#agent bigelow

[redularium]

More lesbian agents . they were my favourite so long ago … maybe i should start drawing them again

Well I think this is all of my backlogged Psychonauts art, only thing left is umm TF2, a bit of SOMA, lots of OCs, tons of OLD Valerie drawings, a couple TSP, and umm, I dunno.

[brightdarkly]

The Surfer, Vampire Weekend // Point Break, Kathryn Bigelow

[oldmanpeace]

My favorite movie from each year, 1960+.

1960. Psycho (Alfred Hitchcock) 1961. Breakfast At Tiffany's (Blake Edwards) 1962. Cleo from 5 to 7 (Agnés Varda) 1963. 8½ (Federico Fellini) 1964. Dr. Strangelove (Stanley Kubrick) 1965. Pierrot le Fou (Jean-Luc Godard) 1966. The Good, the Bad and the Ugly (Sergio Leone) 1967. The Fearless Vampire Killers (Roman Polanski) 1968. Bullitt (Peter Yates) 1969. Easy Rider (Dennis Hopper) 1970. Kelly's Heroes (Brian G. Hutton) 1971. Harold and Maude (Hal Ashby) 1972. The Godfather (Francis Ford Coppola) 1973. Badlands (Terrence Malick) 1974. Bring Me the Head of Alfredo Garcia (Sam Peckinpah) 1975. Jaws (Steven Spielberg) 1976. The Bad News Bears (Michael Ritchie) 1977. Smokey and the Bandit (Hal Needham) 1978. Days of Heaven (Terrence Malick) 1979. Alien (Ridley Scott) 1980. Dressed To Kill (Brian De Palma) 1981. Thief (Michael Mann) 1982. Diner (Barry Levinson) 1983. Scarface (Brian De Palma) 1984. Paris, Texas (Wim Wenders) 1985. To Live and Die in L.A. (William Friedkin) 1986. Hoosiers (David Anspaugh) 1987. Full Metal Jacket (Stanley Kubrick) 1988. Big (Penny Marshall) 1989. Do the Right Thing (Spike Lee) 1990. Goodfellas (Martin Scorsese) 1991. JFK (Oliver Stone) 1992. Scent of a Woman (Martin Brest) 1993. Dazed and Confused (Richard Linklater) 1994. The Shawshank Redemption (Frank Darabont) 1995. Heat (Michael Mann) 1996. A Time to Kill (Joel Schumacher) 1997. Princess Mononoke (Hayao Miyazaki) 1998. Fucking Åmål (Lucas Moodysson) 1999. Fight Club (David Fincher) 2000. High Fidelity (Stephen Frears) 2001. The Royal Tenenbaums (Wes Anderson) 2002. Spider-Man (Sam Raimi) 2003. The Station Agent (Tom McCarthy) 2004. Sideways (Alexander Payne) 2005. Kiss Kiss, Bang Bang (Shane Black) 2006. Volver (Pedro Almodóvar) 2007. Into the Wild (Sean Penn) 2008. In Bruges (Martin McDonagh) 2009. Up in the Air (Jason Reitman) 2010. Hesher (Spencer Susser) 2011. Drive (Nicolas Winding Refn) 2012. Zero Dark Thirty (Kathryn Bigelow) 2013. Nebraska (Alexander Payne) 2014. The Grand Budapest Hotel (Wes Anderson) 2015. Sicario (Denis Villeneuve) 2016. Hell or High Water (David Mackenzie) 2017. Three Billboards Outside Ebbing, Missouri (Martin McDonagh) 2018. Manbiki kazoku (Hirokazu Koreeda) 2019. Uncut Gems (Benny & Josh Safdie) 2020. Nomadland (Chloé Zhao) 2021. Licorice Pizza (Paul Thomas Anderson) 2022. The Banshees of Inisherin (Martin McDonagh) 2023. The Holdovers (Alexander Payne)

[shake-your-money-maker]

🎬 Point Break (1991)

Keanu Reeves and Patrick Swayze star in Kathryn Bigelow’s high-octane action thriller about an FBI agent who goes undercover to infiltrate a gang of surfing bank robbers. Packed with breathtaking stunts, philosophical undertones, and unforgettable performances, Point Break is a thrilling exploration of loyalty, adrenaline, and the human spirit.

🌊 #PointBreak #KeanuReeves #SurfingHeists

[handeaux]

Bye-Bye, Boss! And The Unsung Socialist Hero Of Cincinnati’s Charter Movement

Where are the parades? Where are the celebrations? Election Day this year marks exactly a century since Cincinnati voters rose up to finally end boss rule in the Queen City.

From the 1880s right up to 1924, Cincinnati had been run by what amounted to a criminal syndicate, with George Barnsdale Cox, known as “Boss Cox,” and his minions controlling every aspect of city politics and – most importantly – city finances through their stranglehold on the Hamilton County Republican Party. The Cox Gang siphoned millions of public dollars into their own pockets, let city schools and public services languish, allowed gambling and prostitution to flourish under police protection, and nationally besmirched the reputation of our city. Just how powerful was Boss Cox? Here is a major national magazine, Collier’s, from 24 September 1910:

“No public officeholder in Cincinnati is allowed to name his own deputies. Cox himself appoints these underlings. He has in each public office his representative, who is in real charge. In one case it was disclosed in a legislative investigation that the regularly elected official was not even allowed the combination of his office safe. That was the property of Cox’s agent.”

