#acoustic chamber price

[atplblog]

Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] From the manufacturer AKG K92 High Performance Closed-Back Monitoring Headphones A studio mainstay Mix and master your tracks with uninhibited clarity with the AKG K92 over-ear, closed back headphones. Professional-grade 40mm drivers reveal even the subtlest nuances, so you can be confident your mix will translate accurately on any system. Whether you’re fine-tuning track levels within the mix or mastering the final product, the self-adjusting headband and lightweight design will provide hours of comfort. Designed by the company whose mics and headphones have helped create some of the world’s most iconic recordings, the durable K92 is a serious headphone that delivers great sound in the studio and beyond. Highlights Professional 40mm Drivers Lightweight Design and Self-Adjusting Headband Professional Build Quality Flexibility Professional drivers - clear sound in the studio and beyond Our K92 headphones deliver authoritative, extended low-frequency response that gives definition to kick drums and bass guitars. At the same time, the detailed yet precisely balanced high-frequency response reveals the nuance in vocals, guitars and acoustic instruments. The K92’s generous 40mm drivers deliver the highest sensitivity and widest frequency response of the K52 and K72 - resulting in powerful output that reveals every detail. The K92s also feature a low-impedance design for compatibility with a broad range of playback devices, from professional studio gear to portable music players. Closed-back design - get lost in your sound The K92 headphones’ closed-back design eliminates audio leakage and delivers sound to your ears only. The mic won’t pick up the sound of the click track in your headphones - and you’ll always be able to mix and master peacefully without being distracted by outside noise. This exceptional level of audio isolation is due to a new acoustic chamber, which sits between the ear cup and the hinge that connects to the headband. Our innovative design gives you the freedom to move your head in any direction, without letting sound in or out. With the K92, you’ll enjoy a private workspace, no matter where you choose to create. The style that fits all - comfortable listening Getting the perfect mix sometimes means monitoring track levels for hours - and that’s when comfort really counts. We designed our unique self-adjusting headband to automatically create the perfect fit for every band member. No need to mess with delicate sizing mechanisms, which have the potential to break over time. The exposed headband design keeps the K92 headphones comfortably light, without compromising driver size.

Breathable, lightweight ear pads encircle your ears, rather than putting pressure on them. The golden accents emphasize the high level of quality and create a stylish appeal. And a single-sided cable gives you freedom to move. To sum it up, these high-performance headphones sound, feel and look great. Add to Cart Add to Cart Add to Cart Customer Reviews 4.2 out of 5 stars 13,630 4.2 out of 5 stars 13,630 4.2 out of 5 stars 13,630 Price ₹3,149.00₹3,149.00 ₹2,749.00₹2,749.00 ₹2,539.00₹2,539.00 Driver size (mm) 40 40 40 Sensitivity (dB SPL/V @ 1 kHz) 113 112 110 Rated impedance (Ω) 32 32 32 Audio frequency bandwidth (Hz) 16-22000 16-20000 18-20000 Maximum input power (mW) 200 200 200 Cable(s) length (m) 3 3 2.5 Connector Stereo plug – 3.5mm (1/8-inch) with gold-plated 6.3 mm (1/4”) screw-on adapter Stereo plug – 3.5mm (1/8-inch) with 6.3 mm (1/4”) screw-on adapter Convertible Jack Combo (1/4" and 1/8") Professional 40mm Drivers for reference monitor accuracy over a precisely balanced 16Hz–22kHz frequency response Lightweight Design and Self-Adjusting Headband for exceptional comfort over long periods of time Gold Hardware, metal construction and closed back design for excellent durability and sound isolation Low impedence design and included gold adapter Control Type: Volume Control [ad_2]

[astralwindoors]

Advanced Fire Door Technology: Our Manufacturing Capabilities in Bangalore

In today's rapidly evolving construction landscape, fire safety has become paramount. At Astral Windows, our state-of-the-art manufacturing facility in Bangalore stands at the forefront of advanced fire door technology, delivering uncompromised safety solutions for modern infrastructure.

Fire Rated Doors Manufacture in Bangalore

Cutting-Edge Manufacturing Infrastructure

Our Bangalore facility incorporates the latest technological advancements in fire door manufacturing:

Advanced Production Line

Automated CNC machinery for precise cutting and fabrication

Computer-controlled assembly systems

Quality control stations at every production phase

Modern finishing facilities ensuring superior aesthetics

Material Innovation

High-density fire-resistant core materials

Advanced intumescent seals

Reinforced steel frames

Premium grade hardware components

Testing and Quality Assurance

At Astral Windows, we maintain rigorous quality standards:

In-House Testing Facility

Fire resistance testing capabilities

Smoke leakage assessment

Acoustic performance testing

Durability testing chambers

Quality Control Protocols

Raw material inspection

Production process monitoring

Final product verification

Documentation and certification

Customization Capabilities

Our manufacturing setup enables customized solutions:

Size Variations

Standard sizes

Custom dimensions

Oversized doors

Special applications

Performance Requirements

Fire ratings from 30 to 120 minutes

Sound insulation options

Security features

Environmental resistance

Advanced Technical Features

Our fire doors incorporate modern technological advances:

Safety Innovations

Multi-point locking systems

Advanced smoke seals

Panic hardware options

Electronic monitoring capabilities

Performance Enhancements

Thermal insulation

Acoustic barriers

Weather resistance

Durability features

Industry-Specific Solutions

We cater to diverse sectors with specialized requirements:

Commercial Buildings

Office complexes

Shopping malls

Hotels

Educational institutions

Industrial Applications

Manufacturing facilities

Warehouses

Data centers

Power plants

Fire Rated Doors Manufacture in Bangalore

Compliance and Certification

Our manufacturing processes adhere to:

National Standards

IS 3614 compliance

NBC 2016 requirements

BIS certifications

Fire safety regulations

International Standards

BS 476 standards

UL certifications

International building codes

Global safety protocols

Local Manufacturing Advantage

Operating from Bangalore offers unique benefits:

Quick Response Time

Faster delivery

On-site support

Emergency services

Rapid customization

Cost Effectiveness

Reduced transportation costs

Local material sourcing

Efficient logistics

Competitive pricing

Sustainability Initiatives

Our manufacturing process emphasizes environmental responsibility:

Green Manufacturing

Energy-efficient processes

Waste reduction

Recycling programs

Sustainable materials

Environmental Compliance

Eco-friendly finishes

Low-emission processes

Responsible disposal

Green certification

Support Services

We provide comprehensive support:

Technical Assistance

Installation guidance

Maintenance support

Emergency services

Regular inspections

Documentation

Technical specifications

Compliance certificates

Maintenance manuals

Installation guides

Why Choose Astral Windows?

Our manufacturing excellence is built on:

Experience

Years of industry expertise

Proven track record

Satisfied clientele

Continuous innovation

Commitment

Quality assurance

Timely delivery

Customer satisfaction

After-sales support

The Future of Fire Door Technology

We continue to invest in:

Research and Development

New materials research

Advanced manufacturing techniques

Innovative designs

Enhanced safety features

Industry Leadership

Technology adoption

Market trends

Safety standards

Customer needs

Fire Rated Doors Manufacture in Bangalore

Conclusion At Astral Windows, our Bangalore manufacturing facility represents the pinnacle of fire door technology and production capabilities. We combine advanced manufacturing processes, stringent quality control, and innovative solutions to deliver fire doors that meet and exceed safety standards while providing excellent value to our customers.

[thebankbazar]

Top 7 Speaker Brands in the United Kingdom

The United Kingdom has a long history of audio inventions that put out quite possibly one of the best speaker manufacturers in the world today. They have developed their skill in the heart of London all the way up in Scotland’s tranquil countryside views, British audio engineering has always cut the mustard. Here are the 7 leading speaker brands in the United Kingdom that have fascinated enthusiasts across the world.

Bowers & Wilkins

Heritage and Innovation

Bowers & Wilkins (B&W), a British loudspeaker manufacturer was founded in 1966 by John Bowers in Worthing, West Sussex. Research and Development has not been given emphasis by them but they have a taste of advanced technology in their building known as the Steyning Research Establishment. Speaking of perfection in sound that is further enhanced by the Nautilus range of speakers that has spiraling tubes which eradicates any form of resonance.

Notable Products

Nautilus Series: An outstanding design that served to introduce revolutionary solutions in the context of its industry.

