#about edmond

[ask-the-monster-nest]

Precelebration for Eidens birthday!!

Which will be on the 16th

Plus birthday letters.

Aster and Morvay

Yakumo and Edmond

Olivine and Quincy

Kuya and Garu/Karu

Rei and Mods

[ask-the-monster-nest-xxx]

A snippit from Edmonds h scene. I would love to have someone look at me like Eiden is looking at Edmond.

[lukasadss]

Count of Monte Cristo eating up my brain

[inprnt | RB]

[mervynbunter]

TIME BANDITS (1981), dir. Terry Gilliam

I just love the idea of taking guys that are small and treating them like heroes, treating them like Alan Ladd, almost as tall as Alan Ladd, I think he was about three inches taller than those guys. That’s what the joy of doing it was and giving these guys a chance to get out of their fucking Womble costumes and R2-D2 tin cans and be people. And they all rose to the occasion, they were all brilliant. —Terry Gilliam

[doodledstars]

Free time to draw some summer dudes~

Also, I'm so glad Edmond isn't in this summer banner with Quincy cuz the latter's stole my pities THRICE IN A ROW during the Prison Riot event. I love you Quincy, but c'mon dude, go to Kuya dangit! >:V

[fisheito]

I started reading beastars so now HE's reading beastars .wait

THEY'RE reading beastars

[inafieldofdaisies]

The Count of Monte Cristo (2024) | Season 1, Episode 3 "The Treasure" | Sam Claflin as Edmond Dantès

“You're a funny man, Sinbad. Funny man.”

[mako-neexu]

ITS SO BIG IM CRYING AND SHAKING i love it so much 😭

[hanakihan]

my favorite avengers in their natural habitat

[femrobespierre]

I need to rant about the count of monte cristo: he's honestly terrifying. Franz describes him several times as "pale as a vampire", like a savage beast, the count monologues about how much he hates mankind a lady in Rome thinks he's a vampire and almost faints

I find it fascinating he's beautiful and creepy and menacing and that's when he's closest to being god's justice

[ratatatastic]

"That was a great opening pitch ceremony before the game today! Matthew Tkachuk from the Panthers, Jayson Tatum from the Celtics, threw out the first pitch today. Two St. Louis Champions!" "—Thought they went to high school together, they rode the bus to school together, they won Championships in the same year. That's pretty amazing!" "Well Tatum's one-uped him, he's got a gold medal too. From the Olympics." "Yeah, that's true... So I went downstairs today to go say, 'Hi,' to Keith Tkachuk, obviously, and Matthew. I have this picture of Keith and I, and Matthew when he was 5 years old in front of my locker. So we reincarnated the picture today." "Oh, did you?" "Yeah, it was pretty funny—except for Matthew was a little too tall to stand on the chair this time, and Keith has gained a few pounds as he said. But still one of the greatest people—I think—that will ever be around this city—right there, that guy, Keith Tkachuk. There's his son, Matthew, right there. What a great family! I always say the star of their family is Mrs. Tkachuk. Chantal is, obviously the mom, and she is the star of the show—"

los angeles dodgers @ st louis cardinals | 8.18.24

[ask-the-monster-nest]

The snow falling outside the window has turned the world silver, adding a romantic touch to the winter night. Everyone is busy unwrapping presents, with joyful laughter echoing throughout the mansion and even softening the cold of winter. Master Eiden carries a tray of sweets, his gaze locked upon the exquisitely bound book in Master Edmond's hand, wondering what might be written inside 👀

[ask-the-monster-nest-xxx]

Happy birthday to Edmond!!💖

"L-Libido Chocolate Pure Edition? This has to be another one of the ideas of that shameless fraudulent Grand Sorcerer!"

[lukasadss]

My American buddies I am BEGGING you to go watch The Count of Monte Cristo (2024) when it releases there in December, I need to see more people talking about this movie

[chateau-dilf]

LCDMC Script: The Count, Fernand and Opium

Out of all the cut material from the script there were only two subplots: Maximilien's involvement and the Count introducing Fernand to opium as a cure for his headaches. The latter is by far the largest cut, and the most devastating for myself as Fernand is my favourite. His absence or lack of involvement in the films middle section is noticeable, and I'd also wondered why he's so silent during many of the scenes he's in, lo and behond he had many of his lines cut. But I'll focus on the opium for now as it's an entire character arc we didn't get to see, and really could have benefitted a character who is supposed to hold significance, especially as the final showdown is between him and Edmond.

The opium plot begins, as we see in the film, with Fernand experiencing a headache as he leaves the Count's house, attributed to a 'metal souvenir'. He leaves in a hurry, which the Count later brings up in our first cut scene, which was connected to the poker game:

Fernand experiences another headache at the table, leaves, and the Count follows, helping him with his ether in a move described as having a "strange intimacy." I would have loved to have seen this, the power dynamics at play are excellent - Fernand is vulnerable and insecure (so unlike his arrogant younger self,) the Count's gesture is non-judgemental and kind as he offers him a "miraculous cure." Of course this is all part of his plan, yet there's something to be said about the image of a man smothering the mouth and nose of his vulnerable enemy with cloth and not hurting him, rather helping him. The intimacy is fascinating - here are two men who grew up together, the betrayer and the betrayed, yet when you spend the first 22 years of your life together some part of that intimacy must live on, as much as you might wish it didn't, even if you don't realise it. I would have loved to see Fernand vulnerable like this, too. It adds a layer to his post timeskip character that he could have really benefitted from.

