#adventures in speculating

[ambrosiagourmet]

I think one of the biggest tragedies of Laios & Falin and their relationship is how much his actions impact her life. But like. Specifically how much they WOULDN’T impact her life as much if they weren’t both stuck in such a shitty abusive situation.

This part of the Falin-tries-makeup daydream hour comic is what got me thinking about it again because truly it just... it seems like such a like an offhand comment that I'm sure Laios didn't mean to be cruel or anything. That's just like. A little kid not thinking about what they are saying. ESPECIALLY when the kid in question is Laios.

But man they depended on each other SO much as kids. Too much. It really feels like they didn't have any other source of positive reinforcement, or anyone else to share themselves with. So of course an offhand comment like that has a huge impact on Falin.

Or this little bit from one of the flashbacks:

This tears me apart. Do you think it tears him apart to think about? I think it does. I think Laios holds every small failure to care for Falin against himself.

And then there's the Bigger stuff. The way that him coping with his own trauma ended up impacting her.

Like his interest in monsters. Like him going to find a ghost, and accidentally revealing Falin's magic to the whole village in the process.

Like him needing to leave. And leaving her behind.

He shaped her life so much, and he carries so much guilt for it. And again, there should have been other people there to help. The same things that made Laios need to leave home are the things that made his leaving so hard on Falin. She ate alone after that. She shouldn't have had to eat alone just because Laios wasn't there.

She was 9 when he left for school, and he was 11.

Nine. And Laios feels like he failed her because he didn't stand by her through this better. As an eleven year old.

Both of these kids deserved so much better from the world.

[causalityparadoxes]

The Pantheon of Discord | Doctor Who, The Legend of Ruby Sunday

[kara-zor-els]

Maws creators really saw everyone requesting batman for season 2 and said "fuck that, this is a Superman show and we are introducing Superman's actual comic cast"

[idkaguyorsomething]

hirohiko araki has achieved the schroedinger’s cat of lgbtq+ representation where there is definitely some kind of queer shit going on but nobody knows exactly what it is.

[a2zillustration]

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[[ All Croissant Adventures (chronological, desktop) ]]

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[r0semultiverse]

MOMMY SORRY MOMMY SORRY MOMMY-😳

my soul is all yours 😳👉👈

[koimethehorizon]

Fionna and Cake theory: Simon the Artist

Nothing like a good old creative panic attack.

Fionna and Cake good. Haven’t been excited about a show like this in a long time, though it being a part of Adventure Time does help quite a bit. I was holding on to some cautious optimism for the show when it was announced as yet another big IP series covering the multiverse (still waiting to groan at THAT scene where Prismo has to explain to us about there being infinite universes), but as usual, Adventure Time’s crew continues to surprise me with its creativity, humor, and thematic resonance.

The most striking part about Fionna and Cake so far is just how deliberately the show wants us to differentiate it from the original Adventure Time.

We’re getting shots where Simon pops an artery from his arm, a theme song that explicitly talks about suicidal ideation, discussions of rent and financial problems, and curses no longer disguised with AT’s usual dialogue. Adventure Time has always had violence, thematic density, and juvenile rating pushers, but they were always reserved at small points. Meanwhile, these are factors that are just casually shown and discussed in Fionna and Cake every 3 minutes or so. This is not an all-ages miniseries, it’s for young adults. (hint: this will be relevant later)

Let’s get right into it. This is much less a speculative lore theory and more on what thematic direction the story may be going.

Before we do, let’s get this out of the way first. This theory assumes that the current Fionna and Cake world is all a part of Simon’s head and not merely a separate multiverse, which… I’m certain is fact for the following reasons.

The immediately obvious piece is that Fionna and Cake was always the Ice King’s fanfiction. Now if you’re versed in AT’s continuity you’re probably going to be asking about the red light in Fionna and Cake + Fionna and… I’ve no answer for it unfortunately. It’ll probably be relevant later in the series and possibly age this post like milk but for now, we’re not here to focus on the how, but the why.

