#across the world though :)

[egophiliac]

starting off with an amuse-bouche of some of my initial favorite bits! y'all, this update was WILD.

[serpentface]

how do you come up with the ways cultures in your setting stylize people/animals/the world in general in their artwork, i.e. jewlery, rock carvings, statues, etc? Each culture in your world seems to have a very unique "art style" and I love it a lot - makes them seem that much more 'real'. This is something I struggle with a lot in my own worldbuilding and I'd love to pick your brain if possible 😁

I think a starting point is to have a research process based in the material realities of the culture you're designing for. Ask yourself questions like:

Where do they live? What's the climate/ecosystem(s) they are based in? What geographic features are present/absent?

What is their main subsistence method? (hunter gatherer, seasonal pastoralist, nomadic pastoralist, settled agriculturalist, a mix, etc)

What access to broader trade networks do they have and to whom? Are there foreign materials that will be easily accessible in trade and common in use, or valuable trade materials used sparingly in limited capacities?

Etc

And then do some research based on the answers, in order to get a sense of what materials they would have routine access to (ie dyes, metal, textiles, etc) and other possible variables that would shape how the art is made and what it's used for. This is just a foundational step and won't likely play much into designing a Style.

If you narrow these questions down very specifically, (ie in the context of the Korya post- grassland based mounted nomads, pastoralist and hunter-gatherer subsistence, access to wider trade networks and metals), you can direct your research to specific real world instances that fit this general idea. This is not to lift culturally specific concepts from the real world and slap them into your own setting, but to notice commonalities this lifestyle enforces - (ie in the previous example- mounted nomadic peoples are highly mobile and need to easily carry their wealth (often on clothing and tack) therefore small, elaborate decorative artwork that can easily be carried from place to place is a very likely feature)

For the details of the art itself, I come up with loose 'style guides' (usually just in my head) and go from there.

Here's some example questions for forming a style (some are more baseline than others)

Are geometric patterns favored? Organic patterns? Representative patterns (flowers, animals, stars, etc)? Abstract patterns?

Is there favored material(s)? Beads, bone, clay, metals, stones, etc.

When depicting people/animals, is realism favored? Heavy stylization? The emotional impression of an animal? Are key features accentuated?

How perspective typically executed? Does art attempt to capture 3d depth? Does it favor showing the whole body in 2 dimensions (ie much of Ancient Egyptian art, with the body shown in a mix of profile and forward facing perspective so all key attributes are shown)? Will limbs overlap? Are bodies shown static? In motion?

Does artwork of people attempt to beautify them? Does it favor the culture's conception of the ideal body?

Are there common visual motifs? Important symbols? Key subject matters?

What is the art used for? Are its functions aesthetic, tutelary, spiritual, magical? (Will often exist in combination, or have different examples for each purpose)

Who is represented? Is there interest in everyday people? Does art focus on glorifying warriors, heroes, kings?

Are there conventions for representing important figures? (IE gods/kings/etc being depicted larger than culturally lesser subjects)

Is there visual shorthand to depict objects/concepts that are difficult to execute with clarity (the sun, moon, water), or are invisible (wind, the soul), or have no physical component (speech)?

Etc

Deciding on answers to any of these questions will at least give you a unique baseline, and you can fill in the rest of the gaps and specify a style further until it is distinct. Many of these questions are not mutually exclusive, both in the sense of elements being combined (patterns with both geometric and organic elements) or a culture having multiple visual styles (3d art objects having unique features, religious artwork having its own conventions, etc).

Also when you're getting in depth, you should have cultural syncretism in mind. Cultures that routinely interact (whether this interaction is exchange or exploitation) inevitably exchange ideas, which can be especially visible in art. Doing research on how this synthesizing of ideas works in practice is very helpful- what is adopted or left out from an external influence, what is retained from an internal influence, what is unique to this synthesis, AND WHY. (I find Greco-Buddhist art really interesting, that's one of many such examples)

Looking at real world examples that fit your parameters can be helpful (ie if I've decided on geometric patterns in my 'style guide', I'll look at actual geometric patterns). And I strongly encourage trying to actually LEARN about what you're seeing. All art exists in a context, and having an understanding of how the context shapes art, how art does and doesn't relate to broader aspects of a society, etc, can help you when synthesizing your own.

[flickering-nightfall]

[notaseriousactor]

Goodnight to everyone except

The audience who talk during live theater

The people on their phones during live theater

The people going to non singalong performances and sing

The people complaining about how bad a show is during intermission/in the theater

The Theater companies who pay wigs, hair, and makeup less because it’s a “female” job (which btw ew. But does happen)

The people that don’t respect the people (on and off stage) who put so much work into giving you the show you’re seeing right now.

You guys don’t get a good night.