And here is The New Republic from 7 May 1924 describing a major source of the Boss’s ill-gotten gains:

“Cox was a grafter. It was definitely proved that he had pocketed many thousands of dollars, bribes paid to him by banks for illegally depositing with them Hamilton County funds.”

By 1924, Cox himself had been dead for eight years, but the ironclad Republican machine he had constructed still sputtered along, led by burlesque impresario Rudolph K. “Rud” Hynicka. It infuriated local progressives that Hynicka didn’t even live in Cincinnati but pulled all the strings – political and purse – in Cincinnati from his office in New York City.

The entire boss system came crashing down on 4 November 1924, when Cincinnati voters marked their ballots by a 2.5 to 1 margin to adopt a city manager form of government eliminating the ward-based city council.

In the years since, mythology has enshrined a conventional explanation of how this peaceful revolution prevailed. In this telling, independent Republicans like Murray Seasongood assumed the founding father roles. Here is a typical summary of the traditional narrative, from an article by William A. Baughin from the Winter 1988 issue of Queen City Heritage:

“Under the direction of Seasongood . . . the Charter Committee conducted a successful campaign to bring about these changes in the fall elections of 1924. After this victory, the Charter Committee remained in existence, completing its transition to a de facto political party when it endorsed and campaigned for a slate of councilmanic candidates in 1925.”

Though not exactly inaccurate, the standard version ignores decades of organized opposition to Boss Cox from Democrats and, notably, Socialists. It is not too strong a statement to assert that Cincinnati’s successful charter vote in 1924 would have been impossible without concerted action by the local Socialists and their allies.

Rarely mentioned these days is a radical reformer who devoted half a century to a campaign for social and economic reform. Herbert S. Bigelow was a provocative and controversial figure throughout a long and eventful life. He opposed United States involvement in the First World War and was kidnapped and horsewhipped because of that. He lobbied for old age pensions, for fair taxation, and for municipal control of utilities and transportation.

Bigelow set the stage for the political coup of 1924 as far back as 1912, when he helped organize a progressive, statewide constitutional convention. Bigelow headed a delegation to that convention from Hamilton County, was elected president of the convention; and guided the convention toward submitting to the voters an Initiative and Referendum amendment, and a Municipal Home Rule amendment as well.

As a young man, studying for the ministry at Cincinnati’s Lane Seminary, Bigelow’s social consciousness was awakened, and he dedicated his life “less for the gospel of heaven above and more for justice here on earth.” As pastor of the old Congregational Church on Vine Street, Bigelow’s social agenda so alienated the old-time congregants that he created a totally new “People’s Church” with no theological dogma, only a commitment to progressive causes. He preached, he said, the Social Gospel.

Bigelow’s church spawned what would today be called a political action committee, known as the People’s Power League, organizing liberals and radicals of every stripe from labor unions to Socialists to disenchanted refugees from the major parties. When the United States entered World War I, Bigelow loudly protested the forced enlistment of men through the draft, a position that almost got him killed. As Daniel R. Beaver relates in his 1957 biography of Bigelow, “A Buckeye Crusader”:

“The minister's outspoken attitude aroused the opposition of many patriotic organizations around Cincinnati and finally brought about a physical attack on him October 28, 1917. Bigelow was kidnapped as he was about to address a meeting of the Socialist Party in Newport, Kentucky, taken to a deserted field and horsewhipped, ‘In the name of the women and children of Belgium.’”

Bigelow that year backed the Socialist Party in Cincinnati’s municipal elections. He was convinced his attackers were egged on by the business and industrial interests of Cincinnati. Bigelow expressed a lifelong antipathy to any cause, no matter how popular, that had the support of Cincinnati’s established capitalists. This prejudice, according to biographer Beaver, affected his involvement in the Charter movement:

“His attitude was clearly shown in 1924 when a battle was begun by moderate Cincinnatians led by Murray Seasongood to introduce the city charter form of government into the political life of Cincinnati. [Bigelow] distrusted the motives of the reformers because of their business connections and remained aloof until it became obvious that he and his followers were needed to circulate petitions for a charter election. Though subsequent events are disputed, it seems that he and his associates exacted from the Charterites a promise to include a plan for proportional representation in their bill in return for the support of Bigelow's organization.”

Despite the essential contributions from the People’s Church, Charterites downplayed the pastor’s involvement because Bigelow, in addition to building grassroot support for municipal reform was also campaigning quite vocally in 1924 for Progressive presidential candidate Robert M. LaFollette, who had the backing of the Socialists. Still, Bigelow was able to influence the Charterites to adopt several reforms that originated in his progressive campaigns.

A much more nuanced version of the victory of 1924 would acknowledge the contributions of organized labor, women and Socialists in addition to the traditional political parties, and especially the role of Cincinnati’s lifelong firebrand, Herbert S. Bigelow.

