#after that... wild blue yonder for both of them but different blue yonders lol
Explore tagged Tumblr posts
myreia · 6 months ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
— vi. the last
They stay. They go. Ebbs and flows, as certain as the tide that will take his ship to sea. Their responsibilities take them in different directions. This is the way it has always been, and in truth, they prefer it. Independent to a fault, wanderers in answer to different calls. But the time apart makes the time together all the more sweeter. Goodbye for now does not mean goodbye forever.   Till next we meet.
72 notes · View notes
brokenhardies · 11 months ago
Text
so im thinking of having jane actually get involved with the plot of the giggle instead of being shunted away, so here are some moments im including
-after the doctor's "humans are no darn good" speech, jane asks him if he truly feels that way or if he's just angry and under pressure because of everything that's happened. the doctor responds with "you shouldve left when you had the chance, jane" referencing how jane was planning on leaving following the timeless child reveal (and the reveal that the doctor knew the whole time) but chose not to which leads to jane referencing the "do you think i care for you so little that betraying me would make a difference?" line from dark water
-okay this is just a concept that probably leads into the next one but jane finds a wind up doll version of herself in the toymaker's realm that performs a version of dont tell mama from cabaret - which is a double whammy reference as the toymaker's actor and jane's fifth fc have both been in cabaret
-jane's game with the toymaker is actually a game with her 'not-self' from wild blue yonder, who, as it turns out, is one of the toymaker's pawns. idk how to summarize the game but its a game like tricky cups in which her copy shows her 6 tarot cards with one of them face down (based on the incarnations of the doctor jane has travelled with) and places the rest face down, asking her to focus on one card. slight problem is that jane winds up outsmarting her copy, because her copy seems to have forgotten that the card she picked was ten's card, and considering that both ten and fourteen have the same face, jane just focused on fourteen's card and process of elimination-d her way out of it
-and yes the 6th card - which is permanently face down - is based on fifteen, but jane doesn't know that :')
-during the "well thats alright then!" puppet show, the toymaker references the timeless child, the division and the fact the doctor knew the whole time while keeping jane in the dark. jane tries to rebut that the doctor didnt know about his past incarnation's connections to the divsion, but before she can finish, he cuts her off with "well thats alright then!"
-rose joins the doctor, donna and jane in UNIT, but because she has a zeedex on her - due to her main way around the giggle being the metacrisis and her not having travelled in the TARDIS - she stays behind while they all go to the past to confront the toymaker. the toymaker ends up using rose at one point, possibly in the hypothetical 'dont tell mama' sequence as a backup dancer? idk tho lol
-the spice up your life sequence has both jane and rose get manhandled by the toymaker as well, with him purposefully bumping them together to make it appear like they're kissing - diversity win, the trickster god from another dimension who is racist sexist and vaguely transphobic supports lesbians!
-its rose and martha who pull jane into five and six after she's hit by the galvanic beam. when rose hears jane v screaming after vi appears she immediately goes on the defensive :')
-back to the toymaker being gross he keeps referring to jane as 'herr jane' and 'the timeless child' - herr is the german equivalent to mr, meaning that the toymaker now adds being openly transphobic onto his list of grossness!
-also during the "well thats alright then!" puppet show, jane asks about ryan and dan, two companions who did not die and both left on their own accord. however, the toymaker specifically brings up jane's feelings for ryan, how she never acted on them until it was too late, and how she pushed him away before he left the TARDIS. much like when the toymaker brings up the flux, jane is understandibly a bit pissed that he made sure to emphasise that
0 notes
diyeoracha · 4 years ago
Text
fanfic recommendations
for @kittensocute bc i heard “atsukita” and “iwaoi” in reference to fanfiction and i am There
i took your “i love slow burn or slow build fics... so i like relatively shorter burn fics (20-30k). If its a 10k oneshot slow burn hELL SIGN ME UP” and absolutely ran with it.
i listed my fav iwaoi fics (17) with a longer word count (longest is 80k) that are all mostly either canon compliant or divergent with only two straight up AUs. none of them feature heavy nsfw content and most if not all are tagged as friends to lovers lmao. feel free to read the my thoughts or just go into them blind!! and they’re all in order of how much I absolutely adore them :^)
now atsukita is not a big ship *sobs* but here are some of my favorite fics (7) of them! a lot of them are shorter bc i guess that’s just. what happens when it’s a small ship LOL. 
the formatting in this is fucked if you open it from ur dash but if it’s on my actual blog it should be fine!
Iwaoi
the courtship ritual of the hercules beetle
Word count: 66k
thoughts: my absolute absolute absolute favorite iwaoi fic. the characterization, the fact that oikawa’s a bastard but because he and iwaizumi are older (late 20s i believe), it feels more realistic and sad rather than oikawa being a bitch for the sake of it. spoiler alert it’s slow burn and pining and mostly oikawa not realizing his feelings. this world building is pretty cool bc iwaizumi is the professional player while oikawa is an entomology professor! also i love non-linear narratives bc of This fic. there’s mutual pining in this fic but it’s really really really subtle to the point where you dont even know if oikawa likes iwa. this made me cry like twice.
sunset towns
Word count: 33k
Summary: In the summer of 2020, Oikawa Tooru returns home from his first successful stint as captain of Japan’s national volleyball team. In one hand, he holds the undisputed weight of an Olympic medal, and in the other, his unresolved feelings for a childhood best friend.
thoughts: the tone in this is So similar to the courtship ritual that I liken this as an alternate story even though it’s still oikawa’s pov. professional player oikawa and regular guy iwaizumi and oikawa is just. bumming around at iwaizumi’s place and naturally he messes up but things happen.
told before and told again
word count: 4k
thoughts: i looked through literally all the tags i could’ve thought of for this and nearly cried when i found it agian. outsider POV!!