[virgobingo]

i think gojo's love is complex bc.. in life, as an adult, he ultimately lets geto go.

he allowed geto to walk free for ten years and form his own family. to basically seek happiness elsewhere.

only in their last moments, does he find out geto was still unhappy without him. despite this, gojo's careful not to cling and curse geto to stay with him.

and even after putting him out of his misery, gojo still doesn't grant himself permission to mourn him. bc he most likely handed over geto's body to his family (the people who have been by his side the longest) out of consideration. but even this ultimately comes back to bite him.

in life— gojo has only ever tried to be selfless and nonattached with his love towards geto and yet... this path has only caused him suffering.

only in death— does gojo finally grant himself permission to say what's been in his heart all this time.

he dismisses geto trying to be selfless/the better person (saying he's glad gojo's happy bc of someone else). and says the quiet part out loud— i would only feel complete with you.

only in death does gojo allow himself to be selfish with geto again.

[juniemunie]

Found these old whiteboard drawings i made with my friends hehe

Anyways heres a not so memey one

[kerryweaverlesbian]

Dean Winchester of Supernatural fame is NOT reading parenting books he is putting on Cheaper By The Dozen, Daddy Daycare and Honey I Shrunk The Kids taking notes.

[theotherbuckley]

Okay but Tommy drops out of high school — he told his father he was gay and he told him he could either be homeless or go to military school. He goes to military school and joins the army and he likes flying the helicopters because it means he doesn’t have to do any of the killing himself. And he makes some friends.

There's one guy who's like the squad leader who's a few years old and built like a Greek god and Tommy's young and a little bit in love. And they're friends maybe even family because this whole group of people spend every waking (and sleeping) moment together. And they all talk like a family and they all say they love each other and tease each other and it's nice. And one night it's just the two of them trading a flask of some sort of alcohol that Tommy doesn't know the name of and the man asks Tommy why he joined the army and where he wants to be in five years and Tommy trusts this man. He's half way in love with him so he doesn't even think twice before he tells the story about the time he came out to his family and his father nearly beat him to death before sending him here. And the conversation tapers off after that and he doesn’t register the change in the air but when he wakes up the next morning he’s being dishonourably discharged because he poses “unacceptable risk to the high standards of morale, good order and discipline, and unit cohesion that are the essence of military capability”. He knows what that means.

Tommy joins the fire department because he doesn’t know what else to do. He represses anything regarding his sexuality because he knows now that it’s wrong. He almost feels like he has a family again because his captain seems to like him and some of the guys are cool even if they say things he doesn’t agree with. And then he starts agreeing because maybe they’re right and he’s wrong and he’s just inherently wrong. So he follows their leads and is just straight racist because that’s how he can fit in.

And then a black lesbian woman joins and says she’s a black lesbian woman and Tommy doesn’t understand that either because you can’t be queer you just can’t be because it’s wrong.

But he nearly dies and and an Asian man saves his life and a black lesbian woman comes up with a better idea than any of them had and she tells them she’s no different and she is just as capable. So he improves himself he does and he tries to be better but he still can’t be who he is because the last 2 times he was honest about that he was betrayed.

Tommy leaves the 118 and “don’t ask, don’t tell” is lifted and he meets this guy he likes who likes him back and the 217 don’t seem to have a problem with the gender neutral pronouns and he slowly but surely lets himself open up again and be who he is and when the thing with that guy doesn’t work out because he’s moving to New York and Tommy’s not sure he’s ready to leave, it’s okay because his crew is there and they support him and he can still be himself.

[oceans-beloved]

Meme dump yayyy🥳✨️

(off to make more now muhahaha >:3)

[uncanny-tranny]

Piggybacking off this post I made last night, but I think two things can be true at once:

Being diagnosed or undiagnosed can both be disadvantages. Neither a state of diagnosis nor undiagnosis can be more "beneficial" because both can be harmful dependent on the situation. We need to be open to the possibility that a diagnosis can be helpful, harmful, a mix, or neither, and not having a diagnosis can also be helpful, harmful, a mix, or neither.

Basically, disability is complex. We live in an ableist world that simultaneously demands disabled people adhere to strict standards but also just not exist in the first place. It's hard enough to navigate diagnosis, and making it harder is only going to harm us, not abled people. They don't care about the intricacies of disability, more often than not.

[fjordfolk]

The girls met their first lemming yesterday. We startled two coming down the trail, Sparty was leashed (luckily, otherwise it'd be crunch time) but Troj was loose - blew recall for the first time in forever, caught up with one, and then just stood there looking down at it while it was screaming bloody murder at her like ???:D???

[moralesmilesanhour]

Miles 42 has an art account that's scarily well-curated with almost all of his sketches scanned that no one he knows is allowed to follow

Miles 1610 hasn't let anyone other than Uncle Aaron see his sketchbook since he was 5

[oorangesoda]

pov: they saw u from across the bar and really dig ur vibe ;)

In another reality where Cal n Shane aren’t exclusive to one another…

(this is entirely @fishyfarms fault, I saw ur tag and started drawing SO FAST u don’t understand…)

[camgoloud]

he still has his tonsils. by the way if you even care

[arti-cat]

assortment of doodles i coloured

[fidgetspringer-art]

✧ The Ardal stars ✧