#acting and directing and everything in between

[rafecameronssl4t]

can u do kinda inspired by new season where Rafe finds out what Sofia did and confronts her and calls her saying get out of his house but it’s bitchy!kook!bsf!reader x Rafe where they’re kinda more than friends and she tells Rafe a lie about Sofia and he believes her and gets super mad at Sofia

Passenger Princess || Rafe Cameron x fem!reader

A/n: love this idea tysm!!

Warnings: r is manipulative, slight angst

Word count: 1,583

MASTERLIST

divider by @h-aewo

“Wanna come over?” you ask, your voice casual but your eyes lingering on Rafe’s profile, gauging his reaction. He turns his head to you briefly, pausing as the car idles at a red light. Without missing a beat, he reaches over, taking your hand and intertwining his fingers with yours, rubbing his thumb gently across your skin in a way that makes your heart flutter.

But tonight, his words hit you before the warmth of his touch does. “I can’t. Sofia wants to go out later,” he says, his gaze flickering back to the road, oblivious to how your expression shifts instantly. The mention of her name is like a slap, and your expression falters instantly. You let out a scoff, the sound sharp and almost bitter.

Without thinking, you pull your hand out of his grasp and cross your arms over your chest, turning your gaze out the window. The hurt and jealousy you’ve been pushing down surge to the surface, making your chest tighten.“She’s still living with you?” The words leave your mouth more accusatory than you intend, but it doesn’t matter now.

You need him to feel what you’re feeling, to understand just how much Sofia is getting under your skin. Rafe’s eyes flicker to you, his brow furrowing slightly, but he doesn’t say anything right away. He rolls his tongue against his cheek, his gaze narrowing as he presses down on the gas pedal when the light turns green. You can tell he’s frustrated, but you want him to feel more than that.

“Y/n…” he says, the soft plea in his voice making you grit your teeth. He’s clearly trying to de-escalate the situation, but you’re not having it. His voice falters slightly when he says your name again, as if he’s unsure of how to handle you when you get like this. You don’t respond, eyes fixed on the road, even though you don’t see anything.

Your mind is consumed by the thought of Sofia still lingering in his life. “I don’t understand why you’re still with her!” you snap, turning to face him, your voice sharp with frustration. Your heart races, and you know exactly where this is going. You’ve been waiting for the right moment to make your move. Then, with a practiced vulnerability, you let your eyes soften, allowing tears to well up.

You turn your head slightly toward him, making sure he sees the hurt in your eyes. You know the exact tone to use, the one that cracks just enough for Rafe to feel guilty, to feel like he’s let you down. You draw in a deep, shaky breath, letting your eyes glisten with tears. With a careful tremor in your voice, you speak softly, like you’re letting out something painful. “After everything she did to me…”

Just as you anticipated, Rafe’s head snaps in your direction, confusion and concern filling his expression. His eyes dart between you and the road, brow furrowing as he tries to process your words. “What are you talking about?” You let the tears begin to fall, looking down as though ashamed, your shoulders subtly shaking as you pretend to hold back sobs.

“What did she do to you?” His eyes flickered back and forth from the road to your tear-streaked face, searching for answers. He was desperate, each glance showing his growing frustration and need to understand. “Y/n…” he said, his voice lower now, tinged with an edge of anger that made you shiver. “Tell me—what did Sofia do to you?”

His tone was a mix of urgency and something fiercer, like he was barely holding himself back. You continued to sob, letting your shoulders shake as you turned away, keeping up the act. Rafe’s jaw clenched, his patience wearing thin as he stared ahead, but his entire focus was on you.

~

“Hey babe, what’s up?” Sofia’s voice rings out, saccharine sweet, and it instantly makes you cringe. The way she says it, as if she’s trying to mask something, makes your skin crawl. Rafe’s eyes flicker over to you for a split second, taking in your tear-streaked cheeks, red from how much you’ve cried.

Your heart races, a cold pit settling in your stomach. You’ve made sure Rafe is in the right headspace, pushed all the right emotional buttons, and now it’s time to watch it unravel. Rafe’s grip on the steering wheel tightens as he presses the phone to his ear, his expression hardening into something unreadable.

The silence that stretches between him and Sofia is palpable. You can feel the tension in the air, the unease settling like a storm cloud. “Rafe… what’s wrong?” she coos, trying to soften the tension. You can tell she’s trying to maintain control, but you know it’s slipping. But Rafe is done. He’s had enough.

“Is it true? Is it true what Y/n just told me?” he demands, his voice suddenly low, razor-sharp. The words are a punch, sharp and deliberate, leaving no room for misunderstanding. There’s a long pause, a dangerous silence on the other end. You can hear Sofia’s shallow breathing, the way she’s stalling, trying to figure out how to save herself.

It’s almost like she’s trying to put on a mask for him, pretending everything’s fine, but you both know it’s not. Sofia’s mind races, the memories of her deal with Hollis flooding in through her mind. “Is what true?” she finally asks, her voice faltering, a hint of nervousness breaking through her usual façade. “Don’t play games with me, Sofia,” Rafe’s voice is firm now, his jaw clenched.

You can feel the weight of his anger simmering just beneath the surface, ready to burst. You watch Rafe closely, your chest tight with both anxiety and satisfaction. This is what you wanted. You wanted him to finally see her for what she truly is. And now, it’s all about to come crashing down for Sofia.

On the other end of the line, Sofia’s silence is deafening. You can almost hear her panic, her inability to talk her way out of this one. Rafe’s anger is too much, too raw. And it’s all aimed at her. Rafe can’t contain it anymore. He slams his fist against the steering wheel with a deafening sound, making you jump in your seat.

The force behind it makes the entire car shake, and his anger is now fully unleashed. His knuckles are white, his body tense with fury, and for a moment, you think he might explode. You can see the muscle in his jaw working, his anger mounting as he struggles to keep his cool. The tension in the air is suffocating, and you almost feel bad for Sofia—almost.

You got him here—you’ve got him angry at her, and it’s exactly what you wanted. “Pack your shit. Get out of my house,” Rafe says through gritted teeth, the words biting and final. His voice is low, full of rage that you can feel in the pit of your stomach. Sofia’s voice cracks on the other end. “What?” Her voice wavers, like she can’t believe what’s happening.

You can practically hear her trying to regain control, but it’s too late. Rafe scoffs, his patience wearing thin. “We’re done, Sofia. Done.” he seethes, his hand slamming against the wheel again with a force that makes the whole car jerk. You jump slightly, but you can’t help the small, satisfied smirk that pulls at the corners of your lips.

“Pack your shit and get the fuck out of my house,” Rafe repeats, his voice steady now, but laced with disgust. There’s no room for negotiation, no chance of a second chance. This is it. With one last frustrated breath, he ends the call, the click of the phone punctuating the finality of it all.

[7s3ven]

Hear me out guys… retired soldiers now bodyguards! task force 141 x spoiled heiress! reader

( just an idea )

You’re like, a nutcase. Your father adores you but sometimes you can go out of control. Like for instance, the time you jumped off a cliff into the ocean below to impress a boy.

Yeah, your father wasn’t very impressed with your behaviour.

