#a-lost-archivist

[ariadosanon]

Nictoria answer my goddamn reblog I know damn well you can see it.

- @a-lost-archivist

Idk what you mean JON. I don’t see SHIT

[prof-snakewood]

Snakewood. Considering several blatantly incorrect posts on your blog, I feel the need to make one thing abundantly clear to you.

The first is that my decisions last night were mine, and mine alone. I was made well aware of the risks, directly told by several people to leave well enough alone, and I ignored them. I acted on impulse, and I paid for it.

What happened last night was entirely my fault, and not the fault of the researchers who ,for the record, knew far better than you did. The Zoroark and his kit are alive because of them. So I don’t want to hear you running your damn mouth and blaming them for my inability to think.

- Jonathan Sims (@a-lost-archivist)

How good to see you’re well enough to insult me, and attempt to cover the asses of the people threatening me with bodily harm.

So good to hear your side of the story. I certainly didn’t mean any harm by my comments.

I have no further commentary on your message. Especially given it’s quite rude, and takes my concern in poor faith.

Hm.

[thinkin-about-berries]

How ah… how familiar are you with multiverse theory?

- Jonathan Sims (@a-lost-archivist)

i uh

i'm not really that uh well-versed in that kinda thing

... please tell me you're joking...?

[suddenly-carrying-pokemon]

...Hm.

So you're an ah... paranormal researcher of sorts, then. Interesting..

Well ah.. if you'd ever like to swap notes with someone from a similar field, I'd be open. I'm honestly a bit curious how the ah.. anomalies of your world differed from mine.

Oh, and my condolences for what happened with your coworkers. I can.. empathize.

-Jonathan Sims, @a-lost-archivist

"Paranormal researcher"... I suppose that's strictly true, isn't it?

I'll have to remember to reach out once I have my feet on the ground, so to speak. Thank you for the offer!

My coworkers? They were nothing but good to me, I'm not-

Oh, the anomaly. Yes. It's... I mean it, you know. I really, truly do not hold it against them. It had to be done, plain and simple. Just because it brought my own insecurities to the surface doesn't give me any right to judge them for doing exactly what protocol dictates.

[faller-fears]

//Hi!! Idk who sent the other anon but I think they're talking abt me? I mean, I'm the only Hisui Jon blog that I know of lmao. Anyways, blog is @a-lost-archivist. Also if you know of any other tma faller blogs lmk. I've been keeping an eye out but they're kinda hard to find

((OOC: Yiiiih, the other anon sent me an ask naming you as well (hello, other anon!)))

((I will let you know if I come across any. The one that I did know of is also inactive now, at least to my knowledge))

[makeshiftloops]

Okay, stick with me here— Jonmartin if you aren’t a coward

(also go support the artist wtf look at how cool that is)

[mydirtyvalentine]

you won’t like the answer

[qua-king-with-power]

Of course. Delilah's a Purrloin, one of a few that make their home with myself. They're a Dark type, and many seem to think that Purrloin are some of the more... exemplary Pokemon that "embody" a Dark type's more less than savory dispositions.

Those people are morons. Of course, they're keen on stealing, perhaps even causing raucous mischief simply to get a rise out of someone, but imagine their surprise when I tell people that after 3 years of letting her prance about my apartment, the worst I've ever had to replace is some paperwork she knocked a mug of coffee onto.

"Destructive" and "disruptive" are misnomers. They apply monikers to Pokemon they cannot handle. Knowing how to keep them from being bored and to seek out help rather than harm separates incapable rubes from myself.

[Photo ID: The rather notable skyline of Castellia City's many docks as the sun sets upon the water. It's practically picturesque, a small Purrloin off-center in the photo, settled on a balcony high above the streets. They're looking out with their tail a very slight blur from moving mid-picture.]

Delilah seems to be enjoying the sunset, at the very least. At least she isn't in the process of knocking my paperwork off the desk.

[the-voldsoy]

it would be SO fun if at the next season finale when whichever characters are still alive are fighting the next Big Bad, Sam pops back through the portal at Hilltop Road (after months of silence and being assumed dead) and casually deals with it. And then the next season is just about whatever Sam and the Archivist were up to in the other dimension.