600 Series: Popular for its value for money and great economy.

KEF

Cutting-Edge Design

KEF, the name derived from the initials of its founder Kent Engineering & Foundry, was founded in 1961 by Raymond Cooke. A Maidstone based company, KEF is well known for its creativity when designing speakers. One common method that distinguishes this company is the usage of Uni-Q driver arrays and Metamaterial Absorption Technology (MAT).

Notable Products

LS50 Wireless II: A tiny but powerful and authentic speaker system that does not require wires.

Blade Series: Leading the way in design aesthetics accompanied with highly acoustic sound.

Monitor Audio

Craftsmanship and Precision

Monitor Audio was started back in 1972 and the main principle has been to combine the beauty of design with clarity and quality of sound. Located in Essex, the company has one of the best image reputations when it comes to detailing, specializing in fine craftsmanship and the use of superior materials. Exterior acoustic features of their models include metal dome tweeters and C-CAM (Ceramic-Coated Aluminium/Magnesium).

Notable Products

Silver Series: High-for-high balanced sound favored shadings and overt details.

Bronze Series: This computer is famous for offering uncompromised performance in a relatively low price range.

Wharfedale

A Legacy of Excellence

Typically, Wharfedale is the oldest and reputable British manufacturer of speakers that was started by Gilbert Briggs in the year 1932. As in other chambers, the Wharfedale company was born in Yorkshire and it has a long tradition in the conception of acoustic designs. Their speakers are famous for clarity, the perfect balance of the sound, and the most reasonable price.

Notable Products

Diamond Series: Still legendary for impressive sound quality as well as for the price at which it is sold.

Elysian Series: A luxurious line that at the same time provides a higher level of functionality.

Read more

[majalatsalsabil]

Al-harrbi Contracting Company

Al-harrbi Contracting Company is one of the leading companies specialized in supplying and installing canopies, pergolas, and barriers in the Kingdom of Saudi Arabia. The company is characterized by its extensive experience and the high quality it offers in all its services, making it the first choice for many customers who are seeking modern and effective shading solutions.

Quality and Materials Used

Al-harrbi Contracting Company uses high-quality materials, whether imported or local. These materials ensure product durability and a long lifespan, providing peace of mind for customers. Additionally, the canopies and barriers offered by the company feature modern designs and various colors that suit all tastes and needs.

Company Services

Al-harrbi Contracting Company offers a wide range of services that meet the needs of various customers. These services range from the installation of canopies تركيب مظلات وسواتر في الرياض, pergolas, and barriers, making the company unique in providing comprehensive shading and protection solutions. Here is a detailed look at some of the essential services offered by the company:

1. **Canopy Installation**:

   - **Garden Canopies**: Al-harrbi provides custom garden canopies in various shapes and colors, adding beauty and protection to your outdoor spaces.

   - **Swimming Pool Canopies**: The canopies offered by the company ensure optimal protection for swimming pools from harsh sunlight, in addition to enhancing the overall appearance of the pool.

   - **Car Canopies**: The company offers car canopies in various shapes and designs, providing the necessary protection for vehicles from the elements.

   - **School Canopies**: Al-harrbi pays special attention to installing school canopies that protect students from sunlight, creating a comfortable learning environment.

2. **Pergola Installation**:

   - The company offers pergolas made from the best materials and at competitive prices, with impressive designs that suit various tastes. Pergola designs range from classic to modern, allowing customers to choose what suits them.

   - The pergolas offered by the company come in different shapes and sizes, making them suitable for use in gardens, terraces, and commercial areas.

Sandwich Panel Roofs

Sandwich panel roofs are one of the distinguished services offered by Al-harrbi Contracting Company. These roofs meet a variety of industrial and commercial requirements, making them the ideal choice for many applications. Here is a detailed look at the features and benefits of the sandwich panel roofs provided by the company:

1. **Superior Insulation Properties**:

   - Sandwich panel roofs are known for their high thermal and acoustic insulation capabilities, making them ideal for environments requiring high insulation levels.

   - Sandwich panels are made from high-quality insulating materials, ensuring energy efficiency and maintaining appropriate temperatures inside buildings.

2. **Multiple Applications**:

   - **Clean Rooms**: Sandwich panel roofs are used in clean rooms due to their ability to provide a clean and contamination-free environment.

   - **Cooling Chambers**: These roofs are the perfect choice for cooling chambers due to their ability to effectively maintain low temperatures.

   - **Hangars and Warehouses**: Sandwich panel roofs are used in constructing hangars and warehouses of various sizes, ensuring protection and durability.

   - **Electrical Rooms**: These roofs provide excellent protection for electrical rooms, ensuring the safety of electrical equipment and protecting them from weather conditions.

[yaheng]

Copper Silencer/ Muffler

Introduction

A copper silencer also called a copper muffler, which stands for a device made from copper to reduce or suppress noise or sound as well as maintain acceptable noise levels in compliance with regulations. For example, in HVAC systems, copper silencers, which are typically placed in the ducts to dampen airflow noise, work by absorbing, reflecting, or dissipating sound energy, thereby reducing the noise levels produced by air handling units, fans, and ductwork. The effectiveness of a copper muffler depends on miscellaneous factors like its design and the nature of the noise source. If you would like to know more about copper muffler price and cost, do not hesitate to contact Yaheng HVAC copper fittings manufacturer.

Why Do Copper Silencers/Mufflers Work?

When fluid or air flows through copper pipes or ducts, turbulence and vibrations usually generate unwanted noise. At that time, copper mufflers can work by absorbing or dissipating the energy of pressure waves, thus reducing noise.

To achieve this goal, copper silencers may be equipped with various internal structures such as chambers, baffles, or acoustic materials. Additionally, it is worth noting that copper's natural sound-dampening qualities make it an effective choice for such applications.

Features of the Copper Silencer

Yaheng copper silencer manufacturer specializes in producing copper silencers, which offer several key features and benefits.

Noise Reduction: The copper silencer is designed to effectively reduce noise generated by various sources, such as machinery, engines, or exhaust systems. It helps to minimize noise pollution and create a quieter environment.

Threaded Connections: The copper silencer is connected using threaded connections, ensuring a secure and leak-free installation. This allows for easy integration into existing systems or equipment.

Copper Sintering Process: Yaheng utilizes a copper sintering process in the manufacturing of their copper silencers. This process involves compacting copper powder under high pressure and temperature, resulting in a solid and durable structure. Copper sintering enhances the strength and performance of the silencer.

Corrosion Resistance: Copper is known for its excellent corrosion resistance properties. The copper silencer is resistant to rust and degradation, ensuring a longer lifespan and reliable performance even in harsh environments.

Thermal Conductivity: Copper has high thermal conductivity, allowing for efficient heat dissipation. This feature is particularly beneficial in applications where heat management is crucial, such as in exhaust systems.

Customization Options: Yaheng copper silencer manufacturer offers customization options to meet specific customer requirements. This includes variations in size, shape, and design to ensure optimal fit and performance in different applications.

Quality Assurance: Yaheng copper silencer manufacturer maintains strict quality control measures throughout the production process. Their team of skilled engineers and technicians ensures that each copper silencer meets the highest standards of quality and performance.

Custom Copper Silencer/Mufflers

At Yaheng, we understand the importance of precision and performance in copper silencer design. Our team of skilled engineers and technicians works closely with clients to develop custom solutions that effectively reduce noise and optimize exhaust flow. We utilize advanced manufacturing techniques and state-of-the-art equipment to ensure the highest level of quality and consistency in our products.

Our custom copper silencers offer several key advantages. Copper, known for its excellent thermal conductivity and corrosion resistance, provides superior durability and longevity. It can withstand high temperatures and harsh operating conditions, making it an ideal material for muffler applications.

With Yaheng’s custom copper silencers, clients can expect exceptional noise reduction capabilities without compromising on performance. Our copper silencers are designed to effectively attenuate sound waves, resulting in quieter operation and compliance with noise regulations.

