#agent bigelow

[redularium]

More lesbian agents . they were my favourite so long ago … maybe i should start drawing them again

Well I think this is all of my backlogged Psychonauts art, only thing left is umm TF2, a bit of SOMA, lots of OCs, tons of OLD Valerie drawings, a couple TSP, and umm, I dunno.

[brightdarkly]

The Surfer, Vampire Weekend // Point Break, Kathryn Bigelow

[shake-your-money-maker]

🎬 Point Break (1991)

Keanu Reeves and Patrick Swayze star in Kathryn Bigelow’s high-octane action thriller about an FBI agent who goes undercover to infiltrate a gang of surfing bank robbers. Packed with breathtaking stunts, philosophical undertones, and unforgettable performances, Point Break is a thrilling exploration of loyalty, adrenaline, and the human spirit.

🌊 #PointBreak #KeanuReeves #SurfingHeists

[handeaux]

Bye-Bye, Boss! And The Unsung Socialist Hero Of Cincinnati’s Charter Movement

Where are the parades? Where are the celebrations? Election Day this year marks exactly a century since Cincinnati voters rose up to finally end boss rule in the Queen City.

From the 1880s right up to 1924, Cincinnati had been run by what amounted to a criminal syndicate, with George Barnsdale Cox, known as “Boss Cox,” and his minions controlling every aspect of city politics and – most importantly – city finances through their stranglehold on the Hamilton County Republican Party. The Cox Gang siphoned millions of public dollars into their own pockets, let city schools and public services languish, allowed gambling and prostitution to flourish under police protection, and nationally besmirched the reputation of our city. Just how powerful was Boss Cox? Here is a major national magazine, Collier’s, from 24 September 1910:

“No public officeholder in Cincinnati is allowed to name his own deputies. Cox himself appoints these underlings. He has in each public office his representative, who is in real charge. In one case it was disclosed in a legislative investigation that the regularly elected official was not even allowed the combination of his office safe. That was the property of Cox’s agent.”

And here is The New Republic from 7 May 1924 describing a major source of the Boss’s ill-gotten gains:

“Cox was a grafter. It was definitely proved that he had pocketed many thousands of dollars, bribes paid to him by banks for illegally depositing with them Hamilton County funds.”

By 1924, Cox himself had been dead for eight years, but the ironclad Republican machine he had constructed still sputtered along, led by burlesque impresario Rudolph K. “Rud” Hynicka. It infuriated local progressives that Hynicka didn’t even live in Cincinnati but pulled all the strings – political and purse – in Cincinnati from his office in New York City.

The entire boss system came crashing down on 4 November 1924, when Cincinnati voters marked their ballots by a 2.5 to 1 margin to adopt a city manager form of government eliminating the ward-based city council.

In the years since, mythology has enshrined a conventional explanation of how this peaceful revolution prevailed. In this telling, independent Republicans like Murray Seasongood assumed the founding father roles. Here is a typical summary of the traditional narrative, from an article by William A. Baughin from the Winter 1988 issue of Queen City Heritage:

“Under the direction of Seasongood . . . the Charter Committee conducted a successful campaign to bring about these changes in the fall elections of 1924. After this victory, the Charter Committee remained in existence, completing its transition to a de facto political party when it endorsed and campaigned for a slate of councilmanic candidates in 1925.”

Though not exactly inaccurate, the standard version ignores decades of organized opposition to Boss Cox from Democrats and, notably, Socialists. It is not too strong a statement to assert that Cincinnati’s successful charter vote in 1924 would have been impossible without concerted action by the local Socialists and their allies.

Rarely mentioned these days is a radical reformer who devoted half a century to a campaign for social and economic reform. Herbert S. Bigelow was a provocative and controversial figure throughout a long and eventful life. He opposed United States involvement in the First World War and was kidnapped and horsewhipped because of that. He lobbied for old age pensions, for fair taxation, and for municipal control of utilities and transportation.

Bigelow set the stage for the political coup of 1924 as far back as 1912, when he helped organize a progressive, statewide constitutional convention. Bigelow headed a delegation to that convention from Hamilton County, was elected president of the convention; and guided the convention toward submitting to the voters an Initiative and Referendum amendment, and a Municipal Home Rule amendment as well.