In damp earth my body
Word count: 15k
Summary: Onscreen, the nation’s favorite setter has arranged himself so that he’s bowing, forehead pressed to the court, like he’s thanking everyone for their kindness thus far, like he’s asking for forgiveness. Hajime thinks: shit, it’s really happening
thoughts: oikawa retires and moves in with iwaizumi and they blur the line between roommates/best friends and being fwb. this is an iwaizumi pov and the pining is obvious on his end. as a iwa stan the tone made me feel weird bc it makes it seem like iwa cares more abt oikawa than he cares abt himself but. its a good fic
i grew up, you grew down
word count: 19k
thoughts: this is also SO funny bc basically oikawa retires and moves in with iwaizumi and becomes his stay at home wife and a bunch of shit happens like people think that oikawa is dating ushijima and oikawa basically loses it every time. here’s one of my favorite quotes:
“Oikawa also bought a new ultra-strength vacuum cleaner he’d decided to name Ushiwaka out of sheer spite, because it sucked all the air right out of the room. Iwa-chan didn’t think the joke was that funny when Tooru told him, which was frankly very hurtful and insensitive.”
Mint
Word count: 19k
thoughts: iwaizumi is moving and oikawa planned a perfect last hangout and it goes to shit featuring matsuhana. oikawa pov where he pines more than iwa which is something i can get behind!! and this was written in 2015 and iwa’s moving bc of a sports medicine program so iwaizumi stans know and love him sm ;;
Almost a Stranger
Word count: 16k
thoughts: same premise as mint LOL except they’re on a trip together and there’s more non-linear narrative!! this one is a little more mature in tone than mint i would say (funny how people just like splitting them up and throwing them in different countries huh)
with every second that you could give
Word count: 9k
Summary: The journey of Iwaizumi and Oikawa going for gold.
Quote: He knows they’re too close. Iwaizumi knows it too, and they both decided to move in together anyway.
thoughts: iwaoi roommates and they’re both obviously and really pine-y for each other and everyone sees it but them. srsly. they’re sleeping in the same bed. like my god
Lost in Translation
Word count: 9k
Summary: Because misfortune come in threes, Iwaizumi Hajime starts his Thursday having a screaming fight with Shittykawa, spends his lunch break listening to the UCI women’s volleyball team gossiping about how Ushijima Wakatoshi had gone public about his longtime love affair with Oikawa Tooru, and closes out the day by drunkenly dropping his phone into a sewer grate.
thoughts: so funny. so sososoosso genuinely funny. the tone is so snappy and iwaizumi honestly just sounds like a confused teenager (which he is in this) and it gets extra points for including a lot of american culture that a lot of the other iwaoi college au ones don’t include for like. obvious reasons lol.
Something Borrowed
Word count: 16k
Summary: In which Oikawa and Iwaizumi have always been a foregone conclusion to everyone else, but a massive, unanswered question to one another.
thoughts: iwaoi roommates thats abo but it’s like. mentioned twice. whiny and possessive oikawa makes an appearance in this but it’s done really well
things that change, things that stay the same
Word count: 8k
Summary: Oikawa realizes he’s in love with his best friend; it sucks for a while. (But only for a little while.)
thoughts: high school getting together!! my second iwaoi fic ever and this one is just. so sweet. just an unsure oikawa realizing iwaizumi might be more than someone he wants as a best friend. this fic is honestly really really lovely.
galaxies, within you
Word count: 21k
Summary: Hajime and Tooru move in together at the start of university. Too bad they’re stuck with the two gremlins that haunt their apartment.
thoughts: ok this fic was so funny. theyre uni roommates and matsuhana just come fuck shit up and they all act like idiots together even though they go to different schools. and this really throws me back to university days.
Thirty Years and Change (the Games of the XXXIII Olympiad)
Word count: 19k
thoughts: pro! oikawa and iwaizumi haven’t been close for a while until oikawa invites iwaizumi to go to the games with him. there’s a lot of frustration and pining and actually talking about feelings (aka iwaizumi losing his mind and getting advice from people like akaashi)
when it starts to rain, they go inside
Word count: 33k
Summary: “Where?” starts Iwaizumi.“ My parent’s old lakehouse, silly, didn’t you hear me the first time?” OR: Oikawa takes Iwaizumi to his lakehouse for two weeks, post-graduation.
thoughts: this was actually my first iwaoi fic which is funny bc the author doesn’t even like oikawa much and i didnt even ship anything in haikyuu before i read this fic and now im in iwaoi hell. oikawa is really frustrating in this in that it’s basically a really good character analysis on how oikawa comes off as a Mean person all the time bc he’s manipulative and there’s some explicit content
shiver
Word count: 16k
Summary: Oikawa was always the brave one. Hajime just followed two paces behind.
thoughts: iwaoi roommates with oikawa admitting his feelings first back when they were in middle school and iwaizumi putting that thought on the backburner until. obviously. things happen.
Desperado
word count: 80k
thoughts: one of my favorite aus. it’s all from kyoutani’s perspective and it’s almost so au that they’re original characters (if that makes sense). basically iwaoi matsuhana are ex-grifters except iwaoi are estranged and daishou somehow brings everyone back together. excellent world building and reading the pov from someone not involved with the iwaoi drama was refreshing
sing with me a song of conquest and fate
word count: 26k
thoughts: a mythical kings au that’s just. so pretty. iwaizumi ends up becoming oikawa’s servant for some reason and the world building is a+ because you can feel the trust and frustration from both of them build
Atsukita
dreams of me and you
word count: 10k (incomplete)
my second atsukita fic that rly sent me down atskt hell ;; what is essentially post-break up when atsumu gets signed to msby and he’s just Pining and sad for the most part. but the established relationship pre-break up was written really nicely because it just fits my hc of them just being domestic and atsumu being blatantly head over heels
take me home
word count: 4k
i read this this morning and it wrecked me. domestic relationship atsukita?? sign me up
No time like the rest of my life
word count: 19k
mythology au with kita as a regular person and rest of inarizaki as fox spirits! it’s cute and the world building is absolutely lovely but it is an au so they might seem ooc but their core character values are still there
wild blue yonder
word count: 6k
literally full of similes and metaphors and it’s more of an abstract read i guess? but it’s so beautiful and soft and this is exactly how i imagine their relationship
reap and sow
word count: 8k
atsumu confesses and kita ignores him and it’s a couple years after the fact and it’s mostly just weirdly domestic almost roommate like except for the fact that atsumu makes it clear he likes kita LOL. they’re really in character for this!