On top of your recklessness, your father has enemies who always seem to target you. You’re his obvious weakness and he can’t spend another moment of anxiously wondering if you’re okay while he’s working.

So, he hires the best bodyguards he can find. And they turn out to be retired soldiers from an elite unit known as Task Force 141. Perfect.

You don’t take kindly to being continuously followed by four large men who don’t even try to be subtle. It’s not like taking care of you is easy either. You’re a troublemaker, you always have been since your mother left you for another family (your reckless tendencies tend to stem from the fact that you’re causing trouble to get her to notice you again).

Task Force 141 has had enough when you attempt to sneak out of the house to a party on a Friday night. But it seems apart from shopping and acting like a brat, you aren’t good at anything else.

They hear a crash and someone swearing loudly before you roll off the roof, landing in the bushes right outside the window where the four men have a perfect view of you. They were watching a football came until you interrupted.

Jonny bursts into laughter, slapping Gaz out of amusement, while Price fetches you and forces you back inside.

“You know, your house has a back door for a reason.” Simon utters as he cleans your scratches but there’s a mocking indication to his tone.

“Yeah but like, going out the window felt more cool.” You argue back, furrowing your eyebrows.

“Was it cool when you face planted into the ground?”

You can only pout in annoyance.

From then on, they don’t leave you alone, especially not on Friday nights. You have to deal with being squished between Price and Simon as they watch a boring documentary on… fish? Jonny definitely chose that one.

But hey, you aren’t exactly complaining. Being stuck between the two men means being able to feel their muscles and smell their strong cologne. You tolerate the four men more after they cleaned your scratches from landing in a bush and carried you to your bed.

And so what if you catch feelings? Anybody else in your position would have done the same.

“We can’t date ya, lovie. We’re too old and we work for your dad.”

Do you care? Not really.

“My dad literally hired you because I was a troublemaker. Ya think I give a shit? ‘Sides, the older the better.”

Jonny jabs a thumb in Price’s direction, “Even the captain? You should’ve seen ‘im in his prime. Way better looking.” He hands you a picture that he just happens to have of Price.

You glance at it then lift your head to look at Price. Your lips curve into a teasing smile. “Yeah, you’re right. What happened, Captain?” You joke.

INCORRECT QUOTES FOR THE LAUGHS:

Kidnapper, negotiating with TF 141: We have the annoying heiress. Give us ten thousand dollars and they will be returned to you unharmed

Y/N: Whoa, whoa, wait, you think I’m only worth ten thousand dollars. MAKE IT ONE MILLION–

Price: Y/N, STOP

Simon: Can I be frank with you guys?

Jonny: Sure, but I don’t see how changing your name is gonna help.

Gaz: Can I still be Gaz?

Y/N: Shh, let Frank speak.

Gaz: In your opinion, what’s the height of stupidity?

Simon: *turning to Y/N* How tall are you?

Price: Where's Simon, Gaz, and Y/N?

Jonny: They're playing hide and seek.

Price: Where?

Jonny: I don't think you get how this game works.

Y/N: You really put aside everything and came all this way for me? How did you even get here so fast?

Simon: Several traffic violations.

Gaz: Three counts of resisting arrest.

Jonny: Roughly thirteen cans of energy drinks.

Price: Also, that’s not our car.

[baphometsss]

I don't wanna sit here and act like I'm a professional or anything, because I'm not, but as someone who has had to do a lot of work to overcome trauma and reconfigure my brain more or less from the ground up, there's a lot I have to say about Solas's mental state

We know that Solas was essentially used and abused by Mythal for millennia. Even if he wasn't under a geas, he was twisted from his purpose by being made to fight, and then created the Wolf's Fang which was used to make the Titans tranquil and started the Blights. He made those choices himself, but it's important to understand that no choice is ever made in a vacuum. She took advantage of his vulnerability when he was given a body after however long as a spirit semi-existing peacefully in the Fade, and moulded him into a weapon.

He is broken, because Mythal broke him. I'm not incapable of seeing why she did what she did because like I said, no one makes choices in a vacuum and I could write about her for a long time too (in a similar way to how I have had to do myself in my own life in understanding why others abused me). He was so traumatised by everything that happened and he was trauma bonded to Mythal pretty much from the minute he gained a body. Trauma bonds are not about love. He definitely interpreted it that way, as most people do, but that's the weapon abusers use to keep the victim under their control. Abuse abuse abuse show a scrap of love and then abuse some more. If I just take it, I'll get the love/attention I need. I will earn it, because love is suffering, and I have to suffer to earn getting my basic needs met from my family/friends. Mythal, as his creator, was the one who he would've attached to in a similar way to spirit Cole/human Cole.

Trauma bonds are pathological. Mythal made him believe that if he did as she asked, and kept supporting her, then eventually he would gain her favour and they would be able to free all the elves, and he'd be able to live according to his true nature, which is one where he doesn't have to fight. (Remember his personal quest in DAI? He actually kills the rebel mages for corrupting his friend--another Wisdom spirit--into Pride.) In reality, she was just using him. She always kept the bone just out of reach for her lapdog. The line from Rook where they say (paraphrasing here) 'you know, I was actually excited about getting your approval... That's how you do it, isn't it? Keeping giving little scraps of approval to keep someone loyal, and then you turn around and betray them' is so telling too.

Where--or from whom--do you think he learned to do this?

It literally reeks of a pathological trauma bond and honestly, with how isolated, 'grim and fatalistic' Solas is, it is not a surprise that he's so broken.

Solas, essentially, is little more than a lap-dog to Mythal. He followed her like a lost puppy, because especially in his early days, that's kind of what he was. You have to remember that most of the insight we get about Mythal is from Solas's perspective, and he is not a reliable person when it comes to her after so long being repeatedly terrorised and twisted and manipulated. There are several instances where he describes being betrayed by her, and mentions some of the things she did, but he never quite holds her fully accountable and ends up directing his rage elsewhere. (The parallel between Mythal/Solas and the rebel mages/Wisdom is important here.)

This awesome post by @mythalism only reinforces this. He is so messed up in that scene, he is broken, he is holding the Wolf's Fang up, trying to give it to her because it symbolises the burden he has carried for thousands of years trying to avenge her death. He never wanted the Fang, like he never wanted a body. Mythal just stands over him, fully aware of what she did to him, and only getting him to stop because Rook petitioned her successfully, and the reunion with the more benevolent Mythal within Morrigan tempered her anger. She was a goddess, with the unequal power dynamic, right to the end.

As a side note, on the potential romance element between Mythal and Solas, I read an excellent breakdown of it on Reddit a while ago about how out of character it would've been for Solas to keep something like that from a romanced Lavellan, especially in Trespasser when he comes clean about his plan/past. I can't find it now because it was pre-Veilguard release, but it made a lot of sense to me. Solas and Lavellan never have a love scene in DAI because Solas didn't want to 'lay with them under false pretences'. Lying about who you are when sleeping with someone is nonconsensual. You can't consent to sleeping with someone if you don't know their true identity, and someone who knowingly lies about who they are to get into your pants is a sexual predator. For someone who led a slave rebellion (no doubt many of them being sex slaves), and a former spirit of Wisdom, Solas would've been well aware of this. In the unsent letter from Solas to Lavellan he says he came so close to breaking and desperately wanted to stay with them as Solas, with the implication being that that is where he planned to sleep with them once he'd come clean. But because he stops, because he's still unable to forgive himself or release himself from his trauma bond with Mythal, he breaks away, and they never have sex.