[cinemaocd]

My april films list

The Scar/Blizna (1976): When I was in college my roommate was in a Polish class and she had access to a library of films and we watched a lot of Krzysztof Kieślowski and they are all good, I think. This one is about a mid level manager who inherits a white elephant of a project: clear a forest to build an industrial plant. The local people and the forest itself turn against him. It's magical realism with that Slavic touch of fatalism that always feels relevant.

Sweetie (1989): I saw this in the 90s at a film festival and so it was a bit of a shock when The Piano came out and it felt like you could not have two more different films at least on the surface, but both are directed by Jane Campion. Sweetie is a frank and often dark comedy about an ungovernable woman--a cautionary tale about the infantilisation of women, seen through the eyes of her long suffering sibling.  Akira (1987): Iconic anime with a beautiful smooth style. Copied so frequently it can look a bit basic to those who've grown up with its imitators, but the heart of it is a great score and atmospheric noir setting that make the set pieces like the night motorcycle ride through Tokyo the perfect accompaniment to millennial angst. Near Dark (1987): Katherine Bigelow's shot at the sexy vampire genre features most of the cast of Aliens as a troop of vampires who follow around a Confederate soldier. Bill Paxton does an entertainingly nasty turn as one of the baddies. Feels like an Aliens/Lost Boys AU and that is a compliment, really.

Cleo from 5-7 (1962): Not to be like this already in what amounts to a two sentence blurb, but the summary for this film describes Cleo as a hypochondriac? Excuse me but she is waiting around to find out if she has cancer. It seems to me that this is a movie about the way women are dismissed and not seen, even when they are famous and actually the center of attention wherever they go. On the surface she looks like a spoiled diva, but behind the scenes we see she is frightened and lonely. Anyway fuck the patriarchy and Free Cleo! Twelve Angry Men (1957): We rewatched this because my son is on some weird reddit sub thread discord where everyone rpgs as jurors from this movie...I'm not joking. Imagining a super niche fandom for Jack Warner. It exists. THe internet is a wild place. Anyway, this holds up. Don't mix up Syndey Lumet and Sydney Pollack like I did, lol. Embarrassing!

Ashes and Diamonds (1958): Polish film master, Andrez Wadja's be bop riff on neo realism, is a chronicle of the final day of German occupation, and a Hail Mary attempt by a young resistance fighter to wrest the country back from the Soviet Army which is already there. It's a hopeless mission, born of drunken desperation in smokey back rooms, one that comes apart in daylight. It's feels like Rebel without a Cause, but like...he has a cause? There a sense of tragic waste that mirrors Nicholas Ray's vision of restless American youth. Scoop (2024): A rather weak entry in the behind the scenes journalism drama genre that I seem to be unable to resist in any form. This has Billy Piper as a booking agent who manages the coup of getting Prince Andrew to sit down for an interview with the press about the pedophilia allegations. Your average episode of The Thick of It, probably has more meat than this made for TV film.

The Two Popes (2019): For those playing along at home this was my fourth time watching this. What can I say, two of my fave old lovies flirting away in Pope costumes. It's a comfort film. You are not immune to propaganda. Bulworth (1998): Featuring just about every working black actor of the era, this movie was kind of ahead of its time. About a liberal politician who is so depressed about the state of his party being owned by powerful business interests that he decides to commit suicide by hiring a hitman to kill him so that his family will at least get the insurance. Warren Beatty at his most ridiculous, this is underrated gem.

Great Expectations (1974) After revisiting this version, I went back to David Lean, which is no surprise. This is a made for TV movie that has a lot of familiar faces from 50s British film including Robert Morley and my boi Anthony Quayle. Michael York is Pip. Heat (1995): I might become slightly obsessed with Michael Mann after watching all this moody atmosphere punctuated with bursts of violence, with long passages set to a synth score that made Chris Fleming want to crash his car. Some beautiful lighting and camera work in the final set piece which takes place on an airport runway. Iconic and yet, bloated and overlong and I just don't know why I like it so much? Maybe it's Al Pacino's reactions which are just so off the wall in some scenes, and the disconcerting normality of the other people in the same scenes, ya know? Like they are in two different movies. I shot Andy Warhol (1996): Watched this for Jared Harris (who is adorable as always and terrific as always and completely sinks into the role as always) and came away remembering why Lily Taylor was a 90s icon/IT girl and boy can she act. Like wow. Andy Warhol is the title character, but it's more about Valerie Solanas the radical feminist lesbian who shot him because she believed he stole her work. (The movie implies that he did, a little bit...). Her SCUM manifesto remains controversial to say the least, but her story is a utterly heartbreaking, told with humanity and nuance. Actually a great choice for Pride month because it talks about gay history and it's not pretty or comfortable but it's necessary to learn. Hopscotch (1980): Delightful comedy starring Walter Matthau and Judy Collins as a spy couple. Combines actually decent spy thriller with actually funny stuff and it's romantic and sweet as well.

[denimbex1986]

'EXCLUSIVE: Emmy and Golden Globe nominees Greta Lee (Past Lives) and Andrew Scott (All of Us Strangers) have inked deals to star in My Notes on Mars, a sci-fi romance marking the first English-language feature from renowned Hungarian filmmaker Lili Horvát (Preparations to Be Together for an Unknown Period of Time).

