#a sword Finn / Fionna would use

[foragedmoonlight]

o()xxx[{::::::::::::::::::::::::::::>

[sabertoothwalrus]

hi !! just curious because i was looking at your adventure time episode guide and i love hearing other peoples adventure time takes !! how come you don't like finn's characterisation in together again?

I've talked about it before here and here!

But also I'm gonna say more and share some art I did in 2021 for a rewrite comic that I never got around to doing

So again to reiterate: Adventure Time is usually VERY good at making it feel like time passes, even when you're not watching. It's something about what they don't show that tells you everything you need to know.

Together Again did not do this.

It really really felt like they were avoiding showing Finn as an adult, as if they wanted to leave his post-show life ambiguous. Which, now that Fionna and Cake has shown us literally that, it makes Together Again feel even more wrong?? Like. imagine you have to pick a moment from your life that represents You™ the most. Together Again said that Finn, after living his whole life and dying as an old man, feels most represented by how he was at 17. I do not buy this. I am 25, and I cannot fathom identifying by my 17 year old self. I was a completely different person then, I was still cooking. I can imagine most people feel the same. And ok, so maybe Finn DOES for some reason feel stuck at 17? Explain to me why!! What needed to happen to him that made him feel that way?

And before you just say "it's because Jake died," there's still too much that was left out. How old was Finn when Jake died? What was Finn like, at that point? What else had they accomplished? What was he doing at the time that was on the forefront of his mind? Where/with who did they spend most of their time? Where were they living after the treehouse got destroyed?

It was like,,, it was like the story Together Again actually wanted to tell was about Finn's grief, and how poorly he copes, and how too much of his identity is tied to Having Jake, and how he struggles to move on. But that's not the story we got. I honestly think-- as interesting as it was-- everything with New Death and Tiffany and Lich just did a disservice to the focus, which was Finn trying to get over Jake.

I think Together Again should have gone like this:

Finn and Jake had always planned that whoever died first would wait in the dead world for the other to die so the two of them could reincarnate. Jake dies first. Jake would be able to "watch over" Finn as he lives the rest of his life, so Jake wouldn't miss Finn as much as vice versa, since he'd feel like he's still there with him. Eventually, Finn dies.

Finn's appearance would change with his emotional state. I thought it'd be interesting to show different phases of his life through the stages of grief.

There'd be a room where they could watch Finn's memories. Finn would walk Jake through the events of his life. We SEE exactly how Finn dealt with grief, with heartbreak, with love, with friends, with community. All the good and all the bad.

By the end of it, Finn is quiet. "Jake... when we reincarnate, will we.. lose all of this?" "Well, do you remember anything from any of your other past lives?" "No.. But that's the point. I don't want to forget you." Finn, despite their promise, despite Jake waiting for him all this time, declines reincarnating. He doesn't want to move on, because that would mean forgetting everything. He wants to say with Jake!! He JUST got Jake back!!

“What if— in the future— what if they forget about us? What if they don��t know about all the stuff we did?” We see Ooo in its current state. It’s changed, but it’s clearly been affected by the two of them. Every person they’ve saved, every civilization they helped build, every hero they’ve inspired. They’ve left their touch everywhere. “They’ll know,” Jake says with certainty. “We’ll know.” We see the future, with Shermy and Beth. We see the Finn Sword, and BMO with all their old belongings. Everything stays, but it still changes. Will happen, happening, happened. These have always been the themes of the show. They reincarnate, together.

[inkyycapp]

how i think characters would react

if you got (very) hurt: adventure time edition.

tw/cw : angst, fluff, blood, violence, gore?, terrible story building, implied romance, fionna and cake spoilers, a lot of cringe, self-indulgence, character hcs, etc...

[a/n: this is very sloppy and rush as i made this between classes so it's half edited half not and not at all proof read. forgive me. thank you for the love on my last posts!! i wasn't expecting my adventure time hcs to get the attention it did, thank you so much!! i have finished fionna and cake(twice) so, my hcs might slightly shift a bit. at the moment. thinking of cross posting on ao3. reader is usually always gender neutral in all my posts unless stated otherwise. that's all! i'm open to requests and my dms/pms are open. thank you! new additions as well!! this is all i have, i'm sorry. a few more are in the drafts. please tell me if i missed anything tag and cw/tw wise! thank you.]

[holy shit, fionna and cake's finn. honka honka. i don't deserve a platform.]

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|| it all happened so fast. you could barely recall what happened. one moment you're up-right, after the next you're trying to pick yourself off the ground. your breathing grew more labored at every attempt, and the smell of iron hung heavy in the air. the warm liquid on your hands was a stark contrast to cold that began to wrack your body. it wasn't long 'til your vision faded to black, leaving only questions behind into your last fleeting thoughts. ||

finn.

(the favorite. my favorite.)

-the both of you were exploring an old cave. deep, dark, and damp. it was said to hold treasure far back into the cave, and out of curiosity you both went to explore. what you didn't know was that many people sought out that treasure. many dangerous people.

-going deeper into the cave, you and finn found the treasure, though nothing cool to take back except for a few cool rings. turning on your way out, with your back to the entrance, a sharp pain was felt through your body. looking down you saw the bloodied blade of a sword. you had no time to react as you were shoved off the blade and onto the ground. from there, it was a blur.

-finn would (violently) remove anyone involved. while brutal, he makes sure to end it quick--he doesn't have time for them when you're bleeding out on the ground.

-finn never stopped talking to you, even if you're asleep. it's always optimistic-- he talks about; new things he's found, friends he talked to recently, any new news, old and new stories, the next date he'll take you on, etc... he rambled hours on end in a one-sided conversation. it's how he copes.

-finn's trying to be uplifting. but, by himself he's a mess. he rarely stays at the treehouse because he's too restless. he feels weak, and unable to do anything. when finn's not at your side he's fighting through his feelings. finn had learned it wasn't healthy to use violence as his only outlet, but it makes him feel something that isn't the heavy stone in his chest when he sees you.

-he's a patient man, he knows you'll wake up soon. he just had to be patient. but after around a few days he doesn't want to be "patient" anymore. he wants you to wake up now. finn knows he can't make that happen, but it was a selfish want to keep himself going.

-when you did wake up, he was all over you. there wasn't a time when he wasn't with you, or at least in the same vicinity as you.

-good luck trying to pry yourself away from his arms. this man has fought monsters thrice his size for fun. even your prettiest please wasn't going to work, not this time. you almost died. you could've died and he couldn't do anything about it. those memories never left his brain basket, even when your recovery was going smoothly.

-very anxious about letting you tag along, but knows you'll probably go off on your own if he refuses to take you along. he feels it's safer to allow you to come along, rather than go off on your own. with him, he knows that at least this time he could do better. he won't ever have a repeat of last time.

-finn keeps you close during each adventure, even losing sleep watching the surroundings to be sure no one sneaks up on you. he will refuse to sleep, so you'd have to force him. please give this man all the reassurance, he really needs it. it won't stop his anxiety, or his fear of it happening again, but it puts him at ease. even if it's just a little bit, it helps, nonetheless.

-

fern.

-the green knight has plenty of enemies. of course, fern could protect himself, and you could do the same. however, even if you could protect yourself, there wasn't any chance to protect yourself getting jumped, and a dirty stab to the back. the most dishonorable way to lose to a foe. the amount of ever growing disrespect.

-he loses his shit. sure, he gets mad quickly, but if you were awake to see him like this: holy shit. he grows plentiful thorns, and poison flowers all over himself subconsciously. (he's actually very pretty like this.)

