#agent mahone

[seapotty]

Watching prison break and I'm so far past the point where it was watchable but we gotta see Mikey pull another one off. We've gotta prison break out of this Cycle Mike.

[ttusyaart]

Pathenic man in Panama prison

Дуже мало малюю останнім часом, а ще менше викладаю кудись, треба виправляти

[nade2308]

Happy belated birthday, William Fichtner.

Nov. 27, 1956.

@thethistlegirl

[sabrinasprincess]

sarcastic alex is ridiculously attractive

[deebris]

Choices

Alexander Mahone x Wife reader

Synopsis: In the Sona prison, Mahone receives an unexpected visit from his wife, who secretly traveled from the United States to Panama, under the guise of her work at the embassy. Seeing his terrible condition, you tries to convince him to testify in court in exchange for a better place to stay, closer to you and the baby you're expecting—news he only learns at that moment.

Warnings: Drugs, pregnancy, angst, It takes place during the 3rd season of Prison Break.

Word count: 3k

“Mahone, you have a visitor!” The loudspeaker's voice echoed across the yard, cutting through the hot, heavy air of Sona.

The announcement put Alex on high alert. A visitor? Confusion and distrust swirled in his mind. As far as he knew, no one besides his lawyer had been looking for him, and he had seen him just the day before. Still, he followed the guard to the transfer area, where prisoners were taken to the makeshift “cage” meant for visits.

The guard, with a careless posture, remained at a safe distance, as everyone there preferred to keep their distance from the inmates. Narrowing his eyes against the blazing sun, Alex asked the guards as they prepared him for escort, “Who came to see me?”

No answer.

“Hey! I asked something!” Irritation and anxiety leaked into his voice, but he was only met with a rough shove on the shoulder, signaling that he should start walking.

The damp hallways of Sona were nothing new, but the route they were taking now puzzled him. Instead of turning right as usual, the guard led him left. “Where are you taking me?” He asked, louder now, almost frantic.

“You’ll find out.” The guard's tone was indifferent, as though Mahone's growing anxiety was irrelevant.

Alex’s mind raced. This had all the signs of a trap. If the Company was involved, he knew his already dire situation could only get worse.

Soon they arrived at a metal door. It opened with brutality, and Alex was shoved inside before he could protest.

The room was dark, barely lit by a hanging lamp, but the smell and temperature were different from the usual areas in Sona. He blinked a few times to adjust his vision, and then he heard it.

“Alex?”

The voice was sweet, like an unexpected balm. That voice. Her voice. The same one he used to hear first thing every morning, before everything fell apart, before Scofield, before Sona.

“Y/n…” He whispered, incredulous, thinking he was having another hallucination.

You quickly stood up from the chair when you saw him. He looked so tired, so beaten down. He was a shadow of the man you once knew. “What did they do to you?” You lamented, your fingers hesitantly tracing his hair, smoothing over his sweaty skin in search of injuries.

For a moment, Alex froze. It couldn’t be that you were here, in front of him. Was it a dream? An overwhelming relief flooded his body, weakening his legs, as though he might collapse any second. He started to pull away from you, as if refusing to let himself see you there, and that’s when you knew he wasn’t mentally stable.

“Alex.” You repeated his name, this time with affirmation, as you tried to calm him like a frightened animal. “Sweetheart, it’s me.”

“My love…” His voice came out shaky, broken, before you pulled him into a tight embrace. He buried his face in your shoulder, inhaling your scent like a man who had found air after nearly drowning. Despite his condition, he realized you were different, though he couldn’t tell how.

“I thought I wouldn’t see you again,” you murmured in his ear. When you pulled away, you noticed his red eyes, his worn-out skin. “A federal agent came to our house.”

The words made Alex sit up alert, his gaze quickly darting to the guard standing outside. This wasn’t normal.

“How did you get in here?” He asked, a mix of concern and admiration in his voice.

“American embassy.” You gave a melancholic smile. “They think it’s a consular visit, so they didn’t question much.”

Alex nodded, almost smiling at the irony. “Of course.” He remembered your position, your ability to find loopholes in rigid systems.

You guided him to a chair, and he collapsed into it without resistance. “I brought water,” you said, opening the bottle and bringing it to his lips. He drank desperately, as if he’d never tasted anything so pure.

“I heard things about this place, so I came prepared,” you continued, showing him a package of food. “Eat.”

