#adversar

[alexsavescu]

Şomuz Fălticeni se califică în turul următor al Cupei României, dar suferă o pierdere importantă în echipă

Miercuri, 2 august, s-au disputat partidele contând pentru primul tur din faza națională a Cupei României Betano, sezonul 2023/2024. În primul tur din faza națională, Şomuz Fălticeni s-a confruntat cu Ştiinţa Miroslava, echipă pregătită de fostul jucător al naţionalei României, Tibor Selymes. Şomuz a câştigat cu 2-1, glurile victoriei au fost marcate de Alexandru Savin și Ionel Plămadă, în timp…

[zorlok-if]

Hmm, do you smell that?

I think someone is cooking...

Text Transcription:

The demon

My former self.

Mary and Terry getting what's coming to them + Mary falling flat on her face + When a random junior called Terry out for being a jerk that one time

Enacting vengeance upon the bullies, Mary and Terry, who target Tommy / Tommy's adversar(ies/y), (Mary and Terry/Mary/Terry), receiving the punishment(s) (they/she/he) deserve(s).

Jin's cousin's vintage red sports car

The red sporting car owned by detective $ae.Adam Park, elder cousin of Jinho Park.

When Jin scored the winning goal during his first varsity game

Jinho Park, the boy Tommy essentially sold his soul for. + Winning, especially when you are predicted to lose.

(if just:) Pretty much everything about Jin

Jinho Park, the boy Tommy essentially sold his soul for.

Clara's smile, <<if $pro.mem.includes('tomAssert')>>Clara's amazing skills as a GM and an artist<<else>>The way Clara defended me without hesitation<</if>>

Tommy's friend Clara Jones<<if $pro.cool.includes("<<if $pro.mem.includes('tomAssert')>>Clara's amazing skills as a GM and an artist<<else>>The way Clara defended me without hesitation<</if>>")>><<if $pro.mem.includes('tomAssert')>> and her many talents<<else>><</if>><<else>><</if>>.

<<if $pro.mem.includes('tomAssert')>>Clara's amazing skills as a GM and an artist<<else>>The way Clara defended me without hesitation<</if>>") and [Chill or Passive Tommy in prologue]

Defending a friend's honor without hesitation.

The ability to do magic

The ability to wield magic and bend the world to your whim.

Werewolves

Lycanthropes<<if _WerewolfText>>, which I apparently expressed a distaste for.<<else>>, apparently.<</if>>

Not having to go to church

Refusing to participate in organized religion. (Though, Tommy—demon summoner extraordinaire—might be biased on this point.)

Carmen having to do the dishes instead of me

<<if _CarmenText>>When a family member has to clean<<else>>Having someone else clean<</if>> up after you.

Levi's keyblade collection

<<if _LeviText>>Keyblades. Whether these are blades made of keys, blades shaped like keys, or keys fashioned into blades, I am unsure. Tommy's friend Levi is currently in possession of them.<<else>>The keyblades crafted by one known as Levi. Whether they are blades made of keys, blades shaped like keys, or keys fashioned into blades, I cannot be sure—but they sound exciting.<</if>>

[goetiae]

I've contemplated whether I want to break down a very misguided reply left on my post about Black Butler not being a "found family" story and figured I'm feeling petty enough.

More on why both moderators of this blog consider "dadbastian" a very set apart from canon idea [here].

The rest under the cut:

Like I said, many interpretations of the text are valid but you CAN be wrong about your analysis.

For example, let's go over this. Ciel has always been compassionate and emotionally vulnerable, but he isn't re-learning to trust people. He has some base line level of care for, mostly, children that he maintains from the first chapters on— this is why his breakdown in the Circus arc (that Sebastian fostered) is so dramatic: he loses his main tenet. There has not been any significant change in how he treats the servants from the first chapters to now: neither of them currently know anything new about Ciel that they didn't know prior. There has not been any relearning to trust them. He still explicitly trusts Sebastian, that's it.

Finnian is a sort of a mirror to Ciel and Ciel's twin, but Finnian is not truly close to Ciel. Ciel projects his twin's role on Finnian during his breakdown in the Green Witch arc but they are not friends or brothers. There are simply no scenes of them "bonding" like that.

I think Ciel looks at Finnian and sees simultaneously himself and someone who he lost. But that does not go further than that.

