#absolutely bullshit i only want to draw when im absolutely god bursting tired

[matts-self-soda-ships]

Admirin' ones work in the morning ...

[ifridiot]

1 3 12 19 for fanfic asks

1. favorite fic you wrote this year

oh god this is difficult. Hmm. I have a few, because... I have written over a hundred short stories this year, and I honestly can’t pic just one. Sticking with what I posted on AO3, I am quite pleased with the entirety of the Let Them Eat Flesh series, especially The Widening Gyre and Wretched and Joyful. Delicate was such a monumental effort for me, and I think i could have done better at capturing the emotions it was meant to evoke, but it’s still quite solid and I’m pleased with it. Things Change, My Dear is quite good, if only because of the discussions we’ve had about the AU and the work you’ve done from the foundations I knocked together. I am maliciously fond of Never, if only because of the disgust I’ve received in response to the idea of Frank Castle having, of all things, a gun kink. Of course, Memento Mori, Puncture Repair, and Come Home really laid the ground work for how I wanted to present my takes on these characters.

For fandoms that are not The Punisher, I’m particularly pleased with Protector, because I quite enjoy Nate and Wade calling each other out on their bullshit. Science is Cool was just a lot of fun to write and I absolutely adore seeing people’s reactions to it -- a lot like Memento Mori, honestly. Owned and Jarmed in the Target Jathroom were both supremely enjoyable to write. I loved doing the stupid ass puns in Jarmed, and Owned is of course about War, so what’s not to love? A Green Eyed Demon is... well, it’s just a lot of things I like, okay. Jealousy, pining, Nate knowing Wade way too well... it’s fun and sexy. And of course, the first published fic of the year deserves a mention, because I got to write an old, old love of mine, so Drunken Lament, there you are.

GONNA HAVE TO DO THE REST UNDER A CUT, YOU BASTARD.

3. favorite line/scene you wrote this year

Jesus christ. Okay. I’m going to try to be reasonable here. One or two lines from only the Best Fics. Oh who the fuck am I kidding... 

“You smell,” Kakuzu says by way of greeting, “like expensive sake. And self-pity.” 

(from Drunken Lament)

"Fuckin' cunt," he snarls, "you stupid fucking," blood dripping down his face, all over the carpet, all over Wade, and Wade musters half the strength in his body and throws Nate off over his head. His body makes a satisfying thud on the dingy carpet, and Wade launches at him, pins him again, always on the stomach, and this time he bites Nate's neck, leaves uneven pinpoint marks where his teeth have been, not drawing blood though he could, he could so very easily. Nate groans.  

(from Glittering)

It becomes easier to avoid him. Only go over when he needs something, and even then, scurry away at the first sexy sign emanating from the apartment, stop going on missions together unless Nate comes asking him to help out. A man can only jack it so many times behind a dumpster before he starts having unhealthy associations with the smell of hot trash. He can think about getting fucked six ways to Sunday by everyone’s favorite scowling soldier in his own room, thankyouverymuch, and it’s nicer to jerk off where there are clean tissues on hand. 

(from A Green Eyed Demon)

“Would it be easier to come if I were fucking you like you don’t matter?” 

(from A Green Eyed Demon, also fuck that is a Horny Line)

“The jurtains,” he whispers, and Nate gives him a look, which just seems to make him even more pleased with the find. “We need them. Those are what we want. Good eye, honeypie.”

“What the fuck,” Nate says slowly, not sure he wants to know, “are jurtains?”

“Curtains but denim,” Wade replies with utter earnest sincerity. “It’s – don’t give me that face – it’s basic English.” 

(from Jarmed in the Target Jathroom)

Okay so I would basically be copying the whole back half of Jarmed, but... Pretty much all the dialog while Nate’s jerking Wade off is just Good. All the denim puns.

Once, when he’d been another man, a weaker man, he’d loved Wade.

In his own way, he still did; loved him and wanted him safe and kept and all his own. But it was easy to hate him, too; his arrogance and selfishness and constant cries for attention.

But Wade belonged to him now. And in a way, owning him was better than loving him alone had ever been.

(from Owned. I really love how crisply this highlights the difference between War and Nathan.)

When he finally thrusts into the tight, pliant heat of Wade’s body, he focuses on his TK, stripping the scarred flesh from muscle from bone down Wade’s back. Wade moans, smothering the wet tearing sound of the mutilation, his tone dripping with lust and excitement, audibly delighted over the flesh flaying from his body. As it comes free, the blood and tissue is held by telekinetic force all around them, extending out from Wade in a gory fan.