Alex took the bread with trembling hands, devouring it without thinking, without caring about being polite, but he suddenly stopped. He placed his hand over yours, a gesture filled with repressed emotion.

“Thank you…” He murmured, his voice heavy with guilt and gratitude.

You tried to smile, but you couldn’t hide the tears. It was devastating to see him in this condition, and lately, you had been feeling more emotionally sensitive than usual. Carefully, you pulled a small vial from your pocket, placing it in his palm.

Alex froze, staring at the pills. He knew what they were. He knew the relief they would bring. But he also knew the shame they would bring to both of you.

“I know you're not well.” Your voice was soft but firm. “Just... do what you need to.”

He closed his eyes, swallowing one of the pills with water, and didn’t thank you. Alex couldn’t bring himself to, knowing how much you hated this, and seeing the situation he’d put you in made him feel disgusting.

When he opened his eyes, you were already preparing the rest of the food, trying to push aside the weight hanging in the air. You couldn’t take him out of Sona, but you would do anything to ease his pain, even if just for a few moments.

Alex accepted every gesture of care you offered, allowing himself to relax under the comforting touch of your hands. Feeling your fingers brushing the hair from his face while he ate brought an unexpected warmth, a long-lost familiarity. It was as though, for a brief moment, the brutality of this place didn’t exist.

“How much time do we have?” He asked, hesitantly, as if fearing the answer would be a final blow to his hope.

“An hour.” Your answer was gentle, but practical. You took a change of clothes from your bag, something you had hidden along with the water and food. “I brought this. You might not be able to take a shower, but changing into something clean might help a little.”

Alex looked at the clothes with a mixture of gratitude and sadness before beginning to change. You tried to look away to spare him the discomfort of your pity, but your eyes inevitably fell on his physical condition. He had always been strong, but what used to be defined muscles were now starting to give way to protruding ribs. It was incredible what just a few days could do to a human being.

"It's funny," you commented, trying to break the heavy silence. "Technically, I should be here to check if the prison offers adequate conditions."

Alex let out a bitter laugh as he pulled the clean shirt over his shoulders. "Are you going to send a report?" The question came laced with sarcasm.

"I will," your reply was dry, almost ironic. However, your gaze remained fixed on him, watching every small sign of wear and tear. Seeing your husband like this, so vulnerable and distant from the man you knew, was almost unbearable. But you couldn’t allow him to notice.

The silence that followed was full of unsaid meanings, a mutual understanding of what this place was doing to him—and, by extension, to you.

It wasn’t long before Alex pulled you closer, his body pressed against his as you sought comfort in each other. He kept a firm arm around your waist as if afraid you might disappear at any moment. His chin rested softly on your head, and the sound of his breathing was the only consolation in the silence of that place. Alex wanted to freeze time, memorize your scent, the feeling of having you there, before returning to the hell that was Sona.

"I managed to get lawyers this week. They are working on your case." Your voice broke the silence that had settled between you two, bringing up a topic he didn’t want to discuss. "I’m going to try to ask for a transfer, to move you to another prison."

The words hit like a blow. He was many things, but innocent wasn’t one of them. Yes, he was here for a crime he didn’t commit, but what about the ghosts of the past? The atrocities he had committed when he was still with the FBI? He wondered why you kept fighting for him, even knowing what he was capable of.

"If I go back to the States, I’ll get a life sentence..." he murmured, his voice laden with discouragement as he turned his gaze away.

"No, you won’t." Your firmness contrasted with his resignation. You touched his face, forcing him to look at you. "I met with a former colleague of yours. The government is willing to make a deal if you cooperate."

"Eight years, Alex."

The mention of the deal didn’t bring relief. On the contrary, he shook his head in denial, cutting you off before you could continue. "I heard that this morning. I’m not going to stay in prison for eight years." His voice was sharp, filled with contained anger. "Scofield set me up on that boat. He put me here; he’s going to get me out."

Michael Scofield’s name came out with so much venom that it made you blink, surprised. But you quickly regained your composure.

"His brother found me," you said, trying to soften the tone, which didn’t go unnoticed.

"Lincoln Burrows?" Alex furrowed his brows, suspicious. "What did he want with you?"

"I’m not sure," you hesitated, crossing your fingers, fearing his reaction. "He asked me to visit Michael, but he didn’t explain why. He just... asked."