Other HVAC Copper Pipe, Tubing, and fittings you may be interested in

copper pipe tee fittings

elbow copper pipe fittings

copper tube joints

copper branch pipe

copper pipe manifold

copper HVAC line

copper pipe filter

[giveamadeuschohisownmovie]

The Van Der Linde Band: Arthur Morgan, John Marston, Sadie Adler, Dutch Van Der Linde, Lenny Summers, Javier Escuella, Abigail Roberts-Marston

B.S.A.A. (Beautiful Synchronicity of Audio and Acoustics): Chris Redfield, Jill Valentine, Sheva Alomar, Piers Nivans, Rebecca Chambers, Barry Burton, Jessica Sherawat

Kingdom Hearmonies: Sora, Donald Duck, Goofy, Riku, Kairi, Roxas, Aqua

Life is (Vocal) Range: Max Caulfield, Chloe Price, Sean Diaz, Daniel Diaz, Alex Chen, Ryan Lucan, Steph Gingrich

[kdmindia2034]

Which are the best wired earphones to buy right now

It isn't a good habit to watch videos, listen to music or do video calls on speakers in public areas as it might disturb the people around us. Forget about the public areas, it's considered a rule-breaking point while working in offices. The best-wired earphones are available all around us making our lives better. Well, another point is that the earphones allow you to keep the sound to yourself while maintaining privacy in your life in terms of what you watch, or with whom you speak. The best part about wired earphones is that there is no hassle of charging them time and again. Let's talk about the top brands of wired earphone providers.

The best-wired earphone to buy in 2022

Here is the list of best-wired earphones that are worth the money in 2022 - 

K220 Wired Earphones by KDM: 

KDM earphones perfectly fit inside your ears providing you with a very high-quality sound. This model of KDM Wired Earphone has a length of 120 cm, a 10 mm unit size speaker with a moving coil, and comes with a 3.5 mm jack. Their earphones have a tensile resistance and are highly convenient and efficient. It also has a built-in mic with the call answer or end button. Made from a copper cord, it is compatible with every type of smartphone, portable gaming device, or music player.

Beats by Dr. Dre UrBeats3: 

The Apple-paired company, Dr. Dre has created wired earphones that have the best style, splash, sleek, bass-heavy sound, and bass-heavy sound focussed. It's available in varied colors ranging from coral, black, satin gold, matte black, satin silver & yellow. The urBeats3 has a single axial-aligned driver & laser-cut holes inside the acoustic chamber. Moreover, the silicone ear tips of this wired earphone have tangle-free flat cables & come in 4 different sizes ranging from small, medium, large to extra large. 

Sony – MDR XB55AP Wired Extra Bass Earbud: 

It is a highly affordable option along with the surety of getting a reliable product. Sony is still digging into creating creative models of wired earphones like 55APs despite its latest creation of headphones & wireless earphones. The 90-degree degree jack is available in 4 sizes & 3 colors namely blue, black, and red along with a pouch. The drawback here is that it doesn't have volume controls. 

Moondrop – Starfield IEMs: 

If you aren't worried about money, then Moondrop is the best option as its quality is justified by its price. It comes with accessories & a nice carry case. It has comfortable IEMs, is well-built, perfectly fits, & provides the best sound quality. Aluminum & zinc alloys are used to make the die-cast shells. Due to this, it's long-lasting & provides superior performance. Although, most people questioned and doubted the finely braided cable to withstand the wear & tear. 

Campfire Audio – Holocene IEMs: 

With its extraordinary sound clarity, and built quality, it has the "Glow in the dark '' featured cable. It comes with geometric-shaped ITEMS pairs, Sequal Yarn carrying case, accessories, a drawstring pouch, and a cable. It fits perfectly to your ears and is very comfortable to use. Holocene produces the loudest IEMS and best sounds having a great frequency. The wide & in-depth soundstage is the best quality possessed by the Holocene.  The need for earphones is well understood by all of us. Whether it's for listening to songs, attending meetings, or silently going for online study, earphones are required. We recommend KDM as we have personally used their products and it turned out to be one of our best purchases. KDM is a leading manufacturer and supplier of the Best Wired Earphones in India. Approach them today to know about the variety of earphones available!

[aussieearplugs]

Earplugs for musicians block out background noise and make sounds louder.

As a singer, do you find that loud noises often take away from your performances? This can be a problem if you are a light sleeper who can't stand the sound of snoring. Earplugs for musicians and earplugs for snoring might solve your issues. These custom-made earplugs are great for artists and anyone else who needs to block out noise but still hear clearly. Here, we'll go deep into the wonders of musician earplugs to find out what they are good for. Just get comfortable and let's start reading!

Different kinds of earplugs for musicians

There are a lot of different styles and materials of earplugs for musicians, so they can fit a lot of different tastes and performance settings. As just one example, some earplugs reduce sound across the entire audible range in the same way, while others are tuned to reduce only higher-frequency sounds.

Musicians like the universal-fit earplug because it can be shaped to fit almost any size and shape of ear canal. Most of the time, these are made of silicone or foam, which are soft and sturdy enough to be used over and over again before being thrown away.

Custom-made earplugs are another choice, as they are made to fit the shape of the wearer's ears. They cost more than regular plugs, but they are easier to use and sound better.

Musicians who prefer wireless methods can use electronic earplugs with volume controls. The fact that these plugs can connect to Bluetooth and have batteries that can be charged is a nice bonus. Drummers and singers, for example, can get earplugs that block out loud noises without changing the quality of the sound they make.

When a musician chooses earplugs, they should think about their preferences, their income, where they play, and other things. When it comes to buying hearing protection, musicians can make better decisions if they know what options are available and what benefits each one has.

Why do musicians wear earplugs?

Earplugs for musicians are made to block out noise without changing the quality of the original signal. Unlike generic foam earplugs, which drown out all sounds evenly, musician earplugs reduce certain frequencies while keeping the overall balance and clarity of music or speech.

Acoustic filters are things like diaphragms, mesh screens, and chambers. They can be used together to block out loud noises while letting quieter sounds pass through without being blocked. With this improvement in sound quality, musicians can hear themselves and their friends better when they play live or in the studio.

Some earplugs made for artists have filter inserts that can be taken out and replaced with different filter strengths. This makes them useful in a wide range of situations and musical styles. Many designs also have wires that can be taken off or carrying bags that can be taken with you.

Earplugs are a must-have for musicians because they protect their ears and help them play better. They let bands play at safe settings without lowering the quality of the sound or making it hard for members to talk to each other.

The pros and cons of earplugs for musicians

Made just for players, earplugs block out noise without changing the sound. Like any other object, there are good and bad things about them.

Earplugs made for artists can cut down on background noise without hurting the quality of the sound. Because of this, they are great for people who want to listen to loud music without risking hearing loss. Also, most earplugs made for artists are made of soft materials that are still comfortable even after being worn for a long time. They fit well in the ear canal and don't stick out, so they won't get in your hair or get in the way of your glasses.

The price tag could be a problem, though. Most of the time, artist plugs cost more than regular foam earplugs that you throw away after one use. Custom fitting services from an expert are an extra cost.

They might not protect construction workers in noisy environments as well as industrial-grade earmuffs or earplugs would. If you are often exposed to loud noises at work or in your free time, you may need more safety measures.

On the other hand, a good set of artists' earplugs might be all you need to protect your hearing at live shows without missing out on any of the fun.

How Musicians Can Choose the Right Ear Muffs

It can be hard to find the right pair of musician's earplugs that protect your hearing without lowering the quality of the sound. Here are some things to keep in mind when looking for earplugs:

Find out how much noise you want or need to block out first. players often need 15 to 25 decibels to protect their hearing while still being able to hear themselves and their fellow players.

Next, think about how easy it is and how much it is. Look for soft earplugs that you can shape to fit your ears. If you want the most relaxing experience possible, you should look into customized options.

Think about the songs you like to work to or sing along with. Some filters that make some frequencies easier to hear than others are favorites of artists.

Think about your budget and how long the item will last. Even if there is a cheaper option, musicians would be smart to spend money on good earplugs to avoid lasting hearing loss.

By having these things in mind, you'll be well on your way to finding the best earplugs for musicians to block out snoring.

Conclusion

A good pair of musician's earplugs is a good investment for any music fan or singer who cares about their hearing and wants to enjoy live music without hurting it. Different kinds and styles each have their own pros and cons.

To choose the best earplugs for artists, think about what you need, what you like, and how much money you have. Talk to an expert if you want the best fit and protection for your hearing aids.

Remember that hearing loss is lifelong and can have a big impact on your life. Don't wait any longer to get good earplugs for your instrument; do it now.