Second is that the intro and the ending of Ep 2 literally show Fionna’s world spilling right out of Simon’s head like an animated world out of a frozen brain. If that isn’t clear enough-

Didn't realize this until writing, but these glasses are just plastic made to look like Betty's

There’s no other explanation for this other than that this world is artificial or influenced by Simon in some sense. Fionna even specifies that the statue went under renovation 12 years ago, but nobody seems to know who it is. Considering how Finn looks in the episode, it’s likely that it’s been that long since Betty’s sacrifice in the finale.

With that out of the way, here it goes.

The reason Fionna and Cake exist in the first place is because the creators found Natasha Allegri’s genderswap designs charming and wanted an in-universe reason to use them the Ice King wanted to create trashy, wish fulfillment through art. It was a phase.

Definitely changed that image for publishing.

Simon can argue if they’re good or bad but it’s undeniably his art. It’s not just a portfolio he left behind in a closet, it’s an experience that was shared with a larger audience.

And even if wasn’t liked at first, the citizens of Ooo seemed to have come around to it. And some of them love it!

Whether Simon likes it or not, he has a fan base that is so endeared to the story he made all those years ago that they demand he makes more. Why let a good story, loved by many, go to rest when you still have some life and creativity left in you?

Can't move on in more ways than one.

Except, the problem is that Simon isn’t Ice King anymore. He’s aged out of it.

His real passion is history, he's an adult who who finds passion in the mundane and antiques from the past. And frankly, there isn’t much room for wish-fulfillment and fantasy anymore. Simon has responsibilities. He has a job and a daughter in a world that is moving faster than he can process.

And where Ice King wrote about looking for love, Simon has already had it.

And lost it. His mind isn’t focused on the rosiness of finding new love, it’s grieving the one he already thought was the one.

Wasn't he supposed to be good with kids?

Despite his new life experiences, all his peers seem to want from him is to make more of what they’re familiar with.

A story made from wants and wishes that he doesn’t even have anymore.

A story that was literally made by someone else at a different time. It’s a fiction he cannot connect to anymore, art that he’s embarrassed by. Yet also jealous of. Because at one point, the body Simon used to be in understood what exactly was missing from his life and could express that easily.

Seeing it again is like experiencing a retrospection of a cringey loser you don’t want to imagine having ever been. It’s not you anymore, and you don’t want to be reminded of that.

Because despite him having a new creative passion, no one seems to care about that. All they want is Fionna and Cake. And what is more lonely than other people misunderstanding what you’re trying to express?

If I failed to make it clear somehow, my theory is that: Simon’s relationship with Fionna and Cake is a metaphor for creators growing out of their art. And this new Fionna and Cake world is still comfort art born out of Simon’s current desires and perceptions.

The snippet subtitles this “child holding a phone”. I guess I’m wrong. Essay over.

Episode 1 and 2 both have direct parallels with each other. They’re both about a protagonist who are feeling displaced from their world, living a phase of losing a significant other, leaving a thankless job, wearing a mask of stability in front of the people they care for, seeking a guru at the heart of the forest, and concluding that they no longer belong in their current world.

But more importantly, Fionna and Cake (the characters, the world, and the show) are no longer for an all-ages crowd. Fionna and Cake now feature young adults, curses, gore, alcohol, partial nudity, financial issues, morning routines, mid-life crisis, and overt suicidal ideation. These are the feelings that Simon relates to and possibly desires to express through art. Thus, his story and our new miniseries have warped that way.

Am I overthinking this? No. How dare you assume that.

Is equating the unconscious writings of his dementia-ridden self to Simon as his younger self seem a bit odd? ….Kinda. Again, it’s not the how but the why that matters in this case. I'm NOT crazy, I have proof that there is some acknowledgment of this directly in the show.

Rewatch the bar scene and apply this reading of the episode to what Simon says there:

“Your old stuff, Fionna and Cake, honest to glob my man, is an inspiration to me.”

“My old stuff, I don’t really want to talk about my old stuff…”

“Why not? You should be proud! You wrote an entire extended universe in a fugue state if you think about it.”

"Simon cringes"

If you have ever shared art with a group of people in the past, you’ve had this conversation.