He turned away, his mind racing. Michael had never been straightforward with him. Always calculating, manipulative. Lincoln showing up right now, hours before something big was going to happen, wasn’t a coincidence. This was a move.

Michael knew you were an ambassador. Your position could be the key to helping them disappear, to return to the U.S. as free men. This couldn’t be a slip-up. Either it was an attempt to distract Alex and keep him out of the way, or it was a clue—an invitation for him to join the plan.

"He put me here!" Alex exploded, his fist slamming onto the table with force before he managed to control himself. He closed his eyes, breathing deeply, trying to tame the anger. "Sorry." His voice came out softer, almost a whisper. "But if that’s the case, you’re going to have to visit all the idiots who came here. The embassy is going to ask questions when they see your reports."

"It’s fine." Your reply came calmly, as always. This irritated him, but it also comforted him. You never lost your composure, and most of your arguments were because of him.

"You shouldn’t worry about me." He shook his head, turning away once more. "You have your life out there. Your job, our house... I’ve lost everything. You need to move on."

"Alexander!" Your voice cut through the air, strong and determined, freezing him. It was rare to hear you in that tone, full of emotion and authority. "You need to get out of here, do you hear me?!"

You gripped his shirt tightly, your gaze locked on his with intensity. Something in your determination broke his defenses, making it impossible for him to hide in self-pity.

"I’m pregnant..." You finally whispered, your voice trembling. "And..." The sentence died before you could finish it, the weight of the revelation visible on your face.

Alex froze, shock written all over his face.

"Eight years, Alex!" You continued, your voice echoing through the room, but this time you weren’t calm at all. "I’m willing to wait for you for eight years, even after everything you’ve done! Even after the crimes you committed! Do you think it’s easy to come here and say what I’m telling you? I should feel like the worst person in the world for giving you another chance."

The words hung in the air, heavy. He tried to process what he had just heard, but the impact was overwhelming. The world around him disappeared, leaving only you, who now looked at him with repulsion, and the revelation of a new life growing between you, and your unwavering determination.

Alex felt a lump in his throat, his thoughts a whirlwind. You were willing to wait? Despite everything he had done, the man he was... you still believed in him. And that hit him deeper than any word or gesture before.

"You..." He started, but his voice faltered. He closed his eyes, searching for the strength to speak. "I... I don’t even know what to say."

"Then, don’t say anything." Your voice came out muffled as you buried your face in his chest, tears silently streaming down. "Just promise me you’ll think about it before you give a definitive no. A relatively light sentence, in a prison close to home... You’ll be able to see our baby grow."

Alex remained silent, the words reverberating in his mind like echoes of a truth he couldn’t face. Instead of responding, he simply held you against him, as if that gesture could protect you from an invisible danger — or perhaps something he couldn’t comprehend. And in that moment, something inside him changed; the gravity of reality enveloped him, bringing with it a weight he had never felt before.

"It’s... watching as a spectator in the VIP section, unable to participate in anything." He murmured, his voice heavy with sarcasm and bitterness. He leaned back, resting one hand on the back of the chair as he looked at the beams of light slipping through the window.

"It’s still something." His voice trembled, tears once again streaming down. You felt the weight of his words as rejection. He was denying the chance you had, the only real chance to rebuild your life together. Unable to maintain his gaze, you turned your eyes away.

"This is all because of the baby, isn’t it?" Although the question might sound passive-aggressive, as if he were accusing you of something, Alex remained calm, his voice laden with caution. You were the only person who, at that moment, seemed to genuinely care about him, the only one he wanted a chance to ask for forgiveness. "You wouldn’t accept me if you weren’t pregnant. Please, be honest." His voice trembled in the last sentence, a desperate plea for honesty.

The silence that followed terrified him. He saw your expression change, as if his words had broken something inside of you. But before fear could take over, the flame of anger reignited in his chest. How could he think that? How could he believe your intentions were so cold, so calculated? That you only wanted him back because of the baby, and not because of him?

Suddenly, you stood up. The urgency in your movements revealed the mix of frustration and pain. The things you had brought for him were left on the table carelessly, and you adjusted the strap of your bag on your shoulder.

Alex made no move to stop you. He knew he had two hours to leave there, and that he needed to return to his plan before it was too late. But there was something he couldn’t ignore: the sound of your ragged breathing as you tried to hold back your tears.

Before you could fully cross the door, he grabbed your arm. For a brief moment, his eyes fell on the ring on your finger, before shifting away again.

