh, self-indulgent

tallulah “ tee/ tal ” yearsley (madelyn cline fc ) / personal assistant, verse dependent / 24 years old / reliable, quick-witted - conceited, judgemental

jemmye “ gem ” alderidge (ashley benson fc) / paralegal assistant / 27-32 years old / sincere, meticulous - calculated, envious

SELECTIVE / TEST MUSES:

saskia roland (lights poxleitner fc) / 911 dispatcher, streamer / 28-34 years old / determined, curious - strong-willed, resentful

evie palmer (kennedy mcmann fc) / radio show host / 23-25 years old/ authentic, genuine - opinionated, stubborn

eleanor devlin (eliza taylor fc) / park ranger, bartender, verse dependent / 27-32 years old / empathetic, outspoken - naive, impulsive

TEST MUSES (MSG ME IF YOU’D LIKE TO PLOT WITH THEM ANYWAYS!). taryn agguire (alexxis lemire fc) / community librarian / 22-25 years old/ cheerful, optimistic, - impulsive, quick-tempered

luna kerrigan (melissa o’neil fc) / social worker / 29-33 years old / compassionate, thoughtful - messy, critical

adeline irvine (kristin kreuk fc) / realtor / 35-39 years old / clever, dedicated - argumentative, critical

sage quinn (moon bloodgood fc) / occupational therapist / 41-46 years old / hard-worker, careful - dishonest, materialistic

bridget webster (marisa tomei fc) / university department director / 52-57 years old / dignified, deliberate - persistant, impatient

[marrow-photography]

Loving eyes

[zoeandersonresearch]

2. Audio Documentary: The Influence of Werner Herzog.

“I am my films”- Werner Herzog (1978)

I have always been a big fan of the documentary films of Werner Hertzog. The first film that introduced me to his work was 'The Cave of Forgotten Dreams' (2011). By researching Herzog’s work I hope to get a sense of how I might structure narrative and narration in my own audio documentary.

'The Cave of Forgotten Dreams' (2011)

'The Cave of Forgotten Dreams' was one of the first documentaries to utilise the then fairly new 3D Format to create real depth in its image.

The thing that struck me about this documentary initially was the way that Herzog's voice guided the narrative; there was no sense of a omni-present narrator in the piece. Peter Bradshaw, the Guardian's film critic pointed out that "Herzog's unmistakeable voice" guides the viewer through the film. One comment at the bottom of the article summed up Herzog's presence in his films directly:

“Herzog's work has the ability to create 'real life' documentary footage (the tackling of real world topics) and blend them into a kind of fiction. His balance between the two never feels unwieldy, nor does the viewer ever feel as though they are being tricked by him.|”

The Front cover of 'Doing Documentary Work' (1997)

In Robert Cole's book 'Doing Documentary Work' (1997), he frames the work of great canonical photographic and and filmic documentarians as storytelling first and foremost:

"Documentary Work, Cole concludes, is more a narrative constructed by the observer, meant not only to represent "reality" but inevitably interpret it" - (Back cover of 'Doing Documentary Work' (1997)

Herzog’s work certainly subscribes to this; ‘The Cave of Forgotten Dreams’ masterfully blends story-telling and fact-finding.

How this piece will impact my work:

From watching and reading around 'Cave of Forgotten Dreams' I gained a sense of putting ones self in the documentary setting, unlike 'Local Beauty Spot' (Audio Documentary, First Steps Page) this documentary would also include my voice as a presenter or guide. Like Herzog, the story would partially include my narrative.

UPDATE: After finishing recording the documentary footage, I decided to include my voice in a introduction at the beginning. I felt that doing this would give the listener a better idea of the themes and structures of the narrative.

'Grizzly Man' (2005)

Perhaps one of the most famous documentary works of Herzog is 'Grizzly Man'. The documentary follows the life and untimely death of nature enthusiast Timothy Treadwell a.k.a 'The Grizzly Man'. Treadwell was tragically killed and eaten by one of the grizzly bears that he worked closely with over his life. The attack itself was reportedly famously (and controversially) immortalised as a recording.