(from Owned. This is just disgusting and I live for it)

“Fuck you,” Wade says pleasantly, and then groans beautifully at the sensation of the raw muscle and nerve of his back being torn open again. “This? This is all for me. If you were really punishing me, I wouldn’t get dick, pun very much intended; you’d leave me all alone for a few more fuckless days, and if you ever thought for a goddamn second about me anymore, maybe you’d figure out why I keep trying to run away so often.”

(from Owned)

It’s all Wade’s fault, he thinks furiously as he digs his fingers in hard enough to feel something crunch, blood welling under his fingers, clutching hard to the skin under his fingers and squeezing until the frustration leaks out between his knuckles. It’s Wade’s fault. Because Wade’s skin feels like it’s burning, always, imprinting on War’s back and hips and thighs as he futilely tries to cling. Because Wade doesn’t say anything he doesn’t mean, doesn’t try to placate him, doesn’t make him feel like any more of a man even when he’s bucking under him and making strangled, incoherent noises like he’s drowning, they’re both drowning, and he can’t get enough air or enough of War. Because when it’s done, and his heart is still stuffed up somewhere in his throat, War knows Wade will beg him to stay for cuddles he hasn’t got time to indulge in, like they’re just two of a kind, two normal people living normal lives together.

(From Owned. Love that War still has so much complex emotion)

Bearded Nate isn’t just taller, his version of the TO is cleaner, somehow, sinking in a smooth line under his flesh, swallowing his arm and dancing down his side, his hip, his leg. Short!Nate is more organic looking, very nice with the scars and the proud flesh and the jagged lines of metal bursting from under his skin. He’s got a thick vein of TO running up his dick, and Wade’s mouth waters at the sight, his brain going hazy at the thought of getting that inside him. As soon as possible, yes please.

(from Science is Cool)

Laughter bubbles up out of him like the kind of vomit you get after drinking too much soda too quickly, frothy and jagged. 

(from Science is Cool. Such a Wade line

“Is curiosity really going to kill the Cable?” He asks, closing his eyes again. He’s very tired uddenly. He liked not remembering. He wants to get back to that. “Bodyslide outta here. Your Wade is in another castle. This is not the Wade you’re looking for. Good fuck though, thanks for that.”

“Wade.”

“War is coming. That’s what you go by here. So get the fuck out. Please.”

(from Science is Cool. I know this is a spoiler for the whole fic, but god i love this line)

The more they start to work together, once things get rolling, the harder it is to find his disgust for this man, this man who ruined lives trying to do the right thing. The sickest part, to Frank at least, is that one day he’s thinking about that, about how David ruined so much just trying to do the right thing, and realizes he’s proud of David. David did what a lot of people would have refused to do, David took initiative, David tried his damnedest to do right. And it had destroyed everything, there had been no justice, no grand revelation of corruption.

(from Come Home)

He watches Frank like he knows the kind of pain he’s in and wants to spare him and when he realizes that, he responds the same way he always had when he’d caught Maria with that look on her face. He forces himself to act more put together, forces himself to get over the bullshit. Because Maria hadn’t deserved the concern he’d tormented her with, and maybe David didn’t either.

(from Come Home)

They’re drinking one night when David leans over and kisses him. Frank makes a point to never have more than a couple fingers of anything harder than beer, but David gets white girl wasted when he’s upset.

(from Come Home. The phrase ‘white girl wasted’ makes this)

It’s some time later that Sarah kisses him. Between the two of them, the Liebermans are going to give him some kind of fucking complex.

(from Come Home. GOD, POOR FRANK LMAO)

I can’t take it if you go, David is saying, though he’s beyond words. I will die, if you die.

He wants to tell him how wrong he is. He knows from experience. It might feel like you’re dead for a while, and you might wish you were dead for even longer, but the loss wouldn’t kill you. That was the cruelest part of it.

(from, you guessed it, Come Home. Im sorry)

Frank watches David disappear into his house and drives away before anyone else can come out and try convincing him to stay. It’s a bittersweet parting – David deserves to go home to his family. Frank’s not sure what he deserves, but he’s starting to think maybe this unending loneliness isn’t it.

(from Come Home. The good news is, that’s the end of the fic.)

(the bad news is, now it’s time for Puncture Repair)

Sarah missed Pete, maybe. Missed someone who’d snuck in, like a thief, to get close to her, to have something to hold over her husband. Who had offered comfort in a hard time. Somehow she’s missing the part where Frank could have gotten her husband killed for real. She’s missing the part where Frank’s blood brother had abducted and could have murdered her and her son. She’s missing the part where Pete was an act (until he wasn’t) and hadn’t ever been meant to mean anything to her.