As a young man, studying for the ministry at Cincinnati’s Lane Seminary, Bigelow’s social consciousness was awakened, and he dedicated his life “less for the gospel of heaven above and more for justice here on earth.” As pastor of the old Congregational Church on Vine Street, Bigelow’s social agenda so alienated the old-time congregants that he created a totally new “People’s Church” with no theological dogma, only a commitment to progressive causes. He preached, he said, the Social Gospel.

Bigelow’s church spawned what would today be called a political action committee, known as the People’s Power League, organizing liberals and radicals of every stripe from labor unions to Socialists to disenchanted refugees from the major parties. When the United States entered World War I, Bigelow loudly protested the forced enlistment of men through the draft, a position that almost got him killed. As Daniel R. Beaver relates in his 1957 biography of Bigelow, “A Buckeye Crusader”:

“The minister's outspoken attitude aroused the opposition of many patriotic organizations around Cincinnati and finally brought about a physical attack on him October 28, 1917. Bigelow was kidnapped as he was about to address a meeting of the Socialist Party in Newport, Kentucky, taken to a deserted field and horsewhipped, ‘In the name of the women and children of Belgium.’”

Bigelow that year backed the Socialist Party in Cincinnati’s municipal elections. He was convinced his attackers were egged on by the business and industrial interests of Cincinnati. Bigelow expressed a lifelong antipathy to any cause, no matter how popular, that had the support of Cincinnati’s established capitalists. This prejudice, according to biographer Beaver, affected his involvement in the Charter movement:

“His attitude was clearly shown in 1924 when a battle was begun by moderate Cincinnatians led by Murray Seasongood to introduce the city charter form of government into the political life of Cincinnati. [Bigelow] distrusted the motives of the reformers because of their business connections and remained aloof until it became obvious that he and his followers were needed to circulate petitions for a charter election. Though subsequent events are disputed, it seems that he and his associates exacted from the Charterites a promise to include a plan for proportional representation in their bill in return for the support of Bigelow's organization.”

Despite the essential contributions from the People’s Church, Charterites downplayed the pastor’s involvement because Bigelow, in addition to building grassroot support for municipal reform was also campaigning quite vocally in 1924 for Progressive presidential candidate Robert M. LaFollette, who had the backing of the Socialists. Still, Bigelow was able to influence the Charterites to adopt several reforms that originated in his progressive campaigns.

A much more nuanced version of the victory of 1924 would acknowledge the contributions of organized labor, women and Socialists in addition to the traditional political parties, and especially the role of Cincinnati’s lifelong firebrand, Herbert S. Bigelow.

[cinemaocd]

My april films list

The Scar/Blizna (1976): When I was in college my roommate was in a Polish class and she had access to a library of films and we watched a lot of Krzysztof Kieślowski and they are all good, I think. This one is about a mid level manager who inherits a white elephant of a project: clear a forest to build an industrial plant. The local people and the forest itself turn against him. It's magical realism with that Slavic touch of fatalism that always feels relevant.

Sweetie (1989): I saw this in the 90s at a film festival and so it was a bit of a shock when The Piano came out and it felt like you could not have two more different films at least on the surface, but both are directed by Jane Campion. Sweetie is a frank and often dark comedy about an ungovernable woman--a cautionary tale about the infantilisation of women, seen through the eyes of her long suffering sibling.  Akira (1987): Iconic anime with a beautiful smooth style. Copied so frequently it can look a bit basic to those who've grown up with its imitators, but the heart of it is a great score and atmospheric noir setting that make the set pieces like the night motorcycle ride through Tokyo the perfect accompaniment to millennial angst. Near Dark (1987): Katherine Bigelow's shot at the sexy vampire genre features most of the cast of Aliens as a troop of vampires who follow around a Confederate soldier. Bill Paxton does an entertainingly nasty turn as one of the baddies. Feels like an Aliens/Lost Boys AU and that is a compliment, really.

Cleo from 5-7 (1962): Not to be like this already in what amounts to a two sentence blurb, but the summary for this film describes Cleo as a hypochondriac? Excuse me but she is waiting around to find out if she has cancer. It seems to me that this is a movie about the way women are dismissed and not seen, even when they are famous and actually the center of attention wherever they go. On the surface she looks like a spoiled diva, but behind the scenes we see she is frightened and lonely. Anyway fuck the patriarchy and Free Cleo! Twelve Angry Men (1957): We rewatched this because my son is on some weird reddit sub thread discord where everyone rpgs as jurors from this movie...I'm not joking. Imagining a super niche fandom for Jack Warner. It exists. THe internet is a wild place. Anyway, this holds up. Don't mix up Syndey Lumet and Sydney Pollack like I did, lol. Embarrassing!