Bottom line: Solas would've been honest about it. Especially that. As the Inquisitor says, he can't lie about his heart.

And it's why the Solas/Lavellan romance is so powerful because quote, 'you change everything'. Solas thought he knew what love was, that love was loyalty, devotion, worship, etc. It's not just his plans or worldview that Lavellan changes. Lavellan sees him for who he is, without the mantle of Dread Wolf, and because of that he's able to express his true nature to her, even if he's not being totally honest in Inquisition. Lavellan got much closer to the real him than most, as he says, and changed his understanding of love completely. Unfortunately, he has unfinished business, an unresolved trauma bond, and his crushing sense of duty to the past is what keeps him from taking that final step towards letting go of it entirely. Trick also says Solas doesn't think he deserves love, which tbh is kind of a hallmark trait of people who have survived abuse.

And honestly? Call me a simp but I think he really was trying to get the Inquisitor to stop him. He saw himself being unable to let go because he was so broken and burdened by his guilt, and knew he couldn't save himself--was too proud to admit that he couldn't, because how pathetic does it make him look? And how could he stop now without rendering all the damage he'd wrought pointless? Yet here was someone who had changed him right down to his core, who understood him in a way few people ever had, whom he trusted, whom he loved in a way he hadn't loved anyone else before. It took him 'centuries' to build up rapport with the members of his rebellion. The man doesn't not know how to form attachments without trauma, and suddenly he forms a strong one with someone who loves him completely and without condition. It's a jarring change.

Lavellan says that maybe they're being prideful themselves, refusing to see their own folly. But I think in admitting that they might be wrong, that it might be wishful thinking borne from misguided love to a truly terrible person, they've rendered the point moot. It shows self-awareness, which isn't folly.

If anyone can make Solas understand true love, it's Lavellan. Lavellan loved him when he was being his true self. Lavellan loved him after his betrayal was revealed. Lavellan loved him when his guilty conscience and terrible actions almost destroyed the world. Lavellan loved him because they knew the real him, and knew that his heart and spirit were broken, and knew that their love would endure, that their love would heal him.

And that's exactly where they end up. Healing the past, soothing the Blight, and loving one another completely.

[imageingrunge]

A needlessly thorough review of DATV so I can move on with my life:

WHAT I LIKED:

The story pacing flows better without all that open world slog from DAI I am not bombarded by 50 side quests that have no baring on anything other than rp flavor

The game is pretty, CC is nice

They gave you far more opportunities to flesh out your Rook's background than in DAI and da2 but it's not as fun has having a mini origin story from DAO

no fall damage and if u run out of a combat zone ur companions follow u too

Hossberg wetlands really remind me of dragon age awakenings and I like the way the blight looks there, it gave me a nice nostalgic feeling for the older games

WHAT I DID NOT LIKE (IN DETAIL)

Voice Acting & Dialogue

It is really hard to be invested in a game that feels the need to recap everything you just experienced from 5 minutes ago, (verging on insulting my intelligence) and the silliest part is while i do hate this I got so checked out after act 2 I needed the recap 

A lot of the dialogue and banter is just empty small talk and meaningless pleasantries that sucked the life out of me, had me longing for the days of hearing Ohgren's beer belches reverberate off the walls in the deep roads:

 Voice acting is really consistent, I hated it when you never knew how your inquisitor would sound in DAI sometimes too serious for a funny comment or like yelling at Cassandra and cullen over nothing - Rook is more consistent but it comes at a loss of personality every line is uttered in the same annoying tone that had me being like damn can he stfu already (da2 was ideal voice acting for me if they cant deliver that again just go back to a voiceless protagonist)

Me whenever my rook opened his mouth: i was getting violent on that skip button

The dialogue between rook and their companions holds it back from being enjoyable at all really- here's some examples:

Emmerich's personal quest in act 2: "I want to do this immortality rite it's a very high honor in my order but rook I might die in the process permanently, I am an orphan and afraid of dying" Rook: "You could die?!?! That's awful". In Origins you can have a conversation with Wynn about her inevitable death and respond in a manner similar to rook and Wynn teases you by saying "well i'm not going to live for ever dear" it made me smile and sad about not being able to really help her. Did not feel that way Emmerich though, Im so uninterested in him as a character my response and feelings are "old people die all the time" and then 'wait why the fuck haven't you done this immortality ritual yet instead dragging me over here to collect some flowers"

Companions & Romance

the flirt options aren't all that flirty, its just rook being nice, all the romance content seems behind a 'romance locked in' moment (that comes in so late in the game u already forgot who u were even flirting with at times) so you can't hop ur way from one bed to another before deciding on 'the forever one' (remember when I could ride the iron bull then break up and be with Cullen- I don't think that’s an option here)

The companions are all pretty forgettable, I did everyone's personal quest (with the exception of Taash tried to kill a dragon for them n failed so bad i just moved on) and forgot there was even an approval system with them or that I was supposed to pick choices for them. It felt like i was on a train going in one direction where it did not matter what I said or did to them they would be fine. It’s like I've lost and gained nothing by doing these quests. The deepest thing I learned about Emmerich is that he is a 50 yr old orphan scared of dying. And it makes me not care all that much about them beyond “I just need you to function enough to get me to the end of the game sure Taash embrace being Rivaini, yes Harding live peacefully w that Titan shit inside you idc… Lucanis..ahh what was ur issue again I forget”

I made Lucanis live peacefully with Spite (stuck as an abomination that's supposed to be as volatile as Anders & Justice) Let Emmerich become a lich and no one batted an eye. Everyone just heehee haw hawing over Emmerich's new skeleton form and I forget about spite a lot unless he comments on something i've killed. Was there supposed to be some moral quandary? to make Emmerich a lich I had to "kill off" Manfred... the walking skeleton who might as well have been a rock with a pair of googly eyes attached to him for all i care

I don’t want to help Bellara light funeral pyres in a puzzle game play style that isnt a deep message about death. I want Aveline's speech about reading her favorite book to her dying father after hawke lost thier mother.

For Neve's romance, it took the whole world falling part and everyone dying for her to kiss me for a 2 time and then pity fuck me and afterword she’s like I’m leaving don’t want to be too distracting. All these lines carry no weight like bad actors w no chemistry

jaw on the floor comparing this (first time I said "i love you" to neve)

to the first time I said it to cullen and how he treats u before the big battle

I get that she isn't lovey dovey but at 70 hrs in and 2 kisses it feels like she just dont love me </3

Combat - as a spellblade mage*

combat was this weird mix of sometimes fun sometimes a new and unique form of human torture (wydm press shift 4 times n hold down e then press V C and 2 IM ON A KEYBOARD!) Once u make it past level 20 u are immortal but ur enemies are sponges I dreaded every single dragon fight despite that being my favorite thing to do in DAI. Don't ever want to see another Ogre in my life they body me into corners that hitting space can't save me from.