If he’s honest with himself – and he’s trying to be that, more often now – he’s terrified of seeing her again, of seeing her realize how bad an idea it is for him to be around them. Because Sarah is smart, Sarah is brave and determined and wants to keep her family safe. She’s not like David, too close to see the danger.

(from Puncture Repair. Love Frank being terrified of Sarah hating him, acknowledging that she has cause to.)

And maybe that’s the right thing to do. Maybe hurting David now will help the dumbass get over this. Because Frank loves him, and he knows what his love does to people. He sees it every time he tries to sleep. He can’t stand the idea of seeing it happen again, here, in waking.

But when has he ever done the right thing where David is concerned? David had given so much to Frank; his trust, his affection, his fucking blood, pumping through Frank’s veins. Frank takes and takes because he doesn’t know how to stop. He’s greedy for what David offers, for the chance to spend some time being alive after so long of being dead.

(from Puncture Repair)

When David’s hand comes to rest, gently, on his arm, his whole body tenses up, reflex curling his fists as he snaps his head toward David, face an angry mask, warning. David doesn’t even flinch. He looks concerned, though. Not afraid – David’s not afraid of Frank because while David might be a certifiable genius, he’s still an idiot. Frank could kill him in fifteen ways without breaking a sweat, and David knows that.

His hand strokes over Frank’s arm, and Frank holds his breath. Lets it out. Breathes again.

He’s working on a lot of things. Sometimes, it even seems like he’s getting better.

(from Puncture Repair)

“It’s called a spare room, Frank,” David says, patiently and patronizing at the same time, forcing the air in the room to lighten with his stab at humor. Frank’s lip twitches. “Some even call it a ‘guest room’. Guests are people you invite into your house to –”

“I know what guests are, asshole.”

“Well, I just wonder, you know, since you act like you were raised outdoors.”

(from Puncture Repair)

He needs to leave. He should leave. He stands and glares at David instead, feet planted, hands curled. It’s like being back in the power station basement, when he had no where else to be. Part of him knows he can go at anytime, the rest of him is stripping gears in a war over whether he needs to destroy this thing happening between him and David before it gets David hurt.

(from Puncture Repair)

“You ever get tired of punishing yourself, Frank?”

David’s voice is so gentle and so tired, laced with a bitterness that is so familiar. Frank is used to people giving up on arguing with him. He knows what it sounds like.

“No,” He says sharply, because it’s easier to deny than acknowledge that there’s even a chance that David’s got him figured out.

“Now who’s lying?”

(from Puncture Repair)

“You gonna hit me, Frank?” David asks. Frank just pushes him harder against the wall, face twisted in a snarl. David smiles very gently, as if, up close, he’s seeing something too. Frank really does flinch when fingers stroke over his cheek, David reaching up to gently frame his face in his hands. “See, I don’t think you are.”

“You don’t know me, David, you think you do, but you don’t know –”

David drags him in, and Frank lets himself be dragged. The kiss is hot and inevitable and somehow furious. David hums, the sound surprised but accepting when Frank bites at his mouth. His death grip on David’s shirt relaxes, until his hands are just resting over David’s chest, holding him to the wall as David steals his breath. His eyes are blue, so blue; Frank could never look in those eyes and imagine he was with anyone else. No one had eyes like that.

(from Puncture Repair. Damn, David)

David deserves better. Frank still doesn’t know what he deserves.

(from Puncture Repair. Frank, stop being a jackass please)

“You never shut up. You tellin’ me this is all I gotta do to make you quiet?”

A little whine, indignant, helpless, and Frank chuckles. “You still think about me suckin’ you off, David?” He asks quietly, moving his hand to pull, carefully, at the button of the fly. The zipper, when he jerks it down, sounds loud in the quiet room. “What was it again? Rough, behind a dumpster? Real romantic imagery, there.”

David’s dick is hot and hard in his hand when he shoves his way past the waistband of his underwear, gripping him firmly. Fingers clutch back to his shoulder, David’s hips twitching into his touch. He leans in, so he’s talking against David’s hair, feeling the softness of those curls as he mutters in David’s ear. “What’s it gonna be, huh? There’s no dumpster, but I know you got a vivid imagination.”

(from Puncture Repair. :Eyes Emoji: amirite?)

“Lemme do this for you, Frank,” David says softly, and he’s begging, quiet and restrained but it’s still begging, pleading to be allowed to touch him. “You’re always giving for me. You never take. It’s not right. Lemme do this.”

(from Puncture Repair. Love this throwback/contradiction to Frank’s obsessive thoughts over how he’s always taking from David.)