Set to shoot between Budapest and Vienna next spring, Horvát’s latest centers on Margot (Lee), a brilliant young scientist with a troubled marriage, who disappears inexplicably while hiking with her husband Sam (Scott) and a group of friends. A few weeks later, she miraculously reappears the day of her own memorial service. Margot is clearly not the same as before the accident. Nevertheless, Sam sees his wife’s miraculous reappearance as a second chance.

For Horvát, the film is “a story about the labyrinthine human psyche, about the ever-changing faces of love. To start over a marriage, to rediscover the other, to fall in love again — our story is about the grueling realization of this impossible desire.”

Noting that she’s “particularly drawn to characters who dare to make surprising, unconventional choices in both their private and professional lives,” the filmmaker added, “I feel that this is true for Greta and Andrew as well. It is an incredible honor for me that I can accompany them on the journey of creating Margot and Sam Fogel.”...

Lee gave one of the best performances of last year in A24’s romantic drama Past Lives, earning the Santa Barbara Film Festival’s Virtuoso Award for her work, as well as nominations at the Golden Globes, Critics’ Choice Awards, Independent Spirit Awards and Gotham Awards. Otherwise perhaps best known for her Emmy-nominated work on The Morning Show, the actress will next be seen in Disney’s Tron: Ares and Kathryn Bigelow’s still-untitled new film for Netflix.

Scott is currently up for two Emmys as the producer and star of Netflix’s stellar Steven Zaillian miniseries Ripley. Prior to the crime thriller’s April debut, he was seen staring opposite Paul Mescal in Andrew Haigh’s acclaimed romantic fantasy All of Us Strangers, a Searchlight title for which he was nominated for a Golden Globe. Most recently tapped to star in the D-Day pic Pressure for StudioCanal and Working Title, he’ll also be seen coming up in Netflix’s Wake Up Dead Man: A Knives Out Mystery...

Lee is represented by UTA, Entertainment 360, and Jackoway Austen Tyerman; Scott by CAA, United Agents, and Johnson Shapiro Slewett & Kole; and Horvát by UTA.'

[rebeccalouisaferguson]

EXCLUSIVE: Gabriel Basso (The Night Agent) and Jared Harris (Chernobyl) are in final negotiations to join Netflix‘s new film from Academy Award winner Kathryn Bigelow, according to multiple sources.

No word on the roles they’ll be playing, but they join an ensemble that will be led by Idris Elba and Rebecca Ferguson, as previously reported. The film’s title and plot remain under wraps, though sources have told Deadline that it will be set at the White House as a national crisis unfolds.

[cantsayidont]

POINT BREAK (1991): Over-the-top, so-macho-it's-camp Kathryn Bigelow action farce, with Keanu Reeves as the improbably named Johnny Utah, an FBI agent who goes undercover as a surfer to capture a gang of surfer thieves who rob banks wearing masks of former presidents, whose leader turns out to be Johnny's totes platonic new surf buddy Bodhi (Patrick Swayze), the ex-boyfriend of Johnny's new girlfriend Tyler (Lori Petty). Gary Busey costars as Johnny's bitchy FBI frenemy Pappas, really maximizing the dumb homoerotic content.

Impressive stunt work, amusingly stupid dialogue, and a preposterous finale keep it reasonably entertaining in a brain-dead sort of way, and if you don't care about shipping white men — which I do not, although I'll concede this movie invites it — there's Lori Petty, who's very attractive in a truly thankless part (she gets to go from dupe to proxy to hostage, and she even has to teach Johnny how to surf). CONTAINS LESBIANS? The female FBI agent who looks up Tyler's rap sheet toward the beginning seems pretty into her, but this isn't the sort of movie that ever has more than one woman onscreen at a time. VERDICT: Not without charm, but it's so cartoonish it makes the RUSH HOUR movies look like MASTERPIECE THEATRE.

[yekokataa]

the secret of skinwalker ranch is, i hate to say it, kind of boring this season. i didn’t think it would happen but the uaps are repetitive at this point. they fire off a rocket, they get a strange light in the sky. an anomaly makes a rocket or gps data get screwed up. it’s the same thing over and over with no explanation.

at least beyond skinwalker ranch, the spin-off show that’s actually superior is knocking it out of the park this season. they’re digging up shit bigelow left behind on another of his former properties. also the two main guys are much more likable despite the fact that one of them is a former cia agent (i guess it probably pays to be charismatic if you’re a spy). anyway i feel like whatever bingelow buried was because he couldn’t find any answers but at least it way more interesting than yet another light in the sky no one can explain

[unwelcome-ozian]

Hi. When you get the chance, do you mind linking resources on articles detailing at least some of the... less-than-good things Freemasons have done? Other than the. William Morgan stuff. I mean more like in this post (https://www.tumblr.com/unwelcome-ozian/173401786219/hi-there-its-star-anon-again-sorry-i-meant-it-in?source=share) where you say "numerous reports" -- do you happen to have any of those on hand? I know it's been a while since that post was made, but it would help immensely. Thank you so much.