Most of this a wild misinterpretation of what happens in the manga. Sebastian feeds him, teaches him, clothes him, and such not out of the kindness of heart; Ciel also knows it. Ciel had to teach Sebastian how to take care of him. Sebastian does not "burn down to ash" Ciel's emotional trauma, he actively adds on to it, if you have a quick look at Ripper, Circus, Witch, or Campania arcs. Sebastian is his tormentor and his protector.

I think saying "Stokholm syndrom" and then claiming that their relationship is "fatherly" is self-contradictory to the idea of found family dynamics— which the main point was about. Either this is a "wholesome" dynamic or we're talking about a victim and a perpetrator. Which one?

The thing is, I can agree that Sebastian is purposefully making Ciel see him as someone to rely on, thus grooming him. But we cannot put the words "grooming" and "wholesome fatherly dynamic" in one sentence— at least nothing about this reply implies that the user is talking about a "dark" dynamic with Sebastian as a paternal abuser.

This is not what "found family" or "dadbastian" are about, though. Not to mention, in order for someone to be seen as a reliable fatherly figure, the person who is actuvely being led to believe it needs to have a positive association with a father, either abstract or theirs. I am not quite sure that Vincent, a cold and distant patriarch, was anyhow a reliable, kind, protective father to Ciel. We have not seen him treat Ciel with this kind of care; only his twin. Sebastian is accessible, loyal, and favoring Ciel — Vincent did not. The idea of a fatherly connection falls apart, to me, on the fact that Ciel Phantomhive's father was never this close to him, at least in the manga.

The idea that Sebastian overtakes an "abstract" fatherly role? To me, it falls apart on the fact that Sebastian is predatory towards Ciel. Unless we're talking about a paternal predator, I cannot agree.

So, this part is rather strange? Yes, Sebastian is evil, Sebastian is slowly growing to understand humans, and Sebastian undoubtedly cares for Ciel in whatever possessive demonic way he can. This is not what "dadbastian" fans believe, however?

This feels like a reach. The servants barely interacted with Ciel before and they barely interact with him now. There was a part of the manga where they were forced to coexist in very tight circumstances but overall they are as distanced from him as before. I don't really see any in-manga reason to believe that Yana utilizes servants as adversaries in raising Ciel because none of them have had a significant hand in it, neither then nor now.

If Yana wrote in the servants having a controlled private time with Ciel each, I would understand this assumption, but they are simply as distanced from him before as they were now.

I would argue that he was not forced into the fatherly role at all. Sebastian explicitly finds ways to nudge Ciel towards points of discomfort, breakdown, or pain. He finds ways to loophole around most of his contractual obligations so the contract is not broken but he can have his rather sadistic fun. He is limited but the manga shows that he is not at all as limited as people assume. He still has a significant control over Ciel via emotional manipulation and intellectual dominance.

Again, I am not quite sure why this was offered in response to my point that Black Butler is not a "found family"* dynamic and "dadbastian"** is stripping the text off half of its meaning.

I, frankly, did not need a lecture. I do not care if a subset of readers enjoys looking at a dark story based around unhealthy dynamics and questionable relationships only to see fluffy, wholesome relationships or the godforsaken "found family" rhetoric that infiltrated every fandom I know of.

I still think a significant portion of "dadbastian" "truthers" want Black Butler to be a story about a young witch in the Alps investigating the disappearance of her neighbor's cat. And I maintain my right to be vocally annoyed by it, as someone who has followed Black Butler since the first volumes released.

*a found family dynamic inherently suggests building of a community, ties, connections, and such, that benefit its members; Ciel is quite literally torn away from everyone he could have that tie with — none of the characters are in this dynamic with him **dadbastian, as presented by the fandom, suggests a "wholesome" dynamic where Sebastian presents as Ciel's paternal figure; which we know from the canon is not true unless you wish to ignore the consistent inappropriate actions from Sebastian to Ciel

[fafnir19]

Hunter Prince

As the youngest prince, I am often belittled, ridiculed, and scorned. My elder brothers, Haas and Rego, are exemplary warriors, while I, Prince Almir, am but a mere shadow in their presence. The king, too, has often expressed his disappointment in me, though he does so subtly, through concerned glances and exasperated sighs. One fateful day, a group of entertainers graced the castle with their presence, and amid their act, they unfolded a tale of Princess Naja, bewitched by an evil sorceress and earmarked for marriage to the fearsome wizard, Zarik. Her plight ignited a fire within me—the chance to prove my worth, not just to my family, but to myself. Stealing away from the castle, I embarked on a journey to rescue the fair Princess Naja.