-he's livid, and you're not conscious to do anything about it. and that's just it, you're unconscious, bleeding out on the ground. fern couldn't quite process it just yet. normally you'd stop him from going too far, but you can't right now. that's supposed to never happen. he's confused and angry, and you're not waking up. you're not moving. so, he cuts down anyone involved in a quick motion. he doesn't care how brutal, as long as it's quick. fern wastes no time in picking you up (after managing the thorns and flowers) and taking you to doctor princess.

-fern can't stand seeing you like this. laying weakly on that hospital bed.

-if you think finn's not good at coping, fern is much worse. he doesn't even cope. he's just...there.

-he's so confused, and just shuts down a bit. like he's still there, he's still the green knight-- fern. but, he's just distant. not quite himself-- off.

-fern is unable to wrap his head around what happened to you, but he goes about his 'normal' life. he tries to just go about his casual life without you there, and he's just confused. it doesn't take long before he grows upset, allowing the rage to boil.

-'they used to do that.' 'this was their favorite color.' 'they were supposed to fix that.' 'they like bird houses.' everything reminds him of you. it's impossible to go a single day without a reminder that you're still unconscious.

-i think it gets more apparent when he's out and about as the green knight. he's more violent. but, he doesn't mean to be. it just...happens.

-he's likely not there when you first wake, but when he gets there fern's complaining about everything under his breath. but when he sees you up, that bed isn't just for you anymore.

-he's holding you close, with a firm hold and refusing to let go. he's scolding you for not waking up sooner, and complaining about how life without you was too different. he tried to be casual, but he missed you a bit too much.

-there is also no prying fern off of you-- a common thing between all of them. once you're up, there is no separating you both for a few hours at the least.

-fern is also hesitant about letting you rejoin him on the adventures, but as long as you stay close, and keep weapon on you at all times, he'll agree. but, all of your wounds-- every. single. one.-- had to be medically evaluated as ok, and no threat to your health before anything.

-

farmworld!finn.

(post crown -- pre fionna and cake.)

-he's in shock, not moving for a few moments. he knew why he'd be hated, or hunted down, killed even, but why you? why did they have to drag you into this?

-someone in the many gangs around the parts found you somewhere in the clearing waiting for finn. you both had previously planned a picnic out in a nice clearing in the woods. he was running late. but, once he found you bleeding out and onto grass, he's thrown way off guard.

-finn is quickly trying to pick you off the grass, trying to get you out of there, and dragging you back to his cabin. finn manages to tend to each of your wounds. though, the moment he's done, and you're in a stable condition-- he's leaving the cabin for a few hours.

-he finds whoever did this to you, and doing what he couldn't earlier. finn is driving in the same injuries they gave to you over and over again. he doesn't let up until he's in tears. finn knows that this changes nothing. he knows this won't make him feel better, but he needed to do something. anything. even if it's for his own sadistic pleasure to see the regret on their faces-- to see them like this. pathetically clawing at the dirt in an attempt to ground themselves through the pain-- trying to crawl away from his bloodied hands.

-(robot hand included.)

-finn leaves them with their lives(barely), and a warning before disappearing into the woods.

-he is struggling to cope. finn hold your hand in his abnormally cold one running his thumb over your knuckles. he's constantly checking in on you, and rarely leaving your side. sleeping, and eating could wait. after all that's happened with the crown, you're all he has left. he can't lose you too.

-he stays by your side as much as he can. finn knows he should probably take his mind off of...your condition and stay productive but it's difficult. the only reason the cabin is warm is because if it got too cold you'd start to shake. he makes food only because if you wake up you might be hungry.

-he doesn't know what to do for the most part, just waiting and hoping that you'll be better in no time. a fear lingers deep inside him that you'll worsen the moment he closes his eyes. so, finn stays up. there are times when he has passed out around the house, and when he wakes up he's absolutely terrified; running to check on you, checking to make sure your wounds haven't reopened, making sure you're alive.

-a deep seeded fear the you'll wilt away in his arms. it keeps him up at night-- it eats at him day by day.

-you're finally awake, but even then the fear doesn't fade. he's at you're every call so much that it begins to worry you.

-you'll have to force him, and i mean force him to sleep. you're ok, he's ok-- everything is ok. he can finally rest.

-he's just happy you're still there with him.

-

prismo.

-you? hurt? nope. not on his time watch. prismo has you out of the situation in seconds, without a scratch. he refuses to ever see you in any pain.

-though, hypothetically, if there's ever a time where you do get hurt, and your wounds cannot be fixed with his wish master magic, and he's "too late", he's not so well.

-you're on a comfy little bed in the wishing room, laying on top of him. your wounds are bandaged up, and cleaned, with your breathing finally stable.

-he never leaves you side once. (sensing a pattern in everyone.) it's either him, or a copy of him. when he's granting wishes to whoever manages to make it to his wishing room, he keeps you in the cube with a copy of himself to watch over you.

-tries to make small talk with your unconscious self...it doesn't go well. the owl visits more often only to lay it's eyes upon the slum prismo is in.

-the cosmic owl tries to ease the depression, though fails miserably. if jake is still alive; his visits, brings gifts, barber sessions, the whole mile for his other best bud. it does kinda help, even if it was just a bit-- but, he's greatful nonetheless.

-while he could be doing better, prismo is doing the best out of everyone to be honest(if jake is around). jake's visits have been more than helpful to this guy, and honestly without jake, he'd be worse than just a mess.

-when you wake up he doesn't believe it at first but he's ecstatic. there is never a time where he's not with you, talking your ear off on how horrible it was without you. and while prismo wants to contuine talking you to your grave, he can't deny hearing your voice after so long does wonders to him.

-bonus if jake's around and prismo's like "and i like...really miss her. y'know? like she's right there but she's not..." "no, dude, i get it..." "i'd kill just to hear her voice just once..." "...prismo..." "ah, shit now i'm hallucinating!!" "no prismo, behind you." "jake, don't play into my delusions!" "god dammit prismo." "YOU'RE AWAKE!? FINALLY."

scarab.

-this man is already insane. he already needs therapy. the anger issues on this psychotic man are insane.

-he loses all sense of morality(that he had left) but surprisingly holds off and tends to you first. by sending you back to headquarters for someone to tend to your injuries while scarab spends the next few hours tearing their molecules apart.

-honestly the worst out everyone. like, if he has a chance to off someone, they're going to die but in the most unconventional, painful, most gruesome way possible. he's....coping?

-at this point it's hard to tell with him, one moment he's rambling under his breath about annoyances, the next....he's offically lost it!!

-sadly he can't be at you're side at all times even if he really wants to, but with his job and all that. when given any chance he's right there next to you. he excuses this behavior as protecting you against anyone who might try anything, but in reality: it's just hard to stay away when you're like this. he wants to stay close even if he can't sometimes.

-scarab has difficulties with intimacy, so he finds it difficult to express his concern the "right" way. others see him as uneffected, and taking it too easy, but he is genuinely scared. he's scared that he loses the one person who can see him for what he is. an emotionally fucked up person who can't stand rule breakers.(joking).

-he finds holding your hand a way to ease the tension.

-when you wake up, he just sitting there, holding your hand.

-he's never letting you go anywhere without a weapon three times your size. of course he teaches you how to use it, but just because he wants you to protect yourself when he cannot. scarab views your injuries as him failing as a partner in more ways than one. he should've made sure you could protect yourself even when he couldn't.

-later on after your wounds have healed you're allowed with him on his missions. he denies being scared. reassure him anyways, he really needs it.

e/n: sorry prismo's and scarab's are short! first time writing them :')

[the-possum-writes]

Older Fern Headcanons

Just a few ideas nobody asked for regarding what would happen post war if he survived and grew up into a young adult:

❥Character: Fern Mertens

❥Tags: headcanons, mentions of death, reckless behavior

❥Taglist: @foxpearlwilder

❥After the war he'd become somewhat of a lone wolf. Feeling like he deserves to be away from Finn, Jake and BMO after trying to kill Finn and side with Uncle Gumbald, but it wouldn't last long because Neptr would've snuck into his grass backpack somehow and the two would become inseparable as if being some sort of loser club.