[felassan]

remember that wild Dragon Age theme park ride (Dragon Age: Flight of the Wardens), originally located in Dubai until it randomly turned up years later (now also oddly-rebranded as "[Not Dragon Age We Swears It]: The Guardian") in, of all places, Skegness England? well, I had to satisfy my curiosity and obsession with obscure pieces of Dragon Age media & archival thereof. and so - actually quite some time ago now - I finally got around to going on a pilgrimage there (which was this whole, like.. heinous harrowing in and of itself, that I will not go into), and I rode it

and to my surprise the original Dragon Age in-ride movie is still part of the ride experience! - complete with references to darkspawn, a Pride demon, dragons, green "rifts", Discount Anders (a Grey Warden[?] mage called 'Eldron'), Discount Yavanna (a Witch of the Wilds called 'Alexia') and Dragon Age: Inquisition soundtrack music. there is also now a new pre-ride movie which replaces the old Dragon Age pre-ride movie as part of the ride's rebranding, and i simply ?¿?

there are also still quite a lot of identifiable Dragon Age props in the fantasy-themed queue-area of the ride (so these must have been part of the whole purchase between parks), including multiple iconic Inquisitor helmets, Grey Warden shields, a Dragon Age dragon (now with DA-dragon identifiable horns.. sawn off??), and several Dragon Age banners, including the Inquisition hairy eyeball, the templar symbol and the Circle symbol. here's some pictures.

[^this image is taken from the video linked below]

I also captured the new pre-ride movie, and you can see it along with the Dragon Age in-ride movie here ⬇️. and so now, with this epilogue to the.. most odyssey of all time, more than two years after the first message about the ride was ever sent to Ghil Dirthalen, this adventure in obscurity and the strange fever-dream meta story of the Dragon Age: Flight of the Wardens era in Dragon Age history is finally complete.

Ghil Dirthalen: The Guardian??? {Overview. - Spoilers All}

[video source & link: Ghil Dirthalen, posted here w/ permission]

some further notes, thoughts and commentary under the cut -

there's a few seconds missing from this capture of the in-ride movie. for the sake of the curious and completion: in them, you're still in the fort and you see lots of 'Wardens' walking and milling around.

a camera in the ride takes two photos of the riders during the ride, which are displayed on a screen on the way out. you can choose to buy these from the Fantasy Island merchandise store. you know those photos of people on log flume rides? it's like those, only of the four riders in a row in the seats. the photos have Fantasy Island branding on them and fire along the bottom, then in two corners there's a bit of a dragon's head and that's about it. the ride photo is the only Guardian-specific merch available at the park.

some of the queue area props appear to be from random other places. like there was a barrel which had something like "1850 distillery" written on it, which is obviously temporally/thematically and universe-ly out of place (not that that's at all unreasonable given the rest of the rideworld lore, there's totally a way it could have gotten there easily hh, see below), and I guess it's a spare or leftover prop from a Western-themed ride or something? others were generic sword'n'sorcery fantasy props (some of these are from the ride's previous life in Dubai though). there are also some pretty random props, like a dead stuffed roe deer's head on the wall and a.. comically large spoon.

there's music playing in the queue area, but it's not DA music, it's generic ye olde fantasy world music.

some folks there mistakenly thought that the long themed lead-up (it was pretty darn long) queue area with the props was the entrance to or start of something completely different, like a haunted house or maze type thing, or was the ride 'experience' in and of itself.

the ride attendant gives you the option of watching the new pre-ride movie or not. I guess they get sick of putting it on and listening to it 9000 times a day (valid), and also cutting it out reduces queue times as it's about five minutes long. it's screened in a little enclosed room at the end of the queue area. you go in and sit down, they show it to you, then you go through another door to the chair machine.

the in-ride movie is blurry and poor quality. I heard someone else who rode it say that it was so blurry that they had no idea what was going on hhh

Now about the new pre-ride movie. first of all, here's the transcript.

