#adamec

[footballmanageraddict]

EuroTrip | Part 45 | Baník Ostrava Challenge Europe's Elite

#FM24 #EuroTrip Part 45: Baník Ostrava Challenge Europe's Elite. @fcbanikostrava shock Europe's big teams as their team of exciting young superstars take the #ChampionsLeague by storm. But can they become the first Czechia side to win it? Read here:

Trebor Mahtal was building a superb young team at Baník Ostrava, dominating Czechia and coming so close to Europa League glory in 2064. But the 80-year-old Zambian manager was intent on testing his team’s abilities against Europe’s finest. To achieve that, they needed to try and hold onto their best players, which proved challenging given some of the biggest clubs in the world were chasing them.…

[sietovka]

Ivankine vianočné tipy pre deti a tínedžerov

Ivankine vianočné tipy pre deti a tínedžerov

Posledný balíček vianočných tipov patrí deťom a tínedžerom. Samozrejme, knihy si môžu prečítať aj dospelí, pretože rozprávok a dobrých príbehov nikdy nie je dosť. V knihách Veroniky Šikulovej to šteboce, trilkuje, píska, vonia, mrví sa, hmýri, myksľuje, jednoducho kypí životom. Nie je tomu inak ani v jej najnovšej knižke pre deti Zelená pošta (Slovart), ktorú ilustrovala Oxana Paliy. Môžete sa…

[wisco-warrior]

Robert Adamec

[gepeto1-rdi]

White-tailed eagle by Adamec

[videli-jste-tento-film]

tumblr viděl 100 filmů! aneb 25. statistika

Princezna se zlatou hvězdou (1959) : vidělo 97,6 %, nezná 0 %

Tři oříšky pro Popelku (1973) : vidělo 95,9 %, nezná 0 %

Pyšná princezna (1952) : vidělo 94,3 %, nezná 0 %

S čerty nejsou žerty (1985) : vidělo 93,9 %, nezná 1,2 %

Noc na Karlštejně (1974) : vidělo 92 %, nezná 1,3 %

Lotrando a Zubejda (1997) : vidělo 91,5 %, nezná 1,2 %

Princ a Večernice (1979) : vidělo 91,3 %, nezná 1,4 %

Ať žijí duchové (1977) : vidělo 90,8 %, nezná 5,3 %

Princezna ze mlejna (1994) : vidělo 90,7 %, nezná 1,3 % N

Anděl Páně (2005) : vidělo 88,4 %, nezná 1,1 %

náhodné poznatky: speciální faktoidní edice

zastoupení filmů podle dekády je takovéhle:

Nejvíce známých filmů pochází z osmdesátých let, pak následují sedmdesátky a za nimi s drobným odstupem roky 2000–2009; stále existují dvě dekády, z kterých nikdo nic neviděl, a uboze jsou na tom nové filmy, které obvykle znáte, ale nesledujete je (ten jediný spatřený film je štědrovečerní pohádka); zdaleka nejpopulárnější dekáda jsou ovšem léta padesátá, kde jde sice jen o 11 filmů, to ale představuje hned 73 % ze všech filmů z této dekády, o kterých se hlasovalo – asi budu muset dát do pranice něco budovatelského, aby se to vyrovnalo

nejúspěšnějšími roky z pohledu kultovnosti jejich filmů jsou 1977 a 1980 (po pěti filmech), jinak je to poměrně vyrovnané

jediná dekáda, kde jsme kolektivně viděli aspoň jeden film z každého roku, jsou nulté roky, jinak se to žádnému desetiletí nepovedlo, ale osmdesátky se blíží (schází už jen 1988!)

průměrný počet hlasů je (zaokrouhleně) 76, což je více než u všech filmů dohromady (70) i u neznámých filmů (64)

stejně jako u stovky neznámých filmů jsem si dovolila něco o žánru:

Celkem nepřekvapivě jsou top 3 žánry komedie (64), pohádka (40) a rodinný film (17) – pro srovnání u 100 neznámých filmů šlo o komedii (57), drama (39) a pohádku (9) – jsme prostě veselý národ; stejně jako minule předestírám, že jde o žánry z ČSFD, někdy značně pochybné.

a závěrem statistika dle režisérů (hvězdičkou jsou označeni ti, kteří figurují také v žebříčku neznámých filmů, kurzívou pak ženy):