❥I personally would love for him to give a shot at being his own person again like at the end of (do no harm where he decided to take on a new name rather than become Finn) especially after learning there's other Finn variants like Fionna and Farmworld Finn that are technically the same as Finn but have their own thing going on, so he tries and make those grass aspects of his stand out.

❥Lets say he doesn't get rid of the grass demon and that's how he kept a body, either because he made a contract with it or they started going to therapy together, although in exchange there would be no seed for the tree fort until he dies of old age and that's where the new tree blooms from.

❥After the treehouse got trashed Finn, Jake and BMO stayed with bubblegum in her farm until they went back house hunting. Fern doesn't sleep with the boys so that means BMO doesn't pluck his facial hair at night and unlike Finn, he starts growing a beard sooner than Finn does. Although he's enthusiastic over the fact he has facial hair and Finn doesn't, if he lets it grow too much it bothers him when he wears his helmet so he'd keep it trimmed, like peach fuzz.

❥Would potentially have a goatee around the Fionna and Cake time, I think it would be cool mostly because it would make him look like the knight from that Green Knight (2021) movie 

❥He still keeps his Green Knight armor and uses it during heavy hitting fights like when Finn would use the Jake suit.

❥While Finn grows up and becomes a bit buffer Fern would have a bit of arm muscle but in comparison would be a bit more lean (think adult Finn's body type in Obsidian), mostly because he doesn't fight hand to hand as much as Finn does post Jake's death. The bro is too good with a sword. Maybe when he does get bored of it he'll use his axe or try to dabble in hand to hand.

❥Speaking of Jake's death, Fern is still Finn so he would start becoming just a reckless during his own adventures; "oh there's a treasure in the middle of this volcano? I bet I can go through it with a hand behind my back" like, make things harder than they should be under the guise of being more challenging.

❥With Neptr being his bestie who's always on his shoulder Fern would eventually realize it's a dick move to put the little bot in needless danger, so he either leaves him somewhere safe (like turtle princess's library) and continues risking his life or he comes to realize he can't keep speed running his life in hopes of seeing Jake again, so he'd slow down for Neptr's sake.

❥Would always leave flowers for Jake at his resting place, specifically the ones he can bloom on his own.

[s4ndwitch3s]

What's Marceline's place in your AU? Is she like, evil and shit?

-⛵️

Well- since the au is basically my own expansion on the vampire universe in Fionna & Cake, Marceline would still be like how she is in The Star episode, Raised by the Vampire king and pretty evil. (That also means no Simon)

In the Au Marcy originally wouldn't know or care about who VW Fern is, probably only seeing him with Bonnibel's group a couple of times. After seeing his sudden out of control grass demon moments when he uses the grass sword, She would definitely start targeting him when he was with the group so that he'd have to use it, leaving Bonnibel to deal with Fern attacking them just to mess with her, Ultimately leading them to stop bringing Fern with the group.

As for VW Finn, She'd be annoyed that he keeps getting rid of her vampire henchmen because it's not fun when she isn't the one getting rid of them. Other then that she doesn't care all that much about him and thinks it would be a waste of time to deal with him herself.

Here's a lil drawing of the Star Marcy to go with this word dump.

(Oh hey, look, it's Simon)

-My other vampire world au posts-

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[jakesuit0]

Fionna and Cake Review

Mirroring the first episode of the series, “Fionna and Cake” throws us into a new world with absolutely no context. Watching this for the first time with no outside knowledge leaves viewers dumbfounded (definitely check out some reaction videos for this one in particular). Not just from the opening scene, but from Adventure Time’s very first variation on its intro. Natasha Allegri, the creator of Fionna and Cake, sings it. There’s some cool details, like a gingerbread version of Rebecca Sugar replacing the usual Gingerbread Muto, based on her storyboard partner. “Fionna and Cake” ends up being the perfect encapsulation of what makes Adventure Time so special, a feat possibly only matched by the series finale itself. 

It’s super fun seeing alternate versions of the characters, a trend that started here. It’s gimmicky but who cares. The designs are pretty much all superb (thanks Nat!). My only criticism is the baffling decision to make Cake’s eyes white after Allegri’s original art got them right with blue eyes. The casting is just as good. Madeleine Martin (Fionna), Roz Ryan (Cake), Neil Patrick Harris (Prince Gumball), and Grey DeLisle (Ice Queen), make for the best guest voice cast of the series. They sound like the perfect genderswapped versions of the main characters, capturing the core of the regular characters while reflecting their subtle differences. Giving the characters similar but altered personalities really pushes this one over the edge. Fionna is as heroic as Finn, and gets uncomfortable being open about romance like he does. She’s a little more mature and takes situations a little more seriously, as girls mature faster than boys. Cake has the most distinguishing traits. She’s sassier and Jake’s laziness is replaced with a more unfiltered, provocative attitude (“tell Gumball you think he’s hot!”). We don’t see a ton of Prince Gumball, as it’s technically not him for most of it, but he’s the closest to his genderbent counterpart. He even has hints at a darker side, lying about the jelly kinders being alive. Ice Queen is just as creepy and perverted as Ice King, but is more outwardly sinister. When you sound more like Azula than Spongebob, that’s bound to happen. Even her ice magic created clouds are darker and more foreboding. It’s her best and most significant role to date. The characters are just as fun as the main cast are in seasons one and two. If the series was about this version of the world instead, it would still be a great series, and it would have been interesting to see how these characters would have developed differently.

Prince Gumball, like Princess Bubblegum, doesn’t view Fionna as a romantic interest. He invites Fionna to the ball as his “pal”. The age gap is just as much a roadblock as it is for Finn and PB. Ice Queen attacks Gumball with a slush beast. She has the ability to create water and foam, in addition to ice. Ice King lacks this ability, although he probably could conjure liquid water in a hotter environment. This could be tied to Ice Queen’s backstory as a water nymph, explored in Natasha Allegri’s dubiously canon Fionna and Cake comic miniseries. After Fionna seemingly defeats Ice Queen, Gumball flirts with Fionna and asks her out. Cake pushes her to pursue PG, more so than Jake ever does. Cake tags along on the date, as Jake does in “Burning Low” and “Ignition Point”.

They meet with Prince Gumball and Lord Monochromicorn. In addition to having a sick design, Monochromicorn speaks in morse code instead of Korean. I headcanon him as deaf. Too bad it’s his only appearance in the series. It’s funny that the series never acknowledges him as Gumball’s pet/best friend again, like how the PB/Lady dynamic was mostly dropped after “What Have You Done?”. Gumball gives Ice Queen a badass crystal sword. I love how it's just as cool as any of Finn’s swords. They really make sure to put these characters on equal footing to their counterparts. It’s hidden inside a bouquet of flowers, showing that Ice Queen knows what Fionna really likes. I like how it subverts the gender dynamics. Girls can like swords too! She also picks up Prince Gumball a few times which is cool! I did think to myself that there’s no way she has the upper body strength to do that, but realized neither does Finn at this age and I never questioned that! Fionna assures Gumball that she’s not thinking of butts after saying she’ll kick his in a race, meaning that she definitely likes his ass. I’m glad that Cake points out that they were the ones doing the actual work in the race. 

It would be a huge missed opportunity to not get to see this version of the characters sing, especially when they have Neil Patrick Harris. It’s a simple song, but the best of the series so far. The background of the sky with the fireworks, as well as Fionna and Gumball’s hair blowing in the wind, make it truly beautiful. It’s reminiscent of “A Whole New World”. Unlike the scene in Aladdin, Fionna gets to fight during it! I love the blend of action and romance here, it would have sucked for a story about girl Finn to just be a straightforward date. No wonder these characters became so popular. It gave girls a great character to see themselves in and showed that girls can be just as badass as Finn. 