Ashes and Diamonds (1958): Polish film master, Andrez Wadja's be bop riff on neo realism, is a chronicle of the final day of German occupation, and a Hail Mary attempt by a young resistance fighter to wrest the country back from the Soviet Army which is already there. It's a hopeless mission, born of drunken desperation in smokey back rooms, one that comes apart in daylight. It's feels like Rebel without a Cause, but like...he has a cause? There a sense of tragic waste that mirrors Nicholas Ray's vision of restless American youth. Scoop (2024): A rather weak entry in the behind the scenes journalism drama genre that I seem to be unable to resist in any form. This has Billy Piper as a booking agent who manages the coup of getting Prince Andrew to sit down for an interview with the press about the pedophilia allegations. Your average episode of The Thick of It, probably has more meat than this made for TV film.

The Two Popes (2019): For those playing along at home this was my fourth time watching this. What can I say, two of my fave old lovies flirting away in Pope costumes. It's a comfort film. You are not immune to propaganda. Bulworth (1998): Featuring just about every working black actor of the era, this movie was kind of ahead of its time. About a liberal politician who is so depressed about the state of his party being owned by powerful business interests that he decides to commit suicide by hiring a hitman to kill him so that his family will at least get the insurance. Warren Beatty at his most ridiculous, this is underrated gem.

Great Expectations (1974) After revisiting this version, I went back to David Lean, which is no surprise. This is a made for TV movie that has a lot of familiar faces from 50s British film including Robert Morley and my boi Anthony Quayle. Michael York is Pip. Heat (1995): I might become slightly obsessed with Michael Mann after watching all this moody atmosphere punctuated with bursts of violence, with long passages set to a synth score that made Chris Fleming want to crash his car. Some beautiful lighting and camera work in the final set piece which takes place on an airport runway. Iconic and yet, bloated and overlong and I just don't know why I like it so much? Maybe it's Al Pacino's reactions which are just so off the wall in some scenes, and the disconcerting normality of the other people in the same scenes, ya know? Like they are in two different movies. I shot Andy Warhol (1996): Watched this for Jared Harris (who is adorable as always and terrific as always and completely sinks into the role as always) and came away remembering why Lily Taylor was a 90s icon/IT girl and boy can she act. Like wow. Andy Warhol is the title character, but it's more about Valerie Solanas the radical feminist lesbian who shot him because she believed he stole her work. (The movie implies that he did, a little bit...). Her SCUM manifesto remains controversial to say the least, but her story is a utterly heartbreaking, told with humanity and nuance. Actually a great choice for Pride month because it talks about gay history and it's not pretty or comfortable but it's necessary to learn. Hopscotch (1980): Delightful comedy starring Walter Matthau and Judy Collins as a spy couple. Combines actually decent spy thriller with actually funny stuff and it's romantic and sweet as well.

[kristenswig]

now presenting Kristenswig’s Most Anticipated Major Motion Pictures of 2025

Jupiter (Andrey Zvyangintsev)

Sentimental Value (Joachim Trier)

Miroirs No. 3 (Christian Petzold)

Die, My Love (Lynne Ramsay)

The Secret Agent (Kleber Mendonca Filho)

Butterfly Jam (Kantemir Balagov) (idgaf)

On Land and Sea (Hlynur Palmason)

Alpha (Julia Ducournau)

Untitled (Kathryn Bigelow)

The Mastermind (Kelly Reichardt)

A Big Bold Beautiful Journey (Kogonada)

Orphan (Laszlo Nemes)

Private Life (Rebecca Zlotowski)

The History of Sound (Oliver Hermanus)

Resurrection (Bi Gan)

Rebuilding (Max Walker-Silverman)

After the Hunt (Luca Guadagnino)

M3GAN 2.0 (Gerard Johnstone)

Honey Bunch (Madeline Sims-Fewer & Dusty Mancinelli)

The Bride (Maggie Gyllenhaal)

Rose of Nevada (Mark Jenkin)

The Ice Tower (Lucile Hadzihalilovic)

Dreams (Michel Franco)

Drop (Christopher Landon)

Hope (Na Hong-jin)

The Perfumed H-[gunshots]

[denimbex1986]

'EXCLUSIVE: Emmy and Golden Globe nominees Greta Lee (Past Lives) and Andrew Scott (All of Us Strangers) have inked deals to star in My Notes on Mars, a sci-fi romance marking the first English-language feature from renowned Hungarian filmmaker Lili Horvát (Preparations to Be Together for an Unknown Period of Time).