weightless souls
word count: 2k
pillow talk before atsumu’s first game! the atsumu pov and voice is amazing
if we were both alone
word count: 7k
now this was actually my first atskt fic that sent me down this rare pair hell. it’s an explicit chat fic (both tropes i usually try to avoid) but atsumu types like me (except for the nsfw parts alksfjd) so i guess i like. feel appreciation LMAO.
if you do read like any of these fics pls let me know so we can discuss
♡\( ̄▽ ̄)/♡
61 notes · View notes
xyliane · 4 years ago
Text
wild blue yonder
summary: killua had plenty of better ideas for how to spend his eighteenth birthday. a cake a mile high, a day on the town with alluka, maybe even some peace and quiet for once. instead, he’s doing what all zoldycks do: assassination, murder, the works, all at the ass end of the ocean, all because it will tilt the scales of trade just enough in their favor to make a move. he doesn’t have to worry about a blood curse, no matter what his sister says.
notes: think of this less like a fic and more a...preview? I’ve written about 10,000 words of this off and on over the last year or so, and I would love to write more, but [gestures at the world] [pokes at the smoldering remnants of my dissertation]. yeah. so, as special thanks to @trashsketch and @thehuntyhunties, here’s a first draft of the first bit of cursed prince (which, knowing me, will get a wholesale rewrite of the first section at least cuz lol worldbuilding). T (blood and killua’s mouth), pre-killugon; ft: mito, the zoldycks, ikalgo, and did I mention the blood. 4900 words. (title is not the final title, but swiped hastily from the third track of “the horror and the wild”)
notes pt 2: @trashsketch DREW THIS FOR THIS AU aaaaaaa
---
Alluka’s eyes turn black over dinner three weeks before Killua’s eighteenth birthday, and he has to shove half a bread roll into his mouth to avoid making any noise. If he’s lucky, no one else will notice. If Alluka’s lucky, Nanika won’t say anything, will stare at Killua for a few minutes before slipping back into the recesses of his sister’s mind. If they’re both lucky, they can return to their meals and continue ignoring whatever Mom and Illumi are discussing about the southern trade routes, in tones just barely not argumentative. If Killua’s lucky, he won’t have to kill anyone in the next month.
Of course, the Zoldyck family has never owed its success to luck. They have skill, and intelligence, and a massive fortune. They have a town full of merchants and spies at the base of Kukuroo Mountain, centuries of debts of money and life tying the people to the family. They have, Silva Zoldyck is fond of noting, family. And family is paramount.
Even more than that, though, they have Nanika. They have information, dropped right into their minds. All it costs is a bit of death, the risk of death or curse or worse if they don’t do what she suggests. Just that, and Killua’s little sister.
The family thinks it’s worth the price, so they have to deal with it for now. Killua’s his father’s successor to their mountains of gold and death. He’ll change it. He’s promised Alluka.
“Mom, look,” Milluki says. Killua swallows a curse.
A smile stretches across Kikyo Zoldyck’s face, as full of empty pleasure as the black visor stretched over her eyes. “Well. This is convenient.” She turns to Illumi. “Shall we see what to do about our mercantile issues in the South Sea?”
Illumi frowns. “If you must,” he says, and looks expectantly at Killua. “Kil? Take care of it.”
“Alluka’s not an it. And it’s not my turn.”
Mom sighs melodramatically. “Kil,” she says. 
“Mom,” he says in the exact same tone.
Father, who’s spent most of dinner silent, snorts a chuckle. When Killua turns to him, he gets a firm nod, bright glimmer in his pale blue eyes. “Go on, Kil,” he says, voice rumbling. “Ask after the block in trade. Best do it now, before the thing in your sibling chooses otherwise.”
Killua nods once, and turns to his sister. She is still staring at him—Nanika is still staring, black eyes blank and a strange little smile on her face. 
“Nanika,” he says, voice steady. 
Her smile widens. Killua, she says, her voice an echo between his ears. No one else hears. I love Killua.
I love you too, he thinks back, and hopes that she can hear. “Nanika, how do we open up trade in the South Seas to benefit the Kingdom of Padokea?”
“And the Zoldycks,” Milluki says, a sneer in his voice.
“We are Padokea,” Mom says, and sneers right back. 
Nevertheless, Killua grits his teeth and adds, “And the Zoldyck family.”
Maybe this time will be different. Maybe she’ll give them a corporation, or an abandoned island full of pirates. Pirates would be fun. Or maybe nothing will happen, and Killua will be able to turn eighteen without being halfway across the world burying a sword into someone’s back. He can take Alluka to town, sneak her out the back while the butlers aren’t looking. It’ll only be for a day, and he’ll be with her. 
Nanika opens Alluka’s mouth.
Dammit, is all Killua manages to think, before the vision slams into him.
        red 
    is all he gets at first, and he thinks that maybe this time, he won’t be the center of this vision. Maybe Milluki will get one and have to get off the mountain for the first time all year. Maybe even Illumi will stop hovering, conspicuously leaving profiles of eligible bachelorettes for Mom to coo over and Killua to ignore. But the table turns red and Killua sees
                red ocean
    red hair green (brown) eyes
                red lips
            red stains on pale  skin
red flower in black (white) hair
red scars on dark stars  
                red waters overflowing
                           red death under red sails
        red blood
    red
red red
    red red red red red reD RED
The vision releases him, and Killua barely manages to catch himself before he pitches face-first into the soup. Even after the fact, his senses are swimming in blood, enough that he can practically taste it. One of these days, he’s going to learn how to live with it. The rest of his family does.