Not likely, not possibly, no perhapses. You HAVE.

And Fionna and Cake being an epilogue to a massive award-winning, near-decade-spanning, cultural sensation 5 years after it ended, might result in its creators feeling very retrospective about what audiences want from them now.

And how difficult it’s going to be to tell new experiences and tones from what’s come before. Also, come on. “Extended Universe?” That doesn’t sound like Fionna and Cake. That sounds a lot like something else.

Again, seems bad with this kid.

One of the more profound shots in the main trailer for the show features the inconspicuously Finn-like kid crouching at her Fionna and Cake book in Simon’s trash. I believe this character is going to have a major role in two ways. Convincing Simon to be proud of what he’s accomplished and/or embracing that Simon wants to move away from his original work in order to create something new, or perhaps more likely, reinvent Fionna and Cake into what Simon relates to now.

We’ll just have to see what Simon thinks of his new Fionna next week.

PS. Talking as a fan now, WHAT IS UP WITH THE 1000+ TREEHOUSE IN THE INTRO?!!! ARE WE REVISITING THIS TIMELINE AGAIN?

SOMEONE TELL ME NOW!!!

[polling-sonic-fans]

Part 2 of a poll listed earlier! Thanks @composer-of-chaos !

Polls for the Sonic fandom on just about anything. Share polls you like to get more data. Asks and submissions always open.

[ognimdo2002]

Legiana (Olhumpiscu cryoetephilos) – Icedrift

Legiana (Olhumpiscu cryetephilos) is a rare and fictional species of saurischian wyvern introduced in Monster Hunter World. The real apex predator in Coral Highlands and possibly Rotten Vale.

Take Note: All of my drawings and photos of people, animals, plants, mythology, disasters, organizations, events, and more are purely fictitious. These are included in real-life situations and events with fictional characters or creatures that aren't real, be at your own risk. For nationality or indigenous, be advised. Ognimdo.

Physiology

Legiana is a slim, primarily beige and navy-blue-colored Flying Wyvern characterized by its leaf-like wingtips and striped skin patterns. Legiana's head is topped with a pair of antenna-like fins, which are attached via a thin membrane to the back of its neck. Legiana's membrane enables it to move at extreme speeds and emit chilling winds.

The Legiana has strong legs that terminate in sharp talons, and it has vivid yellow eyes. Its body is covered in striped patterns of the same hue, and its face, tail, feet, and wingtips are all dark navy blue. It has three retractable fins on its left, right, and dorsal fins, and its wings are divided into four separate flaps that overlap when folded. Legiana's wings are covered in patterns like four-pointed stars. It has a dark blue back as well.

Abilities

Legiana is able to emit a chilling wind from its body, which dulls its prey's ability to escape. It flies with extreme precision and agility, using its talons to grab its prey straight out of the air. Legiana will sometimes fight Paolumu if both flying wyverns come across each other.

Gallery

References

[typicalopposite]

Imma need Tommy and Eddie to have a friendship and get into shit like Bobby and Michael… house demo/people watching shenanigans take two!

[dunmeshistash]

has anyone else ever noticed that the only part of the canary uniform every single member wears is the neck armor? could it be that this part of the uniform thats absolutely mandatory? im half remembering a theory that theres some kind of curse on the prisoners that keeps them from using magic without permission and im now wondering if this has any connection to everyone's collars. its this or they dont want members dying to dungeon rabbits.

Anonymous asked: wait except cithis, dammit, well shes still wearing a choker? if not the armor one?

It's true the neckpiece seems to be the most common one, but it might just be that they're popular rather than mandatory (considering cithis)

From the uniforms we see I think as long as is identifiable as canary they're allowed to decide which parts to wear

Lycion is the most extreme one, I think that's why he still has the neckpiece on (to compensate for the rest missing)

For fleki and otta the high neck and "dress" look seems to popular with elves? So might be a fashion statement too or they had to wear *some* armor for unity and chose the neck one. so *some* fabric and *some* armor seems to be the very least they need lmao

Also it's true they can't use magic unless they have a guard to allow them too, but I don't think they need a physical item for it, Kabru had invisible restraints on him and izutsumi had a magical collar

[montrosepretty]

They made the mistake of letting me talk about ethersea for a class

[neovagina-evangelion]

i have a theory

[who-datgirl]

Okay y’all so I have been thinking about the finale since Friday and the more I puzzle on it, the less I believe Ruby’s fairy tale ending was genuine. I of course was a big proponent of the “Ruby is River’s daughter theory”, but I am starting to be one of those people who think she is an unknown member of the pantheon. More specifically, I think she may be the daughter of The Trickster, I’ll go into why.