[sffgtrhyjhmnzdt]

Ventilators and Fixed Windows

Presentation :

Polywood Ventilators and Fixed Windows with uPVC casement on the planet with a twin scarf, a bug network and a barbecue incorporated into the framework. It's a development designed explicitly for Indian circumstances to keep you from burglary without forfeiting ventilation, while giving every one of the standard advantages of a casement window, making it a total answer for Indian homes. Quality  upvc ventilator windows Manufacturers, suppliers at affordable prices.

The Upvc Ventilator windows are for the most part composed of the tough materials which have an exceptionally astonishing warm as well as acoustic properties of protection. These Upvc windows have an exceptionally gorgeous join with the multi-locking focuses and which guarantees all out security. Upvc ventilator window suppliers in Telangana,Andhra Pradesh, Bangalore, Hyderabad. This sort of entryways is best with regards to giving ventilation to home. This is on the grounds that it may very well be situated so that they will actually want to get the breeze and consequently direct it inside your home

Highlights:

Incredibly energy effective Security from bugs, mosquitoes and robbery

Combination welded edge and corners guarantee strength

Multi-point locking framework for absolute security

Double seals and multi-chambered plan to lessen heat misfortune and clamor penetration

Climate safe

Protection from downpour, residue and contamination

Pre-manufactured and processing plant fitted for quality and consistency

Low support and simple to cleanWe are offering 20 years of guarantee to the ventilators.

Ventilators has no handle choices

Advantages of upvc Ventilator Entryways:

It has the appearance of a contemporary current delicate line profile.

Weatherseal upvc Ventilator windows accompany different variety profiles.

It comprises of inner coating choices that reach from certain aspects

The latest top tier environment seals.

 Best quality ventilator window manufacturers in Hyderabad, Bangalore, Telangana, Andhra Pradesh.

[anantradingpvtltd]

Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] From the manufacturer AKG K72 Close-Back Studio Headphones Professional drivers - clear sound in the studio and beyond Our K72 headphones deliver authoritative, extended low-frequency response that gives definition to kick drums and bass guitars. At the same time, the detailed yet precisely balanced high-frequency response reveals the nuance in vocals, guitars and acoustic instruments. Our generous 40mm drivers deliver high sensitivity for powerful output, plus an extended frequency response that reveals every detail. The K72s also feature a low-impedance design for compatibility with a broad range of playback devices, from professional studio gear to portable music players. Closed-back design - get lost in your sound The K72 headphones’ closed-back design eliminates audio leakage and delivers sound to your ears only. The mic won’t pick up the sound of the click track in your headphones - and you’ll always be able to mix peacefully without being distracted by outside noise. This exceptional level of audio isolation is due to a new acoustic chamber, which sits between the ear cup and the hinge that connects to the headband. Our innovative design gives you the freedom to move your head in any direction, without letting sound in or out. With the K72, you’ll enjoy a private workspace, no matter where you choose to create. The style that fits all - comfortable listening Getting the perfect mix sometimes means monitoring track levels for hours - and that’s when comfort really counts. We designed our unique self-adjusting headband to automatically create the perfect fit for every band member. No need to mess with delicate sizing mechanisms, which have the potential to break over time. The exposed headband design keeps the K72 headphones comfortably light, without compromising driver size. Breathable, lightweight ear pads encircle your ears, rather than putting pressure on them. And a single-sided cable gives you freedom to move. To sum it up, these high-performance headphones sound, feel and look great. Sensitivity headphones: 112 db spl/v rated impedance: 32 ohms ear pads: Leatherette Detachable cable: No cable length: 3 m ear pads replaceable: Yes foldable: No Self-adjusting headband ensures perfect fit Country of Origin: China [ad_2]

[merriammusicinc]

Yamaha YDP-144 Review | Compact Home Digital Piano

Today, we're reviewing one of the most popular home digital pianos on the market as we look at Yamaha Arius YDP-144. This is an extremely popular and affordable digital piano - it's not an overstatement to say that there are many thousands of these units across the world in people's homes, teaching studios and music schools.

Let's get into our Yamaha YDP-144 review.

Yamaha YDP-144 - Opening Thoughts

The Yamaha Arius home piano series has been immensely popular for years now. The YDP-144b is the second model in the lineup of console pianos, with the more basic YDP-103 serving as the entry point. It's of course an 88-key digital piano, as all of the Arius models are.

But when it comes to popularity, nothing even comes close to the YDP-144 as it occupies that sweet spot in the mid-range where the price isn't too high, but you're still able to get a quality instrument that represents a meaningful upgrade for the aspiring pianist from entry-level models like the YDP-103.

The YDP-144 competes head-to-head with instruments such as the Kawai KDP75 and KDP120, the Roland RP102 and the Casio PX-870.

The YDP-144 is the most popular of the bunch, but we're going to try and determine if that's truly deserved, or the result of some savvy marketing and brand recognition. Let's start by checking out the sound engine.

Yamaha CFX Concert Grand Piano Sound

The YDP-144 is using the Yamaha CFX sample for the main acoustic piano sound. This is a very high-quality recording of the CFX Concert Grand piano, and as such, is a very high-quality sound engine.

The sound is complex, with a very lovely singing quality as well. The tonal profile is very stable and uniform, which some folks will love, though others will prefer a tone that is more varied depending on the volume level and dynamic and output

Anybody who's been lucky enough to play a real concert grand CFX knows that that is certainly a finely crafted instrument, so it's great to see how well Yamaha has recreated the concert grand sound here.

In terms of the stereo speaker system, the YDP-144 has a pair of 8-watt speakers. That's more or less enough power for somebody playing in a relatively small room just for personal use, though it's interesting to note that both the Kawai KDP-120 and Casio PX-870  have a lot more power with 40-watt speaker systems.

It comes with 192 notes of polyphony which is plenty for personal playing. And even if you're going to layer up one or two tracks of playback from a recording or MIDI track, there's no issue with 192 notes of polyphony.

Another cool sound-related feature we need to mention is the "Piano Room,". There are two different samples that you can choose from, the "CFX Grand," or the "Pop Grand," which is probably a C7.

For each one of those samples, you can apply a different kind of environmental effect, which is really just a reverb. There's "Concert Hall", "Chamber" and "Club", each with its own distinct reverb algorithm.

You've also got a number of other options to customize the piano experience as well via the Smart Pianist App, which is great. You can edit things like Damper Resonance, individual key settings, touch curve, volume and tuning for each individual key, which is actually a fairly advanced feature for an instrument like this.

There's also an auto EQ effect, referred to as Intelligent Acoustic Control, which automatically activates, as well as the Stereophonic Optimizer.

Going through the rest of the sounds, we also start to see some really nice stuff, the electric pianos particularly. There's also Harpsichord, Vibraphone and Pipe Organ, with 10 total sounds.

Overall, the sound is producing a really authentic playing experience, even if the speakers are somewhat underpowered.

Graded Hammer Standard Piano Action

The YDP-144 features Yamaha's GHS hammer action, which is short for Graded Hammer Standard. If people have watched or read some of our other reviews, you'll know that we think the GHS keyboard action has some notable weaknesses, but that we still think it's a serviceable action.

Since this is the case, it's one of those actions that's probably best to just play yourself in person so you can make those determinations on a personal level. Piano touch preference can be quite subjective.

Let's start with the positives: it's physically very solid with little give to it, so for a lot of intricate styles of playing, it works quite well.

We also happen to really like the feel of the keybed. It's not super hard nor is it super soft and instead sits right in the middle of how Kawai and Roland's actions feel, with Kawai's having a softer keybed and Roland having a harder one.

Now to some of the drawbacks. For one, the GHS is still using a dual sensor, whereas most of the options in the class have now incorporated triple sensors for more accurate dynamic output and better touch sensitivity.

There's also no texture on the top of the white key and instead just a polished white key surface. As a result, over time, we've found that moisture builds up which ends up pulling the pads back from your fingernails. Fortunately, matte black key tops prevent this from happening on the black keys.

For beginners, hobbyists and people who are more finesse players or earlier classical players, getting into pop or Chopin will probably like this action. For people who kind of attack the keyboard with a bit more of a heavy feel with their finger technique, this is gonna maybe feel a bit too stiff, and you may actually wind up wearing the action out a bit earlier than you were hoping.

Features/Connectivity

The 144 comes with its own matching cabinet which is very nicely built, making it an attractive instrument from an aesthetic perspective. Also included is a triple pedal with a sustain pedal (capable of half pedaling), sostenuto and soft.