At some point u just gotta run around the place a lot hoping ur companions can do the damage for you bc the mobs aren’t interested in them at all. i was spamming 2 n slamming on that E key hopping it would be over n done with already, If i wanted to play a flashy monster hunter game, well then id play tw3 at least that combat is fun.

Lore & Story building

At the end of Trespasser, I was under the impression that the conflict in DATV would revolve around solas amassing an army of elves all over Thedas to rebel against the Evanuris. He had a whole network of Spies working against the Inquisition and the Antaam, and planned to restore the elven people, upend their religious views, and try to tear down the veil as a way of atonement. So I was understanding of there only being 3 import choices ( 1- who you romanced, 2- Save or redeem Solas 3- Disband or Keep inquisition). But that's not the story we get; instead its this??

The veil jumpers are like engineering mages with no ties to Solas beyond being an elves. There is no religious struggle they just seem to accept that these Gods have always been evil and need to be stopped. Solas is just a one man army trapped in the fade off screen for like 70% of the game. Should I have just kept the inquisition around after all? The only mention I got was my disbanded inquisition choice was inky going "my name still carries weight in southern thedas" and it seemed like disbanding or keeping it would have an affect on how easy or hard it would be to stop Solas but no it really doesn't at all

“It doesn’t feel like a Dragon Age game”

A criticism I rarely take seriously because that can mean so many different things? Like what is it the atmosphere? The aesthetics? The “dArK fAnTasy” none of these things have ever stayed consistent in any dragon age game. And I’d say DA franchise lost its teeth/edge when dai rolled around it was pretty light in the world of dark fantasy

However…theyre kinda right this time around....

It doesn’t feel like a dragon age game because they removed a lot of the lore your were exposed to in the previous games to the point where this might as well be another game all together. (i am not even a lore nerd but i do need something there to feel like i am in a dragon age game)

Yes the city is named Minrathos you were are told of its cultural significance and history as the seat of the empire but looks like a shittier version of kirkwall (and I kept getting lost going around the map so I hated it even more for wasting my time) Honestly the city felt super high tech and out of place in a fantasy setting imo, I missed it when everyone lived in a wooden hovel in the middle of the woods.

There is no reason for the venatori to follow Elgarnan and ghilian'nan or for the Qunari either but it all gets hand waved away with "they offered us power"

Reading the Inquisitors letters made me feel like im in a spinoff game and the real story is happening somewhere else. And sad to like baby take me with you!! i want to save u from this nightmare

A lot of the factions are sanitized to the point of being boring Darvin's little 'we're warden we don't do blood magic that's just not right" baby I let the wardens sacrifice elves to Corphyeus 3 weeks ago :/

Qunari Culture

So the whole reason you were fighting the Antaam in DAI was because they believed you were in cahoots with Solas, who's whole plan to them is to sow chaos and disorder- that is a HUGE no no in the Qun so they see it as their sacred duty to stop you. The Qunari we meet in DATV mindless npc mooks who attack you not because your with Solas but because the Evil elven gos promised them uhh power n shit for stopping you. Like I know I did not just waste my time in DAI reading about how egalitarian the Qun is everyone is like a Hive, they depend on each other so selfishness is rooted out so wtf was going on in Treviso with these guys. A whole culture decimated down to being darkspawn mobs part 2

What made me never want to play another DA game ever again:

Everything you ever did in Orlais, Ferelden, Kirkwall is pointless. No matter what the last letter from the Inquistor is "yeah the blight reached the south Denerim is gone, ferelden is blighted beyond repair, we took back Skyhold but barely. The Venatori disposed of whoever you put in charge of Orlais and there's giant leviathans rising out the sea in Ostwick"  There is no conclusion to this it's just the state of the world now

I cant even pretend my non solas romanced Inky is happy and safe after all this? My hof and Alistar might as well be dead for all that it ever mattered. I get that the devs wanted a clean slate but did they have to burn my house down and salt the fields? It feels so spiteful and mean, like they wanted to make a whole separate game and tack on the "dragon age" title to it for money. If they're not interested in the lore or world building why should I? it made me fully checked out of the rest of the story. Like damn idgaf about elgar'nan and the other one give me back Redcliff

TLDR I dont know if i should be sad that I still care about this or glad its over either way im blocking all datv tags n moving on

[broadwaymemesandbrokendreams]

this is your daily reminder that michael arden was snubbed for a best direction tony for deaf west spring awakening

[artheresy]

The legacy of a craftsman

The amount of space that Blade and Yingxing takes up in my brain is feeling increasingly concerning. I can't stop thinking about them...

Like now that it's finally not just a leak, has anyone else read Baiheng's Travelogues about the Xianzhou Zhuming? Featuring Baby Yingxing??

Literally the second one devastates me emotionally I can't even explain it. Yingxing being so discouraged by the masters on the Zhuming who are long life species degrading him to the point he, a child, talks about how he'll probably never live to see his parents be avenged after what the Borisin did???

THAT HURTS

And God I can't even,

GOD if I could properly put into words the fact that Yingxing is a craftsman being so important to his character and identity and how Hoyoverse making a point to specify the injuries that occurred to his hands in whatever gray transition period happened between Yingxing and Blade that made him unable to craft weapons again is such a tragic visual to completely severe the two identities, that is ALL you would hear from me ever.

Because see the thing about Yingxing being a craftsman is that all stems from a goal in his past. As a child his home planet was taken over and turned into a weapons nursery, his parents were slaughtered, it became his goal as a child to create technology and weapons for the Cloud Knights to fight terrifying monsters like the Borisin. And that goal ended up defining the rest of his life, going on to become the Legendary Furnace Master on the Xianzhoh Luofu. That ended up becoming part of his legacy with the HCQ. It's clear how heavily important that part of his identity is defining not just his time in the HCQ but his time on the Zhuming, and everything that occurred to him as a child to lead him to that exact goal. His whole past.

And for Hoyoverse to specify how Blade's hands have been hurt to the point of no longer being dexterous, to the point of no longer being able to forge a weapon ever again, as those injuries cannot be healed by whatever Abundance shit he has going on since they likely happened before he became immortal(?). It just... it is devastating. It's something used as a way to severely separate the two of them so people realize they are two different identities on top of Blade already making it clear he sees Yingxing as dead. The way that they went about his hands... it's not merely that he relinquished that identity, which would be him no longer making weapons out of choice. It is that he can't connect to that identity anymore, the change he went through was far too severe. Thus he cannot make weapons anymore, he has been stripped of any ability to.

I'll make like a better post explaining this later, but I believe the use of Yingxing status as a craftsman and Blade's inability after he was revived TO craft anything is fundamentally used as a tie to the separate of identity between them and it's so well used and so tragically used.

Because again, it is not that he lost Yingxing's passion for it or decided on a different path. It is a wall that separates him from being able to do what Yingxing did in the past just as he is unable to connect to the identity his body held before death.