"Goodbye, Alex." His voice sounded cold, but he felt the hurt hidden beneath the words. You weren’t giving up on him — he knew that. But he also knew something inside you had broken. "They’re going to search you when you leave, so hide the pills well." His warning was heard, making him look at the bottle.

"I love you. Stay safe." These were the only words you could find to reassure him, to dispel his doubts and reaffirm that you were there for him — for him and for the family you were building together. And, in that moment, he understood.

You whispered the words like a breath, and before he could respond, you disappeared through the door, leaving him alone with his own demons.

Alex remained still, staring at the empty space in front of him. The sound of the door closing echoed in his mind, as loud as the weight of the decisions he needed to make.

He ran a hand over his face, exhaling slowly. The flame inside him burned stronger now, but he wasn’t sure if it was courage or desperation. One thing he was certain of: whatever he did next, it wouldn’t be just for him.

The silence in the room seemed to weigh even heavier after you left. Alex stood there, still feeling the remnants of your presence, the echo of the words you exchanged, the gentle touch of your hand, a constant reminder that the things he feared could truly happen. What was he to do with the love you offered him? And with the anger of being seen as a weak man, dependent on a situation he couldn’t control?

He knew he had to make decisions, and quickly. The battle he was fighting was not just against the system, nor against the past. It was against the image he had of himself. He knew something inside him had turned over when he heard the words you didn’t dare finish. You were willing to wait, to keep loving him despite everything, and he wondered if he deserved that sacrifice.

He glanced once more at the table, where the small bottle of pills rested as a reminder of the situation he was trying to hide. Maybe that was the most precious thing he had now — a way to escape, to regain control. But the words you said kept coming back to his mind: “I’m pregnant...”

Alex felt the pressure in his chest grow. It wasn’t just his freedom’s future that was at stake now. It was the future of the family that, somehow, he still held a hope of building.

With a heavy sigh, he grabbed the bottle of pills and hid it in his sleeve, thinking about what to do next. The fight wasn’t over, but maybe there was a way out. Maybe it wasn’t too late to save what was left of his dignity — and maybe, just maybe, to do something right for once.

[kiss-my-freckle]

The power of Sara Tancredi

This is about Michael Scofield's potential for murder, and the reason I love Prison Break's third season. I'd gif this, but I'm having a lazy day. But here, have a soundtrack for the post... How I Could Just Kill a Man by Cypress Hill.

Michael's assumed inability to kill makes sense according to the scene Sara has with his doctor in the first season.

"He became very attuned to all the suffering around him. He couldn't shut it out. He became a rescuer, one of those people who are more concerned with other people's welfare than their own."

Mahone touches on the subject of Michael's inability to kill in the second season.

"There's one big difference between you and I, Michael. And you just proved it. You can't kill."

He touches on the subject again when he realizes Lincoln is no different than Michael.

"But, when it comes right down to it, he's just like you. He has a heart that won't kill a man."

Even T-Bag is aware of Michael's inability to kill.

"You ain't going to kill me, Mr. Michelangelo. You ain't got it in you."

Their Sona storyline changed everything. I personally consider all people capable of murder, it's just a matter of pushing the right button. For Michael Scofield, Sara is that button. A heart that loves a woman as much as he loves her would most certainly kill a man.

"And without rules, we are nothing but savages. Therefore, with proper respect for the rules, this fight is engaged with only one rule: No weapons."

What you're given, is a storyline that starts out with Mahone killing for Michael because he can't kill, and he uses the fight's golden rule as an excuse for taking Michael's role in the killing.

"No weapons. Rules are rules, remember? And if we don't have them, we're savages."

What you're then given, is the reason Mahone changes his tune at the end of the season... Sara's assumed death.

"She's dead, Michael. I lied to you. I'm sorry."

Michael's threat of revenge is 100% truth.

"And I'm gonna find out who's responsible for taking her life. And I'm taking theirs."

When Sammy steps in on his escape plan, he basically steps in on his revenge plan. A move that proves to be a huge mistake, as it results in Michael's first kill. This was the moment Mahone realized he was capable of murder despite feeling bad about it afterward.

"Never gets any easier."

Mahone not only knows Michael is capable of murder, he knows why. So... the season ends complete opposite the open.