10 filmů: Zdeněk Troška*

8 filmů: Václav Vorlíček*

7 filmů: Oldřich Lipský*

5 filmů: Martin Frič*, Karel Janák*

4 filmy: Bořivoj Zeman*, Jiří Menzel*, Jan Svěrák

3 filmy: Marie Poledňáková, Ladislav Smoljak*

2 filmy: Karel Zeman, Zdeněk Podskalský*, Karel Smyczek, Jiří Strach*, Vlasta Janečková, Jan Hřebejk, F. A. Brabec*, Věra Plívová-Šimková*, Dušan Klein*, Karel Steklý, Juraj Herz*, Václav Gajer

1 film: Hynek Bočan, Jiří Adamec, Jiří Vejdělek, Eduard Hofman, Filip Renč*, Josef Mach, Ivo Macharáček, Vladimír Karlík, Antonín Moskalyk, Vlasta Pospíšilová + Aurel Klimt*, Roman Vávra, Ludvík Ráža, Zdeněk Zelenka, Jiří Věrčák, Peter Bebjak, Miloslav Šmídmajer*, Ondřej Trojan*, Antonín Kachlík, Zdeněk Sirový*, Milan Cieslar*, Petr Nikolaev*, Ivo Novák*, Jindřich Polák*

ve srovnání s režiséry neznámých filmů je tu patrný jistý monopol a musím vám říct, že ten Troška na mě skočil totálně nečekán a ze zálohy

Tož. Stačilo by. Uvidíme se opět, až uvidíte nebo neuvidíte nějaké filmy. Celý žebříček viděných filmů najdete pod perexem. Mějte se fanfárově.

Princezna se zlatou hvězdou (1959)

Tři oříšky pro Popelku (1973)

Pyšná princezna (1952)

S čerty nejsou žerty (1985)

Noc na Karlštejně (1974)

Lotrando a Zubejda (1997)

Princ a Večernice (1979)

Ať žijí duchové (1977)

Princezna ze mlejna (1994) N

Anděl Páně (2005)

S tebou mě baví svět (1982)

Jak utopit dr. Mráčka aneb Konec vodníků v Čechách (1974)

Tři veteráni (1983)

Šíleně smutná princezna (1968)

Marečku, podejte mi pero! (1976)

Anděl Páně 2 (2016)

Jak dostat tatínka do polepšovny (1978)

Jak vytrhnout velrybě stoličku (1977)

Princezna ze mlejna 2 (2000) N

Princové jsou na draka (1980)

Zlatovláska (1973)

Císařův pekař - Pekařův císař (1951)

Pelíšky (1999)

Adéla ještě nevečeřela (1978)

Jak se budí princezny (1977)

Honza málem králem (1977)

Dívka na koštěti (1971)

Limonádový Joe aneb Koňská opera (1964)

Účastníci zájezdu (2006)

Stvoření světa (1957)

O princezně Jasněnce a létajícím ševci (1987) N

Jára Cimrman ležící, spící (1983)

Na samotě u lesa (1976)

Rebelové (2001)

Vesničko má středisková (1985)

Z pekla štěstí (1999)

Vrchní, prchni (1980)

Hrátky s čertem (1957)

Tajemství staré bambitky (2011)

Slunce, seno, jahody (1984)

Slunce, seno a pár facek (1989)

Sněženky a machři (1982) N

Kytice (2000)

O princezně, která ráčkovala (1986)

Obecná škola (1991)

Cesta do pravěku (1955)

Třetí princ (1982)

Slunce, seno, erotika (1991)

Postřižiny (1980)

Nejkrásnější hádanka (2008)

Kameňák (2003)

Páni kluci (1975)

Fimfárum Jana Wericha (2002)

Dařbuján a Pandrhola (1959)

Popelka (1969)

Kolja (1996)

Kuky se vrací (2010)

Snowboarďáci (2004)

Jezerní královna (1998) N

Čert ví proč (2003)

Tajemství hradu v Karpatech (1981)

Jak básníci přicházejí o iluze (1984)

Sedmero krkavců (1993)

Dobrý voják Švejk (1956)

Což takhle dát si špenát (1977)

Korunní princ (2015) N

Rafťáci (2006)

Kouzla králů (2008)

Škola základ života (1938)

Krakonoš a lyžníci (1980)

Saturnin (1994)

Poslušně hlásím (1957)

Slavnosti sněženek (1983)

Krakonošovo tajemství (2022)

Vratné lahve (2007)

Jak svět přichází o básníky (1982)

Probudím se včera (2012)

Jáchyme, hoď ho do stroje! (1974)

Spalovač mrtvol (1968)

Občanský průkaz (2010)

Princ Bajaja (1974)

Černí baroni (1992)

Dešťová víla (2010)

Princezna a půl království (2019) N

Pupendo (2003)

Panna a netvor (1978)

Báječná léta pod psa (1997)

Léto s kovbojem (1983)

Z pekla štěstí 2 (2001) N

Rozpuštěný a vypuštěný (1984)

Trhák (1980)

Pod Jezevčí skálou (1978) N

Anděl na horách (1955)

Ať žijí rytíři (2009)

Kačenka a strašidla (1992)

Máj (2008)

Vynález zkázy (1958)

Král sokolů (2000)

Na pytlácké stezce (1979) N

Kristián (1939)

[poeticlicense12345]

FRUSTRACIJA

Davno je prošla ponoć.