[ikemenomegas]

Omega!Gojo Satoru x Alpha!Reader

I believe we are fated to do the things we choose anyway*

gege akutami is the kind of mangaka who makes fun of almost all their characters. with utmost affection, gojo deserves to be bullied a bit. we love that he's a little heartless, a little frivolous, that he's powerful as a fact, that he cares a little bit strangely, so doing him a bit of justice, here's the mirror to Getou's youth story

tw: canon character death, spoilers for the manga, gojo's emotional constipation and egotism

Toji Zenin cut so many threads the day he arrived on the Tokyo school grounds, but the one between you and Satoru survived. It's already a miracle that Riko was the only one who died that day. The miracle of surviving should have been enough, but now you've lived long enough to find out how much you could love someone too. You get to see how afraid someone is of loving you. Gojo Satoru had one friend. Gojo Satoru had one mate. That was it, that was all he could let himself have.

Springtime Tokyo is still cold. Not as cold as up north in the mountains, but the winter uniforms are blessedly warm. An assistant manager drops you off at Tokyo Jujutsu Technical School on a milky March morning where you are met by Yaga-sensei, the first year teacher.

This teacher has some kind of idea about building community, which is why he's clustered the four of you first-years in the same building, around a loud blue-eyed boy who barely takes one look at you, squinting around a pair of blackout sunglasses, at your purposeful non-expression, before he is grinning, far too wide and it feels like he gets even louder, movements expansive to pull you into the range of an argument he's having with a tall slim boy with long hair tied at the back of his head.

Yaga-sensei just shakes his head and introduces you to Ieri Shoko, who is physically leaning away from the noise as if to escape some blast radius and has the most distant smile you've ever seen in your life on her face.

It's unsettling is what it is. The dark haired boy is just rolling his eyes at the one who had somehow both dismissed you and pulled you into his orbit. The automatic response is to try and get that attention back, but you have at least a little more self respect than that. You climb the stairs to take a room on the same floor to Shoko-san's and leave them to their snipping. You don't see Gojo fall silent for half a second before carrying on bickering, Yaga now stepping in to separate them.

School hasn't quite started yet. It's a boarding school so everyone is just around, getting the lay of the school, setting up their rooms, exploring Tokyo, running into one another and trying to figure out how their pieces fit together.

Satoru has already sorted you all into neat little piles of adjectives

Polite: the boy with the long dark hair, Getou Suguru, although this doesn't necessarily mean nice he notes gleefully. Self righteous and reactive, as in he can be baited into a no holds barred fight, which is new for him. He hasn't been able to fight someone who could hold their ground for more than a minute since he was thirteen. Subversively irreverent.

Morbid: the shortie with the short hair, Shoko Ieri. She discovered her abilities somewhere and even Satoru has to admit some of the diagrams she pulls up are admirably disgusting. Neutral. Satoru has never met someone else who sticks so close to their own whims before but she isn't like anything he expected, dismissive, meandering, goading. And she can't explain how she does what she does, which is aggravating because he can't do it.

And you, the new one. The last to arrive. Fresh meat. Quiet, wary.

You catch him not following you, but showing up near where you are a little too frequently to feel coincidental while you're making a point to meet the upperclassmen. He adds opportunistic and watchful to the list when he notices you do this, but some of the older students seem to find it vaguely endearing - the clan ones like a small animal they can toss treats, the recruited students who aren't trying to suck up to the clan kids with the cautious familiarity of greeting another outsider.

He tries tossing you a treat, granting you some offhanded attention in the common space of what is now the first years' block. Suguru laughs at him when you mostly look confused and apologetically tell him you've never seen either of the movies he wants to debate before refilling your water bottle and wandering back out onto the school grounds with your umbrella.

School starts regardless with some tentative unspoken agreement between the four of you to try and be friends, or at least classmates. There is after all, no one else to be friends with.

Class is boring, so Satoru watches his classmates. Where Shoko is passive and watchful and Satoru is staring into the air, you're openly attentive and Suguru more casually mirrors your attention. Which makes him want to call you another boring small-town bumpkin

Except you are in the same the advanced mechanics elective he is, and you and Shoko become animated discussing the curse anatomy lectures. Yaga takes you away to practice hand-to-hand with his dolls while he lets Satoru and Suguru pummel each other, which makes him think you must be too fragile to handle the two of them. Most people are, so he doesn't think much on it.

Satoru sometimes goes out alone to train when he can't sleep. He lashes out at the wooden dummies on the practice field, ducking under wooden arms and lashing out to see sections of it spin faster. On one of these nights, a week or two into the first year, he sees you standing outside the track, leaning on a railing, face buried in a thick scarf. He's aware of your vague attention, watching him without any particular interest, like how one might watch water sliding under a bridge, but when he sneaks a glance around the practice dummy, you're just as often more fixated on the sky. The moon is full and you're watching the clouds chase across the deep blue expanse, listening to Gojo Satoru's knuckles impacting on wood. And then at some point, he looks over and you're gone, your weird cursed energy signature fading in the dark.

Satoru only sees your technique the first time a substitute makes you spar with everyone else during training while Yaga is away. Apparently the teacher is someone you know because you get into the first argument he's ever seen before you send a spear flying so fast it hits the center of a target and topples it over.

The same teacher makes you fight Satoru, to already defeated attempts at appalled refusal. He'd usually help you push back just on principle, but he hasn't gotten to go on a mission with you yet and his sometimes oppressive curiosity has settled on whether you actually can keep up with him after all.

You can't, but this is Gojo Satoru at fifteen, not fully realized, and the first time he fights you he amends how he feels about "opportunistic". He flies right at your face and swears he makes contact, but you step back at the last minute and he feels an impending impact from his left that is almost the same strength as his own attack. He tries again and you twist out of the way much faster than he had expected. He tries to throw you and you end up descending slowly to the ground, trying to get the teacher to end the bout. Eventually Satoru overwhelms you and breaks your arm when you try to block too many hits in rapid succession. Shoko fixes it, and you wince with gritted teeth and tears in your eyes but don't cry or sob or glare at him with the kind of face that is calling him names you can't say out loud. The demonstration has him, fortunately or unfortunately, folding you into the energy of your little first year group like you'd been there all along.

He's a shaman clan kid, so it's interesting to see you now as not necessarily opportunistic but curious about the other sorcerers, about other people. What a novelty, to be inconsequentially curious. If he'd been too curious as a child he would be either lectured on responsibility or nearly drowned in related gifts meant to appease his moods

You don't appease his moods and the attention of him, one of the strongest sorcerer of the generation, doesn't appease you.

Satoru tries to bait you and things go right over your head. He tries to disrupt your silent, invisible schedule and you let him drag you away with minimal fussing, especially when Shoko or Suguru is involved, but will wander to the side on outings and either find some accidental trouble or something that makes him a little surprised at the intensity of your focus.

He forces you into a combat-determined wager that demands you stop using honorifics with his name and Suguru's name and Shoko's name (without asking the other two) and there's no way for you to get out of it or win so that forces some artificial closeness that becomes real. Language is very important for creating distance, for creating hierarchy and Satoru somehow isn't interested in a hierarchy between you.

