#adam bricker

[molotovgrifter]

yeoman purser smith what a good wife you would be

[postmodern-blues]

Finally learned how to make edits so I made one of everybody’s favorite pathetic ship’s doctor!

[lizard-speed]

feeling suuuuuuper normal over the fact that doc and stubing call each other "Merrill" and "Adam"

bcs like if you watch the show nobody else on the crew calls them by their first names. In fact, the only people who call them by their first names are old friends and lovers (and maybe the occasional like, passenger but that's always more of like a formality thing). And Doc and Stubing aren't old friends... they met when Stubing came to take over the Pacific Princess... and so, logically.............

[apoolinalphacentauri]

The doctor from The Love Boat thinks you're interesting.

[drarreckyninja]

Gopher: So we're gathered here today for a very special reason and I think you'll all agree with me here. Gopher: And if you don't well then fuck you. Gopher: I'm looking at you, Doc, you jealous mop.

[for-southendgirls]

Okay so we’re all in agreement that whoever designed this clapboard is an avid reader of the Meryl Wilsner milf novels and The Seven Husbands of Evelyn Hugo, yes?

(Photo via IG: Adam Bricker, Camera Op)

[70s80sandbeyond]

Bernie Kopell as Dr. Adam Bricker on "The Love Boat"

[ulkaralakbarova]

Hunter, a newly pregnant housewife, finds herself increasingly compelled to consume dangerous objects. As her husband and his family tighten their control over her life, she must confront the dark secret behind her new obsession. Credits: TheMovieDb. Film Cast: Hunter Conrad: Haley Bennett Richie Conrad: Austin Stowell Katherine Conrad: Elizabeth Marvel Michael Conrad: David Rasche Erwin William: Denis O’Hare Lucy: Luna Lauren Velez Alice: Zabryna Guevara Luay: Laith Nakli Aaron: Babak Tafti Bev: Nicole Kang Nurse: Myra Lucretia Taylor Dr. Santos: Maya Days Jill: Alyssa Bresnahan Nim: Olivia Perez Lillian: Kristi Kirk Dr. Reyes: Elise Santora Film Crew: Director: Carlo Mirabella-Davis Editor: Joe Murphy Director of Photography: Katelin Arizmendi Assistant Location Manager: Lauren Andrade Associate Producer: Gregory Horoupian Producer: Mynette Louie Producer: Frédéric Fiore Co-Executive Producer: Katy Drake Bettner Associate Producer: Adam Kersh Background Casting Director: Olivia Crist Producer: Mollye Asher Producer: Carole Baraton Assistant Editor: Henry Butash Original Music Composer: Nathan Halpern Colorist: Sam Daley Visual Effects Supervisor: Alex Noble Foley Artist: Leslie Bloome Foley Mixer: Ryan Collison Foley Artist: Joanna Fang Sound Re-Recording Mixer: Michael Kurihara First Assistant Director: Jake Martin Makeup Department Head: Kai Stamps Hair Department Head: Meagan Coyle Costume Design: Liene Dobrāja Production Design: Erin Magill Executive Producer: Haley Bennett Executive Producer: Joe Wright Executive Producer: Constantin Briest Executive Producer: Yohann Comte Executive Producer: Pierre Mazars Executive Producer: Eric Tavitian Executive Producer: Sam Bisbee Co-Executive Producer: David Boies III Co-Executive Producer: David Stone Co-Executive Producer: Julie Parker Benello Casting: Allison Twardziak Music Supervisor: Joe Rudge Line Producer: Javier Gonzalez Second Assistant Director: Brian Johanson Still Photographer: Anna Kooris Gaffer: Lorenzo Pace Leadman: Jake Harms Set Decoration: Frank Baran Property Master: Luke Carr Script Supervisor: Jodi Domanic Special Effects Supervisor: Pete Gerner First Assistant Camera: Vincent Weiler Second Assistant Camera: Emma Penrose Digital Imaging Technician: Jake Westphal Production Sound Mixer: Dan Bricker Boom Operator: Finn Pfeffer Additional Production Sound Mixer: Viktor Weiszhaupt Assistant Costume Designer: Celeste Montalvo Best Boy Electric: Anna Cocuzzo Key Grip: Alexander Prokos Best Boy Grip: Nick Neary Hairstylist: Kristin Nawrocki Location Manager: Lauren B. Taylor Casting Associate: Juliet Axon Production Manager: Maggie Ambrose Production Accountant: Jay Britton Production Accountant: Margret P. Dunlap Assistant Editor: Susannah Kalb ADR Recordist: Chris White Foley Editor: Nick Seaman Foley Editor: Laura Heinzinger Music Coordinator: Blake Jessee Additional Music Supervisor: Laura Katz Compositing Artist: Dulany Foster IV Set Dresser: Linnea Crabtree Art Department Assistant: Tommy Mitchell Art Department Assistant: Dan Normile Art Department Assistant: Bruno Vernaschi-Berman Art Department Assistant: Michael Allegro Script Supervisor: Abe Kemmis Costumer: Kelsey Sasportas Makeup Artist: Rosie Sklar Makeup Artist: Tracey Hussey Makeup & Hair: Lia Parks Second Second Assistant Director: Mike Moran Craft Service: Zola Zimmerman Craft Service: Mauricio Villalobos Craft Service: Joe Facey Post Production Supervisor: Javian Ashton Le Additional Music: Chris Ruggiero Thanks: Stewart Thorndike Movie Reviews: liena: I sadly missed the chance to watch Swallow on the theatre when it hit a film festival in İstanbul while I was there, but I’ve been keeping an eye on this movie since it wrapped and I talked non-stop about how much I wanted to be able to see it. Now that I finally saw it on VOD, I heard there is a possibility for it to re-run in cinemas in Turkey soon and I will certainly go see it again. This film made me sick, I hated every scene while it rolled but at the same time I fell in love with it. So well acted, extremely pretty to...