Pre-ride movie transcript "Welcome, my friends, to the gates of our kingdom, and the start of your adventure. I know your journey has been a long and arduous climb to get here, but we are grateful that you are the ones that have stepped forward to help us in our quest. I should probably start at the beginning. My name is King Aethelswyth [sp?] and I am the ruler of Elvia [sp?] - at least, what's left of it. You see, six months ago, our world was invaded by giant demons and creatures from another dimension, which now plunder our lands, and continue to destroy our kingdom piece by piece. They came, through a time-rift, from another world, leaving much destruction in their wake. Ever since they came, our people have defended as best they are able, but, we were once a peaceful race, and sadly no match for the giant demons and dragons. Luckily, a few days ago, help arrived. They came through the rift, human in form but with incredible powers, and the ability to not only fly but transform into dragon-like creatures. That's where you all come in. You see, not only have they brought hope to our lands, but also gifted us with technology, the likes of which we have never seen before. This communication device for example - it enables us to talk to each other from great distances without being in the same room. And there is something else, and the reason why you are here. They provided us with plans to create our own machine, which as we speak is being prepared for your mission. I should explain. The machine, although made of metal and advanced technologies we can't even begin to understand, requires biological matter to function; a very specific amount of oxygen, carbon, hydrogen, nitrogen and calcium, all of which you are made from my friends. Once you are connected to the machine, you will be lifted into the portal and instantly dropped into the outer world. You'll be able to fight alongside the guardians and help close the rift once and for all. I won't lie. The mission will be dangerous, but with your help, we can defeat the giant demons, close the rift and save the kingdom. Hahahaha! [dragon roars] Ah, do not be afraid! This is Mia [sp?], one of the dragon guardians. She will help you on your quest and guide you to the rift. There it will be up to you to find a way to close it. My friends, it is almost time for you to enter the machine, and become the guardians! [inaudible] a safe journey. Save Elvia, become the heroes you're destined to be! The gates will open momentarily, as soon as the machine is ready for you. Good luck my friends, and I'll see you on the other side!"

in the linked video, the start of the new pre-ride movie isn't included in full at normal speed as it seemed to be a compilation of whatever random fantasy-themed stock footage the video creator could find, stitched together. but again for the curious and the sake of completion: it starts out panning randomly around SPACE, like at the solar system and of planets and at the Milky Way. for a sec I wondered if it was made up of random old Mass Effect assets. then it shows dragons (FROM SPACE) invading an Earth-like planet where I suppose the Ferelden-y kindgom (formerly called "Noathen", now called "Elvia" or something) setting in the rideworld is now supposed to be set. these invading dragons invade either from space or.. another dimension?? or maybe from the future or both?? [see below], entering through a big green rift. (and they still have the green coloring for the rifts and call it/them "rifts" like in DA, which was honestly so funny to me for some reason). the whole panning in from space start to the movie reminded me a lot of the Easter eggs in the DA and ME games that, while they're just Easter eggs for fun and I don't subscribe to this theory myself (as DA is its own great, self-contained thing), could light-heartedly imply that the planet with Thedas on it is a planet in the MEverse (like the krogan head in the Winter Palace in DAI or the ogre in that ME dlc).

in the pre-ride movie, the kingdom of "Elvia" might have actually been called "Albion", which is the earliest-known name for the island of Britain. (it was hard to make out exactly what the king was saying there) the new pre-ride movie seems like it was made in England and ofc thats a common fantasy setting, so I could see it, especially since the king character's name was something like Aethylswyth, which sounded very "Old English". for me personally, if it was "Albion", it adds fuel to the fire of Caitie's cracktheory/"trying to make this fit"-headcanon for the ride story/lore (see Caitie's original video on the ride's previous life for this), that it's set somewhere obscure and backwatery in Ferelden, which is kinda England- or Britain-inspired. (dont take these thoughts or other thoughts in this post about the lore/canon etc too srsly pls hh, it's just crack for fun and I know tis just an off-brand themepark ride)

on the whole the new pre-ride movie is pretty random. there's a giant in it, but it doesn't look like a DAI giant. (is it his big spoon??) it shows a fortress in part of it which looks a bit like Skyhold if you squint, with the long bridge approaching it as the entrance. at one point one of the dragons that pops up is a dragon designed more in the style of a dragon as they are sometimes depicted in, for example, Chinese mythology and folklore. the "communication device" the king described had me rolling, it's exactly like a Dragon Age Skype Crystal or a working set of eluvians from Thedas.. I wondered if the video creator was inspired some by DAI promo images and took cues from the Inquisitor's green hand/the Anchor, since the king has a green glowing thing on (or in?) his chest. and when the king started listing the elements humans are made of, I was reminded of Fullmetal Alchemist.