“Kil, where are you going?” Illumi asks.
So much for his birthday plans. “Where do you think,” he says. 
“Kil,” Mom says again, and he rolls his eyes.
“The ass end of the ocean, I think,” Killua says, and ignores his mother’s affronted gasp as he starts in on the rest of his dinner. It tastes chalky under the blood. “I’ve got a month to kill the queen of Whale Island.”
“Isn’t that the place with the magic storms and the cursed pirates?” Milluki says.
“You can’t use magic to control storms, idiot,” Kalluto mutters, just loud enough for Killua to hear.
“The cost?” Illumi asks.
Killua shrugs. “Blood curse. Nothing new.”
Nanika always exchanges her information for curses. Illumi and Kalluto have messed up before and come back with numb limbs or empty eyes, consequences for having failed within the time limit. But those curses are simpler things. Killua gets the blood curse, every single time.
He loves his sister, and he’s grown to love Nanika, in her own way. But he doesn’t need the extra pressure.
Father claps a hand on Killua’s shoulder. “Don’t worry, Kil. We will celebrate your birthday when you get home from the ass end of the ocean.”
Mom makes a scandalized noise and Killua smiles, pride radiating out from where Father’s hand rests against his shoulder. It makes him stand taller, almost as tall as Illumi. Never as tall as Silva Zoldyck. No one is that tall.
Behind him, Alluka stirs listlessly, blue eyes foggy. Once Father’s grip lifts from him, Killua reaches over to grab her hand, squeezing in whatever comfort he can. She tries to smile back. No one else notices. “Be careful, Brother,” she mutters. “Blood stains.”
————————————
It takes the better part of three weeks to get to Whale Island. Killua could have taken a cabin in one of the spice merchant’s galleon and been there in half a month. But that would be easy. Zoldycks do their job well, and well doesn’t mean easy. The first ship out of Dentora was only a week, but from there it was a schooner to a sailboat to three days on a blasted fishing dinghy for the last few islands. The sailors had laughed at him when he’d said where he was going. At least the food’s been good, because he’s going to turn eighteen out here in the gods-forgotten nowhere. He’d hate to come home and tell Alluka there had been nothing good out here.
For all that they’re in the middle of nowhere, the Whale Island port is almost impressive. If a place could be valued solely on the number of colors, Whale Island would be the richest port on earth. The ships alone are every shade imaginable, the height of summer trade filling each dock to overflowing. Purple sails from Kakin, greens and yellows from Lukso, the ostentatiously huge gilded galleons out of Yorknew. Even austere blacks and whites from Padokea, sticking out of the rainbow forest like snow-blistered icebergs. It makes him feel like home, almost. He’ll catch one of them off the island as soon as he’s done. Father will make sure they’re fairly compensated for leaving ahead of schedule. And sprinkled throughout are the collection of Whale Island’s mercantile armada, with no set color or design other than a bright circle of orange-gold, open at one end.
The port itself bustles with life, as diverse as the ships in harbor. It lacks the size or height of trade centers on the mainland, or even other islands like Balsa’s landmass-spanning city. But it makes up for it in smells, and shapes, and the honest smiles on merchants’ faces even as they fleece their customers for every extra cent. Out here, there’s no option but the port. They smile at Killua all the same.
Killua’s assassinations usually take a little more finesse—a Zoldyck is a threat, and he’s dyed his hair more than once to vanish into a crowd. But here, Killua’s pale skin and travel-stained dark clothing doesn’t even stick out, so long as he keeps his white hair tucked under a thin hood. No one even looks twice at the sword on his hip or the knives weighing down his boots, not with how everyone else seems to be armed. It’s almost relaxing. He can drift into the forest, kill the queen, and drift back out again, catching a ship out of port before anyone is the wiser. 
Maybe this is a pirate nest, and no one thought to tell Killua…?
“Hey, traveler! You come in recently?”
Killua turns and is blasted in the face with the smell of fried fish. Behind a grill covered in pans and fish, a short round man with reddish skin and beady eyes waggles his thick eyebrows, a shock of black beneath a bald head. As he does, his arms dart back and forth between tasks, juggling fire and vegetables and pots as though he has extra arms. It’s kind of hilarious, and Killua doesn’t restrain a laugh.
The man grins back, obviously pleased. “Yeah, not exactly the easiest, getting all the way out here,” he says. “Sit down, look over the grill, tell me what you want.”
“That’s okay, I don’t—” Killua starts to protest, when another man reaches around the cook and drops an assortment of things off the grill and onto a plate. Well, a young man, not much older than Killua, with thick black hair woven back into a single braid trailing halfway down his back. Freckled brown skin is clearly visible beneath an open green vest woven through with gold thread. It would look almost princely, if it weren’t covered in oil and fish guts, and worn almost to the point of being transparent. 
The young man hands the plate to Killua with a conspiratorial light in his bright brown eyes. “You should eat,” he says, and his voice is tinged with Whale Island’s rich accent—thick vowels, rolling syllables. It’s musical, in a way Killua wouldn’t have expected.
He doesn’t realize he’s staring until the man pushes the plate more insistently at him. Killua shakes his head. He doesn’t want to stay any longer than he has to. He can’t get too close. “I’m not—”
“It’s on the house.”
“It is not!” the chef says, and thwaps the young man across the back of his head with a stack of napkins. “I have a business to run, and the shipping season don’t last all year.”