Hello. Oz has listed some of the reports of abuse in the past (here).  Though not all of them directly refer to sex-rituals, there is language of sexual abuse involved. I have included links referencing those articles and have included two additional articles at the end. I have also included a link to a survivor testimony. There are also various survivor reports that we've heard through interactions with survivors that are not in the form of articles. Known forms of Masonic programming within survivor systems is also evidence of “less than good things Freemasons have done”.  Not everyone involved in Freemasonry is aware of these kinds of abuses.

There was the Waterhouse report regarding children’s homes that involved abuse by masons.

link

Here are some news stories of Freemasons and sexual abuse:

Jones v. Masonic Home of California (Covina, CA) Child sex abuse verdictMasonic Homes of California Held Liable for Childhood Sexual Abuse For Second Time - More Than $12.5 Million in Damages Awarded, Including Punitive Damages

On Tuesday, July 24, 2007, a Pomona jury found Masonic Homes of California liable for more than $12.5 million in damages to three adult-male victims who were sexually abused while they were children residing in the Masonic Home for Children in Covina. The award quickly followed the jury’s unanimous findings that Masonic Homes of California knew or had reason to know that Wayne Rose, now of Newport Beach, California, was committing unlawful childhood sexual abuse, yet failed to take any reasonable steps to prevent further abuse of the plaintiffs. These three plaintiffs were the second trial group out of fourteen total plaintiffs who claim they were sexually abused by Masonic Homes of California’s employees and agents while they resided in the Masonic Home for Children in Covina from the late 1960s through the 1990s. The plaintiffs in the first trial in October, 2006, 7 year old girls at the time of the abuse in the late 1960s, were awarded more than $3.5 million dollars by a jury that unanimously found Masonic Home knew or had reason to know the Home’s agents or employees were molesting child residents. Nine of the remaining plaintiffs’ cases against Masonic Homes of California are set for trial through July, 2008. David N. Bigelow and Graham B. LippSmith of Girardi | Keese represented the plaintiffs in this and the previous trial. They also represent the remaining plaintiffs in the upcoming trials against Masonic Homes of California.

link

Sex-abuse settlements may lead Masonic school to close

DALLAS (AP) — A financial crisis caused in part by at least $6.9 million paid to settle lawsuits alleging sex abuse at the Masonic Grand Lodge of Texas’ Masonic Home and School has led to a convention this weekend where masons will decide the school’s fate. Bickle’s lawsuit involved at least a dozen other students, his former attorney said. Stewart left the school shortly before Bickle’s lawsuit was settled. The lawsuit alleged that school and Masons leaders “had a significant history of documented child sexual abuse at their facility dating as far back as the 1970s” and refused to seek criminal charges “in every confirmed instance of sexual abuse/assault of children residing at the Masonic Home.”

link

Masonic Camp for Children

John Shirley was arrested in 1997 for photographing teens “mooning” (showing their buttocks) his camera at a Masonic camp. Instead of removing Shirley from his voluntary position as a DeMolay Chapter Dad, national and state DeMolay officials investigated the complaints and concluded Shirley had used “bad judgment.” In 1998, at least 11 boys in his DeMolay Chapter told police Shirley gave them alcohol and drugs, fondled them or had sex with them. Most of the sex-related activities happened over three years. Shirley, a Mason aged 48 at the time of conviction, was sentenced to life imprisonment being found guilty on 27 of 36 felony child sex abuse charges. He was also convicted of 13 misdemeanors, including charges he contributed to the delinquency of minors.

link

Investigation of abuse by Royal Order of Jesters 

link

Case Study

link

Presentation by Kristin Constance (survivor) at 2012 S.M.A.R.T. Conference

link

~Josha

[redularium]

When Psychonauts… Some of these are old ‼️💥

[papermoonloveslucy]

LUCY’S THIN BLUE LINE

Lucy and Law Enforcement ~ Part 2

On “The Lucy Show,” Lucy Carmichael not only had multiple run-ins with the police - she actually became one for a couple of episodes!  Here’s a look at Carmichael and Cops! 

“Lucy and Viv Become Tycoons” (1963) ~ When Lucy and Viv open their own business at home, they are visited by Sergeant Robbins (Bern Hoffman) to check on their permits and operating practices. In 1960, Hoddman appeared in the Lucille Ball / Bob Hope film The Facts of Life.

“Lucy Drives a Dump Truck” (1963) ~ Driving a truck to a nearby town, Lucy and Viv are pulled over by a Brewster policeman played by Richard Reeves, a veteran of nine episodes of “I Love Lucy” including playing a policeman in “Equal Rights” (1953). This is his only appearance on “The Lucy Show.”  

“Lucy and the Safe Cracker” (1963) ~ When Mr. Mooney gets locked in the safe (again), Lucy contacts a safe cracker (Jay Novello) and Sergeant Wilcox (James Flavin) is on the scene. Coincidentally, Flavin played the Immigration Officer searching for Mario Orsatti (Jay Novello) in  “Visitor from Italy” (1956). He will return to “The Lucy Show” two episodes later to play Sgt. Wilcox again in another bank-themed episode. He appeared in four films with Lucille Ball, including playing a police sergeant in Without Love (1945). During his long career he played so many officers of the law that his IMDB photo is of him in a police uniform!  