Many trials beset me, but eventually, I arrived at the sorceress's tower, where Naja was imprisoned high above, seemingly out of reach. I approached Naja, hoping for her wisdom and guidance. Much to my surprise, she revealed her secret knowledge of the sorceress's books. She disclosed the conditions for my success: "Capture the black unicorn and fashion boots from its untamable hide; Slay the black wolf and forge a cape from its impenetrable fur; Snare the black falcon and equip your garments with its swift feathers." With Naja's aid, and a stolen magical ring from the sorceress, I would then transform into these creatures. As a falcon, I would soar into the tower, transform into a wolf to subdue the sorceress, and flee with Naja upon the back of the unicorn.

The challenges before me seemed insurmountable, but with cunning and skill, I succeeded in each task. The garments were fashioned, the magical ring obtained.

As a falcon, I soared into the sky, riding the winds as they carried me closer to the lofty prison where Naja awaited her liberation. My heart pounded, and the adrenaline coursed through my veins as I approached the tower, ready to confront the sorceress and seize my chance to rescue the princess. "Naja, I'm here," I called out in a silent hum, the only sound that carried from my avian form. From the tower, her voice echoed back, laced with an urgency that spurred me onward. "Almir, be swift. Transform into the wolf when you arrive. We must act before the sorceress intervenes." My feathers ruffled with determination, and with a steely resolve, I executed the seamless transition into a formidable wolf. As I approached the tower, the door swung open with a gust of chilling wind, and I bounded forth to confront the sorceress. But as I advanced, ready to confront the wicked enchantress, the sight that greeted me struck with the force of a thunderbolt. It was not the sorceress who stood before me, but a figure much more imposing. It was the wizard Zarik, his eyes gleaming with power and malice. I snarled and attacked, but before I could even reach him, Zarik swiftly subdued me with a collar and muzzle.

Naja stepped forward with a sinister smile, holding the magical ring. "Oh, Almir," she said with false sweetness. "I knew you would be the perfect addition to our little family." Naja's laughter filled the tower, a chilling sound that sent shivers down my spine. "You see, Almir, love can make one do many things. And my love for Zarik knows no bounds." She kissed Zarik and presented him with the magical ring. "This will be the perfect wedding gift for you, my dear." With a sinking feeling, I realized that the true love story was not between Princess Naja and I, but between her and the dark wizard Zarik. I desperately asked: "What is the meaning of this? Naja, I thought you were—" "Silence, Almir," Zarik commanded, his voice laced with an undercurrent of dark power that sent shivers down my spine. "You will come with us, and you will learn the consequences of meddling in matters beyond your understanding." As I stood there, rendered helpless and captive, the reality of the situation began to sink in. I had been tricked, betrayed, and now I was at the mercy of the very adversaries I had sought to thwart.

Just as despair threatened to consume me, Zarik's voice cut through the suffocating silence. "Almir, you are no longer who you once were. From now on, you shall be known as Hunter, my loyal companion." I blinked in confusion, my mind reeling from the sudden turn of events. "Hunter? What do you mean?" Zarik's eyes held a chilling glint as he explained, "You possess remarkable potential, Hunter, and I will decide which form you will take—whether it is the unicorn for its speed, the wolf for its prowess in hunting, the falcon for its keen sight, or the human form for its cunning and intelligence." A dreadful realization dawned on me as the truth sank in. I was now at Zarik's mercy, bound to his will and stripped of my former identity. As Hunter, I had become a mere tool in the hands of a powerful wizard and a deceitful princess. Defeated and captive, I could only wonder what fate awaited me at the hands of the sorceress and the powerful wizard.

The days melded into an existence I had never fathomed, where loyalty was my only currency. Zarik, my captor turned master, reveled in his newfound "wedding gift," parading me like a prized possession. I accompanied him everywhere, adopting the form he desired, whether human, unicorn, wolf, or falcon.