"She'd better be able to handle a lot more than that. Because if she has done what you think she has... Sara. She's the weak link. And he will find her. And then Scofield will find you and me. And I'm not paying for your mess."

Sara realizes Michael's potential for murder when he kills someone right in front of her. The reason she's focused on the man's head wound.

"The general should know by now not to mess with us."

It's not really about Michael, it's about Sara. I'm 100% certain had she not stopped him, he would've killed T-Bag for assaulting her.

"Michael, please."

Even though it's a misfire, he pulled the trigger on his mother. This is attempted murder.

"Oh, dear. Misfire. I guess that's what they call a Pyrrhic victory."

It's the same with Poseidon. Michael basically hires T-Bag to kill for him, and he allows T-Bag the continued belief that he's incapable of killing.

"Scofield ain't gonna do it. He don't got the killing gene."

It's not about an inability to kill, it's about the future Michael wants with his family. Poseidon's kill is 100% premeditated, and he's a CIA agent. Michael knows the risk of getting caught, plan or no plan.

"It won't be the work of a cold-blooded man. And it won't be for sin or for hate. f there's blood on my hands, know this, world… it'll be for love."

Michael is capable of murder, but he's still the same man that can't handle watching someone suffer. It's because of this, he wouldn't be able to kill as his father did.

"How could you do that to another human being? With your own hands?"

His kills would be quick and painless... like a bullet to the head.

"This is for Sara."

It's entertaining to watch Michael and Mahone work together.

But mostly, the power of Sara Tancredi. Because when you love someone, you have no control. That lack of control makes killing possible for Michael. That's what made season three worth watching. Sara was gone, but her absence could be felt through Michael's character.

Seriously though. Watch his escape from Sona, how he sets it up so three of them could get shot. Don't screw with his revenge plan... it's for Sara. Mahone knew better.

[juuyeah]

✨SIDE CHARACTER WEEK✨

Hello everyone, dear members of the SxF fandom!

I am here to spread love for side characters of the SxF universe and wish to organize a week dedicated to all of them!

📅 When : From 18th to 25th of June 2023

Day 1 : SSS (Yuri and coworkers)

Day 2 : Garden (Mc Mahon, Shopkeeper etc.)

Day 3 : WISE (Sylvia, Fiona, other agents)

Day 4 : Beautiful disasters (Franky, Daybreak)

Day 5 : Eden teachers (Henderson, Austin etc.)

Day 6 : Eden students (Emile, Bill, George etc.)

Day 7 : City Hall (Dominic, Camilla)

📋What to do? Fics, drawings, drafts and headcanons.

💌 Dm me if you have any question!

[sxf-sideweek]

SIDE CHARACTER WEEK

Hello everyone, dear members of the SxF fandom!

I am here to spread love for side characters of the SxF universe and wish to organize a week dedicated to all of them!

📅 When : From 18th to 25th of June 2023

Day 1 : SSS (Yuri and coworkers)

Day 2 : Garden (Mc Mahon, Shopkeeper etc.)

Day 3 : WISE (Sylvia, Fiona, other agents)

Day 4 : Beautiful disasters (Franky, Daybreak)

Day 5 : Eden teachers (Henderson, Austin etc.)

Day 6 : Eden students (Emile, Bill, George etc.)

Day 7 : City Hall (Dominic, Camilla)

📋What to do? Fics, drawings, drafts and headcanons.

This blog is made to reblog/like all the works related to the side character week.

💌 Dm me if you have any question!

[lisarpgheadcanons]

whatif dice mahone was a real estate agent and his name was dice mahomes

Does anyone remember The Ballsons?

[saehapark145]

Can we imagine agent Mahone with wink? Haha if you can give a clue to him about those magnificent 7.

[ultrabombmerch]

Ultrabomb Merch

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#ultrabombmerch #ultrabombmerchandise

Website: https://ultrabombmerch.com/

[nsfwmiamiart]

Fun Fact: "Season 2 Breakdown: Episode Titles of Prison Break"

Question:

"Can you provide a synopsis of each episode from Season 2 of Prison Break, summarizing the key events and developments in a concise manner?"

ChatGPT Answer:

Certainly! Here are the episode titles for Season 2 of Prison Break:

Manhunt

Otis

Scan

First Down

Map 1213

Subdivision

Buried

Dead Fall

Unearthed

Rendezvous

Bolshoi Booze

Disconnect

The Killing Box

John Doe

The Message

Chicago

Bad Blood

Wash

Sweet Caroline

Panama

Fin del Camino

Sona

For more details on each episode, you can refer to the Prison Break Wiki.