“Sorry, Ikalgo,” the young man says, an apologetic grin on his face. It doesn’t stop the chef’s rant, loud enough that it attracts the attention of the bread maker next door, who begins to cackle in amusement. The young man does his best to weather the shouting, only occasionally interjecting that he’s been working here for only a few days, that he’ll pay the difference, he promises. But when he catches Killua’s eye, he winks, as though this is all some great game and no one else has caught on yet.
Killua feels his cheeks heat up. Rather than worry about that, he shoves a skewer of fish into his mouth, and then he forgets about the rest because blessed gods that’s good. There’s spice in here he’s never even smelled before, mixed with something sweet that makes it even hotter than it should be.
The chef’s winding down by the time Killua’s finished, his assistant as apologetic as ever. They both notice Killua’s empty plate at the same time. The chef even seems impressed. “This ain’t your first time on the Islands, eh?”
Killua shrugs rather than answer. No wonder Mom is so invested in taking control of this route, if the spices pack this much of a punch. The investors in Padokea are probably salivating at the possibility of owning even a fraction of the trade. “The food’s really good,” he says instead, and the chef lights up.
“Ikalgo’s got the best seafood on Whale Island,” the young man says. “How long are you here for? Palm’s got great pastries, and she’s right next door.”
If the pastries are even close to as good as the fish, Killua might be convinced to stay here forever. But he can’t. This is why Illumi always tells him to never talk to anyone, not more than he needs to. It’s too easy to fall into conversation, to get attached. When his only job is to destroy the lodestone of a city, or a kingdom, or an island, he can’t afford any distractions. Not even cute boys offering him pastries with big brown eyes. 
The assistant seems to sense Killua’s hesitation, and his grin dims a little. But before either of them can say anything else, the chef yanks on his thick black braid and snaps, “You still have another three hours here!”
“But Ikalgo—”
“After last time, you owe me!”
“Even Palm didn’t ask,” the young man whines.
“Palm didn’t lose her entire storefront to a flashflood.”
Killua can’t stick around. He grabs his bag, heavy with travel supplies, and turns to face the edges of the market. The trail leads up and away into the jungle. Theoretically, the queen’s mansion should be somewhere up there. But where…
Well, maybe it can’t hurt to ask one more question.
“Do you know who might know where the queen of Whale Island lives?” he asks, not expecting commoners to know the answer. 
But the chef and his assistant shrug. “Ask anyone,” the young man says. “Anyone knows.”
“Anyone from the Island knows,” Ikalgo clarifies. “Her house is up at the end of the path, bout forty-five minutes into the jungle. Can’t miss it.”
Killua blinks. “Can anyone…go?”
The young man shrugs again. “Sure. If you wait a bit, I can—”
“What part of three hours do you not understand?”
“But he—”
“I’ll be fine,” Killua says, and nods politely. The chef and his assistant wave goodbye, and go back to bickering. Out of the corner of his eye, Killua can see the chef getting back to food prep, even as the young man grabs plates and napkins for other customers. He should feel bad that this is all going to ruin. Not immediately, sure. But without a ruler, most places fall apart. And if it falls apart, even for a little while, it’s long enough for Padokeans to set up shop, to reclaim the trade routes and caches of power that they want.
Maybe Whale Island will do okay in the end. Or maybe not. It’s not Killua’s problem.
Too bad, though. The food was good.
The queen’s house is indeed right up the road. Killua makes it within sight of the low walls outside the complex before ducking into the trees, not willing to risk a frontal assault on his own. As friendly as the Islanders seem to be, especially the assistant, the amount of armed fighters and sailors could be a problem. Once Killua finds a good rock, too heavy for a normal person to lift, he swaps his traveling clothes for proper Zoldyck gear: black trousers, an armored black jacket, silver-grey gloves. His sword is sheathed against his hip, and his boot knives are supplemented by another blade at the small of his back. He stashes all of his earrings but one, a sapphire stud Alluka had given him for his sixteenth birthday. She’d said it was for luck. But Zoldycks don’t have luck.
Killua keeps it anyways. Maybe he’ll be lucky this time.
Killua wants to finish this quick and quiet, on the small chance that the young man from the fish grill gets off work and comes up the path. By the time the chaos sets, he should be on the ship and halfway out to sea. Even the fastest ships won’t be able to catch him.
He climbs up the back wall, peering into what looks like a vegetable garden behind a modest two-story building. Killua recognizes about half of the herbs—most of them are useful as poisons, and a few are normally grown in the middle of a forest. None of them have any business being behind a queen’s home. Then again, the building would barely qualify as a merchant’s house in many kingdoms, well-constructed as it is. It’s the color of the sky and thatched neatly, signs of old storms and hard winter winds in the occasional cracked paint. The back door is a solid dark wood, and the window on the second floor is open to the sky. There’s no sign of any caretakers or guards, not even footsteps. The only sound is a quiet hum of a woman’s voice, wafting gently down from the open window.
It can’t be this easy. But part of Killua doesn’t mind. At least this time, the only person he’ll have to kill is the one he has to. No lying, no backstabbing. 
And he can go home without risking a blood curse, and celebrate his birthday in peace.
He still takes his time sneaking across the garden, boots falling silently as he steps through the shadows of the house. Taking a chance that nothing in this building is locked, he carefully presses open a window on the ground floor and drops into what looks like a large kitchen. A massive slab of wood serves as a table down the center of the room, with a collection of beautifully carved chairs arranged around it. The smell of herbs permeates the whole room, sinking into the wood and floors. 
There’s still no one in sight. 
There’s still only the woman’s humming filling the air with gentle wordless noise.
It’s too easy. It has to be.
Killua draws his sword as he creeps up the stairs, following the sound of the woman’s voice. He’ll know the queen when he sees her—Nanika’s visions have a habit of sticking, permanently, or at least until the job is done. Like how he knows the humming is the queen, even though he’s never heard her voice before today. How when he peers around the corner, he knows that the queen is the woman humming over a pile of papers. Her bright orange hair is swept back from her forehead, a simple braid circling her head where a ring made of silver and onyx rests on Silva Zoldyck’s. 