He is however far more self conscious of his omega status than Suguru is. He won't say it, but it's a relief when none of you make a big deal out of it when you find out and also a surprising comfort when you and Shoko who don't have to suffer through the literal additional headache of heats try and make them comfortable

For Satoru this involves distracting him by playing video games with him, watching movies, or tossing balls of paper at him while he tries to stop it with his technique. Mostly he's with Suguru, especially if they sync up, but Satoru doesn't have the same heat symptoms as him. During first year even though he sleeps more than he does as an adult, it's typically less than the rest of you might want. Where Suguru gets tired, Satoru will get cranky and mean because he's bored and feverish and Suguru is too tired to entertain him. His family also was never very comforting during his heats so he knows what to do as far as nesting, but having people around is new for him.

He likes to call and text you if you're on missions during these times, which is typical given his clan's sensitivity to him being around alphas at these times.

So even when you're on campus, you and Shoko only spend a few hours with him at a time. Sometimes you play games and the heat makes him almost slow enough to beat on a DS link game. Sometimes he makes you do his homework. Sometimes he likes to throw throwing things at you to see how you use your technique to deal with it.

He adds "sentimental" to the list of adjectives when he realizes he can so easily pressure you in these times into revealing more of yourself to him than you usually do. He's bored and there's only so many things to talk about before you start telling him about an encounter with one of the rare cats that will tolerate living around the cursed energy of the campus, when you grimace and tell him about a terrible noodle stand in Yamanashi province that you still crave somehow, when you tell him about saving fallen leaves in a heavy dictionary you use for that purpose, or the one time you reveal that you've kept every pair of shoes your parents bought you to wear on the first day of school. You tell him these things and it makes him feel like maybe, someday, he might want to tell you things too.

It's not soft but there's a softness to it. A genuineness in the four of you together, in Satoru's and Suguru's growing strength and self surety. Satoru tries to make himself the center of the world, because it's fact that is where he has been all along. But he's not so easily the center of your world. You didn't come from his world.

Satoru doesn't fall. He doesn't think hard about why it becomes so. He barely thinks about it all. He just knows at some point that you're one of his. You're one of his and he wants you to pay him the attention he' accustomed to as center of the world (except he doesn't maybe. He'll be able to say it one day that what he loved was you treating him like he was as human as he could be)

He's terrible at acknowledging whether this possessiveness is anything in particular. After a sparring session, you watch Shoko patch a cut on Suguru's arm with so much longing and a pang of something worms its way in Satoru's chest. He crowds in next to Suguru before Shoko's done, draping over Suguru's shoulders. You don't see the way Satoru's eyes flicker from Shoko's steady hands to your wide-eyed gaze.

He's jealous the way a child is jealous of a favorite toy, hooking his arm around your neck if any omegas outside of school talk to you in the street. If you brush him off when he's trying to use you as a tool for self-affirmation, he sulks around until you acknowledge him in some other way and he will not admit to a single soul why it matters. When he's forced to go home for holidays like oban and returns in a terrible pique, you may fight with him if he lashes out in the worst, most personal ways. You push back and talk to instead of around him or through him and you also don't realize that is why he backs off.

He realizes slowly that he has to be careful with you. He forgets sometimes that you're more fragile that Suguru, that you need help Shoko doesn't need. On what you call the "worst school trip in existence" and Shoko calls "lucky we didn't all die" and Suguru smiles and calls "well we all made it out in the end", even Satoru got injured, yet he feels invincible, like he caught a bullet and threw it back.

When Toji nearly kills him and everyone he ever cared about, he awakens with the power to keep it from happening ever again. He thinks he can carry the world for all of you, for everyone, reveling in his power. He doesn't realize that his presence, the gravity well he made in the monster class's lives, doesn't exist the same way while he's not there because he has a tendency to think everything will be easy for him to fit back into when he returns, or not to think on the fact things could change at all.

Then Suguru leaves and the center of Satoru's world, his reference point, collapses

You're there in Shinjuku the day it happens. It's getting cold again. You're there to meet Shoko. Suguru has gone missing, Satoru is... away. Again. Still. He's been absent whenever he is around anyway. The jujutsu world doesn't have the resources to devote to hunting curse users in particular so the effort to find Suguru has been halfhearted at best and even if he's on your minds, you have jobs to do still.

You're there in Shinjuku and when you don't find the person you're looking for, you find someone else, It shouldn't happen, but it does. You run into Satoru, mind reeling at Suguru's betrayal. You nearly don't see him and he nearly doesn't see you except he sees everything and he's been walking around the district like a ghost.

He appears like a ghost too, tall and pale and ridiculous eyes. You'd tried to see if the world reflected in them once, but now it's more obvious to you than ever that it's just him, nothing more and nothing less.

"Let's go back," he says, and for the first time in months, you return to the college, side by side on the train, feeling like there should be more people in the near-empty car. You get as far as you can before you get to a station that's closed where you can no longer transfer and then you get out and walk in silence.

You walk like there's another person jostling for space between you. When you get to the school, Shoko meets you at the red tori gates. When you get to the mostly empty dormitory building, now a little emptier, Satoru looks at you. And looks and looks and looks. This time, he feels like you might disappear in the pre-dawn light casting your faces in blue.

Maybe it's because he's already lost one precious thing long before he noticed it was gone that he grips your shoulders tight, so tight you almost wince, but turn into it instead, tilting your head as though, were you less careful people, you might brush your cheek against his hand. Just for a little bit of comfort, for a little familiarity.

Then Shoko makes a noise at the top of the stairs, the scuff of her foot, the tap of her palm on the banister. What a terrible day it must be if Shoko is interfering. And you step away.

Satoru doesn't go to bed. For the first time in his life he feels like he doesn't know who he is. He watches your light come on and then go off. He doesn't see you stand at the mouth of the hall leading to Suguru's room with a blanket around your shoulders until eventually you turn away and fall asleep on one of the common room couches, near to where a year of his body in the same spot had left an indent. He doesn't think about the world where you aren't here, where he never sees you again, because he can't quite fathom it.

Because even when he was gone, he never felt like he had let any of you go

It makes him feel sick to his stomach, the closeness of someone else, but it feels worse to push you away so you sit shoulder to shoulder with him some time in the morning. He pretends not to see the new dark shadows in your eyes. You sit and watch the mist burn off and pretend his warmth can hide how the world is a little colder.