also, "through a time rift".. I mean technically Dorian's involvement in DAI DOES show green space-time magic right? Where is this other dimension? ofc I know it's not literally Dragon Age, but it's funny to think about and to try and make it "fit" skhskdhfjhe. is it the Fade? the Void? from somewhere in-between like Tevinter Nights implies exists? or is it the dimension which has Thedas's mundane world itself in it - like maybe the dragons are invading this poor guy's kingdom dimension from Thedas? if so what tf is going on in Thedas?? did Solas' explosion at the Conclave ripple through spacetime and rip holes in the fabrics of other worlds as well - like is Solas out here accidentally causing interdimensional Space Dragon invasions? like, theoretically.. the new pre-ride move does reference the in-ride movie, and in turn the in-ride movie is still Dragon Age (!), so technically the new pre-ride movie IS.. kind of.. weirdly.. canon.

((the pre-ride movie references an "outerworld", implying that even in THAT dimension there's an outer world and an inner world, definitely more than one at least. and back on the dimensions thing, I'm not clear - are the dragons coming from Thedas dimension? or are they coming to Thedas dimension? "they came through the rift, human in form but with powers, the ability to fly [that's Eldron] and the ability to transform into dragon-like creatures [that's Alexia]" implies that the dimension on the other side of the rift - if the helpers came through the same rift as the invading dragons - is Thedas, because that's Eldron and Alexia from the Dragon Age in-ride movie being referred to, and Noathen where they're from is in Thedas somewhere. so some Thedosians have travelled to another world to save it?? Dragons are escaping out of Thedas? but.. from space? but also - the narration is telling us that Eldron and Alexia and the other Guardians brought with them from where they came from, as a gift, incredible advanced technology that the people of Elvia have never seen before. he then gives the example of "this communication device" which could be read meta-ly as meaning the television screen, and of plans to build a machine made of metal and advanced technology (meaning the ride machine you go sit on, which is a themepark machine irl obviously and in the 'world' of the ride, some kind of flying machine). so like.. are Eldron and Alexia from Future Thedas (think Avatar Aang/Korra, when by Korra's time there's like lots more machinery and a more modern feel), a Thedas which has advanced complex machines like idk, AEROPLANES? is that what they mean by "time-rift"? because they specifically did say "time". is that to try and explain the modern machinery? does that mean the invading dragons also came from the future, not just from space or another dimension? the other option: Eldron and Alexia came from alternate universe Thedas, which has more modern technology in it. but Thedosians Time-Travelling From The Future And Also Space And Another Dimension is so funny to me so lets go with that. my headcanon is that on the way to Elvia they also timetravelled through a Westernthemed time period and thats why theres a recent-modern period whisky barrel)).

in the ride's previous life, the explanatory hook was that Eldron made you a special harness or saddle thing with which to ride a dragon, which was what the ride machine was simulating. however now, the hook to explain the machine is that it's a gift of advanced technology powered by carbon, hydrogen, organic matter (Big Oil lmao?) etc. (I enjoyed that this explanatory hook got wackier between eras of the ride's life, much like the whole meta story of this piece of media itself. it was already weird because riding dragons isn't really part of DA. though I don't understand meta-ly speaking this convoluted explanation for the machine. dragon-riding isn't an identifiable or key part of the Dragon Age franchise, so they could have kept the idea that you're sitting on a dragon's back and flying around on that in instead of having this wacky explanation about a flying machine gifted from magical strangers from Back To The Future and it would have been fine. I love it though bc its so absurd)

And Tiny Dragon Alexia from the original ride experience is kinda referenced (unintentionally?) when the king introduces the dragon "Guardian" "Mia", as when she comes on-screen her size or scaling looks small/kinda off, so maybe Tiny Dragon lives on. so now we have Tiny Dragon Alexia, Tiny Dragon Mia, and Tiny Dragon queue prop. it's a Tiny Dragon Conference.