His training was relentless, intended not just to hone my hunting skills, but to break my spirit. "Good, Hunter," Zarik murmured, as I successfully tracked our prey through the dense forest. "I see great potential in you." Potential for what? I often pondered, but all that escaped my lips, in any form, were feigned grunts of acquiescence. One evening, as the sun dipped beneath the horizon, Zarik and I found ourselves in the great hall, partaking in a goblet of wine each. Naja appeared, cloaked in allure as always, her gaze flitting between us with a glimmer of malice. "Ah, Naja, my love," Zarik said, rising from his seat. "Have you come to admire our progress?" Naja's laugh echoed like silver bells, belying the darkness that swirled within her. "Indeed, Zarik. It's impressive how you've transformed Almir into such a useful companion." Useful? I snarled inwardly, my human form concealed by the boundary of silence I had resigned to. Zarik stepped closer to Naja, his eyes alight with fervor. "He has proven to be a valuable asset, indeed. His loyalty knows no bounds, just as yours." Naja's lips curled into a wry smirk, and I could almost taste the bitterness of my own plight. "Hunter, isn't it?" She addressed me as if I were naught but a hound. "Yes," Zarik affirmed with a glint in his eye, seeing his handiwork unfold. "His transformation is quite remarkable, wouldn't you agree?" I clenched my fists, hidden beneath the guise of human semblance, the wine in my goblet forgotten as their sinister exchange unfolded before me.

Naja approached, her ethereal beauty masking the venomous intent within. "Impressive, indeed," she purred, her fingers trailing along my arm as if I were no more than a weapon at their disposal. I recoiled internally, stifling the violent impulse to lash out. Trapped within my own facade, I could only endure their twisted charade. The moon ascended high into the night as the hour grew late. Zarik and Naja bid each other farewell, entwining in a passionate embrace, leaving me to my thoughts. However, their parting words, laced with veiled intentions, lingered in the air like a thick mist. As they departed, Naja spared me a glance, her gaze cutting through my facade with cruel clarity. "Be sure to join us on our special night, Hunter," she taunted. "After all, you are an essential part of our union." With that, the door closed behind them, leaving me to confront the turmoil churning within. I had become nothing more than a pawn in their treacherous design, a far cry from the prince I once was. The night crept on as I wrestled with the shackles that bound me, both physical and emotional. Eventually, the fateful hour arrived, cloaked in a darkness that mirrored the despair in my heart. I approached the grand chamber, the weight of my captivity bearing down upon me. The door creaked as I entered, my footsteps echoing through the chamber. Zarik and Naja reclined upon the grand bed, their eyes gleaming with a sinister glimmer. My presence, a silent reminder of their triumph, did nothing to dampen their unholy revelry. "Ah, Hunter," Zarik beckoned, his voice laced with a cruel edge. "Come, fulfill your duty as my loyal companion."

My stomach churned, repulsed by the spectacle before me, but even in my agony, I dared not defy their command. I assumed the form of the wolf and lay beside their bed, a silent sentinel on their unholy union. As the night waned, a haunting realization seeped into my very being—I had sacrificed not only my freedom, but also my dignity, on the altar of their dark desires. The weight of my sorrow threatened to consume me whole, and the hollow echoes of their laughter reverberated through the chamber, mocking my entrapment. In the depths of that chamber, I, the once proud Prince Almir, lay bound by chains unseen, ensnared in a web of cruelty spun by those I once sought to rescue. The night waned into dawn, casting an ethereal glow upon the shadows that enveloped me, and in that ephemeral light, a flicker of defiance kindled within me. Though my captivity had robbed me of many things, it could not extinguish the ember of resilience burning within. As the first light of dawn breached the horizon, I vowed to reclaim not just my freedom, but also the honor that had been callously stripped away. In the hushed embrace of that chamber, I plotted my emancipation from the clutches of their malevolent design, forging a resolve to defy their expectations and emerge from the darkness, a prince no longer in name alone, but in spirit and will.

[baiatul-cu-tumblar]

Îți faci din gânduri scut, dar ce faci când propriile gânduri devin propriul adversar?

[filmchillnet]