Here’s a synopsis of each episode from Season 2 of Prison Break:

Episode 1: "Manhunt"

The escapees are on the run, with FBI Agent Alexander Mahone leading the manhunt. Michael and Lincoln try to stay ahead while the others split up to pursue their own goals.

Episode 2: "Otis"

Michael and Lincoln attempt a daring courthouse rescue to save Lincoln's son, LJ. Mahone shows his intelligence as he begins to understand Michael’s strategy.

Episode 3: "Scan"

Michael and Lincoln are forced to separate when their plans to regroup are thwarted. Mahone closes in, demonstrating his relentless pursuit.

Episode 4: "First Down"

T-Bag manipulates his way to freedom, while Sucre risks everything to reunite with his fiancée. Michael and Lincoln try to secure transport.

Episode 5: "Map 1213"

The escapees race to find a hidden treasure in Utah. Tensions rise as the team’s priorities clash, and Mahone continues to track their movements.

Episode 6: "Subdivision"

The group locates the treasure’s burial site, but complications arise when others are also after the prize. T-Bag’s manipulative tactics take a dark turn.

Episode 7: "Buried"

Michael faces moral dilemmas as the pursuit of the treasure reaches a boiling point. T-Bag’s greed leads to a shocking betrayal.

Episode 8: "Dead Fall"

The treasure hunt concludes with unexpected alliances and betrayals. Meanwhile, Mahone’s backstory is revealed, providing insight into his relentless pursuit.

Episode 9: "Unearthed"

Michael and Lincoln try to stay one step ahead of Mahone. Sara is drawn further into the conspiracy as she uncovers critical information.

Episode 10: "Rendezvous"

Michael and Sara reunite but face immediate danger. Mahone’s tactics become more ruthless as he closes in on his targets.

Episode 11: "Bolshoi Booze"

Michael works to complete his next move while balancing loyalty and necessity. Lincoln deals with complications involving his son, LJ.

Episode 12: "Disconnect"

Michael and Lincoln attempt to cross the border, but Mahone’s relentless pursuit forces them into a high-stakes confrontation.

Episode 13: "The Killing Box"

Michael and Lincoln are captured but devise a plan to escape. Betrayals and shifting alliances create a tense standoff.

Episode 14: "John Doe"

The brothers uncover a shocking revelation about the conspiracy against them. Sara’s loyalty is tested as she faces her own legal troubles.

Episode 15: "The Message"

Michael and Lincoln send out a coded message to their allies while evading capture. Mahone grows increasingly desperate in his pursuit.

Episode 16: "Chicago"

Michael, Lincoln, and Sara work together to uncover the truth behind the conspiracy. Tensions between the escapees lead to dangerous conflicts.

Episode 17: "Bad Blood"

Lincoln faces a devastating loss while Michael presses forward with their plan. The Company tightens its grip on those involved.

Episode 18: "Wash"

The brothers race to protect their allies as The Company escalates its attacks. Sara faces a critical decision that could alter the course of their fight.

Episode 19: "Sweet Caroline"

Michael confronts the President in a bold attempt to expose the conspiracy. The stakes are raised as the brothers near their final move.

Episode 20: "Panama"

The brothers flee to Panama, but Mahone follows, setting up a tense showdown. The escapees face new challenges in a foreign land.

Episode 21: "Fin del Camino"

Michael and Mahone engage in a final confrontation. The escapees face devastating losses as they try to survive.

Episode 22: "Sona"

The season ends with a dramatic twist as Michael is imprisoned in Sona, a brutal Panamanian prison, setting up the next chapter of their story.

Let me know if you’d like more details on any episode! 😊

[kiss-my-freckle]

I just came across a post about the intelligence of their Prison Break characters. I know this may be hard to believe, but not all things require a high IQ. Some things simply require experience, and some things are just common sense. Most of their characters learned from each other as criminals.