and like I just have so many questions. in her original video on the ride, Ghil Dirthalen wondered at length where in Ferelden/Thedas Noathen could be. where is Elvia? why does the pov of the pre-ride movie proceed downstairs into the room where the king is - like why does the king have his throne in a basement? is he in an underground bunker for safety because of the Space Dragon invasion? why does he say we "climbed" up when we have just gone down into his dungeon? why is the tiny dragon introduced as "Mia" when the tiny dragon witch lady in the in-ride movie is called "Alexia"? does the king's green glowing chest thing work like the Anchor - does he have a chest Anchor.. a Chanchor? where did they get Discount Gandalf from the queue area and why is he exactly like the Ghil Dirthalen Stock Theatre Wizards in her original video? why did they change the kingdom's name from "Noathen" to "Elvia" in the pre-ride movie when "Noathen" was already non-existent in Dragon Age lore? why did they scrub Dragon Age from or avoid Dragon Age in the pre-ride movie but leave the whole Dragon Age in-ride movie intact? are the "Guardians" Discount Grey Wardens? is the king's whole schpeel secretly an evil plot so he that can use our bodies for like necromancy-alchemy? why does the ride run on your flesh and are we about to be sacrificed in a blood magic ritual? do we end up like the husks in Mass Effect after our organic forms are broken down into compounds to fuel the King of Elvia's flying anti-dragon defense tank? is the actor of the king a park staffer who is into larping, or someone's fun nerd uncle who likes DnD? does Caitie not in fact agree that I am very handsome and smart, indeed the World's Most Interesting Guy? 😤 why go to the trouble of sawing off the dragon's DA-dragon horns when the in-ride movie is still Dragon Age?? why are the dragons invading from space anyway like what do they want??? how can I obtain the king actor guy's autograph? where are EA's lawyers? and why is there a giant spoon?

[ariadosanon]

[Pelipper mail!

It’s a box, filled to the brim with various treats and trinkets for Pokemon. Chew toys designed to withstand a Hydreigon, a treat puzzle for Ariados, whatever would qualify as a snack for a Porygon, even something for Darling.

There’s a note attached. It reads:

“My condolences. I’m sorry it had to end this way.

- Jon”]

…. Huh.

Didn’t really see this coming. I expected some kind of threat of pipe murder situation.

Thanks. @a-lost-archivist the team appreciates it.

Respect.

[prof-snakewood]

Snakewood, I understand the urge to defend your expertise and the desire for respect. Believe me I am all too familiar with the sentiment.

But I’ve seen this level of obsession before, and I’m speaking purely from experience when I say it’s not worth sacrificing anything over. Not your time, not your relationships, not your morals and not anyone’s lives.

Good lord what is it with academics…

- @a-lost-archivist

I appreciate your concern, Jon.

I must assure you that I simply had a momentary lapse of emotional regulation. I am not sacrificing my morals, or anyone’s lives for the sake of knowledge. Certainly not my own.

My ‘obsession’ is simply a byproduct of my frustration. I am very focused on the morality of what I do here. This has all been… A terrible misunderstanding. A lapse in my judgement. That’s all.

[briebysabs]

Since I am such a normal individual I’ve decided to attempt breaking down vanoé’s character song “Le Formidable”. I don’t hear much talk about it but the lyrics are just as cryptic and wild as the OP/ED.

Before we get into it, in terms of translation, I could only find one on YouTube that thankfully color-coded the lyrics so I could decipher who sings what. If anyone has any other translations, I’d love to know please. So a bunch of the lines you can kinda figure out who’s singing but here’s how it’s gonna be:

Vanitas =💙

Noé =💜

Vanoe= 💙💜

Simple enough let’s get into it :)

💜: /I want to stay in bed feeling the warmth of the sun and drift in and out of this sweet dream/

Already we’ve mentioned dreaming, a running theme in this song. There is the well-known line Teacher says in chapter 55...

Sleeping, specifically in regards to Noé, is something mochijun makes the audience take note. He can’t sleep without holding something. When he can’t fall asleep, it is highlighted like the night Vanitas rejected Noé drinking his blood. He doesn’t want Vanitas to disappear and I personally like how in the recent chapter, Vanitas stays by his side for a while. Almost like callback to that moment on the train but I’m getting carried away. You get the correlation I’m making, it’ll get very important later on.