U prozorskom odrazu

natječem se sa budalom.

Ja gledam van,

on gleda unutra.

Na podu zadovoljan pas

gromoglasno hrče.

"Koji od nas je u pravu?"

upitam onog u odrazu.

On samo miče usnama.

Neka nijema budala.

Ja bar mogu čuti

samog sebe.

Da li je to prednost?

text author: Ivan Adamec

[ladoescurodalua]

Morning

by Robert Adamec

[toobirddonut]

Autumn

Adamec Robert

подписаться

[yappinglauryn]

Week 12 – Questions Responding to ‘Citizen Jane: Battle for the City’

Library 11/7 @ 12pm – Sarah Taylor, Lauryn Fennell, Allie Adamec, Karis Bartlett

In what ways is Jacobs a Designer?

(S)Jane was a designer though her journalism work. She understood things from around the city and put these observations into words. She understood the city in a way of feelings and community rather than memorizing a map. Jane is a designer for her work reflecting emotions, hierarchy values, community, and observations.

(L) her activism. I find that the biggest designers in history are coming from a place of understanding things outside and within yourself. A problem that may need solving or explanation. Jacob Was on a mission to understand something outside of herself that then became her reality, so she could vision a better outcome. Solutions. As designers we work to create solutions, whether that be for the plan of the project, or the final touches. And when we make these solutions, we expect a reaction. The reaction Jane was trying to achieve was for the i to see the valueIķ” within lower income neighborhoods.

(A) Jane used her protesting and writing to influence how builders designed the city and emphasize certain topics. She was concerned about human needs with how they can work, live and socialize all within walking distance. She also wanted everyone to feel inclusive and the neighborhood not be separated, she did this by challenging planners on how they can consider diversity in the neighborhoods. Both in buildings and in the demographics of the community what can contribute to a neighborhood’s resilience and character. To do this there would have to be a varying type, size, and use of the buildings found in the city. From all of her observations she was able to write what she thought the city should look like and challenge the top corporate companies into how to design the city just by her writing.

(K) biomimicry, she drew from nature and how things might look chaotic and disorganized on the outside, however, once people grew familiar with their surroundings or an object then its system/function was understood. As a city journalist, when it came to city life, Jacobs knew how to manifest creative solutions for city issues since she had a solid understanding of how cities worked

What were 3 methods/tactics used by Jane Jacobs in her work to save Washington Square Park?

(S) protest, journalism, and fear by facts. She was the face for numerous protests, causing chaos bring attention to a cause. She of course was a journalist her entire life but writing about how abstract the city makes a community, and it is much easier to prove a point with support within that community. And lastly she had the facts. She knew and understood the environment so much that she scared her own community by talking about these plans and she planted fear in the builders who didn't want to believe that she was right.

(L)comparing, expressed real life examples rather than ideas came up with in an office building, she stated that what they were doing wasn’t beneficial to the citizens and its people, in fact, they didn’t want to be displaced and industrialized. She explains how they need to see the cities from the people’s views and needs as citizens, not corporations. “If you want to see what kind of a city can flourish you need to look at the cities where it's happening, there must be a lot of diversity continually building up, diversity of kinds of work, diversity of kinds of people.”- Jane Jacob

(A) First she was able to organize local communities together to protest and make them think of themselves as defenders of the community. Secondly as a journalist she was able to create public awareness campaigns so she can educate the public. Finally she created public protest to get the big corporations attentions. Through all of these tactics she added fear into people to create a change for the better for the city.

(K) (1) Fear tactics were used. Not necessarily to terrify the reader but to send some urgency in their direction about the issues with the city demolition “the city planners are ravaging our cities!” & “the murder of our cities.” (2) Offers the reader a chance to put their voice out and voice their discrepancies with Moses’ project as well as question everything that is happening within the city. (3)

Identify and name similarities between the movie and the text. Identify and name differences between the two.

(S)The film was similar to the text by reflecting ideas like poverty and everyday struggle as American people, not everyone will always agree and if its not this its that. The film was different from the text by the film being more specific to one social event located in New York City rather than generic talking about struggle as a whole.