It comes in both a default Rosewood finish, as well as a Black Walnut.

In terms of connectivity, we've got a USB port, and two headphone jacks but no discrete quarter-inch audio out., so you will have to use one of the headphone jacks if you need more power.

Features include a 2-track song recorder, metronome, built-in music books and things like Transpose, Tuning, Layer and Duo mode.

Closing Thoughts

You can't go wrong with the YDP-144. It's a well-built, solid instrument that's going to be pretty satisfying to most people.

While we think there are several other options in the category delivering better value, the YDP-144 is still going to get the job done, and of course, the Yamaha name certainly provides a great measure of comfort, regardless of specific product.

Shop Digital Pianos.

The post Yamaha YDP-144 Review | Compact Home Digital Piano first appeared on Merriam Pianos

2359 Bristol Cir #200, Oakville, ON L6H 6P8

merriammusic.com

(905) 829–2020

[atplblog]

Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] From the manufacturer AKG K52 CLOSED-BACK STUDIO HEADPHONES Style, comfort, quality Your music rocks - make sure you hear every detail with the AKG K52 over-ear, closed back headphones. Professional-grade 40mm drivers reveal even the subtlest nuances, so you can be confident your mix will translate accurately on any system. Whether you’re monitoring vocals or tracking a bass line, the self-adjusting headband and lightweight design will provide hours of comfort. Designed by the company whose mics and headphones have helped create some of the world’s most iconic recordings, the durable K52 headphones deliver great sound wherever your music takes you. Highlights Professional 40mm Drivers Lightweight Design and Self-Adjusting Headband Professional Build Quality Flexibility Professional drivers - clear sound in the studio and beyond Our K52 headphones deliver authoritative, extended low-frequency response that gives definition to kick drums and bass guitars. At the same time, the detail yet precisely balanced high-frequency response reveals the nuance in vocals, guitars and acoustic instruments. Our generous 40mm drivers deliver high sensitivity for powerful output, plus an extended frequency response that reveals every detail. The K52s also feature a low-impedance design for compatibility with a broad range of playback devices, from professional studio gear to portable music players. Closed-back design - get lost in your sound The K52 headphones’ closed-back design eliminates audio leakage and delivers sound to your ears only. You won’t hear the drummer drop his sticks in the middle of tracking - and the mic won’t pick up the sound of the click track in your headphones. This exceptional level of audio isolation is due to a new acoustic chamber, which sits between the ear cup and the hinge that connects to the headband. Our innovative design gives you the freedom to move your head in any direction, without letting sound in or out. With the K52, you’ll enjoy a private workspace, no matter where you choose to create. The style that fits all - comfortable listening Nailing the perfect take sometimes means tracking the same part for hours - and that’s where comfort really counts. We designed our unique self-adjusting headband to automatically create the perfect fit for every band member. No need to mess with delicate sizing mechanisms, which have the potential to break over time. The exposed headband design keeps the K52 headphones comfortably light, without compromising driver size. Breathable, lightweight ear pads encircle your ears, rather than putting pressure on them. And a single-sided cable gives you freedom to move. To sum it up, these high-performance headphones sound, feel and look great.

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[miniaturezonkcolorghost]

Acoustic Chamber in India- We are a thermal spray acoustic chamber manufacturer in India. We also provide a thermal spray booth, pleated filter cartridge dust collector for sale at a low-cost price.

[ribcagecarnival]

NO. 3 (Joy, Jacob Collier, & Maximalism)

If you are a professional musician, you have heard of Jacob Collier. You might not like him, you might not even listen to him, but you definitely know who he is. He is the sort of extraordinary talent that draws equal measures of envy, confusion, and obsession from the swaths of society that come into contact with him. Non-musicians marvel at the big picture; musicians marvel at the details. He is shocking to everyone for different reasons. Collier is a 26-year-old musician from London who cites Stevie Wonder as one of his biggest influences, and the musical genealogy is delightfully obvious. Collier plays, it seems, every single instrument, and he plays them all prodigiously well. He has a rich, unusual vocal tone. He mixes his own records with gleeful attention to detail. A YouTube comment I saw on one of his Tiny Desk performances described his style as that of “a funky weird wizard's apprentice in an old 90s point and click adventure.” That is a direct quote, and it is an accurate assessment, with his love for oversized shirts in outrageous patterns, often paired with Crocs or no shoes at all. All of this combines for a musical experience uniquely suited to the current cultural moment. Maximalism is back. Now, Collier has been enjoying success both critically and commercially for years. It’s not as if he suddenly appeared on the scene as the product of 2020 Weirdness. But I personally am embarking on a deep dive into his oeuvre right now, and it wasn’t until I’d been watching his interviews and live performances for a couple weeks that I realized why. While Collier is capable of delivering stripped down acoustic performances with remarkable delicacy and intimacy, his unique trademark is the infinite layering of vocal and instrumental harmonies. He has a band that he performs with, but he also has a one-man multimedia concert machine that he constructed with a PhD student at MIT. And he shines particularly brightly in the video projects he began his career with that have proven presciently effective during the pandemic, where he makes a band entirely out of clones of himself. The Tiny Desk I linked above is one such visual experience. Who needs to risk respiratory infection when you’re a musical jack of all trades and some sly movie magic can turn your one-man band into a four-piece with ease? Collier doesn’t perform with the stoicism that his virtuosity might suggest, and his persona is not that of a Serious Artist. He is clearly Online, and he enjoys it. And in interviews, his energy is always enthusiastic but humbled, a childlike appreciation for the opportunity to make music for people who want to listen. If his attire wasn’t enough of a clue, Collier is a goofball. He is human sunshine, elated at the prospect of doing basically every task he is endowed with. Now, I don’t know him personally, so I don’t know how much of that is a persona. But I doubt that kind of happiness is sustainable if it’s false. I don’t mean to suggest that he’s happy 100% of the time. I just think he’s one of those lucky people whose once-in-a-generation talent did not come with the price tag of boundless sadness. The 2010s began with Katy Perry’s saccharine belt on “Teenage Dream” and ended with Billie Eilish’s morose whisper on “everything I wanted.” You can never sum up an entire year of music with a single style, but it is not a hot take to point out that pop music got sad by the end of the decade. In addition, that musical transition was accompanied by an aesthetic transition toward minimalism. Tiny houses were all the rage and Marie Kondo’s philosophies were regarded as gospel. Economic uncertainty and environmental urgency spurred us, Millennials and Gen Z, to curb consumption (though I’m not a data scientist and I don’t know if these ideals were popular outside my liberal echo chamber). The color palette of pop culture went neutral. But now a new decade has dawned, and it has gotten off to a shatteringly terrible start. The last thing we want is white walls and emptiness. That’s not to say that our ethical concerns about consumptions have disappeared. But spending so much of our time indoors has meant that nesting has a renewed significance, and it’s a lot easier to spend time in your bedroom if there are decent posters on the wall and a plant or two to brighten up the place. And while some people are clinging stubbornly to monochrome color palettes, many people are leveling up to include the whole rainbow in their wardrobes and home décor—or at least adding some greenery. In my opinion, Jacob Collier is the maximalist king of the Anxious 20s (unlike the Roaring 20s of the previous century—although maybe after this pandemic is over we’ll get our chance to properly roar?). Some people think his devotion to harmony is taken to excess, that his arrangements can be cluttered or that his musical ethos is pretentious. But I find it impossible to watch Collier perform and come to that conclusion. His joy is so unabashed and unstudied, and his gratitude for his gifts is so apparent, that to me he comes across as authentic as any flannelled singer-songwriter with only an acoustic guitar and a I-IV-V progression to their name. Collier’s current project is a four-volume mega-album called Djesse, and while I haven’t listened to all the available material, what I’ve heard so far is delightful. I’m a self-proclaimed wordgirl, and words are almost beside the point for what Collier does, so it might seem counterintuitive that I’m such a fan. But in this era of wall-to-wall darkness, there is nothing I need more than the sonic abundance of the Jacob Collier Cinematic Universe. I’m intimidated by the idea of ever collaborating with this artist I admire so deeply, but I know my fears are misplaced. If I’m ever lucky enough to cross paths with him, I know he’ll be nothing but generous. He’s just a kid on the playground, and everyone is welcome in his sandbox.