We also have those warmth and sun connections to Noé, a large part of his character and Vanitas’ gravitation towards him.

💙: /With this grey weather today, this day will go by without any harmony/

We see Vanitas’ pessimistic outlook on life; grey, cloudy, devoid of color. Devoid of comfort and obviously these two contrasting people will clash but mix together throughout the song.

💜: /Tarte Tatin, Altus Paris! Endless interesting things!/

💙: /It’s always like this! Here and there, endlessly losing sight./

This seems pretty straightforward, Noé is getting distracted by all the wonderful things as usual and Vanitas chastises him. But let’s frame this another way, Noé is choosing to not focus. It’s simpler that way. He’s turning his focus elsewhere to better things, more pleasant things. And Vanitas is trying to wake him up. I’ll explain more in my theory soon.

💜: /What to look for today from this city/

💙: /Ah with all these things/

💙💜: /There is no time to rest/

Simple lyrics here. No comment.

💙💜: /Le formidable! Le formidable! It’s really easy. Just colliding, rolling down, and repeating again/

Here we are entering the chorus. There’s a common thread of repetition in every OP and ED in VnC. Like clockwork, these two have fallen into this pattern.

Colliding- Vanoé meeting, two worlds learning how to come together, joining as one

Rolling down- their downfall, incoming despair and tragedy

Repeating again- they find themselves back where they started, fated to be born and to die

Let me say the first part of my theory and keep this in the back of your head while remembering the lyrics: VnC is not a time loop in the traditional sense but rather a loop of memories. Also keep in mind the first ED Zero: “Now I remember, oh I have never lived a day without you. Untie the layer of memories...”

💙: /This worthless-/

💜: /wonderful-/

💙💜: /world we are walking on. Even not knowing is sometimes nice, right?/

Again, vanoé with different outlooks on life meet each other. But more importantly, we see the display of ignorance or blissful unawareness. We the audience have a vague idea on how this story ends and in a way, so do they. Vanitas knows very well he is doomed and has already entrusted Noé to end his life if it comes to it. But we also don’t know the specifics of their downfall and neither do they.

So this line has a double meaning that refers to the characters and the reader. As yeah it is nice to read vnc and enjoy the happy moments without knowing the painful details of what’s to come.

💜: /Over there something is flapping their wings/

💙: /And these uncountable days pass by. It’s not worth worrying about. So many unknown things, without meaning/

💜: /Escalier! I want to see the bright colors beyond!/

Noé, again giving his attention to supposedly insignificant things as Vanitas tends to see the larger picture, not caring for the mundane. Uncountable days can be matched with the grey weather mentioned earlier. But that also means things are murky, blur together, cloudy. They don’t make sense to Vanitas (such as love, his self-worth, the nature within people) while Noé wants to experience all the brightness of the world.

💙: /I told you to be quiet today, yet here we are!/

💜: /Now you loud person!/

💙💜: /I told you I hardly have time to breathe/

So, hypothetical scenario if we take this song literal: Vanoé is exploring the city because Noe wanted to Vanitas couldn’t say no. Vanitas is fed up and Noé thinks his complaints are aggravating. But this part shows a lack of understanding. They’re yelling about their own hardships but don’t see the other’s perspective.

💙💜: /Le formidable! Le formidable! It’s a simple thing. It’s just finding, losing sight and repeating again/

💜: /I want to dream/

💙: /It’s just a dream/

💙💜: /The world keep walking while not knowing the truth at this point/

Ok there’s a lot to dig our teeth in here. First of all, the finding, losing sight, repeating is another way of describing the colliding and rolling down said prior. Vanoe find each other, they lose each other, it’s fated to happen all over again. Now the big piece here, I want to dream/It’s just a dream. Surface-level interpretation > another instance of their differences. Noé wants be surrounded by dreams and wonder. While Vanitas looks at that beauty and scoff at it, since it isn’t real therefore not worth caring for. But if we read into this carefully, Noé wants to dream. He wants to stay in these memories, he doesn’t want to live in a world without Vanitas.

Let’s go back to OP 1: “I love this world and the light only you give me.”