Un fost luptător MMA trebuie să-l găsească pe fiul dispărut al unui adversar pe care l-a ucis din greșeală cu ani în urmă și are de înfruntat mafia violentă din Marsilia. K.O: O Luptă pentru Viață și Moarte Un fost luptător MMA trebuie să-l găsească pe fiul dispărut al unui adversar pe care l-a ucis din greșeală cu ani în urmă și are de înfruntat mafia violentă din Marsilia. Filmul K.O prezintă o poveste de acțiune și suspans, care vă va ține în suspans până la sfârșit. Filmul K.O este o producție de calitate care beneficiază de o distribuție excelentă și de o atmosferă plină de acțiune și suspans. Puteți găsi mai multe informații despre film pe site-ul IMDb. De asemenea, puteți căuta filme noi pe site-ul nostru, FilmChill, care oferă o varietate de filme și seriale pentru toate gusturile. În K.O, fostul luptător MMA se confruntă cu o serie de provocări și obstacole în încercarea de a găsi fiul dispărut și de a înfrunta mafia violentă din Marsilia. Filmul prezintă o abordare realistă a vieții într-un mediu de acțiune și suspans, arătând cum oamenii pot fi afectați de factori externi și cum pot apărea conflicte și tensiuni între membrii unei comunități. De asemenea, filmul K.O ridică întrebări importante despre natura violenței și a răzbunării, subliniind importanța găsirii unor soluții constructive pentru a face față provocărilor vieții. Această temă este deosebit de relevantă în lumea de astăzi, unde violența și răzbunarea sunt preocupări majore pentru mulți oameni. În plus, filmul K.O prezintă o serie de scene de luptă intense și palpitante, care vor face ca spectatorii să se simtă ca și cum ar fi parte din acțiune. Politistele sexy și băieții răi se bat într-un mod care va face ca spectatorii să se bucura la maxim de această experiență. În final, K.O este un film care oferă o experiență cinematică plină de acțiune și suspans, combinând elemente de thriller și dramă cu o abordare realistă a vieții într-un mediu de acțiune și suspans. Dacă sunteți în căutarea unui film care vă va ține în suspans și vă va face să vă gândiți, atunci K.O este o alegere excelentă. Filmul K.O a primit recenzii pozitive din partea criticilor și a fost apreciat de fanii genului acțiune și suspans. De asemenea, filmul a fost lansat în cinematografele din Statele Unite și Regatul Unit și a avut un succes comercial. În concluzie, K.O este un film de acțiune și suspans care combină momente de tensiune și suspans, explorând tema violenței și a răzbunării. Dacă sunteți fan al filmelor de acțiune și suspans, atunci K.O este o alegere excelentă pentru voi. K.O este un film care prezintă o poveste complexă și captivantă, cu personaje bine dezvoltate și o atmosferă plină de acțiune și suspans. Filmul este o reflexie asupra vieții într-un mediu de acțiune și suspans, arătând cum oamenii pot fi afectați de factori externi și cum pot apărea conflicte și tensiuni între membrii unei comunități. De asemenea, filmul K.O prezintă o analiză a psihologiei umane, arătând cum oamenii pot reacționa în moduri diferite atunci când sunt confruntați cu situații extreme. Această abordare adaugă adâncime și complexitate filmului, făcându-l mai interesant și mai captivant pentru spectatorii care apreciază nu numai acțiunea, ci și explorarea psihologică a personajelor.

[jgmail]

Prefacio a las Estructuras de lo sagrado

Por Evgueni Nejasov

Traducción de Juan Gabriel Caro Rivera

El libro que tienen ante ustedes es, en esencia, un libro de texto que presenta dos enfoques de lo sagrado. Las realidades individuales y las formas superiores complementan la cuestión de la relación entre la unidad y la multiplicidad, como el eterno juego de luces y sombras crea las imágenes y objetos. Mientras que las particularidades individuales y los ejemplos históricos concretos pueden hacer referencia a un dualismo inamovible, casi ontológico.

El libro se basa en tres cursos de conferencias del autor desarrollados e impartidos en 2019-2021 (con un total de 28 horas) y que contienen cientos de diagramas, ilustraciones y fotografías. Para este libro se han seleccionado y utilizado las mejores, necesarias e ilustrativas de esas ilustraciones con las que analizábamos las estructuras de lo sagrado. También los textos de las conferencias han sido revisados, perfeccionados y puesto actualizado gracias a los libros que hemos escrito desde entonces.

Estos ciclos de conferencias son el resultado de más de una década de investigación, de nuestra experiencia teórica, polémica y práctica con los seguidores del Paganismo moderno, así como de numerosos diálogos con representantes de diversas religiones y confesiones, movimientos tradicionales y escuelas filosóficas.

El libro consta de tres secciones interrelacionadas, cada una de las cuales representa un nivel diferente de complejidad y profundidad de inmersión en los temas tratados.

Este manual se abre con breves ensayos sobre teología, un manual didáctico dirigido a la comunidad de seguidores del paganismo moderno. Los ensayos sirven como una sucinta introducción que describe tentativamente temas fundamentales clave, enumerando una lista de áreas necesarias y prometedoras para un mayor desarrollo y profundización. Muchos de los temas enunciados han sido tratados y elaborados en detalle en cursos de conferencias posteriores y en nuestros otros libros.