Set to shoot between Budapest and Vienna next spring, Horvát’s latest centers on Margot (Lee), a brilliant young scientist with a troubled marriage, who disappears inexplicably while hiking with her husband Sam (Scott) and a group of friends. A few weeks later, she miraculously reappears the day of her own memorial service. Margot is clearly not the same as before the accident. Nevertheless, Sam sees his wife’s miraculous reappearance as a second chance.

For Horvát, the film is “a story about the labyrinthine human psyche, about the ever-changing faces of love. To start over a marriage, to rediscover the other, to fall in love again — our story is about the grueling realization of this impossible desire.”

Noting that she’s “particularly drawn to characters who dare to make surprising, unconventional choices in both their private and professional lives,” the filmmaker added, “I feel that this is true for Greta and Andrew as well. It is an incredible honor for me that I can accompany them on the journey of creating Margot and Sam Fogel.”...

Lee gave one of the best performances of last year in A24’s romantic drama Past Lives, earning the Santa Barbara Film Festival’s Virtuoso Award for her work, as well as nominations at the Golden Globes, Critics’ Choice Awards, Independent Spirit Awards and Gotham Awards. Otherwise perhaps best known for her Emmy-nominated work on The Morning Show, the actress will next be seen in Disney’s Tron: Ares and Kathryn Bigelow’s still-untitled new film for Netflix.

Scott is currently up for two Emmys as the producer and star of Netflix’s stellar Steven Zaillian miniseries Ripley. Prior to the crime thriller’s April debut, he was seen staring opposite Paul Mescal in Andrew Haigh’s acclaimed romantic fantasy All of Us Strangers, a Searchlight title for which he was nominated for a Golden Globe. Most recently tapped to star in the D-Day pic Pressure for StudioCanal and Working Title, he’ll also be seen coming up in Netflix’s Wake Up Dead Man: A Knives Out Mystery...

Lee is represented by UTA, Entertainment 360, and Jackoway Austen Tyerman; Scott by CAA, United Agents, and Johnson Shapiro Slewett & Kole; and Horvát by UTA.'

[rebeccalouisaferguson]

EXCLUSIVE: Gabriel Basso (The Night Agent) and Jared Harris (Chernobyl) are in final negotiations to join Netflix‘s new film from Academy Award winner Kathryn Bigelow, according to multiple sources.

No word on the roles they’ll be playing, but they join an ensemble that will be led by Idris Elba and Rebecca Ferguson, as previously reported. The film’s title and plot remain under wraps, though sources have told Deadline that it will be set at the White House as a national crisis unfolds.

[cantsayidont]

POINT BREAK (1991): Over-the-top, so-macho-it's-camp Kathryn Bigelow action farce, with Keanu Reeves as the improbably named Johnny Utah, an FBI agent who goes undercover as a surfer to capture a gang of surfer thieves who rob banks wearing masks of former presidents, whose leader turns out to be Johnny's totes platonic new surf buddy Bodhi (Patrick Swayze), the ex-boyfriend of Johnny's new girlfriend Tyler (Lori Petty). Gary Busey costars as Johnny's bitchy FBI frenemy Pappas, really maximizing the dumb homoerotic content.

Impressive stunt work, amusingly stupid dialogue, and a preposterous finale keep it reasonably entertaining in a brain-dead sort of way, and if you don't care about shipping white men — which I do not, although I'll concede this movie invites it — there's Lori Petty, who's very attractive in a truly thankless part (she gets to go from dupe to proxy to hostage, and she even has to teach Johnny how to surf). CONTAINS LESBIANS? The female FBI agent who looks up Tyler's rap sheet toward the beginning seems pretty into her, but this isn't the sort of movie that ever has more than one woman onscreen at a time. VERDICT: Not without charm, but it's so cartoonish it makes the RUSH HOUR movies look like MASTERPIECE THEATRE.