David stands at the top of the steps, looking out at the street like he’s waiting for something he knows isn’t coming. He’s slouched more than usual, one arm wrapped around himself, half a hug, and the other held at his side, something glinting in his hand. Frank wonders if he’s drunk, and watches him turn back towards the door and decides both yes, he is, and also that he’s not too drunk. And the ridiculous urge to get out of the van passes when David turns away and opens the door, tossing back the end of whatever’s in his glass as he crosses the threshold. Frank turns the engine back on and pulls away before it can come back.

(from Memento Mori)

If asked why, Frank would never in a million years be able to answer. It’s like asking a half drowned man, why breathe when he’s offered fresh air – because it’s a need. Because he had to. He had to step in closer, bringing his hands up to brush away those tears. And when David surges against him, kissing him? He had to wrap his arms around that shivering frame, had to kiss back.

(from Memento Mori)

Frank remembers Maria touching him much the same way when he’d first come home, and god, that hurts. Hurts his heart, but maybe not as bad as it should, and he doesn’t know if that means he’s healing or not. He doesn’t even know anymore if healing is a good thing – without the pain, he’s not sure he knows how to define himself anymore.

(from Memento Mori)

What they end up doing on the floor, which is hard and cold and not exactly the ideal place, is sloppy and needy and rough. It’s months of pent up frustration, it’s finally allowing something that both had wanted and neither had dared address. Its fast and dirty and satisfying, David’s breath on Frank’s neck rabbit-quick and sharp as they grind together, shirtless, their pants hitched low. Frank thinks he’s got the feel of the hardwood against his back memorized, the way it digs and drags with every thrust and roll of David’s hips.

(from Memento Mori)

He’s thinking about wants and how they creep up on you. He’s thinking about needs, what each person in the world needs to survive, and if affection – not love, not desire, but honest affection – is one of those needs. He’s thinking about his children, dead and buried, and sleeping upstairs.

(from Memento Mori)

By some miracle the kids actually obey, letting Frank loose and running off to go chatter at David a million questions – When had Frank gotten there, where had he come from, was he staying, how long was he staying –before the tears rise in Frank’s eyes. He’s shoving them away with the heels of his hands, trying to play it off as rubbing the sleep out of his eyes, but when Sarah envelops him in a hug of her own, he knows she knows. She holds his face against her shoulder, curled over him as he sits, and combs her fingers through his hair.

(from Memento Mori)

That’s how he ends up with a fully furnished house – not just a couch and a bed to sleep on, but a table to eat at, an easy chair David likes to lay across the arms of rather than recline in normally, a coffee table he puts his feet on and Sarah, when she catches him, slaps him on the shin to make him stop, despite it being his.

(from Memento Mori. I know this is a dumb bit, but like... domesticity...)

That’s all the justification Frank needs to bring her home, and then – well would you look at that. The house, it’s… well. With Molly to come back to and a bed to sleep in, a kitchen he feels obligated to keep stocked with food because why else should he be paying for the electricity to power the fridge, a living room he entertains David’s family in sometimes – all the sudden, it’s not just a house. It’s home.

He has a home.

He blames David for that. Blaming is easier than thanking.

(from Memento Mori)

Home is three blocks away, with his dog and his own bed, but sometimes home is here, too.

(from Memento Mori)

When he’s home, though, he’s known. He is Frank, just Frank, and he is loved. He loves in return, and god – god but it’s good. It’s about the living, it’s about the living.

(from Memento Mori)

He doesn’t say he loves them, but he shows it in everything he does. He’s working up to it, working up to externalizing the things he feels so deeply. This is his family, and he won’t let anything happen to them this time. He has a second chance and he will do it right this time.

(from Memento Mori, also WHY DID I DO THIS)

Something crashes in the kitchen and the laughter cuts off as everyone turns to look at Sarah. Frank meets her eyes as her skin darkens and breaks. He’s on his feet and she’s crumbling, blowing apart in the barest breeze. Leo screams, and Frank’s head snaps back to the table, away from the horror of Sarah turning to dust, to look at his little girl and see – “no, no, no” – her skin going dull, her outstretched hand crumbling to ash as she reaches for – “no, no, no” – David, who sits in stunned shock, looking at his own crumbling hands and then up at Frank, those piercing eyes pleading in a way they never had before, and he breathes the softest curse, almost a laugh, before his face is gone and Frank looks across the table and there’s Zach – “no, no, no, wait, no” with his hands pressed flat to the table, all eyes as he watches, helpless, alone in the way the solemn child often seems to be, and slowly falls apart.