[kdmindia2034]

Which are the best wired earphones to buy right now

It isn't a good habit to watch videos, listen to music or do video calls on speakers in public areas as it might disturb the people around us. Forget about the public areas, it's considered a rule-breaking point while working in offices. The best-wired earphones are available all around us making our lives better. Well, another point is that the earphones allow you to keep the sound to yourself while maintaining privacy in your life in terms of what you watch, or with whom you speak. The best part about wired earphones is that there is no hassle of charging them time and again. Let's talk about the top brands of wired earphone providers.

The best-wired earphone to buy right now

Here is the list of best-wired earphones that are worth the money

1.K220 Wired Earphones by KDM: KDM earphones perfectly fit inside your ears providing you with high-quality sound. This model of KDM wired earphone has a length of 120 cm, a 10 mm unit size speaker with a moving coil, and comes with a 3.5 mm jack. Their earphones have a tensile resistance and are highly convenient and efficient. It also has a built-in mic with the call answer or end button. Made from a copper cord, it is compatible with every type of smartphone, portable gaming device, or music player.

2.Beats by Dr Dre UrBeats3: The Apple-paired company, Dr Dre has created the best-wired earphones with the best style, splash, sleek, bass-heavy sound, and bass-heavy sound focussed. It's available in varied colours ranging from coral, black, satin gold, matte black, satin silver & yellow. The urBeats3 has a single axial-aligned driver & laser-cut holes inside the acoustic chamber. Moreover, the silicone ear tips of this wired earphone have tangle-free flat cables & come in 4 different sizes ranging from small, medium, large to extra large. 

3.Sony – MDR XB55AP Wired Extra Bass Earbud: It is a highly affordable option along with the surety of getting a reliable product. Sony is still digging into creating creative models of wired earphones like 55APs despite its latest creation of headphones & wireless earphones. The 90-degree degree jack is available in 4 sizes & 3 colours namely blue, black, and red along with a pouch. The drawback here is that it doesn't have volume controls. 

4.Moondrop – Starfield IEMs: If you aren't worried about money, then Moondrop is the best option as its quality is justified by its price. It comes with accessories & a nice carry case. It has comfortable IEMs, is well-built, perfectly fits, & provides the best sound quality. Aluminium & zinc alloys are used to make the die-cast shells. Due to this, it's long-lasting & provides superior performance. Although, most people questioned and doubted the finely braided cable to withstand the wear & tear. 

5.Campfire Audio – Holocene IEMs: With its extraordinary sound clarity, and built quality, it has the "Glow in the dark '' featured cable. It comes with geometric-shaped ITEMS pairs, Sequal Yarn carrying case, accessories, a drawstring pouch, and a cable. It fits perfectly to your ears and is very comfortable to use. Holocene produces the loudest IEMS and best sounds having a great frequency. The wide & in-depth soundstage is the best quality possessed by the Holocene. 

The need for earphones is well understood by all of us. Whether it's for listening to songs, attending meetings, or silently going for online study, earphones are required. We recommend KDM as we have personally used their products and it turned out to be one of our best purchases. KDM is a leading manufacturer and supplier of the best-wired earphones in India. Approach them today to know about the variety of earphones available! 

[hmel78]

In conversation with Keith Emerson ...

Keith Emerson (02.11.44  – 11.03.16)

The Father of progressive rock; the man responsible for the introduction of the Moog synthesiser to the ears of the unsuspecting music lover in the 1960’s; and without a doubt one of the 20th and 21st Centuries (to date) most prolific and talented composers of modern classical music.   In a career spanning 6 decades, which has earned him notability as a pianist and keyboard player, a composer, performer, and conductor of his own music alongside the World’s finest orchestras; as well as achieving super success with “Emerson, Lake, and Palmer” - 2014 has been no less eventful for Keith Emerson! With his 70th Birthday approaching, Helen Robinson caught up with him for a very ‘up-beat’ chat about (amongst other things) the re-releases of his solo records, a brand new album with Greg Lake “Live at Manticore Hall”, his favourite solo works, and his memories of the times spent writing and recording with ‘The Nice’, and ‘ELP’.

HR : This has been a busy year for you so far Keith!   KE : Yes! I’ve been up to allsorts! [laughs]

Music wise – what can I tell you?   Cherry Red , Esoteric, have re-mastered and re-released 3 of my solo albums – “Changing States”,  another which I recorded in the Bahamas called “Honky”, and a compilation of my film scores which consisted of  "Nighthawks”, “Best Revenge”, "Inferno”,  “La Chiesa (The Church)”, "Murderock”, "Harmagedon” and "Godzilla Final Wars”.

HR : That must have been a difficult selection to make based on the number of scores you’ve written! Do you have a particular favourite genre of film to write a score for?

KE : Favourite genre?  Boy, well, I just love film score composition, you know? When I first started I had been touring with ELP for some years, and we’d toured with a full 80 piece orchestra but it was just too expensive – we had to drop the orchestra and continue as a trio, which was very upsetting for me.   I was entranced by what an orchestra could actually do, and found that with doing film music I could work under a commission and have the orchestra paid for by the film company!

It’s always a challenge. I think a lot of composers like to write dramatic music. I like writing romantic music as well – I’ve also written for science fiction where you can let your musical imagination go pretty much where you want, but generally you have to cater specifically to the film. First of all I like to get a good idea of who the producer and director is, and who is likely to be cast as playing the lead roles.  I like to read the script – which helps prior to meeting up with the director and producer. When I wrote the music to Night Hawks I was sent, by Universal films, news of a new film to be made by Sylvester Stallone, a new guy at the time called Rutger Hauer, and Billy Dee Williams, also Lindsay Wagner.   It was basically a terrorist film – not the terrorism that we shockingly see today – but back then it was the beginning of terrorism and was quite mild by today’s standards, however it was still sort of ground breaking as far as writing the score was concerned.  

It’s about vision with film score work.

Although really it’s all about vision with anything you’re writing, and I suppose many of the disagreements that ELP had during their time – of course a lot of it came to wonderful fruition – were not seeing eye to eye because we had such different tastes in music. Ubiquitous I would say – we bounded from one thing to another. Just when you thought it was getting serious we’d want to have some fun and do something light hearted but I’ve always maintained that variation is essential.

I think that’s what helped ELP quite a lot – especially live - in any particular set you had the heavy stuff like “Tarkus” and “Pictures At an Exhibition”, for the guys in the audience, and for the females who attended reluctantly - dragged along by their boyfriend or husbands and just sit there -  I mean, I didn’t sit, I was standing and leaping around [laughs] but you couldn’t help notice the glum looking females in the audience wondering when all this was going to be over.

I think when ELP were together as a unit, we managed to meet everybody’s needs. Greg came up with some really great ballads which sort of got home to the feminine heart, like “From The Beginning” – the feminine heart goes “aaah aint that nice” [laughs] and then suddenly you get the bombardment of something like “Karn Evil 9” and it’s like “Oh GOD”!!

HR : I’d like to talk more about ELP, of course, however there’s so much more outside of that unit , which you have been involved with, that has had quite an influence on modern music.   You’ve got an extraordinary and fairly extensive discography, which we can pick whatever you’d like to talk about, but I’d like to start with ‘The Nice’  -  “Ars Longa Vita Brevis” ...

KE : Ah Yes ‘’Art is long, life is short” - Lee Jackson came up with that title - he’d studied a bit of Latin ... [laughs]

Going back to the 1960’s then – I suppose it was ‘66 when ‘The Nice’ formed – originally as a quartet. Drums, bass, Hammond organ or keyboards, and guitar player.  After the first album we decided to move on as a trio, although I did try to find another guitar player.   I actually auditioned a guy called Steve Howe, who was considering getting together with Jon Anderson, and Chris Squire and forming a band called “Yes”.  Steve was much more interested in getting with the “Yes” guys, so meanwhile ‘The Nice’ continued as a trio with Lee Jackson on bass, Brian Davison on Drums, and myself on Hammond and keys.   It was during this time that I was introduced to a new invention designed by Dr Robert Moog, which became the moog synthesiser, so I was the first to introduce that into live performance.  

With ‘The Nice’ we had come out of an era called the underground / Psychedelia.  

I was very friendly with Frank Zappa and the mothers of invention, and they were really far ahead of their time.

Frank approached me one day, because I was composing and playing with the London orchestras even then, and said ‘’Keith - how do you deal with English orchestras? They’re hopeless!”