Fernand takes the count up on this offer, arriving at his house in a scene which took place after Haydée talks to Edmond about her trip to the gardens with Albert.

The cure, it turns out, is opium, and the Count leads Fernand to an opium den within the house. We have a vague idea of what this scene would have looked like from this image shared by Pierre Niney on Instagram:

The scene in its entirety:

Ross and I have analysed at length the few lines Fernand has prior to Edmond's arrest and how he absolutely felt superior to Edmond and that he (as part of the Morcerf family) is responsible for Edmond's success and therefore Edmond is forever in debt to him in his eyes. It's either impressive that they still got that feeling across with what they kept, or we think way too hard about these men, or both, but our suspicions were absolutely confirmed by Fernand's dream-memories and the way he speaks to dream-Edmond. I don't believe he ever thought Edmond was even a potential threat to his (at that point entirely nonexistent) romance with Mercédès because he did not even consider Edmond could be on the same playing field.

What's most interesting to me is this dream sequence is in Fernand's mind - it's likely he's had these dreams or thoughts so many times and this is what he tells himself: that Edmond had no right, Edmond betrayed him, it's Edmond's fault, he should have stayed in his place, he wouldn't have made Mercédès happy. Alongside this, he imagines Edmond asking him why he did it and saying he would have given his life for Fernand. It's regret and grief for a friend mixed with extreme entitlement, which ultimately wins.

The scene is quite exposition heavy in a way the film generally isn't, but the majority of the script is the same. They cut back exposition everywhere, so I believe they could have made this scene work and I wish they had. If nothing else, it would have been very fun to see the Count throttle the guy - again, there's an intense intimacy between them, with Fernand once again entirely vulnerable and this time the Count does take advantage of that. We see Edmond wasn't as ready as he thought he was to hear Fernand say such things, and the pure rush of emotion takes over. Equally, I can see why this might have had the potential to feel awkward within the narrative with the Count displaying violence towards an enemy during the middle section as opposed to the climax, however I think we do miss something by not allowing Fernand a scene with such a significance, and the dream exchange between the men is fascinating.

Furthering the intimacy, the opium plot steers us towards a world wherein the two men harbour an old (if imbalanced) care for each other which can neither be completely destroyed nor returned to. Their dialogue leading up to the final duel was intended to follow along these lines:

In the film, we have Edmond tell Fernand "You should have killed me," with Fernand replying "It's never too late." But here the thread of friendship is continued with dialogue of a very different sentiment, immediately juxtaposed by brutal fighting. Edmond's statement that he could have died for Fernand entirely backs up what Fernand imagined dream-Edmond to have felt ("I would have given my life for you.") Fernand rushing towards Edmond would have also mirrored dream-Edmond rushing at him.

The description of Fernand running up the stairs "four at a time" was also used earlier when Fernand was running to Villefort's office to save Edmond.

I am glad the wolves were removed from this scene however, it strips him back to just Edmond, who is now threatening enough on his own without the mask and character of the Count. It's a much more powerful image to see him descend the stairs alone and it's a real testament to how much he's changed.

Finally, after the duel, rather than cutting straight to Mercédès at the church, we were going to be shown the fate of the three villains:

Villefort and Danglars are entirely expected (the former can't exactly go anywhere else...) but Fernand's fate is interesting - rather than having him kill himself as he does in the book, he seems to be reliant on opium, presumably living in his memories now he is alone and disgraced.

The mention of him not wearing his eyepatch could be interpreted in a few ways, but I think this was intended to show his lack of care for his own honour and dignity, why should he care when everything's already lost? It's the cruellest fate of all for a man with such entitlement and complexes of superiority and heroism, and it's entirely deserved.

However, it should be said that a depiction of a disabled, drug addicted villain would have carried ableist connotations and overall I'm glad we didn't see what happened to him or Danglars (though there does exist a photo of the latter.)

It's impossible to estimate how much of this was even filmed, and it's unfortunately unlikely we'll ever know. We know Fernand did not leave the poker table, but we also have an image of Edmond attacking him in the opium den. My best guess would be that the decision was made some time during filming to allow either last minute changes to the script or reshoots of necessary scenes, rather than a whole cut during editing.

I'll save the rest of Fernand's cut content for another post, but the opium plot was the most significant loss and I think it's felt in how unfortunately action-less and hollow Fernand can feel at times in ways other characters don't.

[fangirlintheattic]

SHIRA & HANNAH | Harlan Coben's Shelter ↳ s01e04 (Phantom Threads)