The humming stops. “You can stop creeping around my house and tell me why you’re here,” the queen says without looking up from her work. “If you want to petition for the Padokean spice merchants to stay another week, you’ll need to take it up with the portmaster.”
Killua doesn’t say anything. His grip on his hilt tightens for a moment, before relaxing. 
The queen flips over the page and starts on the next. “Also, no, I am not interested in selling port space, either. Tell your king he can rent like everyone else.”
Killua takes a final step into the doorway, and lunges, his sword lightning fast.
But the queen whirls, nearly as fast as Killua, and catches his strike on a short wavy blade of her own. Her snarl sparks with furious challenge. “And if you’re here to kill me,” she says, “you’d better try harder than that.”
Killua bounces back, narrowly avoiding the sweep of her knife. The queen is unarmored, but  holds the blade at her side, other arm lifted in well-practiced defense. Rather than wait for Killua to strike again, she darts forward, bare fist blurring in a fury as she tries to strike Killua’s solar plexus. But Killua is faster, and he catches her strike on his forearm, brushing it aside. She snarls even as she stumbles back, leaving herself open for Killua to strike again. This time, when she catches his blade on her knife, she almost doesn’t make it, only barely managing to slide out from beneath Killua’s strike. But her bare foot lashes out, catching him on the knee, and he feels the joint crumple.
She scoffs. “You’re not the first person to try to assassinate me,” she says. “Tell me who sent you, and I’ll send you home.”
Killua responds by punching her in the stomach with his hilted fist. 
To the queen’s credit, she keeps her knife up, enough that she manages to slash him across his forearm. The wavy blade cuts deep and sharp right through his jacket, leaving behind a wide erratic slice. Killua ignores the pain and raises his blade.
She glares up at him furiously, bright brown eyes wide and not scared at all. They look familiar. In fact, they look like—
They look like the young man from the market.
The chef, his assistant, everyone else, is going to lose their queen. 
Don’t get attached, Illumi commands in the back of his head, and Killua shakes the hesitation out of his limbs just in time to block the queen’s jab right at his heart. He catches her wrist with his bare hand, wrenching it out of place until she can’t hold on anymore. The wavy knife goes clattering away across the floorboards, out of sight and out of reach. 
She kicks him in the side again, shit, and Killua throws her to the ground. The back of her head thuds against the wood floor, and she crumples with a pained noise, trying and failing to get back up again.
If Killua moves now, he’ll kill her. 
This time, he won’t miss. 
The queen starts to move, and Killua brings the blade down in a single brutal strike.
Blood always smells the same—metallic and warm, life draining out in flows of red. Killua hadn’t realized he’d closed his eyes when he struck, but he feels the splash of blood across his face, sinking through the open slice on his sleeve and through the skin of his gloves. Messy. Father would be disappointed. It’s better if it’s quick, and clean, and no one fights back, and no one is gasping shakily on the floor—
He opens his eyes.
The queen lies at his feet, still alive. She has a hazy, almost drunken grin on her face, and her arm is still raised from where it connected with Killua’s sword, blood flowing freely from its stump. Her dismembered hand lies just out of reach. And she’s laughing.
“You should have killed me,” she says. A gust of wind blows up from the ocean, curling around her, almost as wild as her eyes. Outside, a massive storm darkens the sky, clouds near-black and crackling with energy. The air tastes of lightning, and thunder, and danger, and sudden fear jolts down Killua’s spine. 
What had Milluki said? Cursed storms and magic pirates?
Killua’s eyes widen. “What—”
“I said,” the queen says, and her voice reverberates in the stormwall. “You should have killed me when you had the chance.”
She lifts her hand and spits a word, and a wind like a hand bellows up the stairs and throws Killua out the window.
He lands heavily in the garden, nostrils filling with herbs, bouncing once and hitting the building’s wall. At least the ground’s soft. But he dropped his sword somewhere between the second story and the dirt, and he does not have time to look for it before the storm hits. It whirls around the sky, a cyclone of pitch-black clouds centered right over the house. If Killua didn’t know any better, he’d say that it was only on the house, dropping almost to the ground as though trapping him in the eye of a storm.
He clamors over the wall, bad knee jolting with pain and a little voice screaming at him to run, just in time for a wall of rain to come crashing down between him and the jungle.
Stepping out of the rain, as though made from stormclouds and landslides, is the young man from the seafood shop. But instead of a stack of plates, he holds a brutally sharp sabre, blade short and thick and slightly curved up from its guard.
He takes in Killua, waterlogged and covered in blood, and his bright brown eyes go wide. “You’re—” he starts, and then his expression narrows with fury. “It would have been easier if you’d tried to kill me in town.”
“Why would I do that?” Killua says. “I’m only here for the queen, not an assistant fish fry.”
The young man grins with all of his teeth, any amusement from earlier washed away by unrestrained anger. “I’m Gon Freecss,” he says. “You tried to kill my mom.”
He’s the prince. In about the stupidest response Killua could have, he tries to rub some of the queen’s blood out of his eyes. But it doesn’t budge. If anything, the rain is making it worse, seeping into his face and clothes in a bright red tattoo, making his skin crawl. 
Blood curse, Nanika had promised. It was always a blood curse.
Shit shit shit gods fucking shit. For all Killua knew, the blood was going to kill him from the inside out. 
“I don’t care about who’s next in line,” he says, and takes half a step towards the storm wall. He had to get out, had to get home, or else— 
“You should care,” the prince of Whale Island says. “Because if you’d killed me first, the storm wouldn’t have come for you.”
Killua barely has time to draw his knives before Freecss is on him.