And I said ‘’Well, they’re very conservative Frank. If you really want to make it with the London Symphony, or the London Philharmonic - if you really want my advice, I think you should try and change some of the lyrics of your songs. If you’re going to get in front of the London Philharmonic and sing stuff like ‘’Why does it hurt when I pee?’’ obviously these guys are not going to take very kindly to it!” [laughs]

I’d actually done Bachs Brandenburg concerto #3 with a chamber orchestra and had a degree of success in the English charts-  around about the same time ,  Jon Lord  [Deep Purple, Whitesnake] was writing his concerto for orchestra too. I’d already written the “5 bridges suite” which I had recorded with ‘The Nice’ at Fairfield hall in London. So basically Jon Lord and I were kind of both struggling with Orchestras and moving along into what came next musically for the both of us –   Jon was a very good friend.

I think round about the turn of 1970, I had noticed what Steve Howe was doing and it was very harmonic, whereas ‘The Nice’ - well we were a bit more bizarre, and I listen back to it now and I suppose I have a slight bit of embarrassment about how ‘The Nice’ were presenting themselves.

And back then I’d started looking at bands like ‘Yes’, and there were a lot of other bands too, who were really concentrating on the tunes and the vocal element, so that’s when and why I formed ‘Emerson Lake and Palmer’ - in 1970 - and endorsed the whole sound with the moog synthesiser. It sort of took off, and became known as what we know today as “Prog Rock”.  We didn’t have a name for it at that time, we just thought it was contemporary rock. I mean it wasn’t the blues, it wasn’t jazz, but it was a mixture of all of these things, and that’s when we went through.

The first album of ELP, [Emerson, Lake, & Palmer] recorded in 1970; we were still learning how to write together as a unit, so consequently when you listen to it, you’ll hear a lot of instrumentals; mainly because there were no lyrics and there was a pressure on the band to get an album out. For some reason there was an extreme interest in the band - We were to be considered as the next super group after ‘Crosby Stills & Nash’, which we certainly didn’t like the idea of.   That album went very well.   Unfortunately the record company decided to release “Lucky Man” - which was a last minute thought – as a single, and it took off. My concern was the fact that, OK yeah the ending has the big moog sweeps and everything like that going on – but how on earth  do we do all the vocals live? Thousands of vocal overdubs over the top and neither Carl nor I sang.   You know - I sing so bad that a lot of people refuse to even read my lips!   And as far as Carl Palmer was concerned he had “Athletes Voice” and people just ran away when he sang! It was a hopeless task of actually being able to recreate “Lucky Man” on stage, so eventually Greg just did it as an acoustic guitar solo.   It was that one sort of Oasis, in a storm of very macho guy stuff, where the women just went [in a girly voice] “Oh I like that, that’s nice”.  [laughs]

So, inspired by that we got more grandiose and put out ‘’Pictures At An Exhibition” – another bombastic piece based upon Mussorgsky’s epic work. For some reason Greg wanted it released at a reduced price because he said it wasn’t the right direction for ELP to go. So we released it for about £1 and it went straight to number 1!  Then the record company called up and said ‘’what are you doing? This is a hit record and you’re just selling it for £1??!!’’, so I said ‘’well yeah it’s a bit stupid isn’t it?” – so when it was released in America it was at its full price and ended up nominated for a Grammy award! ELP had a lot to do to create the piece you know?   We disagreed on lots of issues but in order to keep the ball rolling we just moved on with the next one, which was in fact “Trilogy”.

I thought it was about this time in ELPs life that we had learned how to tolerate each other, how to write together, and how to be very constructive. “Trilogy” is a complete mish-mash, you go from one thing to another; there’s a Bolero, and then ‘Sherriff’ – which is kind of western bar jangly piano playing on it.   I don’t think you could find such a complete diversity buying a record like that these days. We were very much inspired by our audience accepting that.  

Actually Sony Records are going to re release it in 5.1 – they’re doing a wonderful package with out-takes and everything – I’ve just competed doing the liner notes.

We moved on again then, and started the makings of “Brain Salad Surgery” which was a step further.  

After that I worked on my piano concerto played by the London Philharmonic Orchestra, and actually it’s still being performed all over the world - Australia, Poland, and in October I’m going to East Coast America to do some conducting – Jeffrey Beagle, who’s a great classical pianist, is going to perform it then, and I’m going to perform some other new works of mine.  

HR : Are you likely to release a recording of it?

KE : Yes I guess it might be ... I’ll let you know. It’s a dauntless compelling challenge. I have conducted and played with orchestras before and I’m very thankful to have classical guys around me who are able to point me in the right direction.   I was never classically trained. I started off playing by ear and then having private piano lessons, and then basically teaching myself how to orchestrate. I’m still taking lessons in conducting and I don’t think I’ll ever get to the standard of the greats like Dudamel or Bernstein – I don’t think I’ll ever be able to conduct Wagner, but so long as I’ve written the piece of music I think I’ve got an idea of roughly how it goes!  [laughs] Thankfully I’ve worked with Orchestras who are very kind to me.

HR : Do you enjoy the performance as much as the writing?

KE : Actually I enjoy the writing more than the performance. I know I wrote an Autobiography called ‘’Pictures Of An Exhibitionist” but that’s the last thing that I am really.   I’m pretty much a recluse. I’ve got my Norton 850 and I’m happy ...

HR : I was going to ask you about the Theatrics on stage – Why Knives and swords? Was there something which influenced the decision to include that as a part of your performance, or was it purely born out of frustration from working with Carl and Greg?

KE : [laughs]  Well you see in the 60s, I toured with bands like The Who, and I watched Pete Townshend; I toured with Jimi Hendrix too, and I thought that if the piano is going to take off then the best thing to do is like really learn to become a great piano or and keyboard player, but I also thought “that aint gonna last with a Rock audience in a Rock situation”, mainly because the piano or Hammond organ  - well from the audience you look up on stage and it’s just a piece of furniture! Whereas the guitar player can come on stage and he’s got this thing strapped around his neck, he can wander up and down the sage, check out the chicks, and he’s the guy that has all the fun.   The organ player meanwhile is just seated there at a piece of furniture like he’s sat at a table.   So a lot of what I did was for the excitement of it, and I suppose to exemplify the fact that I could play it back to front. A lot of my comic heroes like Victor Borg, Dudley Moore – they all came into the whole issue too.

I’ll tell you this ok? I once went to see a band at the Marquee club when it was in Wardour Street in London, and I can’t remember this guys name now, but he played Hammond organ - he was a very narky looking fellow, and went on stage wearing a schoolboys outfit which caused a lot of the girls in the audience to chuckle.   I stood at the back of the Marquee club and watched his performance - a lot of the stops and things were falling off his organ, so he had a screwdriver to keep holding certain keys down, and then suddenly the back of his Hammond fell off – and I don’t think it was intentional, because he looked really quite distraught, but he caused so much laughter from the audience. I went away thinking “there is something there, I’m going to use that” ... I actually thought it would be a great idea to stick a knife into the organ, rather than a screw driver -the reason for this was to hold down a 4th and a 5th , or maybe any 5th, or say a ‘C’ and an ‘F’ or a ‘G’, whatever, and then be able to go off stage, take the power off the Hammond, so that it would just die away -  it would go ‘’whoooaaaaaaaoooooh’’; and  then I’d plug it back in and it would  power back up and create like the noise of an air-raid siren, and of course the drummer and bass player would react to that.  It got really interesting. We actually had a road manager at the time by the name of ‘’Lemmy’’ who went on to be with Motorhead.   He gave me 2 Hitler Youth Daggers and said [best Lemmy impression] “here! If you’re going to use a knife, use a real one!”

So that was the start of all that, and people loved it, and actually Hendrix loved it too –  somewhere in his archive collection there must be some footage of me almost throwing a knife at him [laughs] .

The phase for it was my objection to the 3 assassinations they had in the USA -  JFK, Robert Kennedy, Martin Luther King -   I’d been to America once and seen how quick the Police were to pull out their guns to a woman parking her car illegally – so bizarre.  The 2nd amendment will not go away, as much as they want it to. I’ll reserve further comments on that but that was really the whole objective. I was banned from the Albert Hall for burning a painting of the Stars and Stripes, which took some time to get over, but everything worked and they allowed me live in California now. [laughs]

HR : What about the Manticore Hall show, also released this year, presumably you kept burning paintings off the agenda there? Was it good to work with Greg again? and then the complete ELP line up with Carl at High Voltage?