[docrotten]

HOUSE OF DRACULA (1945) – Episode 158 – Decades Of Horror: The Classic Era

“I find it difficult to believe that a human being can change himself into a bat, or that by feeding upon the blood of the living he can obtain eternal life. But what has this discussion to do with us, Baron Latos?�� Watch and learn, grasshopper. Join this episode’s Grue-Crew – Chad Hunt, Daphne Monary-Ernsdorff, Doc Rotten, and Jeff Mohr – as they travel to a house that’s a bit crowded … with monsters! Yes, they’re in Universal’s House of Dracula (1945)!

Decades of Horror: The Classic Era Episode 158 – House of Dracula (1945)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

ANNOUNCEMENT Decades of Horror The Classic Era is partnering with THE CLASSIC SCI-FI MOVIE CHANNEL, THE CLASSIC HORROR MOVIE CHANNEL, and WICKED HORROR TV CHANNEL Which all now include video episodes of The Classic Era! Available on Roku, AppleTV, Amazon FireTV, AndroidTV, Online Website. Across All OTT platforms, as well as mobile, tablet, and desktop. https://classicscifichannel.com/; https://classichorrorchannel.com/; https://wickedhorrortv.com/

The Wolf Man and Count Dracula beg Dr. Edelman to cure them of their killing instincts but Dracula schemes to seduce the doctor’s nurse. And don’t forget Frankenstein’s monster stuck in a cave below.

  Director: Erle C. Kenton

Writers: Edward T. Lowe Jr. (original screenplay) (as Edward T. Lowe); Dwight V. Babcock (story) (uncredited), George Bricker (story) (uncredited)

Makeup Department: Jack P. Pierce (makeup artist), Carmen Dirigo (hair stylist)

Selected Cast:

Lon Chaney Jr. as Lawrence Talbot / The Wolf Man (as Lon Chaney)

John Carradine as Dracula / Baron Latos

Martha O’Driscoll as Miliza Morelle

Lionel Atwill as Police Inspector Holtz

Onslow Stevens as Dr. Franz Edlemann

Jane Adams as Nina

Ludwig Stössel as Siegfried (as Ludwig Stossel)

Glenn Strange as The Frankenstein Monster

Skelton Knaggs as Steinmuhl

Ah, the Universal Monsters! Who doesn’t want to sit down with the classic Frankenstein’s Monster, Dracula, and the Wolf Man on any given Saturday afternoon? Many Monster Kids consider this episode’s film, House of Dracula (1945), the canonical end of the famous monsters’ original cinematic run; however, others will continue to include Abbott and Costello meet Frankenstein (1948) into the mix, happily! Either way, director Erle C. Kenton’s third film featuring the Monster of Frankenstein is a fun, enjoyable romp regardless of how silly and overly convenient the plot remains. Lon Chaney Jr., John Carradine, and Glenn Strange all return as the Wolf Man, Count Dracula, and Frankenstein’s Monster respectively, each providing the best performances possible given the circumstances. Onslow Stevens, along with co-stars Martha O’Driscoll and Jane Adams, wonderfully provide the strands that hold the storylines together. Throw in Lionel Atwill for good measure and it’s a tried-and-true Universal Monster “house” feature. Grab your popcorn and large soda and join the Grue-Crew as they catch up with the shenanigans. 