We know OP 1 is Noe’s POV so let’s ask ourselves why would the Noé we are seeing, the one smiling at all the colors of the world say Vanitas is the only light he has (emphasis on “only”). Because the Noé singing the first OP is operating with far more knowledge and despair. We don’t know the truth at this point. “This world” is not real.

Allow me to offer what I think is happening. Noé and Vanitas meet, they go on this journey of understanding, trust, and love, Vanitas reaches his end and is killed by Noé. Noé lives on. We can tell the Noé writing this story is full of regret and sadness. But why is he writing this all down? He’s retelling the memories, putting them down physically on paper. Two things happened:

a) He exchanged his name with Naenia, wishing to remain in a world with Vanitas in it. Because that wish is still very present, Naenia has great interest in Noé. She mentions seeing him before in Louis but it could be a classic mochijun misdirect and it’s actually from receiving his name in a different iteration. There is that official art with Noé wearing Vanitas’ coat with that goat entity he saw in Gevaudan, pinned to his vest.

However this can only work if Naenia is still around and isn’t resolved/defeated in the memoirs.

b) This is more likely in my opinion. Noé uses the Books and the memoirs act as a catalyst for him to have the world become his memories or for him to live in them. I know only those with blue blood or something can use the books.

Which is why Dr. Moreau had those experiments with Vanitas and Misha. Don’t worry, I already have a theory that Archivistes are some form of blue moon vampires but that is a whole other discussion. Point is, I think the Books of Vanitas are like an Elliot sword situation. Yes, Elliot owns the Nightray sword and carries it around but you don’t know its true purpose in the story until Leo wields it.

Noé causes these memories to replay, perhaps to save Vanitas or simply to dream again. Go back to when he was last happy. But here’s the thing, the Noé in this memory is unaware or ignorant of this, sees his present world as the real one and undergoes the events of the series. Vanitas dies, he lives on, and creates a memory world for himself. Rinse, recycle, repeat. Essentially, the first ED gave it away. The entirety of VnC is a layer of memories. Even the narrator Noé we are hearing is a memory that is trying to manifest a world of his own.

Reality and dreams are all intertwined now and Noé got lost in it. There are leaks in the cracks, for example when Vanitas cries and tells Luna his mother died at childbirth why would he call to her. Initially, you can read this as he’s just missing what he never had. But what if Vanitas’ mother was present in his life 9 memory loops ago but because these memories get further from the truth the more it happens, Noé simply forgot that detail when making the memoirs at some point in time. So now, in the memory layer #52 Vanitas has no mother.

💜: /We will see what we “cannot see”/

💙: /We will know what we “don’t know”/

💙💜: /The final stop of this world that seems to be changing, seems only further ahead/

Noe’s line possibly goes into his Archiviste nature and how he experiences reading memories. It can as well build back into the dream/memory loop thing, he’s seeing things he can no longer “see.”

Vanitas’ line can be drawn to what Noé said during their fight.

Vanitas acts like he has the final word and has a full grasp of how this world/himself works. But he really doesn’t and Noé is living proof of that, proving him wrong on several occasions that there’s still hope, they can’t give up yet, he won’t leave him etc. The final stop of this world is changing, but it’s further ahead. This is a story, a preserved section of time from the past. We gotta ask ourselves... why would the last stop be changing? Again, Vanitas’ death is the final stop but it’s changing, perhaps from the countless iterations we’ve gone through Noé writes the memoirs in a way that delays the ending. So he could remain just a little longer…

💙💜: /Le formidable! Le formidable! Everything is fine. While forgetting, hiding, and repeating it/

💙: /This worthless/

💜: /wonderful/

💙💜: /world we are walking on/

💙: /I don’t know but even so/

💜: /If it can make you smile.../

After this, it ends the song by repeating the first chorus with the colliding-rolling down part so I’ll make this the cutting point. The “everything is fine” totally doesn’t stick out in a story where we know everything will not be fine. The forgetting and hiding goes back to my dream-memory theory, Noé is hiding from the truth in these stacks upon stacks of memories and is possibly forgetting things as they really happened as a result. We already know he isn’t the most reliable narrator. But Noé wants to see Vanitas’ smile.