“Lucy and the Bank Scandal” (1963) ~ Sergeant Wilcox (James Flavin) investigates a case of embezzelment at the Danfield Bank. Lucy suspects Mr. Mooney and digs up his yard to find the stolen cash. 

“Lucy is Her Own Lawyer” (1964) ~ Officer Joe (Joe Mell) the Baliff, swears in Lucy Carmichael as well as Mr. Mooney and Nelson the dog! Mell returns as a Baliff in “Lucy the Meter Maid” (1964) and a Bank Guard in “Lucy the Stockholder” (1965). 

“Lucy the Meter Maid” (1964) ~ Lucy joins the Danfield Police Force as meter maid. When Viv doesn’t feed the meter, Lucy issues her a summons and they land up in court. Once again, Joe Mell plays the Baliff. 

“Lucy Makes a Pinch” (1964) ~ Still on the Force, Lucy is recruited to be part of a stake out. The episode features three of Danfield’s finest (left to right): Murdock (Jack Searl), Captain Bradford (Alan Carney), and Detective Bill Baker (Jack Kelly).  As a child actor, Jack Searl was featured in the 1932 film Officer Thirteen, about motorcyle cops. Alan Carney played a policeman in the 1963 comedy classic It’s a Mad, Mad, Mad, Mad World. In 1955, Jack Kelly appeared on a TV series titled “City Detective.” 

“Lucy the Coin Collector” (1964) ~ When Lucy drops a rare coin down the sewar grate, she is consoled by a cop on the beat (Ray Kellogg).  his is the second of his seven episodes of “The Lucy Show.” He also did two episodes of “Here’s Lucy.” Just as in his other screen credits, most most times he played policemen, as he does here.  

“Lucy and the Ceramic Cat” (1965) ~ While Lucy breaks into Bigelow’s Department Store, Viv stands guard, diverting the cop on the beat (John J. ‘Red’ Fox). Fox was best known for playing policemen, which is what he did on five of his eight appearances on “The Lucy Show” as well as three of his five episodes of “Here’s Lucy.”

“Lucy, the Stockholder” (1965) ~ After buying a single share of the Danfield Bank for $32, Lucy the stockholder pays the bank a visit. She warns the lackadaisical guard (Joe Mell) that she has a nine year-old nephew who is quicker on the draw than him.

“Lucy and the Undercover Agent” (1965) ~ Trying to get access to performer Carol Channing, Lucy charms Military Police (MP) officer Sol Schwartz. The character name was specifically chosen so Lucy can sing “Hello, Solly” to the tune of “Hello, Dolly”. 

“Salute to Stan Laurel” (1965) ~ In a special tributing the late comedian, Lucille Ball is part of a silent movie sketch featuring Buster Keaton and Harvey Korman as a policeman in the park. 

“Lucy Meets Mickey Rooney” (1965) ~ A silent movie sketch based on Charlie Chaplin’s The Kid features the Keystone Kops (Sid Gould, above). Keystone Kops are fictional, humorously incompetent policemen featured in silent film slapstick comedies produced by Mack Sennett for his Keystone Film Company between 1912 and 1917.

“Lucy Goes to a Hollywood Premiere” (1966) ~ Mr. Mooney is questioned by Officer Collins (Robert Foulk) of the Beverly Hills Police Department. He doesn’t have a permit to sell maps to the movie stars’ homes and is hauled down to the police station. Foulk played the Brooklyn policeman on the subway platform in “Lucy and the Loving Cup” (1956). He will go on to play six characters on “Here’s Lucy,” two of them policemen. 

“Lucy the Gun Moll” (1966) ~ Robert Stack plays Federal Agent Briggs in this satire on Desilu’s “The Untouchables.” Stack played G-Man Eliot Ness on the series and only agreed to the satire if the names were changed. 

“Lucy and the Submarine” (1966) ~ Whe Lucy sneaks onto a submarine, she must get by a stoic Navy Shore Patrolman (SP) played by Steven Marlo. Marlo makes the first of his two appearances on “The Lucy Show.” 

“Lucy and the Ring-a-Ding Ring” (1966) ~ Ray Kellogg plays the cop on the beat who discovers Mr. Mooney trying to get a nearly unconscious Lucy into his car because she has his wife’s ring stuck on her finger. 

“Viv Visits Lucy” (1967) ~ To find a wayward Danfield boy, Lucy and Viv go to the Sunset Strip, where they are mistaken for hippie biker chicks by the police. Ray Kellogg plays the Motorcycle Officer (right) and John J. 'Red’ Fox plays Patrolman Harry McLeod (left). 

“Lucy Puts Main Street on the Map” (1967) ~ Mel Torme is Mel Tinker, the deputy and Roy Barcroft plays his father, Police Chief Tinker, the law enforcement team in small town Bancroft. During his long career on screen, Barcroft played a sheriff 18 times between 1943 and 1966, including in Billy the Kid Versus Dracula (1966). 