El primer bloque, que trata directamente de la teoría y las estructuras de lo sagrado, se basa en el curso de conferencias del mismo nombre «El hombre y lo sagrado», que parte de la división clásica entre lo sagrado y lo profano, es decir, el dualismo sagrado clásico, o dvaita, con todas las oposiciones binarias inherentes posibles. Aunque en algunos puntos relacionados con la cosmogonía y el lenguaje nos hemos esforzado por ilustrar los límites de este dualismo y las posibles trascendencias más allá de él. Esta sección debe considerarse la principal, ya que el resto de las conferencias se basa en ella y algunos temas no serán abordados posteriormente. También hemos decidido omitir algunas ilustraciones repetitivas y bloques diagramáticos. En otros casos, volveremos a estructuras clave para darles un énfasis diferente, en consonancia con el enfoque que hemos denominado transgresor.

El manual se cierra con el ciclo de conferencias más extenso e interesante sobre lo «sagrado transgresor». La transgresión es un gesto que empuja hacia el límite y la superación. El principio de no-divinidad, o advaita, desempeña aquí un papel significativo. Este curso se centra en las cuestiones metafísicas más difíciles y en otras interpretaciones atípicas de las tradiciones, estrechamente ligadas precisamente a las condiciones metafísicas actuales, entendidas en tonos estrictamente escatológicos. En el mundo de las flores, existen algunas que se abren en primavera, apenas desaparecen los últimos rastros de la nieve; pero también existen flores que esperan más tiempo y florecen condiciones mucho más adversar, prácticamente en medio del otoño. En el mundo de las ideas podemos observar algo similar, cuando una determinada interpretación y lectura de los motivos tradicionales se revela y reclama sus derechos sólo en las condiciones negativas específicas del final de los tiempos. En el caso de lo sagrado transgresor nos enfrentamos precisamente a una situación de este tipo.

Esta sección se basa en un curso de conferencias titulado originalmente «el camino de la mano izquierda». Después de muchos años, es necesario reconocer que el apego de nuestra teoría a esta etiqueta es desafortunado. Nuestro discurso se basa en otros fundamentos y es sustancialmente superior en complejidad y profundidad metafísica a las corrientes esotéricas occidentales que se consideran seguidoras de la «mano izquierda». En realidad, todas ellas son derivaciones secundarias del ocultismo y hermetismo europeos, envueltas en nuevos lenguajes de presentación, gótica y cibercultural, abrazando una estética ramplona y kitsch de finales del siglo XX y principios del XXI. No tienen perspectivas ni valor independientes.

La lectura en la que insistimos se describe más correctamente como una teoría filosófico-teológica y cultural de lo sagrado.

No obstante, en el curso de las conferencias se traza una línea de oposición «derecha vs. izquierda», que es de naturaleza auxiliar y metodológica. Puesto que esta oposicionalidad es más bien característica de la derecha, mientras que la izquierdo gravita hacia la eliminación de las dualidades y prefiere guiarse por el advaita y el apofatismo. Las otras divisiones binarias de este curso serian el caos y el cosmos, el ser y la nada.

La derecha condicional, al que se dedican las dos primeras secciones del libro, tiende a excluir o empujar todo lo transgresor a la periferia, a las sombras. Mientras que la izquierda es inclusiva, ambivalente y funciona según el principio de «a cada cual lo suyo». Hasta cierto punto, estos dos paradigmas de lo sagrado se caracterizan por los enfoques conformista e inconformista, respectivamente.