[yekokataa]

the secret of skinwalker ranch is, i hate to say it, kind of boring this season. i didn’t think it would happen but the uaps are repetitive at this point. they fire off a rocket, they get a strange light in the sky. an anomaly makes a rocket or gps data get screwed up. it’s the same thing over and over with no explanation.

at least beyond skinwalker ranch, the spin-off show that’s actually superior is knocking it out of the park this season. they’re digging up shit bigelow left behind on another of his former properties. also the two main guys are much more likable despite the fact that one of them is a former cia agent (i guess it probably pays to be charismatic if you’re a spy). anyway i feel like whatever bingelow buried was because he couldn’t find any answers but at least it way more interesting than yet another light in the sky no one can explain

[redularium]

When Psychonauts… Some of these are old ‼️💥

[unwelcome-ozian]

Hi. When you get the chance, do you mind linking resources on articles detailing at least some of the... less-than-good things Freemasons have done? Other than the. William Morgan stuff. I mean more like in this post (https://www.tumblr.com/unwelcome-ozian/173401786219/hi-there-its-star-anon-again-sorry-i-meant-it-in?source=share) where you say "numerous reports" -- do you happen to have any of those on hand? I know it's been a while since that post was made, but it would help immensely. Thank you so much.

Hello. Oz has listed some of the reports of abuse in the past (here).  Though not all of them directly refer to sex-rituals, there is language of sexual abuse involved. I have included links referencing those articles and have included two additional articles at the end. I have also included a link to a survivor testimony. There are also various survivor reports that we've heard through interactions with survivors that are not in the form of articles. Known forms of Masonic programming within survivor systems is also evidence of “less than good things Freemasons have done”.  Not everyone involved in Freemasonry is aware of these kinds of abuses.

There was the Waterhouse report regarding children’s homes that involved abuse by masons.

link

Here are some news stories of Freemasons and sexual abuse:

Jones v. Masonic Home of California (Covina, CA) Child sex abuse verdictMasonic Homes of California Held Liable for Childhood Sexual Abuse For Second Time - More Than $12.5 Million in Damages Awarded, Including Punitive Damages

On Tuesday, July 24, 2007, a Pomona jury found Masonic Homes of California liable for more than $12.5 million in damages to three adult-male victims who were sexually abused while they were children residing in the Masonic Home for Children in Covina. The award quickly followed the jury’s unanimous findings that Masonic Homes of California knew or had reason to know that Wayne Rose, now of Newport Beach, California, was committing unlawful childhood sexual abuse, yet failed to take any reasonable steps to prevent further abuse of the plaintiffs. These three plaintiffs were the second trial group out of fourteen total plaintiffs who claim they were sexually abused by Masonic Homes of California’s employees and agents while they resided in the Masonic Home for Children in Covina from the late 1960s through the 1990s. The plaintiffs in the first trial in October, 2006, 7 year old girls at the time of the abuse in the late 1960s, were awarded more than $3.5 million dollars by a jury that unanimously found Masonic Home knew or had reason to know the Home’s agents or employees were molesting child residents. Nine of the remaining plaintiffs’ cases against Masonic Homes of California are set for trial through July, 2008. David N. Bigelow and Graham B. LippSmith of Girardi | Keese represented the plaintiffs in this and the previous trial. They also represent the remaining plaintiffs in the upcoming trials against Masonic Homes of California.

link

Sex-abuse settlements may lead Masonic school to close

DALLAS (AP) — A financial crisis caused in part by at least $6.9 million paid to settle lawsuits alleging sex abuse at the Masonic Grand Lodge of Texas’ Masonic Home and School has led to a convention this weekend where masons will decide the school’s fate. Bickle’s lawsuit involved at least a dozen other students, his former attorney said. Stewart left the school shortly before Bickle’s lawsuit was settled. The lawsuit alleged that school and Masons leaders “had a significant history of documented child sexual abuse at their facility dating as far back as the 1970s” and refused to seek criminal charges “in every confirmed instance of sexual abuse/assault of children residing at the Masonic Home.”