“Lucy Meets the Law” (1967) ~ Lucy thinks she’s being arrested for littering when she is actually being mistaken for a red-haired jewel thief. Claude Akins (Lieutenant Finch) is perhaps best remembered for playing Sheriff Lobo in “B.J. And the Bear” (1978-79) and its sequel “The Misadventures of Sheriff Lobo” (1979-81).

Jody Gilbert plays the jail matron aka ‘Tinkerbell’. Gilbert will also appear in two episodes of “Here’s Lucy,” in one of which she also plays a prison matron.

Ken Lynch (Officer Peters, left) started playing policemen on TV in 1950 and continued to do so for much of his career. Joseph Perry (Officer Miller, right) started his screen acting career in 1956. Perry played a policeman on “My Living Doll” (1965) filmed at Desilu. He appeared on the police-themed shows “Policewoman,” “Police Story,” “Barney Miller,” “Hill Street Blues,” “CHiPs,” “The Rookies” “The Mod Squad,” “87th Precinct,” “The FBI,” “The Rookies,” and “The Sheriff of Cochise” a Desilu Production. 

“Lucy Sues Mooney” (1967) ~ Irwin Charone (Bailiff) makes the third of his five appearances on “The Lucy Show.”

Two uncredited background actors play Officers of the Court. 

“Lucy and the Stolen Stole” (1968) ~ Lucy and Mr. Mooney go shopping for Mrs. Mooney's birthday and wind up being arrested for possession of a stolen fur stole. The boys in blue are played by Ray Kellogg, Roy Shapiro, and John J. 'Red' Fox as Officer Shapiro.

“Lucy Gets Involved” (1968) ~ At Phil’s Fat Boy Burgers, a policeman (John J. 'Red' Fox) interrogates motorcyclist Tommy Watkins (Phil Vandervoort) with Mr. Burton (Jackie Coogan) overhearing. 

“Lucy and Sid Caesar” (1968) ~  A forger who looks like Sid Caesar is passing bad checks at the bank.  Lucy and Mr. Mooney try to figure out how to tell the real Sid Caesar from the forger.  They enlist the help of the authorities (left to right): Irwin Charrone, John J. ‘Red’ Fox, and Ben Gage.  Gage was mentioned on “I Love Lucy” in 1955. He appeared on “Our Miss Brooks” (filmed at Desilu Studios) and in Desilu’s “Star Trek.”  His last two screen appearances were in “Policewoman” and “Police Story.” 

[blowflyfag]

RINGSIDE WRESTLING : JANUARY 1997

Ringside Roundup

All the News from Coast-to-Coast

We would like to welcome everyone to our Ringside Roundup. Since our last issue quite a bit has happened on the wrestling scene. For starters the nWo continues to grow. Depending on who’s counting, there appears to be eight members in the organization: Hollywood Hogan, Scott Hall, Kevin Nash, Ted DiBiase, the Giant, “Six” (formerly known as the 1-2-3 Kid), the “fake” Sting and the new CEO of security, Vince.

If Vince looks familiar it’s because in his former life he was Ted DiBiase’s bodyguard, Virgil. More members are expected to be added to the nWo in the very near future. The Nasty Boys will be nWo members shortly and both Bam Bam Bigelow and Bret Hart have been mentioned as possible nWo members as well. 

[ECW head honcho Paul E. Dangerous, along with wrestlers Sandman, Tommy Dreamer, Taz, Bubba Ray Dudley and Pitbull #2 were at ringside for the start of the WWF “In Your House” pay-per-view, but they didn’t last long. By the end of the first match, WWF security had asked them to leave. Is this the opening salvo in another inter-promotional war?]

Hart incidentally is a free agent and has yet to resign with the WWF. Meanwhile, the Hitman is being wooed heavily by the nWo. They have reportedly offered him a three year contract at a million dollars a year as well as a guaranteed three-movie deal with one of Ted Turner’s movie companies. 

Right now Bret is living in an apartment in Los Angeles and he is taking acting lessons. In addition he had been going on auditions and making the rounds of the TV and movie studios. Although Bret would like to make it in Hollywood on his own, Ted Turner’s deal sounds awfully enticing. 

[Will Bret Hart resign with the WWF or join the nWo?]

Just when the nWo and WCW have begun to fight it out, the WWF and ECQ have also begun an interpromotional war. At the recent “In Your House” pay-per-view from Philadelphia the ECW contingent was in full force. Sitting in the first row were Tommy Dreamer, the Sandman and Paul E. Dangerously while in the lodger were Saturn from the Pit Bulls, Bubba Ray Dudley and Taz. As soon as the ECW guys entered the Core States Arena, the ECW chants begun. Then the moment the pay-per-view went on the air the Sandman, Tommy Dreamer and Paul E. began to taunt Savio Vega.

[“Zillionaire” Ted, who seems to be providing the New World Order with much of their financial backing, shares a moment with RINGSIDE editor George Napolitano.]