Let’s start with Ruby’s “mom” in the flashback, her hooded face with humanoid lips visible gives me serious Trickster vibes from SJA. A constant lament was “WHY CAN’T I SEE HER FACE?” Well, The Trickster really doesn’t have much of a face aside from ruby-red lips and sharp teeth. Honestly, why would a 15 year old have such an ominous cloak and where did she get it between the maternity ward and abandoning Ruby at the church? Granted a 15 year old still high on painkillers from giving birth could definitely do some zany shit, but it seems like a stretch to me. If my hunch is somehow correct, I would go so far to say that in the time window they did not see Ruby’s parent crying under the hood, but rather laughing maniacally. In fact, I honestly thought she was laughing when I first watched that scene. If the “mom” is actually The Trickster, then he would definitely have been laughing as he takes great pleasure in messing around with The Doctor and their companions.

The Trickster is the god of traps, which typically involves some narrative that a person falls prey to in order to be ensnared by the trap set for them. Ruby as the child of that entity could totally be able to create narratives that people would happily believe and become a part of, or to put it succinctly: a story. It isn’t any further of a stretch than the god of games having a child that is the god of music.

I think as the season went on, Ruby subconsciously created her own happy ending and bio parents piece by piece. Finding her parents seemed to be a process of creation as it unfolded. The DNA scan in 2046 only showed Ruby’s DNA twice. After defeating Sutekh though, 2024 UNIT was able to seamlessly find some ordinary and flawed woman eager to reconnect with and apologize to her abandoned child. Her bio mom is even willing to reach out to a presumable one night stand from 20 years ago, catch up with him, and see if he wants to become a father figure after two decades. Also the origin of Ruby’s name through a street sign that seemed to not exist in the footage, until it suddenly did, felt like an actual change to the timeline. I have nothing against this ending per se, it just all felt deliberately too perfect as if reality was bending entirely to Ruby’s deepest desires. To top it off Ruby somehow pulled the exact narrative of 10 and Rose’s goodbye for 15 and herself, almost as if unconsciously she tuned into one of The Doctor’s deepest heartbreaks to reflect how horribly she felt about leaving them.

I don’t think Ruby’s real story is close to done. I think her perfect ending will start to show cracks, and the reality of it will seem more created than true. Eventually we may even see her wake up to the truth of her power in time for The Trickster to come in and truly fuck around with things for her and 15. It would be interesting to see her owning her power to send her own bio parent into a narrative that The Trickster could never escape.

There is just too much that went unaddressed. How did Ruby conjure snow? Why was Maestro so disturbed by her hidden song that they said there was something seriously WRONG with her (Maestro literally refers to her as a CREATURE)? How did she fold her own timeline back in 73 yards? Why were people so terrified of or infuriated by the apparition that we now know was Ruby? Did the Ruby in the distance tell people about her ties to the Pantheon of Discord? Did the apparition know the truth of Ruby that is hidden even from herself? Why would Sutekh care about the hooded parent more than anything else he creeped on during his centuries attached to the TARDIS? Is he a Jerry Springer fan, obsessed with “you ARE/ARE NOT the parent” reveals?

One final thing that makes me think they may pull a child of The Trickster into the story. In SJA before Elisabeth Sladen passed, they were planning on revealing that her adopted daughter Sky was really The Trickster’s child all along. The episode never aired as SJA could not go on without Elisabeth. I could see RTD honoring her show by making that story canon through Ruby. After all, Ruby too is an adopted daughter.

[cathchicken]

Thanksgiving art dump

My arm hurts now