Fionna returns to the treehouse after being asked to the ball as Gumball’s girlfriend. I like the detail that BMO still looks exactly the same, considering he’s genderfluid. Fionna straight up puts on Princess Serenity’s dress. It’s not my favorite Sailor Moon inspired outfit she ever wears, but it’s still gorgeous. There’s some new genderswaps at the ball, most notably Marshall Lee. He was originally going to have a few lines here, but they were cut for time. Rebecca Sugar begged Pendleton Ward to let her work Marshall into the story elsewhere, but he didn’t let up. If this was the only Fionna and Cake episode, I definitely would not have cut his lines. But, I think it’s for the best that they saved something that fans so desperately wanted for another episode. Lumpy Space Prince is there too and it’s funny that he looks exactly the same besides the mustache stubble. We’ve also got Cinnamon Bun with a green dress, a bow, and boobs. I assume CB would have the same name.  

Trigger Warning (Sexual Assault, Feel Free to Skip the Next Two Paragraphs)

The next scene is really intense and I’m glad they somehow got it past the censors. Prince Gumball takes Fionna to his bedroom, locks the door, and starts undressing. It’s a mislead that he’s about to sexually assault her, which is so dark for this show. She backs away and is clearly uncomfortable. They really didn’t shy away from the intricacies of the different gender dynamic, and the danger that girls face from predators. If it were Finn and Princess Bubblegum, it would be just as predatory, but I don’t think Finn would have the exact same reaction. I think he would be shy and embarrassed, but not fearful.  

Ice Queen reveals herself. It’s a great twist and I like that it sidesteps the problematic nature of Gumball dating Fionna. Fionna’s dress being torn in half is great symbolism for Fionna. She can be feminine and wear pretty dresses if she wants while still being a strong, badass warrior. Both sides are Fionna! Cake hears Fionna shouting “get it off me” from downstairs. She also senses that Fionna is in danger. This plays into both the instincts of a pet as well as the duty women feel to protect each other in situations like this. Fionna defeats Ice Queen and frees Gumball. This leaves Cake to find Fionna and Gumball alone in his room, with Fionna’s dress ripped off and his hand on her. Cake immediately jumping to the obvious conclusion is pretty reasonable, even if it is hypocritical that she spent the episode encouraging Fionna to go out with an adult. 

Cake tries on Ice Queen’s tiara, which Fionna knocks off, saying she might “catch her crazy”. It’s interesting because it suggests that Ice King is aware of the effect the crown has on him on some level. Part of Ice King must also see himself as a villain, so there is some amount of self-awareness in him somewhere. I’m trying hard not to address the elephant in the room, but I do like to think Ice King is indeed the one who came up with the finer details and specific lines of dialogue, which is supported by the ending. The real Gumball asks Fionna for a date, which doesn’t make much sense, so I also think that’s just Ice King’s input. Fionna’s mini-speech about not needing a boyfriend and already knowing herself is a really nice ending to her arc in this story. 

Seeing Fionna and Cake profess their love for the Ice King is really jarring on a first watch. (Lord Monochromicorn says “ice” in morse code here!) All of this being fanfiction from Ice King makes the character even more creepy and unsettling. He’s forcing a young boy to listen to his story of a girl version of himself falling in love with him. I don’t think he’s actually a pedophile (“Mortal Recoil”), I just think he’s a fucking weirdo. He put a lot of innuendos in, like Fionna and Gumball emphasizing how large his ball will be and Cake’s tail sticking out at Mo-Chro, in addition to the sexual undertones of the bedroom scene. The episode tosses aside the whole “Land of Aaa” name, an early idea, with Ice King mentioning Ooo in the context of the story. It’s corny but I do wish they stuck with Aaa instead. A lot of the fandom uses it anyway. And yet another episode that ends with Finn and Jake frozen!

This is the most experimental the show has gotten and it’s cool to see them branch out. It’s also the first time Finn only gets a cameo, although his analogue is still the lead. Putting a twist on this world gives the episode license to tell a simple story focused on classic Adventure Time tropes: Finn’s crush on Bubblegum and thwarting the Ice King. Changing the genders of characters is a popular thing for fandoms to do (rule 63), so getting an actual episode with the concept is such a terrific gift for fans. This is one of those episodes that only Adventure Time would do. It paid off, being the highest viewed episode of the first three seasons, and spawning its own massive fandom and line of merchandise. The episode’s outline was much easier and more boring than it ended up being. It called for Fionna going on a date set in a restaurant and didn’t even include Ice Queen. Adam Muto and Rebecca Sugar, who storyboarded the episode, strayed away from the outline to make something much more interesting. 

This episode being Ice King’s fanfiction is pretty ingenious. I understand the disappointment some people felt at breaking the world of a story they were invested in, but this is fixed later on anyway. It also cleverly ties into the backstory behind the episode and the themes of the series. Natasha Allegri, who was the lead character designer for the first two seasons, remaining on the series as a storyboard revisionist for season three, essentially created these characters as fanart, drawing them for fun and uploading them to 4chan. Just like the episode, her comics were a little more adult than the series. They’re hilarious and I consider most of them canon! Her comic of Fionna getting her period is a must read. Even the names of Fionna and Cake were suggested from 4chan anons! Pen liked the drawings enough to want to make it into an episode. There’s so many writers who have worked on the show with their own interpretations of Ooo and its inhabitants, and there’s even more fans with their own headcanons and personal versions of the series. Adventure Time can be whatever someone wants it to be. The series is a success because of all the different ideas brought to the table from a collaborative storyboard-driven show and because it can speak to so many different people. It’s great to have an episode celebrating that. “Fionna and Cake” was born from and is a celebration of fanfiction!

Grade: A+

[tropicalfreckles]

more fionna and cake spoilers

O H YEAH I LOVED SEEING SHERMY AND BETH AGAIN.

Idk if Simon's trip through time to the future Ooo inside of Shermy's head was like before or after the two met BMO and learned about the gum wars (like Shermy could've just stored the Finn sword inside of Beth's interdimensional stomach pocket easily to use again later), but I am still so curious about this incarnation of Finn and Jake.

I really like Beth, too, I remember she's like supposed to be a teenager and Shermy is a kid, and it's another parallel how Jake will always help care and watch over Finn, cause they are best friends for life. I love their pseudo sibling relationship as Beth and Shermy, and how Beth seems to kind of have more of a focused mind that Jake did.

(also find it funny Jake's reincarnation got beef with his tyrannical grandson lmao. She has a good reason to tho Gibbon went crazzy)

Shermy also is adorable, if they ever were able to do a series on those two I'd watch it in a heartbeat. Would be real interesting to see if Marceline and Bubblegum meet them and what their dynamic would be like vs the other incarnations Bubblegum befriended of Finn.

(plus the destruction of the candy kingdom and cryo sleep of her citizens)

Also the pagelings turning into that was damn lol

[gunterfan1992]

Episode Review: ‘Wizard City’ (Distant Lands, Ep. 4)

Airdate: September 2, 2021

Story by: Adam Muto, Jack Pendarvis, Kate Tsang, Hanna K. Nyström, & Charley Feldman

Storyboarded by: Maya Petersen, Hanna K. Nystr��m, Anna Syvertsson, & Aleks Sennwald, & Haewon Lee

Directed by: Miki Brewster & Jeff Liu (supervising), Sandra Lee (art)

An episode focusing on Peppermint Butler’s dark side is something that the fandom has craved ever since the little guy demanded Finn and Jake’s flesh in season two’s “Death in Bloom.” While installments like season five’s “The Suitor” and season six’s “Nemesis” did much to scratch that itch, the story of the Dark One remained mostly unknown…

And after “Wizard City,” it still remains largely unknown. But that’s OK, because instead of focusing on the character’s history, this special focuses on Peps’ quest to relearn magic at a magic school. Put most simply, this special is largely a fun excuse for the show to riff on Harry Potter and The Owl House-style “magic school hijinks,” and it mostly all works.