In this scene, which takes place at the end of the film, Herzog sits and listens to the recording of Treadwell's death, in front of his widow Amie Huguenard. He tells her to destroy the tape and never listen to it, as it would cause her too much pain. The way this scene unfolds, is not in the typical factual documentary style. The viewer is very much told a story here; the story of Hugeuenard's pain, the story of the horrible death of Treadwell, and the relationship between Herzog and Huguenard. Again, Herzog presents himself as part of the documentary universe, influencing the narrative directly.

That ability to move between factual and fictitious elements is something I wanted to capture when entering my final project. By using music and cleverly editing narratives, Hertzog has managed to manipulate the audience into a narrative that he himself has placed inside the 'factual world'.

John Ellis, 'Documentary: Witness and Self-revelation (2012)

John Ellis, in his book 'Documentary: Witness and Self-revelation (2012) talks about the performance of the filmmaker and the filmed:

"...if we are no longer fixated by the question of whether such filming is 'true' or shows 'the facts' in an accurate' manner, then a situational analysis of documentary becomes possible."- p.45

In a further section on narrative, he talks about the role of narrative in creating a story:

"The process of editing is inevitably one of attributing meaning to events in hindsight: this is the art of storytelling from the real."- p. 69

Boston College student Michael Mullhall comments on this kind of story creation in his thesis:

The conclusion here is that it is impossible to truthfully film something’s nature if it knows it is being filmed. Short of a hidden voyeuristic approach, all that can be done is to fictionalize what is shot. If Vérité’s motto could be “truth through agitation,” Herzog’s motto is “truth through fiction.” By juxtaposing standard documentary footage and style with fabricated story elements and staged interviews, Herzog believes he is able to attain what he calls “an ecstatic truth.”- p.49-50.

How this piece will impact my work:

'Grizzly Man' once again puts the filmmaker into the narrative; it has given me some inspiration to maybe provide my own narrative as a narrator in the documentary.

'Encounters at the End of the World' (2010)

'Encounters at the End of the World' (2010)

'Encounters at the End of the World’ is another example of Herzog's ability to find characters and stories that are interesting. The documentary follows the story of the people who work and live in the Artic Circle. In this strange world of often constant daylight and bleak landscapes, Herzog finds all sorts of characters that he utilises in his documentary.

One of the most absorbing moments in the film is this interview with Stefan Pashov, a self-styled philosopher and fork lift driver in the Arctic.

"This is a director who admires folks who aren't afraid to peer over the edge, existential or otherwise"- Cheryl Eddy San Francisco Guardian.

Matthew Sorrento said on his online blog Identity Theory:

"This filmmaker can’t resist extremes, both geological and psychological. His trademark fictional films look to obsessives who want to conquer the unknown, which often results in suffering and madness. Herzog’s documentaries seek out real-life examples of the same, some who survive, while others, like Timothy Treadwell in Grizzly Man, are consumed by their obsession."

I felt that this assessment of Herzog's films was incredibly insightful; the kind of characters that he explores and collects are all wildly different, but all include shades of obsession that could be a reflection of the film maker himself. Werzog, writes himself thematically into all his films.

How this will effect my work: 'Encounters at the End of the World' includes a much more 'talking heads' style of film making, which I would use as the basis of my documentary. The main focus would be on the characters and the stories in the documentary world. Because of this, I will build soundscapes and music AROUND their interviews; keeping them as the main focus.

‘Into The Inferno’

'Into The Inferno' is almost akin to a sequel. One of the main characters (who also doubles as a kind of host) is volcanologist Clive Ottomhiemer who became Herzog's friend on the set of 'Encounters at the End of the World'. Herzog speaks to Ottomheimer at length about their experiences on the set of their previous film, and it is clear that Herzog greatly admires and respects him. It is unusual to encounter a relationship this strongly referenced between a documentary film maker and one of the documentary participants.