(from Memento Mori)

When he opens his eyes, he’s alone. Some trick of the breeze stirs the ashy dust in the air, drawing it toward him so his dark clothes are filmed with a fine coating of it, so he’s breathing – he gags and covers his mouth and nose, struggling.

The dust – the dust which is his family – is so thick now, floating aimless in the air, directionless as the breeze from the open door settles again. There are piles around the table and on the kitchen floor, piles of dust that he can identify by location but by no other factor as his – “oh god.”

(from Memento Mori)

When he feels a cold, wet something press against his ankle he jumps, startled, whipping around to find the threat, something – but it’s only Molly. Molly, looking scared, shivering, but whole. Molly is still here and he clings to that as he goes through the process of finding her leash, putting it on her. They need to leave the house. He can’t be here, he can’t keep – the dust is in the air, the dust is them and he can’t hold his breath so he’s breathing –

(from Memento Mori)

Memento mori, he hears David explain to him, deep in his head, in his memory. You will die.

Except it’s never him that dies.

For the living, it was for the living, the living.

Someone has done something monumentally stupid, and whether it was intentional or not, they’ve hurt his family. They’ve taken from him.

For the living, memento mori

He pulls out his phone, the very same one David left for him so long ago now, and he calls Curt. There is no answer, and his fingers leave dusty prints where the brush the numbers. He chokes out something approximate to ‘Call me ASAP please’, but he doesn’t think Curtis is in a way to make phone calls.

(from Memento Mori)

Well, Frank knows monsters, and he knows they can die.

Memento mori.

He knows he can put them down.

You will die.

He can only hope.

(from Memento Mori)

“Here in public?” David intones, thoughtful and pleasant, miles away from his old habitual nervousness. “Think about all the attention we’d get. You wanna get Pete in the papers? Maybe someone with a camera phone and a steady hand get you up on YouTube; Brave Man Fights Off Would-Be Gunman. The text doesn’t point out your pretty necklace, but everyone sees it. Everyone knows, and when the smart ones watch, they recognize the way you move. Is that how you wanna get back in the public eye, Frank,” David murmurs, smug and calm, gun pressed steadily against his spine, “everybody wondering who’s bitch you are?”

(From Never)

He thinks about the bullet tearing through, shattering everything in its path. This close, it’d be a horrific mess. Almost certain death.

His cock is hard against the sheets, and what that says about him, he doesn’t want to examine much.

(from Never. I fuckin love how fucked up Frank is)

David hasn’t known any touch but his own in almost a year. The little bit of contact he’d gotten from Frank up to now had been accompanied by pain. No wonder he’s trembling. No wonder his hands are white-knuckled fists on his knees.

(from Things Change, My Dear)

When David touches his wing, just the trace of fingers over the upper curve, he flinches away. It’s almost the same, sharp denial he’d shown Karen, and he feels his breath catch in his chest. The was a new war inside him; what he thought he deserved versus what he knew he needed. But ultimately, it was a glance over his shoulder, the sight of David’s face, so sad and so alone and so willing to just accept that Frank wouldn’t allow this after all, that makes him steady himself on his feet and lower his wings, slow and deliberate.

(from Things Change, My Dear)

A kiss is communication. It can say different things. This kiss is soft and questioning, not quite chaste. It says I’m hungry, it says I can wait. It is a promise, and a dare, and an assurance. David never takes more than is offered; David can be a selfish little shit, but he respects boundaries.

So Frank pushes his wings open, a sudden show of force that knocks David back, so his own wings flutter, just barely keeping himself on his feet. Frank turns on David, rounds on him with his wings raised, posturing without meaning to. Later, David will describe to him the way he looks in that moment, his face set, his wings aloft, stepping toward David ‘like the wrath of God’, and he’ll say that, his tone torn between amusement and awe, and Frank will have no choice but to punch his shoulder call him, affectionately, a jackass.

(from Things Change, My Dear)

Frank thinks about pulling away, and all the ways a man can do that. He thinks about loneliness so vast and dark that you were blinded by it. He thinks about the softness of a man and all the ways he could be hurt, all the ways it does and doesn’t show. Eyes so blue they can’t be real, glistening with tears, shining with fury, bright on him with delight.

At some point, he falls asleep too, and that’s better.

(from Things Change, My Dear)

You know what, i’m done, thats all i have in me. next question blease

12. favorite character to write about this year

Frank Castle, David Lieberman, or Wade Wilson. Had fun with all of ‘em.

19. any new fics to start next year

hmm, i don’t really think that far ahead. I plan to finish the last two Important, Main Plot stories for Let Them Eat Flesh before New Years. I have an idea rolling around for more Cablepool/Liebercaste crack and yes you read that correctly, so maybe that.