KE : No! [laughs], and Yes ... Actually that was recorded in 2010 and was an idea set up by a manager associate of mine, and an agent in California. I met up with them and they asked how I felt about doing a Duo tour to lead up to the High Voltage Festival in London.   They convinced me that it was a big festival ... and the idea was to have ELP on the Sunday night there. So the lead up was a duo tour with myself and Greg because Carl was off with Asia at the time.   It had its ups and downs, but it did eventually work very well and it was a very good warm up to doing that Festival date as the 3 of us.   I don’t think there was any intention of us going any further with it. I think the resulting “ELP at High Voltage” was good and also I think the album ‘’Live At Manticore Hall’’ - although it wasn’t released until this year, because Greg initially didn’t want it to be released at all - is good stuff too.   These things happen with bands, it takes a while for us to appreciate how good what we do is, sometimes.

HR : You’d had quite a break from ELP at that point, KE : [interrupts] I wouldn’t say that I ever take a break, if I can put it so lightly, and it’s not lightly, as to say that it’s kind of like a hobby – if I feel so inclined I will go to the piano and will write a piece of music. If that piece of music seems to warrant being augmented by anyone then I find the right people to do it.  I had a great experience last year of going to Japan and hearing the Tokyo Philharmonic play the whole of “Tarkus” – a 90 piece orchestra – I’ve never been so blown away. I worked with a Japanese arranger on the orchestration, and actually used it on an album which I recorded with Marc Bonilla, and Terje Mikkelsen called “Three Fates Project”,  which actually didn’t make it anywhere and I don’t know why. It’s a great album, very orchestral – I did the version of “Tarkus” on that complete with the Munich symphony orchestra. I changed it around slightly – I had Irish fiddle players coming in – I suppose, really you could refer to it as being World Music – it’s probably a great example of that.   It’s not based upon the ELP solo piano composition that we did on ELPs first album. I don’t think the record companies knew how to market it you know? Was it classical? was it rock? It has the complete amalgamation of group and orchestra. Wonderfully recorded. It really is quite mind blowing. Not that I want to blow my own trumpet!   Maybe if the art work had been a little more dynamic then it would have caught people’s attention. I agreed on it, but you see our names and they’re really small - I don’t think people realised who’s album it was.

HR : Have you any plans to perform it in the UK, or other parts of Europe? Scandanavia, for Blackmoon fans? Any tour plans at all?

KE : The thing is, first of all, that the direction that I am going at the moment is very orchestral. And that does take an awful lot of planning. As I say I’m going to play with the South Shore Symphony on the East Coast of America, but touring with an orchestra, as I learnt back in the late 70s with ELP, is very expensive.  It doesn’t make any money if I’m perfectly honest. If someone was to come up with the cost of shipping the instruments about then ...  but it’s not like dishing out the orchestral charts to an orchestra and then have The Moody Blues come on and play, and the strings do all the backing stuff, you know! This music is the music which I’ve written and really demands quite a lot of practicing.

For instance when I was recording “Three Fates” with the Munich Symphony, in Munich, I was interviewed during the break after the first day by a radio station, and they asked ‘’how do you think its going?’’ and I said “well if the orchestra are still here with me in 5 days time, I should be very surprised” [laughs] .   I remember on about the 4th day , one of the members of the orchestra had obviously heard the radio broadcast.   As and I walked out into the garden at break time, I passed one of the Trombonists who was smoking a cigarette and he said ‘’well we’re still here”...

There is an awful lot that can go wrong, of course, especially with orchestras. The copyist can sometimes write a b natural rather than a b flat, or they can get a whole load of other things wrong – and that’s what happened this particular recording.  

Marc Bonilla actually came up to me on a break and said “I think you should go up to the control room, and look at the score mate, something doesn’t sound right”, so you can imagine the look on my face! So off I go I’m up in the control room; radio through to the rehearsal room and start going through the score and sure enough it was wrong. I don’t know why I hadn’t heard that before, but it was down to the copyists – its the same with writing a book and you give it away to the editor – they can still mess it up – as copyists do with music. And sometimes you’ll get the orchestra, and they’ll just play what’s written rather than put their hands up and say “that doesn’t sound right”, for fear of retribution I suppose – so it is frustrating, but it’s very rewarding.

The Mourning Sun, taken from “Three Fates” 

https://www.youtube.com/watch?v=4PcOI8nDDeU

It’s been quite funny with some of these albums that Cherry Red are rereleasing. I happened to give one to my eldest son. I gave him ‘’Honky’’ and he came up to me and he said ‘’here Dad I’ve been listening to the Honky album and it’s really really good!’’  He and his friends are in their 40s now and they’ve all complimented me on it, so that’s the biggest compliment I could have really.

I was recording that album when he was about 4 years old. [laughs]

HR : Is that your favourite then? Honky?

KE : Oh yeah – I had so much fun making that album and I think it shows in it’s humour. It was great. The objective behind it was that I wanted to record with all the local bohemian people - I was living at the time in Nassau in the Bahamas. I didn’t really experience a lot of problems with the black bohemians –  I got on great with them all. There were some great musicians, and I wanted to do a very ethnic album to bring to the attention of the world that we can all get on! I used to drive around Nassau in a limited edition Jeep and kids would run out and yell at me ‘’Honky!’’ and I’d wave thinking ‘that’s kind of fun’.  Then, when I worked in the studio I noticed that the black musicians would all greet themselves with the ‘’N’’ word – we can’t say that now - says in an accent “Yo N ...” – so I thought ‘well if they can do that I am going to call myself a Honky!’ And they were horrified!!  [laughs] So I bluntly spoke to them and I said “listen you guys call yourselves ‘’Ns’’ so I’m calling myself a Honky, and damn it I’m going to call the album that too!” [laughs].  It was a lot of fun.

*** Honky - a derogatory term for a Caucasian person.

HR : We must get something down about Blackmoon – given that this is the title of the Magazine!

KE : [laughs] ELP, Blackmoon.  *sighs* Well  ... I remember from this time that Carl Palmer and myself wanted to have a different producer.

It was all well and good that Greg produced all the other albums but – I don’t think it’s a very good idea for any band ; if they’re involved in the writing and the playing, and then one band member decides he’s going to be a producer too.   You need someone objective to come in and say that they think it’s too long, or whatever ... whereas if you have a part in writing and playing, its obvious that you’re going to pay more attention to it, and Carl and myself really wanted an objective opinion about how to make it work. The producers that we auditioned were very familiar with ELPs work and were really considerate in how they constructed it.  The main consideration - and I think really it was a difficult time because Greg could see that his role as being a former producer of ELP was going to be taken away from him. Whereas for me I felt that Greg’s attention should be more on the writing and the lyrics and other aspects. There is so much that one had to pay attention to when running a band. There are the legal, accounting, and everything else – and above all you have the creative aspect and you really cannot go into a studio and become the producer and wear all these different hats. It doesn’t work, I don’t allow that even on my own music writing.  I’m quite happy to go in and play my music as long as I trust that the guy behind the music desk, and the mixing desk,  are on the same page, know who I am, and what I’ve done before – so at least there is a rapport where the engineer can see what you are trying to do and he will say – “ah you know what, why don’t we try and go for that you did on Trilogy - lets try it!” You have to work with people who understand you and then you can just sit back and work on it , accept a good idea, be pushed to your limits. The thing is with Greg - he felt that he had been removed from the situation which he had most power and pride in. Whereas I think most pride he should keep as the fact that he s a damn good singer and has written some great music. If you want a great team you have to designate to the right person.

That’s why I had Lemmy as my roadie.  If I hadn’t had Lemmy the knives wouldn’t have come out [laughs]. We owe Lemmy a lot! HR : Absolutely.  You two should record a duet!   Which Instrument would you choose? Moog, Melotron, Hammond?

KE : Hmmmmmmmm.  Piano. I’ve always written on the piano. I do have a mandolin hanging on the wall here, which is out of tune at the moment. You wouldn’t want to hear me play this mandolin ...

HR : Because it’s out of tune, or just in general?

KE : [laughs] because it’s out of tune but even if it was in tune I don’t know if it would work. It looks great hanging on the wall though ...

© Helen Robinson -  June 2015 Originally published in Blackmoon Magazine.

[Keith and I were great pals - I miss him <3]