If it can make you smile again, if it can replay your laughter, why would I ever leave this wonderful lie? In OP 1: “Your laughing was reflected by a daydream”.

I’ll conclude this by saying two things. If you want to get even deeper, you can interpret Vanitas in this song as the voice in the back of Noé’s head. Its just a dream, this world is actually worthless, and Noé is trying to drown out those thoughts. Because yeah they sing lines together but the only time they’re directly speaking to each other is when Vanitas scolds Noé and Noé shouts back, calling him loud. Finally, I could be wrong in all this. I am aware how crazy I may look and I'm so thankful if you read this far.

But yeah if this is anywhere near canon, mochijun must be the most unhinged, absolutely cracked author I’ve ever seen. We’re going into Pandora Hearts levels of intricacy here. I hope you enjoyed my insanity 👍🏼

[wouldtheybecomeafearavatar]

Can I ask—what’s the difference between “by coercion” and “unawareness/conditioning”?

Yeah, sometimes I wonder if the wording is a bit confusing. As it's put in the intro post:

Yes, by coercion: they would go through with it, but only if threatened with a loved one's life or something along those lines.

Yes, by unawareness or conditioning: they wouldn't realize until it's too late or would be raised to be an avatar, unaware their way of existence is not normal.

To explain a bit further (spoilers for several character arcs in TMA):

Coercion means the character would be forced or manipulated into it by someone or something. It requires a degree of awareness of what is happening (otherwise they'd go under unawareness).

Robert Montauk being forced to work for The People's Church of the Divine Host to get his wife back could be an example, though I'm not sure he ever achieved full Dark avatar status.

Basira would have ended up in this category if she'd continued to work for the institute long enough to become an Eye avatar, as Elias forced her to sign the contract under threat of Daisy's life.

I'd probably put Martin in the coercion category too, since he was going along with Peter Lukas and The Lonely to potentially save Jon.

Conditioning means that the character was groomed into it by someone from a young age, or born to be an avatar. It should be noted that this only applies to people or beings who under other circumstances could have made a different choice. A being that came into existence as an expression of a Fear would be manifestation instead.

Agnes Montague is kind of the defining example of this category, though members of the Lukas family being raised into it also count.

I think Gerry Keay could be another example of this. Eye avatarhood specifically wasn't a foregone conclusion for him, but he never really had a chance at a normal life. Willingly may be more accurate; he didn't choose to get involved with the Fears, but he did choose The Eye.

Unawareness is pretty self-explanatory, though I would point out this doesn't mean that the character never realises they are transforming. That (strictly speaking) wouldn't actually work, since becoming an avatar does require an active choice at some point. In this case it's more that the character doesn't realise until they're at the point of no return and the choice they are making is between death or becoming an avatar. If they refuse once they realise it'd be "go along but stop before transformation".

Jon is an example. Coercion could also be argued, given that Elias was definitely pushing him to go further and further using the (false) threat of the Unknowing, but I think Jon was too unaware of how he was being manipulated to go in coercion.

I think Michael Shelley would also go into this category. He was manipulated into it by Gertrude, but he had no idea what was going to happen. His case is a bit of a strange one in general though, I'm not sure he even had any affinity for The Distortion to start with.

At the end of the day, these are just my opinions and you can vote however you want, but I hope this helps answer your question! (Sorry for the essay)

[lonelybeholding]

Yes, for your information. We have been married for the past seven years on five different occasions. Frankly, I'm insulted you never noticed.

Five separate marriages.

Yet you haven't bothered paying any attention. And I thought you were supposed to be observant.

I think that's enough, Elias. Berating your former employee isn't going to do anything worthwhile.

...Fine.

Aye then, welcome! Y’all know where ya are yet? Seen any o’ the local critters wanderin’ around?

I saw a small black rat thing? Though I'm fairly sure it was a bit different, at least compared to all of the rats I've seen throughout my travels.

There have been a distinctive abundance of small tropical birds flittering about. Far brighter than any birds native to London, or even England as a whole.

The beach was also nice. The one we woke up on. The sand was surprisingly soft, and the ocean water was far warmer than I was expecting.

[clonerightsagenda]

Doomed commander from space archives wearing a shirt reading 'I lost a friend to social justice library science'