#abt .

[yaoibattlepass]

[cosmogenous]

I'm like if a sensitive sweetheart was a bit bitter and loathesome

[anxeious]

[lixiesfreckless]

Let Him Cook | h. j.

��� synopsis: Your husband is making dinner— or at least, he would be if you weren’t distracting him…

➸ starring: hong joshua x reader

➸ word count: ~900 words

➸ general content: husband!joshua, kissing, need I say more you’re gonna read the fic anyway

➸ rating: TV-14

➸ author’s note: co-written by @ashonheavenscloud in a game of frantic fanfic on the TRAIN??? if you’ve read my fic Sugar Across The Hall, this reads as a pseudo-bonus scene.

♫ this fic has a soundtrack! too good by christian kuria works pretty well hehehe

"Baby, you should take a picture," Joshua chuckles, dicing the tomato on the cutting board with ease, "it'll last longer."

"But my phone is so far away," you whine playfully, stretching your arms on the raised counter akin to a cat as you watch your husband work, not offering much more than the occasional flirty quip and lopsided smile.

Joshua clicks his tongue with a playful smile. “Guess you’re out of luck, then.” He quickly finishes the tomatoes, moving onto the head of lettuce and expertly cutting the leaves into shredded pieces. You dramatically fall limp, making Joshua chuckle.

“Really, I’m sure there’s nothing special about me cutting ingredients for tacos.”

“Not my fault you look so sexy doing it.”

Joshua laughs softly, a light blush rising on his cheeks as he slides the shredded leaves into a bowl and sets the knife down, leaning over the counter and gazing at you.

"Is that why you've been watching me?" He asks coyly, rolling up his sleeves to his forearms again as they had slipped down. "And here I thought you were attempting to learn something-”

"Oh, but I did," you respond, sliding a little closer to him, watching his amused gaze slide across your face. “Mostly that you’re a very talented chef. And I should buy you an apron and one of those white hats-”

“I think you’re just trying to butter me up so I cook for you more often.”

You gasp in fake astonishment. “That’s cruel, Josh.” You slide closer, close enough that he has to look down at you to see the mischief in your irises. He freezes for a second, looking to the ceiling, perhaps to find his restraint.

"What's cruel," he says suddenly, seizing you by the thighs and heaving you up onto the counter with ease, "is you looking as good as you are knowing if I don't finish cooking, neither of us will eat tonight."

"Oh but I can think of one thing I could eat right now," you giggle, reaching for the back of his neck as he leans into you instinctively.

You can hear him slide the cutting board slightly out of his way as he settles between your open thighs, not wasting a second to lean close and steal a lingering kiss. You both sigh into it, and Joshua’s smile widens as he runs his hands up your thighs and leans forward again, met halfway by your eagerness.

“So this is what you were after the whole time, huh?” Joshua mumbles against your lips, hands moving to slip around your waist, hooking his fingers through the loops of your jeans. “So much for loving my cooking.”

“Not my fault you’re so distracting,” you grin, earning another sigh, equal parts exasperated and adoring.

“Yeah, yeah, c’mere,” he pulls you closer, kisses you deeper, tugging at your bottom lip in a way that elicits a swarm of butterflies to take part in wild flight. His nose nudges yours, and you take the opportunity to pull away and look up at him, hands braced at the edge of the counter as you teasingly tilt your head to the side.

"Do you have any post-dinner plans, Mr. Hong?"

"Oh I do," he says, his voice an octave lower as he leans back in, "I'm going to be very busy."

He plants a long, deep kiss on your lips and travels west, trailing down your cheek. "I'm afraid there's a woman," he pauses to place another kiss, "and I just can’t seem to stop thinking about her.” His lips find your jawline, your ear. “She’s got this…hold on me. Her smile, her laugh, her…” his lips drift down your neck, hands moving to firmly grasp your waist as he pauses, nose brushing your throat. “Her…”

His voice fades away, mouth finding the base of your neck and sucking slowly, forcing you to bite your bottom lip against a whine. Joshua leans back after a minute, leaving the new mark tingling as he meets your eyes with a gentle smile that juxtaposes the way his eyes roaming your body, the way he grabs your chin and guides your lips back to his.