Maybe it’s the panic worming its way out of Killua’s stomach, or the sharp pain in his knee, or the blood curse scratching at his face. Maybe it’s the resolute fury in Freecss’s eyes. Either way, the prince moves nearly as fast as Killua, hacking at the assassin with brutal short slashes. Killua manages to block all of them, barely, boots slipping in the torrential mud. The prince is good enough to make Killua work if he was in good condition, and between the rain and the blood and the knee, they’re all but equally matched. 
Killua finally blocks a blow and shoves Freecss back, the prince leaving himself open. Killua presses his advantage in height and speed by kneeing the other man in the chest. Freecss coughs out a pained curse, and he tumbles back, mud covering his skin and his long braid. Killua follows, slashing out half-blind with his knives, and he feels his blades connect as the prince bounces away. Another splash of blood, this time on a bare hand. This time, Killua feels it sink in, painting his pale skin the color of rust.
Freecss has a slash on his cheek and shoulder, Killua’s wild strike having gotten him on bare skin. The weight of the blade also caught the prince’s braid, which droops tangled and waterlogged across his brown face, half-covering his eyes. Freecss curses again, something foul, and simply slices his sword through his hair. The rest of his braid lands in the mud with a heavy thump.
The prince wipes a streak of blood off his face, not seeming to care that the wound continues to flow freely. “I’m going to kill you,” he says, voice low as thunder.
Killua has fought soldiers and mercenaries and assassins, from the weakest to the most skilled. He’s been tired, fought for hours in the snow and sleet, wherever Father has asked. He’s fought with half the bones in his hand broken, with his legs immobilized by ice. But then, he’d been ready. He’d known what to expect. He hadn’t been fighting a storm at the same time he was fighting a prince. Freecss presses ceaselessly, forcing Killua back until his foot hits the wall around the queen’s home. The prince’s home. He can’t go any further back.
The prince’s eyes glint in the storm, and he slashes the sabre across Killua’s front. 
And Killua’s leg slips out from under him.
The mud carries him stumbling out of range of the prince’s slash, but also costs him one of his knives. Killua staggers to his feet, trying in vain to rub the blood off his face. All he gets is mud, and rain, and more blood. A callous on his hand must have ripped in the fight.
Oh. And his jacket is cut open across his front. Distantly, he can feel blood dribbling down his chest, starting at the shoulder and cutting towards his side. That should hurt more than it does. Even his leg doesn’t hurt so much anymore, a dull throb beneath the rain.
He’s tired.
Freecss snarls—just like his aunt, a small part of Killua notices—and slices the sabre straight down through the air. 
Static gathers in the air, bright and sharp, and Killua realizes he’s going to die.
“Sorry, Alluka,” he says. The words are lost under the wind and rain.
Then Killua is struck by lightning.
And everything is white.
87 notes · View notes
feadae · 6 years ago
Note
For the Fairytale Asks: Muse, Spark, Roses, Castle, Swan Lake, candlelight, princess, sweet daisies, and dwarf.
Ooh wow you flatter me!
Muse: How do you like to relax?As long as I’m sitting by myself somewhere without anyone trying to get my attention, I’m fairly relaxed, but ideally I’d be in the little Hobbit-hole I’ve constructed for myself under my dorm bed, reading, writing, or watching something, in pajamas, with my blanket with classic book quotes on it. The basement of the university library is really nice, too, because you’re required to be stone silent down there, and it’s got a bunch of different kinds of seating for different studying needs, and that seating includes small couches with three walls, so you can pull a small desk in front of yourself and only have distractions in front of you, or you can pull two of the pods together and have a lovely nap (which is not actually that uncommon).
Spark: Favorite film?I’m really bad at picking favorites, so if I’m not careful, I’m just going to list my entire movie library… I usually default to The Princess Bride or Dead Poets Society though, and DPS is a particular favorite at the moment.
Roses: What fictional universe would you like to live in?D e c i s i o n sIf we’re talking living during the events of the book/movie/what have you and being involved in them, then probably Lord of the Rings, just because I’d trust the Fellowship with my dang life and I’m already basically a Hobbit anyway. Or maybe Stardust, because I just really love that movie and being a sky pirate would be fun as hell and also Charlie CoxIf we’re talking living day-to-day, not interacting with any of the characters, but living in the universe, then probably Harry Potter, post-Second-Wizarding-War, just because magic.If we’re talking in between, interacting with the characters and going on adventures of your own, rather than the plot of the book/movie/what have you, then probably CotIG, because it’s got an enormous cast of interesting characters, and I love them all, and good Lord, what I wouldn’t give to live in Tamerlane House for even a day.I’ve thought about this too much
Castle: Favorite fictional character?D E C I S I O N SThere are a whole ton of characters whom I adore, and there’s no way I’m choosing a most favorite from all of them, but a good default answer would be Hermione Granger, Ginny Weasley, and Luna Lovegood from Harry Potter. Say what you will about HP and JKR, and chances are I’ll agree, but I’ll never be able to ditch Harry Potter, because it was a hugely formative part of my childhood (seriously, one of my favorite memories is a few months after Deathly Hallows was published–a family tradition from the time I discovered HP in second grade was for my mom to read the books out loud to the whole family a chapter or two at a time–we had just reached the Battle of Hogwarts, it was a Friday night, and my brother and I were about to go to bed, but we wanted to know what happened next, so Mom made us a deal: we would get ready for bed and she would sit out in the hall with Dad and read while we got ready (our rooms and the bathroom we used were all within 20 feet of each other and it was a narrow hallway). So that was what we did, and when we were both ready for bed, we sat down next to Mom and Dad while Mom finished the chapter, and then she kept going, and we didn’t complain because hey we got to find out what happened next and we got to stay up late, and that was how we finished the series–sitting on the floor of the hallway, all four of us, in our pajamas, and Mom said, “The scar hadn’t pained him in 19 years. All was well.” and closed the book and we just sat there with the best Post-Book Bittersweetness I’ve ever experienced). And I’m pretty Hermione-ish now, but when I was a little kid, I was basically a carbon copy of Young Hermione (personality-wise), and I dressed as Hermione for Halloween for four years in a row, and she’s been my favorite character for a long time. As I grew up and got used to the fact that you don’t have to have just one favorite anything, my Favorite Character roster expanded exponentially, and I grew to love Ginny and Luna as much as I love Hermione, because they’re all badasses in their own ways and they each have valuable lessons that they taught little Elementary-School Me, that I carry with me to this day, and I swear I will listen to any critiques you may have about JKR’s writing, but these characters are way too near and dear to my heart for me to eschew HP altogether.(And yes I realize I could have answered this question with “prolly Hermione lol” and done the trick but that’s not how I function)
Swan Lake: Do you like poems? If so, what’s one of your favorites?Fun fact: I didn’t care about poetry that much until the first time I watched Dead Poets Society, and then I went on a spree with a poetry anthology my mom had, basically taking it as my own and dog-earing the pages of poems I liked (this very anthology is on my desk in my dorm room as we speak, lo these many years later). I still don’t know very much about poetry, nor do I usually care to learn, but I’ll always have a soft spot for Shakespeare and Poe, and in the weeks of obsession after I rewatch Dead Poets Society, I pull that anthology back out and reread my dog-eared poems. So here are a couple of those.“Engraved on the Collar of a Dog, Which I Gave to His Royal Highness” by Alexander PopeI am his Highness’ dog at Kew;Pray tell me, sir, whose dog are you?“The Laboratory” by Robert Browning Now that I, tying thy glass mask tightly,My gaze through these faint smokes curling whitely, As thou plyest thy trade in this devil’s smithy–Which is the poison to poison her prithee?