link

Masonic Camp for Children

John Shirley was arrested in 1997 for photographing teens “mooning” (showing their buttocks) his camera at a Masonic camp. Instead of removing Shirley from his voluntary position as a DeMolay Chapter Dad, national and state DeMolay officials investigated the complaints and concluded Shirley had used “bad judgment.” In 1998, at least 11 boys in his DeMolay Chapter told police Shirley gave them alcohol and drugs, fondled them or had sex with them. Most of the sex-related activities happened over three years. Shirley, a Mason aged 48 at the time of conviction, was sentenced to life imprisonment being found guilty on 27 of 36 felony child sex abuse charges. He was also convicted of 13 misdemeanors, including charges he contributed to the delinquency of minors.

link

Investigation of abuse by Royal Order of Jesters 

link

Case Study

link

Presentation by Kristin Constance (survivor) at 2012 S.M.A.R.T. Conference

link

~Josha

[shake-your-money-maker]

One of my favourite actress's was in this film,Lori Petty...

Point Break is a 1991 American action film directed by Kathryn Bigelow and written by W. Peter Iliff.

In Los Angeles, California, a gang of bank robbers call themselves The Ex-Presidents. commit their crimes while wearing masks of ex-Presidents Reagan, Carter, Nixon, and Johnson. The F.B.I. believes that the members of the gang could be surfers, and send young Agent Johnny Utah undercover at the beach to mix with the surfers and gather information. Utah meets surfer Bodhi, and gets drawn into the lifestyle of his new friend...

Cast · Patrick Swayze · Keanu Reeves · Gary Busey · Lori Petty · John C. McGinley · James Le Gros · John Philbin · Bojesse Christopher..

[robotpussy]

that whole thing about directors picking big studio projects to fund their little projects is almost never the case because they're usually bound by contract to make more stuff, not work with rival studios and gerwig's agent said she's aiming to be a big studio director like spielberg because yknow #feminism

OH! 😭😭 i read somewhere today that Greta was probably doing this to fund the Sacramento lady bird series she was wants to do (🙄) turns out she just wants to be another Kathryn Bigelow alright

[agendaculturaldelima]

#ProyeccionDeVida

🎬 “PUNTO DE QUIEBRE (Le llaman Bodhi)” [Point Break] ☀️🌊🏄‍♂️

🔎 Género: Acción / Robos y Atracos / Crimen / Surf / Película de Culto

⌛️ Duración: 125 minutos

✍️ Guión: Peter Iliff y Rick King

🎼 Música: Mark Isham

📷 Fotografía: Donald Peterman

🗯 Argumento: Johnny Utah, joven agente del FBI, se infiltra en los ambientes del surf para desenmascarar a una banda de atracadores que, como sello de identidad, usan caretas de presidentes de los Estados Unidos durante sus golpes. Pero se encapricha de la guapa Tyler y, además, conoce a Bodhi, el jefe de la banda, un hombre que vive al límite y que acaba ejerciendo una gran influencia sobre el joven policía.

👥 Reparto: Keanu Reeves (Johnny Utah), Patrick Swayze (Bodhi), Lori Petty (Tyler Ann Endicott), Gary Busey (Angelo Pappas, agente FBI), James LeGros (Roach), Anthony Kiedis (Tone), Bojesse Christopher (Grommet), Vincent Klyn (Warchild) y John C. McGinley (Ben Harp).

📢 Dirección: Kathryn Bigelow

© Productoras: 20th Century Fox, Largo Entertainment & JVC Entertainment Networks.

👤 Productor: James Cameron

🌎 País: Estados Unidos

📅 Año: 1991

📽 PROYECCIÓN:

📆 Jueves 02 de Enero

🕗 8:00pm.

🎦 Cine Caleta (calle Aurelio de Souza 225 - Barranco)

🚶‍♀️🚶‍♂️ Ingreso libre

🙂 A tener en cuenta: Prohibido el ingreso de bebidas y comidas. 🌳💚🌻🌛

[rebeccalouisaferguson]

Someone said Rebecca is considered for a role in The Peaky Blinders movie I think her agent needs an outlet to confirm things officially

The Katheryn Bigelow movie rumor is confirmed by Deadline. Baring in mind that the Katherine Bigelow movie and The Peaky Blinders movie rumors were posted/reported at the same time by the same source (Jeff Sneider film critic/ journalist) if deadline confirmed one and not the other there is probably no truth to the later. When deadline posts the casting rumors they do go to agents, studios and other official sources. If they didn’t post anything about The Peaky blinders film means they checked it and didn’t get the confirmation. Deadline/Variety/The Hollywood Reporter are solid trades.