The special follows Peps quest to go to WizArts (a definite play on CalArts, the school that Pen Ward and Adam Muto, among many others, went to) so that he can relearn magic and once again become one of the greatest dark wizards of his time. Initially, Peps tries to make friends with cool kid Spader and his posse, but once they learn that Peps is not as talented at magic as they had initially thought, they kick him to the curb. It is at this point that Cadebra, Abracadaniel’s adorkable niece who is fascinated with stage magic, enters the picture. Cadebra tries everything in her power to befriend Peps, but Peps pushes back, since she’s not “cool.” It does not matter, though, because both Peps and Cadebra are sorted into the same “house”—the “Skink House—and are forced to work together.

While Peps and his cohort begin learning more and more complex magic, a secret cult of school professors, led by the otherwise caring Dr. Caledonius, are scheming to resurrect Coconteppi, a powerful dark wizard whose putrid heart has been discovered underneath the school excreting a very powerful ichor. The school cult kidnaps Spader and gives him some of the ichor to drink; they hope that because of his talent, he will be able to house the spirit of Coconteppi. This does not go as planned, and Spader is graphically killed (albeit off screen). (In a more humorous moment, Bufo, the scam wizard from season one’s “Wizard,” also ingests some of the ichor, believing himself powerful enough to handle it, but it kills him.)

Eventually Peps and Cadebra learn what is going on. Dr. Caledonius welcomes Peps, believing that he is strong enough to handle the ichor. When Cadebra’s life is put in danger, Peps reluctantly gives the putrid fluid a swig, which infuses him with the power of Coconteppi. Coconteppi-Peps then kills all the cult members before Cadebra manages to remove the ichor from Peps body. For uncovering a heinous plot, Peps is promoted to the highest house, “Salamander,” but he decides to remain a Skink and learn magic “the hard way” with Cadebra as his friend.

As I mentioned near the start of this review, “Wizard City” spends most of its time riffing on the “magic boarding school” trope, with much of the episode feeling like a light-hearted parody of Harry Potter: The characters, after all, are “sorted” into “houses,” they learn various types of magic from skilled “professors,” and they bunk in different parts of a large castle-like campus. Of course, Harry Potter didn’t invent the idea of a boarding school, but when setting your story in a school for magic, it is very hard not to lean at least somewhat into the Hogwarts relation. And this really is a double-edged sword, for while Harry Potter references can be fun here and there, they can also make the overall story feel like a fanfic parody. This special does a good job focusing more so on the characters rather than the setting, but I won’t lie, at times it did feel as if they show was really trying to make you realize it was making a Harry Potter joke.

Of all the characters introduced in the special, the breakout star is easily Cadebra, voiced by Chloe Coleman. Radiating a sort of Mabel Pines energy, Cadebra is the beam of optimism who shines brightly in an otherwise macabre special. There is something about her plucky personality and sense of wacky individualism that charms the viewer. I appreciate how the show compared and contrasted her with her uncle, the one and only Abracadaniel: like her uncle, Cadebra is a good person who wants to help others, but unlike Abracadaniel, she has a sense of courage and fortitude that results in her taking on a Coconteppi-possessed Peps at the episode’s climax. (Say what you will, Abracadaniel stans, but our favorite custodian would never have done that!) Thanks to her bravery and dedication to Peps, Cadebra is easily the heart of the special.

The episode throws an interesting little curveball into the mix by having the ‘ghost’ of Past Peppermint Butler constantly haunt Peps in the here-and-now. Past Peppermint, it seems, was so determined to become a great wizard, he cursed himself, so that if anything were to go awry, his Past self could materialize and set him straight. It’s confusing, but I do think that mixing the “overbearing parent” trope with a curse is a clever idea; it gives the whole special some dramatic heft. The whole setup is made even funnier by the special’s conclusion: After Future Peppermint Butler is ‘defeated’ and the day is saved, Peps reveals to Cadebra that he still wants to be a great and powerful dark wizard… but he wants to earn that power through hard work and determination. (Peppermint Butler might commune with demons, but he would never sell his soul to one for power; Glob helps those who help themselves, ya know?)

One of the special’s strongest points is its background art. Adventure Time always had some beautiful set pieces, and this special goes above and beyond to give WizArts an ancient sense of grandeur and mystery. Ghostshrimp, a freelance artist who was the show’s lead background designer during seasons 1-4, return for this special as a “visual developer”—basically, he mocked up a bunch of rough designs for the locales, and then the episode’s background artists worked up the final pieces in his style. On his podcast, Ghostshrimp mentioned how hectic he found Adventure Time to be, because he was used to taking his time on pieces. As such, the decision to bring him on for just development was smart, as it allowed him to still come up with iconic background designs while also playing fast and loose with everything. Hopefully the show will continue this approach with the Fionna and Cake miniseries that is coming up. After all, Ghosthsrimp’s style is the look of Adventure Time.

Another strong point for the episode is its voice acting. For one thing, you have your regulars like Tom Kenny and Dana Snyder, and Duncan Trussell, who all give a solid performance. But to voice many of the special’s new characters, the show brought on a bevy of fun actors: Saturday Night Live’s Bill Hader, for instance, is now voicing Bufo, and he does a solid job hamming up his role as the old fogey. And then there’s Toks Olagundoye, whose British accent gives Dr. Caledonius a sense of knowledge and expertise. To my delight and surprise, SungWon Cho, an internet personality and voice actor perhaps better known as ProZD, was tapped to voice Brain Wizard, and he does an excellent job. And finally, Anthony Stewart Head, a very talented actor who I know best as Giles from Buffy the Vampire Slayer, voices Con Wizard, and is even given a fun little ditty to sing. I can safely say that the voice acting in this special is likely the best of the bunch, and it’s obvious that the actors were all having a great time playing their parts.

What drags the whole thing down, in my opinion is the excessive murder. (I joked on Twitter that during the climax of “Wizard City,” it felt like I was watching an Adventure Time-ified version of Invincible!) Infused with the power of Coconteppi, Peps goes on a brutal killing spree, boiling Potable Wizard into steam, zapping Dimension Wizard into another plane of existence, smashing Berdzerd, and—perhaps most graphically—excerebrates (had to look that word up!) Brain Wiz. On Twitter, @sometipsygnostalgic​ argued that while, yes, the scene is startling, it does wonders to transmute “a poor Summer Camp Island knockoff [into] Adventure Time chaos.” The more I think about it, the more I think that’s a fair point; after all, this is hardly the first dark thing that has happened in Adventure Time. But the part that I cannot really stomach is the fact that Spader was murdered for no real reason, and the special ends without anyone really expressing their horror at the situation. Sure, Spader was a schoolyard bully, but he was also a child. And killing a child—either for the drama or the lulz—feels decidedly out of place in an Adventure Time episode. It’s hard to express, but it just felt unnecessarily nihilistic and mean-spirited.

All things considered, I think this was a fun episode, but it was somewhat underwhelming for a ‘finale.’ Much of this is because it had to air after the perfection that was the back-to-back “Obsidian”/”Together Again” wombo combo. But I can’t help but feel like this special just felt a little... off. A little too meanspirited, and it leaned a bit too much on standard tropes. Still, it was a fun spin, and I know that I’ll rewatch it.