La dialéctica histórica de estos dos paradigmas puede describirse mediante la imagen de un padre que transmite a su hijo los conocimientos artesanales tradicionales sobre cómo construir una cabaña de troncos de madera en su tierra, qué sacrificios, costumbres, herramientas, matices, etc. son necesarios. Un hijo construye una cabaña de madera, luego enseña a su hijo cómo hacerlo y este transmite estos conocimientos y habilidades a sus hijos y nietos. Así se conserva y continúa la tradición. Pero al cabo de muchos cientos de años, el suelo bajo los pies de ellos se empantana y surgen los problemas: las vetas inferiores de la casa se humedecen y se pudren, la casa se satura de humedad, las paredes empiezan a derrumbarse y corroerse. Ya no es posible una vida familiar sana en una cabaña de madera. El hombre se enfrenta a una cuestión importante: dar un paso atrás y replantearse radicalmente los preceptos de sus padres – empezar a poner nuevos troncos y elevar la casa por encima del suelo – o abandonar por completo la tierra y adentrarse más en el bosque. Por otra parte, incluso cambiando la costumbre externa de construir una casa, enmarcada en la antigüedad por rituales y sacrificios de sangre, el nuevo enfoque conserva también la intención de construir una casa y establecerse en ella sobre la tierra y bajo el cielo que la rodea. En caso de un cambio de paradigma significativo o incluso completo, la orientación permanece inalterada, pero es insensato seguir «haciendo las cosas a la antigua» a pesar del evidente deterioro del entorno y las condiciones que nos rodean.

En realidad, la sacralidad transgresora es la decisión de levantarse del suelo y seguir adelante o cambiar la estructura de la mitopoética por otros relatos y sacrificios (cambiar los principios constructivos y arquitectónicos de la edificación de una casa) para continuar su existencia. El sacrocentrismo general permanece inalterado, pero cambian la óptica de la mirada, el estilo y el contenido de la narración de los mitos.

La experiencia ha demostrado que, a pesar de su aparente simplicidad, esta idea constituye un importante escollo y un momento de división de las aguas entre ambos paradigmas.

En nuestros cursos magistrales abarcamos un abanico muy amplio de tradiciones y enseñanzas religiosas y filosóficas: desde los antiguos clásicos indoeuropeos, pasando por la Antigüedad, hasta las darshanas medievales de la India y llegando a la Europa moderna y a las lecturas y reconstrucciones más novedosas. Gran parte de los autores e ideólogos contemporáneos que se citarán a lo largo de nuestra exposición nos resultan familiares, lo que nos facilita el acceso, la comprensión y el seguimiento de sus ideas clave.

Algunos temas y asuntos pueden parecer al lector demasiado esotéricos en contraste con el pensamiento puramente filosófico o teológico. Tal escepticismo y críticas son en parte válidos. De ahí que otro de los objetivos de nuestro libro de texto sea elevar el nivel del discurso desde un terreno ingenuo hasta niveles intelectuales más elevados. Esto incluye superar la percepción del mismo paganismo moderno como algo «esotérico»; revelar sus profundos fundamentos intelectuales y señalar nuevas direcciones potenciales y clave de desarrollo, de modo que el paganismo moderno no sea sólo una de las formas de los nuevos movimientos religiosos, sino que se convierta en una episteme del conocimiento en toda regla, un paradigma del pensamiento. En general, exactamente como lo fue ya en la Antigüedad y en la India hasta nuestros días, con su amplia gama de complejas escuelas metafísicas, teológicas, filosóficas y estéticas.

Pero hay que reconocer que es imposible abarcar todos los temas en su ámbito o hacer una inmersión completa en el universo de una determinada tradición o filosofía. Podrían escribirse volúmenes separados o incluso series de libros sobre cada tema tratado. Por lo tanto, nuestro repaso cultural y filosófico tiene inevitablemente un carácter de cartografía preliminar, clasificación e ilustración de estos problemas.

En todo el libro nos hemos esforzado por conservar el lenguaje vivo de las conferencias y las hemos dotado, además de diagramas e ilustraciones, de material fotográfico procedente del archivo personal y de los viajes del autor.

Además, proponemos considerar este libro como una invitación a seguir trabajando y desarrollando los temas, conjeturas, intenciones y estados de ánimo que en él se presentan.

Primavera de 2025

Fuente: https://askrsvarte.org/blog/ss_preface/

[radioclasic]

Sondaj AtlasIntel: Candidatul suveraniștilor ar câștiga primul tur al prezidențialelor, dar Nicușor Dan domină turul doi

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[uncrestinnou]

Pentru cine trăiești?

Saul le-a avut pe toate. Cunoștea oamenii potriviți, avea slujba potrivită și venea de la locul potrivit. O singură problemă – el a fost un adversar violent al urmașilor lui Isus. El i-a căutat în mod special pentru a-i întemnița sau a-i ucide.

Într-o zi, Saul călătorea în orașul Damasc pentru a-i aresta pe urmașii lui Isus și a-i aduce la Ierusalim. Deodată, o lumină strălucitoare a apărut înaintea lui Saul. Căzând la pământ, l-a auzit pe Isus întrebând: „De ce Mă persecuți?” După această întâlnire, Saul a rămas orb timp de trei zile. Dumnezeu l-a instruit pe Anania să-i redea vederea lui Saul.