Peter Bradshaw of the Guardian online made an interesting insight about Ottomheimer's place within the dialogue of the film:

"There he encountered a committed British volcano specialist named Clive Oppenheimer, who does the presenting here and is effectively Into the Inferno’s co-creator. Could Oppenheimer be the wild man that Herzog so often looks for – the Aguirre, the Grizzly Man? Not really. He’s too calm. Perhaps closer to this is the French volcanologist husband-and-wife team Maurice and Katia Krafft, who took crazy risks to get their stunning closeup photographs of lava flow and in 1991 died in the attempt. But in any case, Herzog is, of course, his own wild man."

How this piece changed my work: The character of Ottomheimer was interesting to me; the clear relationship between himself and Herzog was one of the most fascinating things about the documentary. I wanted to create that kind of relationship in my documentary and wanted to approach my interviewees in a personable way.

'My Best Fiend' (1999)

'My Best Fiend' perhaps is the most self-referencial of all of Herzog's works. The documentary chronicles the often turbulent relationship between himself and actor Klaus Kinski, of which he shot five fiction films with.

In an article from the ‘Journal of Organisational Ethnography’, Markus Waltz cited ‘My Best Fiend’ and a number of Herzog's other works as evidence of this self referential process of film making:

"His efforts to create ecstatic truth include the performative embrace of a wide variety of different media or genres of communication. Herzog has for instance published diaries from his movie shoots in the Amazonian jungle (Herzog, 2009), has filmed a cinematic self-portrait (Stipetić and Herzog, 1986), collaborated with a friend and colleague in shooting documentaries of himself and his projects (Blank and Blank, 1980, 1982), and has reflected on his infamous collaboration with actor Klaus Kinski who starred in five of Herzog’s films and in a documentary piece (Stipetić and Herzog, 1999)." p.56

‘My Best Fiend’ opens with Herzog returning to a house that he and Kinski shared when he was a child. Though the pair did not know each other then, this strange mixing of spaces is perhaps the most Herzog-esque of all his documentaries. He is so weaved into its fabric, that is essentially also about him.

How this piece effected my work: This piece didn't really change much about the final product, but it did give me an opportunity to learn more about Herzog's style and philosophies.

‘The Three Key Research Concepts’ that I have taken from this artist are:

1.Storytelling and Fact Blending: I have found that these two concepts run freely through all of Herzog’s films. I feel that this style, which introduces a narrative that is both fact and fiction is the best way to create a compelling and interesting narrative.

Centralising Character Voices: I feel that Herzog’s narratives are compelling because of his character development. This, again is a running theme in his work and I aim to frame my documentary around it’s subjects. 

Narration: As mentioned above, Herzog is a critical part of his own work. Unlike my first documentary ‘Local Beauty Spot’ I wanted to very much be part of the narrative.

CLICK HERE TO MOVE TO THE NEXT SECTION.

[plainlivinghardstruggle]

DÉ RANDLE BY LEO AGGUIRE • 2019

[denyjesuschrist]

17 + 20

17 (favorite album art): that’s a hard choice!  and i honestly haven’t thought about it all that much.  i’ve always really loved the cover of 大天使のように (Like An Archangel) by Yapoos, because jun looks so mysterious in the cover image.  it reminds me of haibane renmei, tho obviously the former predates the latter by over a decade.  i also have always loved the cover of Current 93′s live album Halo.  it’s so gentle and esoteric and i really love everything about it (notably, if you’ve never gotten into C93 i would totally recommend that you give a listen to Halo as i think it captures everything i love about mid-00s C93.  

20 (favorite soundtrack): this is a toss up between Popol Vuh’s soundtrack for Werner Herzog’s Agguire: The Wrath Of God, or Angelo Badalamenti’s soundtrack for Twin Peaks.  they both perfectly encapsulate the feelings and aesthetics of the pieces of film that they are scoring, imo.  