(L) the similarities in the sources are definitely focusing on the American citizen. The way they differ though, Jane is more focused on community housing being stripped for the benefit of industrialization. While the speech is referring to America feeds off the people, without the hearts of the citizens , there would be no liberties or government .

(A)the similarities was that it was focused on the struggling American citizens and communities. The difference in the movie discusses how the city population was being affected by how the cooperation wanted to set up the neighborhood layouts for the benefit of industrialization. The speech talks more about the how individual peoples rights are impacted while the usa doesn’t care about how they treat the citizens

(K) Similarities: everyone is struggling, community. Differences: movie discusses city population and lifestyle, reading (spirit of liberty) discusses more of the individual and how their rights are impacted more.

Based on watching the movie and reading the required text, what is the role of the individual in a democracy?

(S) Thea role of an individual in a democracy I think is a voice. Jane noticed something everyone kind of knew and agreed upon, but she brought this feeling to life with words. And this proves that though the hundreds of people your voice really does matter if you make it matter.

(L) to speak up. To act. And to listen. In order for us to find a solution, we must advocate and express our needs so such can be acquired. Voting, protesting, reading and writing are some of the many ways we keep democracy alive.

(A) individuals are the ones who create a change and are the ones who can vote for the policies they want. By sharing their voice by protesting they keep democracy alive.

(K) an individual's role in a democracy is to vote on individuals who create policies that reflect their personal interests. By doing this they amplify their voice and opinions so that the country that the democracy is located in can follow what the people want.

[atlaslisboa]

Meet the wealthy boomer Americans fleeing to Portugal, Spain, and Italy out of fear of a Donald Trump presidency: ‘This country of mine has become intolerant’ | Fortune

“[Kylie Adamec, a real estate consultant for Casa Azul] says it’s a mix of American buyers looking at property options in Portugal, but they are more left-leaning,” according to Fortune.

[botanyone]

Effective traps in bladderworts may come at the cost of genome size

Effective traps in bladderworts may come at the cost of genome size https://ift.tt/tSwL0M3 Species of carnivorous bladderwort, butterwort and sundew plants harbor some of the smallest genomes found in flowering plants. Researchers have long wondered what genetic or environmental factors contribute to these miniature plant genomes and now, a team of scientists discovered that a single mutation correlates with and drives the downsizing of genomes across some carnivorous species within the Lentibulariaceae family. The results were recently published in Annals of Botany. Mitochondria are the energy-producing organelles within cells. The researchers focused on a mutation in a gene called cytochrome c oxidase (COX), which codes for an enzyme critical for mitochondria to generate energy through cellular respiration. They hypothesized that the COX mutation boosts mitochondrial efficiency, providing an advantage for carnivorous plants that rely on suction traps to catch prey. However, the mutation may come at a cost by increasing production of damaging molecules called reactive oxygen species (ROS) as a byproduct of respiration. To test this idea, the team based in Masaryk University compiled genome size data and chromosome measurements for over 100 species across the three genera that make up the carnivorous Lentibulariaceae family: Genlisea, Pinguicula and Utricularia. They also isolated and analyzed the sequence of the COX gene from each species to identify whether they carried the ancestral or mutated version. Using statistical analyses, the researchers assessed if patterns in the data supported the COX mutation driving smaller plant genomes over evolutionary time. Their findings provide compelling evidence that the COX mutation contributes to genome downsizing in these carnivorous plants. Species with the mutated COX gene consistently had smaller genomes and chromosomes compared to those retaining the ancestral sequence. Phylogenetic modeling also revealed the genomes of COX mutation carriers trended towards becoming progressively smaller as an evolutionary response. The researchers believe increased ROS levels resulting from the COX mutation overwhelm plants’ DNA repair abilities, leading to higher rates of genomic deletions over generations. As nonessential regions gradually removed, plant genomes shrink in size. While enhancing mitochondrial function benefits carnivorous traps, this genetic tweak comes at the cost of destabilizing the genome. Our findings indicate that the whole genus Utricularia and sections Recurvatae and Genlisea from the genus Genlisea harbour CC or CS mutations in the COX gene… The observation that these Lentibulariaceae lineages tend to evolve smaller genome sizes compared to those with the ancestral LS state (genus Pinguicula, Genlisea section Tayloria) aligns with the hypothesis that changes in the COX sequence elevate ROS production, increasing DNA damage and fostering deletion-biased DNA repair, culminating in genome contraction. By uncovering how a single mitochondrial mutation impacts genome evolution, this study sheds light on the complex genetic and environmental trade-offs shaping species. It illustrates how even subtle changes to cellular processes can cascade into altering an organism’s entire genome blueprint over evolutionary timescales. The work also highlights carnivorous plants as intriguing genetic models and underscores mitochondrial mutations as an underappreciated driver of genome change. Continued exploration of this unique system may reveal further unexpected findings. READ THE ARTICLE Zedek F., Šmerda J., Halasová A., Adamec L., Veleba A., Plačková K. and Bureš P. (2024) “The smallest angiosperm genomes may be the price for effective traps of bladderworts” Annals of Botany. Available at: https://doi.org/10.1093/aob/mcae107 The post Effective traps in bladderworts may come at the cost of genome size appeared first on Botany One. via Botany One https://botany.one/ October 09, 2024 at 03:30PM