At one point the Sandman even threw beer in Savio Vega’s face. Finally when the ECW crew refused to stop they were escorted from the arena. Obviously their outburst gave ECW the international exposure that they have been craving. If nothing else ECW received more exposure out of this than they ever imagined. Paul E. owes “super fans” Charlie Vladimir and Chris big time for giving up their usual first row WWF seats so that the ECW guys could sit there. 

[The Nasty Boys are rumored to be nWo-bound]

First there was a fake Stinge. Now there are a fake Diesel and Razor Ramon too! While the “orginal” Diesel and Razor Ramon, Kevin Nash and Scott Hall respectively, are now doing their thing in WCW as part of the NWO as “the Outsiders,” the WWF has replacements to reprise the roles of Diesel and Razor in the WWF. Playing “Diesel” is Glenn Jacobs better know to WWF followers as the awful Issac Yankem. The Razor Ramon character is being played by Rick Bogner: AKA Big Titan in Japan.

During an ECW appearance since Titan came out as “Slice and Dice” Ramirez and in all honesty he was a better “Razor” than Razor! With Brian Lee still around, chances are good than he may reprieve his role as the Underfaker, I mean the Undertaker, should the real Undertaker leave for WCW when his WWF contract expires in a few months. One really knows what the WWF hopes to prove by having two other wrestlers portray characters that have since left the company. On the face of it, this does appear to be a very stupid move, but it may actually work out to the WWF’s advantage as the fans will surely boo the two new guys unmercifully. If they get the reaction that they are hoping to, the WWF will have created two new characters that should get a lot of negative reaction.

[Playing “Diesel” these days is Glenn Jacob’s better know to WWF followers as the awful Issac Yankem]

The September 23 editions of Monday Nitro and Monday Night Raw were sensational.  The highlight on the first hour of Nitro was the WCW tag team title match between Public Enemy and Harlem Heat. When the final verdict was rendered, Public Enemy was declared the new WCW tag team champions by controversial referee Nick Patrick.

During the second hour the nWo took WCW hostage. The nWo took control of the set and ran the entire show. The Giant was the ring announcer; “Billionaire” Ted DiBiase, Hall, Nash, and Hollywood Hogan served as the color commentators; while new CEO of Security, Vince, held Eric Bischoff in check the entire hour. 

On Raw, meanwhile, Marc Mero defeated Faarooq to win the vacant Intercontinental title and the WWF introduced their new “Razor.”

Besides having WWF Intercontinental champion their are new WWF tag team champions, too. On September 22, at the Philadelphia “In Your House,” Owen Hart and the British Bulldog defeated Billy and Bart of the Smoking Gunns to win the tag team title. Now the Gunns are at odds with Billy feuding with Bart. Meanwhile, the devious Sunny is the real reason that the Gunns are at odds. 

[The lovely Kimona Wanalaya is among the talent being used by the new AWF!]

Brian Armstrong, better known to WWF fans as the Roadie, has returned to the Federation. On his return, Armstrong revealed that it was he and not Double J who actually was the voice behind Jeff Jarrett’s song “With My Baby Tonight.” This time around however, Armstrong will be wrestling and not working as someone’s gofer. 

Doug Furnas and Dan Kroffat made their ECW debut and wrestled Sabu and Rob Van Dam in an incredible tag team match. After the 30-minute time limit had expired neither team had captured a fall. Look for Furnas and Krofatt to wind up in the WWF.

Look for the American Wrestling Federation to make its 1996 debut on your local television station within the next few weeks, On September 15, AWF Champion Tito Santana, Sgt. Slaughter, Road Warrior Hawk, Missy Hyatt, Kimona Wanalaya, Ken Resnick, Rico Suave and CEO Paul Alperstein were in New York at the All Star Cade to announce that the AWF were coming back on the scene. With the way WCW and the WWF have been drawing in the past several months it looks like there is room for another organization. That’s all for this issue. Look for us again on your favorite newsstand next month!

Until then, see you at RINGSIDE!

[shake-your-money-maker]

One of my favourite actress's was in this film,Lori Petty...

Point Break is a 1991 American action film directed by Kathryn Bigelow and written by W. Peter Iliff.

In Los Angeles, California, a gang of bank robbers call themselves The Ex-Presidents. commit their crimes while wearing masks of ex-Presidents Reagan, Carter, Nixon, and Johnson. The F.B.I. believes that the members of the gang could be surfers, and send young Agent Johnny Utah undercover at the beach to mix with the surfers and gather information. Utah meets surfer Bodhi, and gets drawn into the lifestyle of his new friend...

Cast · Patrick Swayze · Keanu Reeves · Gary Busey · Lori Petty · John C. McGinley · James Le Gros · John Philbin · Bojesse Christopher..

[nevermissblog]

movies you have to watch

Film Department: Point Break (1991)

Dir: Kathryn Bigelow Action-Crime

Special Agent Johnny Utah goes undercover into the California surfing scene and tries to infiltrate a gang of bank robbers. That gang is led by “Bodhi”, a man that is the definition of “Free spirit”, his outlook on life is simply live it to the fullest— aka “rob banks to fund their endless summer” Despite the crazy stuff he does, his character explores a positive message, it tells us to let loose, have fun and do whatever to achieve your personal euphoria. A 90’s action banger.. please watch