[sugarsui]

2022/4/3

　雨で寒い日。ここ数日ずっと作業しており、またこの寒さのせいか首と肩がひさしぶりに重くてうだつが上がらない。そんななか午前中にたまってたシャツにアイロンをかけて、15時くらいからぼちぼち作業を始めて、今日の目標をはやめに到達できそうなので私えらい。

　ラジオ聞いて野球見てただ作業しているだけで特に書くことがないので、今日聞いたもの。

・Juan Fermin Ferraris/Jugo

　歌もののほうが基本的に好きなのでジャズ単体をあんまり聞かないものの、3年前にリリースされていた35mmが大変よく、それ以来のリリース。35mmの一曲目のArreseiでは子供の笑い声など街角の音からピアノに入っていき、歩きながら街を眺めるイメージが浮かんできて本当に好きだった。レビューで映像的ジャズと評されていて思わず膝を打った。今作はそうした環境音は入らないものの、ピアノ、ベース、ドラムというシンプルな構成ながらも非常に軽やかで豊か、そしてそうしたイメージが伝わってくる。雨の日なのに晴れの気分にさえなる。去年のはこちら。

・Carlos Agguire/Va Siendo Tiempo

　カルロス・アギーレの新譜。ギター五重奏と歌。良くて思わずため息が出る。

[thegleeacademy]

Dominant EMMANUEL AGGUIRE has re-entered The Academy! (royalty from Mexico, new in power) @dommanny

[newstfionline]

Freaked Out Americans Desperately Seek to Escape the News

Claire Suddath, Bloomberg, 29 June 2018

Last week, Jen Wrenn, a children’s literacy advocate in San Diego, attended her first political protest after reading about the Trump administration policy of separating small children from their immigrant parents at the border.

She had heard ProPublica’s audio of a little girl crying in the border camp and decided to do something about it. She shouted. She marched. And afterwards, she decompressed by watching the Mr. Rogers documentary, “Won’t You Be My Neighbor?”

“As soon as I hear the theme song, my blood pressure goes down,” Wrenn said. “I think that kind of calm is what we all crave mentally right now.”

The film about Fred Rogers, the beloved figure of American childhood, has made $4.9 million at the box office since it opened on June 8--more than 20 times the typical haul for a documentary. In interviews, director Morgan Neville paints the documentary’s success as indicative of our times. “We’re in this period in our culture where I feel like nobody wants to be an adult anymore,” Neville recently told Deadline. “A character like Fred takes us back to how we should treat each other.”

Last fall, the American Psychological Association found that almost two-thirds of Americans listed “the state of the nation” as their primary source of stress, above both money and work. More than half believed that America was at its lowest point in history. Almost 70 percent of all Americans feel a sense of “news fatigue,” according to the Pew Research Center. The nation’s emotional exhaustion even makes an appearance in a recent Enterprise Rental Car survey: When the company surveyed more than 1,100 Americans about their summer travel plans, the top three reasons given for traveling were stress, the news and the political climate.

“Just this morning I had a guy come in who is so distracted by the news that he can’t get his work done,” said Jonathan Alpert, a New York psychologist. “The levels of anxiety and stress I’m seeing are profound.”

Those heightened stress levels are reflected in Americans’ chosen leisure activities. Megan, a web developer in Nashville, has started re-watching “Parks and Recreation” because it’s about goofy, goodhearted people in politics. Jessica, a landscape architect in Boston, tunes out the news with obscure documentaries about the history of toys and cars. Dan, an editor in New York, now watches home renovation shows instead of the news while on the treadmill at the gym. And Rachel, a system designer in Massachusetts, loves “Aerial America” on the Smithsonian Channel.

“Basically, a drone just flies over and tells you cool things about pretty landscapes,” she says. “It’s way more relaxing than reading about Melania’s terrible jacket choice.”

Calm, a meditation app, said it’s averaging about 50,000 new downloads a day, up from 40,000 in December. Kampgrounds of America (KOA), the largest organization of private campgrounds in the U.S. and Canada, reports that about 4 million people have started camping since 2016, including an unprecedented number of people of color. Discovery Inc., which owns guilty pleasure networks HGTV, Food Network and TLC, has seen a 12 percent increase in the time viewers spend watching its networks since the 2016 election; the average is now 1.5 hours.