Mushroom War Evidence: As Peps rides the bus to school, he passes a bunch of abandoned houses, some of which are buried in the ground. There is an unexploded bomb above the fossilized elephant in the school. Cadebra has a dream that takes place in the ruins of a city.

Final Grade: B+

[silyabeeodess]

FusionFall Retro 2019 Holiday Event Fic: Icy Imagery, pt. 2

Previous: https://silyabeeodess.tumblr.com/post/189843252259/fusionfall-retro-2019-holiday-event-fic-icy

The next day—bundled in layers of clothes with a large, black sweater draped over her—Silya marched up the spire to find around a dozen soldiers at one of its lowest bases all gathered by the Ice King’s all but forced invitation.  Everyone had a holstered weapon, but fortunately, the area had already been cleared of Penguin Pests.  The Ice King had manifested a table beforehand, and had laid a small spread of chips, veggies, dip, liters of Super Porp, and what looked like some kind of potato salad, but they were either slushed or frozen by the time anyone got there. Despite this, everyone had one snack or another pushed on them.

Waiting for the last of the stragglers to arrive, Silya sloshed her iced drink around in its cup without taking a sip, not for the first time that day rethinking her decisions in life. She wondered how insane she had to be to let herself get talked into this and whether or not it would amount to anything.  Maybe she’d just spent so much time as one of Dexter’s lab rats that rational thought had abandoned her a long time ago.

Whatever the reason—passion, desperation, or her own madness—there she was, standing in the cold, about to take lessons from a raving lunatic.  Well, at least she wasn’t the only one crazy enough to be there…

Even if only a few others showed up after her.  Their pitiful numbers didn’t deter the wizard: He just glanced them over with a thoughtful pout and affirming nod before deciding to himself that they’d waited long enough. He raised his arms in a calling gesture, “Alright, alright, everybody, settle down.”

No one was saying much to begin with, all dialogue confined to a dull murmur, but they stopped to fire incredulous glances at him all the same.

The Ice King took on an authoritative persona that was almost comical, pacing in front of them as if he were their commander, ready to lead them into battle.  “Now, I’m sure you’re all wondering why I’ve called you here… It’s because your brains are all mush!” He waved his arms at the group. “You’re telling me that you all are capable of drawing from some kind of superpower, but you can’t even use it without a bunch of sciency junk? If it’s imaginary energy, then you should focus on using your imaginations a little.”

“Easier said than done…” someone muttered to Silya’s left.  They were right.  This was just the kind of thing she was worried about.  IE went a lot farther than what the Ice King described—if it didn’t, then it would’ve been seen used in almost every aspect of human life—so, no, just ‘using their imaginations’ wasn’t enough. She glanced back the way she came, already considering her escape.

An uncomfortable silence hung in the air.  Who knew what kind of response he was expecting, but clearly whatever speech the wizard had prepared didn’t go much farther than what he’d already said.  He glanced over the group again, the kind of look of his face that begged for someone else to step in.  When no one did, he held his hands up, “Uh… look, maybe it’d just be easier if I show you.”

A light blue aura shimmered around his fingers, a clear sign to everyone of Ice King’s elemental magic. Some recoiled instinctively, hands lingering by their sheathes and holsters. Instead of directing it at anyone there, however, Ice King instead aimed for the ground.  The magic scattered at their feet, manifesting in crackling icy, geometric patterns.  Then it swarmed around them, a cold chill pouring over them like a sudden, snowy blast of air.  Silya shielded her face from the winds with one arm, reaching for her sword with her free hand in case a stray bolt of ice trapped her legs.

Despite the Ice King’s bad history of encasing people in ice, however, none of them were harmed. Instead, the frosty cloud distorted their surroundings into some kind of strange, starry void washed in shades of green. The spire was gone and they were left hovering in the air.  A mix of excitement and panic took over the group.

“What is this? Where are we?!”

“Is this some kind of imaginary world?”

“It can’t be.  I’m checking the readings now, but I’m only picking up low traces of IE.”

Silya said nothing, taking it all in.  There was no way this could be an imaginary world.  Not that she’d ever had the chance to explore one herself, but no one could just summon one up like that!  Besides, it didn’t look like much of any kind she’d seen from the reports about them: They were always spawned with some kind of wonderland-like element to them. There was nothing here.  Nothing besides them…

Her eyes fell on the Ice King as their brief talk from yesterday entered her mind.  Sure enough, he called them back to attention with a proud grin on his face, “Fellas, you’re in my imagination zone!  Pretty cool, right?” He wiggled his brows. “It’s like a mindscape where anything goes.  Even Finn’s got one of these—and he’s got the imagination of a missing sock!”

“Mindscape?” a young man echoed to her right.  

Were they all currently somehow connected to the Ice King’s thoughts then?  Like some form of telepathy? She grimaced, unsure of how comfortable she actually was with that…

“Yeah, everyone’s got one they can go to.  Or should, I mean, I guess you shmoes never figured that out.  But that’s about to change.”  The Ice King hunted through his robes until he withdrew a worn, ruddy blue book.  “You guys read my fanfiction, right?  Since the ideas are all written out for you, it shouldn’t be a problem bringing Fiona and Cake and the rest into the world.”

Caught between a mix of irritation and guilt, Silya didn’t know what to feel worse.  Did he make us come here just to see if we could bring his fanfiction to life?  It didn’t exactly surprise her: Of course there was a catch.  There was always something like this no matter what villain joined the Fusion Fighters.  On the other hand, he had such an eager, puppy-like expression on his face that she felt bad for him.  She bit her lower lip.  While she didn’t have the hurt to dump her copy, she’d buried that brick of text somewhere so deep into her storage bank she didn’t even know where to find it without combing through everything.  

One look at the others told her that none of them had read it either.  Few of them answered him, and the ones that did had some excuse or another:

“I’ve been fighting fusion monsters, so I haven’t really gotten a chance to sit down with it…”

“Y-yeah! A-and it’d be a shame to rush through the story: It’s so… detailed.”

Miraculously, it worked, although the wizard still seemed disappointed.  He lowered the book, muttering a faint ‘oh,’ before a sudden anger took over him directed at no one in particular. “Well, this was a waste of time!”  The charge of emotion came and went, replaced with an excited smile, “Oh wait!  I can just read some of the good parts aloud right here then!  Makes sense, since it’ll keep us all on the same page.”

This time, at last, Silya finally interjected, raising her voice as a look of dread passed over the soldiers, “I think we’re good, Ice King.”  Caught under his curious stare, she thought up something quick, “Think about it: No one’s gonna know your characters quite like you do anyway, so even if we managed to create them, they wouldn’t exactly be the same.”  

She wasn’t lying: It was a case that happened all the time with imaginary friends.  People had their own needs, desires, and impressions, and those things always imprinted on imaginary beings.  It was even the case with their nanos, who took traits from themselves as often as they did their original counterparts.    

“Artistic interpretation and all…” she finished, scratching the back of her head.  “So, if you want to see Fionna and Cake, don’t you want them to be just like you’ve written them?”

He stared at her hard for a long moment—so long that she wondered if he’d snap again—but instead his expression turned a little sad and he dropped his gaze to the book in his hands with a casual shrug.  “Yeah, sure, but I tried all that before.  Even kidnapped some buddies of mine to find a life-giving mage to do it, but it didn’t work.  Took forever to write all the stories again after that…”

She wasn’t even going to ask: Somehow, she just knew that they and the Ice King had extremely different ideas about “buddies.”  However, it gave her an idea for how they all could get what they wanted.  “How about a trade then?  There this place called Fosters’ that specializes in imaginary friends. They might be able to help out.   You show us how to enter our own imaginary zones and we’ll get you in contact Fosters’.”      