T-Bag doesn't have a low IQ, he's just not as smart as Michael. They show this in flashback when he lists 10 synonyms for destroy. He doesn't need a high IQ to switch money out for magazines. A thief would know to do that. All T-Bag needed was experience with a thief, experience he'd get in a prison housing thieves. If he knew that Michael hid the Fox River blueprints on his skin, then I'm sure he'd be smart enough to memorize and swallow the map to the money for the sake of his survival. Evading police would cover every crime. A man that rapes and kills should already know how to evade police. It wouldn't be a stretch to pin the crime on someone else by slipping keys into a random person's bag. T-Bag already proved himself capable of evading detection when he killed the guard and pinned the murder on another inmate using the photo from the guard's wallet. Frame jobs are common, Lincoln's being the biggest for obvious reasons.

LJ would be able to figure out the code Lincoln gave him because that entire family uses code, Michael simply uses it most. LJ does this with a note he sends to Lincoln through his homework. "It's LJ, I'm with Veronica. I'm okay. I love you." Even Christine uses code when she leaves the doctored photo for Lincoln in the 4th season. A doctored photo that handed him her exact location. Why wouldn't it be a family thing when both parents worked for the Company, and breaking someone out of prison requires hiding key information?

It's because of Michael's tattoos and hard drives that Mahone is able to catch onto their code usage. That, and he remembers the road he took to the prison after their escape, of which, can be found in Michael's tattoo. Sometimes he sees the codes when they don't see the codes themselves. He's the one that helps figure out the code Christine leaves for Lincoln. He's also able to figure out the code they give LJ when they try to rescue him from the elevator. “Otis right. Otis elevator, on the right. What is he planning?” This makes for a gorgeous scene when the team rescues Mahone from court in season 4.

It's all about their inner-workings. They're learning from each other as criminals. Mahone is both agent and criminal because he murdered a man he was chasing. He'd know certain things from his own personal experience. Still, he learns a lot while chasing Michael in the second season. Michael admits to learning from Poseidon. "The truth is whatever you tell people it is. You taught me that." Poseidon wasn't as smart as Michael, but smart enough to take 7 years of his life.

I think Haywire was written according to the other side of Michael's phsychological profile. He can see Michael's map, but he suffers mental illness because he has a low IQ. So while he's smart enough to escape with Michael, he's so mentally ill that he believes he can build a boat that will take him to Holland.

From what I've seen.... Michael is their top smartest, Mahone comes in 2nd, Poseidon comes in 3rd, and T-Bag comes in 4th. Lincoln and Michael are written brawn and brain like Boothe and Bones. Both their parents worked for the Company, and they're written accordingly. Lincoln is written like their father and Michael is written like their mother.

[but-a-humble-selfshipper]

Haven't said a THING about my self ship thoughts so far regarding PB but Mahone is compelling oh so much. But I like how it can tie into everything...

Like I'm thinking L.L. sticking with John or going back to him just to learn about the sting operation and being like wait. Nobody is looking for me. Let Me go check and if he's there you do it and if not you go with your family. And well naturally, he's not there, and L.L. gets to meet Mahone.

And I posted this on my other blog but L.L. when out of cigars they'll try to blow the smoke out or inhale it bc reflex but you can't light a cigar while being interrogated by the fbi so they'd instead accidentally whistle to the face of this rather hot and strange agent and they'd be SO fucking embarassed but he'd not care beyond a chuckle. Though they are ... Odd. Curious. Something off about this one.

And like... Think too of his deal w seeing the corpses but also Making many New Ones. Because L.L. actually Can't Die. So it'd be like actually haunting.

[ulkaralakbarova]