“She sounds like quite the woman,” you say through unsteady breaths, muffled before you can say much more by Joshua’s mouth capturing yours, pressing his body into you, cutting you off with a gasp. It takes a minute for you to get another chance at speaking, and hardly that, as your breathing comes in shaky when he pulls back again, eyes still closed, lingering within a breath from your lips. “She’s lucky to have someone as kind and sweet and-”

“Good at cooking?” Joshua suggests, making you giggle as he kisses your cheek again, once more trailing to the side as you nod slowly.

“The best.” Your hands weave through his hair at the back of his head, forcing him to look back at you with dazed eyes and a smile.

“She deserves it,” Joshua whispers, reaching to tuck a piece of hair behind your ear. His mouth lifts further into a teasing grin. “She might even convince me to skip right past dinner.”

‧⋆ ✧˚₊‧⋆. ✧˚₊‧⋆‧

[loveisinthebat]

Silly

[itcars]

Going Green

Featuring the ABT Audi RS7-R.

Images by Floris de Droog || IG

[dance-world]

James Whiteside - American Ballet Theatre

[tsugumichikaneshiro]

[superstartaylorsversion]

and by the way I don't know how it gets better than this you take my hand and drag me head first fearless and I don't know why but with you I'd dance in a storm in my best dress fearless. if you even care

[fagm77]

assignmence..

[themaclean]

love vaultghoul esp when it's fucked up and morally questionable and complicated and maintains cooper as a nasty bitch and lucy as being slowly corrupted with her own version of wasteland justiceeeeehhhh :)

[cosmogenous]

i have two moods

1: somebody please talk to me

2: everybody shut the fuck up right now i beg of you

[jokerlennon]

if i like a movie i say: this is head media

if i dislike a movie i say: this time i'm really gonna do it

[ballet-symphonie]

I noticed a stark difference in terms of promotions and castings between RB and Russian companies (particularly Mariinsky and Bolshoi).

1. RB is still going full-principal castings for the lead roles, although sometimes they cast first soloists too, and soloists once in a blue moon (usually in The Nutcracker). I think RB is quite hierarchical in terms of castings. Meanwhile those Russian companies tend to cast younger dancers for lead roles nowadays, and dancers at any rank could get the lead roles if the theatre wants.

2. It's not uncommon for freshgrads (or even graduating students) in Russian companies to get major soloist roles during their first year in the company, but in RB, the young dancers usually have to wait several years to get it. For example, Eva Sergeyenkova got to dance Queen of the Dryads with the main company before she even graduated, but Hanna Park and Sumina Sasaki only got the same role this season after they danced for 3-4 years with the company.

3. I know this is common knowledge: an exceptional Russian freshgrad could enter the company as a soloist without spending a single day in the corps. But in RB, no matter how exceptional the freshgrad is, they should start from the corps for several years before eventually getting promoted (some who were considered exceptional got promoted consecutively after spending several years in the corps, though).

I know that there's no perfect system, but from the perspective of a professional, which one do you think is the better system for the artist's growth? Sometimes, as a general audience, I think Russian companies' pace is too fast, and RB's is rather too slow.

I'm sorry if this is too long :') thank you in advance!

I don't disagree with anything you've written here. I think promoting young and giving chances young can work, but it has to be the right people. You mentioned several cases at ROH and agree with your interpretations. ABT is edging younger right now, but Chloe Misseldine, Sunmi Park and Jake Roxander have clearly proven they've got the chops. Even so, Chloe has done one major classical role and the others haven't yet.

This is a total 180 to recent graduates of BBA and VBA preparing nearly half a dozen of debuts leading roles in a season. ROH takes much slower approach and I think most of the time it pays off. Sometimes they lose people who want their careers to move more quickly but on the whole, I think slow and steady wins the race.

Ill ask you this, lately in the past 5 or so years, which company has been delivering the most consistent performances of quality, with a wide variety of dancers in the leading roles?

[lactating]