Silya could feel the eyes drilling into the back of her skull from her fellow soldiers.  They could judge her all they wanted.  Frankie would probably kill her for passing the Ice King along like this, but after all the times she’d had to look after Cheese in the Darklands, the young woman felt that turnabout was fair play.  If this was their chance of getting one step closer to mastering IE, then it was worth it: He could make an army of Fionnas for all she cared.

Before she could get an answer though, one of the other Fusion Fighters spoke up, “Wait… If this is a mindscape, then what about our physical bodies?”

The area went so silent that you could hear a pin drop.  All heads turned to them, eyes wide with growing realization.  The wizard answered somewhat dismissively, “Duh, this is an imagination zone: It’s not like I could bring those here.  You’re lucky I was able to get everyone here at all.  I never tried it with so many people.”

“But if we’re all here, then who’s watching our backs in the real world?!”

Continued through the following fic... 

[tedlyanderson]

Annotations for Adventure Time: Beginning of the End issue 3!

Did you enjoy my annotations for issue one and issue two of this miniseries? If so, good news! (If not, shove off!) I have annotations for the third issue, right here waiting for your lovely eyes! Obviously, as with the previous posts, this will have great big massive spoilers for the issue, so take that into consideration. Please enjoy, my pals!

Pages 2&3: Okay, there’s a lot to unpack on these pages, haha. First and foremost is a reference to something other than Adventure Time for once: Jake’s monologue on these pages is a loose reference to one of the very best issues of classic Fantastic Four, number 51, “This Man ... This Monster!” In that issue, among other events, Reed Richards travels through the Negative Zone and muses to himself about the nature of reality:

There are cameos on these pages from a bunch of the “cosmic” things of the AT universe, including the Catalyst Comet, the Lich, a copy of the Enchiridion,  Glob Grob Gob Grod, the Finn Sword, and Prismo (in a rare 3-dimensional appearance). There’s also a herd of Time Lards with clocks on their bellies.

Also in this image, note the most minor and in-jokey reference in this entire series: the satellite on the middle-left with the word “FELIS” on it. In the episode “Fionna and Cake and Fionna,” someone asks Ice King where he gets the ideas for his Fionna and Cake stories, and he replies that they’re “beamed into [his] melon every night.” Later that episode, we see him sleeping as a pink laser zaps into his head, carrying images of Fionna and Cake. I chose to interpret this as a reference to one of my favorite authors, Philip K. Dick, who believed that he was receiving knowledge in the form of an information-rich pink laser beam from a satellite called VALIS. So this satellite, FELIS (get it? like cats?), is the source of the Fionna and Cake stories—in my version of the universe, anyway.

Page 4, panel 4: Chronologius Rex declares that he is the lord of Time, not meatloaf. Meatloaf has been established multiple times as Finn’s favorite food.

Page 5: And here we come to the crux of this issue: Finn’s possible futures. Issue 1 of this series was about Finn’s past, issue 2 was about his present, so naturally issue 3 is all about his futures. Obviously none of these should be taken as “canon;” I just came up with three possible paths Finn might take based on what we’ve seen him do throughout the series. I’ll explain my thinking after the third sequence.

All three of the futures are color-coded—the Candy Knight future is pink, obviously.

Page 6: I love Mari’s designs for Queen Bubblegum—the high ‘80s shoulders are great! My suggestion for Old Peppermint Butler was that he be smoother and shinier, as if he’s a candy that’s been sucked on for too long.

In panel 2, the “Dinner Kingdom” is kind of a half-reference to the Breakfast Kingdom in present Ooo.

And in panel 5, note old Finn’s Jake medallion.

Page 7, panel 4: I am not sorry for the “bunch” of banana soldiers joke.

Page 8, panel 1: Beards are indeed a factor in many of Finn’s futures: pretty much every time we’ve seen an older or artificially-aged Finn, he’s got a beard of some sort. I continue the trend in this issue.

Page 8, panel 5: This is a futuristic version of Founders’ Island, the main human settlement outside of Ooo, fixed up and fully repaired. The implication is that Finn not only returned to the human islands, he also helped fix the place up.

The color scheme for the Teacher Finn future is blue, connecting with the water and sky surrounding them.

Page 9, panel 2: I love Teacher Finn’s design so, so much, you guys. I described him as a lovable old professor, someone with his mother’s compassion and his father’s roguish charm, and Mari knocked it out of the park. Note his Jake hat.

Page 9, panel 3: “Homies help homies: always!” is the Adventure Time philosophy in a nutshell.

Page 9, panel 5: Note that Finn is still using his old, trusty sword Scarlett in this future. She’s even more nicked and battle-scarred, but I’m sure she’s still good in a fight.

Page 10, panel 2: Dodging eggs while fighting was part of Finn’s training from Rattleballs in his eponymous episode.

Page 10, panel 2: When it came to Finn’s human wife, I told Mari to make her look a little bit like a human version of Flame Princess. I figured Finn if has a type, it’s her!

Page 11: The third and final possible future is the Space Captain Finn future, which is green-themed for no particular reason. This future is based on the idea that Finn and his Candy Kingdom pals team up with the remaining humans to build a spaceship to take them away from Earth, which is about as likely as anything else in Adventure Time, haha.

Everything in this sequence is of course heavily inspired by Star Trek: the Next Generation, a show that I love and grew up watching. The Minerva A.I. is the ship’s computer, obviously, warning of “excessive sparks detected on bridge.” Jake is Finn’s right-hand-man, just like Riker was to Picard (and Finn even calls him “numero uno,” like Picard’s “number one”). Lady Rainicorn is the equivalent of counselor Troi, Fern is a bit like Data, and Jake’s skateboarding granddaughter Bronwyn is the hotshot kid pilot, like Wesley. Princess Bubblegum is the engineering chief—she always struck me as preferring the role of scientist rather than royalty, frankly—assisted by Frieda and BMO. Flame Princess, upgraded to Plasma Princess, powers the ship as a whole. And Finn himself sports a beard similar to Commander Riker’s—which is appropriate, as a future version of Finn was voiced by Riker’s actor, Jonathan Frakes!

When coming up with these futures, I thought about what the Finn we knew might be most drawn to doing, and boiled it down to three major options: fighting and defending (the Candy Knight future), teaching and training (the Teacher Finn future), or exploring and leading (Space Captain Finn). For what it’s worth, I don’t really have a preference, or any opinions on which future is most likely—one of the strengths of Adventure Time has always been finding ways to surprise its audience with something that makes total sense in retrospect. If Finn does have a “canonical” future, it’s probably something I would never have thought of, but which makes perfect sense.

Page 11, panel 4: Princess Bubblegum yet again mentions “zanoits,” which are maybe some kind of mysterious particle? It’s a funny word and deserves to be used more often.

Page 12, panel 1: I mentioned in my annotations for the previous issue that I felt bad making Susan revert to her simpler speech patterns, since by this point in the series she’s perfectly capable of using big words. I tried to make it up to her by making her the ship’s communications officer, who would use big words all the time.

Additionally, the “Tuffbone sector” is a reference to Meredith Gran’s Adventure Time miniseries, Marceline: Gone Adrift. In that series, Marceline explores space and meets other races, including the Tuffbones, dog-like alien critters.

Page 12, panel 2: Note that Shelby (the worm who lives in Jake’s viola) is wearing a bandolier similar to Worf’s. I was particularly proud of that idea, haha.

Page 12, panel 4: Jake’s exclamation of “Outrageous!” is a reference to another role by his voice actor, John DiMaggio: it’s the catchphrase of Aquaman, from the Batman: the Brave and the Bold series.

Page 16, panel 3: A “dead world” is another bit of unexplored Adventure Time lore: they’re apparently where people go when they die, but they’re not quite the afterlife as we think of it? Or it is, but there’s a lot of them, like at least fifty? Unclear.