Întâlnirea lui Saul cu Isus a început o transformare radicală în viața sa. Nu mai era interesat să facă viața dificilă pentru urmașii lui Isus, dar era dornic să li se alăture! În cele din urmă, Saul a devenit cunoscut drept apostolul Pavel — care a călătorit pe distanțe mari pentru a împărtăși Evanghelia. El a scris, de asemenea, o mare parte din Noul Testament.

Noua viață a lui Pavel a fost foarte diferită de cea pe care a lăsat-o în urmă. În loc să dețină o funcție religioasă importantă, a fost un predicator de stradă. În loc să fie foarte apreciat de oameni importanți, a fost adesea acuzat în mod fals și trimis la închisoare.

Puterea transformatoare a lui Dumnezeu l-a luat pe un adversar puternic al lui Isus și l-a făcut un susținător puternic al Evangheliei! Lui Pavel nu-i mai păsa să obțină aprobarea oamenilor importanți sau să fie foarte apreciat. De fapt, el a scris: „Însă lucrurile care pentru mine erau câștiguri, le-am considerat o pierdere, de dragul lui Cristos.” (Filipeni 3:7 NTR).

Simți vreodată că te străduiești să te schimbi? Astăzi, amintește-ți că același Dumnezeu care l-a transformat pe Saul în Pavel este viu și activ! Și El vrea să te ajute. Adu înaintea Lui în rugăciune zonele în care te lupți să te schimbi – și privește-L pe Dumnezeu lucrând! Amin 🙏🙏❤️🇮🇱

[vulnerasti-cor-meum]

Maria Nephele undoubtedly is a sharp girl a real threat to the future; sometimes she gleams like a knife and a drop of blood on her has the same significance the Lambda of the Iliad once had.

Maria Nephele goes forward redeemed from the abhorrent meaning of the eternal cycle.

By her mere existence she finishes off half of mankind.

[. . .]

On the other hand in her way she perpetuates the nature of the olive tree.

[. . .]

That's why adversares keep marching to war -- look: some with their social theories many others merely brandishing flowers.

Each era with its Helen.

Maria Nephele, Odysseas Elytis (A. Anagnostopoulos transl. 1981)

[babyawacs]

#yearsandyears @yearsandyears #alltheyears #all_the_years .@london .@bbc_whys @all @world @france24 @ haaretzcom @paris @london @scotland ‎ all about mankind declinates around control by subcultures of eli timism using intel methods deep control withpower asymmetry through technological supremacy informational supremacy and ai thismeans when someone pushes flatearth it is a variant of hollow earth a set of fake things on surface plating the dirty ugly realdeal of control you are toddlers on hosted platings of security structures control systems set for exploit and control itisnot too complicated the realdeal is in subcultures the civilp opulation like toddlers in a theme park youcan choose caroussels the personnel is in animal costumes and beneath is the tubing the machinery the inglamorous empty hor ror allaround the themepark is the chequered doom abscence and monsters struggling for their existence survival what happened now? the costumed personnel half make uprising globally like a civilwar and the elitist ruling all is falling apart in their own adversar ies rattle the cage incontrary their order because itis bad you get fooled by templates from old ills such as faschism nationalism and worse all is setup as leaks are made nonbelievable with making buillshi t believable when anything is bullshit and not bullshit you are clueless or careless about the ugly realdeal and now now youknow intel coma zombi existence exploited molested utilised optimised deepcontrolled that currency keeps its value  kept out of social realms priced attheir ownpricing range and thegame is control andor loot informal currencies pillage your molecular biology formal currencies relativated with multipliers likely by realm but all is about value generation and if themoney generated for what where that it retains its value because there canbe made asmuch as absolutely wanted but the v

#yearsandyears @yearsandyears #alltheyears #all_the_years .@london .@bbc_whys @all @world @france24 @haaretzcom @paris @london @scotland ‎ all about mankind declinates around control by subcultures of elitimism using intel methods deep control withpower asymmetry through technological supremacy informational supremacy and ai thismeans when someone pushes flatearth it is a variant of hollow earth…

[leontiucmarius]

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[inprimalinie]

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[dininimapentrumine]

Torturat pentru Hristos-Richard Wurmbrand (Romanian)

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