He is with her; and they know that I knowWhere they are, what they do: they believe my tears flowWhile they laugh, laugh at me, at me fled to the drearEmpty church to pray God in, for them!–I am here. 
Grind away, moisten and mash up thy paste,Pound at thy powder–I am not in haste!Better sit thus, and observe thy strange things,Than go where men wait me and dance at the King’s.
That, in the mortar–you call it a gum?Ah, the brave tree whence such gold oozings come!And yonder soft phial, the exquisite blue,Sure to taste sweetly–is that poison too?
Had I but all of them, the and thy treasures,What a wild crowd of invisible pleasures!To carry pure death in an earring, a casket,A signet, a fan-mount, a filigree basket!
Soon, at the King’s a mere lozenge to giveAnd Pauline should have just thirty minutes to live!But to light a pastille, and Elise, with her headAnd her breast and her arms and her hands, should drop dead!
Quick–is it finished? The color’s too grim!Why not soft like the phial’s, enticing and dim?Let it brighten her drink, let her turn it and stir,And try it and taste, ere she fix and prefer!
What a drop! She’s not little, no minion like me–That’s why she ensnared him: this never will freeThe soul from those masculine eyes–say “no!”To that pulse’s magnificent come-and-go.
For only last night, as they whispered, I broughtMy own eyes to beat on her so, that I thoughtCould I keep them one half minute fixed, she would fall,Shriveled; she fell not; yet this does it all!
Not that I bid you spare her the pain!Let death be felt and the proof remain;Brand, burn up, bite into its grace–He is sure to remember her dying face!
Is it done? Take my mask off! Nay, be not morose;It kills her, and this prevents seeing it close:The delicate droplet, my whole fortune’s fee–If it hurts her, beside, can it ever hurt me?
Now, take all my jewels, gorge gold to your fill,You may kiss me, old man, on my mouth if you will!But brush this dust off me, lest horror it bringsEre I know it–next moment I dance at the King’s!
My choir in high school also sang a song with the text from “Stopping by Woods on a Snowy Evening” by Robert Frost, and the song was freaking gorgeous, so that poem’s close to my heart too.
Candlelight: Coffee or tea?Honestly, probably neither. I’d love to like both of them, but no matter how much cream and sugar I put in them, I can’t get past the bitterness. I do like the occasional chai latte, though (they’re like liquefied snickerdoodles!), so both and neither at the same time, I guess.
Princess: Favorite TV show at the moment?I don’t watch TV that much; I don’t have the time to commit to whole seasons of things… I’m not even remotely caught up, but I enjoyed the few episodes I watched of A Series of Unfortunate Events. I also binged the first 10-11 episodes of Switched at Birth the other day, but I’m really only watching it for the ASL. I don’t really like any of the characters, except Daphne and Melody and probably Regina. I want to like Emmett, I really do, but boy needs to get his romantic feelings under control; he can’t keep ping-ponging between Daphne and Bay. That’s gonna end really poorly.EDIT: Can’t believe I forgot these–The West Wing and NCIS are staples in my life. NCIS is just loads of fun, and I love the characters, and I could rant for days about how damn GOOD The West Wing is. It was written by Aaron Sorkin, who’s one of my favorite playwrights (he wrote A Few Good Men, the play the movie’s based on), and it’s just written so damn well. I don’t typically give a shit about the inner workings of the government, but The West Wing makes me give many shits. Many of them. All the characters are intellectual badasses, and I love them all so much.
Sweet Daisies: Do you believe in love at first sight?That’s called infatuation, kiddos, and it’s not healthy for anyone.
Dwarf: Do you enjoy horror films?I’ve never seen any, because I’m only a few years out of spending 95% of my time with my family, and my mom hates horror films with a passion, so we never watched any. I don’t have an interest in that many of them, either, ‘cause I’m a bit of a scaredy-cat (barely made it through Chapter One of Bendy and the Ink Machine; quit five minutes into FNAF 1), but I really wanna watch A Quiet Place, primarily because ASL and partially because my horror-movie-aficionado friends say the atmosphere was like nothing they’ve ever experienced.
Thanks, Al! Sorry about the wall of text, but I’m really glad I got the opportunity to type it all!
0 notes