A devoted wife and mother leads a secret life as a CIA agent until her husband’s article exposes a scandal, putting her identity and loved ones at risk. As her world crumbles, she must navigate the fallout of her double life. Credits: TheMovieDb. Film Cast: Valerie Plame: Naomi Watts Joseph Wilson: Sean Penn Sam Plame: Sam Shepard Bill: Noah Emmerich Jack: Michael Kelly Jim Pavitt: Bruce McGill Scooter Libby: David Andrews Paul: Tim Griffin Dr. Zahraa: Liraz Charhi Hammad: Khaled El Nabawy Chanel Suit: Sonya Davison Tabir Secretary #1: Vanessa Chong Hafiz: Anand Tiwari Tabir Secretary #2: Stephanie Chai Fred: Ty Burrell Sue: Jessica Hecht Steve: Norbert Leo Butz Lisa: Rebecca Rigg Diana: Brooke Smith Jeff: Tom McCarthy Samantha Wilson: Ashley Gerasimovich Trevor Wilson: Quinn Broggy CIA Tour Leader: Nicholas Sadler CPD Agent: Iris Bahr Minister of Mines – Niger: Ghazil Joe Turner: Kristoffer Ryan Winters Nervous Analyst #1: Louis Ozawa CIA Analyst #1: Sean Mahon Professor Badawi: Mohamed Abdel Fatah Kim: Rashmi Rao Nervous Dave: David Denman Nervous Analyst #2: Remy Auberjonois Ali: Sunil Malhotra Jordan Officer #1: Kevin Makely Mukhabarat Officer: Mousa Al Satari Hammad’s Son: Rafat Basel Hammad’s Wife: Maysa Abdel Sattar B.U. Professor: Judith Resnik B.U. Student #1: Ben Mac Brown B.U. Student #2: Satya Bhabha Iraqi Scientist #1: Nabil Koni Iraqi Scientist #2: Mohammad Al Sawalqa Beth: Jenny Maguire Pete: David Warshofsky Ari Fleischer: Geoffrey Cantor Journalist #1: David Ilku Journalist #2: Deidre Goodwin Journalist #3: Donna Placido Karl Rove: Adam LeFevre Steven Hadley: Brian McCormack Andrew Card: James Rutledge Cathie Martin: Tricia Munford David Addington: Michael Goodwin Mr. Tabir: Nassar Dir. of CIA Operations: Chet Grissom Internal Security Officer: James Joseph O’Neil Supporter #1: Danni Lang Supporter #2: Jane Lee Field Reporter #1: James Moye Field Reporter #2: Judy Maier Diane Plame: Polly Holliday Businessman #1: Kola Ogundiran Businessman #2: Byron Utley Right Wing Reporter: Anastasia Barzee DC Cab Driver: Sanousi Sesay Barista (uncredited): Angela Lewis Deceased Soldier’s Daughter (uncredited): Michelle E. Mancini UN Diplomat (uncredited): Rebekah Paltrow Neumann Iraqi Server (uncredited): Barbara Grace Romano Four Seasons Waitress (uncredited): Satu Runa Warehouse Supervisor (uncredited): Kaipo Schwab Head Paparazzo (uncredited): Harry L. Seddon Turkish Diplomat (uncredited): Kent Sladyk Vietnam Vet at Rally (uncredited): Bill Walters Film Crew: Producer: Doug Liman Screenplay: John-Henry Butterworth Producer: Jez Butterworth Book: Joseph Wilson Associate Producer: Sean Gesell Makeup Department Head: Michal Bigger Line Producer: Pete Singh Key Hair Stylist: Amanda Miller Line Producer: Anadil Hossain Line Producer: Bruce Wayne Gillies Line Producer: Carson Ng Original Music Composer: John Powell Executive Producer: Mohamed Khalaf Al-Mazrouei Associate Producer: Gerry Robert Byrne Line Producer: Wesam Seif Elislam Hairstylist: Lisa Hazell Book: Valerie Plame Executive Producer: Jeff Skoll Co-Producer: Avram Ludwig Stunt Coordinator: G. A. Aguilar Stunt Coordinator: Peter Bucossi Co-Producer: Kim H. Winther Casting: Joseph Middleton Producer: Bill Pohlad Co-Producer: David Sigal Producer: Janet Zucker Set Decoration: Sara Parks Executive Producer: David Bartis Executive Producer: Mari-Jo Winkler Costume Design: Cindy Evans Producer: Jerry Zucker Editor: Christopher Tellefsen Stunts: Anthony Vincent Producer: Akiva Goldsman Art Direction: Kevin Bird Production Design: Jess Gonchor Stunts: Stephen A. Pope Executive Producer: Kerry Foster Movie Reviews:

[sxf-sideweek]

Do you know what would be elegant?

Participate to the Spy x Family side character week of course!

An elegant reminder :

📅 When : From 18th to 25th of June 2023

Day 1 : SSS (Yuri and coworkers)

Day 2 : Garden (Mc Mahon, Shopkeeper etc.)

Day 3 : WISE (Sylvia, Fiona, other agents)

Day 4 : Beautiful disasters (Franky, Daybreak)

Day 5 : Eden teachers (Henderson, Austin etc.)

Day 6 : Eden students (Emile, Bill, George etc.)

Day 7 : City Hall (Dominic, Camilla)

📋What to do? Fics, drawings, drafts and headcanons.

This blog is made to reblog/like all the works related to the side character week.

💌 Dm me if you have any question!