*I didn't fall in love with you. I walked into love with you, with my eyes wide open, choosing to take every step along the way. I do believe in fate and destiny, but I also believe we are only fated to do the things that we'd choose anyway. And I'd choose you; in a hundred lifetimes, in a hundred worlds, in any version of reality, I'd find you and I'd choose you ― Kiersten White, The Chaos of Stars

[turtlespancake]

me when i write a character who is prone to dooming themself and then they run off and doom themself. core traits are stubbornness and a willingness to disregard their own humanity gET BACK HERE IM NOT DONE WITH YOU

[constantvariations]

Deep diving into the White Fang arc just feels like I'm just right-click-thesaurusing Lindsay Ellis's video on Bright :')

[crismakesstuff]

this is my personal interpretation of nolan and debbie’s relationship

[kenzan-kiwami]

Can I get uhhh Wagi + 1, 2, 25

ABSOLUTELY

(this got quite long so i'm gonna shove it under a read more)

1. Why do you like or dislike this character?

it's so hard for me to quantify what i like about him in broad and general terms, but it had to happen someday i guess so thank you for that LOL

at the most basic and superficial level i just find him pleasing to look at and listen to. absolutely helps that my first exposure this year was ishin kiwami and not yakuza kiwami because he slays the haori look and the little extra sideburn scruff he gets looks great on him. i can't remember what my reaction was to him when i played 0 (we'll expand on that later) but i was clinging hard to inoue well before things happened, and every game i played after the fact only solidified kashiwagi as a fave.

but every little extra thing the games say about him just makes him all the more interesting to me. i still haven't done my Y0 replay but i've gone back and watched most of the scenes he's in, and the way he 1) already tends kamuro castle in '88 2) brings up the way yakuza (don't) cope with expulsion to kiryu and nishiki is interesting to think about after Y3 tells us he's been operating the HLA for some time. how long? was it already on the books during the bubble?

also from 0, the conversation between kiryu and nishiki at the apartment where they mention how tense he was while kiryu was at dojima's office. the last time you see him do anything before this point is when he flips his lid at kiryu and knocks him into the shelf. he has this big intimidating front on as current acting patriarch of the kazama family - rightly so, considering the respect he commands even from awano - but everything about his situation, and kiryu's situation, and kazama's situation, on top of the empty lot fiasco, is stressing him to the bone. he cares so much about kiryu not dying to the point he doesn't eat until he comes back alive, which just makes me worry about how little he ate over the game's runtime. he gets relatively little screentime and development compared to certain other characters in this series (especially playable protags), but in spite of it they manage to make him feel like a person. which i guess is one of the strengths of RGG's writing

there's a lot i've left unsaid, but i don't know if i can put much of it into words without somehow being asked the right question to prompt it lmao. i guess to conclude this segment, i see a bit of myself in him as well. he's the type of man i would like to be, if a bit less temperamental

2. Favourite canon thing about this character?

i cannot for the life of me think of a better way to put this, but i guess how gap moe he is? characters like tsuruno are out here calling him scary, and there's that one story from RGGO where they call him oni kashiwa, and y'know just his whole usual demeanour and presentation. and that gnarly scar across his face. but in spite of appearances, he's... kind of a nerd. dare i say he's just a little bit goofy (especially in 7 when he allows his filter to drop a little).

we've got a man who runs an empty karaoke bar as a hobby, and hires younger women to talk to what few patrons he has for him. he taught himself ikebana and how to make chinese herbal remedies. he's got it down bad enough for his own boss that he allows himself to get beaten to a pulp for as long as it takes for the emergency services to show up after kazama gets shot at sera's funeral (RGGO). i'm not even gonna uncork the fuckin "legend malt" bottle, and i've posted about his posture and ill-fitting suits on ps2/ps3 here before.

i think one of my favourite moments from 7 is still the end of nanba's 4th drink link, where he's like HUH after ichiban says they're organising a birthday party. all of the little breaks in his composure in that game make me feel completely normal ways i promise

also, not sure if i count it as such, but inoue's reimen lines from ishin. the way he starts talking about his favourite dish from his favourite restaurant then cuts himself off because he's gushing too much and ryoma isn't interested like, noooo, keep going please i want to hear it... tell me how you got your hands on reimen 100 years early

25. What was your first impression of this character? How about now?

like i say, it's been so long since i played Y0 that i genuinely don't remember if i had any actual thoughts on him or not beyond this relic i just dug up:

so i'll go from ishin kiwami instead i guess LOL

i'm still not sure what my first first impressions were but i was definitely latching on during chapter 5 at the latest. those cutscenes are soooo juicy, but we all knew that. every time i saw him i was like :) yay inoue is here :) until the start of chapter 10 when i was in straight up denial until they dumped his pale crusty-ass body in the middle of the sparring pit. ishin the only fucking thing delivering both his forbidden tatas and a scar backstory and we stan her for that.. the tibbies less so though because honestly it feels too lewd. seeing fanart of him with his shirt open helps me to understand what sawashiro fans felt when the infinite wealth trailer dropped

and it's all been uphill (or down, depending on how you look at it) from there. seeing him sopping wet, bleeding and pleading in the mud awoke something in me for sure. i understand why tsuruno calls him scary but i legitimately cannot see the dragon engine model that way, especially with those stupid tortoiseshell glasses. he looks like a sad dog & my male high school chemistry teachers at once. he's abashedly goofy and barely speaks above a whisper half the time.

i just know that whatever happens between him and kiryu in 8 is going to very painfully exorcise my own soul from my body.

[lavender---sunshine]

i am so deep in my feelings right now, i both sad and mad enough that i cannot sleep

[fratboykate]

You watched The Peripheral? I love it so fucking much!!! I fee like ppl are missing on it, busy watching the dragon show and the ring show…

I BEEN REBLOGGING STUFF SINCE LAST WEEK and I'm not ever even here. That's how deep in the hole I am lol. I'm SO FUCKING HOOKED. Truly one of the best sci-fi shows of the last decade. But there is like...no fandom. I hate it. I need people to scream with.

[inbarfink]

When talking about the distinction between Simon Petrikov and the Ice King,  it’s important to remember that originally, the Crown wasn’t trying to turn Simon into Ice King -

It was trying to turn him into this guy.

At the time, the Ice Crown - or rather the Wishing Crown - was programmed with Gunther’s wish to become Evergreen. So everything related to making the current wearer like Evergreen is a very direct result of the Crown’s Magic. The physical changes -

And the obsession with the name ‘Gunther’ -

And maybe some of the irritability and anger issues -

That is something the Crown is very directly forcing unto its current wielder. 

But everything else?

Ice King, personality-wise, was not much like Evergreen at all, or even like Gunther's view of him. And Ice Finn of the Farmworld Universe was also pretty different from the both of them.

At the time, I remember people assumed Ice Finn’s behavior is more indicative of what the Crown is actually trying to do with its wielders. That Ice King is so different because of Simon’s subconscious resistance against the Crown - while Finn’s much younger and dumber brain is a lot susceptible to the Curse’s influence to become some sort of mad world-conquering emperor of ice and snow. 

But, with the context of the Crown’s actual backstory. That doesn’t seem very likely anymore. I think what’s actually happening there is that the Crown is just trying to make its wielder an Ice Wizard on par with Evergreen (who was the Actual Goddam Ice Elemental) and that means pumping the wielder’s brain so full of Magic, Madness and Sadness to a level that is bound to overwhelm anyone.

And Simon’s and Farmworld Finn’s very different behaviors after putting on the crown is indicative, more than anything, of how their psyche reacts to Madness and Sadness in general. You know, Finn has a very proactive and kinda aggressive personality - and you add Crown-induced-Madness-and-Sadness and a compulsion to use Ice Magic as much as possible and you get all of…. this 

Meanwhile, for Simon, the compulsions of the Crown originally filtered exclusively via the language of protection 

As his madness always manifested as romantic obsession 

And using goofy humor to try and deny the pain he’s going through 

Because that’s how Simon’s mind specifically reacts to being flooded with so much Madness and Sadness.

That’s why there’s so many parallels between Ice King and the sort of mistakes and screwed-up stuff Simon does right now! He’s even kidnapping people again!