[kaylaheredia]

Check out this listing I just added to my Poshmark closet: Harley Davidson Florida Adamec Shirt.

[thebikerbookforcharity]

❤️❤️❤️

Check your location of @adamecharley

The Harley-Davidson community proudly honors all active and retired Military Service Members and First Responders. Their commitment and sacrifice keep us safe and allow us to ride free.

Stop by your local Adamec Harley-Davidson dealer’s Salute to Service event to join us in celebrating our nation’s heroes.

• Military & First Responder Banner Signing

• Service Member Honor Photos

• Register for your chance to win a 2024 Road Glide Limited, plus, 100,000 H-D Membership Bonus Points ($1,000 Value) and a 1-Year Membership to Club EagleRider. Harley-Davidson will donate $1 to the Wounded Warrior Project for every unique entry.

• Check with your dealer on how to earn a commemorative prize pack and other prizes and giveaways.

• H-D Members, earn up to 2,000 Bonus Points with $100 in-store purchase (2,000 POINTS = $20 VALUE)

Activities may vary at each location. Check with your local participating dealer for complete details. More information coming.

Learn more from your local Adamec Harley-Davidson dealer and ➡️ http://h-d.com/Salutetoservice

#harleydavidson #motorcycles #salute #military #firstresponders #motorcycle #service #servicemembers

[timriva-blog]

« Dialogues intérieurs à la périphérie », de Peter Handke

Publié par Hocine Bouhadjera Le Prix Nobel 2019 tient quotidiennement, depuis 1975, ce qui constitue aujourd’hui des carnets. Une petite partie compose le présent volume publié chez Verdier, qui couvre les années de préparation de ses derniers ouvrages en date, jusqu’à la pièce Zdeněk Adamec. Bribes de réflexions, sans conclusions, qui flottent, capturent des instants de perception et de…

[rutpu]

photo: Martin Polak

photo: Martin Polak

photo: Martin Polak

photo: Martin Polak

creature no.18

creature no.18 is a multispecies organism which thrives in the leftovers of human civilisation

discarded objects, paper mache, chicken and cow bones, kombucha leather, soil, sugar syrup, cinamon, tea leaves, bio-plastic, iron-dyed paper

as part of Escaped, Found a Hideout, Still on the Run exhibition at gallery Plato, Ostrava

curators: Eva Koťátková, Jakub Adamec, Edith Jeřábková, Zuzana Šrámková

2023-2024

_________________________________________________

[swiss-life-select-slovensko]

Slovenské sci-fi👽? Existujú vôbec slovenské filmy tohto žánru🫢? A stoja vôbec za pozretie😳?

Mnohé medzinárodné ocenenia🏆 hovoria, že dobré sú👍.

Za niekoľkými stojí výnimočný slovenský filmár🎥 Adrián Adamec.

👉Prečítajte si jeho životný príbeh a to, ako sa k natáčaniu filmov🎞 dostal, čo ho inšpiruje a prečo to všetko vlastne robí, hoci ho mnohí odhovárali: https://www.swisslifeselect.sk/sk/pre-vas/clanky/zivotne-temy/filmar-adrian-adamec-riadim-sa-heslo-ze-ked-sa-clovek-neboji-tak-to-nie-je-ten-spravny-napad.html?utm_source=tumblr&utm_medium=fotogaleria

Ako hovorí Adrián, film je zhmotnenie určitého sna. Máte aj vy sny, ktoré si túžite už dlho "zhmotniť", no doteraz sa vám to nepodarilo? Či už ide o malé alebo veľké sny, radi vám s ich realizáciou🏗 pomôžeme. Zhodnotíme vašu aktuálnu situáciu a navrhneme optimálne riešenia✅. Spoľahnite sa na odborníkov. Využite stabilitu a know how švajčiarskej skupiny Swiss Life, ktorá má viac ako 165 ročnú históriu. Vyskúšajte aj vy švajčiarske finančné služby pre život podľa vlastných predstáv💯.