“We hear all the time that people use us to bring their anxiety levels down,” said Kathleen Finch, Discovery’s chief lifestyle brands officer.

Jess Agguire, head of research at the Hallmark Channel, agrees. “When we asked people why they watched Hallmark we used to hear things like, ‘I want an escape,’” he says. “Now it’s ‘I want to be reminded that there’s still love in the world.’”

[eyeliketwowatch]

The Mosquito Coast - Getting Away From It All

Probably one of Harrison Ford's more experimental and satisfying roles. He plays an inventor and father who becomes fed up with the American Dream, and packs up the whole family and moves them to the jungles of South America to make a home for themselves far away from the poisoning effects of civilization. Unfortunately, he brings civilization along with him and things don't stay idylic for long. A complex character study about madness and obsession and the effects on family dynamics, and I can't help wonder what this movie would have been like with Werner Herzog at the helm.

see also: Fitzcaraldo, Agguire: Wrath of God, At Play in the Fields of the Lord, Apocalypse Now

4 stars out of 5

Released 1986, First Viewing July 1987

[uqhsarah]

Alphabet Ask

Rules: answer the questions in a new post and tag 20 blogs you would like to get to know better ✨

A - Age: 20

B - Birthplace: New Jersey

C- Current Time: 5:04 pm

D - Drink You Last Had: waaater

E - Easiest Person to Talk to: someone that I haven’t spoken to in a while..

F - Favourite Song: literally anything by MUNA or The Japanese House

G- Grossest memory: considering I can’t think of anything, I guess I haven’t experienced it yet

H - Horror yes or Horror no: horror NO

I - In Love?: no

J - Jealous of people? yes :/

K - Killed someone? no tf

L - Love at First Sight or Should I walk By Again: this reminded me of a quote: “Sometimes when you meet someone, there’s a click. I don’t believe in love at first sight but I believe in that click. Recognition.” -Ann Agguire

M - Middle Name: Mikaela

N - Number of Siblings: 5

O - One Wish: to be successful in whatever I do

P - Person You Called Last: my mama

Q - Question You’re Always Asked: “why are you so quiet?” 🙄

R - Reason to Smile: there are people that love you and tomorrow is a new day

S - Song You Sang Last: Everything- MUNA

T - Time You Woke Up: like 11 

U - Underwear Colour: blue ;)

V - Vacation Destination? anywhere but here 

W - Worst Habit: being slow at opening up to people ig

X - X-Rays: my head cause I'm a weak bitch and passed out at a concert 

Y - Your Favourite Food: pASTA

Z - Zodiac Sign: Gemini

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How Michael got off Suboxone successfully with Ibogaine Treatment

Dr. Francisco Agguire joins David Dardashti and Michael, a former Suboxone user, taking 24 mg a day for 6 years.

Even while traveling by plane to Mexico for his treatment, Michael was on 8mg per day.

By the second day of his ibogaine treatment, he never thought about or craved Suboxone Detox or any other drug. Michael did not experience any withdrawal effects.

Michael calls his  successful Suboxone Detox with Ibogaine a miracle. Other ibogaine treatment rehab centers asked him to be off Suboxone for months and even go back to short-acting opiates, but not at the Ibogaine Clinic by David Dardashti. Keep watching to see Michael’s emotional journey as he touches upon some of his hardships.

Michael stayed extra long (almost 3 weeks) just to make sure he did not have withdrawals like other clinics had told him he would.  

Michael had an incredibly successful Suboxone detox!

Treatment Center:  David Dardashti's Ibogaine Clinic Website:  https://ibogaineclinic.com Location:  Playa Del Carmen, Mexico Contact:  1-800-818-4511 Information:  For more information about David Dardashti's Ibogaine Clinic and Ibogaine treatment for addiction, PTSD, depression, and anxiety please visit our website or contact us today using the information above.

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