Because the Madness and Sadness of Ice King might’ve been induced by the Crown, but now Simon has plenty of personal home-grown Madness and Sadness inside him - and it’s no surprise that Curse-Induced or not, his mind reacts to it in a sorta-similar way. (Although obviously not as intensely, again, there was a LOT of MMS in the Ice Crown).

Now as for Ice Thing, and the fact that he seems to be actually rather well-adjusted under effects of his version of the Wishing Crown. I mean... not by the time of the 1000+ Era, but that’s literally eons in the future and also maybe more Gibbon’s fault. Even if the Crown will eventually take some sort of toll on him, for now he seems to be doing pretty well considering his wish. I mean, there's still some sort of Loss of Identity stuff going on

But everything we've seen of Ice Thing (in the present day, at least) shows him as a friendly and cheerful individual that gets along well with others. A far cry from how maladjusted every single wielder of the Ice Crown acted.

At the very least, if there's any notable amount of Sadness in him, we really haven't seen it yet.

There might be several factors here:

First things first, I should acknowledge the possibility that it’s just that Orgalorg’s eldritch brain is better at intaking all that MMS juice. That could play a part, but I think it’s probably more important, at least thematically, to look at the distinction between ‘I wish to be Evergreen’ and ‘I wish to be Ice King’. 

First in the sense that while Ice King was occasionally mean to Gunter at times - he was generally much kinder than Evergreen ever was for ‘his’ Gunther. So, like, pretty much the one Personality Flaw of Ice King that you can directly link to the Ice Crown’s attempt to mimic Evergreen is the occasional anger issues.

And how they relate to Gunther’s view of Evergreen, so grumpy and controlling and constantly saying ‘NO!’

(Both Finn and Simon’s demonstrable not-crown-induced trauma responses can make them pretty short-tempered as well. So I’m not going to say this is purely the effects of the Crown. It still probably plays some sort of factor at why the wielder of the Ice Crown is Like That).

And that is not a factor in how Gunter views Ice King. For him, Ice King was a doting and loving father figure - so if the Crown was ever trying to implement any sort of specific negative personality traits, this is absolutely no longer a factor. Because the original Ice Crown was a reflection of Evergreen’s abuse, and now Ice Thing is a reflection of Ice King’s fatherly love.

Which is, itself, probably an echo or remnant of Simon’s own strong parental instincts. 

Secondly, while the Crown was trying to make the Ice King just as powerful as Evergreen…. Ice King was obviously not as powerful as Evergreen. Because he was already a second-rate copy of the Ice Elemental’s power, and because Ice King was often just too doofy to use his powers correctly and probably because some remnant of Simon’s original sensible self is subconsciously holding his powers back.

Either way, being ‘like Ice King’ as Gunter sees him requires less Magic than being ‘like Evergreen’ as Gunther saw him - and therefore less Madness and Sadness. Leading to the wearer or, um, the eater being a lot more well-adjusted from the get-go.

And I think that the implication that Ice Thing has fused with the Crown, so there's never going to be another poor sap who puts on the Crown and gets Ice King'd. But if there is one somehow... at least the process is going to be less mentally detrimental that time around?

Maybe one day Simon could look back and appreciate how much he (or Ice King, or both of them, or however you want to look at the situation) is responsible for basically neutralizing the Crown that ruined his life in the first place.

[sweetnans]

Chaotic fem. reader/Best friend Bakugo

"I'm ready to be a mother," you stated out of nothing.

Bakugo was obviously taken back by your comment.

"Did you see something on tiktok that made you think that?" he looked at you while you kept scrolling in your phone. "You need a partner to procreate dumbass,"

"I know I need a man to procreate, but I thought that you could help me on that one," you bit your nails, showing less interest than a rock.

He left his phone aside so he could analyze you properly if you were talking seriously or not.

"I'm not going to introduce you to my side kick, He's like twenty," he tested.

"Twenty??? I'm almost twenty eight, that's still a reasonable age gap, " you gasped because his side kick didn't look like he was twenty. You thought that he would at least be twenty-three.

"No it's not"

After almost ten years of being friends, Bakugo was so used to your shit. The time that you wanted to go surfing? He laughed at your face when you didn't make it to the ocean because you were afraid of sharks. What about the time when you wanted a hamster? He said no, but you got it anyway, so when you lost it, obviously, he gave you shit about it, but after that, he was on all four looking for your little pet in the dorms.

"Fine." That wasn't your main goal, so you let it go. "Actually, I was thinking of you doing a quick hand job in my bathroom and giving me your sperm"

The silence between the two of you couldn't be more unbearable. Bakugo's eyes twisted in your direction while his cheeks were slowly growing a clear shade of rose.

"What? No!"

He was absolutely losing it. The impact of your sayings got him standing from his seat, almost panting. You and him? In his best dreams, but you didn't need to know about his secret intentions.

"Think about it. It's a great idea." You stepped out of your couch and went to his side.

"How are you going to explain that your kid has similar features with your best friend?" he flinched when you approached him. You were so close that your scent invaded him whole.

Bakugo was trying with all his heart and mind to think logically, but you, your body next to him, and your puppy eyes were making it so hard, in both ways.

"I don't know, and I don't care, I'll run away from the country, and you'll never see us again"

You were one of the best students from UA, right after him and Yaoyorozu, but right now, he was doubting if it was just an act.

"That's so clever." he rolled his eyes at you and walked to the kitchen to grab a glass of water, hoping that you would drop the subject and hop onto another like getting a bunny or going sky diving.

"I know, right? Now go in there, do the nasty job, and I'll put it inside of me, I'll even turn my body upside down so it sticks, " you jolted in joy, missing his usual sarcasm.

He almost spilled the water from his mouth to your face.

"Who the fuck told you that?" he spated obnoxiously.

"Kaminari," you shrugged.

"Are you even listening to yourself!?"

When he thought that that couldn't get any worse, you named the only person who could make him go crazy just by opening his mouth.

"I'm desperate. It made sense when he told me"

He could believe anything at this point. He was actually thinking that he was dead because what was happening between you two was a complete nonsense.

"So you are telling me this is something you've had in mind for a while?

You simply nodded, and he stayed quiet, considering everything you said. He wasn't looking for anything serious because of you. He passed for all seven stages of grief when he realized that he was in love with you and your silliness, so he decided long ago that he wouldn't date anyone because he wasn't interested in anyone but you.

"I know that look on your face," you smiled and danced around the kitchen.

You weren't looking for anyone either. Having Bakugo as a male figure in your life left the bar very high for others to match. They didn't meet your expectations anymore like Bakugo did, always by your side, laughing at your bad jokes and giving you his hand when you most needed, buying food and cooking for you, he has even bought you flowers for half a decade on valentine's day, a large bouquet of red roses every year since then.

"I'll do it," he told you, and you jumped excited on him. He grabbed you by your thighs, catching you on the fly. "Two conditions"

"Yeah, just name it," you batted your eyes at him.

"I'll take you on a proper date first, and you won't run away with my kid, got it?"

Bakugo thought that he was only doing you a favor, but he never saw coming that it only took one date to make you fall for him in the way he always wanted.