Page 16, panel 4: I had to work in the title of the show somehow.

Page 17, panel 3: I wanted to make sure I referenced my favorite song from the show, “Everything Stays” by Rebecca Sugar, and this seemed like the perfect time to bring it up, as Jake discusses the inevitability of change.

Page 17, panel 4: When I described this panel in the script, I specifically mentioned the series Neon Genesis Evangelion, one of the weirder depictions of the end of the world you can find. I love the image of the enormous stone blocks sinking into an endless sea.

Page 18, panel 5: Chronologius’s epithet for Jake, “starchild,” references Jake’s actual origin as a half-alien creature. I checked the dates, and apparently I finished the script for this issue just a couple weeks after the episode “Jake the Starchild” aired, in which Jake’s parentage was fully revealed.

Pages 20-21: Finn’s final “confrontation” with Chronologius might feel a bit underwhelming—essentially, all he does is convince Chronologius to give them an opportunity to escape. There’s no big battle, no war of wits; it’s already been established that Chronologius is basically invulnerable, so it’s not like Finn could beat him in a fight. It’s not terribly exciting, but that’s kind of the point: over the course of this issue, Chronologius becomes more sympathetic to Finn and his plight, particularly after seeing all the good he did (and might have done) in the world. So it’s less about beating up some big bad dude, and more about convincing someone to act like a pal. In a way, Finn beats Chronologius by making him into a friend.

Would it have been better if the ending was more exciting, action-packed, crazy-style? Maybe! Looking back on it, I feel like I could have given Mari more chances to do cool art stuff—the first half of this issue has some pretty far-out sequences and nifty new things to draw, but the second half is basically three characters talking against a mostly boring background. Thematically I feel like it’s better to have Finn succeed by befriending the villain, rather than just punching his lights out, but it definitely doesn’t have the same visual impact. Overall, I’m still proud of it, but that doesn’t mean it couldn’t be improved.

That’s it for issue three! Join me next time for—issue four?!? Yes! This three-part miniseries is in fact a four-part miniseries, ending with Finn and Jake’s adventures through time! Look forward to it, my chums!

[jakesuit0]

His Hero Review

Finn and Jake save Mini Pri...I mean queen! Holy shit, saving an actual queen instead of a princess. I think this is the only time Finn and Jake rescue a queen that’s not Marceline. Finn and Jake find the sword of the legendary Billy, bringing us a song introducing him. Billy’s Song is season one’s second best song. We get a lot of cool lore in the montage that goes with it. Interestingly, Finn will go on to face a similar situation to every adventure shown in the song. 

-Billy slayed an “evil ocean”, just like Finn will metaphorically do in the appropriately titled “Billy’s Bucket List”. 

-He cast “The Lich King” down, just like Finn will do multiple times. The series main antagonist, originating from the series pitch bible, finally makes an appearance. Since Pen Ward had plans for The Lich since the beginning, it is interesting that he only gets one silent cameo in season one. I’m glad The Lich wasn’t totally absent. This way, he makes an appearance in every season of Adventure Time and Distant Lands (even though Fionna & Cake will probably break it). He is called “The Lich King” in only this episode. I do prefer “The Lich”, it sounds scarier.

-Billy saved Cotton Candy Princess from the Fire Count. Finn saving princesses is his whole thing. Finn doesn’t ever directly fight the Fire King, but he does fight his forces in “The Red Throne” and indirectly results in freeing Flame Princess from the Fire King in “Incendium”. The Fire Count must be an older Fire Kingdom official. It was a missed opportunity to not include a statue or painting of him in “Bun Bun” or have him be the villain of “The Red Throne”, instead of the Flame Lord. Cotton Candy Princess gave Billy a piece of her edible hair, just like PB to Finn in “To Cut a Woman’s Hair”. 

-Also, he fight a bear! Finn faces off with a bear in “In Your Footsteps”, helps Phoebe beat a bear in “Son of Rap Bear”, and fights Fern’s bear form in “Come Along With Me”. Maybe Billy’s bear worked for The Lich like Finn’s bear did.

I love how this song helps give Ooo more history to it. Billy is voiced by Lou Ferrigno, who is deaf. There is a funny story you can find on Youtube told by John DiMaggio, about the Adventure Time crew trying and failing to get Ferrigno to sing like a rock star. 

Finn meets his hero, who has an awesome design, in Billy’s crack. Billy has become old and cynical. He spent his whole life fighting monsters, but it never caused lasting change. He’s now a pacifist and recommends helping people through community service. In a lot of ways, taking part in your local community is the best way for an individual to make a difference. However, we don’t get any indication that Billy is doing anything for the community, so it seems as though Billy has just given up. Billy’s outlook is a possible future for Finn, especially with him outliving his magical dog he went on adventures with. It’s obvious that Finn really looks up to Billy. Not just anyone could convince Finn to stop beating up monsters. This may have been just intended as a throwaway joke, but Jake reveals that he has a secret crush on Jake. Turns out Jake was actually Adventure Time’s first queer representation! Seriously though, bi Jake canon. 

We immediately see the faults in Billy’s very rigid ideology when Finn refuses to fight a dragon to save a cobbler. I agree that community service is probably more beneficial than actively looking for a fight, but this is clearly a time to pull out the fists. Finn and Jake try to find ways to help people nonviolently. They serve free food to the peasants, which would have been an easy and great way to help people if Finn hadn’t put an armor potion in it. The cobbler comes to get some gruel. He seems to know who Finn and Jake are or at least recognize them as heroes as he says Finn and Jake are the ones who are supposed to fight monsters.

Finn and Jake try to cover for the cobbler while he hilariously visits the dermatologist. Finn fucks up by turning a lady’s shoe into a weapon. Finn at least recognizes he isn’t doing well at this type of heroism. Jake gives some wisdom. “Dude, sucking at something is the first step towards being sort of good at something”. This is some good advice. This line from Jake is one of the most, if not the most, commonly quoted line from the entire series. It’s neck and neck with “homies help homies”.

Finn and Jake try being doctors. If Finn’s doctorhood in “Do No Harm” was foreshadowing for his mom’s profession, this episode is foreshadowing for how terrible of a doctor Finn is. Lumpy Space Princess wants plastic surgery. I have no idea how Finn and Jake were able to perform plastic surgery, especially this drastic. Finn also turns LSP into a cyborg. Every time Finn tried to help people through peaceful means, it came with a cybernetic twist. I’m going to count this as the first time the show foreshadows Finn’s love of metallic body parts.

Finn is finally forced to use violence to save an old lady, and realizes it’s morally sound after a speech from her. The old lady also advises not to take advice from old people, which is a paradox. He goes to Billy and shows him the good using violence did. Billy is convinced, ending his slump. He seems to have been convinced a little too quickly considering how stubborn and longstanding his beliefs were. But, I can buy it. It seems that Finn and Jake, these young new adventurers, have given him hope. I would have liked him to still remain a little skeptical on how much benefit these antics have, though. After all, Billy has seen how evil never really goes away. 

This is another season one episode with a unique moral, this time that violence is at least sometimes righteous. And, I don’t really disagree with it. “His Hero” was actually banned on Cartoon Network Australia and Philippines, presumably for the message. I do like that the show would go on to explore other means of helping people. Finn never becomes a straight up pacifist, but he learns to use diplomacy and other means when possible. It would have been interesting for Finn to give another try at the community service thing, following after his mom as a helper. 

This installment should be the season finale. Finn examines if the actions he has engaged in all season are really for the best. We get vital lore. It feels like a perfect cap to the season. It would have been nice if Finn had brought up previous episodes to try to convince Billy of his way of thinking. Unfortunately, Billy will vanish from the show for a while after this.

Grade: A-

Lets see how the actual season finale holds up...