At the time of this writing, House of Dracula is available to stream from the Classic Sci-Fi Movie Channel, the Classic Horror Movie Channel, and the Wicked Horror TV Channel, as well as a variety of PPV sites. In terms of physical media, the film is available in Blu-ray format as part of Dracula: Complete Legacy Collection, Frankenstein: Complete Legacy Collection, The Wolf Man: Complete Legacy Collection, and Universal Classic Monsters: Complete 30-Film Collection.

For more Universal Horror, check out these Decades of Horror: The Classic Era episodes:

DRACULA (1931) – Episode 20 – Decades of Horror: The Classic Era

FRANKENSTEIN (1931) – Episode 100 – Decades of Horror: The Classic Era

THE INVISIBLE MAN (1933) – Episode 50 – Decades of Horror: The Classic Era

BRIDE OF FRANKENSTEIN (1935) – Episode 14 – Decades of Horror: The Classic Era

SON OF FRANKENSTEIN (1939) – Episode 121 – Decades of Horror: The Classic Era

THE WOLF MAN (1941) – Episode 39 – Decades of Horror: The Classic Era

SON OF DRACULA (1943) – Episode 132 – Decades of Horror: The Classic Era

ABBOTT AND COSTELLO MEET FRANKENSTEIN (1948) – Episode 44 – Decades of Horror: The Classic Era

Gruesome Magazine’s Decades of Horror: The Classic Era records a new episode every two weeks. Up next in their very flexible schedule, as chosen by Jeff, is The Manster (1959), an American production, filmed in Japan, that answers the age-old question: are two heads better than one?

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans: leave them a message or leave a comment on the Gruesome Magazine YouTube channel, the site, or email the Decades of Horror: The Classic Era podcast hosts at feedback@gruesomemagazine.com

To each of you from each of them, “Thank you so much for watching and listening!”

Check out this episode!

[awardseasonblog]

Annunciate le #nominations agli American Society of Cinematographers Awards (#ASC) i premi con cui il sindacato dei direttori della fotografia sceglie ogni anno le migliori realizzazioni professionali in ambito cinematografico e televisivo. I loro verdetti sono molto attesi in chiave previsioni, perchè consentono di stabilire il favorito agli Oscar nella categoria #BestCinematography. -Feature Roger Deakins, ASC, BSC for “Empire of Light” (Searchlight Pictures) Greig Fraser, ASC, ACS for “The Batman” (Warner Bros.) Darius Khondji, ASC, AFC for “Bardo, False Chronicle of a Handful of Truths” (Netflix) Claudio Miranda, ASC for “Top Gun: Maverick” (Paramount Pictures) Mandy Walker, ASC, ACS for “Elvis” (Warner Bros.) -Spotlight Sturla Brandth Grøvlen, DFF for “War Sailor” (DCM Film) Kate McCullough, ISC for “The Quiet Girl” (Super) Andrew Wheeler for “God’s Country” (IFC Films) -Documentary Ben Bernhard and Riju Das for “All That Breathes” (HBO/HBO Max) Adam Bricker for “Chef’s Table: Pizza” – “Franco Pepe” (Netflix) Wolfgang Held, ASC for “This Stolen Country of Mine” -A sorpresa escluso Avatar: The Way of Water che aveva ottenuto la nomination a 3 premi chiave per la fotografia. -dopo la candidatura ai premi del sindacato dei montatori del sonoro e degli scenografi, il film messicano Bardo conquista anche quella ai premi dei direttori della fotografia rafforzando la sua potenziale nomination agli Oscar per il Miglior film internazionale -il favorito è Claudio Miranda per Top Gun: Maverick dopo aver vinto più di 23 premi assegnati dalle Associazioni dei critici americani. https://www.instagram.com/p/CnOhSFpMQE1/?igshid=NGJjMDIxMWI=

[boardchairman-blog]

**Shots of the Episode**

Hacks (2021)

Season 2, Episode 4: “The Captain’s Wife” (2022) Director: Lucia Aniello Cinematographer: Adam Bricker

[lizard-speed]

me taking pics with my bf with the intent of people finding them in 50 years time and having intense internet discourse over whether we were gay or just best friends

[absencesrepetees]

hacks: s1, ep 1-2 (lucia aniello, paul w. downs, jen statsky, 2021)

[presidentpoppy]

doc my beloved

[actualhumancryptid]

From Adam Bricker’s insta by way of Hannah’s